RE: Or Best Offer: a misleading--and dishonest--phrase

2001-04-24 Thread Peter Smith

I think the silliness Todd was referring to was the suggestion that a seller
after advertising a price is obliged to sell at that price. A view
previously claimed by myself amongst others.

Say your employer asked you to move home to a new posting.  You advertise
your home for sale.  A few weeks later your employer says that the move is
no longer necessary as a similar post has arisen locally.  If in the
meantime an offer has been made on your home at the advertised price are you
obliged to sell?.  I don't think so - unless you have drawn up formal
contracts you can withdraw from the transaction.

I know that the value of items talked about here is less but the principle
of advertising to Test the water is commonly adopted.

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Frank Theriault
 Sent: 24 April 2001 03:47
 To: [EMAIL PROTECTED]
 Subject: Re: Or Best Offer: a misleading--and dishonest--phrase


 Hi, Todd,

 I don't think this is silly at all!

 Many people on this list buy and sell stuff on eBay and to and
 from others on this
 list all the time, and I think it's a good thing for folks to
 know their rights
 and responsibilities.

 You're quite right, that if a purchaser gets screwed over by a
 vendor, there's not
 much he/she can do about it.  If a vendor changes his mind, he
 can certainly say,
 I've already sold it, or whatever, but that doesn't make the
 vendor right.  If
 I, as a potential purchaser, feel that I've been screwed over,
 I'm not going to go
 to court, but I'm never going to deal with that seller again, and
 I'm certainly
 going to tell everyone I know about my experience with that
 seller, including
 communicating on lists like this one.

 So, I think that it's all for the better if both sellers and
 vendors know what's
 morally and legally expected of them, and discussing grey areas
 like this one
 are a valuable exercise, imho.

 regards,
 frank

 Todd Stanley wrote:

  This is just plain silly.  Placing an ad in the paper, etc.
 doesn't force
  anyone to sell anything.  The person selling can withdraw the
 item for sale
  at any time - and what is a buyer going to do about it?  Even on eBay a
  seller can cancel all the bids and terminate any active item listed for
  whatever reason he wants, only after the auction ends does it
 turn into a
  contract where the seller has to sell the item at the final bid
 (assuming
  the reserve is met if there is one)
 
  Todd
 

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RE: Fungus question

2001-04-24 Thread Peter Smith

Mark Roberts wrote:

 Here's the method that's worked for me:
 Disassemble the lens (how's that for an oversimplified step 1?)
 Remove the element(s) etc.

On a similar note - I have a 35-70 AF zoom from my SFXn which shows what I
would describe a small bubbles just behind the front element.  Is this what
is known as separation and is it repairable or do I just scrap the lens?

Peter

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RE: Miracles Happen!

2001-04-23 Thread Peter Smith

Rodger -

Would you like to come to my study and help me find the screw that fell from
my M42 - PK adapter the other day.

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Rodger Whitlock
 Sent: 23 April 2001 14:50
 To: [EMAIL PROTECTED]
 Subject: Miracles Happen!


 In January, while waiting for the ferry at Fulford Harbour on
 Saltspring Island (the scene of a number of my PUG submissions), my
 Z1-P brushed against an upright of the railing on a pier, brushing
 the cap of my 77mm Ltd lens off -- and plop! into the water far
 below.

 I've since replaced it, after offering the Pentax gods several
 endocrine glands.

 Saturday, again waiting for the ferry there (an oft-told story), I
 thought to walk out the pier and see if I could spot my long lost
 lens cap.

 Eureka!

 There it was!

 And the tide was out.

 So, at the low, low cost of muddy shoes, I have it back.

 Interestingly, though muddy from several months in the saltchuck, it
 was *not* corroded. I think any PDML member would be hard pressed to
 distinguish it from the its un-submerged replacement.

 Evidently Pentax uses a very spiffy alloy for the Limited bodies...


 --
 Rodger Whitlock
 Victoria, British Columbia, Canada
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RE: Or Best Offer: a misleading--and dishonest--phrase [was: FW: Ricoh / Pentaxsystem]

2001-04-23 Thread Peter Smith

Tom Rittenhouse wrote:


 I've always translated that to best acceptable offer.
 IMHO, a seller has no requirement to accept any offer, even
 a full price one until he says sold.


