Movement/DEMF 2014
Since I couldn't go this year, I'll have to rely on you guys to tell me how it was. Do tell
Re: (313) Moritz von Oswald and Derrick May in Washington, DC
When he and Mark played the main stage at DEMF a few years ago, I don't think there was anything smooth about the transitions. No matter, I'm not a stickler for seamlessly beatmatched DJ sets anyway. Last night, Moritz's set wasn't clunky at all and it was much more uptempo than I was expecting. He played a very good mix of styles, with a few surprises along the way. I stayed until 2am and feel exhausted now! Now I've gotta find a way to muster up enough energy for Derrick tonight... On Thu, Feb 6, 2014 at 10:31 AM, Benn Glazier b...@glzr.info wrote: I saw Moritz play last month here in London. Fantastic music, but played a clunky laptop DJ style set. Lacked any flow or rhythm. He played a lot of his own stuff (BC, Main St, Rhythm and Sound) and some moments of nice techno and house as well. Probably didn't help that the club put him on from 5-7am, for which there was less than 10 people on the dancefloor in a club which has only just added techno to their lineup. bg On 6 February 2014 14:51, Darnistle McKuik darnis...@gmail.com wrote: Just found about these shows happening tonight (2/6/14) and tomorrow (2/7/14): http://flashdc.com/ -- BENN GLAZIER b...@glzr.info / BENNGLAZIER.COM / @BENNGLAZIER
(313) Moritz von Oswald and Derrick May in Washington, DC
Just found about these shows happening tonight (2/6/14) and tomorrow (2/7/14): http://flashdc.com/
(313) Stacey Pullen and Innervisions shows in DC
At Flash DC 11/22 and 11/23: http://flashdc.com/calendar/upcoming/?action=tribe_listtribe_paged=1
(313) Kevin Saunderson in Washington DC 11/14/2013 @ FlashDC
This is per http://flashdc.com/calendar/
(313) Kyle Hall in Washington, DC 12/6/2013 @ U Street Music Hall
http://www.ustreetmusichall.com/calendar/
(313) New Orleans nightlife?
I'm going to be in New Orleans the weekend of 11/23. Are there any clubs in town that play techno/drum-n-bass/house/IDM/etc? I'm definitely NOT looking for anything like Ampersand...
(313) Juan Atkins at U Street Music Hall in Washington, DC ( 10/5/13)
Just noticed this. Should be fun. http://www.ustreetmusichall.com/event/349343-juan-atkins-samo-sound-boy-washington/
Re: (313) Kraftwerk
A 3D Kraftwerk show? That sounds quite exciting. What kinds of visuals did they use? On Tue, Jul 23, 2013 at 11:14 AM, graham.willi...@shell.com wrote: Kraftwerk played here over the weekend, it was the 3D show. The visuals looked great, wasn’t expecting much, it was very Kraftwerk looking at everyone wearing the 3D glasses I’m sure the set list order is the same everywhere, The Robots, Numbers, Computer World, Autobahn, Tour De France, Sellafield, Expo 2000 (UR Mix) and a few more. They played for 90 mins plus a 15 minute encore. Ralf Hütter is the only one left from the original setup, so almost a cover band now, but still worth it to go see them. It was my 3rd time seeing them and their show never disappoints! G
Re: (313) Richie in a kiddie up pool squirting.
Indeed! A little Hawtin Twister-porn is fun way to start my day! The balloon women were a nice addition too On 7/15/13, Wibo Lammerts wibo...@gmail.com wrote: this is getter weirder and weirder 2013/7/13 Matthew Kane m...@hydrogenproject.com No porn on list please. On Jul 13, 2013 11:56 AM, Patrick Wacher pwac...@gmail.com wrote: Now that I have gotten your attention, here's a video of Richie in a kiddie pool squirting: http://youtu.be/46Cdsav0oOQ -- | http://soundcloud.com/w1b0 | http://vibedeck.com/wibo/http://vibedeck.com/w1b0/| http://twitter.com/w1b0 | --
Re: (313) Borderland
I've listened several times and am generally disappointed in it. The tracks I like most are those where Juan's influence seems more obvious. The others just seem to meander. Overall, it definitely hasn't grabbed me the way I'd hoped it would. I'll have to revisit it when I'm in a different musical mood. I do like the album a little better on headphones than through speakers, though. On Wed, Jul 10, 2013 at 9:12 AM, Martin Dust mar...@dustscience.com wrote: Wasn't feeling it at all but I'm not into that vibe very much these days. Really enjoyed the new James Holden album tho. m On 10 Jul 2013, at 14:09, Patrick Wacher wrote: Very much enjoying it. It's something I can put on and get a little lost in the tracks.
(313) Movement 2013
I know this is long overdue, but I felt an obligation (misplaced, no doubt) to post something about the festival. First of all, I think Paxahau should be commended for having improved the sound quality at the Underground Stage. The area had already begun sounding less and less murky each year, but this year I was quite surprised by the degree of aural clarity. I did not go down into the pit this year, but the quality of the sound near the walkways (behind the soundboard and near the bathroom) was very impressive. Second kudos to Paxahau for altering the orientation for the Electric Forest stage speakers, which worked very well. Though I wasn't keen on any of the music I heard from that stage all weekend, the sound was very full and rich, much more than previous years when the speakers were facing the water and the revelers had to stand on the grass. Dubstep bass sounded very large and powerful, which was quite nice. Too bad the dubstep itself wasn't in the style that I wanted to listen to. It'll be nice when perkier 2-step syncopation makes it way back into dubstep... Also, I'd like to thank Andrew Duke for some fabulous mixes that helped me make it through the interminable drive through Pennsylvania... Noteworthy sets from the festival itself: Alton Miller - surprisingly fun and thankfully not too jazzy Terrence Parker - He really kept the vibe going. His track selection was energizing and got my hopes up for a fun weekend Moby - I was running between stages during his set, but I really liked what I heard. I do hope he played Next is the E Daniel Bell - a very good, groovy set. Not as starkly minimal as I've come to expect from him, but very good nonetheless Cajmere - Loved the vibe! Where are the kick queens when you need them? Derrick May Kevin Saunderson - Excellent, as always! Who else could have inspired me to dance in the rain and cold for so long? As is true every year, the after-parties are overwhelming in their number and variety. There weren't any mega-events for me year, where so many people I want to hear will be playing at a single party that I don't really make plans to be anywhere else. That made deciding on which parties to go to harder, but it also meant I got to explore more of the after-party scene. Plus, there's always something to be said for a night of quality party-hopping. Friday night, I went to the House Headquarters party @ L!V Resto. I'm not sure who was playing when I got there, but I did hear Gary Chandler (fun, but very disjointed) and DJ Assault (Lordy be!!). As always, I missed DJ Godfather. I think it must be written in the stars. Saturday night, I went to TV Lounge for the first time. Every year, I mean to go there but end up somewhere else. The music was pretty good, for the most part. Not sure who I was listening to in the separate rooms, but it was all enjoyable enough. To tell the truth, I don't remember much about the music, but I liked the club itself quite a bit. I'll have to make an effort to go there again the next time I'm in town. After TV Lounge, I went to Club Waterfalls to hear DJ Minx et al. Unfortunately, I didn't realize until the night was over that there was more music happening on the second floor. DUH!!! Sadly, no Minx for me. The music I did hear on the main floor wasn't bad at all, though the sound system was painfully shrill. I almost left several times because the treble was so sharp and loud that it hurt my ears (not even listening to old Whitehouse is so harsh). However, I persisted and eventually got to hear a DJ whose set really caught my attention. I asked him his DJ name and he said DJ 50 Meal (??). What a strange name for a DJ. Sunday night, I was at Club Waterfalls again to hear DJ Bone and Shawn Rudiman. I didn't get to hear Shawn, but DJ Bone's set was truly invigorating and I danced the entire time I was there. Unfortunately, I had plans to be at the Echospace/Terrence Dixon party that night as well, so I couldn't stay as long as I would have liked. It was very difficult for me to leave, but it had to be done. Echospace's set was easily the most memorable point of the entire weekend for me!!! I went there expecting to be bathed in their evocatively meteorological techno-dub, but instead was engulfed in a throbbing kaleidoscope of sound, all still on the meteorological tip. All of this in a truly gritty, grimey warehouse setting. What more could I ask for? I danced and danced and danced and danced and danced, and even indulged my inner speaker-whore for most of Echospace's set. Their rhythms were much more energetic than on their recordings and though it retained their trademark variations-on-a-Basic-Channel-theme, there were several points where the music morphed into something surprisingly reminiscent of late-90's minimal psytrance (dense layering of aural particulate and relative independence of constituent bass lines). Ah, what I would have given to have been on acid for their set!!. I
Re: (313) Movement, Music and Detroit
Techno- especially Detroit-related Drum n Bass Goth/Punk IDM I prefer CDs, but I do buy vinyl as well. On May 8, 2013 2:34 PM, Darnistle McKuik darnis...@gmail.com wrote: So it looks like I will be going to the festival again this year!! YAY!!! I can hardly wait! As always, shopping for music is de rigueur. That said, other than Detroit Threads and Melodies and Memories, can any of you local peeps recommend other stores worth checking out? Have any new stores of interest opened to fill the void?
Re: (313) Movement, Music and Detroit
Thanks for the suggestions! I've always wanted to check out Stormy Records, but Saturday has traditionally been the day I make the trek out to Flat, Black and Circular in East Lansing then Encore in Ann Arbor on the way back to Detroit, time permitting, before I check out the festival. Perhaps I'll skip Ann Arbor this year and do Dearborn instead. Regardless, over the course of the weekend I'd like to ensure that I go to stores that carry Detroit techno, since Detroit is still the best place for me to shop for it. On Thu, May 9, 2013 at 12:21 PM, Mike Taylor disconihil...@gmail.comwrote: You definitely want to hit Stormy, but make sure you get there before the weekend because they close on Sunday and Monday that weekend. If you get in touch with Windy she will go out of her way to give you a comprehensive list of the remaining record stores in Detroit. Record Collector closed their doors earlier this year. m On Thu, May 9, 2013 at 12:14 PM, Daniel Bean daniel.b...@bbc.co.ukwrote: I’ve never found much IDM in Detroit but for those other genres I’d recommend the following spots for vinyl (can’t really comment on CDs):*** * ** ** Stormy Records in Dearborn Goth/Punk + plenty more rock vinyl ** ** Record Collector in Ferndale I’ve found quite a lot of very good condition old techno 12”s here over the years ** ** People’s Records on Woodward Quite a random mix of industrial, old techno and drum and bass (e.g. Reinforced) can be found in the dollar bins but you’ve got to dig ** ** Street Corner in Oak Park Found plenty of old techno here + they sell quite a lot of CDs ** ** *From:* Darnistle McKuik [mailto:darnis...@gmail.com] *Sent:* 09 May 2013 16:21 *To:* 313@hyperreal.org *Subject:* Re: (313) Movement, Music and Detroit ** ** Techno- especially Detroit-related Drum n Bass Goth/Punk IDM I prefer CDs, but I do buy vinyl as well. On May 8, 2013 2:34 PM, Darnistle McKuik darnis...@gmail.com wrote:** ** So it looks like I will be going to the festival again this year!! YAY!!! I can hardly wait! As always, shopping for music is de rigueur. That said, other than Detroit Threads and Melodies and Memories, can any of you local peeps recommend other stores worth checking out? Have any new stores of interest opened to fill the void? http://www.bbc.co.uk This e-mail (and any attachments) is confidential and may contain personal views which are not the views of the BBC unless specifically stated. If you have received it in error, please delete it from your system. Do not use, copy or disclose the information in any way nor act in reliance on it and notify the sender immediately. Please note that the BBC monitors e-mails sent or received. Further communication will signify your consent to this. -
(313) Movement, Music and Detroit
So it looks like I will be going to the festival again this year!! YAY!!! I can hardly wait! As always, shopping for music is de rigueur. That said, other than Detroit Threads and Melodies and Memories, can any of you local peeps recommend other stores worth checking out? Have any new stores of interest opened to fill the void?
Re: (313) Juan + Moritz = Boarderland
Very exciting!! Hopefully, Juan will bring some booty to the proceedings. On Apr 5, 2013 11:05 AM, John Sokolowski jrsokolow...@hotmail.com wrote: Juan Atkins and Moritz von Oswald will release a collaborative album called Borderland through Tresor in June. The duo will debut the project with a live performance at this year's MUTEK festival in Montreal. Although their shared production history dates back more than 20 years (Atkins was the occasional third member in von Oswald's 3MB project with Thomas Fehlmann, which released an album on Tresor in 1992), Borderland will be their first album as a duo. The eight-track LP was recorded during studio sessions in Berlin earlier this year, and will see release as a series of 12-inches and a full CD album on June 10th, 2013. From http://www.residentadvisor.net/news.aspx?id=19421
Re: (313) history always favours the winners
On 3/4/2013 2:58 PM, Martin wrote:
Yeah, there's a lot to learn from history, I didn't know it was Bob Dylan that
changed the album format to what we know it as so yeah if I'm just learning
that...
m
???
In what way did he change the album format?
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Re: (313) history always favours the winners
Marcellus Pittman's album Pieces is pretty good. At times I feel like
the wool is being pulled over my eyes, but I don't mind it too much.
I've been meaning to say for a while now that Terrence Dixon's latest
release is really fabulous! I've been playing this one quite a bit!!
Juan Atkin's release on Scion Audio Visual is the best I've heard from
him in a while. The remixes are good, but the originals remind me of
why I get excited to see something new from him.
On 3/4/2013 2:20 PM, David Powers wrote:
All the house guys in Detroit are consistently putting out quality
music (your subjective enjoyment may vary of course):
Delano Smith
Norm Tally
Mike Huckaby
Rick Wade
Rick Wilhite
Moodymann
Marcellus Pittman
Theo Parrish
Scott Grooves
Kyle Hall
Omar S
Plus, had good (proper techno) albums from Robert Hood and Terrence
Dixon recently. That seems like a pretty high amount of activity as
far as I'm concerned. And this list isn't nearly complete.
~David
On Mon, Mar 4, 2013 at 11:25 AM, kent williams chaircrus...@gmail.com wrote:
Back when 313 list was more active, there were a lot more subscribers
actually in the Detroit area, who were wired into what was going on,
and would post about it. I imagine there's good music happening in
Detroit that we aren't hearing about on this list because that is no
longer the case.
On Mon, Mar 4, 2013 at 11:07 AM, Martin Dust mar...@dustscience.com wrote:
On 4 Mar 2013, at 16:16, Daniel Bean daniel.b...@bbc.co.uk wrote:
That was my earlier point way back on this thread. To recap: EDM? Who cares?
Not everyone shares that sentiment though.
Aye, you can see why people bite and it can be good fun but I'd be more worried
about the lack of good tunes coming out of Detroit than anything Sonny or Boy
To Noize said.
m
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Re: (313) history always favours the winners
That was hardly the point, Kent.
Re: (313) history always favours the winners
It could also be argued that the desire for black techno artists to [re-]connect with the black community could also be rooted in a desire to see the wellspring from which they drew inspiration continue to serve as a fomenter for further musical creativity. If you've got quality compost, it makes sense to want utilize it in order to ensure that your garden continues to thrive. After expanding outside of the black community, it is very obvious (to me at least) that eventually techno would reach a point where it had morphed and changed to the point where it had less and less obvious connection with its origins. That process happens with most things that expand to wider cultures and crosses international lines. But I don't want to get sidetracked from the Skrillex/BoyzNoize video that prompted my original comments and its lame attempt to substantiate their underground credentials via talk of punk and Detroit techno. It is just more corporate spin, trying to convince the viewer that Skrillex/BoyzNoize isn't just some corporate-sponsored appropriation of underground music, but instead come from a respectable musical lineage. Now, if the video talked about how they heard a lot of polka music growing up (for example) and wanted to pair that with techno/rave/dubstep in order to express their musical heritage and interests, I might have found the whole thing more engaging and less gratuitous and the references to Detroit would have made more sense. Skrillex/BoyzNoize aside, I do hope Saunderson was paid well for his cameo appearance. On 3/3/2013 2:18 PM, kent williams wrote: African Americans comprise somewhere around 17 percent the people in the United States, or about 40 million souls. Considered on their own, this is less than the population of Spain and about twice the population of the Benelux countries. Which means, if an African American artist wants popular success, they have to succeed with white audiences. This includes the most gritty, real, Afrocentric Hip Hop -- which is actually quite popular amongst white college kids. Jazz, Blues, Rock... all the indigenous musical art forms of the United States have their roots in African-American culture, but an international success because non-African American people listen to it. I don't think most African American artists mind this -- it's how they make a career out of music. I think that they want to remain connected to the culture into which they were born, but do they really want to be only connected to their 'own' culture? The lesson I take away from Detroit Techno is that the African American originators remained true to their roots, but were perfectly willing to incorporate influences from European music. I think that behind the desire for black Techno artists to connect (or re-connect) with black audiences also has to do with the culture around techno's creators and fans. These were guys -- like a lot of the Hip Hop originators -- were middle class, and well educated. They are the upwardly mobile minority of the minority.
