Scroll down to the Motor Stage. Not new news, I know, but a little
reminder doesn't hurt :-)
http://newcenter.com/tastefest/music_2002.htm
jeff
-
To
I was goofin off with the sherlock search engine in my mac and I enter
richie hawtin.
a few differnt common link showed up but this one that was a odd ball on I
click on it turned out to be a fan page with some pretty inaccurate info on
it but it has a link to hyperreal with what says is an
I've been wondering about this track that I've only heard on mixes at
deephousepage.com. I'd post the times and mixes but deephousepage has been
down all weekend () along with klubradio.de, making my weekend
stuck in front of this box not any easier. Its on the Tee Scott mix live at
i just feel like starting a thread about new records comming out. the new
DWIN on kms is real nice.
when the hell is the new sean deason on matrix comming out. are there any
sound clips on the new i can hear. what was seans web address?
both of the new keith tuckers are fresh, Stick it in
aril has a video to go with groove la chord on transmat.com
anyone have any thoughts on the new stephan brown eps. im not sure if i
like them much
burns
_
Get your FREE download of MSN Explorer at
-- Original Message --
From: ryan burns [EMAIL PROTECTED]
aril has a video to go with groove la chord on transmat.com
im about to go watch it.
anyone have any thoughts on the new stephan brown eps. im not
sure if i
like them much
i only heard the
Well, i'm wondering if anyone could post an overall review of Sonar. Having
visited the festival for the last two years, last year i was a bit let down
by the fact that the night venue was so amazingly big and very
anonymous...and therefore commercialism ruled...
Anyone, anyone???
B - Out
I got mine from rubadub .. http://www.rad69.com
-Original Message-
From: Pryor, Ryan N [mailto:[EMAIL PROTECTED]
Sent: Saturday, June 22, 2002 2:18 AM
To: '[EMAIL PROTECTED]
yperreal.org'
Subject: [313] UR- Revolution For Change
I've searched just about
everywhere for a copy of
MDT: I'll look out for some tech-house sets
which i regard as typical (boring) examples of the music...
Possibly, some Eukatech comps from a couple of years ago (can't really speak
for the very recent ones).
The earlier ones were (imho) object lessons in how to make, Phuture,
Hardfloor, Berkovi,
One of my favorites in the wild pitch style has to be:
Photon inc. - Give a little love
A great vocal house tune.
- Original Message -
From: Matthew MacQueen [EMAIL PROTECTED]
To: 313@hyperreal.org
Cc: Fred Heutte [EMAIL PROTECTED]
Sent: 21 June, 2002 4:45 PM
Subject: [313] Wild Pitch
haven't read it yet, but there indeed used to be a hyperreal.com (and
before that, techno.stanford.edu for you geezers).
-d
On Mon, 24 Jun 2002, scotto wrote:
I was goofin off with the sherlock search engine in my mac and I enter
richie hawtin.
a few differnt common link showed up but this
I've mentioned this idea before, and in light of last week's developments
thought it might be an appropriate time to propose this approach once
again...
Although the present situation regarding internet broadcasters has come
about as a result of new technologies, it bears a remarkable similarity
It's refrain is like You can go anywhere you want
but it's in your mind...
That's be Da One Away - 'The Mind' on 2000 Black (cat no 2006 Black). It's
an IG Culture project, and the vocals are by Bembe Segue... great tune! It's
also on the CD version of the US Planet E release of the 2000 Black
Ok,
so I am searching this record by first choice, called let no man put
asunder. I know the original mix form the album Delusion but I am
searching for a different mix here...
So the mix that I am looking for is probably the 'salsoul sg397' remixed in
1983 by Shep Pettibone
and backed with a
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
A friend of mine was telling me this weekend of a Kenny Dixon mix (J.A.N
mix) of the keyboard? player from Funkadelic/Parliament.
His name has escaped me, this thing is recent though,
i believe it's amp fiddler, who has been on a few KDJ releases playing
keyboards.
is the release on KDJ?
