Hey all !
Well, the new sets are up on DreamLabzFM + some older sets are back up
(thanks to an inexpected increase of our webspace):
http://www.dreamlabrecords.com/DreamLabzFM.htm
Cyhl's techno set:
http://www.dreamlabrecords.com/DreamLabzFM/dreamlabzfm_02_2003_cyhl_techno.mp3
(see
hey folks. i managed to score the 2X12 LP of techno! the new dance sound
of detroit today... for a reasonable price. i'm looking forward to a
rewarding listening experience. it's hard to believe that when that comp
came out i thought techno was acid horse - no name, no slogan. i may have
On the subject of production and mastering I can see what
Adrew is trying to say with the way today's techno and
tech-house sounds but that has more to do with the
production aspect of today's music, the types of effects and
sounds people are using in tracks, you really cant blame it on
ProTools
I'm sorry, but I'm not blaming anything on Pro-Tools, it's the people
using it with no imagination, a different point. When a producer stops
using his/her brain and lets Pro-Tools take over their sound, then we get
the situation we have now, with lots of boring tracks - but this is so
obvious
it is interesting to think about the techno! compilation and today's
neo.electro scene. even though the techno! compilation is nearly 15 years
old it is much more neo then the neo.electro fad. how can screaming over
presets be new?
when the indie rock, and neo.electro / electro.clash craze
Pro Tools is really no difeerant that usin a hardware sequencer, it's not
going to compose tracks for you.
Most of today's vynil is either from a CD or DAT master Pro Tools is only
going to make your master sound better if your using it properly, buy some
nice analog outbourd gear, if you want
Far be it for me to enter into a 'debate', but I didn't assert that
Pro-Tools performs composition. However it can have a decisive effect on
'sound'. This is due to numerous factors, such as the A/D converters used
(Digidesign, MOTU, Apogee etc.) and the software itself, i.e. the TDM
system
does berkovi ever come to the D?
-joe
- Original Message -
From: David Gillies [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Wednesday, February 05, 2003 5:44 PM
Subject: Re: (313) detroit in oz
howdy peepz
can anyone tell me if / when / where kelli hand
The only production technique that consistently annoys me is the
over-use of compression. Many producers will say they do it to get
their tracks noticed, or to give them presence . . . I would
suggest, if you find that people only notice your tracks when you
eliminate your dynamic range and make
I absolutely agree, and that's one of the things I had in mind when
writing. The problem isn't compression itself, merely it's use as a balm.
Maybe the visual interface afforded by the likes of Pro-Tools encourages
producers to normalize, compress, or otherwise louden their work? When you
see
I have a copy of Bubble Metropolis in Marble. I was stupid not to buy them
all, but I didn't have any more money on me when I was at the store.
- Original Message -
From: Pryor, Ryan N [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, February 05, 2003 3:11 PM
Subject: RE: (313)
speaking of rare stuff has anyone else got the 'US HAUSE REMIXES' of the 4
hero/manix tunes on reinforced records that came out in about 93? most of
them are on black vinyl but i have the 4 hero/josh wink one on red vinyl and
nobody i know has ever heard of it before...
ab
- Original
I would argue that most people using pro tools are using the LE version
which is very limited in it's effect. once you get a TDM or Mix 24 there are
so many more digital effect you can use. but lets not forget you can still
use all you analog effect you just have to route a signal through them and
Brian 'balistic' Prince wrote on Wed, 5 Feb 2003 about following:
The only production technique that consistently annoys me is the
over-use of compression. Many producers will say they do it to get
An over-compressed track is like a black and white photograph that's
90% flat white and 10%
Does anybody know what it is up with Soulseek? haven´t been able to connect
over the past hours..weird stuff..
Cheers,
Martijn
Searchline
Kruisweg 825 A
2132 NG Hoofddorp
P.O. Box 9292
The Netherlands
Tel. +31 (0)23 564 9000
Fax. +31 (0)23 557 3714
http://www.searchline.biz
Disclaimer:
2 weeks ago Buzz Goreewas spinning over here, some guy booked him with 2
other DJ's who where playing banging looptechno, Buzz was playing the middle
of them. All the looptechno records where extremely compressed, it was just
one solid wall of sound pushing out of the speakers while the records
**
Entertainment UK Limited
Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN.