Re: (313) history always favours the winners
On 2/19/2013 3:17 PM, maxphi...@gmail.com wrote:
http://www.spin.com/articles/skrillex-diplo-boys-noize-a-trak-detroit-techno-potato-kevin-saunderson-dog-blood
m50
This is one of my many pet-peeves, but why does everyone who courts
commercial success trot out punk as a framework for what they're
doing? Skrillex/BoyzNoize seem to produce party-music-du-jour and seems
about as punk as KC and the Sunshine band (not to belittle KC).
It is interesting to contemplate Saunderson's comments that it used to
be that techno was originally a black thing, but now has morphed into a
commodity of white culture. I understand that it was bound to happen as
the music took hold outside of the black community and began to be
internalized and expressed in a manner more akin to local dispositions.
(sorta like the black Madonna or Chinese Buddha). I try to use this
line of thinking to buffer the uncomfortable thought of how Euro DEMF
has become over the years, but I won't dredge up that topic again...
After watching the video, my lasting impression is that the association
of Skrillex/BoyzNoize with Detroit is precarious and superficial at
best. I'll give them credit for at least giving Saunderson the stage at
the center of the video, but they're obviously trying to suck on the
Detroit teat to solidify their street cred. Does Saunderson's allusion
to the wonderbreadification of techno prove to the viewer that these
guys are the realdealness after all?
I can't help but feel like this promotional video was a Situationist
recuperation in action.
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Re: (313) roll call?
Still here lurking. Though I try, my own silence is often difficult to overcome.
Re: (313) last weeks Elektro invasion @ future-music.co.uk
This mix really helped me wake up this morning.
Wiggling helps dispel the morning brainfog...
On 10/11/2012 7:54 AM, Ronny Pries wrote:
Hi guys,
i've been on a bit 313 unrelated edges of Techno during the last months
so i kept the mix-spams to a minimum but i guess this last set for the
'Numbers Broadcast' should be up your alley. It's a clash of Elektro
generations:
https://soundcloud.com/ronnypries/ronny-pries-elektro-invasion
The traxx
Dynamix II - Woofer Test Intro
Cristian Vogel - DD Engine
As1 - Stomping Grounds
Heliopause - Subtransmission (feat. Keith Tucker)
Dez Williams - UR what UR
Boddika - You Tell Me
Intelec - Retorno
Sbtrkt - Wildfire (Objekt Dub Mix)
Dopplereffekt - Cellular Phone
The Advent - Kombination True
E.R.P. - Vox Automaton
Morphology - Urania's Mirror
Dynamik Bass System - Robotmachine
Dynamix II - Atomic Age
Direct - Techno Gone Mad
The H.A.V.O.K. Conspiracy - The Reaping
Erik Fiedel - Grundig
AUX 88 - Control Panels (Dj Xed Crobot Crew Remix)
Drexciya - Wavejumper
Byetone - Plastic star
Orbitfighters - Lustre
Luke Vibert - Pretty Old Acid Music
d3 - Descent
MAS 2008 - Outpost Omega To Houston
Eon - Spice (J. Saul Kane Version)
Hashim - Al-Naafiysh
Maggotron - Mission Electro
OGB - Frogs Sporn
Underground Resistance - The Final Frontier
Anthony Rother - Dual is
Umba - Acid Rain
Addison Groove - Work It
Snitzer Mc Coy - Rock You (Electronic Erection Short Mix)
Arpanet - Universe oscillation
Njoy!!!
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Re: (313) Detroit Backpack Festival
Unfortunately, fiscal responsibilities prevent me from going. :((
If anyone from the list goes to this, please post a review!
On 8/1/2012 3:31 PM, John Sokolowski wrote:
Anyone going to the SCP/UR Backpack Festival this weekend? Looks like the
lineup is finalized and reminiscent of the early DEMFs:
http://www.backpackmusicfestival.com/
Derrick May
Eddie Fowlkes
Galaxy 2 Galaxy
Juan Atkins
Shake
Terrence Parker
Timeline
John Collins
DJ Minx
Dan Bain
Todd Perrine
Michelle Weeks
Pirahnahead
Diviniti
T.Linder
Bruce Bailey
Wayne Williams
DJ Seoul
Rick Wilhite
Stacey “Hot Waxx” Hale
Jenny LaFemme
Czarina Willams
DJ Surgeon
Sporeprint
DJ Jay Daniel
Kero Annie Hall
Al Ester
Christa Schrupp
DJ Tone
DJ Chyll
Date: Sun, 13 May 2012 11:34:25 -0400
From: darnis...@cafe-ebola.com
To: 313@hyperreal.org
Subject: Re: (313) Shopping For Music In Detroit?
Oh, DUH!! The party on Belle Isle!!!
Yeah, I did know about that.
On 5/13/2012 7:47 AM, Detroit Techno Militia wrote:
It's been a party out on Belle Isle for many years. The Backpacking for Success
does a lot of great things for kids in the city. Judy Shelton runs the show.
The entry fee is backpack filled with school supplies or a tax deductible
donation.
Lineup //
Derrick May
Eddie Fowlkes
Galaxy 2 Galaxy
Jeff Mills
Juan Atkins
Mike Banks
Terrence Parker
Timeline
John Collins
T.Linder
DJ Seoul
Stacey Hot Waxx Hale
Jenny LaFemme
Sporeprint
Kero Annie Hall
Al Ester
Christa Schrupp
DJ Tone
DJ Chyll
FIT
https://www.facebook.com/events/272793276130160/
That being said, the lineup for this event is solid. We are all volunteering
out time and efforts for a great cause. Hopefully I'll see some of you there.
If you would like to volunteer some time that weekend, let me know. I working
on recruiting around 100 volunteers for the event.
-Angie Linder
http://www.detroittechnomilitia.com
Sent from my iPhone
On May 13, 2012, at 12:36 AM, darnistledarnis...@cafe-ebola.com wrote:
7th Annual festival??? How is it I've never heard of this?
No matter, it looks like the perfect excuse to plan yet another trip to Detroit!
On 5/10/2012 12:13 PM, John Sokolowski wrote:
There is also the Backpack Festival on August 4-5:
http://www.backpackmusicfestival.com/
Lineup should be announced soon!
Date: Thu, 10 May 2012 17:05:50 +0100
From: b...@glzr.info
To: 313@hyperreal.org
Subject: Re: (313) Shopping For Music In Detroit?
All this talk... very jealous. I couldn't quite time a business trip well
enough. As it happens I'll back on the east coast a week later. Such a shame.
Hopefully next year! Looking forward to the recordings in all formats.
bg
On 10 May 2012 16:59, jwan allenjwan.al...@gmail.com wrote:
That pretty much sums it up. Glad to hear that S.I.D. will be open
during the festival this year. .There's also Record graveyard which is
around the corner from Threads in hamtramack, if you need to further
your digging needs after you hit all the other spots.
I don't know about anyone else, but I'm excited to be going to the D
once again over memorial day weekend. Granted I'm only 4.5 hours away,
but each festival excursion is a further reminder of all the great
things that Detroit has to offer any music fan.
jw
On Thu, May 10, 2012 at 10:01 AM, John Sokolowski
jrsokolow...@hotmail.com wrote:
There is also Peoples Records. They recently moved to a new location in the
Majestic/Magic Stick complex on Woodward. I heard S.I.D. will be open during
the fest this year as well. They were not open last year.
The best place by far is Detroit Threads in my opinion. They get new and
used stuff in all of the time. Plus artists like Theo, Kyle Hall, etc hand
deliver their new releases as soon as they get them. Melodies and Memories,
sadly, doesn't get much new stuff in at all. They have had the same records
on the wall in the dance room for the last 2-3 years.
Date: Wed, 9 May 2012 23:49:02 -0400
From: darnis...@cafe-ebola.com
To: 313@hyperreal.org
Subject: (313) Shopping For Music In Detroit?
It looks like I'll be going to DEMF this year YAH
So now the question as always is: WHERE TO BUY MUSIC??
Now that Record Time's gone, where can I go shopping other than Detroit
Threads and Melodies and Memories?
If pickins are too slim, I'm always willing to trek out to Flat Black
and Circular... :)
--
Technoir Audio
http://www.technoiraudio.com
dealing with your imperfect world
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Re: (313) Re-issue In The Dark: The Soul of Detroit
This probably isn't the forum for such a question, but could someone
give some examples of deep house in contradistinction to other styles
of house?
The term seems to be thrown about very often, but I still have no real
sense of what deep house sounds like as opposed to (for example) jazzy
house or disco house or micro house or whatever.
On 7/9/2012 1:06 PM, kent williams wrote:
From what I gather the trend in Europe is away from Minimal and Tech
House to 'Deep House' -- a term that in context covers a multitude of
sins. I think that this has upped the visibility of real house music
in general and Detroit House in particular.
Even if the mainstream of the new 'Deep House' thing is just tech
house with more 707 beats and out of context soul vocal samples, it
may be a case of rising water floating all boats.
On Mon, Jul 9, 2012 at 11:51 AM, David Powers cybo...@gmail.com wrote:
Hi,
Jason, regarding In The Dark: The Soul of Detroit, you said: 'not so
long ago you couldn't give music like this away so it's nice to see
people rediscovering Detroit House'... Any idea why this would be
the case? What has changed, and what do you think made such music
undesirable in this time 'not so long ago'?
~David
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Re: (313) humorous/disasterous nightclub promo video
Such a bad idea on so many levels. I totally can see someone relieving
themselves in the water, thinking that no one will notice
That said, Drexciya would not be inappropriate at such a place
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On 6/30/2012 5:36 PM, AntonBanks.com wrote:
I've got another one. It's made the rounds a bit but still worth noting.
The concept: Get people drunk, put them 20 feet under water, give them spear
guns, and hope nobody has any emergencies. Sounds like a brilliant idea,
right?
http://www.youtube.com/watch?v=LIBfLJMpSGofeature=youtu.be
-Original Message-
From: balis...@bprince.com [mailto:balis...@bprince.com]
Sent: Thursday, June 28, 2012 9:40 PM
To: 313@hyperreal.org
Subject: (313) humorous/disasterous nightclub promo video
(note: video is mildly NSFW because of a couple brief shots of really
poorly-executed nude art)
http://youtu.be/REeg4LW14Sk
god really had the club promoter dial cranked to 11 when he made this guy
...
--
Brian Prince
http://soundcloud.com/brianprince
Re: (313) Shopping For Music In Detroit?
Oh, DUH!! The party on Belle Isle!!!
Yeah, I did know about that.
On 5/13/2012 7:47 AM, Detroit Techno Militia wrote:
It's been a party out on Belle Isle for many years. The Backpacking for
Success does a lot of great things for kids in the city. Judy Shelton runs the
show. The entry fee is backpack filled with school supplies or a tax
deductible donation.
Lineup //
Derrick May
Eddie Fowlkes
Galaxy 2 Galaxy
Jeff Mills
Juan Atkins
Mike Banks
Terrence Parker
Timeline
John Collins
T.Linder
DJ Seoul
Stacey Hot Waxx Hale
Jenny LaFemme
Sporeprint
Kero Annie Hall
Al Ester
Christa Schrupp
DJ Tone
DJ Chyll
FIT
https://www.facebook.com/events/272793276130160/
That being said, the lineup for this event is solid. We are all volunteering
out time and efforts for a great cause. Hopefully I'll see some of you there.
If you would like to volunteer some time that weekend, let me know. I working
on recruiting around 100 volunteers for the event.
-Angie Linder
http://www.detroittechnomilitia.com
Sent from my iPhone
On May 13, 2012, at 12:36 AM, darnistledarnis...@cafe-ebola.com wrote:
7th Annual festival??? How is it I've never heard of this?
No matter, it looks like the perfect excuse to plan yet another trip to Detroit!
On 5/10/2012 12:13 PM, John Sokolowski wrote:
There is also the Backpack Festival on August 4-5:
http://www.backpackmusicfestival.com/
Lineup should be announced soon!
Date: Thu, 10 May 2012 17:05:50 +0100
From: b...@glzr.info
To: 313@hyperreal.org
Subject: Re: (313) Shopping For Music In Detroit?
All this talk... very jealous. I couldn't quite time a business trip well
enough. As it happens I'll back on the east coast a week later. Such a shame.
Hopefully next year! Looking forward to the recordings in all formats.
bg
On 10 May 2012 16:59, jwan allenjwan.al...@gmail.com wrote:
That pretty much sums it up. Glad to hear that S.I.D. will be open
during the festival this year. .There's also Record graveyard which is
around the corner from Threads in hamtramack, if you need to further
your digging needs after you hit all the other spots.
I don't know about anyone else, but I'm excited to be going to the D
once again over memorial day weekend. Granted I'm only 4.5 hours away,
but each festival excursion is a further reminder of all the great
things that Detroit has to offer any music fan.
jw
On Thu, May 10, 2012 at 10:01 AM, John Sokolowski
jrsokolow...@hotmail.com wrote:
There is also Peoples Records. They recently moved to a new location in the
Majestic/Magic Stick complex on Woodward. I heard S.I.D. will be open during
the fest this year as well. They were not open last year.
The best place by far is Detroit Threads in my opinion. They get new and
used stuff in all of the time. Plus artists like Theo, Kyle Hall, etc hand
deliver their new releases as soon as they get them. Melodies and Memories,
sadly, doesn't get much new stuff in at all. They have had the same records
on the wall in the dance room for the last 2-3 years.
Date: Wed, 9 May 2012 23:49:02 -0400
From: darnis...@cafe-ebola.com
To: 313@hyperreal.org
Subject: (313) Shopping For Music In Detroit?
It looks like I'll be going to DEMF this year YAH
So now the question as always is: WHERE TO BUY MUSIC??
Now that Record Time's gone, where can I go shopping other than Detroit
Threads and Melodies and Memories?
If pickins are too slim, I'm always willing to trek out to Flat Black
and Circular... :)
--
Technoir Audio
http://www.technoiraudio.com
dealing with your imperfect world
--
{}0+|
--
{}0+|
Re: (313) Shopping For Music In Detroit?
7th Annual festival??? How is it I've never heard of this?
No matter, it looks like the perfect excuse to plan yet another trip to
Detroit!
On 5/10/2012 12:13 PM, John Sokolowski wrote:
There is also the Backpack Festival on August 4-5:
http://www.backpackmusicfestival.com/
Lineup should be announced soon!
Date: Thu, 10 May 2012 17:05:50 +0100
From: b...@glzr.info
To: 313@hyperreal.org
Subject: Re: (313) Shopping For Music In Detroit?
All this talk... very jealous. I couldn't quite time a business trip well
enough. As it happens I'll back on the east coast a week later. Such a shame.
Hopefully next year! Looking forward to the recordings in all formats.
bg
On 10 May 2012 16:59, jwan allenjwan.al...@gmail.com wrote:
That pretty much sums it up. Glad to hear that S.I.D. will be open
during the festival this year. .There's also Record graveyard which is
around the corner from Threads in hamtramack, if you need to further
your digging needs after you hit all the other spots.
I don't know about anyone else, but I'm excited to be going to the D
once again over memorial day weekend. Granted I'm only 4.5 hours away,
but each festival excursion is a further reminder of all the great
things that Detroit has to offer any music fan.
jw
On Thu, May 10, 2012 at 10:01 AM, John Sokolowski
jrsokolow...@hotmail.com wrote:
There is also Peoples Records. They recently moved to a new location in the
Majestic/Magic Stick complex on Woodward. I heard S.I.D. will be open during
the fest this year as well. They were not open last year.
The best place by far is Detroit Threads in my opinion. They get new and
used stuff in all of the time. Plus artists like Theo, Kyle Hall, etc hand
deliver their new releases as soon as they get them. Melodies and Memories,
sadly, doesn't get much new stuff in at all. They have had the same records
on the wall in the dance room for the last 2-3 years.