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, June 24, 2002 8:08 AM
To: 313@hyperreal.org
Subject: [313] JAN
Memo from Alex Bond of
Maarten Baute wrote on Mon, 24 Jun 2002 about following:
So the mix that I am looking for is probably the 'salsoul sg397' remixed in
1983 by Shep Pettibone
This is quite hard to get , isn´t it?
mine's a Serious Records OUS 3 12 from 1987 with following tracks
A1 - let.. original mix (mixed
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
Yeah, that's the guy, Amp fiddler, Thanks Rob.
Don't know if it's on KDJ, don't think so though.
Anyone else got any info?
Rob Theakston [EMAIL PROTECTED] on 24/06/2002 13:32:35
radioboy(herbert) was as amazing as you'd expect, quite mental and he
had a good onstage presence in a mad professor style.
peaches\gonzales\pan sonic were rock n´roll glitch hop gab core
- tastic!
Francois Kevorkian - amazing DJ, really, really deep house
and techno and he had a huge
hello,
anyone heard this already ?
alton miller - soundscape vibes - MOODS N GROOVES (MG016)
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Hyperreal was a .com back in the mid 90s. It only changed to .org maybe in
96 or 97? I don't know anything of this interview but I wouldn't be
surprised in it existed somewhere...
At 01:16 AM 6/24/2002 -0400, scotto wrote:
I was goofin off with the sherlock search engine in my mac and I enter
Chris Rooney: Francois Kevorkian - amazing DJ, really, really deep house
and techno and he had a huge studio rack of effects that he knew
inside out, he was really into it too...seems to be the only one of those
New York old
timers that actually still buys records, heard the surgeon mix of
sorry thats 27-07 on the saturday. not 23rd...
And yes I cannot wait to see him and Derrick!! what a nite it will be!!
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: 24 June 2002 14:39
To: [EMAIL PROTECTED] Org
Subject: [313] Sonar/Kervorkian
Chris Rooney:
you might want to contact mike perkowitz?
-Joe
- Original Message -
From: Eric Scuccimarra [EMAIL PROTECTED]
To: scotto [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Monday, June 24, 2002 9:32 AM
Subject: Re: [313] hyperreal question
Hyperreal was a .com back in the mid 90s. It only
Bumped into FK at Vinyl Market here in NYC recently and he was knee-deep in
the Minimal/Brinkman/Force/Kompakt corner of the store...
I'd love to hear a Kevorkian Techno set!
=)
m*
- Original Message -
From: Odeluga, Ken [EMAIL PROTECTED]
To: [EMAIL PROTECTED] Org 313@hyperreal.org
Any takers ?
After checking it out it has a no. of VA001 - bsc national sound
detroit on the vinyl
Well is it the same matrix as the fragile? 100% not network before it was
released on fragile (I think)
I think it is the network release(same matrix though)
Anyone got
Oops - cheers, Ian ... Jeez. I could have misdirected a whole bunch of
people.
-Original Message-
From: Ian Cheshire [mailto:[EMAIL PROTECTED]
Sent: Monday, June 24, 2002 2:44 PM
To: 'Odeluga, Ken'; [EMAIL PROTECTED] Org
Subject: RE: [313] Sonar/Kervorkian
sorry thats 27-07 on the
I think drexciya just keep on improving and moving on. A lot
of people will
find out the 12 and album are great in a couple of years time IMO.
They're pushing the boundaries all the time.
Yes, I agree entirelyfar too many techno artists have become way too
complacent and just content
I think drexciya just keep on improving and moving on. A lot
of people will
find out the 12 and album are great in a couple of years
time IMO.
They're pushing the boundaries all the time.
Yes, I agree entirelyfar too many techno artists have
become way too
complacent and
previously..
That's be Da One Away - 'The Mind' on 2000 Black (cat no 2006 Black).
It's an IG Culture project, and the vocals are by Bembe Segue... great
tune! It's also on the CD version of the US Planet E release of the 2000
Black 'Good Good' compilation...
sure it's an i.g project tom?..
