lto:[EMAIL PROTECTED] On Behalf
Of Paul Copeland
Sent: Wednesday, March 31, 2004 11:06 PM
To: [EMAIL PROTECTED]
Subject: [Finale] Help with scripting
Hello.
I hope someone will be kind enough to help me with scripting please.
Thank you.
I have about 30 midi files that I want to notate.
I also h
At 3:06 PM +1000 4/01/04, Paul Copeland wrote:
Hello.
I hope someone will be kind enough to help me with scripting please. Thank
you.
I have about 30 midi files that I want to notate.
I also have a file template that I want to use.
Is it possible to
1. Load each midi file in to Finale.
2. Copy th
Hello.
I hope someone will be kind enough to help me with scripting please. Thank
you.
I have about 30 midi files that I want to notate.
I also have a file template that I want to use.
Is it possible to
1. Load each midi file in to Finale.
2. Copy the contents of the new file.
3. Past the data
At 8:52 PM -0500 3/24/04, Ed Klinger wrote:
Christopher,
Thanks very much for the reply. It's very effective, at least for
notating. What I'm running into, though, is that the notes I want to
hear aren't being played back- when I 'pull' the notes into their
new staff, they are always 'dropped' i
thanks aaron. that's a creative solution..i wish there was an easier way.
I did download TG Tools, though..and even though I don't see that it can do
exactly what I described, it does a thousand other cool things. So, thanks
for both tips..
-Ed K.
__
At 08:52 PM 03/24/2004, Ed Klinger wrote:
>played back- when I 'pull' the notes into their new staff, they are always
>'dropped' in a specified note on the new staff, and the playback is
>unchanged (that is, the note sounds exactly as if I'd left it where it was,
>not where it is on its new staff).
Christopher,
Thanks very much for the reply. It's very effective, at least for notating.
What I'm running into, though, is that the notes I want to hear aren't being
played back- when I 'pull' the notes into their new staff, they are always
'dropped' in a specified note on the new staff, and the
At 07:06 PM 03/24/2004, Ed Klinger wrote:
>I am trying to notate a percussion duo where each player plays several
>instruments. Certain figures played 'across' two (or more) instruments would
>be best notated by cross-staff beaming, e.g. playing a two-handed figure
>with each hand on a different in
At 7:06 PM -0500 3/24/04, Ed Klinger wrote:
Hello all.
I am trying to notate a percussion duo where each player plays
several instruments. Certain figures played 'across' two (or more)
instruments would be best notated by cross-staff beaming, e.g.
playing a two-handed figure with each hand on a
Hello all.
I am trying to notate a percussion duo where each player plays several
instruments. Certain figures played 'across' two (or more) instruments would
be best notated by cross-staff beaming, e.g. playing a two-handed figure
with each hand on a different instrument. For something like thi
Delete the rest, then select the Mass Edit tool, select all, then go to
Mass Edit > Rebar > Rebar Music.
--
Brad Beyenhof
[EMAIL PROTECTED]
On Tuesday, February 24, 2004, at 01:17 PM, Jamin Hoffman wrote:
I need your help. . .
A student asked me to arrange a piece for her based on the MIDI fil
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nale mailing list <[EMAIL PROTECTED]>
> Subject: [Finale] Help with moving initial left barline
>
> I would like to make use of the space in the left margin. I want to increase
> the space in the first bar to allow for a variety of possible time
> signatures and key signatur
ar effect?
Richard
> From: Steve Farrell <[EMAIL PROTECTED]>
> Date: Tue, 07 Oct 2003 00:15:29 -0400
> To: finale mailing list <[EMAIL PROTECTED]>
> Subject: [Finale] Help with moving initial left barline
>
> I would like to make use of the space in the left margin. I want
I would like to make use of the space in the left margin. I want to increase
the space in the first bar to allow for a variety of possible time
signatures and key signatures (I'm creating a template for a client). The
first bar would be about a centimeter longer than the subsequent 3 bars on
the 4
I suppose you did Update Layout (ctrl-U).
BF
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
> Of Lori Archer Sutherland
> Sent: Friday, September 19, 2003 3:54 PM
> To: [EMAIL PROTECTED]
> Subject: [Finale] Help with weird layout p
I was working on a score last night in Fin2K3 (Windows) and ran into a
problem. The score is normally 16 pages on legal size paper. But
something happened (no clue as to what) to cause the music to "expand" and
push it way past 16 pages. Not only that, but the music on pg. 17+ is
*huge*. It
Dear Colleagues:
I am typesetting a work of mine for choir and harp.