Date: Wed, 9 May 2012 23:49:02 -0400
From: darnis...@cafe-ebola.com
To: 313@hyperreal.org
Subject: (313) Shopping For Music In Detroit?
It looks like I'll be going to DEMF this year YAH
So now the question as always is: WHERE TO BUY MUSIC??
Now that Record Time's gone, where can I go shopping other than Detroit
Threads and Melodies and Memories?
If pickins are too slim, I'm always willing to trek out to Flat Black
and Circular... :)
--
Technoir Audio
http://www.technoiraudio.com
dealing with your imperfect world
--
{}0+|
Re: (313) Shopping For Music In Detroit?
Thanks. I'll have to check out Peoples Records.
I do love Detroit Threads. I've had very good experiences in there,
though I never have enough time to really go through everything.
What happened to Ya Digg records?
On 5/10/2012 10:01 AM, John Sokolowski wrote:
There is also Peoples Records. They recently moved to a new location in
the Majestic/Magic Stick complex on Woodward. I heard S.I.D. will be
open during the fest this year as well. They were not open last year.
The best place by far is Detroit Threads in my opinion. They get new and
used stuff in all of the time. Plus artists like Theo, Kyle Hall, etc
hand deliver their new releases as soon as they get them. Melodies and
Memories, sadly, doesn't get much new stuff in at all. They have had the
same records on the wall in the dance room for the last 2-3 years.
Date: Wed, 9 May 2012 23:49:02 -0400
From: darnis...@cafe-ebola.com
To: 313@hyperreal.org
Subject: (313) Shopping For Music In Detroit?
It looks like I'll be going to DEMF this year YAH
So now the question as always is: WHERE TO BUY MUSIC??
Now that Record Time's gone, where can I go shopping other than Detroit
Threads and Melodies and Memories?
If pickins are too slim, I'm always willing to trek out to Flat Black
and Circular... :)
--
{}0+|
(313) Shopping For Music In Detroit?
It looks like I'll be going to DEMF this year YAH So now the question as always is: WHERE TO BUY MUSIC?? Now that Record Time's gone, where can I go shopping other than Detroit Threads and Melodies and Memories? If pickins are too slim, I'm always willing to trek out to Flat Black and Circular... :)
Re: (313) Re: UR deejay Skurge
I got Kevin's recent mix on Defected.
The first CD doesn't move me so much: too much vocal house and
jazzy-leanings for my taste. However, the second CD is really fun and
groovy. It gets me pumped to go out and have some fun. It also makes me
wish I could hear Kevin play in a small to mid-sized club again. I like
him best when he isn't playing in that main room style of his last few
mixes.
{}0+|
On 2/29/2012 11:09 PM, Cyclone Wehner wrote:
The amazing James Blake, ha ha.
I'll get slaughtered now. ;)
Surprised no discussion here of Defected's recent Kevin Saunderson In
The House and even November's MK retro House Masters comp? Or did I miss
it? I commend Defected on these, not obvious choices for comps in the
day and age of Guetta, Swedish House Mafia, etc, etc.
Great high profile releases for both DJs.
On 01/03/2012, at 12:32 PM, Christopher L. Smith wrote:
What is dubstep wunderkind?
Re: (313) Soul Train Creator Don Cornelius Dead
The SOULLL TRAIN!
I wonder what ever happened to the Asian woman with the long hair who
was always dancing prominently on the show.
{}0+|
On 2/1/2012 11:14 AM, Odeluga, Ken wrote:
It’s in The Freep.
_http://www.freep.com/article/20120201/ENT07/120201014/Don-Cornelius-dead-suicide?odyssey=tab|topnews|text|FRONTPAGE_
Ken
(313) Ryan Elliott in Washington DC @ Tabac's
Did anyone else go to Tabac's to hear Ryan Elliott on Sunday?
I enjoyed his set very much. It covered a nice range of styles and
remained groovy throughout. It really made me miss being in Detroit!!!
The DJ who played immediately before him was pretty good too. Does
anyone know who that DJ was?
--
{}0+|
Re: (313) Extensive show about UR/G2G from Melbourne radio RRR
As always, I'm late getting around to downloading and listening to
things, but I really enjoyed this a lot! Glad it is still available.
{}0+|
On 10/15/2011 2:39 AM, Greg Earle wrote:
Grab this quick before they remove download access in a couple of days ... it's
filled with pure Mad Mike GOLD!
http://www.soundcloud.com/enniostyles/stylin-508-w-underground
- Greg
Re: (313) One for the gramps again - Mayday @ The Music Institute, '88
Yeah, having finally listened to it, the music is OK enough but the
mixing was not really what I think of as Derrick May quality.
Oh well.
{}0+|
On 12/2/2011 8:33 AM, Robin Pinning wrote:
In the comments on the first link that Ken posted
(http://soundcloud.com/technobar/derrick-may-live-music-institute-1988):
bennglazier about 2 hours ago
So, Derrick has said that this is not his mix, but his friends...
https://twitter.com/#!/derrickmayday/status/142435593908011008;
R
On 2 Dec 2011, at 13:26, trm wrote:
...and this one hasn't reached its download limit.
-j
On 12/1/2011 2:50 PM, Matt Kane's Brain wrote:
Also posted by R_co last year:
http://soundcloud.com/r_co/derrick-may-live-music-institute-1988
They posted it about the same time, so who knows who posted it first,
but R_co posts lots and lots of good mixes. And maybe some mediocre
ones.
On Thu, Dec 1, 2011 at 14:41, Odeluga, Kenken.odel...@dowjones.com wrote:
Re: (313) Claude Young Shawn Rudiman live in Pittsburgh
So when soundcloud says that the track has reached its download limit,
does that mean it cannot be download any more henceforth, or does it
become downloadable again after a certain amount of time?
{}0+|
On 9/21/2011 11:31 AM, kent williams wrote:
Many of the people on this list might remember the legendary DEMF
pre-part at the Magic Stick where Shawn Rudiman Claude Young went
nuts. They've done it again, and it was recorded this time:
http://soundcloud.com/claudeyoung/shawn-rudiman-vs-claude-young
Via this ISM post:
http://infinitestatemachine.com/2011/09/19/shawn-rudiman-and-claude-young-live-in-pittsburgh-9-10-11/
Re: (313) Skudge Phantom
Yeah, the name brings up unpleasant musical images.
To my ears, the music has enough shimmy and wiggle that at times it
reminds me of sparse, syncopated house while at other times it sounds
like groovy, nuanced techno.
I didn't call it technohouse because of the tempo, though the tempo
does facilitate a lilting effect from the syncopation. It was more due
to way the rhythms shift along the continuum between house and techno.
Regardless, I think its a fun album and the rhythms are infectious.
{}0+|
On 9/18/2011 10:41 AM, David Powers wrote:
Good tip I'm going to buy some of their tracks... Hadn't heard of
them. I play slower bpm and I like my techno deep and slower these
days, but it's hard to find--this fits the bill perfectly though!
I must say, the name Skudge made me think I was in for some of that
really bad bro-step floating around the US these days, luckily that
wasn't the case... ;-)
Also, why do you call it tech-house? This is purist techno, I don't
hear any house whatsoever. House is a feeling in the music, just
because the bpm is slower doesn't suddenly make it house!!!
~David
On Fri, Sep 16, 2011 at 11:03 PM, darnistledarnis...@cafe-ebola.com wrote:
I've really been enjoying this album a lot. The style is very Detroit to my
ears (Robert Hood comes to mind), so I was surprised to learn that they're
from Sweden.
Very good midtempo technohouse to wiggle to, though the nuances can get lost
easily if the volume isn't reasonably high.
--
{}0+|
(313) Skudge Phantom
I've really been enjoying this album a lot. The style is very Detroit
to my ears (Robert Hood comes to mind), so I was surprised to learn that
they're from Sweden.
Very good midtempo technohouse to wiggle to, though the nuances can get
lost easily if the volume isn't reasonably high.
--
{}0+|
Re: (313) Rob Hood Mix on CLR
Muchas thanks!
{}0+|
On 9/13/2011 4:51 AM, neil mccullough wrote:
http://daten.clr.net/pod/CLRSR133_extended.zip
Right click, save as.
On 12 September 2011 22:45, 1-11 1...@bethere.co.uk
mailto:1...@bethere.co.uk wrote:
The same thing is happening here.
__ __
*From:*Rob Taylor [mailto:barringtonphelo...@gmail.com
mailto:barringtonphelo...@gmail.com]
*Sent:* Monday, September 12, 2011 10:29 PM
*To:* klaus boss
*Cc:* 313@hyperreal.org mailto:313@hyperreal.org
*Subject:* Re: (313) Rob Hood Mix on CLR
__ __
so you'd think!
it just brings up the subsription page again
On Mon, Sep 12, 2011 at 10:27 PM, klaus boss kl...@hifly.dk
mailto:kl...@hifly.dk wrote:
Enter your email in the lower field =
If you are already subscribed to the CLR newsletter but you are still
seeing this message then you may need to login to your account. Just
fill in your email address below and follow the directions:
You'll then be sent a link which will take you to the login menu -
just click the button and you're good to go :)
On 12 September 2011 23:20, Rob Taylor barringtonphelo...@gmail.com
mailto:barringtonphelo...@gmail.com wrote:
finding it impossible to download.
i subscribed, but it still won't let me
what am i doing wrong?
On Mon, Sep 12, 2011 at 5:45 PM, tydesign tydes...@gmail.com
mailto:tydes...@gmail.com wrote:
Rob Hood mix on CLR for the first time. Listen and download here:
http://clr.net/news.pl?id=178
--
Regards,
Klaus B
__ __
__ Information from ESET NOD32 Antivirus, version of virus
signature database 6458 (20110912) __
The message was checked by ESET NOD32 Antivirus.
http://www.eset.com
Re: (313) Rob Hood Mix on CLR
Very annoying!
I've never been to this site before, but it looks like my cup of tea!!
Too bad their subscription process is broken.
I've sent them an email notifying them of this. Hopefully, they fix this
in the near future.
{}0+|
On 9/12/2011 5:45 PM, 1-11 wrote:
The same thing is happening here.
*From:*Rob Taylor [mailto:barringtonphelo...@gmail.com]
*Sent:* Monday, September 12, 2011 10:29 PM
*To:* klaus boss
*Cc:* 313@hyperreal.org
*Subject:* Re: (313) Rob Hood Mix on CLR
so you'd think!
it just brings up the subsription page again
On Mon, Sep 12, 2011 at 10:27 PM, klaus boss kl...@hifly.dk
mailto:kl...@hifly.dk wrote:
Enter your email in the lower field =
If you are already subscribed to the CLR newsletter but you are still
seeing this message then you may need to login to your account. Just
fill in your email address below and follow the directions:
You'll then be sent a link which will take you to the login menu -
just click the button and you're good to go :)
On 12 September 2011 23:20, Rob Taylor barringtonphelo...@gmail.com
mailto:barringtonphelo...@gmail.com wrote:
finding it impossible to download.
i subscribed, but it still won't let me
what am i doing wrong?
On Mon, Sep 12, 2011 at 5:45 PM, tydesign tydes...@gmail.com
mailto:tydes...@gmail.com wrote:
Rob Hood mix on CLR for the first time. Listen and download here:
http://clr.net/news.pl?id=178
--
Regards,
Klaus B
__ Information from ESET NOD32 Antivirus, version of virus
signature database 6458 (20110912) __
The message was checked by ESET NOD32 Antivirus.
http://www.eset.com
Re: (313) the drexciyan immersion project (was Re: (313) Drexciya reissues)
Are you going through the music in a particular order or is the whole 24
hours worth of music playing randomly on shuffle?
{}0+|
On 9/7/2011 10:46 AM, Frank Glazer wrote:
I'll be honest - it hasn't been very much fun for me. The number of
Stinson/Donald tracks that I love is a very low percent compared to the ones
that I really can't stand! ;)
Sent from my iPhone
On Sep 7, 2011, at 10:40 AM, Denise Dalphondddalp...@umail.iu.edu wrote:
I love that you're doing this project, Frank! Such a great idea. And
it's so much fun to read about everyone's favorites. I'm also a huge
fan of Drexciya.
Denise
On Sun, Sep 4, 2011 at 8:22 AM, Odeluga, Kenken.odel...@dowjones.com wrote:
Well personally, I salute Frank for (finally!) coming over to the aquatic side.
Even the act of setting out on such a gargantuan task in itself shows a degree
of dedication to music which several people whom he respects think is great.
That in itself is admirable in my view.
I'm sure you'll find many more tracks to your liking.
I'm not going to give faves myself - there are simply too many; and I say that
fairly sheepishly, as it's true.
I'd just remind people of some of the late side projects which were perhaps a
little overlooked: not so much Other People Place; more like Lab Rat XL,
Shifted Phases, Transllusion (especially the very odd second LP on Rephlex) and
the very last LP - 'Hypothetical Situations' by Abstract Thought on Kombination
Research.
Aside from that, how wonderful it is to see so many of the familiar 'old' names
back on the list!
Long may it continue, I hope ;-).
Ken
--
Denise Dalphond
Ph.D. Candidate
Department of Folklore Ethnomusicology
Indiana University
http://schoolcraftwax.com/
Re: (313) the D this weekend...
One of my faves! On 9/3/2011 3:15 PM, logic7 wrote: http://www.youtube.com/watch?v=_EHf1NNbaW4 ^^^ I couldn't resist. -Original Message- From: kent williams [mailto:chaircrus...@gmail.com] Sent: Saturday, September 03, 2011 12:10 PM To: david smith Cc: ja...@iridite.com; 313@hyperreal.org Subject: Re: (313) the D this weekend... Going to a House event in Detroit is amazing. Full of people closer to my age (I just turned 54!) -- grown-up folks, some of whom I swear I recognize from Youtube videos of the New Dance Show. On Sat, Sep 3, 2011 at 8:35 AM, david smithbassline...@gmail.com wrote: A few I don't know either but I doubt they are new-new, some have been around for awhile but just haven't put out a record. I've also noticed that some of the older heads don't have much of an internet presence. The house scene here has been overshadowed by techno, and now movement/paxahau too (smile). I've heard many complaints for local heads about getting slept on. Peace, DS PS I've been a subscriber to 313 for at least ten years, I just post infrequently and have changed addresses a few times. Now I have internet at my apartment, I'll try to update more often. On Sat, Sep 3, 2011 at 3:24 AM, ja...@iridite.comja...@iridite.com wrote: So..I've heard of a few of the names below (Minx, Talley, Ester, Wilhite) but the rest are all new to me - are these new peepz or have they been around forever and I've never came across them? cheers Jason On 3 September 2011 00:12, david smithbassline...@gmail.com wrote: I caught these on facebook, pretty hot Detroit House line up! There is also the Jazz festival @ Heart Plaza all labor day weekend. P-funk night (Tonight Friday) Bagley Optical 2150 Bagley Corner of 14th Detroit, MI Club Waterfalls 673 Franklin Detroit, Michigan Toe Tappin House on the River is an all day event on Saturday, September 3, 2011 - Labor Day Weekend from 2pm - 2am. This event is free until 10pm. After 10pm there will be a $10 cover. DJ Cent, Stacey Hale, Minx, Sarena Tyler, Christa Schrupp, Marc Duncan, Al Ester, Felton Howard, Mike Brown, Norm Talley, Bruce Bailey, Mike Melody, Reggie Harrell, Earl McKinney, Rick Wilhite, Andre Murph, DJ Taz, Eric Johnson, Phil Da Mixx, Malik Alston, Mondo Blaze Dwayne Jensen...
Re: (313) the drexciyan immersion project (was Re: (313) Drexciya reissues)
I go through Drexciya-fests every now and then, though not to the extent
you are right now. Twenty-four hours of the same artist sounds arduous,
though. I can't imagine listening to that much of anyone's music,
except maybe Atom Heart or Pierre Henry.
My favorite is still Neptune's Lair, especially Running Out of Space
and Lost Vessel
http://www.youtube.com/watch?v=uwqjYhoiKzs
http://www.youtube.com/watch?v=esOSZtSe05E
The Other People Place always hits the spot too!