Tom

I think that a full price offer completes a morally if not legally binding
contract. The only out the seller would have would be that he has already
agreed a sale to a prior offer or the buyer fails to come up with the
consideration in which case the buyer is in breach.  Or Best Offer ( Or
Nearest Offer- ono in UK) has no such bind.

Think of a bartering situation - each offer is just that, an offer, and each
party counter offers until the opposite party says Yes OK at which point a
contract is made.  If no one says Yes OK to an offer then either party can
walk away.  An advertised price is an offer to which the other party can say
Yes to thus completing the contract.

Peter

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RE: eBay item 1231804090 (Ends Apr-27-01 134134 PDT) - Pentax remote cord for ME2 w

2001-04-22 Thread Peter Smith



Are 
you really willing to pay that much for a two way cable with a mini jack on one 
end and a switch on the other? At least that's what it is on my compatible 
(Jessops) winder. Maybe the real McCoy Pentax winder is different? 
If not the components should be very easily obtainable from an electrical spares 
shop like Tandy/Radio Shack.

Just a 
thought.

Peter


  -Original Message-From: 
  [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On 
  Behalf Of Donald RossSent: 21 April 2001 22:31To: 
  [EMAIL PROTECTED]Subject: Re: eBay item 1231804090 (Ends 
  Apr-27-01 134134 PDT) - Pentax remote cord for ME2 w
  Thanks Gordon
  
  It's exactly what i'm looking for. 
  Unfortunately, the seller won't ship outside the USA
  
  Don
  
- Original Message - 
From: 
Gordon Pender 

To: [EMAIL PROTECTED] 
Sent: Saturday, April 21, 2001 12:30 
PM
Subject: eBay item 1231804090 (Ends 
Apr-27-01 134134 PDT) - Pentax remote cord for ME2 w

 Wasn't paying attention was someone 
looking for this?http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1231804090 
  


RE: Re[2]: Nikon's New Manual-focus SLR kicks butt!

2001-04-20 Thread Peter Smith

Lets not drift into MZ-S vs. FM3A.  They are totally different animals.

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Tonghang Zhou
 Sent: 19 April 2001 22:24
 To: [EMAIL PROTECTED]
 Subject: Re: Re[2]: Nikon's New Manual-focus SLR kicks butt!
 
 
 
 Nikon already published the list price, no guess work needed.
 Check their web site for the announcements.  If I remember right,
 it was ($899?) much cheaper than MZ-S's list price.
 
 Regards,
 ___
 Tonghang Zhou (Zhou is pronounced like Joe)
 
 On Thu, 19 Apr 2001 [EMAIL PROTECTED] wrote:
 
 
  Another factor is the price.
  FM3A seems excellent, but it will cost A LOT. Just look the 
 price of a FM2n, add
  all the features the new body has, and the price will be close 
 to the F3.
  The five letters in front of pentaprism housing adds another 
 100 or 200 bucks :
  - ).
  Just my two cents.
 
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RE: Nikon's New Manual-focus SLR kicks butt!

2001-04-19 Thread Peter Smith

Herbet Brasileiro wrote:

 Yeah, right. What's the difference from an LX with
 limited lens on?

You can buy it NEW.

Peter


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RE: Direct from Chasseur d'Images

2001-04-12 Thread Peter Smith

Is that your larjest blunder :)

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of PAUL STENQUIST
 Sent: 12 April 2001 12:35
 To: [EMAIL PROTECTED]
 Subject: Re: Direct from Chasseur d'Images
 
 
 In that last reply to this message, I meant to write, "I think the
 comments were made in jest." I've gotta get control of my fingers. How
 in the world did I type "large" instead of "jest?" I better have another
 cup of coffee.
 Paul
 
 Peter Smith wrote:
  
  Cyril wrote:
  
   I am, however, saddened that some have taken this as an
   opportunity to bash the French.
  
  Here here - totally unnecesary.
  
  Peter
  
  
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RE: Blind or hide experience

2001-04-12 Thread Peter Smith

The wildlife won't be fooled.  (except maybe Ostriches)

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Pl Jensen
 Sent: 12 April 2001 11:03
 To: [EMAIL PROTECTED]
 Subject: Blind or hide experience


 Are there anyone with experience with the small blinds you
 basically just put over your head? Like Rue's Pocket Blind? Does it work?