The sign the harpists use to mute the ringing strings (like the [dal] segno with a long vertical line = Symbol Selection #222) is giving me trouble. I have attempted to combine the segno sign with a smart shape line, but they
Andrew Fox writes:
...The right hand part is already in the score. While it plays I am
trying to play in the left. It 'sounds' synchronized perfectly, yet
the part I play in, when transcribed, begins one eighth note after
the first note of the right hand, rather than simultaneously.
When I have
There is a MIDI input latency adjustment in Finale's MIDI Setup dialog. I'm
not sure if that helps. I have not found this type of behavior with
Hyperscribe, but the setup can indeed make a lot of difference. I agree
that it is faster and easier to use speedy entry in most cases.
Tim
On 3/20/03
On 20.03.2003 21:47 Uhr, Andrew Fox wrote
> Help. I apologize if I have missed something obvious. I am haveing trouble
> coordinating my tap in with hyperscribe. In a piano score I was doing, I
had a
> right hand part for "color my world" that I wanted to add a bass part too.
I
> playing while he
On 20.03.2003 21:47 Uhr, Andrew Fox wrote
> Help. I apologize if I have missed something obvious. I am haveing trouble
> coordinating my tap in with hyperscribe. In a piano score I was doing, I had a
> right hand part for "color my world" that I wanted to add a bass part too. I
> playing while hea
Help. I apologize if I have missed something
obvious. I am haveing trouble coordinating my tap in with hyperscribe. In a
piano score I was doing, I had a right hand part for "color my world" that I
wanted to add a bass part too. I playing while hearing the right hand part. It
sounded perfect
Not sure what motherboard you are using, but this is how on ASRock G Pro
using AMIBIOS version 3.31a:
Restart your machine. At the Boot screen press the appropriate key
to "SETUP" on my screen it was . In the setup
menu, I went into "Advanced" [at the top of the page], then to
"Peripheral Confi
David,
Thank you. Reconfigured the BIOS and the midi is now there.
Some times the obvious is just simply too obvious.
At 06:54 PM 2/6/2003 -0500, you wrote:
It sounds as if you may need to
configure your BIOS differently -- or look in the manual for the
motherboard -- it may not have the capabi
It sounds as if you may need to configure your BIOS differently -- or
look in the manual for the motherboard -- it may not have the capability
of recognizing midi through the game port. If you don't show any
possible inputs in the input section, something isn't getting recognized.
Do you have
Second request for help:
Just upgraded into the current century [Windows XP-Home, P4, 512 Ram,
using an ASRock G Pro motherboard with built in audio, video, sound and
Lan] and I'm trying to hook up my keyboard. I'm using a
midi\gamebox split cable attached to the game port. The computer
will re
Just upgraded into the current century [P4, 512 Ram, using an ASRock G
Pro motherboard with built in audio, video and Lan] and I'm trying to
hook up my keyboard. I'm using a midi\gamebox split cable attached
to the game port. The computer will recognize the yoke I have
hooked to the cable, but
Just to add to Darcy's advice:
ZAP the PRAM
(Startup while holding down Command Option P R until you hear the Mac
chime a few times. Then startup normally.)
On Sun, 10 Nov 2002, Darcy James Argue wrote:
>
> On Sunday, November 10, 2002, at 05:00 PM, Georg Klee wrote:
>
> > A customer of
On Sunday, November 10, 2002, at 05:00 PM, Georg Klee wrote:
A customer of mine has a iMac with OS 9 loaded on it she recently
purchased a HP Laserjet 2200 and I cant get the printer to print any
postscript documents it does not even appear in the chooser under the
apple laserwriter icon, si
Hi hope this message gets to the right person.
A customer of mine has a iMac with OS 9 loaded on it
she recently purchased a HP Laserjet 2200 and I cant get the printer to print
any postscript documents it does not even appear in the chooser under the apple
laserwriter icon, since you a
onts.html . You may already be beyond the
information in this introduction, but I hope it helps.
BF
- Original Message -
From: "Michael Lawlor" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, September 22, 2002 1:00 PM
Subject: Re: [Finale] Help with S
ticles.html
BF
- Original Message -
From: "Burt Fenner" <[EMAIL PROTECTED]>
To: "Michael Lawlor" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
Sent: Sunday, September 22, 2002 5:02 PM
Subject: Re: [Finale] Help with Soundfonts (TAN)
> I don't use sound fonts
Yes, a typical sample file will include many different samples to fill
the entire range of an instrument.