{}0+|
On 9/1/2011 6:34 PM, Frank Glazer wrote:
Since August 1st I've been trying to concentrate entirely on devouring
the oeuvre of Gerald Donald and James Stinson (R.I.P.). We're talking
about 24 full hours of music over about 45-50 albums, EPs, and singles
including all their various pseudonyms. The reason I am doing this is
because I find their music to be relatively tricky to wrap my head
around in general, while so many of my friends consider Stinson/Donald
to be among the best of their contemporaries. Specifically a lot of
Stinson/Donald tunes sound particularly chaotic even to my modern ears
well trained in noise, avant garde, and the repetitive loops of
minimal classical (Steve Reich, Philip Glass) and techno music. I
wondered if completely saturating my ears with only their music would
change my opinion/enlighten me to their supposed genius at all.
To date I am about halfway through the project based on mostly casual
subway ride listening, and I've not been as diligent in avoiding the
fast forward button as I'd hoped I could be. It's really difficult to
stick to one artist who produced a pretty consistent style of music
without listening to anything else for such an extended period of
time. I do occasionally give my ears a bit of a break and allow myself
to hear some non Stinson/Donald tunage.
To date Wavejumper from their 1995 Aquatic Invasion EP remains my
absolute favorite Drexciya tune:
http://youtu.be/imKh_TKqHt4
As a side note, the name I've given this experiment - Drexciyan
Immersion Project - is a kind of funny nod to the sci-fi underwater
mythology that Drexciya built around their music/built their music
around.
On Thu, Sep 1, 2011 at 6:24 PM, Jason Kenjarjasonk1...@gmail.com wrote:
an undiscovered track or three would be nice..i can dream rite?
On Sep 1, 2011, at 5:14 PM, Patrick Wacher wrote:
Some interesting news on the wire:
http://www.xlr8r.com/news/2011/09/drexciya-reissues-coming-soon
Sadly, it's been nearly a decade since early '90s Detroit
techno/electro duo Drexciya last released new music. However, we've
just discovered that reissues of the pair's early material will be
surfacing in the near future. Clone Classic Cuts, the reissues imprint
for Dutch label Clone, announced just yesterday: We will reissue the
early Drexciya catalogue on Clone. We are currently busy restoring the
original master tapes, and hopefully we will have the first one ready
before the end of the year! Of course, we will keep you updated on the
process. No further details were shared, but the news itself is
certainly exciting, to say the least. (via FACT)
(313) OT: Peter 'Sleazy' Christopherson (Coil)
Apparently, Sleazy died yesterday.
Again in the neither-neither. :)
--
{}0+|
Re: (313) Classic 12 for sale, good/safe site or not?
I've shopped at gemm for years and have never had a problem.
{}0+|
On 11/22/2010 11:52 PM, Mike Davis wrote:
I've utilized gemm before and have had satisfactory results. As
indicated, you are buying from individual sellers like on Discogs or
ebay.
On Mon, Nov 22, 2010 at 6:47 AM, kuszyn...@gmail.com
kuszyn...@gmail.com wrote:
I think gemm is pretty legit. I bought a rare cd there and got it
fine. Just watch who you work with, just like on discogs.
On Sun, Nov 21, 2010 at 6:33 PM, Phil Dawsonflip...@googlemail.com wrote:
Hi all, I just found loads of classic 12 for sale here
http://offworldt.gemm.com
been looking mostly for Moodymann KDJ and Theo stuff.
Did anyone use it before? Is it a good/safe place to buy 12 etc?
Thanks for your help :)
--
-Mike
Re: (313) 313 Podcast
Just gave it a try. Works nicely in gpodder
Cool and very handy indeed!!
{}0+|
On 9/23/2010 10:13 PM, Patrick Wacher wrote:
Very cool and very handy!
P.
On Sep 23, 2010, at 5:59 PM, Simon Obscuresi...@obscure.co.nz wrote:
Hi
I've written a script to read 313, take links to mp3s and make it in to a
podcast.
http://feeds.feedburner.com/313
Slap it in to itunes to save yourself manually downloading all those mixes.
Mainly did this for my own use but I hope it's useful to everyone on the list.
Thanks
Simon
--
Simon Swain
m +61 418 30 20 20
Psurkit Netabel
www.psurkit.net
Obscure - Dance Music in New Zealand
www.obscure.co.nz
Re: (313) Record Time closing its doors
If he thinks they could survive in a smaller spot, then why close the
store completely instead of trimming some merchandise and moving to a
smaller space?
This is very sad news indeed :((
{}0+|
On 11/10/2010 9:17 PM, John Sokolowski wrote:
Another end of an era...
http://detnews.com/article/20101110/ENT04/11100415/1361/web_recordtime_
Venerable Record Time outlet to close after holidays
Adam Graham / Detroit News Pop Music Writer
Yet another casualty of the shrinking record business, Record Time — a Metro
Detroit institution for 27 years — will sell its final piece of vinyl early
next year.
Owner Mike Himes said today he'll be shutting the doors of the store's
Roseville location in March, at the latest. He cites years of declining record
revenues — record sales were cut in half over the last decade — as well as a
massive overhead he can't keep up with any longer.
I've known this day would come, I was hoping we could just ride it out, but we're not able to
do so any longer, said Himes. I've been purely in survival mode for about the last
three years, and it hasn't been fun, really. It's taken its toll. We can't stay open just to stay
open anymore.
The first Record Time opened in 1983 and held various locations in East Detroit before
settling in its current location in 1996. Branches were opened in Rochester and Ferndale
though both eventually felt the pinch of declining record sales. When the Ferndale store
closed in 2007, Himes said at the time, the crystal ball doesn't look so
sunny.
Record Time's Roseville location covers 8,500 square feet and has a large selection of used vinyl
recordings, as well as a heavy presence of electronic records. In recent years, Himes changed his
business model to focus 98 percent on used products, but that presented its own set of
problems: If they didn't have something used, they didn't have it at all, which led to store
regulars buying product elsewhere. We weren't able to give customers what they wanted,
he said.
Record Time will stay open through the holidays and will participate in a Black
Friday event sponsored by Record Store Day, which offers exclusive releases for
independent record store retailers. After that, he plans to liquidate the
store's product, and will probably toast the store's long history by hosting
in-store events with bands and DJs.
Down the road, Himes says he's looking into the possibility of opening another store, but doesn't
have any concrete plans. We could survive in a smaller spot, he says. There's
still a good niche for what we do.
Chris Flanagan, owner of Street Corner Music, moved his store from Beverly
Hills to a smaller location in Oak Park in 2009. He says Record Time still has
a shot.
I think the days of huge record stores, square footage wise, are pretty much over. You
just can't have that playground anymore, he says. But it's really hard to kill off
a name. Even if (Record Time) dropped out and came up again six months later, it would
probably still have a chance.
There are people that are going to be looking for you for a long time to come, and
if things improve around here, (Himes) might have another chance to open his store back
up.
Re: (313) name that sample
???
So is the Notorious b.i.g sample where the guy says oh, beautiful??
{}0+|
On 9/11/2010 3:53 PM, Marsel van der Wielen wrote:
hokusai - 12 'till 4 (source direct recs) -
. notorious b.i.g. - friend of mine (bad boy)
Re: (313) kindred spirit -- 2562
I have his Dogdaze CD. I like it, for the most part, but it doesn't
move me as much as his work as A Made Up Sound or 2562.
The rhythms are playfully broken but melodically Dogdaze more than hints
at jazz, which is something of a turnoff for me.
{}0+|
On 9/5/2010 6:27 AM, Tristan Watkins wrote:
His first A Made Up Sound record was on Philpot, before any of the 2562
stuff. Discogs tells me he did Broken Beat stuff before that as well. Anyone
heard any of that?
-Original Message-
From: kent williams [mailto:chaircrus...@gmail.com]
Sent: 04 September 2010 12:10
To: list 313
Subject: (313) kindred spirit -- 2562
Dave Huisman Mix for LWE w/interview:
http://bit.ly/cD77zM
LWE: Who, or what records specifically, are really floating your boat when
it comes to techno and house?
2562: Oh man… I could talk about this all day. I gotta name Rick Wade.
Whenever I’m in a bad mood I can put his beats on, bop my head and instantly
feel better. That’s powerful. Shake, always. Frictional is how every artist
run label should be, uncompromising and unpredictable. Paperclip People and
69, NWAQ, Shed, Pepe Bradock, Andrès.
Re: (313) the face may 1988?
Hold on.
Alison Moyet was the vocalist for Yaz (Situation, State Farm,
Nobody's Diary, Don't Go, etc), as they were called here in the US.
The woman on the cover of that issue of The Face is not Alison Moyet.
According to discogs, her name is Yasmin Evans:
http://www.discogs.com/artist/Yazz?anv=Yaz
{}0+|
On 6/14/2010 3:41 PM, James Hancock wrote:
alsion moyet yes but it is yazoo not yaz
http://www.flickr.com/photos/alex-arthur/
James A Hancock
ja...@apesound.dk
+45 30824523
On 14 Jun 2010, at 21:36, Danielle Scott wrote:
I don't mean to nitpick but her las name is spelled 'Moyet'.
-ds
On 6/14/10, Tim Baker t...@elephanthaus.com wrote:
Allison Moyer from Yaz
Tim Baker
Real Estate-Elephanthaus Recs.
2544 W. North Ave Suite 2B
Chicago, IL 60647
Mobile +1-773-315-1485
EU Mobile +34-654-887-383
t...@elephanthaus.com
On Jun 14, 2010, at 10:55 AM, Alex Lugo alugo...@yahoo.com wrote:
Who is that on the cover?
- Original Message
From: Mike Brown m...@hyperreal.org
To: 313@hyperreal.org
Cc: list 313 313@hyperreal.org
Sent: Sat, June 12, 2010 2:56:07 AM
Subject: Re: (313) the face may 1988?
ohanakin ... wrote:
Anybody know where this lives on the net ? i think its the issue that
broke detroit to the european masses
http://www.backspinpromo.com/DetroitTechnoTheFaceMay1988.pdf
--
Sent from my mobile device
(313) Ghettotech track ID?
http://lab.colorsmagazine.com/category/tags/detroit-jit
This is probably a long shot, but can anyone ID this track for me?
Based on the video, I assume this is a DJ Slugo track, but I have no
idea what the name is.
It is admittedly monotonous, but I love how perky the bassline is.
--
{}0+|
Re: (313) DEMF 2010 weekend
Actually, I bought Capsule for One.
Good stuff regardless.
Thanks.
{}0+|
On 6/6/2010 8:09 AM, AntonBanks.com wrote:
Mutual benefit... I like it!
I take it you bought Afterglow (his second album). Good pick.
-ant-
-Original Message-
From: darnistle [mailto:darnis...@cafe-ebola.com]
Sent: Saturday, June 05, 2010 9:27 PM
To: web...@snet.net
Cc: '313'
Subject: Re: (313) DEMF 2010 weekend
Anton, while shopping in Detroit over the weekend I came across the
Vector Lovers CD, a few tracks from which you'd played on your radio
show a while back. I really like what I heard on your show and decided
to buy the album.
I like this album a lot and I probably wouldn't have known who they were
if it hadn't been for you so some e-thanks are in order.
I didn't anticipate having a 313-moment while CD shopping, so I guess it
could be said that you did have a vicarious presence at Record Time for
a moment :)
{}0+|
On 6/5/2010 7:49 PM, AntonBanks.com wrote:
Thanks for the reports. Although the reviews seem somewhat tepid, I
still enjoy living vicariously through those of you who went this
year.
-ant-
-Original Message-
From: ohana...@gmail.com [mailto:ohana...@gmail.com]
Sent: Saturday, June 05, 2010 3:42 AM
To: darnis...@cafe-ebola.com
Cc: 313
Subject: Re: (313) DEMF 2010 weekend
If u couldn't get down to what theo was playin, I wish u luck. The
holy ghost was inhabiting the room that night
On Jun 4, 2010, at 9:57 PM, darnistledarnis...@cafe-ebola.com
wrote:
Damn right it isn't for everyone.
If you didn't know that already, you know it now.
{}0+|
On 6/4/2010 8:10 PM, ohana...@gmail.com wrote:
I started reading what u write, only to get to the hogwash you wrote
about theo and the ndatl party. Yawn is right. I guess an epic edit
of jb's bodyheat isn't for everyone?
No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.829 / Virus Database: 271.1.1/2918 - Release Date:
06/04/10 14:25:00
No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.829 / Virus Database: 271.1.1/2920 - Release Date: 06/05/10
14:25:00
Re: (313) DEMF 2010 weekend
Anton, while shopping in Detroit over the weekend I came across the
Vector Lovers CD, a few tracks from which you'd played on your radio
show a while back. I really like what I heard on your show and decided
to buy the album.
I like this album a lot and I probably wouldn't have known who they were
if it hadn't been for you so some e-thanks are in order.
I didn't anticipate having a 313-moment while CD shopping, so I guess it
could be said that you did have a vicarious presence at Record Time for
a moment :)
{}0+|
On 6/5/2010 7:49 PM, AntonBanks.com wrote:
Thanks for the reports. Although the reviews seem somewhat tepid, I still
enjoy living vicariously through those of you who went this year.
-ant-
-Original Message-
From: ohana...@gmail.com [mailto:ohana...@gmail.com]
Sent: Saturday, June 05, 2010 3:42 AM
To: darnis...@cafe-ebola.com
Cc: 313
Subject: Re: (313) DEMF 2010 weekend
If u couldn't get down to what theo was playin, I wish u luck. The
holy ghost was inhabiting the room that night
On Jun 4, 2010, at 9:57 PM, darnistledarnis...@cafe-ebola.com wrote:
Damn right it isn't for everyone.
If you didn't know that already, you know it now.
{}0+|
On 6/4/2010 8:10 PM, ohana...@gmail.com wrote:
I started reading what u write, only to get to the hogwash you wrote
about theo and the ndatl party. Yawn is right. I guess an epic edit
of
jb's bodyheat isn't for everyone?
No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.829 / Virus Database: 271.1.1/2918 - Release Date: 06/04/10
14:25:00
Re: (313) DEMF 2010 weekend
Damn right it isn't for everyone.
If you didn't know that already, you know it now.
{}0+|
On 6/4/2010 8:10 PM, ohana...@gmail.com wrote:
I started reading what u write, only to get to the hogwash you wrote
about theo and the ndatl party. Yawn is right. I guess an epic edit of
jb's bodyheat isn't for everyone?
(313) DEMF Schedule Released!!!
http://www.movement.us/?p=1752
Derrick May, Robert Hood and Inner City all at the same time!?!?
Good gooly!! That puts me in a very difficult situation.
--
{}0+|
Re: (313) DEMF Schedule Released!!!
Inner City's performance may be only so-so, but I would still like to
hear them live. Given that their sound is from a different era, it will
likely be a welcome stylistic change in music.
Derrick May may play everywhere all the time, but he never plays near
where I live so it would be silly to miss the opportunity to hear him
again. He's always played well and interestingly when I've heard him so
I see no reason to skip him altogether.
That said, I love Hood to bits!!! Granted, I was truly disappointed with
his amazingly lackluster set the last time he played the main stage at
DEMF, but I can forgive him since I've heard him play enough times to
know that he can send me into orbit in a way that very few DJs can,
especially when he plays in smaller venues.
The fact that he'll be playing live makes me super curious.
Changes are opt for May and Hood and pop into Inner City occasionally
I hate having to float from stage to stage, but sometimes it can't be
helped.
{}0+|
On 5/24/2010 10:03 AM, kent williams wrote:
Well, to my mind it's a no brainer -- Inner City will be meh, Derrick
May plays everywhere all the time.
Robert Hood is a monster, not to be missed. You know how every DJ
that plays banging minimal techno sounds the same? Robert Hood
doesn't. His sets are hard as nails, and always exciting.
I've seen DJ Bone and T1000 be excellent playing hard and fast, but
Hood is unique.
On Mon, May 24, 2010 at 8:24 AM, darnistledarnis...@cafe-ebola.com wrote:
http://www.movement.us/?p=1752
Derrick May, Robert Hood and Inner City all at the same time!?!?
Good gooly!! That puts me in a very difficult situation.
Re: (313) DEMF Schedule Released!!!
Derrick is 9-11, not 9-10. That means that both Hood and Inner City
will be performing during his set.
I would rather not have to interrupt listening to Derrick's set to hear
the other performers, but I also don't want to miss Hood or Inner City.
That's the prob.
Thems the tribulations of attending such a festival...
{}0+|
On 5/24/2010 10:25 AM, Robin Pinning wrote:
Derrick 9-10, Hood 10-11 Inner City 11-12
What's the prob?
robin...
On Mon, May 24, 2010 at 8:24 AM, darnistle wrote:
http://www.movement.us/?p=1752
Derrick May, Robert Hood and Inner City all at the same time!?!?
