Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-06 Thread darrenyeats

regalma1;412781 Wrote: 
 
 It would be interesting if they came up a with a statistically
 significant negative result, say 20%, what would that mean? I've never
 seen that.
That would happen every so often due to pure chance. When a
statistically significant result happens (say for a subset of the
listeners) further testing should be carried out to determine whether
it's chance or not.

I don't myself know of a reason other than chance that would explain a
significant negative result like that. (Otherwise it would mean the
listener identifying X but selecting the opposite of its identity.
Maybe a dyslexia-type behaviour might explain it but that sounds really
unlikely.)
Darren


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-03 Thread ErikM

The whole objectivist/subjectivist debate is really rather simple.
Listening to music whether live or over a hifi system is a subjective
pursuit.. It can't be objective by definition. Trying to apply
objective criteria to a purely subjective activity is pointless, and
ultimately unsatisfying. It's no different than trying to apply
subjective parameters to an objective subject. 2+2 is always 4.. That
is not subjective. But how I perceive the music playing in my room, at
a show, in a car or in my head is subjective, it can not be otherwise.
If I change a cable or move my speakers or rip in lossless and I hear a
difference then it exists, to me. No one can deny that since it is
impossible for it to be proved otherwise. My audio system sounds great
to me. If you come and listen to my system and it does not sound great
to you, does that make my system sound any less great to me, of course
not, and that I think it sounds good, and you don’t doesn’t make your
perception any less valid also.


-- 
ErikM

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-03 Thread darrenyeats

ErikM;412706 Wrote: 
 The whole objectivist/subjectivist debate is really rather simple.
 Listening to music whether live or over a hifi system is a subjective
 pursuit.. It can't be objective by definition. Trying to apply
 objective criteria to a purely subjective activity is pointless, and
 ultimately unsatisfying. It's no different than trying to apply
 subjective parameters to an objective subject. 2+2 is always 4.. That
 is not subjective. But how I perceive the music playing in my room, at
 a show, in a car or in my head is subjective, it can not be otherwise.
 If I change a cable or move my speakers or rip in lossless and I hear a
 difference then it exists, to me. No one can deny that since it is
 impossible for it to be proved otherwise. My audio system sounds great
 to me. If you come and listen to my system and it does not sound great
 to you, does that make my system sound any less great to me, of course
 not, and that I think it sounds good, and you don#8217;t doesn#8217;t
 make your perception any less valid also.
Blind AB (not discussing ABX) tests of audio, wine, chocolate tea etc
are about reaching subjective conclusions! That is to say, what one may
decide is better another may decide is worse. It is dispassionate
subjectivity.

The blind AB test removes the placebo effect and nothing else: there
remains no right answer. The conclusion of a blind AB test is
personal and means nothing to others with different tastes.
Darren


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-03 Thread regalma1

Most blind tests I have seen are tests of whether the listeners can hear
a difference between setups. Run each setup enough so the listeners are
familiar with it then run two setups in a random order and ask the
listeners to identify which one is playing. If they their ability to
identify the setups is around 50% within statistical signifcant then it
is just chance. 

If they can't tell the difference then should indicate that there is no
discernable difference. There shouldn't be any subjectivity in that. 

It would be interesting if they came up a with a statistically
significant negative result, say 20%, what would that mean? I've never
seen that.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread cliveb

MrSinatra;412178 Wrote: 
 why is finding a middle ground necessary?  sometimes, there is a right
 and a wrong.
Do you ever have days of self-doubt? I'm having one today - doubting
whether I am capable of writing something so that other people actually
understand what I'm thinking. So I'm now going to make some very bold
statements to try and make myself clear. Bear in mind that in reality
I'm only contemplating the following possibilities, but I make them as
bold statements to try and get across what I'm thinking might be the
case...

I am NOT trying to find a middle ground. YES, there is a right and a
wrong. And the point of my original posting is to suggest that - in
the context of making choices between audio components for use in the
home - BOTH the hard-objectivists and the hard-subjectivists are
WRONG.

I believe that double-blind tests often show that audio components
which sound different in a sighted comparison in fact make the same
noise. And I believe that subjectivists who think the difference they
hear between those components is because they make a different noise
are WRONG.

In the context of listening to music in the home, whether two
components make the same noise is not the only thing that affects how
they are actually perceived to sound. So using blind testing as the
sole auditory criteria for choosing an audio component, as championed
by the hard-objectivists, is WRONG.


-- 
cliveb

Transporter - ATC SCM100A

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread MrSinatra

i believe i understand what you are saying, i just don't see the
importance of the last sentence.

first off, most people don't buy both and then pick one at home after
trying them both there, so it never really happens like that.

secondly, even if they did do that, and even if they allowed themselves
to think they heard a difference simply b/c they aren't blind to the
airchain, doesn't mean its in fact, true.

i know, i know, perception is reality, but my point is they can't prove
it.  the standard should be higher than simply what makes them happy or
what they feel.  the standard should be what can they prove.

let me give you an example...  at a certain point kbps-wise, almost
everyone can reliably tell the difference betwee a low bitrate mp3, and
a CD, right?

they could do this both if they SAW the source, and if they were BLIND
to it.

however, at a certain point, almost no one can do that, UNLESS they SEE
the source.  now, a small fraction of people may be able to, but i would
argue this small fraction only could with near perfect equipment and
environment, neither of which often exist at home.

so yes, some people will perceive things at home based on extraneous
criteria that isn't truly relevant, but that doesn't make it valid.

their perceptions are ONLY valid (to anyone else) if they can RELIABLY
PROVE IT in a blind situation.


-- 
MrSinatra

www.lion-radio.org
using:
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread Calum Mackay
ralphpnj wrote:
 You're right, if nothing short of a full blown ABX will make you happy
 then don't spend the money. However, just for the record, what does
 your audio system consist of right now? Are you using the analog
 outputs of the SBR or the digital outputs into an external DAC or
 receiver? There are several other ways to improve the sound of your
 existing audio system besides upgrading to a Transporter and many of
 them may cost less than a Transporter.

indeed, and probably it's a bad example in my case.

I'm takign the analogue output of the SBR into Quad pre/power amps, and 
thence to Quad bookshelf speakers, which is the best I can fit in my 
crowded office, which itself doesn't have ideal acoustics. no doubt.

I'm also considering getting a headphone amp and some nice cans, perhaps 
Beyer.

cheers,
c.
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread Phil Leigh

cdmackay;412477 Wrote: 
 ralphpnj wrote:
  You're right, if nothing short of a full blown ABX will make you
 happy
  then don't spend the money. However, just for the record, what does
  your audio system consist of right now? Are you using the analog
  outputs of the SBR or the digital outputs into an external DAC or
  receiver? There are several other ways to improve the sound of your
  existing audio system besides upgrading to a Transporter and many of
  them may cost less than a Transporter.
 
 indeed, and probably it's a bad example in my case.
 
 I'm takign the analogue output of the SBR into Quad pre/power amps, and
 
 thence to Quad bookshelf speakers, which is the best I can fit in my 
 crowded office, which itself doesn't have ideal acoustics. no doubt.
 
 I'm also considering getting a headphone amp and some nice cans,
 perhaps 
 Beyer.
 
 cheers,
 c.
Which Quad pre/power?


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB3 (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
Triplethreat(Audiocom full mods) - Linn 5103 - Aktiv 5.1 system (6x
LK140's, ESPEK/TRIKAN/KATAN/SEIZMIK 10.5), Townsend Supertweeters, Blue
Jeans Digital,Kimber Speaker  Chord Interconnect cables
Outdoors: Boom

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread tomjtx

pfarrell;412126 Wrote: 
 Teus de Jong wrote:
  discussion is that I'm afraid a lot of people won't know the
 difference
  between the sound of a real Steinway and the sometimes totally
 distorted
  version some amplifiers make of them. 
 
 When my daughter was trying to get into music schools (trumpet), we
 recorded her playing at the home of a professional accompanist. This
 woman was a music professor at a nearby university, and played all the
 usual places (Kennedy Center, etc.). She had a full size grand piano
 in
 her living room. It wasn't a Steinway, I forget, maybe a Bösendorfer.
 
 I'll never forget the sound of her playing with me sitting on the
 sofa.
 Amazing. And no stereo that I've ever heard has replicated it.
 
 
 -- 
 Pat Farrell
 http://www.pfarrell.com/


A few weeks ago classical guitarist and grammy winner David Russel
played a concert here, he records for Telarc.

He had a rare free night on his tour the next day so he and his wife
came over for dinner.
He brought his latest CD to give me. I ripped it and played it through
the TPRowlandWatt/Puppy rig.
It sounded great.
However when we started trying out my guitars (I had just bought a new
one) there was no comparison between live and the stereo. Someone would
have to be deaf not to hear the difference.
And this is just guitar.

BTW, His recordings , great as they are, just don't capture the magic
of his sound.
We had a blast trying out guitars and some very good wine :-)


-- 
tomjtx

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread ralphpnj

cdmackay;412477 Wrote: 
 indeed, and probably it's a bad example in my case.
 
 I'm takign the analogue output of the SBR into Quad pre/power amps, and
 
 thence to Quad bookshelf speakers, which is the best I can fit in my 
 crowded office, which itself doesn't have ideal acoustics. no doubt.
 
 I'm also considering getting a headphone amp and some nice cans,
 perhaps 
 Beyer.
 
 cheers,
 c.

You might want to consider one the combination headphone amp and DAC
units that way you can run the digital output from the SBR into the
unit and use it as either a headphone amp or a DAC/preamp. Kills two
birds with one stone and should give you a nice upgrade to the sound of
the SBR's internal DAC. It's worth looking into and I'm sure that some
of the people around here can give you some recommendations to get you
started.


-- 
ralphpnj

Lock, Stock and Two Smoking Barrels - Snatch - The Transporter -
Transporter 2

'Last.fm' (http://www.last.fm/user/jazzfann/)

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread Mongo

tomjtx;412537 Wrote: 
 A few weeks ago classical guitarist and grammy winner David Russel
 played a concert here, he records for Telarc.
 
 He had a rare free night on his tour the next day so he and his wife
 came over for dinner.
 He brought his latest CD to give me. I ripped it and played it through
 the TPRowlandWatt/Puppy rig.
 It sounded great.
 However when we started trying out my guitars (I had just bought a new
 one) there was no comparison between live and the stereo. Someone would
 have to be deaf not to hear the difference.
 And this is just guitar.
 
 BTW, His recordings , great as they are, just don't capture the magic
 of his sound.
 We had a blast trying out guitars and some very good wine :-)


In my humble opinion, audiophiles should spend the amazing amounts they
dedicate to their systems to go listen to live music more; the debate
about what is better would be over. After a certain point there is no
added value between canned spam and canned spam on a silver platter. 

There is a certain consumerist escapist tendency in audiophile
extremism.  The perfect system will set you free? Some sort of Nirvana?
It is without a doubt an endless chase. Some of the sytstems are quite
beautiful, and that adds a certain decorative value.