For instance, if you take a sample for middle-C as the single sample for
the entire 88 note range of a piano, you will end up with a very
horrible sounding soundfont. Such samples at most
Unfortunately, my request for help has not elicited the responses I was
hoping for. I understand the principles of what is going on, but have found
problems actually trying to get the process working. To be specific, I
recorded the sound of an instrument as a *.WAV file and then tried to import
Forums At http://haleforum.dyndns.org
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]] On Behalf Of David H. Bailey
Sent: Friday, September 20, 2002 8:28 PM
To: Michael Lawlor
Cc: [EMAIL PROTECTED]
Subject: Re: [Finale] Help with Soundfonts (TAN)
You can find soundf
You can find soundfonts which are already in GM format at various places
on the web. These you install to your soundblaster using the soundfont
utility.
If you want to cut and paste different patches from different
soundfonts, you need to use Vienna, which is a soundfont editor utility
which
- Original Message -
From: "Dennis Bathory-Kitsz" <[EMAIL PROTECTED]>
> At 06:23 PM 9/20/02 +0100, Michael Lawlor wrote:
> >Is there a good (step by step) source of information for someone using
> >soundfonts for the very first time, in particular within Finale, if that
> >makes a differ
At 06:23 PM 9/20/02 +0100, Michael Lawlor wrote:
>Is there a good (step by step) source of information for someone using
>soundfonts for the very first time, in particular within Finale, if that
>makes a difference? I have found the help on soundfonts that came with the
>software (Creative Wave S
Is there a good (step by step) source of information for someone using
soundfonts for the very first time, in particular within Finale, if that
makes a difference? I have found the help on soundfonts that came with the
software (Creative Wave Studio) not very enlightening. I need something
that
On Behalf Of Tammy Grimes
.
>>>The sharp symbol is not an issue, the FLAT symbol is.
I tried using the "Jazzcord" font, but still have the
same problem, namely it uses a small letter "B"
instead of something that looks like a flat.
Interestingly enough, when I surround the suffix with
(
--- Christopher BJ Smith <[EMAIL PROTECTED]>
wrote:
> At 10:27 PM -0700 7/16/02, Tammy Grimes wrote:
> >Normally I use a lower case "B" to indicate flats
> in a
> >chord symbol, for example DbMaj7 or Cm7b5 chords.
> >
> >However, I have noticed a peculiarity when working
> >with the jazz font. Whe
At 10:27 PM -0700 7/16/02, Tammy Grimes wrote:
>Normally I use a lower case "B" to indicate flats in a
>chord symbol, for example DbMaj7 or Cm7b5 chords.
>
>However, I have noticed a peculiarity when working
>with the jazz font. When trying to enter a new chord
>suffix, it wants to use the lower c
On 17.07.2002 7:27 Uhr, Tammy Grimes wrote
> I am using the "plain text" option, so
> let's see if this comes out more readable.
Perfect, thanks!
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
___
Finale mailing list
Normally I use a lower case "B" to indicate flats in a
chord symbol, for example DbMaj7 or Cm7b5 chords.
However, I have noticed a peculiarity when working
with the jazz font. When trying to enter a new chord
suffix, it wants to use the lower case B instead of
the flat symbol. So when storing t
>>Actually my "Wish List" for Coda, is more extensive sections on
>>"Editing,Fixing Mistakes, Rescuing your work from disasters".
This should be in 3 places,
(1) In the Tutorials
(2) In the Manual
(3) On-line <<
This is true of just about any manual for any computer software that was
published
l the Finale Digests in a special file for easy access.
- Original Message -
From: "David H. Bailey" <[EMAIL PROTECTED]>
To: "Skippy G. Mardon" <[EMAIL PROTECTED]>
Cc: <[EMAIL PROTECTED]>
Sent: Monday, July 15, 2002 1:07 PM
Subject: Re: [Finale] he
One thing you have to do is to read the manual.
If you look up INSERT you might find just the information you are
looking for.
Inserting also depends on the tool you are using and on the method of
entry. In Speedy Entry, not using midi keyboard, you simply move the
cursor to the location in
Crystal Premo wrote:
> >>Over time the disks become corrupted, the computer almost
> always freezes when I eject a disk, and it was even causing printing
> problems. <<
>
> I had an external Iomega zip drive on my Windows machine for awhile, and
> experienced many problems such as freezing, gpf
>>Over time the disks become corrupted, the computer almost
always freezes when I eject a disk, and it was even causing printing
problems. <<
I had an external Iomega zip drive on my Windows machine for awhile, and
experienced many problems such as freezing, gpf's, slow operation, etc. On
the
At 9:08 AM -0500 6/29/02, Doug Auwarter wrote:
>on 6/29/02 2:46 AM, Noel Stoutenburg at [EMAIL PROTECTED] wrote:
>
>>> I've been using Zip disks for years and never had any problem.