 Pl

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RE: Hi from a Newbie!!

2001-04-12 Thread Peter Smith

Hi Rebecca and welcome to the group - beware though it can sometimes get a
little heated. And don't post any pictures of yourself unless you want gifts
on a regular basis - ask Tanya.

Just a little tip - People on this list prefer plain text messages but are
too polite except me to say so.  Yours are coming up as HTML.

Just click Format Plain text if you are using MS outlook - if using
something else then have a search through the menus to see if you can find
the option.

Regards

Peter

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
Behalf Of [EMAIL PROTECTED]
Sent: 12 April 2001 12:59
To: [EMAIL PROTECTED]
Subject: Re: Hi from a Newbie!!




Thanks everyone for the welcome!

Rob, thanks for the link. When the kids get back to school next week I will
try to get some of the ones that I took up on the web. So far I have only
shot with color film, I am going to check on getting a couple of rolls of
BW
for the next tourny.

Artur, it is hard sometimes to predict what is coming next especially when
they are sparring, but like you said I do know most of the ones I am
shooting
and I know their moves so that helps alot. Our whole family practices
Taekwondo(ITA), it is something that we can all do together and have fun
with.

Paul, the film I was using was just a roll I had left over in the bag, it
was
fuji 400. And your right I was closer when my husband was doing his board
breaking(this was at testing) and a little farther away when he was
sparring.
I have tried doing some shots without the flash a couple of weeks ago, with
fuji 800 but those did not turn out to well. Although the building we were
in
was quite smaller then the gym. I had bought a roll of fuji 1600, I think
that is what it was, but I ended up using that at my moms 70th birthday in a
dark resturant, those turned out great. I am going to keep playing around
with it. Our next tourny isnt until June but I can practice when we have
classes a little. The room there is alot smaller then a gym but I have tried
shooting there and I still need a lot of work at it.

Tanya, I have seen the pics you have taken they are Beautiful!!

Here's a question for ya'll, Tanya says that her Achiever only works on
"manual" with some lenses and mine seems to only work on "auto focus". Why
is
this?

Dan, I did use the same lens for all the shots. I was mainly using up a roll
that I had in the camera bag, fuji 400. The lens was the one that came with
the camera a 35mm-80mm with the 2X tele converter that I have. I know that I
should have used a faster film but I was mainly just playing around some.
Also with the tele converter I have to focus manually, I am guessing because
of the lack of lighting it doesnt focus good indoors.

Lasse, our uniforms are the white ones. I never thought about them
influencing the metering. Although in these shots from Saturday I wasnt that
close, but that is a good thought to keep in mind. I didnt use the Achiever
260 this time because the lens that I was using, along with the tele, seems
to not want to focus in auto so I was focusing manually and I knew from
experience that the Achiever would not flash in manual. I know a little
about
light compensating but not much. Actually not a whole lot at all. I can see
there is a whole lot of this that I havent a clue about, like the second
shutter sync. Is this where you set the tv at a slower speed?

Thanks ya'll, I am going to take the kids out this weekend and try to get
some outdoor shots. I think I will try that panty hose thing that Tanya was
talking about and see how they turn out. Hopefully when the kids get back to
school I will have time to get some of the pics that I have taken up on the
web. I will post a link to em when I do.

Thanks again,
Rebecca

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RE: Fairy pics

2001-04-11 Thread Peter Smith

Aaron Reynolds wrote:

 I have too many friends who don't ask for enough up front for weddings
 and the like, and then when faced with demands from the client for cheap
 prints or the like ("Twelve dollars for an 8x10?  I can get one done at
 Wal-Mart for six!"), they find themselves not making any money, or worse
 still, losing money.

I was asked (didn't offer) some years ago to shoot a wedding for a colleague
at work. I said I would do it but didn't negotiate a fee because I was
willing as an amateur to do it at cost.

I did it and got lots of praise for the results around the office.  Not once
was I even offered the cost of film and processing let alone thanked. My
view was that a token thanks such as a bottle of Scotch might have been a
reasonable gesture.

Peter



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RE: Film rewind with memory (WAS: Photo Expo Japan 2001 - MZ-S and FA31Ltd)

2001-04-10 Thread Peter Smith

Martin Carro wrote:

 Hi Peter, Let's see. You can assign Memory #1 to Supra 100, so
 you write #1 in your Supra 100 roll.