-- 
Mongo

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread Nonreality

pfarrell;412181 Wrote: 
 Nonreality wrote:
  And while we are on the subject, how much are sung in cables?
 
 Does it make a difference as to genre of the music sung into the
 cables? Must you break them in with guitar rock to make them match to
 hair bands? Should we plan on switching cables when we go from full
 symphonies to chamber groups?
 
 -- 
 Pat Farrell
 http://www.pfarrell.com/
That's probably why I'm having trouble catching on to Jazz.  My cables
were all sung into rock!


-- 
Nonreality

-IF THE RULE YOU FOLLOWED BROUGHT YOU TO THIS, OF WHAT USE IS THE RULE.-

HTTP://www.last.fm/user/nonreality

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread Calum Mackay
Phil Leigh wrote:
 I'm takign the analogue output of the SBR into Quad pre/power amps, and

 thence to Quad bookshelf speakers, which is the best I can fit in my
 crowded office, which itself doesn't have ideal acoustics. no doubt.

 I'm also considering getting a headphone amp and some nice cans,
 perhaps
 Beyer.

 Which Quad pre/power?

34/606, into 21L speakers.
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-02 Thread Calum Mackay
ralphpnj wrote:
 You might want to consider one the combination headphone amp and DAC

interesting, thanks...
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread probedb

GuyDebord;411583 Wrote: 
 have you ever gone to a concert venue, a symphony hall? I never said
 that music smells, but you involve all your senses in a musical
 experience...

Yep, plenty thanks, I have 3 gigs/concerts in 1 week over Easter for
starters.

Why would I want the smell of stale alcohol in my living room?

I'm sorry but I disagree with you, I love sitting in complete darkness
listening to music if I'm relaxing but that same music still sounds
great when I'm walking to work listening to it on my Westone UM-2s and
iPhone.

Don't get me wrong live music is fantastic but it has absolutely
nothing to do with listening to it on a stereo for me.


-- 
probedb

Paul.

'last.fm' (http://www.last.fm/user/probedb)

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Teus de Jong

pfarrell;411973 Wrote: 
 ... If classical includes soloist violins, or small
 chamber groups, then it can be a good selection for testing.
 
 The best audio tracks to test are things like acoustic guitar with one
 singer, or bluegrass. Or some of Patricia Barber's jazz.
 
 If you want to test gear, you need signal that you can tell on, first.

Exactly. One of the reasons I don't feel comfortable with this whole
discussion is that I'm afraid a lot of people won't know the difference
between the sound of a real Steinway and the sometimes totally distorted
version some amplifiers make of them. The same applies to a good
acoustic guitar, like a record of Bach or Barrios by John Williams.
Does this make me a subjectivist? I don't think so.

The first thing I do when listening to a new amplifier is put in a disc
with a simple piano tune (I mostly use Glenn Gould's 1981 recording of
the Goldberg variations -- in modern standards not an impeccable
recording, but not a bad one either). It's amazing how many (also
expensive and especially Class D) amplifiers can be dismissed after
only a few notes. Amps that cannot reproduce the sound of a piano note
(attack, sustain and decay) decently are out for me. I don't need a DBT
for that. And God forbid that a test with 1000 arbitrary people should
decide this for me.

Which makes for another confusing thing: is the double blind test so
objective? IMO, they're at most 'collectively subjective'. Wouldn't it
be possible to make an objective test that compares a simple piano tone
on a real Steinway and a reproduction via an amp? Just compare the
produced waveforms? In this whole discussion, no one mentioned that
kind of objective tests, so don't they exist?

To illustrate the difference between this type of 'objective' criterium
and a 'collective subjective' one, there's a nice anecdote. When
reviewing a book on the sociology of leisure time spending(!), the
reviewer said that what the author did was comparable to asking people
if the light went on when they turned the switch. (And yes, in 99,9% of
the cases the light went on.)

So, the arguments objectivists bring (double blind testing, etc.) are
maybe not that objective.

Of course, taking the resemblance of a 'real' instrument with the
reproduced one as a criterium is also 'subjective' for many (like Pat
says: what's the difference between the distorted guitar on stage and
the one on disc and why shouldn't I prefer the one on disc). That's one
of the things that make these discussions so hopelessly confusing. And
of course there is nothing against personal idiosyncrasies here. The
same Glenn Gould did not like bass tones, so when playing his own
recordings, he turned the bass down and the treble up. But at least he
knew that the recording should not represent his personal idiosyncrasy
but should reproduce the Steinway as accurately as possible.

Teus


-- 
Teus de Jong

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Calum Mackay
thanks CatBus,

 Better than that--I can point you to the samples themselves.  But
 first--you weren't clear which you wanted...do you want the 320k MP3
 that's indistinguishable from RedBook or the 320k MP3 that's easily
 distinguished from RedBook.  It's a kinda important difference.

Looks like I misunderstood; I got the wrong impression that there were 
claims that some people could routinely tell the difference between 320k 
MP3, and lossless, for a random selection of tracks. That was what I was 
really struggling to believe. That one can find - or create - 
pathological tracks doesn't surprise me at all.

As you say, the important question is how much of your collection is 
impacted by this.

For me, it's probably moot, as I struggle to tell the difference between 
even sub-200k MP3 and lossless.

cheers,
calum.
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread CatBus

cdmackay;412056 Wrote: 
 Looks like I misunderstood; I got the wrong impression that there were 
 claims that some people could routinely tell the difference between
 320k 
 MP3, and lossless, for a random selection of tracks.

The most genteel way I can put it is that, to my knowledge, the world
is still waiting for this to be demonstrated in a reputable test.


-- 
CatBus

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread darrenyeats

Teus de Jong;412024 Wrote: 
 
 The first thing I do when listening to a new amplifier is put in a disc
 with a simple piano tune (I mostly use Glenn Gould's 1981 recording of
 the Goldberg variations -- in modern standards not an impeccable
 recording, but not a bad one either). It's amazing how many (also
 expensive and especially Class D) amplifiers can be dismissed after
 only a few notes. 
Your point is well taken standing on its own. But in the context of
The Blind Testing Controversy it doesn't explain why blind tests
don't work. It sounds like you're saying blind tests are a waste of
time because you can hear the problems sighted. The whole point is that
what you hear sighted might be influenced by the placebo effect. In my
eyes, your post shows how blind tests can help clarify things. What do
I mean?

I'm referring to your comment about Class D amplifiers. Whether it's
justified or not is irrelevant to my point, which is that you have
expectations about them now. Perhaps such amplifiers would get better
marks from you if you didn't know their identity when listening. Then
again, perhaps not. There would be only one way to find out... :)
Darren


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Pat Farrell
Teus de Jong wrote:
 discussion is that I'm afraid a lot of people won't know the difference
 between the sound of a real Steinway and the sometimes totally distorted
 version some amplifiers make of them. 

When my daughter was trying to get into music schools (trumpet), we
recorded her playing at the home of a professional accompanist. This
woman was a music professor at a nearby university, and played all the
usual places (Kennedy Center, etc.). She had a full size grand piano in
her living room. It wasn't a Steinway, I forget, maybe a Bösendorfer.

I'll never forget the sound of her playing with me sitting on the sofa.
Amazing. And no stereo that I've ever heard has replicated it.


-- 
Pat Farrell
http://www.pfarrell.com/

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Nonreality

john4456;411418 Wrote: 
 Isn't the great triumph of blind testing that it enables advertisers to
 claim that 128kbs mp3 is cd quality ?

It's about the same as small stones enhancing your stereo system.  And
while we are on the subject, how much are sung in cables?


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Nonreality

pfarrell;411973 Wrote: 
 Nonreality wrote:
  The general consensus seems to be that rock and pop at the higher
 bit
  rates are tough for almost anyone to tell a difference while
 classical
  is not the best candidate for mp3 if you have a critical ear.
 
 This from the blindingly obvious file? Pop/rock is compressed to death
 (see Loudness wars) already. And much of it is synths or distorted
 guitars to begin with, so losing some fidelity is not going to be
 noticed.
 
 Symphonies are hard to reproduce with high end systems, they are a
 poor
 choice for testing. If classical includes soloist violins, or small
 chamber groups, then it can be a good selection for testing.
 
 The best audio tracks to test are things like acoustic guitar with one
 singer, or bluegrass. Or some of Patricia Barber's jazz.
 
 If you want to test gear, you need signal that you can tell on, first.
 
 
 -- 
 Pat Farrell
 http://www.pfarrell.com/
Sorry Pat, I just posted that in case some people didn't know.  I'm
glad you expanded it for everyone that already knew.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread MrSinatra

cliveb;410749 Wrote: 
 Recent postings in some threads here have stirred up that old hornets
 nest of blind testing once again. The antagonists have once again set
 out their uncompromising positions, with no prospect of reaching any
 kind of shared view. So, at the risk of getting badly stung by the
 angry hornets, I present here some thoughts that try to find a middle
 ground. Are you sitting comfortably? Then I'll begin...
 
 There exists within the audio enthusiast community two diametrically
 opposed camps, which for the sake of argument we'll call Objectivists
 and Subjectivists. What their argument is about we'll come to later.
 But first, let's summarise what they agree on. Both groups acknowledge
 that when comparing two similar components (eg. CD players, amplifiers,
 etc), there are times that a difference is heard when listening sighted,
 but no difference can be detected when a blind comparison is made.
 
 It's in their analysis of why this might be so that the two groups
 diverge.
 
 The Objectivist seems to take the view that since there is no
 difference in the detectable soundfield (as evidenced by a blind
 comparison), the difference heard during sighted listening is down to
 other factors, such as the appearance and feel of the equipment,
 knowledge of its price and manufacturer, etc. The Objectivist typically
 considers that to allow oneself to be influenced by these other factors
 is some kind of character flaw.
 
 And here is a curious thing. The Subjectivist thinks exactly the same
 as the Objectivist: that to allow oneself to be so influenced is a
 character flaw. They therefore draw the conclusion that the difference
 heard is not down to any such external factors, but must be due to some
 problem with the blind comparison methodology that prevents the
 differences being detected.
 
 Why not just accept the fact that external factors do modify what we
 hear, and it is human nature that it does so? It's only reasonable that
 the satisfaction in operating an exquisitely finished CD player will
 enhance the listening experience. There's no shame in it. Objectivists
 should stop telling people they are deluding themselves when they hear
 a difference, and Subjectivists should stop insisting that the
 difference they hear can't be down to these external factors. Then we
 could all live in harmony, world peace would ensue, blah blah blah...
 
 Here's an analogy. You have two servings of food: one is presented
 artistically and looks nice on the plate; the other is the same but has
 been pre-cut up, mixed and dumped into a bowl. Once the food is in the
 mouth, there's no difference, but pretty much everyone would think the
 nicely presented food tasted better. And I can't imagine that any
 objective food scientist would question their sanity.

why is finding a middle ground necessary?  sometimes, there is a
right and a wrong.