Registered in England Numbered 409775
This e-mail is only intended for the person(s) to whom it is addressed and may
contain
checkout KneDeep for info as he is signed to them now, hope this helps :)
-Original Message-
From: ::) [EMAIL PROTECTED]
Sent: 06 February 2003 03:09
To: David Gillies [EMAIL PROTECTED], [EMAIL PROTECTED] [EMAIL
PROTECTED]
Cc: 313@hyperreal.org 313@hyperreal.org
Subject:
From the German SLSK forum:
Nir schrieb am 04.02.2003 um 23:23: - löschen
I would like to tell you that it is true that RIAA has gotten an
injunction to temporally shut me down. I am looking to move my server to
other parts of the world where the RIAA will not have as much control over
this. But
Thanks to all those who contributed suggestions, very much appreciated!
Here's the final list I collated:
Rarities
- Final Cut: Deep Into The Cut LP
- Code Assault: Action! [Wizard mix] (Technika)
- Jeff Mills: Mosainga (React) £250!
- Axis 009A and 009B (with the original gold labels)
- Every
The mad piano track is Changes Of Life
-Original Message-
From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 10:21 AM
To: 313 mailing list
Subject: Re: (313) Fw: Jeff Mills Crate Diggin'
Thanks to all those who contributed suggestions, very much
The Gigolo one is called Shifty Disco EP
- Original Message -
From: Tom Robbins/Magic Feet [EMAIL PROTECTED]
To: 313 mailing list 313@hyperreal.org
Sent: Thursday, February 06, 2003 10:21 AM
Subject: Re: (313) Fw: Jeff Mills Crate Diggin'
Thanks to all those who contributed
Man From Tomorrow, The Extremist, The Hacker, Manlike, DNA, Reverting, The
Bells, At First Sight (on various Axis EPs mostly)
Actually, most of these are on Tresor or Purposemaker!
Waveform Transmission vol 1. (Tresor) [esp. the mad piano track - can't
remember title]
Changes of Life
X-102:
Oh, and the Sujects on is -
The Subjects VS Jeff Mills - Dark Matter - Underground Level Recordings (or
just ULR)
I desperately want this record, and a Juan Atkins on the same label. Hard to
find.
- Original Message -
From: Tom Robbins/Magic Feet [EMAIL PROTECTED]
To: 313 mailing list
What a knob - there's loads of ULR stuff on GEMM - really should check
before posting...
- Original Message -
From: Andrew [EMAIL PROTECTED]
To: Tom Robbins/Magic Feet [EMAIL PROTECTED]; 313 mailing
list 313@hyperreal.org
Sent: Thursday, February 06, 2003 10:28 AM
Subject: Re: (313) Fw:
The Gigolo one is called Shifty Disco EP
My copy sounds eq'd really badly, is that just the track or is my
pressing bad? Its the one with Arny on it, if the repressing was
different.
ScottV.
Powered by telstra.com
Well, the one on GEMM is called Future Sound EP - I hope it's the right one,
I've just f*ing bought it!
If you could check though, that would be really helpful - thanks a lot,
Andrew
- Original Message -
From: Wibo Lammerts [EMAIL PROTECTED]
To: 'Andrew' [EMAIL PROTECTED]
Sent:
Another rare Atkins one I'm after is the Interface Records Sampler Vol. 1.
It has a track called 'Sirkut' which appeared on a few compilations
(discogs.com has the scoop), but it's a mutha to find.
- Original Message -
From: Wibo Lammerts [EMAIL PROTECTED]
To: 'Andrew' [EMAIL PROTECTED]
Well i don't know how many records there are on URL (i thought my copy said
ULRT btw.) but i have one called 'Future Sound EP' and it is really
beautiful.
Who or what is ULR and is the same label as ULRT?
[EMAIL PROTECTED]
Well, the one on GEMM is called Future Sound EP - I hope it's
the
I think ULR was a British label, they were affiliated to Labworks (WAY back
in the day!) and they did a lot of harder techno stuff, though obviously
they released the odd 313 release alongside European material. I wonder who
was behind this label?
They could probably do with releasing a
Another rare Atkins one I'm after is the Interface Records
Sampler Vol. 1.
It has a track called 'Sirkut' which appeared on a few compilations
(discogs.com has the scoop), but it's a mutha to find.
Are you sure that is a Juan Atkins track? I have a record from Reel by Real
on Interface but
ULR was a label owned by a UK distributor called Great Asset (now defunkt)
Some of the guys at Prime worked at Great Asset
--
Phil Vernol
Label Manager
Peacefrog Ltd
Unit 205 Westbourne Studios
242 Acklam Road
London W10 5JJ
T: +44 207 575 3045
F: +44 207 575 3047
[EMAIL PROTECTED]
From:
Another rare Atkins one I'm after is the Interface Records Sampler Vol. 1.