Ok so before unloading your Supra 100 you note the frame counter and write
that on the film canister instead.

 Then you have another roll, for example Tri-X, and
 that goes to Memory #2, so you write #2 in your Tri-x roll.

Ditto

 When you switch rolls, all you have to do is tell the camera the number of
 the memory wrote in the roll.

substitute "frame" for "memory"

 The camera can have some way to reset the memories if you like to do so.

not needed if you remember the frame instead of the film number.

 I think that the problem with the other option (to remember how
 many frames I shot) is that if you have 5 different rolls, you finish
 remembering the numbers and not thinking in taking photos.

The frame number is on the camera display whilst the film is still loaded.
You only have to remember the number between deciding to rewind and taking
the film out and it's pretty difficult to be taking photos at that stage.
You could even write it in your notebook before pressing the rewind button
if you don't trust your memory that long.

 And tell me, if you change the rolls 4 times, where will you write the
 numbers???

I might cross out the previous frame number and write a new one? I don't
even have to cross out the old one, even I can work out that the larger
number might be it.  I might even use my notebook? If I were a meticulous
notebook user (which I am not) I would have already written it down with
exposure details.  And if I were putting the same roll back in 4 times which
means I've put another roll in three times in-between - I think I would have
a second body anyway.

Now if the camera were to remember additional information, say focal length
used, EV values and exposure information, for each frame and allow me to
extract it in someway (needn't be a download I can read a display and write)
then allocating a serial number to the film would be useful. If it's only to
remember the last frame used and I have to remember something else instead -
I can't see the benefit.

Peter





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RE: Vivitar Series 1 28mm/f2

2001-04-09 Thread Peter Smith

Thanks Tanya

So the following Vivitar lenses will not mount on AF Pentax bodies later
than the SF series.

One is the Vivitar Series 1 70-210mm F3.5 macro with 67mm Filter thread.
One is the Vivitar Series 1 28mm f2 prime labelled "Auto Wide-Angle".

Anyone else got any to add?

BTW someone was asking about the words "Re: Subject:" suddenly appearing in
subject lines.  Mine didn't have it and your reply did (I deleted it above).
What mail client software are you using?

And can you give me some charm tips so that I too may attract anonymous
gifts of Pentax gear?  How do you like the ME super - they're still my
favourites.

Peter

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RE: Re[3]: Subject: e-bay words (very OT!)

2001-04-09 Thread Peter Smith

Nis won Paul.  Is xat rili Mark Twain's ritin?

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of
 [EMAIL PROTECTED]
 Sent: 09 April 2001 17:56
 To: [EMAIL PROTECTED]
 Subject: RE: Re[3]: Subject: e-bay words (very OT!)
 
 
 See also Mark Twain's plan for the improvement of spelling at
 http://www.netfunny.com/rhf/jokes/87/2094.10.html.
 
 Paul Franklin Stregevsky
 
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RE: Subject: e-bay words (very OT!)

2001-04-09 Thread Peter Smith

I recently followed an "about me" link on ebay which I found amusing - link
below if you want to see the whole thing (scroll to the bottom for the funny
bit) and extract below to save you the trouble.

http://members.ebay.com/aboutme/foto/

extract:

I charge a 10% eBay stupidity surcharge to any buyer who spells lens as
"lense".
I learned not to buy from people WHO USE LITTLE SHORT WORDS IN ALL CAPS and
use "!" or "L@@K" as a verb, because not only are they stupid,
they tend to be excitable and either lose the stuff they sold me, give
negative feedback if not paid or delivered in a special pink envelope with
an Elvis stamp exactly on auction day +3, or sell "AS IS WHERE IS" and then
pack it off to me in a paper bag mommy kept your lunch in. If you are one of
these very important people, please go away.


Peter

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RE: Photo Expo Japan 2001 - MZ-S and FA31Ltd

2001-04-09 Thread Peter Smith

I think Raimo was saying that having to write down the film number is the
useless feature - you can just as easily write down the first unexposed
frame number.  Also in the quotes someone posted about the Minolta Dynax I
saw nothing that suggested that the camera remembers which frame to go to as
I suspect is also the case with the MZ-S.  The ability to rewind and leave
out the leader and then start exposing at a frame supplied by the user at
load time ( without firing the shutter at every frame in-between) is a very
useful feature.