[double] blind testing was not invented for audiophiles.  as far as i
know, it was first created to test pharmaceuticals, you know, powerful
drugs that one ingests...

my guess is that the medical scientists and the multi billion
conglomerates who back them know what they are talking about.

the whole point of the testing in the audio realm, is to prove whether
someone's sense [ie. subjective judgment] of hearing is in fact
RELIABLE to identify one source over another accurately WITHOUT any
knowledge of the source, other than what they hear.

take ESP...

would you believe someone can read minds, IF they simply said they
could?  like that joker on TV who uses all kinds of tricks (and
editing) to look like he has abilities?

or would only blind (and double blind) testing convince you of ESP?

so how is hearing any different?


-- 
MrSinatra

www.lion-radio.org
using:
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xp pro sp3 ie8 - 3.2ghz / 2gig ram - 1tb wd usb2 raid - d-link dir-655

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Pat Farrell
Nonreality wrote:
 And while we are on the subject, how much are sung in cables?

Does it make a difference as to genre of the music sung into the
cables? Must you break them in with guitar rock to make them match to
hair bands? Should we plan on switching cables when we go from full
symphonies to chamber groups?

-- 
Pat Farrell
http://www.pfarrell.com/

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Mongo

pfarrell;412126 Wrote: 
 Teus de Jong wrote:
  discussion is that I'm afraid a lot of people won't know the
 difference
  between the sound of a real Steinway and the sometimes totally
 distorted
  version some amplifiers make of them. 
 
 When my daughter was trying to get into music schools (trumpet), we
 recorded her playing at the home of a professional accompanist. This
 woman was a music professor at a nearby university, and played all the
 usual places (Kennedy Center, etc.). She had a full size grand piano
 in
 her living room. It wasn't a Steinway, I forget, maybe a Bösendorfer.
 
 I'll never forget the sound of her playing with me sitting on the
 sofa.
 Amazing. And no stereo that I've ever heard has replicated it.
 
 
 -- 
 Pat Farrell
 http://www.pfarrell.com/

I could not agree more with this observation. Live music can not be
replicated in your living room. Every DAC design is someones view of
how the digital version should be shaded.


-- 
Mongo

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Nonreality

probedb;412026 Wrote: 
 Yep, plenty thanks, I have 3 gigs/concerts in 1 week over Easter for
 starters.
 
 Why would I want the smell of stale alcohol in my living room?
 
 I'm sorry but I disagree with you, I love sitting in complete darkness
 listening to music if I'm relaxing but that same music still sounds
 great when I'm walking to work listening to it on my Westone UM-2s and
 iPhone.
 
 Don't get me wrong live music is fantastic but it has absolutely
 nothing to do with listening to it on a stereo for me.
I love my UM-2's.  The best in the ear phones that not many have ever
heard of.  Comfortable enough to sleep with them in. It's with these
that I can tell problems with some lower bit rate mp3's which forced me
to re rip.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Teus de Jong

pfarrell;412126 Wrote: 
 I'll never forget the sound of her playing with me sitting on the sofa.
 Amazing. And no stereo that I've ever heard has replicated it.


Marvelous isn't it? That's what music is all about. It shows that even
with a single instrument like the piano any reproduction is only an
approximation.


darrenyeats;412114 Wrote: 
 I'm referring to your comment about Class D amplifiers. Whether it's
 justified or not is irrelevant to my point, which is that you have
 expectations about them now. Maybe what you hear is being coloured by
 the expectation. Then again, maybe not. There would be only one way to
 find out... :)

I'm not absolutely against double blind tests. But just some extra
observations (or if you want, ramblings):

1. In the discussions (also in this thread) at least two types of so
called 'blind tests' are mixed up. a) Arranging a test between amps (or
other equipment) where you can't see which one is playing (with level
matching, etc.) b) Tests where a lot of people are asked to give their
opinion about hearing a difference between two types of encoding. These
are totally different things for me. I could -- in certain circumstances
-- see the value of a). But b) is a totally different matter, at most
interesting as psychological experiment. For me the perception and
absorption of music is a learning process; therefore I'm not that
interested in these kind of psychological tests. 

Lets make a comparison here. If someone has read Umberto Eco's novel
'The name of the rose', the impact of this novel will totally depend on
the background knowledge of this person. The beautiful thing about this
novel is that you don't need any background knowledge to appreciate the
book. But _if_ you know a lot about medieval philosophy, theology,
conspiracy theories, etc., the book has a much deeper meaning. For me
the same applies to music.

2. The comparison for me would in the first place have to be between
the real thing (e.g. a Bösendorfer preferably played by a competent
player) and the reproduction of that. Of course, people only interested
in electronically produced music will say this is an irrelevant
criterium. But not only classical music lovers can agree with me here:
a lot of non-classical music still depends on the beauty of the
instruments playing (and the way they are played).

3. GuydeBord is right to a certain extend: music is not only about the
sound, it is much more. Let me take a non-classical example here (I'm
not only a classical music lover). Why do I like 'Make you feel my
love' sung by Bob Dylan much more than all the later covers? It
certainly isn't the voice of Dylan. But to me it feels authentic. I'm
not only listening to beautiful sounds; music is much more than that.
Even to the point where we can't express ourselves in words anymore.

Teus


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread mlsstl

 Mr Sinatra wrote: blind testing was not invented for audiophiles. as
 far as i know, it was first created to test pharmaceuticals...

Blind testing is hardly limited to pharmaceuticals. It is a basic part
of the scientific method where controls are needed address the effects
of observer bias, the placebo effect, expectation bias and various
unconscious influences on participants. 

It is used in psychology, the social sciences, forensics, consumer
products (e.g., taste tests) and even particle physics where a
scientist's pet theory could influence the analysis of data. 

In audio, the term blind test is too often used interchangeably with
ABX; they are not the same thing. 

Simply put, if one product does sound different from another, a
listener should be able to hear that difference without first knowing a
brand name or seeing it. The vagaries of human perception do not
suddenly disappear because the subject at hand  is audio. (An excellent
book on this is Cordelia Fine's A Mind of its Own: How Your Brain
Distorts and Deceives.) 

Of course, the relevance of blind testing varies with what one is
trying to discover. Picking out components for my home system requires
nothing more than pleasing myself. If I wish to allow name brands,
knowledge of features and visual appearance to influence my decision,
great! I'll have to live with all that anyway once the equipment is in
place in my home. 

If I'm doing research on the threshold of audibility for a professional
paper, or on product development before thousands or millions of dollars
are invested, the importance of eliminating non-audio subjective factors
is a higher-stakes issue. 

The interesting thing is that the ego of most audiophiles isn't
satisfied with a simple I like it when it comes to their equipment
choices. They want scientific research to validate their choice. Any
test that supports their choice is accepted immediately while anything
that challenges their belief is subject to withering skepticism. For
example, when differences that are plainly heard in sighted auditions
disappear during a blind one, the most obvious explanation is there was
a subjective component that influenced the sighted audition. This is
based on years of observation in all other areas that examine how
humans think and react. However, the audiophile instead turns up the
skepticism dial and immediately blames the blind test procedure. While
no test conducted by humans will ever be perfect, there has been a
pretty strong track record that humongous differences in sighted
tests generally shrink to a more modest and subtle size when testing is
blind. 

When humans don't get the answer they want and they are hearing hoof
beats, they have a habit of ignoring the herd of horses standing nearby
and go looking for zebras instead. 

In short, audiophiles are pretty human after all. ;-)


-- 
mlsstl

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Calum Mackay
Teus de Jong wrote:
 Lets make a comparison here. If someone has read Umberto Eco's novel
 'The name of the rose', the impact of this novel will totally depend on
 the background knowledge of this person. The beautiful thing about this
 novel is that you don't need any background knowledge to appreciate the
 book.

no, but you certainly need some patience and perseverance; I find it 
hard-going, albeit rewarding.

warning: don't expect the book of the film :)

cheers,
c.
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Calum Mackay
to me, it comes down to a simple issue of justifying cost.

I hear that the Transporter might be a very good upgrade from my SBR. 
And it looks great. And I can have my beloved old-fashioned analogue 
VU*, and still have text info. Marvelous! :)

But it costs over a thousand quid, which is a huge amount of money, to me.

I don't trust myself at all: if I buy it, I might sit there and think: 
goodness, this is so much better than before.

But I know I am likely to be easily swayed by these extraneous things, 
especially after a few gins, so I'd like to know that I really am 
hearing an improvement.

That *requires* that I do proper ABX testing: if I can tell the 
difference, I can then decide whether it's worth it (to me), to spend 
the money acheiving it. If I can't tell the difference, I won't buy it. 
I don't believe anything other than ABX testing can answer this 
question, for me.

I did a similar test when deciding to move from my prosumer compact 
digital camera to a full-blown digital SLR. It cost much more than the 
Transporter, but I found I could take much better (to me) pictures with 
it, so I'm very happy.


So, why not just buy myself the Transporter, and believe it's better, 
even if I'm fooling myself? If I believe it, what's the problem? It's 
simple: I can't really afford to do that. I would be better off spending 
the money on better speakers (well, that's true anyway). Or gin.


cheers,
calum.

* - I grew up watching these meters on high-class audio, and I wish I 
had them now, despite them being useless (to me).
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread ralphpnj

cdmackay;412293 Wrote: 
 Teus de Jong wrote:
  Lets make a comparison here. If someone has read Umberto Eco's novel
  'The name of the rose', the impact of this novel will totally depend
 on
  the background knowledge of this person. The beautiful thing about
 this
  novel is that you don't need any background knowledge to appreciate
 the
  book.
 
 no, but you certainly need some patience and perseverance; I find it 
 hard-going, albeit rewarding.
 
 warning: don't expect the book of the film :)
 
 cheers,
 c.

Yes, The Name of the Rose can be a tough at times but it's a little
easier to understand than some of Eco's other novels. The Island of
the Day Before is one of my favorites and I'm still not sure that I
even understood about half of it. Sometimes Eco reads like the Italian
Thomas Pynchon, they both take more than a little work to get through
their books but the extra effort is always well rewarded.

Sorry for going so far off topic but I think things needed a break for
a post or two. I find it revealing to read about the forum members'
other interests aside from audio, music and computers. Literature is as
good an other interest to delve into as anything else.


-- 
ralphpnj

Lock, Stock and Two Smoking Barrels - Snatch - The Transporter -
Transporter 2

'Last.fm' (http://www.last.fm/user/jazzfann/)

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread Calum Mackay
thanks for the recommendations Ralph, I'll look those that Eco, and some 
Pynchon.
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-04-01 Thread ralphpnj

cdmackay;412296 Wrote: 
 to me, it comes down to a simple issue of justifying cost.
 
 I hear that the Transporter might be a very good upgrade from my SBR. 
 And it looks great. And I can have my beloved old-fashioned analogue 
 VU*, and still have text info. Marvelous! :)
 
 But it costs over a thousand quid, which is a huge amount of money, to
 me.
 
 I don't trust myself at all: if I buy it, I might sit there and think:
 
 goodness, this is so much better than before.
 