It has a track called 'Sirkut' which appeared on a few compilations
(discogs.com has the scoop), but it's a mutha to find.
I've got this, it was a Metroplex sampler and was then licensed to Peacefrog i
think, but was
To my knowledge slsk is only down for maintenance.
This is the most recent message posted on the german slsk board Feb 05 -
1652h:
For the sake of individuals who are still unsure of the current status - Nir
has spoken, not only with Steve at the Napjunk forum, but with others when
he has had the
I love that furture sound ep a 4 track ep with 2 really good tracks...
Re the interface ep was re released on peacefrog although I think it had 1
different track to the interface release
Pretty sure surkit was on both...
I think ULR was a British label, they were affiliated to Labworks
On a completely different tangent, does anyone know who was behind
Rhythmatic's Take Me Back on Network?
It's probably my favourite Network release, aside from FFF
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 11:07 AM
To:
Anyone got a track listing for Atkins' 'Future Sound'
ep? I'm thinking of buying it.
Quoting Andrew [EMAIL PROTECTED]:
I think ULR was a British label, they were
affiliated to Labworks (WAY back
in the day!) and they did a lot of harder techno
stuff, though obviously
they released the odd
mad piano track on Waveform Transmission vol 1 would be the track Changes of
Life!
-Original Message-
From: Andrew [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 4:26 PM
To: Tom Robbins/Magic Feet
Cc: 313@hyperreal.org
Subject: Re: (313) Fw: Jeff Mills Crate Diggin'
The
A lot of the ULR records are labelled the ambient division of Great Asset,
even though none of them are actually ambient at all. The Juan Atkins EP has
this on the label, in fact, although Jay Jay's Cosmic Wig (another release
on ULR I've dug out recently) doesn't.
I've got quite a few old ULR
Robert Taylor wrote on Thu, 6 Feb 2003 about following:
On a completely different tangent, does anyone know who was behind
Rhythmatic's Take Me Back on Network?
It's probably my favourite Network release, aside from FFF
my 12 says that all tracks by Mark Gamble.
(Rhythmatic -
Yep:
A1 - Urban Tropics
A2 - Serene
B1 - Sundog
B2 - Interpret
(Urban Tropics being my favourite track)
Submitted on discogs.com by yours truly! :)
Brendan
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: Thursday, February 06, 2003 11:14 AM
| To:
Speaking of Interface and Juan Atkins, is Vision's Other Side Of Life rare
at all? Bizarrely enough, I had bought it back in 1993 but then forgot I had
it. I downloaded an mp3 of the track in around 1996 and spent years
thinking, I really need to get this on vinyl, and searched everywhere for
it.
Rhythmatic were Mark Gamble and Leroy Crawford. Not sure what else they have
donw, though were they responsible for Cyclone 'A place called Bliss' also on
Network? I agree though, Hold me Back was a great record, remember hearing that
dropped at Sterns in the early nineties and thinking it went
Yep, the peacefrog release had sonar 123 on it, and the white label
'Metroplex Sampler' has the awesome ruffed up dirty mix of 'Sunlight'? from
the ULR ep instead of sonar 123.
_
The information transmitted is intended only for the
I've got this, it was a Metroplex sampler and was then
licensed to Peacefrog i think, but was never fully released
on either, though correct me if thats wrong. I think only one
of the cuts was by Atkins, it also had Mind you Don't trip by
Neuropolotique (amazing track!), Sonar 123 by
Was he the guy who did the Neuropolitique track on Virtual Sex?
-Original Message-
From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 11:42 AM
To: 313@hyperreal.org
Subject: RE: (313) Fw: Jeff Mills Crate Diggin'
I've got this, it was a Metroplex sampler
Yep - thats the guy
Also check 'Facility Junction' on Irdial. A belter.
Robert Taylor
Yep - him and Aqua Regia were the two mainstays of Irdial for most of the
late '80s and early '90s...
| -Original Message-
| From: Robert Taylor [mailto:[EMAIL PROTECTED]
| Sent: Thursday, February 06, 2003 11:43 AM
| To: 'Jongsma, K.J.'; 313@hyperreal.org
| Subject: RE: (313) Fw: Jeff
Oh right, yeah that is the same guy, brilliant compilation... with one of
Stefan Robbers best tracks on it besides 'At les' and Icon
Was he the guy who did the Neuropolitique track on Virtual Sex?