I re-quote from the Dynax 9 extract:-

Mid Reload is a valuable convenience that automatically advances a partially
exposed roll to **the frame selected by the photographer**.  (my asterisks)

I think everyone is reading more into this feature than the manufacturers
have actually claimed.

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Pl Jensen
 Sent: 09 April 2001 22:22
 To: [EMAIL PROTECTED]
 Subject: Re: Photo Expo Japan 2001 - MZ-S and FA31Ltd


 Raimo wrote:


 Absolutely useless feature - if you need to write down the film
 number, you could more easily write down the frame number and
 wind on to this number.



 So you think its easier to fit on a lens cap; set the camera in
 manual mode; choose the fastest possible shutterspeed; and then
 press the shutter release "X" number of times to reach the
 desired frame? To each his own I guess. Personally I would like
 the camera to wind by itself to the desired frame.
 Another thing that makes this far from useless is that without
 this feature, the MZ-S would double expose exposure data on
 reloaded film and also count reloaded rolls at least twice
 (depending on how many times you load it).


 Pl


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RE: Re[3]: Subject: e-bay words (very OT!)

2001-04-07 Thread Peter Smith

Bob Walkden wrote:

 It's obvious that a standardised spelling can never accurately reflect
 pronunciation, since pronunciation changes over time and in space. This
 seems particularly true of English.

and what followed was very educational.

Thanks Bob - but this extract from an EU white paper seems to disagree:

"English Chosen as new European Standard"

The European Union commissioners have announced that agreement has been
reached to adopt English as the preferred language for European
communications, rather than German, which was the other possibility. As part
of the negotiations, Her Majesty's Government conceded that English spelling
had some room for improvement and has accepted a five-year phased plan for
what will be known as EuroEnglish (EuroE for short).

In the first year, "s" will be used instead of the soft "c". Sertainly sivil
servants will reseive this news with joy. Also the hard "c" will be replaced
with "k". Not only will this klear up konfusion, but keyboards kan have one
less letter.

There will be growing publik enthusiasm in the sekond year, when the
troublesome "ph" will be replaced by "f". This will make words like
"fotograf" 20% shorter.

In the third year, publik akseptanse of the new spelling kan be expekted to
reach the stage where more komplikated changes are possible. Governments
will enkorage the removal of double letters, which have always been a
deterent to akurate speling. Also al wil agre that the horible mes of silent
"e"s in the languag is disgrasful and they will go.

By the fourth year, peopl wil be reseptiv to steps such as replasing "th" by
"z" and "w" by "v".

During ze fifz year, ze unesesary "o" kan be dropd from vords kontaining
"ou", and similar changes vud of kors be aplid to ozer kombinations of
leters.

After zis fifz yer, ve vil hav a reli sensibl riten styl. Zer vil be no mor
trubls or difikultie and evrivun vil find it ezi tu understand ech ozer.

Ze drem vil av finali kum tru!


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RE: Took the Plunge

2001-04-07 Thread Peter Smith

David J Brooks wrote:

 I found and purchased a used SF-1 today

snip

 It came with  sf-10 manual but looks like the cameras work just about the
same.

snip

 All help appreciated

David

Maybe we can be mutually helpful.  I have an SFXn (SF1n) with manual and a
SF7 (SF10) without.  If you are willing and able to scan the SF10 manual,  I
will reciprocate with a scan of the SFXn manual.  Interested?  If so contact
me off list.

Peter

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RE: Vivitar Series 1 28mm/f2

2001-04-06 Thread Peter Smith

James Adams wrote:

 Hi Tanya,
 Sorry to hear about your Ebay transaction vs.
 Vivitar Series 1 lens (28-90/2.8-3.5 macro)

 I'm a bit wary about bidding for anything on Ebay, but maybe it's the Scot
 in me.  There are a number of shady characters out there, unfortunately a
 number of people have to get stung before these are found out. Even then,
 they often change their ID, so what can one do. Got to take a
 chance if it's what you want.

I don't think there is anything untoward in the deal.  Its just an
incompatibility problem.  If the seller was aware of the problem then maybe
they should have declared it but they probably didn't know as Tanya didn't.
Any decent seller will probably take it back but I think Tanya will have to
stand the shipping both ways as the incompatibility is with her "newer"
cameras, and the lens is working as intended.  Take it to your favourite
photo store Tanya and try it on older (SF series and before) cameras just to
make sure it isn't a lens problem.