Maarten,
Any of: the Salsoul 397 (which came out, I think, in '83) or the Ramshorn
issue with the Accapella will have the mix you're after. I'm pretty sure
it's the Knuckles mix which Ron Hardy played, and that's on the Ramshorn,
though it isn't listed as it on any of the copies I've seen. The
I think there is a strange phenomenon developing, with the acceleration
of technology and culture... it seems people are no longer content to
let artists develop and refine an original sound... instead, after two
or three years, people get upset if artists don't go somewhere new.
To me, this is such a good sign: if anyone knows (and I mean *really*
knows,
at an intimate, even molecular level) what is good quality and *effective*
dance music - FK is amongst that few. Remember his perceptions are partly
honed by near-30 years of experience. The fact that he's prepared to
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
On the subject of Francois Kevorkian, Lost mentioned he had a label called
Click Tracks.
I've never seen anything (or heard) on this label, has anyone else?
B.T.W, Last time I saw him
On the subject of Francois Kevorkian, Lost mentioned he had a label called
Click Tracks.
I've never seen anything (or heard) on this label, has anyone else?
http://www.wavemusic.com/wave-label/6
There's at least one release so far available on Juno:
CREAMER, John STEPHANE K/DYLAN DRAZEN:
Da One Away - 'The Mind' on 2000 Black
sure it's an i.g project tom?.. i always thought it was a shared thing of
dego and ian's
Yeah, I had that in mind too, but just checked and the credits on 'The Mind'
are produced and mixed by i.g. culture at roccana hard place. written by
i.g. culture
Maybe this is nitpicky or a typo, but i could have sworn there was actually
two projects...Da One Away and Da One Way.
With Dego and I.G. being the first project and I.G. and Kaidi being the
second?
Decoding west london aliases is a bit like breaking codes.
-Original Message-
From:
Maybe this is nitpicky or a typo, but i could have sworn there was actually
two projects...Da One Away and Da One Way.
With Dego and I.G. being the first project and I.G. and Kaidi being the
second?
Not sure about that - they're both spelt 'Da One Away' on my copies...
But it's interesting
Forwarding this on behalf of Scape One...
From: Kurt Baggaley mailto:[EMAIL PROTECTED]
To: 313 mailto:313@hyperreal.org
Sent: Monday, June 24, 2002 1:33 PM
Subject: [313] e-bay stuff
A few CD's for sale...
(Carl Craig, Virgo, Eddie Fowlkes, Larry Heard, Various,+ etc.)
TC CREAMER, John STEPHANE K/DYLAN DRAZEN: Tora Chan (Clicktracks
US) 12: John Creamer Stephane K-Tora Chan/Dylan Drazen-Air Pressure
(WM
50086)
What sort of record is it then?? Was/is there a sample?
The thought of John Creamer doing something clicky is VERY intriguing. John
used to help me
Four new audio sketches are available at http://www.bprince.com in the
works-in-progress section.
Deep Space is kind of dubby, with a funky bassline . . . the
transitions don't really work yet. 1:39
Render Farm is tweaky and acidic . . . I've always had a love for
tracks that sound like hard
is 1969 lsd madness on the mainsqueeze comp?..
Yep.
who produced that one - wasn't that dego and i.g?
Yep :) Confusing isn't it? And going back to Rob's point (kinda), it's spelt
'The One Away' on the Main Squeeze comp, but 'Da One Away' on the two
previously-mentioned 12s...
Cheers,
Tom
The second Stephan Brown is either a release (from Realtime records) or
just one of the tracks is as I've got it - the one with the speech - on
that label which was released earlier than the Transmat release. I like it.
MEK
Hey all,
If you are looking for track ID's of any Ron Hardy or other old school
CHICAGO DJ's then call gramaphone records in Chicago and ask to talk to Andy
Moy, he is the old school disco/house expert buyer and can ID and get you
just about anything old you need.
regards, Jason
hmm
this is a rehashed idea to say the least.
mille plateaux has been into glitch for a while and 12k busted open the
whole microsound concept in like 97 or 98
getting in on glitch now is going to be viewed as jumping on the bandwagon
-Joe
- Original Message -
From: Mark S. Krüx
I should clarify that - The second Stephan Brown is either a re- release,
orginally on Realtime records.