 But I know I am likely to be easily swayed by these extraneous things,
 
 especially after a few gins, so I'd like to know that I really am 
 hearing an improvement.
 
 That *requires* that I do proper ABX testing: if I can tell the 
 difference, I can then decide whether it's worth it (to me), to spend 
 the money acheiving it. If I can't tell the difference, I won't buy it.
 
 I don't believe anything other than ABX testing can answer this 
 question, for me.
 
 I did a similar test when deciding to move from my prosumer compact 
 digital camera to a full-blown digital SLR. It cost much more than the
 
 Transporter, but I found I could take much better (to me) pictures with
 
 it, so I'm very happy.
 
 
 So, why not just buy myself the Transporter, and believe it's better, 
 even if I'm fooling myself? If I believe it, what's the problem? It's 
 simple: I can't really afford to do that. I would be better off
 spending 
 the money on better speakers (well, that's true anyway). Or gin.
 
 
 cheers,
 calum.
 
 * - I grew up watching these meters on high-class audio, and I wish I 
 had them now, despite them being useless (to me).

You're right, if nothing short of a full blown ABX will make you happy
then don't spend the money. However, just for the record, what does
your audio system consist of right now? Are you using the analog
outputs of the SBR or the digital outputs into an external DAC or
receiver? There are several other ways to improve the sound of your
existing audio system besides upgrading to a Transporter and many of
them may cost less than a Transporter.


-- 
ralphpnj

Lock, Stock and Two Smoking Barrels - Snatch - The Transporter -
Transporter 2

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread Nonreality

DBT don't have to be used to prove something is a farce or is wrong.  I
read quite a few at hydrogenaudio when I was trying to figure out what
bit rate to go with for home and for my Ipods and Sansa's.  It gave me
a reference point to start with and one that I knew would be probably
ok for most people.  They mainly showed me at what rates people could
start hearing artifacts and what rates were acceptable if space was an
issue.  I never did see any that stated a 128 file was equal to a
lossless btw.  Most stated that a good portion of people coundn't tell
the difference above 190 and very few above 256. I don't find that hard
to believe as I don't find it hard to believe that there a people than
can tell a difference.  No big deal to me as long as what I pick and
play sounds good to me.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread honestguv

GuyDebord;411584 Wrote: 
 because I have a close relationship with siltech and kharma, and have
 been present at their voicing auditions.
In that case you should hopefully be able to answer the first part of
the question: How does somebody voice a cable and what do they change
to achieve the desired sound?


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread mlsstl

 Nonreality said: I never did see any that stated a 128 file was equal
 to a lossless btw.

That's an excellent point. One of the most annoying things about these
types of discussions is the degree to which actual positions can be
misrepresented by the opposing view.  

Your comment above (which others have also stated) gives a typical
case. As you and others have noted, I not aware of any study that
claims 128Kbps is indistinguishable from CD, yet it is a constant
theme. I guess it is far too convenient a straw man to give up. 

Even most advertising and marketing copy typically refers to the lossy
compression formats as near-CD quality. While one can get into a
debate of what near means and its appropriateness as an adjective,
even that is not a statement of no difference. And, in any case,
should advertising copy ever be the authority cited in a discussion
about testing results?


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread john4456

mlsstl;411719 Wrote: 
 
 
 Your comment above (which others have also stated) gives a typical
 case. As you and others have noted, I not aware of any study that
 claims 128Kbps is indistinguishable from CD, yet it is a constant
 theme. I guess it is far too convenient a straw man to give up. 
 
 In the UK the Advertising Standards Authority (ASA) exists to police
 the advertising industry and investigate complaints from the public.
 The ASA is occasionally called on to adjudicate complaints concerning
 an advertiser's claims regarding sound quality. In investigating a
 complaint against Nokia in 2007 the ASA concluded that Nokia's claim
 that 128kbs AAC equated to CD sound quality was unlikely to
 mislead. They based this conclusion on tests provided by Nokia that
 proved that most listeners were unable to distinguish between
 compressed AAC files encoded at 128kbps and CD sound.
 
 http://www.cap.org.uk/asa/adjudications/Public/TF_ADJ_42482.htm
 
 This judgement has been widely reported (and lamented) in the UK hifi
 press.


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread darrenyeats

I spent half an hour chatting with Martin Colloms at a HiFi Show on
Sunday. I'd never met him before, although I've read many of his
reviews, and he was just as enthusiastic about hi-fi as I imagined he
would be.

Most of the time we talked about blind testing. To my surprise he said
he used blind and double blind testing quite often. In the past he's
done many pure blind reviews but these dried up in the seventies
because since about then no-one has been willing to pay for the extra
time and resources needed.

However, he said he uses blind and double blind listening to validate
his subjective reviews all the time. I asked why I had never read a
single word of this in all his reviews I'd seen but never got a direct
answer. He mentioned he did a blind test of something controversial in
front of the AES /on stage/ a while ago, which sounded interesting.

Certainly there was a lot we didn't have time to cover about what he's
tested blind and how. And any blind or double blind test may be flawed
(in a way benefiting either the subjectivists or skeptics). He
described some of the problems with blind testing speakers.

But for me none of that is the point. What I found surprising and
pleasing was that Martin doesn't ignore the elephant in the room. He
doesn't deny that the placebo effect applies to music listening. I
think there's a question over how to address the placebo problem
properly and practically. But there's no denying the problem exists. It
was surprising to hear one of the doyens of the hi-fi press to speak
like that. Perhaps the fact this isn't published says a lot about how
the hi-fi press is funded.
Darren


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread ralphpnj

john4456;411754 Wrote: 
 In the UK the Advertising Standards Authority (ASA) exists to police
 the advertising industry and investigate complaints from the public.
 The ASA is occasionally called on to adjudicate complaints concerning
 an advertiser's claims regarding sound quality. In investigating a
 complaint against Nokia in 2007 the ASA concluded that Nokia's claim
 that 128kbs AAC equated to CD sound quality was unlikely to
 mislead. They based this conclusion on tests provided by Nokia that
 proved that most listeners were unable to distinguish between
 compressed AAC files encoded at 128kbps and CD sound.
 
 http://www.cap.org.uk/asa/adjudications/Public/TF_ADJ_42482.htm
 
 This judgement has been widely reported (and lamented) in the UK hifi
 press.

Thanks for the link...very interesting. However you do know what the
response will be from those in favor of DBTs: The tests conducted by
Nokia were faulty, as is almost ALWAYS the case when DBT's fail to
produce the desired result.

Perhaps those pro-DBT should follow some of their own advice: if DBTs
can, and often do, produce faulty results then maybe, just maybe, it is
the whole concept of DBT that is faulty.

As for the comparisons to mathematical proofs, I seem to remember that
finding even one exception to a given theorem (unlike in spelling where
exceptions proved the rule) was enough to invalidate the theorem. When
an individual involved in an DBT consistently identifies A as A and B
as B while the majority of the other people cannot then that person's
responses are dismissed as statistically insignificant instead of be
taken as proving that real differences exist.

While statistics have their place and are very useful, they are not the
same thing as rigid mathematical proofs. So please make up your minds,
is it hard science, as is the case with mathematical proofs, or
soft science, as is the case with statistics?

By the way, if DBTs can be used to show that no differences exist where
there clearly are differences, as is the case with comparisons of lossy
to lossless compression, then exactly what good are they?

Oh wait, I know the answer to this: they allow the pro-DBTers to laugh
at expensive audio cables. Well go ahead and laugh away because I
rather enjoy my main stereo system with its expensive cables although I
must admit that on this system lossless files do tend to sound better
than lossy files. Maybe that's because the only thing in the system
made by Logitech is the Transporter and not the speakers.


-- 
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Transporter 2

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread ralphpnj

darrenyeats;411766 Wrote: 
 But for me none of that is the point. What I found surprising and
 pleasing was that Martin doesn't ignore the elephant in the room. He
 doesn't deny that the placebo effect applies to music listening. I
 think there's a question over how to address the placebo problem
 properly and practically. But there's no denying the problem exists. It
 was surprising to hear one of the doyens of the hi-fi press speak like
 that. Perhaps the fact this isn't published says a lot about commercial
 realities for the hi-fi press.
 Darren

Darren,

When I read a reasonable and well thought out post like yours I feel a
small pang of regret for some of the harsh words I put into some of my
own posts (but that pang is very small and short lived :)).

You are, of course, completely correct: the placebo effect does exist
but its existence does not necessarily mean that sonic differences do
not exist between various brands of electronics but only that the
importance and degree of these sonic differences tends to be
exaggerated as a result of this placebo effect. And certainly blind
testing, when used as Mr. Colloms uses it, can serve a very useful
function but blind testing is just another tool in the box for
evaluating audio equipment and not the be all and end all of testing
methods.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread darrenyeats

ralphpnj;411768 Wrote: 
 When an individual involved in an DBT consistently identifies A as A and
 B as B while the majority of the other people cannot then that person's
 responses are dismissed as statistically insignificant instead of be
 taken as proving that real differences exist.
 
That isn't true. A good DBT test will take any statistically
significant groups like that and test further to check whether the
apparent statistic significance is just chance or something real. I say
a good DBT...

Let's get back to the central point. Arguing about specific DBT tests
is a smoke screen for avoiding admitting the central principle, namely
the placebo effect applies to music listening. Let's have a debate
about what (if anything) can be done to address the placebo effect
properly and practically. But to deny the placebo effect is
acknowledged generally, as in outside of this little audiophile world,
as unrealistic.
Darren


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread darrenyeats

ralphpnj;411773 Wrote: 
 
 You are, of course, completely correct
I can see our views are not that far apart. Just kidding. :)
ralphpnj;411773 Wrote: 
 
 the placebo effect does exist but its existence does not necessarily
 mean that sonic differences do not exist between various brands of
 electronics but only that the importance and degree of these sonic
 differences tends to be exaggerated as a result of this placebo effect.
 And certainly blind testing, when used as Mr. Colloms uses it, can serve
 a very useful function but blind testing is just another tool in the box
 for evaluating audio equipment and not the be all and end all of testing
 methods.
Seriously, we are probably more in agreement than not. I think what is
damaging is fundamentalism on either side. I would describe myself as
a skeptical agnostic.

Keep an open mind, but not so open that your brain falls out. -
Richard Feynman
Darren


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread ralphpnj

darrenyeats;411775 Wrote: 
 That isn't necessarily true. A good DBT test will take any statistically
 significant groups like that and test further to check whether the
 apparent statistical significance is just chance or something real. I
 say a good DBT...
 
 Let's get back to the central point. Arguing about specific DBT tests
 can sometimes be a smoke screen for avoiding the central principle,
 namely the placebo effect applies to music listening. Let's have a
 debate about what (if anything) can be done to address the placebo
 effect properly and practically. But to deny the placebo effect is
 acknowledged generally, as in outside of this little audiophile world,
 as unrealistic.
 Darren

Darren,

Your posts are consistently on the mark and you go out of way to put
out the flames instead of fanning them. As I stated in my prior post, I
agree that the placebo effect is real and I agree that the use of DBTs
can be helpful. I only take issue with those who claim that DBTs are
good enough to use as a single tool in making audio purchase decisions.
That's the reason that I find Stereophile's inclusion of test results as
part of an equipment review to be an important tool to be used along
with the subjective review.

darrenyeats;411778 Wrote: 
 I can see our views are not that far apart. Just kidding. :)
 
 Seriously, we are probably more in agreement than not. I think what is
 damaging is fundamentalism on either side. I would describe myself as
 a skeptical agnostic.
 