-Original Message-
From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
Sent: Thursday,
i've always been told to step away from my work when painting, to avoid
'overproducing' it. at some point the work is done, and by adding more to
it, or trying to make things look better, the overall picture will loose
it's identity, it's soul.
isn't this the same thing that happens when
Hi,
Further to my Tons of Tones inquiry...Am I right to
believe there were a number of Tons of Tones releases?
The track I'm looking for in particular
is Shehezerade -Reprise Does anyone know which
release this features on?
Quoting [EMAIL PROTECTED]:
Yep, the peacefrog release had sonar
I've got it somewhere - I think there's a Funk D'Void remix on it -might be
on Fierce.
***
This e-mail is from Telegraph Group Ltd. - 1 Canada Square, Canary Wharf,
London E14 5DT.
Registered in England No
Hi KJ,
His track banangate which appeared on the Virtual Sex album also came out
as 12 on Buzz- worth hearing. There was also an extremely good track of his
remixed by Derrick May on a really rare ART CD comp which came out around
92- only heard it twice- totally incredible as I remember
Yeah - I have tons of tones 2 but its not as good as the first imo - dunno if
there were more than this.
:-Original Message-
:From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
:Sent: Thursday, February 06, 2003 11:59 AM
:To: [EMAIL PROTECTED]
:Cc: 313@hyperreal.org
:Subject: Re: (313)
Weren't there a few on Urban Sound Of Amsterdam?
I have a beautiful track called Smooth Touches on a Rumour comp called
TechnoFunk that was on that label.
-Original Message-
From: Neil Wallace [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 12:25 PM
To: [EMAIL PROTECTED];
Yeah there where 5 or 6 Tons of Tones records on USofA and i compilation CD
i think. But i still prefer his work for ESP and 100% Pure
[EMAIL PROTECTED]
Weren't there a few on Urban Sound Of Amsterdam?
I have a beautiful track called Smooth Touches on a Rumour comp called
TechnoFunk that
No offence, but it sounds like you have never used Pro Tools.
There is the free version at digidesign's web site if you want to become
more familiarized with the software. http://www.digidesign.com/
To me you you cant blame what your describing on 'over-production' it's more
like
spw wrote on Thu, 6 Feb 2003 about following:
No offence, but it sounds like you have never used Pro Tools.
There is the free version at digidesign's web site if you want to become
more familiarized with the software. http://www.digidesign.com/
seems that it still is win98/me only on windows
there was a version called ProTools NT not long ago. You could only use it
on a handfull of pc's that Digi decided they would support with WinNT4
running on it.
-Original Message-
From: Sakari Karipuro [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 8:30 AM
To: 313
Subject:
I am looking for three records and will hook up the person
financially.
Andres KDJ 029
Andres Double pack
Jammin Gerald Factory Work on Freak Mode
ESPECIALLY THE JAMMIN GERALD RECORD
I figure this is the right place to do this.
One more thing, anybody have a track listing for
The protools that comes with the digi001 (not the free one) supports XP (and
better yet, digi released WDM drivers so you can use any windows prog with
the hardware) and PT 6 will also run on XP. I am not a big fan of protools
since the midi support still seems a little awkward (compared to
Yee haa! I'd love run a Unix based music system - there's a great article in
Sound on Sound this month (you've probably seen it), about Linux for music.
Somehow I think there's something inherently techno-y about using Unix to do
music!! Call it the geek quotient...;-)
- Original Message
Protools 6 runs fine on OSX and so does Logic 5.x, Cubase SX, Reason 2.0
etc. we just have to wait for people like Native Instruments to convert the
VST apps to Audio Units and then i am really happy :)
[EMAIL PROTECTED]
Yee haa! I'd love run a Unix based music system - there's a
great
House of Suki wrote on Thu, 6 Feb 2003 about following:
$300/hour studio obsolete for dance music producers. Once Windows is taken
out of the picture and companies get a little initiative (how about a custom
Linux distro for Cubase ala final scratch?) we will see the true advent of
Custom
I wanted to use linux for production, but It didn't have the software I want
looking for. until I wrote it. :)
http://www.filter24.org/seq24/
rob buse
[EMAIL PROTECTED] wrote:
Yee haa! I'd love run a Unix based music system - there's a great article in
Sound on Sound this month (you've
These IPOD's rock, I was able to browse to this tune as I read this ;)
I've encoded over 200 cd's and loads of vinyl onto this thing, I recommend
eveyone get one.
http://www.apple.com/digitalhub/buy/music.html
-Pete
-Original Message-
From: FC2 Richards [mailto:[EMAIL PROTECTED]
Sent:
i like the look of thatas soon as i've sorted the Alsa stuff i think i
should try it out.
cheers
robin...