Michael.Elliot-Knight
sorry, my comments were re: the premise of clicktracks
- Original Message -
From: :P [EMAIL PROTECTED]
To: Mark S. Krüx [EMAIL PROTECTED]; tom churchill
[EMAIL PROTECTED]; 313 313@hyperreal.org
Sent: Monday, June 24, 2002 1:35 PM
Subject: Re: [313] FK / Clicktracks / Rob Rives...
hmm
I was digging up an article on Tech-house for some other 313 subscribers
and in the article they mentioned the Watford Gap - now I know where
Watford is but what exactly is the Watford Gap? And what is the
significance of it in UK/London life?
MEK
thanks!
Michael.Elliot-Knight
here here!! bravo!
techno fans can be such anal retentive geeks who treat music like science!
innovation is well and good, new styles ok,
but i am really just looking for real ideas and expressions, its about deep
music period as some foolio once said ;) i'll be listening to traditional
detroit
JOHN BELTRAN (aka Placid Angles, Indio) is spinning tonight on KUCI 88.9 Fm
Irvine, CA
Tune in tonight 8-10pm (PST) on http://kuci.org
Since he couldn't make it down to the show BossaSuperNova, he is spinning
tonight on the show
Radio 69. An his dj set will be re-broadcasted this Wed 8-10pm
JT,
I am glad that someone from the list feels the same way that I do!
I prefer a soulful good emotional oldschool Detroit record than the newest
Supa Dupa hype micro Macro sample glitch Hop House record without any
statement or emotion
Look at Jazz for example. There are many artists in
At 18:25 + 24-06-2002, Arne Weinberg wrote:
JT,
I am glad that someone from the list feels the same way that I do!
I prefer a soulful good emotional oldschool Detroit record than
the newest Supa Dupa hype micro Macro sample glitch Hop House
record without any statement or emotion
on 6/24/02 11:48 AM, Brent Kirkwood at [EMAIL PROTECTED] wrote:
To me, this is such a good sign: if anyone knows (and I mean *really*
knows,
at an intimate, even molecular level) what is good quality and *effective*
dance music - FK is amongst that few. Remember his perceptions are partly
scotto wrote:
and the link of the susposid interview
http://hyperreal.com:70/0/music/artist/plastikman/interview.nov94
http://music.hyperreal.org/library/publicity/plastikman/interview.nov94
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Appeared to have touched a few nerves in my comments about Drexicya...
Of course its not all about innovation etc...I like a good tune as much as
anyone...I just think that Drexciya (amongst some others) are ahead of the
pack because they try to extend their sound a bit. More of a defense of
Include me in that request as well - although I can only use CD/tape
formats - thanks!
ME
Tim Maughan
In a message dated 6/21/02 2:42:54 PM, [EMAIL PROTECTED] writes:
Maybe this is on a tangent, but what exactly would people consider to be
tech-house anyway? My personal impression of Tejada at DEMF was that his
sound
would fall under that label, this has always been a curious term however. I
Over the weekend I picked up a copy of the Essential Selections Vol. 2 on
Trackmode... (Theo Parrish Marsellus Pittman)... deep and groovy.
Incidentally, who *is* Marsellus Pittman? Any solo work? anyway good stuff... I
was a big fan of their collaboration on Vol. 1 on Sound Signature (esp.
Ghostly International 2002: Idol Tryouts Tour
Ann Arbor label, Ghostly International, goes on its first tour. Madness
and pandemonium ensues.
Featuring:
Dabrye (aka Tadd Mullinix) (Ghostly, Eastern Developments)
Midwest Product (Ghostly)
Matthew Dear (Ghostly, Plus 8)
Dykehouse (Planet Mu,
test
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