Good gooly!! That puts me in a very difficult situation.
(313) Shopping for Music in Detroit!!
Since I'm going to be in Detroit for DEMF, it goes without saying that I
MUST go shopping for music.
What record stores are still open in Detroit? I need techno, dnb,
2-step, dubstep, etc. Vinyl or CD, but I prefer CDs, especially used
since I'm on a tighter budget than I'd prefer.
I was hoping to be able to go to Melodies and Memories, Detroit Threads
and Record Time. Maybe I'll make the trek out to Flat Black and
Circular once again (so far away, but always worth it).
Are there any other stores still around that're worth the few coins I
have to spend?
According to the Submerge website, Somewhere in Detroit will be open
DEMF weekend. I've never been there. I've never had to make an
appointment to go record shopping anywhere. The whole idea is foreign
to me. What's the place like? Is it large or small? Is it mostly stuff
that they sell on the website, or is the in-store stock more extensive?
Can I work my way through the store in an hour or so, or should I set
aside more time?
--
{}0+|
Re: (313) Shopping for Music in Detroit!!
Thanks for the suggestion!!! I'll have to add Ya Digg to my list of
places to hit while I'm in town.
I used to buy really excellent DNB, glitch and all manner of whatnot at
Record Time. I moved away before the dubstep thing got big, but I
assume I'll still be able to find current musical forms there and a lot
more. or maybe not.
Last year, I went to Detroit Threads for the first time (i kick myself
for having never gone there when I lived in the area) and snagged some
really excellent 2-step, as well as some clothing that I might just
feature at the festival this year... :)
For the record, when I'm shopping online for DNB/dubstep and willing to
pay full price, I head to juno, not boomkat. For some reason, I feel
suspicious of boomkat.
{}0+|
On 5/19/2010 5:51 PM, kent williams wrote:
Somewhere in Detroit is a must, for so many reasons. It's also close
to downtown. Melodies and Memories I could lose myself in for days.
A smaller, newer shop that sounds interesting is Ya Digg, written up
here by Denise D:
http://denisedjsdetroit.blogspot.com/
I don't imagine Detroit is a great place to shop for DB, 2-step or
Dubstep. I thought everyone interested in those genre were
mail-ordering from Boomkat.com ;-)
On Wed, May 19, 2010 at 4:40 PM, darnistledarnis...@cafe-ebola.com wrote:
Since I'm going to be in Detroit for DEMF, it goes without saying that I
MUST go shopping for music.
What record stores are still open in Detroit? I need techno, dnb, 2-step,
dubstep, etc. Vinyl or CD, but I prefer CDs, especially used since I'm on a
tighter budget than I'd prefer.
I was hoping to be able to go to Melodies and Memories, Detroit Threads and
Record Time. Maybe I'll make the trek out to Flat Black and Circular once
again (so far away, but always worth it).
Are there any other stores still around that're worth the few coins I have
to spend?
According to the Submerge website, Somewhere in Detroit will be open DEMF
weekend. I've never been there. I've never had to make an appointment to go
record shopping anywhere. The whole idea is foreign to me. What's the
place like? Is it large or small? Is it mostly stuff that they sell on the
website, or is the in-store stock more extensive? Can I work my way through
the store in an hour or so, or should I set aside more time?
--
{}0+|
Re: (313) New Mills Album - Sleeper Wakes
A new Mills album! How exciting!!
Thanks for posting this!
{}0+|
On 5/15/2010 10:53 AM, ja...@iridite.com wrote:
Hi everyone - what you all think of the new Mill's album? Just
listening to it at the moment and it's going down very well indeed -
reminds me of From the 21st (my favourite home listening Mills
album) in places. Lot's of incredibly solid, menacing Bass Drums and
hypnotic ticking Hi Hats (why is it when I do a straight 16's Closed
909 Hi Hat it sounds rubbish and when Mills does it, it sounds
hypnotic) and spaced out chords floating about all over the place.
I forgot to mention, in an attempt to out do Anya at Bleep 43, Rubadub
have Jeff Mills playing here in at the Sub Club in Glasgow on my 40th
(July 23rd if you want to send flowers, cards etc) - the venue holds
about 300-400 people and he rarely gets a chance to play in such
intimate surroundings here so we're looking forward to it. He's
promised to do something pretty special (juggling, kniting??) and is
playing for three hours . The only downside is that as it's a
Significant Birthday for me it's unlikely I'll be able to remember a
thing the next day so he could be playing a set of Euro Trance Bangers
and I wouldn't know the difference.
The first batch of tickets sold out in three days but there will be a
second batch at the start of July and a small amount kept by on the
door.
As well as my birthday, it's Rubadub's 18th birthday too (Legal to
drink at last!!) and the launch of our new website too so I'll keep
ya'll informed as things develop.
cheers
Jason
Re: (313) New Mills Album - Sleeper Wakes
I see on the Axis site that he also has another album out, The
Occurrence, which sounds very fun.
Hopefully, I'll be able to pick up one or both of them in a few weeks
while I'm in Detroit.
{}0+|
On 5/18/2010 4:55 PM, ja...@iridite.com wrote:
No problem - think it might be one of his Japanese only CD releases
but you can probably get it from Axis (or us!)
cheers
Jason
On 18 May 2010 14:51, darnistledarnis...@cafe-ebola.com wrote:
A new Mills album! How exciting!!
Thanks for posting this!
{}0+|
On 5/15/2010 10:53 AM, ja...@iridite.com wrote:
Hi everyone - what you all think of the new Mill's album? Just
listening to it at the moment and it's going down very well indeed -
reminds me of From the 21st (my favourite home listening Mills
album) in places. Lot's of incredibly solid, menacing Bass Drums and
hypnotic ticking Hi Hats (why is it when I do a straight 16's Closed
909 Hi Hat it sounds rubbish and when Mills does it, it sounds
hypnotic) and spaced out chords floating about all over the place.
I forgot to mention, in an attempt to out do Anya at Bleep 43, Rubadub
have Jeff Mills playing here in at the Sub Club in Glasgow on my 40th
(July 23rd if you want to send flowers, cards etc) - the venue holds
about 300-400 people and he rarely gets a chance to play in such
intimate surroundings here so we're looking forward to it. He's
promised to do something pretty special (juggling, kniting??) and is
playing for three hours . The only downside is that as it's a
Significant Birthday for me it's unlikely I'll be able to remember a
thing the next day so he could be playing a set of Euro Trance Bangers
and I wouldn't know the difference.
The first batch of tickets sold out in three days but there will be a
second batch at the start of July and a small amount kept by on the
door.
As well as my birthday, it's Rubadub's 18th birthday too (Legal to
drink at last!!) and the launch of our new website too so I'll keep
ya'll informed as things develop.
cheers
Jason
Re: (313) Metroplex 25 during DEMF...
I'll be there.
I'm really looking forward to this!
{}0+|
On 5/12/2010 9:19 PM, David Powers wrote:
So, any list members going to the Metroplex 25 party in Detroit?
~David
Re: (313) Metroplex 25 during DEMF...
What is your issue with the fact that there'll be four room at this party?
{}0+|
On 5/12/2010 10:55 PM, Frank Glazer wrote:
four rooms is not the only reason i won't be going to this, but it's a
big part of it.
On Wed, May 12, 2010 at 10:40 PM, David Powerscybo...@gmail.com wrote:
LINEUP:
MAIN ROOM, where the four originators of techno will be performing
together for the first time in over 15 years:
Juan Atkins
Derrick May
Kevin Saunderson
Eddie Fowlkes
ROOM 2
Ben Sims
Rob Hood
Ben Clock
Buzz Goree - UR, Mixworks
Ryan Elliott - Spectral
ROOM 3
Dj Assault
Bruce Bailey - Tandam
Mike Clark - Beat Down
Surgeon
Aaron Atkins - Metroplex
Dj Sting Ray
ROOM 4
Jenny LaFemme
Phil Agosta - KGBeats Blackflag Recordings
Noël
David Powers
Jan Lifberman - Highland Beats
Spore Print - Mixworks
METROPLEX 25 ANNIVERSARY ELECTRONIC MUSIC EVENT presents JUAN
ATKINS, DERRICK MAY, KEVIN SAUNDERSON, AND EDDIE FOWLKES, the four
originators of techno coming together for the first time in over 15
years!
The “Metroplex 25” Anniversary Electronic Music Event! 2010, taking
place on Sunday, May 30th, is a once in a lifetime opportunity to
acknowledge the 25-year accomplishment of the birth and endurance of
“Techno”. Juan Atkins, from the Detroit area, is credited with
inventing this world-renowned art form. His record label, Metroplex,
was the first record label dedicated to techno and he is celebrated
internationally as the “Originator” of Techno. A series of events
worldwide will take place this year. The primary event will bring
global attention to its Birthplace, Detroit, during the Movement
Festival held by Paxahau on Memorial Weekend, May 29th – May 30th,
2010. 10 pm till 10 am.
The DJ talent will include, as well as many others, the Original Four
creators of techno (confirmed), appearing together for the first time
in over 15 years: The “Originator” Juan Atkins, Derrick May, Kevin the
“Elevator” Saunderson, and Eddie “Flashin” Fowlkes.
The Event, in association with STEVEN SOWERS AGENCY, will run from 10
p.m. till the early morning hours, and is located in Harmonie Park at
311 Grand River Avenue, Detroit. TICKETS CAN BE PURCHASED AT
WWW.GETTICKETS.CA: $15 for early bird pre-sales, limited quantity; $50
VIP tickets include artist hospitality area, sponsored by Traktor Pro,
with meet and greet and complimentary food and beverage. A portion of
the proceeds from the event is to benefit the Virgil H. Carr
Performing Arts Center. For more information, call 313-506-2259 or
248-818-6735, or visit www.metroplex25.com.
On Wed, May 12, 2010 at 9:24 PM, Jacob Arnoldja...@gridface.com wrote:
Oddly enough, this is the first I've heard of it!
J
On May 12, 2010, at 8:19 PM, David Powers wrote:
So, any list members going to the Metroplex 25 party in Detroit?
~David
Re: (313) The Macarena vs. Suspiria: There Is a Difference
Indeed! A very enjoyable and informative interview!!
{}0+|
On 5/5/2010 8:07 PM, Rex Mundi wrote:
That was an excellent read - thanks for sharing :)
On 5 May 2010 22:16, wojciechwojtek@gmail.com wrote:
Sherard Ingram, aka Urban Tribe, interviewed in The Wire:
http://thewire.co.uk/articles/4131
-Wojtek
Re: (313) Call to action with respect to putting Detroit Artists in the concrete dungeon at DEMF
If Paxahau has finally done something to address the truly awful
acoustics of the underground stage then I'll be impressed, but I don't
have high hopes that that space will sound any less horrendous than it
has every time I've gone down there.
The fact that Detroit techno has always been underground does not
justify knowingly and repeatedly putting DJs in a space in which
everything sounds murky. If the goal is to feature the music, then it
is important that the acoustics aren't a major obstacle to actually
being able to hear the music with reasonable clarity.
Warehouse parties are makeshift and grab bag by default. You don't walk
in the door and expect the room to have acoustically engineered for
crystal-clear sound. The underground stage is like being in a
warehouse, except that DEMF is a planned festival with corporate
sponsorship, so it is reasonable to expect better sound quality
especially when the underground stage is a known sore point and has been
for years.
Why couldn't they use that amphitheater-style area near the waterfront
stage, or set up a large tent somewhere else?
{}0+|
On 5/1/2010 12:02 AM, John Sokolowski wrote:
Has anyone seen the setup of the Detroit stage this year? Has anyone heard the
sound? Let's reserve judgment until we see/hear the results shall we? And
looking at the line up I see real Detroit artists on all of the stages.
Personally, I kind of like that the Detroit stage is underground. Detroit
techno has always been underground even within the city itself. I grew up
hearing the artists who have played the Detroit stage over the last few years
in smokey, sweaty, concrete venues that were far from safe. It feels fitting to
me. This is coming from someone who prefers to hear techno and house outdoors
as of late too.
I can't argue the acoustics issue, which is far from good. I feel like the
Paxahau guys know what they are doing and are really trying to make it work.
From: chaircrus...@gmail.com
Date: Fri, 30 Apr 2010 11:45:25 -0500
To: 313@hyperreal.org
Subject: (313) Call to action with respect to putting Detroit Artists in the
concrete dungeon at DEMF
The underground stage area at Hart Plaza is an awful place to hear
music. The acoustics are irredeemable, and the place frankly stinks,
especially after 2 days of sweat, smoke and god knows what. If it is
actually full, it's a serious hazard to human life, as it holds more
people than could exit safely all at once.
Our irrepressible friend Tom Cox is asking people to contact Paxahau
and try and get them to stop using it as a stage area, and ESPECIALLY
to stop using it to hide the real Detroit artists from festival goers.
http://infinitestatemachine.com/2010/04/30/dear-paxahau-this-is-not-okay-no-more-underground-stage/
_
The New Busy think 9 to 5 is a cute idea. Combine multiple calendars with
Hotmail.
http://www.windowslive.com/campaign/thenewbusy?tile=multicalendarocid=PID28326::T:WLMTAGL:ON:WL:en-US:WM_HMP:042010_5
Re: (313) DEMF Hotel
You may want to consider bidding on a room on Priceline.
{}0+|
On 4/29/2010 1:18 PM, Tim Baker wrote:
MGM Grand for $149 follow link
http://www.facebook.com/profile.php?id=755407798v=feed#!/event.php?eid=1172
87221626210ref=mf
-Original Message-
From: David Powers [mailto:cybo...@gmail.com]
Sent: Thursday, April 29, 2010 12:00 PM
To: 313
Subject: (313) DEMF Hotel
Does anyone know of a hotel to try for DEMF? My room fell through so I
need to book something on my own, everywhere I know of is sold out...
~David
Re: (313) Conforce (a Long time lurker writes).
I've been listening to this album, which is mostly midtempo
techno/electro dub, for about a week now and I like it quite a bit.
Fans of Theorem or Convextion might want to give this a shot.
(I do love it when music glistens)
{}0+|
On 3/9/2010 2:39 PM, Simon Pascoe wrote:
Hi,
I'm ashamed to say that I have lurked on the list and not posted for
years, but felt I just had to post about this one:
Conforce - Machine Conspiracy on Meanwhile
Very impressed with the quality and diversity across these tracks, and
would recommend a listen.
Will try and email more over the next few years ;-)
Simon
Re: (313) D25: Detroit Twenty Five
Who is in picture #9 and 10?
{}0+|
Andy Mitchell wrote:
http://www.backspinpromo.com/d25.html
(Sorry if this has already been posted. I've been too busy to pay close
attention of late...)
(313) testing 123 (please ignore)
--
{}0+|
Re: (313) new Terrence Dixon remix now online
The Terrence Dixon remix is quite a lot of fun!!
{}0+|
Andrew Duke Cognition Audioworks new email address wrote:
Apologies to Kent for being one of the folks who
forgot to send as plain text;
Just added a remix from Terrence Dixon to
http://soundcloud.com/andrewdukecognitionaudio
Other 313 content there includes remixes from
Claude Young, Orlando Voorn, and Detroit People Mover.
Soon come is a remix from K-HAND.
There's remixes also up there from listmembers
Chaircrusher and Area, and also a remix I did for
Tristan Phonopsia Watkins.
Thanks.
Andrew
--
http://soundcloud.com/andrewdukecognitionaudio
http://myspace.com/andrewduke
(313) Iowa City, IA: anything to do on 9/20 or 9/21?
I'm going to be in Iowa City, IA on Sept 20th and 21st.
Gabe's has already been recommended a few times, so I'll definitely head
there to give it a looksee.
Does anyone know of other places in or reasonably near to Iowa City that
are worth checking out for good techno / psytrance / DNB / punk /
industrial / experimental?
Thanks in advance.
{}0+|
Re: (313) mills the good robot
Whenever I hear about a party that advertises that all the DJs are
women, I feel suspicious. The lure should be the music that'll be
played, not the gender of the DJs.
Unless their gender has some direct bearing on what I'll hear, why
bother to mention it?
It makes me think that the party will likely attract a bunch of smarmy
guys who'll be there for the girl-watching and not the music, which will
make me less inclined to go to the party.
{}0+|
Lori Draper wrote:
Yeah, Denise and I are here to represent the female contingent.