>
>I'm glad to hear that. This seems to be the usual case, but with me it's
>been different. Over time the disks be
on 6/29/02 2:46 AM, Noel Stoutenburg at [EMAIL PROTECTED] wrote:
>> I've been using Zip disks for years and never had any problem.
I'm glad to hear that. This seems to be the usual case, but with me it's
been different. Over time the disks become corrupted, the computer almost
always freezes whe
"Mark D. Lew" wrote:
> At 11:59 AM 06/28/02, Doug Auwarter wrote:
>
> >I've had the same problems with Zip disks. Anyone else?
>
> I've been using Zip disks for years and never had any problem.
>
> I do recall once being told that you should always use a Zip drive standing
> up the tall way on
At 9:29 AM 06/28/02, Paul Copeland wrote:
>I need to convert Mac FInale floppy files over to Windows Finale files.
>
>I do not have access to a Mac, but I do have a great program that allows me
>to read Macintosh files from floppy disks.
>
>Some of the files convert perfectly, while others are un
Hello.
I need to convert Mac FInale floppy files over to Windows Finale files.
I do not have access to a Mac, but I do have a great program that allows me
to read Macintosh files from floppy disks.
Some of the files convert perfectly, while others are unrecognisable.
Is there anyone out there
At 8:22 PM +0100 6/18/02, Javier Ruiz wrote:
>I am very sorry, because I have posted 3 times the same OT: message
>regarding a free book by Tom Johnson.
>
>I have not received myself the message, so I thought that something went
>wrong.
>
>Can someone confirm the reception?
>
>And again sorry for
I am very sorry, because I have posted 3 times the same OT: message
regarding a free book by Tom Johnson.
I have not received myself the message, so I thought that something went
wrong.
Can someone confirm the reception?
And again sorry for the duplicates, and the test messages.
No lo haré nun
At 11:41 PM 05/19/02, [EMAIL PROTECTED] wrote:
>How do I unsubscribe from this list? I tried several times last night, but
>I am still receiving e-mails from the finale list.
Have you tried going to the URL which appears at the bottom of each message
and following the instructions there?
Aaro
How do I unsubscribe from this list? I tried several times last night, but
I am still receiving e-mails from the finale list.
Martin
Martin Banner
Monticello, New York
[EMAIL PROTECTED]
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Barbara Touburg writes:
> No, I use 2002b!
OK, have you set "OwnPS=0" in FINALE.INI? If so, remove it.
Best regards,
Jari Williamsson
ICQ #: 78036563
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Robert,
it is with Maestro, it is with Petrucci.
You can't see it on screen, only in eps-print.
Raimund
Robert Patterson schrieb:
> On Thu, 25 April 2002, Raimund Lintzen wrote
>
> > If I do so the slurs have a very bad position:
> > in case of a slur where is on the first note no artic. + se
Dear List,
Well, the subject line says it all.
I need to make PDF-files. I have tried:
- printing to Distiller
- printing to file (tried several different PS-drivers)
with the following result:
%%[ ProductName: Distiller ]%%
%%[ Error: nocurrentpoint; OffendingCommand: lineto ]%%
Stack:
814.75
On Thu, 25 April 2002, Raimund Lintzen wrote
> If I do so the slurs have a very bad position:
> in case of a slur where is on the first note no artic. + second a
> stacc-dot:
> slur is "flying" vertikal over or under
What fonts are you using? What I discovered awhile back is that if I used a
dif
Hi,
forget EPS, it seems that Engraver Slurs have a bug there.
> And I need a possibility to make booklets from
> the extracted parts.
I do that completely without EPS (on Windows) using www.fineprint.com.
Cheers,
Tobias
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[EM
Dear listers,
huge problem: need a solution very soon!!
I can't print eps-exported graphics from Finale
where are any slurs over an articulation defined as 'Inside Slurs'.
Not imported back to Finale, not from Corel Draw, not from Word2000.
If I do so the slurs have a very bad position:
in case
To unsubscribe please go to this web page
>> http://mail.shsu.edu/mailman/listinfo/finale
and scroll down. There is a button to get the password sent to your email
address. Do this, wait for it to arrive (in a couple of minutes, probably
only seconds) and open the email to find out your password
Dear Henry,
The digests that are returned to the list are getting bigger and bigger.
They have gotten so large, that my Mailbox refuses to receive them, and in
fact fills up so much it actually fails to receive anything. I will have to
sign off the list if this cannot be stopped soon.
I realize
How do I stop getting this "MAILER-DAEMON" e-mail that takes forever to
download?
Martin
Martin Banner
Monticello, New York
[EMAIL PROTECTED]
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