 Keep an open mind, but not so open that your brain falls out. -
 Richard Feynman
 Darren

Again you are correct.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread mlsstl

 john4456 said: proved that most listeners were unable to distinguish
 between compressed AAC files encoded at 128kbps and CD sound.

I took some time to run down the original Report on the MPEG-2 AAC
Stereo Verification Tests done for the ISO in 1997 and published in
1998. 

Interestingly enough, the primary focus of this test was to compare AAC
encoding against MP3 and not as a test of lossy to CD quality.

The grading scale ran from 1 to 5, with 5 being indistinguishable.
Grade 4 was perceptible but not annoying. The 31 listeners were
trained at the start of the tests as to which artifacts they were to
listen for. 

On page 26 in Conclusions of the 48 page document, one finds the
following question  answer: Is the performance of the coding of AAC
codecs at the tested bitrate distinguishable from the original signal?
Sections 10.7 and 11 show that there is a statistical difference
between the source for coded items, both overall and for some specific
items. 

The material ranged from voice  specific instruments to a couple of
commercial recordings, so whether the difference was detectable or not
depended on the item recorded. A large number of charts show the
audibility of the various codecs for each specific recording. There
were recordings where the difference was perceptible but not
annoying. The wording seems a bit obtuse in the report, but if I read
this correctly, that means grade 4 falls within the EBU (European
Broadcast Union) definition of indistinguishable allowed for
critical material.  (Keep in mind this was really a comparison of
lossy codecs and the original source material was mainly present as a
starting point.) 

So, in short, while the statistical conclusions of this report were
good enough to keep Nokia out of hot water with their advertising
claim, the report does not quite claim, as suggested, to prove that
lossy compression cannot be distinguished from CD.

Thanks for the lead to an interesting read.


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread radish

ralphpnj;411768 Wrote: 
 
 By the way, if DBTs can be used to show that no differences exist where
 there clearly are differences, as is the case with comparisons of lossy
 to lossless compression, then exactly what good are they?
 
I'm not sure if you're deliberately misstating this, but I'll give you
the benefit of the doubt. Any kind of listening tests - sighted, blind,
double blind or anything else cannot hope to show that no differences
exist. They can only show whether or not any differences are
perceivable. That's an incredibly important distinction - I agree that
FLAC and mp3 are _different_, that's not up for discussion. What is
interesting is whether the difference can be perceived, because if it
can't, I'd question whether it matters. And of course, no test
involving less than the entire human species can say that some
difference is or is not perceivable for everyone, which is where
statistics comes into play. If I properly setup a test with a properly
selected set of subjects, I can say with a known certainty how likely
it is that you (or anyone else) could perceive this difference.

 
 Oh wait, I know the answer to this: they allow the pro-DBTers to laugh
 at expensive audio cables. Well go ahead and laugh away because I
 rather enjoy my main stereo system with its expensive cables
And I rather enjoy mine with it's decidedly cheap cables. I'm glad
we're both enjoying the music :)


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread Phil Leigh

Will you two please get a room :)
Rant
The results published by Stereophile (and any mag for that matter)
are about as useful as a hairdryer in a tornado.

As for the schizo mags like Hi-Fi World that publish what look like
well-measured results and then confound them with complete hyperbolic
twaddle (pages 28-31 of the May issue for example) - they just lack any
credibility for me.
Now of course this mag has an agenda larger than the Empire State
building (vinyl is perfect, everything else is tolerated on
sufferance).

/Rant

XML tags always make me feel justified :)


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...
SB3 (wired) - TACT 2.2X (Linear PSU) + Good Vibrations S/W - MF
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread cliveb

darrenyeats;411775 Wrote: 
 Let's have a debate about what (if anything) can be done to address the
 placebo effect properly and practically.
While people seem to be beginning to agree that the placebo effect does
exist in audio, it seems that the basic point I was attempting to make
when I began this thread is still being missed. It is my contention
that the placebo effect is not a problem, and isn't something we should
worry about. If the placebo effect enhances one's listening pleasure,
that's fine: accept it as a benefit.


-- 
cliveb

Transporter - ATC SCM100A

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread snarlydwarf

cliveb;411838 Wrote: 
 If the placebo effect enhances one's listening pleasure, that's fine:
 accept it as a benefit.

But if you can save money by having a cheaper placebo (Those 10gauge
zip cords from Home Depot work great!) then it is even better.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread Calum Mackay
CatBus wrote:
 darrenyeats;411499 Wrote:
 Is that true? I thought I'd read about some blind tests where people
 could distinguish between MP3 320 and red book?

 It depends on the sample.  There really are tracks have not yet been
 distinguished with any certainty from RedBook at 320k, and there really
 are tracks that are easily distinguished with high confidence.

I've seen this mentioned a number of times.

To me, it's extremely hard to understand how it can be true; but that's 
probably because of my ears.

Does anyone have a pointer to these experiments, so we can read about 
them first-hand?

cheers,
calum.
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread CatBus

cdmackay;411917 Wrote: 
 I've seen this mentioned a number of times.
 
 To me, it's extremely hard to understand how it can be true; but that's
 
 probably because of my ears.
 
 Does anyone have a pointer to these experiments, so we can read about 
 them first-hand?
 
 cheers,
 calum.

Better than that--I can point you to the samples themselves.  But
first--you weren't clear which you wanted...do you want the 320k MP3
that's indistinguishable from RedBook or the 320k MP3 that's easily
distinguished from RedBook.  It's a kinda important difference.

The first one's easy: silence.mp3.  Sounds just like the source.  Yes,
it's a bit of a cop-out too but I'm trying not to fan flames here and I
may get grudging agreement from a few subjectivists on this one.

The next one is harder--there's a sample called eig that's a pretty
good general-purpose MP3-wrecker.  Google will help you here.  IMO it's
a great example of a track that just cannot be fixed by throwing more
bits at it.

It's not that hard to understand.  MP3 uses algorithms to figure out
which data can be discarded without causing an audible difference (and
IMO the LAME project has done a fantastic job with those algorithms,
keeping yestertech like MP3 competitive with other lossy formats). 
Careful enough study of those algorithms and their assumptions would
allow you to custom-create a track that wouldn't compress without
audible artifacts.  Also, given the enormous amount of music in the
world, there will always be several tracks that naturally won't
compress right.

There's no question that these tracks exist.  The question is always:
what's the likelihood that one of those tracks is in my collection?


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread Nonreality

CatBus;411934 Wrote: 
 Better than that--I can point you to the samples themselves.  But
 first--you weren't clear which you wanted...do you want the 320k MP3
 that's indistinguishable from RedBook or the 320k MP3 that's easily
 distinguished from RedBook.  It's a kinda important difference.
 
 The first one's easy: silence.mp3.  Sounds just like the source.  Yes,
 it's a bit of a cop-out too but I'm trying not to fan flames here and I
 may get grudging agreement from a few subjectivists on this one.
 
 The next one is harder--there's a sample called eig that's a pretty
 good general-purpose MP3-wrecker.  Google will help you here.  IMO it's
 a great example of a track that just cannot be fixed by throwing more
 bits at it.
 
 It's not that hard to understand.  MP3 uses algorithms to figure out
 which data can be discarded without causing an audible difference (and
 IMO the LAME project has done a fantastic job with those algorithms,
 keeping yestertech like MP3 competitive with other lossy formats). 
 Careful enough study of those algorithms and their assumptions would
 allow you to custom-create a track that wouldn't compress without
 audible artifacts.  Also, given the enormous amount of music in the
 world, there will always be several tracks that naturally won't
 compress right.
 
 There's no question that these tracks exist.  The question is always:
 what's the likelihood that one of those tracks is in my collection?
The general consensus seems to be that rock and pop at the higher bit
rates are tough for almost anyone to tell a difference while classical
is not the best candidate for mp3 if you have a critical ear.


-- 
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-IF THE RULE YOU FOLLOWED BROUGHT YOU TO THIS, OF WHAT USE IS THE RULE.-

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-31 Thread Pat Farrell
Nonreality wrote:
 The general consensus seems to be that rock and pop at the higher bit
 rates are tough for almost anyone to tell a difference while classical
 is not the best candidate for mp3 if you have a critical ear.

This from the blindingly obvious file? Pop/rock is compressed to death
(see Loudness wars) already. And much of it is synths or distorted
guitars to begin with, so losing some fidelity is not going to be noticed.

Symphonies are hard to reproduce with high end systems, they are a poor
choice for testing. If classical includes soloist violins, or small
chamber groups, then it can be a good selection for testing.

The best audio tracks to test are things like acoustic guitar with one
singer, or bluegrass. Or some of Patricia Barber's jazz.

If you want to test gear, you need signal that you can tell on, first.


-- 
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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread swhite58

Excuse me for straying a little from the topic, but this dicussion
reminds me of one I had on a forum run by a Canadian speaker
manufacturer with a name starting with A.

The concensus on that forum seems to be that because any modern
amplifier has a flat frequency response, and inaudible harmonic
distortion, than all amps sound the same.  It doesn't matter how much
they cost or the qauality of the components, they are all the same,
except that some are louder.

Amps don't 'sound', they amplify I was told.  Clearly in the If you
can't measure it, it doesn't exist camp.  

I suspect hundreds of amp manufacturers might have a problem with this
concept.

On reflection, perhaps I'm not as far off topic as I thought :)

Shane


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread Listener

CatBus;411236 Wrote: 
 
 Bad example, you're right.  String theory.  Many Freudian/Jungian
 theories.  Both at least started out as making up stuff that works out
 the way we like, and can't be tested.  I understand string theory is on
 the cusp of being testable so I may retract that half.  Admittedly I'm
 no big fan of either.  But in their favor, they sure inspired some good
 science by others, even if they were suspect in their own right.
 

The proponents of string theory were not subjectivists dreaming up
something that other scientists dismissed.  They were serious
physicists working within the community of science and accepted as
valid scientists by other physicists.  All sorts of physicists have
been working to find a grand unification theory relating gravity, the
strong force and the weak force.  

Theorists propose a new theory that agrees with known experimental
results AND predicts new experimental results.  Experimentalists then
perform experiments that can confirm the new predictions or not.

I'll hold my tongue on Freud.

CatBus;411236 Wrote: 
 
 Honestly I think that's the best thing about subjectivists in my
 opinion.  They ask the crazy off-the-wall questions that get things
 moving in a whole new direction.  When it comes to providing answers,
 they're not so good, unfortunately.

The point is that they don't try to verify what they claim.