Magda is one of the better DJs I've seen live and I would love it if
she, Kate Simko or Minx would play in Dallas I'd be there in a
heartbeat. Heather and Dayhota always kill it when they are here; I
hope I live to see the day when female DJs aren't regulated to playing
all-girl theme nights, topless, or as some kind of other gimmick but
rather, strictly for their talent.
DJing is one of the few music realms where it really shouldn't matter
what you look like; unfortunately, that's true only for the guys.
On Thu, Jun 25, 2009 at 10:22 AM, David Powerscybo...@gmail.com wrote:
That's why I play deep house now, that, and I'm too old to dance to
anything faster than 128 bpm... ;-)
Seriously though it's hard for me to get into pounding stuff or really
fast tempos anymore, I did enjoy Mills when he played at Smartbar
Chicago though, that's about the only hard stuff I've heard in the
last year.
But slower tempos just seem way sexier and funkier mostly.
~David
On Thu, Jun 25, 2009 at 9:53 AM, jwan allenjwan.al...@gmail.com wrote:
Jason,
I can assure you that most Techno events are sausage parties on this
side of the ocean as well.:)
jw
Re: (313) Latest Surgeon mix @ Void, Shanghai - 16/5/09
Force+Form is great.
Basictonalvocabulary is my fave.
{}0+|
Garrett McGrath wrote:
Force + Form, Body Request.
plus a lot of remixes and much of the Counterbalance stuff; the latter
certainly being dancefloor oriented but it's not BMB.
On Jun 8, 2009, at 12:47 AM, ja...@iridite.com wrote:
That's a slightly blurry Stephen Brown of DJax/Transmat fame standing
on the far left of the picture- we turned the lights out and pulled
the blinds down to get a bit more ambiance once the place filled up
and the beers started flowing.
I particularly enjoyed his set as he's not a producer who's work I've
ever followed or enjoyed particularly - the British Murder Boys stuff
leaves me cold in particular - so it's always good to have your head
turned and your ears opened when you're least expecting it.
Anyone got any recommendations for Surgeon material that's not too
frantic/brain melting?
cheers
Jason
2009/6/8 Garrett McGrath g...@7mzdt.com:
http://3.bp.blogspot.com/_3acGlojGswc/Silk1JY3eJI/AOc/EfaUXYFSfbg/s1600-h/DSC_0170-772398.jpg
On Jun 7, 2009, at 9:53 AM, ja...@iridite.com wrote:
We had him doing an instore at Rubadub on Firday night before his Sub
Club gig- really nice guy and a fantastic selection of broken up beats
and dub step-y stuff as well as some old school D May and then some
banging toons. Very well put together using Ableton and a wee
Faderfox controller - small rig, big sounds
cheers
Jason
2009/6/6 robin ro...@fivetones.org:
Interesting tracklist. The inclusion of Subsonic Soundscape has
convinced
me
to DL it... :)
robin...
On 6 Jun 2009, at 09:33, Tristan Watkins wrote:
Don't think I've seen this posted here and there's enough [313]
relevance.
It's awesome.
http://www.dj-surgeon.com - Media - Audio
Tracklist
The Chosen Brothers - Mash down Babylon
Smear - Lito
DHS - House Of God 2000 (DHS Remix)
Coil - The Snow (Jack Dangers remix)
Shiver - Subsonic Sound Scape
Drexiya - Black Sea
Robert Babicz - Prism
Cristian Vogel - (Don’t) Take More (Jamie Lidell Remix)
Marlinspike - Bongo Rocka
British Murder Boys - BMB4 bonus beats
Felix Da Housecat - Thee Lite (Dave Clarke remix)
Peter Van Hoesen - Continued Care
Planetary Assault Systems - Mark Me
Rhythim Is Rhythim - The Beginning
Norman Nodge - Manmade
Joey Beltram - Ten Four
Morganistic - Marbles
Robert Hood - Untitled Sketch
Scuba - Ruptured (Surgeon remix)
Choice - Acid Eiffel
Psyche - Neurotic Behaviour
K Alexi - Drug Test
Jellybean - Twilight Drone
Robert Armani - Basement Rats
Surgeon - Klonk Part2
Autechre - Cipater (Surgeon remake)
Reeko - md11 B1
Go Hiyama - Geometrical (Surgeon remix)
Distance - Feel Me
Grovskopa - Sex And Violins (Surgeon remix)
Forward Strategy Group - Applied Generics A
Nate Williams - Club Patrol
John Carpenter - The Bank Robbery (Lory D remix)
Joey Beltram - Gameform (Mike Dearborn remix)
Efdemin - Acid Bells (Martyns dark mix)
Starkey - Gutter Music (vip)
Kritical Audio - Spandex
Tobias Von Hofsten - Swinger
Tristan
===
phonop...@phonopsia.co.uk
http://www.phonopsia.co.uk
Re: (313) With apologies to DJ Assault
Good one!
{}0+|
Greg Earle wrote:
http://photos-b.ak.fbcdn.net/hphotos-ak-snc1/hs082.snc1/4561_85552744329_621434329_1753249_2858132_n.jpg
- Greg
Re: (313) Jeff Mills Homecoming
Yeah, that looks like the guy I saw onstage!
Thanks, Angela!
Detroit Techno Militia wrote:
I think you guys are talking about Spore Print - he is one of the Mixworks DJ's.
Here is a picture I took of him Friday night @ The Works before the
festival kicked off:
http://www.flickr.com/photos/technochick/3557478243/in/set-72157618721828478/
Angela Schwendemann
Label Manager
Detroit Techno Militia
http://www.detroittechnomilitia.com
313-449-8655
On Wed, May 27, 2009 at 9:57 PM, darnistle darnis...@cafe-ebola.com wrote:
The guy who played before Juan's first set looked like he might be in his
20s-30s, mocha skin tone, maybe Hispanic. He played a lot of Pacou-style
stuff and several Jeff Mills tracks.
I just googled Buzz Goree and he looks totally different from the guy I saw.
Don't act like I'm trippin', 'cause I know I'm not! :)
{}0+|
kent williams wrote:
Heh, I took Buzz around looking for his preferred cigars in Iowa City.
No mistaking him for Juan.
On Wed, May 27, 2009 at 8:28 PM, Frank Glazer cpe1704...@gmail.com
wrote:
thanks Kent, I was afraid I was losing my mind for a split second
there. but then I remembered I was sitting on the stage the entire
time buzz played. darnistle - the dude who was on directly before
jeff was buzz goree, i assure you. :) i mean, i am 99% sure it was
buzz, and 100% sure it wasn't juan if for no other reason than there's
about 8 inches of height separating the two!
On Wed, May 27, 2009 at 9:24 PM, kent williams chaircrus...@gmail.com
wrote:
It was Buzz before Jeff. I didn't see Juan until 4AM, and I was in
the room the whole time. BTW It was good to see Jeff, but Buzz KILLS
every time out.
On Wed, May 27, 2009 at 8:19 PM, darnistle darnis...@cafe-ebola.com
wrote:
Unless my eyes and ears deceived me, Juan started around 1am and played
a
very short set then Jeff took over. After Jeff's set, Juan came on
again
and played until 6am.
{}0+|
Frank Glazer wrote:
I'm convinced that you have Juan and Jeff confused. Either that or we
weren't at the same party, because the lineup that i saw (with my very
own eyes from about 3 feet from the dj rig) went something like this:
main room (big warehouse room with rounded stage up front)
?-1 AM Buzz Goree
1 AM - 4 AM Jeff Mills
4 AM - ? Juan Atkins
front room (smaller white walled room closer to the main entrance)
?-4 AM James Pennington
4 AM - ? some fancy dressed guy who looked really familiar but
unfortunately i couldn't name
not sure when Traxx played, which was disappointing for me as I really
wanted to hear that guy.
Juan's set that started at 4 AM was plagued with bad mixes, and not
Jeff Mills style bad mixes either, where you cheer for the
trainwrecks, but just intolerably bad bad mixes. well, at least the
first 3-4 mixes were awful, we left after those.
In my opinion *Jeff's* set was the highlight of the weekend.
I also didn't see Ryan Elliot.
On Wed, May 27, 2009 at 8:01 PM, darnistle darnis...@cafe-ebola.com
wrote:
I went to this party. Neither hell nor high water could have kept me
away.
Juan's first set was hands down ***THE*** most memorable set of the
entire
weekend! He truly sent me!!
Jeff was good, though his set seemed to be lacking momentum.
Does anyone know who the DJ was who played immediately before Juan?
{}0+|
/0 wrote:
Joining Jeff will be Techno music legend Juan Atkins as special
guest.
Buzz Goree, James Pennington, Traxxs, Ryan Elliot, Claus Bachor will
also be
performing.
--
From: james.hurl...@utoronto.ca
Sent: Saturday, May 02, 2009 9:41 PM
To: list 313 313@hyperreal.org
Subject: (313) Jeff Mills Homecoming
OMG. see u all there.
*MIXWORKS Presents:
JEFF MILLS HOMECOMING*
Sunday, May 24th 2009 / TANGENT GALLERY
715 East Milwaukee / Detroit
10 Dollars B4 Midnight / 18+ With ID
10:00PM-LATE
*BUZZ GOREE AKA CLANDESTINE*
UR/MIXWORKS
*JAMES PENNINGTON AKA SUBURBAN KNIGHT*
UR
*TRAXX*
BLACK NATION/RELIEF/FRINGIO
*RYAN ELLIOTT*
SPECTRAL
*CLAUS BACHOR*
PSYCHOTHRILLA/KLOIN
*SPOREPRINT*
MIXWORKS
PLUS: LIVE PAINTING BY
*ABDUL HAQQ*
UR/THIRD EARTH VISUAL ARTS
--
peace,
frank
dj mix archive: http://www.deejaycountzero.com
Re: (313) Jeff Mills Homecoming
OK, fine. Maybe my vision is worse that I thought, because Buzz and
Juan don't look alike at all...
Regardless, WHOEVER played right before Jeff totally rocked my world!
{}0+|
Detroit Techno Militia wrote:
That is correct - that is not the guy who played right before Jeff.
Buzz Goree is the one who played right before Jeff.
Angela Schwendemann
Label Manager
Detroit Techno Militia
http://www.detroittechnomilitia.com
313-449-8655
On Thu, May 28, 2009 at 7:24 AM, Frank Glazer cpe1704...@gmail.com wrote:
I'd just like to point out that that is not the dude who played
directly before Jeff. :)
On Thu, May 28, 2009 at 12:21 AM, Detroit Techno Militia
detroittechnomili...@gmail.com wrote:
I think you guys are talking about Spore Print - he is one of the Mixworks DJ's.
Here is a picture I took of him Friday night @ The Works before the
festival kicked off:
http://www.flickr.com/photos/technochick/3557478243/in/set-72157618721828478/
Angela Schwendemann
Label Manager
Detroit Techno Militia
http://www.detroittechnomilitia.com
313-449-8655
\
Re: (313) Jeff Mills Homecoming
I'll agree with that. Jeff's set was a very different animal from the
DJ who played right before him.
But as I said before, Jeff's set seemed to lack momentum. It was fun to
watch him work his magic and create such an intricately woven amalgam of
rhythm-and-sound, but overall it sounded like it had no impetus other
than its own intricacy. After a while, it felt like a moto perpetuo in
still life: Dude Descending a Staircase.
That isn't to say that it was bad set, because it wasn't by any means.
In its own way it was really exquisite. It just didn't leave as strong
an impression as the DJ set before his.
{}0+|
cpe1704...@gmail.com wrote:
what i find especially amazing about this is that you preferred buzz's
set to jeff's. buzz rocked, no doubt, but jeff was on a complete other
level of advanced techno sorcery.
On May 28, 2009 9:35pm, darnistle darnis...@cafe-ebola.com wrote:
OK, fine. Maybe my vision is worse that I thought, because Buzz and
Juan don't look alike at all...
Regardless, WHOEVER played right before Jeff totally rocked my world!
{}0+|
Detroit Techno Militia wrote:
That is correct - that is not the guy who played right before Jeff.
Buzz Goree is the one who played right before Jeff.
Angela Schwendemann
Label Manager
Detroit Techno Militia
http://www.detroittechnomilitia.com
313-449-8655
On Thu, May 28, 2009 at 7:24 AM, Frank Glazer cpe1704...@gmail.com
wrote:
I'd just like to point out that that is not the dude who played
directly before Jeff. :)
On Thu, May 28, 2009 at 12:21 AM, Detroit Techno Militia
detroittechnomili...@gmail.com wrote:
I think you guys are talking about Spore Print - he is one of the
Mixworks DJ's.
Here is a picture I took of him Friday night @ The Works before the
festival kicked off:
http://www.flickr.com/photos/technochick/3557478243/in/set-72157618721828478/
Angela Schwendemann
Label Manager
Detroit Techno Militia
http://www.detroittechnomilitia.com
313-449-8655
\
Re: (313) DJ mix CDs - good ones
430 West Presents Back To The Rhythm and Detroit Calling
DJ Rolando Vibrations
Robert Hood Deep Concentration and the recent Black Dog podcast
Neuton Future Classics Two
Technoir mix on iFach
Martinez Audiomatique Vol 1
Dave Angel Beyond The Heavens
Felix da Housecat Clashbackk
Derrick May MayDay Mix
{}0+|
Michael Elliot-Knight wrote:
I know most commercially available DJ mix CDs are crap but I'd like to
find some more good ones
Flipping through what I have already I realized that most of mine are at
least 10 years old
I've got a good portion of the X-Mix series (Saunderson, Ishii, Dj Hell,
Acquaviva/Hawtin, Garnier), the Aux 88 Electro Boogie mix (one of my
faves), Carl Craig Stacey Pullen's DJ Kicks mixes, Matthew Herbert's
Globus Mix Vol. 5, DJ T-1000 Live Sabotage: Live In Belgium, and a few
Subject:Detroit Submerge mixes.
Looking for more thumping techno things - suggestions or your faves?
MEK
Disclaimer
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Re: (313) Jeff Mills Homecoming
I went to this party. Neither hell nor high water could have kept me away.
Juan's first set was hands down ***THE*** most memorable set of the
entire weekend! He truly sent me!!
Jeff was good, though his set seemed to be lacking momentum.
Does anyone know who the DJ was who played immediately before Juan?
{}0+|
/0 wrote:
Joining Jeff will be Techno music legend Juan Atkins as special guest.
Buzz Goree, James Pennington, Traxxs, Ryan Elliot, Claus Bachor will
also be performing.
--
From: james.hurl...@utoronto.ca
Sent: Saturday, May 02, 2009 9:41 PM
To: list 313 313@hyperreal.org
Subject: (313) Jeff Mills Homecoming
OMG. see u all there.
*MIXWORKS Presents:
JEFF MILLS HOMECOMING*
Sunday, May 24th 2009 / TANGENT GALLERY
715 East Milwaukee / Detroit
10 Dollars B4 Midnight / 18+ With ID
10:00PM-LATE
*BUZZ GOREE AKA CLANDESTINE*
UR/MIXWORKS
*JAMES PENNINGTON AKA SUBURBAN KNIGHT*
UR
*TRAXX*
BLACK NATION/RELIEF/FRINGIO
*RYAN ELLIOTT*
SPECTRAL
*CLAUS BACHOR*
PSYCHOTHRILLA/KLOIN
*SPOREPRINT*
MIXWORKS
PLUS: LIVE PAINTING BY
*ABDUL HAQQ*
UR/THIRD EARTH VISUAL ARTS
Re: (313) Jeff Mills Homecoming
Unless my eyes and ears deceived me, Juan started around 1am and played
a very short set then Jeff took over. After Jeff's set, Juan came on
again and played until 6am.
{}0+|
Frank Glazer wrote:
I'm convinced that you have Juan and Jeff confused. Either that or we
weren't at the same party, because the lineup that i saw (with my very
own eyes from about 3 feet from the dj rig) went something like this:
main room (big warehouse room with rounded stage up front)
?-1 AM Buzz Goree
1 AM - 4 AM Jeff Mills
4 AM - ? Juan Atkins
front room (smaller white walled room closer to the main entrance)
?-4 AM James Pennington
4 AM - ? some fancy dressed guy who looked really familiar but
unfortunately i couldn't name
not sure when Traxx played, which was disappointing for me as I really
wanted to hear that guy.
Juan's set that started at 4 AM was plagued with bad mixes, and not
Jeff Mills style bad mixes either, where you cheer for the
trainwrecks, but just intolerably bad bad mixes. well, at least the
first 3-4 mixes were awful, we left after those.