I wanted to use linux for production, but It didn't have the software I want
looking for. until I wrote it. :)
http://www.filter24.org/seq24/
yep ! same info here:
http://www.slyck.com/news.php?story=77
cyhl
http://www.dreamlabrecords.com/DreamLabzFM.htm (new sets are up )
http://www.bastardjazz.com
Oliver Ruehl wrote:
To my knowledge slsk is only down for maintenance.
This is the most recent message posted on the german slsk
In a couple of years I probably still be using old software on
a Mac.
Digital audio is digital audio regardless of what platform your
using and if you have the latest computer model/ operating
system.
All you really need is a decent sound card, a good sound
source, and most importantly good
I read somewhere Fatboy Slim still uses (or at least did on his first
album) Notator on an Atari ST.
G.
spw [EMAIL PROTECTED] on 06/02/2003 15:10:55
To:
cc: 313@hyperreal.org
Subject: Re: (313) production and mastering
In a couple of years I probably still be using old software on
a
possibly, but fatboy slim sucks
ab
- Original Message -
From: [EMAIL PROTECTED]
To: spw [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Friday, February 07, 2003 2:32 AM
Subject: Re: (313) production and mastering
I read somewhere Fatboy Slim still uses (or at least did on his first
possibly, but fatboy slim sucks
agreed.
you don't need much kit to make techno records.
steve poindexter's 'work that muthaf**ker' was completely made on a Casio
RZ1
it's imagination that counts
robin...
I read somewhere Fatboy Slim still uses (or at least did on his first
album)
that's so true
W
-Original Message-
From: Alex Bates [mailto:[EMAIL PROTECTED]
Sent: donderdag 6 februari 2003 17:01
To: spw; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) production and mastering
possibly, but fatboy slim sucks
ab
- Original Message -
From:
This discussion came into my head this morning and I recalled a thing that
happened several years ago. A friend of mine and I (both of us about the
same age) were working at a job (must have been mid to late 1990s) with a
younger guy who was into stuff like Smashing Pumpkins, Radiohead, Nirvana,
He thought the Stooges sounded thin compared to Smashing Pumpkins!! :o
Its strange, I suppose someone who's only used to listening to music on a
digital format must be listening in a totally different way, but to me it
seems that he was mixing up precision with depth...
-Original Message-
Speaking of ipod's, has anyone checked out the archos player/recorder. A
friend of mine mail-ordered it from the U.S.
It's an mp3 player/recorder, with a line in/out - digital in/out, + usb
connectivity (if my memory is correct) and has a 20gig hardrive - all in
the palm of your hand. We mainly
hi list! i know this question was allready asked a lot of times but i really
need to know about this.. we here in Porto Alegre will finally put up a
record lable to show the world this uniq underground techno scene we have
here. but we have a problem and thats money!! we dont know nothing about
Im waiting for the new archos video player - all the same functionality as the
mp3 ones but also plays divxs, reads various memory cards and has a module so
that you can record video from any source.
:-Original Message-
:From: Gerald [mailto:[EMAIL PROTECTED]
:Sent: Thursday, February
- Original Message --
From: scotto [EMAIL PROTECTED]
but I really think it come down to money,
when you can almost buy a whole Pro Tools studio for the price of
one studer
16 track deck.
thats all it comes down to. i really really wanted to record to
tape
-- Original Message --
From: Neil Wallace [EMAIL PROTECTED]
Im waiting for the new archos video player - all the same
functionality as the mp3 ones but also plays divxs, reads various
memory cards and has a module so that you can record video from
any
Are you sure you bought it for your GF? ;-)
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 4:49 PM
To: 313@hyperreal.org
Subject: RE: (313) ipod/archos (was) Fw: Jeff Mills Crate Diggin'
-- Original Message
Yeas except there is a new model meant to be coming out very soon, it
won best of show at CES - its basically the same except it should have
better divx support, bigger HD and it has a 4 screen.
:-Original Message-
:From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
:Sent: Thursday,
sorry i'm late on this but is the H-Bomb release on Hardwax particularly
rare?? i've never seen it anywhere (apart from when i bought it...)
and on the subject of Rachmad:
Secret Life Of Machines LP seems ultra scarce but i managed to pick up
'sitting on clouds' from that LP on a compilation
or you could buy a fast PC with a couple of Creamware Pulsar II's w/A16 IO
boxes, Cubase SX, Mackie control surface, and have enough money left over to
press your records after you're done.