-- 
Listener

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread honestguv

GuyDebord;411196 Wrote: 
 I know by fact that most of the components I own, once designed were
 voiced by ear(s) including my expensive cables. 
How does somebody voice a cable - what do they change to achieve the
desired sound? 

How do you know for a fact that your cables were voiced?


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread Pat Farrell
honestguv wrote:
 How does somebody voice a cable - what do they change to achieve the
 desired sound? 
 How do you know for a fact that your cables were voiced?

Obviously, all cables that cost more than $200  meter are voiced.
Intuitively obvious to the most naive observer.

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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread Listener

pfarrell;411268 Wrote: 
 honestguv wrote:
  How does somebody voice a cable - what do they change to achieve the
  desired sound? 
  How do you know for a fact that your cables were voiced?
 
 Obviously, all cables that cost more than $200  meter are voiced.
 Intuitively obvious to the most naive observer.
 
 

I paid far less for my cables so they only hum.

bill


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread ralphpnj

Listener;411276 Wrote: 
 I paid far less for my cables so they only hum.
 
 bill

My Transporter is connected to SqueezeCenter wirelessly but the air in
my house is strictly top of the line audiophile quality. I've done
extensive testing, both subjective and objective, and have concluded
that the high quality of the air in my house is what allows the
Transporter to achieve such a high level of performance. YMMV

Sorry, but I had to throw that in since once any discussion of DBT
veers into the world of cables all is soon lost. Don't believe me? Just
watch what happens over the course of the next 24 hours.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread probedb

GuyDebord;410979 Wrote: 
 Listening to music involves all the senses, sight, touch, smell... you
 guys just dont get it... continue convincing yourselves of perfectly
 reproduced SOUND!

Since when did music smell?


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread ralphpnj

probedb;411347 Wrote: 
 Since when did music smell?

Since people starting believing that the American Idol winners and
runner-ups could sing.

Remember just say NO to American Idol.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread john4456

Isn't the great triumph of blind testing that it enables advertisers to
claim that 128kbs mp3 is cd quality ?


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread CatBus

john4456;411418 Wrote: 
 Isn't the great triumph of blind testing that it enables advertisers to
 claim that 128kbs mp3 is cd quality ?

No.  Any other questions?


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread radish

JezA;411022 Wrote: 
 cliveb, you need to listen to some music. go to a concert even.

What's the point? I'd have forgotten what it sounded like before I got
to the parking lot. 

I'll go back to my 64kbps frauenhoffer mp3's, people tell me they sound
awful but I don't remember hearing anything better, so they must be OK.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread ralphpnj

I'm a bit confused here.

Those in favor of DBT use it as a reason for deriding the subjectivists
and their expensive cables since DBT clearly shows that most (if not
all) cables sound the same. And this behavior is not only accepted but
often times encouraged, as in, Hey isn't that guy a dope for spending
$$$ on those cables when the much less expensive el-cheapo cable is
just as good. Ha ha ha! However when the subjectivists point out that
DBTs also show that an mp3 file sounds the same as an uncompressed or
losslessly compressed file the objectivists resort to snide remarks and
silly comments. Live by the sword, die by the sword.

Basically there are problems with both belief systems and as is often
the case, the truth lies somewhere in the middle.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread ModelCitizen

I am blind and S Club 7 sound the best wherever I am.

MC


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread darrenyeats

radish;411454 Wrote: 
 What's the point? I'd have forgotten what it sounded like before I got
 to the parking lot. 
 
 I'll go back to my 64kbps frauenhoffer mp3's, people tell me they sound
 awful but I don't remember hearing anything better, so they must be OK.
LOL.
ralphpnj;411475 Wrote: 
 However when the subjectivists point out that DBTs also show that an mp3
 file sounds the same as an uncompressed or losslessly compressed file
Is that true? I thought I'd read about some blind tests where people
could distinguish between MP3 320 and red book?

If a difference is audible I'm sure the right blind test could be
designed to allow people to demonstrate that. Of course, not all blind
tests are necessarily good tests! If ninety nine badly designed tests
show up no difference and one well designed test shows a difference
then I agree we can ignore the ninety nine.
Darren


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread CatBus

ralphpnj;411475 Wrote: 
 I'm a bit confused here.
 
 Those in favor of DBT use it as a reason for deriding the subjectivists

Yep, you're confused.  As a rule, we don't.

 However when the subjectivists point out that DBTs also show that an mp3
 file sounds the same as an uncompressed or losslessly compressed file
 the objectivists resort to snide remarks and silly comments. Live by
 the sword, die by the sword.

It was asserted that DBT was used to show that 128kbps MP3's are CD
Quality.  I've seen this claim a lot on the Internet, but there's
never much in the way of facts behind it, then or now.  For example,
while I'm sure you could hand-pick some tracks that produce these
results, that's hardly the way any objectivist would test.  You could
also alter the definition of CD Quality such that it doesn't mean
sounds indistinguishable from a CD, but then if you go that far you
don't even need to bother testing--just ratchet down your definitions
until they meet your needs.  I've seen quite a lot of DBT's of 128k
MP3's.  The results are that they don't sound like lossless.  I
summarized this as: No.

 Basically there are problems with both belief systems and as is often
 the case, the truth lies somewhere in the middle.

That depends on how you define truth.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread CatBus

darrenyeats;411499 Wrote: 
 Is that true? I thought I'd read about some blind tests where people
 could distinguish between MP3 320 and red book?

It depends on the sample.  There really are tracks have not yet been
distinguished with any certainty from RedBook at 320k, and there really
are tracks that are easily distinguished with high confidence.  The
question is: if this is the case, would you trust that your collection
fits entirely into the former category without testing each track?

The most important point is that people tend to misread DBT results. 
If someone claims a DBT proves people can't tell the difference between
X and Y, they are simply wrong.  Flat wrong.  It doesn't work like that.
The most lossy-friendly results possible will say only that X and Y
could not be confidently distinguished within the limits of the test.

That last clause--within the limits of the test is what makes most
PC-ABX testing worthless, because those tests are more constrained by
their listening setup than the media they're testing.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread honestguv

ralphpnj;411475 Wrote: 
 I'm a bit confused here.
 Basically there are problems with both belief systems and as is often
 the case, the truth lies somewhere in the middle.
Nonsense. When people make incorrect objective statements they are
simply wrong.

If one person says the earth is flat and another says it is spherical
does the truth lie somewhere in between? Perhaps a cube?

If one person says 2+2=6 and another says 2+2=4 is the truth 2+2=5?

When it comes to objective matters there is a correct and an incorrect.
Subjectivists audiophiles are not wrong about subjective matters but
they often wrong about a wide range of objective matters.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread ralphpnj

Not that I want to pat myself on the back or anything but.

More in the way of reaching a middle ground has come about since my
last post than in the 10+ prior posts. I'm glad to see that things are
beginning to lighten up a bit since nothing new or constructive was
being said, just the same old arguments over and over again.

I admit that there have been many valid points brought up and based on
the reasonable points made by both sides I'm beginning to think, as I
stated before, that the truth does lie somewhere between the extremes.
One should try and use a blind test along with a decent set of
measurements as a starting point and work from there. Regardless of
what type of testing one adheres to, be it DBT or subjective testing,
no type of testing replaces listening for oneself and, if at all
possible, listening to the equipment under consideration in one's own
audio system. Because as the man says: YMMV


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread GuyDebord

probedb;411347 Wrote: 
 Since when did music smell?

have you ever gone to a concert venue, a symphony hall? I never said
that music smells, but you involve all your senses in a musical
experience...


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread GuyDebord

honestguv;411263 Wrote: 
 How does somebody voice a cable - what do they change to achieve the
 desired sound? 
 
 How do you know for a fact that your cables were voiced?

because I have a close relationship with siltech and kharma, and have
been present at their voicing auditions.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-30 Thread snarlydwarf

ModelCitizen;411476 Wrote: 
 I am blind and S Club 7 sound the best wherever I am.
 
 MC

They sound much better if you are deaf.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread GuyDebord

opaqueice;410870 Wrote: 
 the industry needs to focus on the areas that matter, and stop getting
 distracted by mysticism and bogus received wisdom.

Clearly what matters to you and other posters here is NOT the feeling
of music!

Listening to music is by all means a SUBJECTIVE action, there is
nothing scientific about it unless you dont care about music and just
sound! this forum is populated by sound geeks. You guys arent sensible
enough to feel shivers thats why you resort to (pseudo) science.

Listening to music involves all the senses, sight, touch, smell... you
guys just dont get it... continue convincing yourselves of perfectly
reproduced SOUND!


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread cliveb

JezA;410808 Wrote: 
 No it is not my position. I said that A-B-X testing is a poor way of
 evaluating components, because it is more a test of memory than
 anything else.
OK, so you feel that memory is not a good mechanism to compare audio
components. Let's suppose it's true, and then consider your next
statement:
JezA;410808 Wrote: 
 It is perfectly possible to compare two components. Do you understand
 that?
No, I don't understand. How exactly do you suggest two audio components
can be compared without using memory?


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread cliveb

There's a number of things I'd like to respond to, so let's gather them
all in one post:

honestguv;410861 Wrote: 
  cliveb;410749 Wrote: 
  The Blind Testing Controversy  
 There is nothing controversial about blind testing.
Sorry - I didn't mean to suggest that there is any doubt about the
validity of blind testing per se. I was only referring to the arguments
it causes in the audio world. I was originally going to use the title
The Blind Testing Bunfight, but felt that word might be too
UK-centric. On reflection, controversy was the wrong word to use.

opaqueice;410870 Wrote: 
  cliveb;410749 Wrote: 
  The Objectivist typically considers that to allow oneself to be
  influenced by these other factors is some kind of character flaw.  
 While I obviously can't speak for others, I haven't found that
 characterization to be at all accurate.  In I don't think I've ever
 encountered that view, despite reading more comments on this debate
 than I care to admit.
CatBus made the same comment: that Objectivists are not making such an
accusation. I've therefore clearly misinterpreted the things I've seen
written on these and other forums for many years now. Countless times
I've seen phrases like you're deluding yourself and you're imagining
it. Reading between the lines, these phrases seem to be implying that
this delusion/imagination implies some level of gullibility.

CatBus;410880 Wrote: 
  cliveb;410749 Wrote: 
  The Objectivist seems to take the view that since there is no difference
  in the detectable soundfield (as evidenced by a blind comparison)  
 Usually I'm not this pedantic, but it seems to make a difference
 here.  Failing to demonstrate a perceptible difference in a
 double-blind test does NOT mean that the difference can't be
 perceived!
Not sure I understand exactly what you're saying here. Are you pointing
out that a double-blind test can only give a statistical confidence
level, and that 100% proof is never possible? Or are you saying that,
having failed to detect a difference in a blind test, a difference
might be perceived by some other comparison method?