In my opinion *Jeff's* set was the highlight of the weekend.
I also didn't see Ryan Elliot.
On Wed, May 27, 2009 at 8:01 PM, darnistle darnis...@cafe-ebola.com wrote:
I went to this party. Neither hell nor high water could have kept me away.
Juan's first set was hands down ***THE*** most memorable set of the entire
weekend! He truly sent me!!
Jeff was good, though his set seemed to be lacking momentum.
Does anyone know who the DJ was who played immediately before Juan?
{}0+|
/0 wrote:
Joining Jeff will be Techno music legend Juan Atkins as special guest.
Buzz Goree, James Pennington, Traxxs, Ryan Elliot, Claus Bachor will also be
performing.
--
From: james.hurl...@utoronto.ca
Sent: Saturday, May 02, 2009 9:41 PM
To: list 313 313@hyperreal.org
Subject: (313) Jeff Mills Homecoming
OMG. see u all there.
*MIXWORKS Presents:
JEFF MILLS HOMECOMING*
Sunday, May 24th 2009 / TANGENT GALLERY
715 East Milwaukee / Detroit
10 Dollars B4 Midnight / 18+ With ID
10:00PM-LATE
*BUZZ GOREE AKA CLANDESTINE*
UR/MIXWORKS
*JAMES PENNINGTON AKA SUBURBAN KNIGHT*
UR
*TRAXX*
BLACK NATION/RELIEF/FRINGIO
*RYAN ELLIOTT*
SPECTRAL
*CLAUS BACHOR*
PSYCHOTHRILLA/KLOIN
*SPOREPRINT*
MIXWORKS
PLUS: LIVE PAINTING BY
*ABDUL HAQQ*
UR/THIRD EARTH VISUAL ARTS
Re: (313) Jeff Mills Homecoming
The guy who played before Juan's first set looked like he might be in
his 20s-30s, mocha skin tone, maybe Hispanic. He played a lot of
Pacou-style stuff and several Jeff Mills tracks.
I just googled Buzz Goree and he looks totally different from the guy I saw.
Don't act like I'm trippin', 'cause I know I'm not! :)
{}0+|
kent williams wrote:
Heh, I took Buzz around looking for his preferred cigars in Iowa City.
No mistaking him for Juan.
On Wed, May 27, 2009 at 8:28 PM, Frank Glazer cpe1704...@gmail.com wrote:
thanks Kent, I was afraid I was losing my mind for a split second
there. but then I remembered I was sitting on the stage the entire
time buzz played. darnistle - the dude who was on directly before
jeff was buzz goree, i assure you. :) i mean, i am 99% sure it was
buzz, and 100% sure it wasn't juan if for no other reason than there's
about 8 inches of height separating the two!
On Wed, May 27, 2009 at 9:24 PM, kent williams chaircrus...@gmail.com wrote:
It was Buzz before Jeff. I didn't see Juan until 4AM, and I was in
the room the whole time. BTW It was good to see Jeff, but Buzz KILLS
every time out.
On Wed, May 27, 2009 at 8:19 PM, darnistle darnis...@cafe-ebola.com wrote:
Unless my eyes and ears deceived me, Juan started around 1am and played a
very short set then Jeff took over. After Jeff's set, Juan came on again
and played until 6am.
{}0+|
Frank Glazer wrote:
I'm convinced that you have Juan and Jeff confused. Either that or we
weren't at the same party, because the lineup that i saw (with my very
own eyes from about 3 feet from the dj rig) went something like this:
main room (big warehouse room with rounded stage up front)
?-1 AM Buzz Goree
1 AM - 4 AM Jeff Mills
4 AM - ? Juan Atkins
front room (smaller white walled room closer to the main entrance)
?-4 AM James Pennington
4 AM - ? some fancy dressed guy who looked really familiar but
unfortunately i couldn't name
not sure when Traxx played, which was disappointing for me as I really
wanted to hear that guy.
Juan's set that started at 4 AM was plagued with bad mixes, and not
Jeff Mills style bad mixes either, where you cheer for the
trainwrecks, but just intolerably bad bad mixes. well, at least the
first 3-4 mixes were awful, we left after those.
In my opinion *Jeff's* set was the highlight of the weekend.
I also didn't see Ryan Elliot.
On Wed, May 27, 2009 at 8:01 PM, darnistle darnis...@cafe-ebola.com
wrote:
I went to this party. Neither hell nor high water could have kept me
away.
Juan's first set was hands down ***THE*** most memorable set of the
entire
weekend! He truly sent me!!
Jeff was good, though his set seemed to be lacking momentum.
Does anyone know who the DJ was who played immediately before Juan?
{}0+|
/0 wrote:
Joining Jeff will be Techno music legend Juan Atkins as special guest.
Buzz Goree, James Pennington, Traxxs, Ryan Elliot, Claus Bachor will
also be
performing.
--
From: james.hurl...@utoronto.ca
Sent: Saturday, May 02, 2009 9:41 PM
To: list 313 313@hyperreal.org
Subject: (313) Jeff Mills Homecoming
OMG. see u all there.
*MIXWORKS Presents:
JEFF MILLS HOMECOMING*
Sunday, May 24th 2009 / TANGENT GALLERY
715 East Milwaukee / Detroit
10 Dollars B4 Midnight / 18+ With ID
10:00PM-LATE
*BUZZ GOREE AKA CLANDESTINE*
UR/MIXWORKS
*JAMES PENNINGTON AKA SUBURBAN KNIGHT*
UR
*TRAXX*
BLACK NATION/RELIEF/FRINGIO
*RYAN ELLIOTT*
SPECTRAL
*CLAUS BACHOR*
PSYCHOTHRILLA/KLOIN
*SPOREPRINT*
MIXWORKS
PLUS: LIVE PAINTING BY
*ABDUL HAQQ*
UR/THIRD EARTH VISUAL ARTS
--
peace,
frank
dj mix archive: http://www.deejaycountzero.com
Re: (313) Experimedia is moving away from announcements via mailing lists
Pity.
I don't have a twitter account, nor am I inclined to get one.
I wish you'd continue occasionally posting to the lists. That's how I
found about you and the recent Illusion of Safety release.
{}0+|
Jeremy Bible wrote:
Experimedia is moving announcements away from mailing lists.
At this busy time Experimedia's history we find it more efficient to
feed short and to the point announcements and recommendations through
the twitter platform.
So follow or dont but this is where the news will be
http://twitter.com/experimedia
Re: (313) Jeff Mills Homecoming
Yes, it was at Tangent gallery.
I got there before midnight and the youngish DJ I described below was
spinning.
Around 1am or so, Juan came on. He played for maybe 30 minutes.
Then Jeff played until maybe 4am (I wasn't watching the time).
Then Juan played again until 6am.
{}0+|
Frank Glazer wrote:
please post an alternate set time list with your proposed accompanying
performers, because from where i see it you're just wrong.
we're talking about the party at tangent gallery/warehouse on sunday
night, right? what time are you saying juan's first set was, and
when was his second?
On Wed, May 27, 2009 at 9:57 PM, darnistle darnis...@cafe-ebola.com wrote:
The guy who played before Juan's first set looked like he might be in his
20s-30s, mocha skin tone, maybe Hispanic. He played a lot of Pacou-style
stuff and several Jeff Mills tracks.
I just googled Buzz Goree and he looks totally different from the guy I saw.
Don't act like I'm trippin', 'cause I know I'm not! :)
{}0+|
kent williams wrote:
Heh, I took Buzz around looking for his preferred cigars in Iowa City.
No mistaking him for Juan.
On Wed, May 27, 2009 at 8:28 PM, Frank Glazer cpe1704...@gmail.com
wrote:
thanks Kent, I was afraid I was losing my mind for a split second
there. but then I remembered I was sitting on the stage the entire
time buzz played. darnistle - the dude who was on directly before
jeff was buzz goree, i assure you. :) i mean, i am 99% sure it was
buzz, and 100% sure it wasn't juan if for no other reason than there's
about 8 inches of height separating the two!
On Wed, May 27, 2009 at 9:24 PM, kent williams chaircrus...@gmail.com
wrote:
It was Buzz before Jeff. I didn't see Juan until 4AM, and I was in
the room the whole time. BTW It was good to see Jeff, but Buzz KILLS
every time out.
On Wed, May 27, 2009 at 8:19 PM, darnistle darnis...@cafe-ebola.com
wrote:
Unless my eyes and ears deceived me, Juan started around 1am and played
a
very short set then Jeff took over. After Jeff's set, Juan came on
again
and played until 6am.
{}0+|
Frank Glazer wrote:
I'm convinced that you have Juan and Jeff confused. Either that or we
weren't at the same party, because the lineup that i saw (with my very
own eyes from about 3 feet from the dj rig) went something like this:
main room (big warehouse room with rounded stage up front)
?-1 AM Buzz Goree
1 AM - 4 AM Jeff Mills
4 AM - ? Juan Atkins
front room (smaller white walled room closer to the main entrance)
?-4 AM James Pennington
4 AM - ? some fancy dressed guy who looked really familiar but
unfortunately i couldn't name
not sure when Traxx played, which was disappointing for me as I really
wanted to hear that guy.
Juan's set that started at 4 AM was plagued with bad mixes, and not
Jeff Mills style bad mixes either, where you cheer for the
trainwrecks, but just intolerably bad bad mixes. well, at least the
first 3-4 mixes were awful, we left after those.
In my opinion *Jeff's* set was the highlight of the weekend.
I also didn't see Ryan Elliot.
On Wed, May 27, 2009 at 8:01 PM, darnistle darnis...@cafe-ebola.com
wrote:
I went to this party. Neither hell nor high water could have kept me
away.
Juan's first set was hands down ***THE*** most memorable set of the
entire
weekend! He truly sent me!!
Jeff was good, though his set seemed to be lacking momentum.
Does anyone know who the DJ was who played immediately before Juan?
{}0+|
/0 wrote:
Joining Jeff will be Techno music legend Juan Atkins as special
guest.
Buzz Goree, James Pennington, Traxxs, Ryan Elliot, Claus Bachor will
also be
performing.
--
From: james.hurl...@utoronto.ca
Sent: Saturday, May 02, 2009 9:41 PM
To: list 313 313@hyperreal.org
Subject: (313) Jeff Mills Homecoming
OMG. see u all there.
*MIXWORKS Presents:
JEFF MILLS HOMECOMING*
Sunday, May 24th 2009 / TANGENT GALLERY
715 East Milwaukee / Detroit
10 Dollars B4 Midnight / 18+ With ID
10:00PM-LATE
*BUZZ GOREE AKA CLANDESTINE*
UR/MIXWORKS
*JAMES PENNINGTON AKA SUBURBAN KNIGHT*
UR
*TRAXX*
BLACK NATION/RELIEF/FRINGIO
*RYAN ELLIOTT*
SPECTRAL
*CLAUS BACHOR*
PSYCHOTHRILLA/KLOIN
*SPOREPRINT*
MIXWORKS
PLUS: LIVE PAINTING BY
*ABDUL HAQQ*
UR/THIRD EARTH VISUAL ARTS
--
peace,
frank
dj mix archive: http://www.deejaycountzero.com
Re: (313) What does Live mean these days?
kent williams wrote:
On Fri, Apr 17, 2009 at 8:17 AM, Kevin Kennedy the...@gmail.com wrote:
At the end of
the day (or night), does it really matter? If it moves you then it
moves you. If not, what is the point?
I think that the distinction between 'Live' and 'Not Live' is blurred
at this point to where it's meaningless. I've had the privilege of
watching the two performers who have put the most effort into their
'live' performances up close: Shawn Rudiman and Stewart Walker. They
both have put a huge effort into making their performance mean
something more than pressing 'play.'
And they both build their sets out of preprogrammed patterns. Shawn
works his drum machines in write mode, but any time I've seen him play
he has an MMT8 full of patterns to drive his synths. Stewart will
even occasionally drop a complete track into his set, but only if it's
one of his tracks that's so old he doesn't have separate parts for it.
For both guys, they're making dozens of decisions every minute about
how to shape their music, and their goal is to engage their audience.
To me, your description here is quite in the spirit of what I think of
as a live performance.
Even if what is being manipulated are preprogrammed patterns, if the
artist is manipulating the patterns and making decisions in real-time
to affect how the music will progress, it is a live performance.
Obviously, there is a wider range of liveness in electronic music than
in traditional music. Kraftwerk, Xenakis and Senor Coconut come to mind.
{}0+|
Re: (313) Speaking of narratives...
I do love this album. I had thought to post commentary on it, but
figured it was OT.
It really is fantab and the recording isn't as boxed-in as the 2562
album. I have high hopes for him.
{}0+|
Tristan Watkins wrote:
A Made Up Sound (2562) Shortcuts uses the lots-of-short-tracks
approach to building an album. Although the sound is abstract and
Detroit-inspired, the beats incorporate hip hop, dubstep, house and
techno influences, while never fitting neatly in any of these styles. If
anyone thinks dubstep is narrow and rigid, this might be a counter-example.
Re: (313) mysticism, artists DEMF pre-lineup
I corresponded with Robert Heijnen last summer when I bought something from him on discogs. He's apparently not in touch with the other PWOG members and is busy doing the family thing, so he's more or less out of the picture. However, there was a Disciples Ov Gaia release a few years ago, so maybe the remaining PWOG members are still active under other guises. DO: convince psychic warriors ov gaia to get back together and book for a live PA
Re: (313) mysticism in electronic music (and where has it gone)
I can relate to what you've said below. I have a particular fondness for the ambient techno/trance/house/jungle of that general period. The sound of that era is more or less gone, but I think that mindset persists and still appears in contemporary musical forms. As far as relatively recent intelligent goes, off the top of my head, I can think of Isolee, Mike Shannon, Bruno Pronsato, Tupperware, Carter Tutti (aka Chris Cosey), Boxcutter, Skull Disco, Texas Faggott, Stewart Walker, Paradox, Gescom, Burial, Sutekh, Horsepower Productions, Troll Scientists, Illusion of Safety, Flying Lotus, etc. The early 90s is as gone as the early 80s, the roaring 1920s, the early Romantic, high Baroque and rockin' 13th century. There never will be another period like those because the factors that made them what they were have passed. No biggie. There are tons of eras gone by, if you think about it, yet there is still good music to be found. For me, it doesn't matter so much that those eras are gone because the music from those time periods is still close to my heart and so never sounds or feels old to me. It is still part of my living present, as much as the newer things I like are. Finding new music that grabs me has always required a lot of sifting through musical mediocrity. Some period have more spurts of innovation than others, but it still requires that I keep my ears open since it is always possible that someone can serve up everything I like about Atom Heart, Vulva, Air Liquide, PWOG, etc without being derivative, retro or nostalgic. Michael Kuszynski wrote: Maybe I am simply reaching a little too hard to get back to what makes me an ardent follower of FSOL or the ambient techno electronica universe of futurist, space age, on-the-dawn-of-a-new-era mysticism that I found so appealing as a youth and as it carried me through to now, but I am having a hard time floating through what music is now and how to find things that continue reshaping the order of my world in regards to recorded sound. I feel like all I can do is feel like there's an era gone by, but I'm not sure what there is as a music after techno? (or ambient / uk electronic, what have you). Also - I am unsure if I am simply a victim of my own obscured frame of reference which is defined by my own transition from being an active fanatic and always listening to music and working on synths non stop when I was younger to having entered real life (work, corporations) and reliving days gone by. Maybe they are simply gone by for me, and my own attitude is that of an old timer (even if I'm young) saying that there will never be another this or that, or that music is over, etc. Maybe there is always people doing interesting things, building scenes, and achieving breathtaking aural and all encompassing art, but this is just a mood I am in now on this reflective Sunday. Any thoughts? I know my reference to FSOL or classic early 90s electronic techno ambient what have you isn't explicit Detroit relevant, but I think many can identify to these themes. The below definitely reference detroit artists, and they even speak! part 2: - FYI - I am double posting from another friend's list, but check this out, if you haven't yet: http://www.subrosa.net/online/main_dr_catalogue_electronics_detail.php?AlbumID=76 you can even listen to it for free before buying on this thing called deezer: http://www.deezer.com/en/l-r-radiomentale/i-could-never-make-that-music-again-A40541.html I Could Never Make That Music Again L-R RadioMentale with the voices of Derrick May, Stacey Pullen, Autechre, Matmos, Alec Empire, A Guy Called Gerald, Mad Mike (Underground Resistance), Coldcut, Mixmaster Morris, DJ Shadow, Kid Koala, Steve Reich, Claude Lévèque, Rioji Ikeda, Richie Hawtin, Richard James (Aphex Twin), Thomas Brinkmann, Mantronix, Christian Fennesz, Squarepusher, The Residents, Tony Morley, David Toop, Matthew Herbert, Simon Begg, Andrea Parker, Pole SR249 I Could Never Make That Music Again is a choral album, a sound collage crafted out of interviews,where artists, musicians, DJs and sound makers talk openly about their work, their visions, their hopes, their moments of doubts and their regrets in a loosely constructed narrative. Even though most of the people interviewed here have just met on a few occasions, they have all participated in the making of the history of electronic music; from the early tape experiments in the 1950s to the latest trends in techno.