At least because of this incident and a previous thread on the Vivitar
Series 1, list members are now aware of a potential incompatibility.  I
think that's the problem of buying remotely (ebay or otherwise) - you can't
examine and test before you buy.

Peter




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RE: Vivitar Series 1 28mm/f2

2001-04-06 Thread Peter Smith

Thanks Darren - no I think your two cents worth is useful extra information
and helps clarify the problem for me at least.

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Darren  Tara
 Sutherland
 Sent: 06 April 2001 04:43
 To: [EMAIL PROTECTED]
 Subject: Re: Vivitar Series 1 28mm/f2


 Incidently, this is facility for the "power-zoom" contacts.  It exists on
 all Pentax AF bodies from the PZ series to current...even if it doesn't
 actually have the contacts (as on the MZ-7, 30, 50 etc.).  The SF
 series of
 cameras did not have this little "box" that gets in the way.  This problem
 should not occur on any manual focus camera previous to the MZ-M, as there
 should not be anything to get in the way.  Not all off-brand lenses have
 this...in fact, I would say it's a minority of models that have
 this longer
 "ridge" to protect the aperature lever.  Just my two cents
 worth...ignore if
 this has already been mentioned.

 ThanX

 Darren S.


 -Original Message-
 From: Peter Smith [EMAIL PROTECTED]
 To: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Date: April 5, 2001 12:04 PM
 Subject: RE: Vivitar Series 1 28mm/f2


 There is a large black ridge around the diaphragm control lever
 on the back
 of the lens that is much bigger on my Series 1 than on other K mounts I
 own.
 It catches on a little box in the MZ mount at about 5 O'clock as you look
 into the mount cavity. This in turn doesn't allow the lens to go fully
 home.
 If that is what is happening with yours (and it could be different) then
 there isn't a solution this time.
 
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RE: ME viewfinder (was Re: Zenitar 16/2.8 Fisheye)

2001-04-06 Thread Peter Smith

My hand is raised too but I don't think a camera without a built in flash
would sell in the popular market place.  Perhaps a better solution would be
to move the RTF away from the viewfinder.  I recently read that the MZ has a
"penta-mirror" not a pentaprism.  Is that the cause of the poor viewfinder
performance?

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of William Johnson
 Sent: 06 April 2001 04:36
 To: pentax discuss
 Subject: ME viewfinder (was Re: Zenitar 16/2.8 Fisheye)


 Todd wrote;

 The ME does have a really nice viewfinder.
 Considering how small the ME
 is, I don't buy the excuse that a viewfinder like
 this can't be put into a
 AF camera because it would make the camera too big.
 The magnification is
 .98x, which I think is the highest of any Pentax 35mm
 SLR?  IIRC the MX has
 .97x and the ME Super has .95x.

 I'm with you on this one.  I think you're right about
 the magnification being higher than any other Pentax
 SLR, _and_, to my knowledge, it is the smallest full
 frame regular production 35mm SLR ever made.  Show of
 hands:  How many folks would ditch the RTF on a ZX-5n
 (or MZ-S for that matter) for a .98x magnification
 viewfinder?  Mine's raised.

 Thanks,

 William in Utah.

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RE: Vivitar Series 1 28mm/f2

2001-04-06 Thread Peter Smith

Tom

The ridge I refer to is on all my K mount lenses.  It's the raised bit that
stops the aperture control lever getting bent if you present the lens to the
mount clumsily.  It's just that on most K mount lenses this bit covers about
5 to 10 minutes of the circumference of the lens mount whereas on MY (others
may be different) Vivitar Series 1 70-210 f3.5 the bit covers about 30
minutes.  It's never been a problem on my other cameras (SFXn MES MG) but
stops it being mounted on the MZ/ZX series. (and according to Tanya the PZ
as well).

Tanya

We seem to have gone on a drift from your original problem with regards to
the S1 28mm you bought on ebay and are presuming that it has the same
problem as my 70-210.  You seem to have gone quiet on this one?  (Don't tell
us you'd left the rear lens cap on)



 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Tom Ivar Helbekkmo
 Sent: 05 April 2001 21:15
 To: [EMAIL PROTECTED]
 Subject: Re: Vivitar Series 1 28mm/f2


 "Peter Smith" [EMAIL PROTECTED] writes:

  There is a large black ridge around the diaphragm control lever on
  the back of the [Vivitar Series 1 70-210] that is much bigger on my
  Series 1 than on other K mounts I own.