CatBus;410880 Wrote: 
 Failing to prove the existence of something is not the same as proving
 the lack of something.
Perhaps in mathematics proof has this rigorous meaning, but in all
other areas, nothing can ever be proved. Therefore we take the
pragmatic view that proof means almost certainly true on the basis
of the evidence. And if someone scores 50% in an ABX test with 20 or
more test runs, I contend that their inability to perceive a difference
is proved beyond all reasonable doubt.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread JezA

cliveb, you need to listen to some music. go to a concert even.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread cliveb

JezA;411022 Wrote: 
 cliveb, you need to listen to some music. go to a concert even.
What is the purpose of that comment?

I take it you won't (or can't) explain how to compare two components
without using your memory, then?


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread CatBus

cliveb;410994 Wrote: 
 Not sure I understand exactly what you're saying here. Are you pointing
 out that a double-blind test can only give a statistical confidence
 level, and that 100% proof is never possible? Or are you saying that,
 having failed to detect a difference in a blind test, a difference
 might be perceived by some other comparison method?

A little of both.  Mostly I'm saying all tests results are, at best,
limited by the conditions under which the test was administered.  And
then, my pedantry added that people need to be careful about saying
they've proved the negative.  It's simply more professional and correct
to talk about confidence.

 Perhaps in mathematics proof has this rigorous meaning, but in all
 other areas, nothing can ever be proved.

I can hear a 1KHz tone.  I can prove that, even to people who swear up
and down that I can't.  There is a pigeon in my back yard.  I can prove
that, even to hardcore pigeon deniers.  However, I cannot convince
hardcore pigeon believers that there ISN'T a pigeon in my yard.  It's a
different thing entirely.  Sure, you can apply the reasonable doubt
standard if you like, but that's a legal term.  Applying reasonable
doubt to science would have killed Quantum Mechanics, among other
things.

It's a terminology/responsibility thing.  When someone says they can
hear a 30KHz tone, it's not really anybody else's job to prove they
can't.  It's THEIR job to prove they can.  And that's easily doable,
assuming they really can.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread Goodsounds

GuyDebord;410979 Wrote: 
 Clearly what matters to you and other posters here is NOT the feeling of
 music!
 
 Listening to music is by all means a SUBJECTIVE action, there is
 nothing scientific about it unless you dont care about music and just
 sound! this forum is populated by sound geeks. You guys arent sensible
 enough to feel shivers thats why you resort to (pseudo) science.
 
 Listening to music involves all the senses, sight, touch, smell... you
 guys just dont get it... continue convincing yourselves of perfectly
 reproduced SOUND!

10 points for the definitive comment.

People who work in IT, software, some engineering, etc., seem to make
up a disproportionally large percentage of the participants in these
forums. People of this ilk see EVERYTHING as black and white. No shades
of gray. When things are gray, they nonetheless use their black and
white approach, it's their orientation and it's comfortable. Gray is
uncomfortable.

To them, a software program, an oscilliscope, a calculation, specs, are
all much more appropriate ways to assess sound than using ears, or
feelings and emotions. They can deal with measurements, but not with
impressions.

I know too many people like this, they abound in Silicon Valley. They
are how they are, it is appropriate for the work they do, it just
doesn't translate well to the outside gray world. But they keep at it.

It makes for boring conversations like this (that is, with those who
can make conversation)


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread opaqueice

GuyDebord;410979 Wrote: 
 
 Listening to music involves all the senses, sight, touch, smell... you
 guys just dont get it... continue convincing yourselves of perfectly
 reproduced SOUND!

You're erecting a straw-objectivist and then beating him over the head.
The fact is that it seems to be -subjectivists- that have the most
trouble relaxing and enjoying music.  Objectivists have, if they
choose, a perfectly well-defined set of criteria for choosing and
comparing components.  Moreover they understand that all that really
matters are speakers and music - most of the rest is irrelevant. 
Subjectivists, on the other hand, have to fret over cables, power
cords, magic pebbles...  the result is inferior sound, an empty wallet
and very little time spent actually enjoying music.

I haven't changed anything in my system in quite a while, and (unless
there's a practical reason to do so) I don't see why I would want to. 
I'm very satisfied with the sound, and if I wanted to improve it I
would focus on things that actually make a difference - like
rearranging the furniture or moving the speakers - rather than $1,000
wires.


cliveb;410994 Wrote: 
 
 CatBus made the same comment: that Objectivists are not making such an
 accusation. I've therefore clearly misinterpreted the things I've seen
 written on these and other forums for many years now. Countless times
 I've seen phrases like you're deluding yourself and you're imagining
 it. Reading between the lines, these phrases seem to be implying that
 this delusion/imagination implies some level of gullibility.

-Everyone- hears things that aren't really there - that's human nature.
The gullibility comes from believing that your subjective impressions
correspond to any kind of real change in the sound.  There's a big
difference between that and what you said.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread Listener

CatBus;411101 Wrote: 
   There is a pigeon in my back yard.  I can prove that, even to hardcore
 pigeon deniers.  However, I cannot convince hardcore pigeon believers
 that there ISN'T a pigeon in my yard.  
 

An image of a pigeon in your back yard would be evidence.  A dead
pigeon you collected in your back yard would be evidence.  Even pigeon
droppings from your back yard would be evidence.  We don't even see the
equivalent of pigeon drooppings in most audio discussions.

Many subjectivists take hearing a difference in an uncontrolled
situation to be proof.  I think many objectivists would regard hearing
a difference as generating a hypothesis that needs to be tested before
it is accepted.

CatBus;411101 Wrote: 
   Applying reasonable doubt to science would have killed Quantum
 Mechanics, among other things.  

In fact science produced the theory of Quantum Mechanics in response to
experiments and theoretical issues.  So what great advances has
subjectivist thinking produced?

CatBus;411101 Wrote: 
 
 It's a terminology/responsibility thing.  When someone says they can
 hear a 30KHz tone, it's not really anybody else's job to prove they
 can't.  It's THEIR job to prove they can.  And that's easily doable,
 assuming they really can.

You claim to hear a difference that seems improbable, you provide some
convincing evidence.

That is the essential problem with the subjectivist approach.  It
doesn't produce valid experiments and quantitative measurements to
validate what subjectivists hear.

Bill


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread GuyDebord

opaqueice;43 Wrote: 
 
 But the part of my comment that seems to have irritated you wasn't
 directed at listeners - it was directed at audio engineers, the people
 that design and build audio gear and make recordings, and have to worry
 about this stuff professionally.  They shouldn't listen to audiophiles
 any more than MDs should listen to witch-doctors (which means very
 rarely there might be something with a kernel of truth, but the vast
 majority is nonsense).
 

I know by fact that most of the components I own, once designed were
voiced by ear(s) including my expensive cables. Of course some
companies (i.e. YG acoustics) believe in pure measurements, the result
sound is most of the time: analytical, clinical, un-organic and
lifeless. Something a sound geek will love.

So while aiming your comments at designer professionals you must admit
that subjectivity is always at the end game


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread El Duderino

GuyDebord;411196 Wrote: 
 I know by fact that most of the components I own, once designed were
 voiced by ear(s) including my expensive cables. Of course some
 companies (i.e. YG acoustics) believe in pure measurements, the result
 sound is most of the time: analytical, clinical, un-organic and
 lifeless. Something a sound geek will love.
 
 So while aiming your comments at designer professionals you must admit
 that subjectivity is always at the end game

So, basically, all you're saying is that you like inaccurate sound that
may not represent the source material.  That's fine and totally
acceptable. I like some warmth  to my music as well.  Similarly,
others appreciate what you call analytical or accurate, uncolored
sound.  That, too, is fine.

But, you do need to get off this anti-sound geek high horse.  It
sounds immature at best.  I work with ears on a daily basis.  Your ears
and the signals interpreted by your brain as sound are largely the same
as the majority of the healthy-hearing population.  There is no
argument in this--it's human physiology and not subject to your
emotions.  Any downstream interpretation of this sound as something
different or, as you put it, organic is through the introduction of
bias.

Again, I understand where you're coming from regarding listening to,
interpreting and enjoying music but lose the pretentiousness...


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread iPhone

darrenyeats;410811 Wrote: 
 1. The word blind in blind testing doesn't refer to having no sense of
 sight. It's about not knowing the identity of the candidate at hand.
 Hence you can (and reviewers DO*) have blind tests on televisions. The
 frame of the television is covered so the tester doesn't know which
 unit is being looked at.
 
 2. Clive's analogy is pretty good actually. You see a big shiny box
 with a Linn badge on it and admittedly it looks great. You see a dinky
 cheap looking box with a Squeezebox badge on it and it looks not so
 great! It changes the listening experience. Excellent analogy.
 Darren
 
 PS: *Remember what I said about the rest of the world?

I know what a DBT is. I just think that most of them are done
improperly.

And you missed my point completely and proved it at the same time.
Again the point is that the Eyes, Ears, and Brain can't be trusted
except in extreme cases where the components being tested shouldn't
even be in the same room with each other IE an audiophile system vs a
Sears Rack system.

When the Eyes are allowed to be involved, misconceptions, prejudices,
prior opinions, and assumptions run rampant (just like the meal
analogy). Which is why test equipment must be involved when components
reach a certain level to which the Ears alone can no longer be trusted.
There are not very many people in the world that can memorize track A
played on equipment X and directly compare it with track A played
afterwards on equipment Y. It is almost impossible to do when the
equipment gets to a level in quality that requires DBT in the first
place!

This is one of the reasons that the review guys keep equipment for so
long. The ears and brain get used to listening to a setup and have to
be moved away from that with hours of listening to another setup or the
review will end up being really about the new equipment vs the guys
reference setup. Which is another reason I don't like equipment reviews
because they can only be judged against the guys reference system or the
best system he has had the opportunity to listen to.

Which is why I ask people to just go listen to a pair of Thiel or
Vandersteen speakers before they spend $15 to $20K on a pair of
speakers. Don't even go with the idea you might buy them, just listen
to them before buying anything.

If a DBT is to even have a chance, the listener should have no idea
when or what is being listened to. They should pick what sounds best to
them then find out what it was that they preferred later!


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-29 Thread CatBus

Listener;411146 Wrote: 
 An image of a pigeon in your back yard would be evidence.  A dead pigeon
 you collected in your back yard would be evidence.  Even pigeon
 droppings from your back yard would be evidence.

Exactly my point.  Evidence that proves the existence of the pigeon is
easy.  You didn't list any examples that would prove the lack of a
pigeon to someone who was sure there was one hiding back there
somewhere.

 We don't even see the equivalent of pigeon drooppings in most audio
 discussions.

Again, exactly my point.  It's fairly easy to prove that you CAN hear a
difference, but people who claim to hear a difference choose not to,
throwing the responsibility on others to prove they can't--which as we
both demonstrated above, is a much harder task.

 In fact science produced the theory of Quantum Mechanics in response to
 experiments and theoretical issues.  So what great advances has
 subjectivist thinking produced?

Bad example, you're right.  String theory.  Many Freudian/Jungian
theories.  Both at least started out as making up stuff that works out
the way we like, and can't be tested.  I understand string theory is on
the cusp of being testable so I may retract that half.  Admittedly I'm
no big fan of either.  But in their favor, they sure inspired some good
science by others, even if they were suspect in their own right.