Re: (313) Topic change: Surgeon in Leeds 13-02-2009
Ah, PWOG!!!
I'll definitely give this a listen, not that I wouldn't have otherwise!!
{}0+|
Martijn de Blaauw wrote:
Hello,
Found this in the mailbox yesterday, maybe some of u might like it.
I really dig this one! Gonna see and the Surgeon tonight in Rotterdam:-)
Surgeon @ Wire Room 237 Leeds 13-02-2009 (131 mins)
http://rs412.rapidshare.com/files/199849991/Surgeon_Leeds_13th_Feb_2009.
mp3
This set was recorded at Wire, a small basement club in Leeds.
The sound was just right for the space, loud and punchy, with strong
bass where you needed it. Before my set the temperature increased as
bodies packed the dancefloor.
I felt relaxed as I played that night, just letting the set flow
wherever it wanted to go, and the great crowd there flowed with it. This
is the first set I've put online using a new technique which combines
the direct recording with a binaural microphone recording to give a much
better sense of the sound as it was when I played this set.
Tracklist:
Smear - Agitator
Surgeon - Compliance Momentum
Point B - Creepy Steeple
Gerkin Jerks (Speed J edit)
AFX - Men 1 (loop)
Shed - Wedged Chicken (Martyn's 131 remix)
Smear - Lito
Robert Babicz - Prism
Smear - Perameter
Oliver Ho - Meta 8
Grovskopa - Sex Violins (Surgeon remix)
BMB 4 Bonus Beats
Marlinspike - Bongo Rocka
PWOG - Maenad
Forward Strategy Group - Applied Generics Side B
Stanislav - Red Day
Various Artists - No. 8
Martyn - Vancouver
Ancient Methods - 2.3
Go Hiyama - Geometrical (Surgeon remix)
Old Grime Whitelabel
2 Men On Wax - O-Zone
Aaron Spectre - Say More Fire
Martyn - Broken
Phase - Morodem (Ben Sims Remix 2)
Speedy J + George Issakidis - Sculpture
Joey Beltram - The Next
Scuba - Ruptured (Surgeon remix)
Nate Williams - Club Patrol
Ritzi Lee - Utility
Bjorn Svin - Eat Like Hawks
Vex'd - Pop Pop
Concrete Cookie with Laura Cetilia + Marc Thomas - A Dry Red Shard
John Heckle (loop)
DJ Bone - Tru Warriors (ritual mix)
DJ Hell - Hot On The Heels Of Love (Dave Clarke remix)
Helicopterface - Positive Collide
Whitehouse - Killing Hurst Give You The Secrets
Surgeon - Intro Version II
Exium - Seleccion Natural 2 (Oscar Mulero remix)
Baby Ford - Normal (AFX remix)
Hiroaki Iizuka - Lowbit
Acen - Life And Crimes Of A Ruffneck
Dead Sound - Bad Thoughts
Luka Baumann - Emergence Nine (Go Hiyama Remix)
Speedy J + Chris Liebing - Maggie
Scorn - The Palomar
Scuba - Twitch (Jamie Vex'd remix)
Surgeon - Klonk part 2
Millsart - Step To Enchantment (Stringent)
Meat Beat Manifesto - Mindstream (The Aphex Twin Remix)
Aphex Twin - Cock/Ver10 (Surgeon reamke)
-Oorspronkelijk bericht-
Van: Andrew Duke [mailto:and...@andrew-duke.com]
Verzonden: donderdag 19 februari 2009 22:52
Aan: list 313
Onderwerp: (313) Omar S in LA tomorrow night
Wish I could check this out:
FRIDAY | FEB 20 @ in DOWNTOWN LA
Robtronik and Modularz Present:
THE PLANETARY SERIES PURPLE PLANET
FRIDAY 2/20/09 | 10 p.m. - 8 a.m.
w/ OMAR S, BODYCODE/PORTABLE, DRUMCELL, DEVELOPER, ROBTRONIK
++ OMAR S
[FXHE Records, Detroit]
Discogs: http://www.discogs.com/artist/omar-s
Web: http://www.omarsdetroit.us/index.html
Fabric Mix Announcement:
http://www.bodytonicmusic.com/news/2009/jan/15/omar-s-fabric-mix/
YouTube: http://www.youtube.com/watch?v=gwR4n9cwVH4
Resident Advisor: http://www.residentadvisor.net/dj-page.aspx?id=1014
Beatport:
https://www.beatport.com/en-US/html/content/release/catalog/?performerId
=92405contextType=artistscontextEntityId=92405orderBy=releasePublishD
ate%20DESC
++ BODYCODE / PORTABLE - LIVE
[Spectral/Ghostly, Berlin]
Youtube Live @ Fabric: http://www.youtube.com/watch?v=oFPq_nAFjWA
Discogs: http://www.discogs.com/artist/Bodycode
Myspace: http://www.myspace.com/bodycodemusic
Beatport:
https://www.beatport.com/en-US/html/content/release/catalog/?performerId
=21313contextType=artistscontextEntityId=21313orderBy=releasePublishD
ate%20DESC
++ DRUMCELL
[Droid Behavior, LA]
Discogs: http://www.discogs.com/artist/Drumcell
YouTube: http://www.youtube.com/watch?v=k22zz63SFIE
Biography: http://www.residentadvisor.net/dj-profile.aspx?id=1793
Beatport:
https://www.beatport.com/en-US/html/content/release/catalog/?performerId
=28002contextType=artistscontextEntityId=28002orderBy=releasePublishD
ate%20DESC
++ DEVELOPER
[Modularz, LA]
++ ROBTRONIK
[Compression, LA]
PURPLE PLANET // The Planetary Series
10:00 p.m. - 8 a.m.. | 21 Over
FUNKTION ONE SOUND by Funkwerks
Special Location in Downtown LA
Location Info: Web Site announced soon
VIP Discount Entry: planet...@robtronik.com
Free before 11 p.m. | $15 before Midnight | $20 Reg Admission
UPCOMING PLANETARY SERIES PARTY: CLEAR PLANET FRIDAY APRIL 3rd
Friday, APRIL 3rd in Downtown LA: Robtronik Modularz present:
PLANETARY SERIES: CLEAR PLANET w/ Anja Schneider, Dan Curtin, Robtronik,
Developer, and more to be announced in downtown Los Angeles!
Re: (313) what's new with REAL Detroit releases?
Andrew Duke wrote:
darnistle wrote:
Matthew Kane wrote:
On Tue, Jan 27, 2009 at 12:19, kent williams chaircrus...@gmail.com
wrote:
So if you're doing something, speak up! If you just bought a killer
Detroit record, let me know. If you know of some crazy kids doing
something interesting ...
I just got a copy of the new Octave One album which I quite dig. I
guess it's not that new, but I didn't see it get much attention last
month.
I'm considering getting the new Octave One, but have some reservations
since Off The Grid sounded boxed in and distorted. As a result, I'm
not often inclined to listen to that album, though I like a number of
the tracks.
How is the recording quality of the new album? Any issues?
{}0+|
What format (vinyl, CD, or MP3) are you describing re: Off The Grid?
I have the CD version of Off The Grid.
{}0+|
Re: (313) what's new with REAL Detroit releases?
Matthew Kane wrote:
On Tue, Jan 27, 2009 at 12:19, kent williams chaircrus...@gmail.com wrote:
So if you're doing something, speak up! If you just bought a killer
Detroit record, let me know. If you know of some crazy kids doing
something interesting ...
I just got a copy of the new Octave One album which I quite dig. I
guess it's not that new, but I didn't see it get much attention last
month.
I'm considering getting the new Octave One, but have some reservations
since Off The Grid sounded boxed in and distorted. As a result, I'm
not often inclined to listen to that album, though I like a number of
the tracks.
How is the recording quality of the new album? Any issues?
{}0+|
Re: (313) Demf 2009?
I'm hoping to go this year. I haven't been since I moved away a few
years ago and I really miss it a lot.
I'm need to start saving my pennies.
{}0+|
Michael Kuszynski wrote:
Tough times for all, and some dimensions of demf in the last two years
have been less than stellar.
I am, however, deeply thankful for any chance to experience a music
gathering in detroit.
What are your overall thoughts on memorial day weekend 2009?
(313) Robert Hood- Deep Concentration: The Grey Area Mix
For those of you who may still be hoping to snag a copy of this release,
I just bought mine from Phonica (http://www.phonicarecords.co.uk/).
--
{}0+|
Re: (313) Kanye's New LP
Arturo Lopez wrote:
That's simplifying things. My comments were said that sampling and
adding some rhymes didn't constitute pushing things in new directions.
I enjoy a lot of that stuff quite a bit, but it's popcorn. There's
nothing -wrong- with popcorn, and I like a lot of music that has no
aims except to entertain but if it walks like a duck, quacks like
a duck, it's not pushing things.
It could be pushing a turd on your front lawn.
{}0+|
Re: (313) Rob Hood in da Grey Area Mix
Adding it to the shopping cart is not an option.
{}0+|
[EMAIL PROTECTED] wrote:
Here you go mate:
http://www.rubadub.co.uk/?node_id=1.3id=24088#
cheers
Jason
2008/12/6 darnistle [EMAIL PROTECTED]:
I can't find a copy of this anywhere. Every place I've found that lists it
says it is out of stock.
Does anyone know of an online shop that actually has it in stock?
{}0+|
[EMAIL PROTECTED] wrote:
Alrighty!
we just got a fantastic Rob Hood mix CD in today at the shop- it's
spacier and deeper than his Fabric mix and well worth checking out-
it's limited to 350 copies (signed by the man himself!) and a bit more
relaxed than some of the mixes I've heard by him.
cheers
Jason
Re: (313) Rob Hood in da Grey Area Mix
I can't find a copy of this anywhere. Every place I've found that lists
it says it is out of stock.
Does anyone know of an online shop that actually has it in stock?
{}0+|
[EMAIL PROTECTED] wrote:
Alrighty!
we just got a fantastic Rob Hood mix CD in today at the shop- it's
spacier and deeper than his Fabric mix and well worth checking out-
it's limited to 350 copies (signed by the man himself!) and a bit more
relaxed than some of the mixes I've heard by him.
cheers
Jason
(313) Liquid Air Party in Richmond, VA Sunday, November 2
A quick reminder for those of you who live in the Richmond, VA area: Liquid Air Sunday, November 2 3-9pm @ The Camel 1621 West Broad Street Richmond, VA (804) 353-4901 The DJ lineup is: El Corte (Drum-n-Bass) Sinestro (Detroit Techno) Ich-E (Psychedelic House) Coolblue (Minimal Techno/House) All proceeds benefit the Ronald McDonald House Charities Cover: $3 or package of disposable tableware/flatware The venue is a spacious, well lit cafe that also serves food and alcohol. Feel free to bring your kids and grandparents too!!
(313) Liquid Air Party in Richmond, VA Sunday, November 2
A quick reminder for those of you who live in the Richmond, VA area: Liquid Air Sunday, November 2 3-9pm @ The Camel 1621 West Broad Street Richmond, VA (804) 353-4901 The DJ lineup is: El Corte (Drum-n-Bass) Sinestro (Detroit Techno) Ich-E (Psychedelic House) Coolblue (Minimal Techno/House) All proceeds benefit the Ronald McDonald House Charities Cover: $3 or package of disposable tableware/flatware The venue is a spacious, well lit cafe that also serves food and alcohol. Feel free to bring your kids and grandparents too!!
(313) testing 123
please ignore
--
{}0+|
(313) Liquid Air Party in Richmond, VA Sunday, November 2
A quick reminder for those of you who live in the Richmond, VA area: Liquid Air Sunday, November 2 3-9pm @ The Camel 1621 West Broad Street Richmond, VA (804) 353-4901 The DJ lineup is: El Corte (Drum-n-Bass) Sinestro (Detroit Techno) Ich-E (Psychedelic House) Coolblue (Minimal Techno/House) All proceeds benefit the Ronald McDonald House Charities Cover: $3 or package of disposable tableware/flatware The venue is a spacious, well lit cafe that also serves food and alcohol. Feel free to bring your kids and grandparents too!!
Re: (313) Model 500 / Moritz... etc @ DEAF next week
Nurse with Wound and Vladislav Delay and Model 500!!
SIGH!!!
{}0+|
D1 wrote:
Here's some info on our festival - DEAF: Dublin Electronic Arts Festival
which starts in a weeks time here in Dublin.
Plenty of 313 related acts as well as a whole load of other music, film
etc.. over 50 events so plenty to keep you busy if anyone happens to be
in Dublin next week !
All the info is at www.deafireland.com
Some highlights include:
Model 500 Live
Moritz Von Oswald Trio
Nurse With Wound
Laurent Garnier
White Noise
Andy Votel
DJ Scurge
Rob Hall
M83
Trans Am
F**k Buttons
Poets of Rhythm
Point B
Ultradyne
Full Line up:
16Hz
2-bit
A Joyful Noise
Alo Allik
Americhord
Andreas Schneider
Andy Noonan
Andy Votel
Annette Krebs
Annie Hall
Anthony Kelly
Autechre [tbc]
Baiyon
Baby Dave
Bang Hazard
Barry Donovan
Bmusic Special
Bottlenote Collective
Broadcast
Channel One
Chef
Chequerboard
Chymera
D1 Recordings Djs
Dan Mac
Dave Nuremberg
Dave Vorhaus
David Lacey
David Stalling
DEAF Junior
Diffusion Award
Dj Sandrinho
DJ Scurge
DJs Lex Woo
Dom Thomas
Donal Dineen
Ebola
Ed Devant
Electric Feel
Electronic Sensoria Band
Esperanza
Evlis
Fenster
F**k Buttons
Fugitive Projects
Future Audio Workshop
Gaviscom
Get Low crew
Gran Casino
Grizzle Colz
Groovement DJ's
Itaru Oki
iwantdesign
Jay Roche
John Carter
John Daly
John Gilsenan
Johnny Oakley
Jon Hussey
Kachanski
Karla
Kavi
Kinetic Landscapes
King Ten Suited
Konspiracy
Lakker
Laurent Garnier
Legion of Two
Lex Woo
Loktibrada aka Dj Dalo
Lost Classics
Luke Vibert
M83
Mad EP
Mail Order Messiahs
Major Grave
Margaret O'Brien
Maser
Matjazz
Max Loderbauer
Maximum Joy DJs
Meganekko
Mercuryboy
Metaldragon
Model 500 (feat. Juan Atkins Mike Banks)
Moritz Von Oswald Trio
Mr. MotoDJs Oshroom Bonz
Niamh Ahern
Nurse With Wound
Paul Grant
Paul Vogel
Peter Kirn
Phil Asher
Poets of Rhythm
Point B
Polly Fibre
Projector Collective
Radikal Guru
Regis
Rising Tones
Rob Hall
Rob Murphy
Rollers/Sparkers
Rumenige
Safe
Sansao
Sean Lynch
Seán McCrum
Sean Rudiman
Simon Hayes
Slavek Kwi
Solus Film Programme
Soul AD
SOUNDINGS
Spatial Music Collective
Steinski
Stephen Concannon
Stephen O’Malley
Stu
Stuey Lyons
Syntheastwood band
T-woc
Tchiky Al Dente
The Black Egg
Thomas P. Heckmann
Toirse
Totally Wired Film
Trans AM
Ultradyne
Varase Award
Vladislav Delay
White Noise
Wild Combination
Yolanda Barker’s short film ‘String Free
ZZZ
!Kaboogie Djs
!Kaboogie Electronic Music Workshop
Thanks...
Eamonn Doyle
D1 Recordings
DEAF: Dublin Electronic Arts Festival
68 Dame Street
Dublin 2
Ireland
www.deafireland.com
www.d1.ie