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06,
At 17:54 + 06-02-2003, Chris Rooney wrote:
sorry i'm late on this but is the H-Bomb release on Hardwax particularly
rare?? i've never seen it anywhere (apart from when i bought it...)
and on the subject of Rachmad:
Secret Life Of Machines LP seems ultra scarce but i managed to pick up
Anybody heard this yet? Looks pretty tasty.
http://www.groovetech.com/PhoenixData/GT/srvlt/GTController?action=InventoryDetailpage=detail_music.jspHTMLType=DetailInventoryID=35356
Comments?
Benjamin Cuthbert
Multimedia Analyst I
Borders Group, Inc.
[EMAIL PROTECTED]
734-477-1191 phone
Matt Cogger did several albums, I believe. I have one of them, which is
mostly excellent: http://www.discogs.com/release/73987 and I've heard others
which are also very cool.
This story is very very vague, but I'll recount what I can remember of it:
an acquaintance of a friend of mine happened
wouah ! so many classics of belgium and belgium-style EBM.
makes me feel 10-15 years younger... (or actually, that makes me feel
old !!)
is it mixed, or it's just a compilation ?
cyhl
http://www.dreamlabrecords.com/DreamLabzFM.htm (new sets are up )
On Thu, 6 Feb 2003, Max Duley / ARCart wrote:
Matt Cogger did several albums, I believe. I have one of them, which is
mostly excellent: http://www.discogs.com/release/73987 and I've heard others
which are also very cool.
I'll have to agree with Max here - Cogger's releases as
On behalf of Thinkbox (www.thinkbox.ca) I'm excited to announce and welcome
our latest addition to the membership of the Thinkbox new media collective,
Rob Theakston.
Everyone in Windsor/Detroit's electronic music community seems to have a
connection to Rob in one way or another. He has been
HAHA! Run the search on Rob and you get this:
Similar Artists: Debbie Gibson Esion Bill Van Loo The Jets Britney
Spears
Debbie Gibson???!!! Britney Spears???!!! AAAHAHAHAHAHAHA!!!
ROFLMAO
-Original Message-
From: dj revolver [mailto:[EMAIL PROTECTED]
Sent: Thursday,
If you haven't heard their new cd release 'settings'. I highly reccomend it
to everyone. It reminds me of some of the ambient material on kompakt.
buse
___
Sent through e-mol. E-mail, Anywhere, Anytime. http://www.e-mol.com
Yep - also a member of Veneration who are described as being
Self-Conscious, Complex, Tense/Anxious
the man neuropolitique used to be one of my faves!!
i think his best stuff are on the three twelves he did on the Irdial label
neuropolitique and in sync were my fave the irdial techno cats
those twelves are packed together on the Nomenclature compilation
so that would be my recommendation -
yeah..whats a rompler, u mean using a pc cards rom to process and sample?
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, 6 February 2003 3:50 p.m.
To: spw
Cc: 313@hyperreal.org
Subject: Re: (313) production and mastering
Far be it for me to enter
as the site
http://www.worldtechnonation.com
seems to be gone
are the archives up somewhere?
stewart?
eh?
.. . :: http://nomorewords.net
rompler= sample playback synth, like a Roland JV/XV, E-Mu Proteus, Korg
N-series/Trinity/01D, etc.
-Original Message-
From: Ralf Gill [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 3:29 PM
To: 313@hyperreal.org
Subject: RE: (313) production and mastering
yeah..whats a
don't forget.
i already said it...
in sync!
pumping world, storm, ..
great great !
mr lee purkis
what is he doing ?
At 6-2-2003 + 11:51, you wrote:
Yep - him and Aqua Regia were the two mainstays of Irdial for most of the
late '80s and early '90s...
don't forget.
i already said it...
in sync!
pumping world, storm, ..
great great !
mr lee purkis
what is he doing ?
At 6-2-2003 + 11:51, you wrote:
Yep - him and Aqua Regia were the two mainstays of Irdial for most of the
late '80s and early '90s...
can someone provide ralf with the addy please?
Im at work and not able to log into my home pc
+ my laptop is away from home atm
-Joe
- Original Message -
From: Ralf Gill [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, February 06, 2003 3:26 PM
Subject: RE: (313) production
1 - 100 of 104 matches
Mail list logo