Honestly I think that's the best thing about subjectivists in my
opinion.  They ask the crazy off-the-wall questions that get things
moving in a whole new direction.  When it comes to providing answers,
they're not so good, unfortunately.


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[SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread cliveb

Recent postings in some threads here have stirred up that old hornets
nest of blind testing once again. The antagonists have once again set
out their uncompromising positions, with no prospect of reaching any
kind of shared view. So, at the risk of getting badly stung by the
angry hornets, I present here some thoughts that try to find a middle
ground. Are you sitting comfortably? Then I'll begin...

There exists within the audio enthusiast community two diametrically
opposed camps, which for the sake of argument we'll call Objectivists
and Subjectivists. What their argument is about we'll come to later.
But first, let's summarise what they agree on. Both groups acknowledge
that when comparing two similar components (eg. CD players, amplifiers,
etc), there are times that a difference is heard when listening sighted,
but no difference can be detected when a blind comparison is made.

It's in their analysis of why this might be so that the two groups
diverge.

The Objectivist seems to take the view that since there is no
difference in the detectable soundfield (as evidenced by a blind
comparison), the difference heard during sighted listening is down to
other factors, such as the appearance and feel of the equipment,
knowledge of its price and manufacturer, etc. The Objectivist typically
considers that to allow oneself to be influenced by these other factors
is some kind of character flaw.

And here is a curious thing. The Subjectivist thinks exactly the same
as the Objectivist: that to allow oneself to be so influenced is a
character flaw. They therefore draw the conclusion that the difference
heard is not down to any such external factors, but must be due to some
problem with the blind comparison methodology that prevents the
differences being detected.

Why not just accept the fact that external factors do modify what we
hear, and it is human nature that it does so? It's only reasonable that
the satisfaction in operating an exquisitely finished CD player will
enhance the listening experience. There's no shame in it. Objectivists
should stop telling people they are deluding themselves when they hear
a difference, and Subjectivists should stop insisting that the
difference they hear can't be down to these external factors. Then we
could all live in harmony, world peace would ensue, blah blah blah...

Here's an analogy. You have two servings of food: one is presented
artistically and looks nice on the plate; the other is the same but has
been pre-cut up, mixed and dumped into a bowl. Once the food is in the
mouth, there's no difference, but pretty much everyone would think the
nicely presented food tasted better. And I can't imagine that any
objective food scientist would question their sanity.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread JezA

I think you are missing the point.

A-B-X testing, blind or otherwise, as advocated by the
(pseudo-)objectivists is a poor way to judge differences between
systems, because it is more a test of musical memory than musical
perception. For it to be useful, you have to be capable of remembering
the A and the B and then comparing these memories to the X. While
Mozart is reputed to have heard Allegri's Misere once and then wrote out
the score from memory, few normal people can remember more than a few
seconds of a musical experience, and then only some aspects of it.

Imagine, for example, listening to a minute long guitar solo - several
hundred notes, lets say. Now imagine listening to the same musician
playing a very similar solo, but changing some notes or some subtleties
of phrasing, perhaps in the middle, as musicians do. Now imagine someone
playing one of the solos again, and asking you which was which? Bet you
couldn't always do it reliably. Doesn't mean they were the same.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread cliveb

JezA;410762 Wrote: 
 A-B-X testing, blind or otherwise, as advocated by the
 (pseudo-)objectivists is a poor way to judge differences between
 systems, because it is more a test of musical memory than musical
 perception. For it to be useful, you have to be capable of remembering
 the A and the B and then comparing these memories to the X.
So if I understand you correctly, you're basically saying that it's
impossible to compare two components, sighted or otherwise, to
determine whether they sound the same. Is that your position? If it is,
then how do explain why someone would think that one component is
better than another if they can't even tell whether they are
different? Perhaps you might argue that it's not a matter of whether
they sound different, but simply whether one gives greater pleasure
than the other.

In that case, I will point out that ABX is not the only form of blind
testing possible. It is entirely feasible for someone to listen to two
components A and B many times over (each time A and B might - or might
not - swap places), and on each occasion simply say which they prefer.
Analysis of the results will show whether there is a statistically
meaningful preference for one over the other.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread Quad

cliveb;410749 Wrote: 
 Objectivists should stop telling people they are deluding themselves
 when they hear a difference, and Subjectivists should stop insisting
 that the difference they hear can't be down to these external factors.

Good thoughts! You could apply them on other subjects. The blind
testing controversy here reminds me of the discussion between
homeopathy and conventional medicine (...which has been going on for
the last 200 years, so don't expect harmony too soon. But hope dies
last, thanks for posting!)


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread darrenyeats

Quad;410778 Wrote: 
 Good thoughts! You could apply them on other subjects. The blind testing
 controversy here reminds me of the discussion between homeopathy and
 conventional medicine (...which has been going on for the last 200
 years, so don't expect harmony too soon. But hope dies last, thanks for
 posting!)
As far as I know only audiophiles have the unusual belief that the
placebo effect doesn't apply to them. Don't drag the alternative
medicine guys into it, they're with the rest of the world. Make no
mistake, the audiophiles are alone.

My wife was taught about how the placebo effect works when she took a
course on Reiki healing a few years ago. So even Reiki healers accept
the placebo effect applies to their so-called New Age practices.

But audiophiles don't accept it applies to their hearing. 

Nuff said!
Darren


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread JezA

cliveb;410775 Wrote: 
 So if I understand you correctly, you're basically saying that it's
 impossible to compare two components, sighted or otherwise, to
 determine whether they sound the same. Is that your position? .

No it is not my position. I said that A-B-X testing is a poor way of
evaluating components, because it is more a test of memory than
anything else. It is perfectly possible to compare two components. Do
you understand that?


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread iPhone

cliveb;410749 Wrote: 
 Here's an analogy. You have two servings of food: one is presented
 artistically and looks nice on the plate; the other is the same but has
 been pre-cut up, mixed and dumped into a bowl. Once the food is in the
 mouth, there's no difference, but pretty much everyone would think the
 nicely presented food tasted better. And I can't imagine that any
 objective food scientist would question their sanity.

Not to stir the pot to much, but I find it rather odd that your analogy
very much involves SIGHT when your post is about Double Blind Testing.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread darrenyeats

iPhone;410810 Wrote: 
 Not to stir the pot to much, but I find it rather odd that your analogy
 very much involves SIGHT when your post is about Double Blind Testing.
1. The word blind in blind testing doesn't refer to having no sense
of sight. It's about not knowing the identity of the candidate at hand.
Hence you can (and reviewers DO*) have blind tests on televisions. The
frame of the television is covered so the tester doesn't know which
unit is being looked at.

2. Clive's analogy is pretty good actually. You see a big shiny box
with a Linn badge on it and admittedly it looks great. You see a dinky
cheap looking box with a Squeezebox badge on it and it looks not so
great! It changes the listening experience. Excellent analogy.
Darren

PS: *Remember what I said about the rest of the world?


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread Goodsounds

Discussions like this tend to generate more heat than light.

Perceptions are personal. Views can differ.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread ralphpnj

My main problem with DBT is that it only gives one a snapshot of the
sound of the components being tested. By snapshot I mean a very small
sampling of the musical spectrum, a one or two minute long snippet of
music rather than an overview of how the components may or may not
differ when playing other types of music. So if the snippet of music
being used in the test contains only strings then the components may
appear to sound identical but if the musical snippet had contained a
full orchestra perhaps the components would sound different.

Another problem with DBT pertains to the synergy between various audio
components. Sure there are many people who may scoff at the mere notion
of synergy between components but it does exist and can have an enormous
effect on the overall sound of an audio system. Bad synergy can make a
good piece of equipment sound mediocre whereas good synergy can make a
component really sing.

With all that being said I still don't know who is worse off: the
Subjectivists with their often needlessly expensive equipment,
especially cables, interconnects and power cords or the Objectivists
with their lossy compressed files and class D power amps. All too often
the whole thing turns out to be a lose-lose rather than win-win
situation.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread honestguv

 The Blind Testing Controversy

There is nothing controversial about blind testing. There is a small
groups of audiophiles, plus a few other groups, that have wish to
believe in magic more strongly than they wish to believe in science.
Since these groups offer nothing in support of rejecting the scientific
method other than their dislike of the results there is nothing on which
to base a controversy. We all get to choose whether to believe in
science or magic and there is nothing controversial about any resulting
conflict because the systems of belief are different.

 The Objectivist typically considers that to allow oneself to be
influenced by these other
 factors is some kind of character flaw.

I suspect your Objectivist group might be negligible in size. I
cannot recall a posting from someone opposing Subjectivists on these
grounds. Can you provide an example or two?

What I have seen is lots of opposition to subjectivists making
incorrect statements about objective matters due to their belief
system. Subjectivists generally believe their perceptions follow from
the sound field being changed by an amount their ears are picking up
and project this onto audiophile equipment.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread opaqueice

cliveb;410749 Wrote: 
  The Objectivist typically considers that to allow oneself to be
 influenced by these other factors is some kind of character flaw.

While I obviously can't speak for others, I haven't found that
characterization to be at all accurate.  In I don't think I've ever
encountered that view, despite reading more comments on this debate
than I care to admit.

In my opinion, perceptual bias is simply a fact - it's part of what
makes us human beings.  In many ways life would be less interesting
without it; certainly it would be totally different.  Whether it's how
you judge people, taste wine, choose a watch - all of that is extremely
subjective and personal.  And most of the time, that's perfectly OK.  

It's just that some of the time, it's not OK.  For example, no one
wants doctors to be influenced by drug companies in their medical
judgments.  That's why medical studies are very carefully controlled. 
And another example is when someone advises you to buy some absurdly
overpriced component, because without it you won't have a truly
revealing system (or something).  Advice like that is both financially
damaging to the recipient and liable to leave them permanently
unsatisfied with their sound system.

OK, it's not the end of the world if some well-off middle aged men (the
overwhelming majority of audiophiles) waste some money on a silly
pursuit.  But it's annoying for those of us that really do care about
sound quality, and would like to see the field progress towards
superior music reproduction.  For that - to make progress on what is
after all a very difficult engineering challenge - controls are
crucial, and the subjective experiences of people are essentially
useless (how many great scientific advances were made because some cult
insisted on something in the case of overwhelming evidence to the
contrary?).  The near-total rejection of the recent Meyer-Moran study
on SACD versus Redbook is a perfect example - the industry needs to
focus on the areas that matter, and stop getting distracted by
mysticism and bogus received wisdom.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread Quad

honestguv;410861 Wrote: 
 Can you provide an example or two?

Wait a second...

honestguv;410861 Wrote: 
 [...] subjectivists making incorrect statements [...] due to their
 belief system.

Ha! Found one.


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Re: [SlimDevices: Audiophiles] The Blind Testing Controversy

2009-03-28 Thread Quad

opaqueice;410870 Wrote: 
 In my opinion, perceptual bias is simply a fact - it's part of what
 makes us human beings.

So is expectation bias.


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