 They must have built more than one version of the mount: my S1 70-210
 doesn't have the ridge at all.  Perhaps it's a later version, after
 they discovered the problem with their oversized one?  It's only there
 to protect the diaphragm coupling, anyway...

 I asked my local Pentax technician, by the way, and he said he hadn't
 heard of this problem, but mused that it would explain some weird
 damage he'd seen to the mirror boxes of a couple of LX bodies.

 -tih
 --
 The basic difference is this: hackers build things, crackers break them.
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RE: Sears K mount 28-70mm

2001-04-06 Thread Peter Smith

I often wonder what the origins of the "obscure" lens brands were.  Many
come with "Store" specific brand names and you can bet that they were all
made by a common manufacturer somewhere in the far east.  Some may even be
clones of better known brands.  I wonder if anyone out there has ever tried
to do a family tree. If so you can bet that there's a page somewhere on the
internet with the details.  I have a KA mount (the A bit doesn't work) 24mm
f2.8 "Miranda" which I use lots - often wonder about it's origins.

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Ken Archer
 Sent: 06 April 2001 05:02
 To: [EMAIL PROTECTED]
 Subject: Sears K mount 28-70mm


 I recently picked up this lens at a cheap price knowing that it
 has a sticking
 diaphram and the zoom is a little stiff.  Now I am wondering if
 it is worth
 fixing.  It seems to be built solid as a rock.  The optics are clean and
 clear.  Although the diaphram sticks, I don't see any oil or
 dust.  Anyone have
 any experience with it?  The one I have says 3.5-4.5, takes a
 58mm filter, auto,
 zoom, multicoated.  It was made in Korea by who knows which company.

 --
 Kenneth Archer + San Antonio, Texas
 [EMAIL PROTECTED]   ICQ #24980801
 Powered by Linux ++ Mailed by Kmail


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RE: Vivitar Series 1 28mm/f2

2001-04-06 Thread Peter Smith

Paul Stregevsky asked:

The 70-210 f/3.5  that used 67mm filter was the earlier version, and was
made by Kiron, starting in 1982. The 70-210 f/3.5 that used 62mm filters
was the later version and was made by Tokina, starting in 1974. Which
version poses the problem?

Paul

I can only speak for the one I own with the problem.

It is a 70-210 f/3.5 with a 67mm filter ring

Peter.


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RE: Subject: Re: Ebay Auction... - private (very OT!)

2001-04-06 Thread Peter Smith

That's propagandised  :)

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of aimcompute
 Sent: 06 April 2001 23:04
 To: [EMAIL PROTECTED]
 Subject: Re: Subject: Re: Ebay Auction... - private (very OT!)


 You're truly correct.  We're just a bunch of uneducated, overweight,
 propagandized, violent slobs over here in "The States".   We only eat fast
 food and forget to wash our hands after going to the lav.  :-)

 Tom C.


 - Original Message -
 From: "petit miam" [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Friday, April 06, 2001 3:15 PM
 Subject: Re: Subject: Re: Ebay Auction... - private (very OT!)


  Well, at least Australians spell "colour" and "plough"
  correctly. Not any of this "color" and "plow" rubbish.
  And the way you say "asthma", you should spell it
  "azma".
  Sorry, I know you can't help it :)
 
   We just thought you were typing Australian, :-)
 
 
  __
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  Get email at your own domain with Yahoo! Mail.
  http://personal.mail.yahoo.com/
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RE: Subject: e-bay words (very OT!)

2001-04-06 Thread Peter Smith

[EMAIL PROTECTED] asks:

why don't you pronounce "plough" pluff?

To quote a song I say:

You say "tomato" and we say "tomato"

You say "potato" and we say "potato"

Tomato Tomato Potato Potato

I'm sorry I dont see the problem here (_8(|) DOH!!

Peter

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RE: K-Mount Lens Envy: Stop Wishing--Settle

2001-04-06 Thread Peter Smith

OK none of your message in my response but here it is:

Paul,  from the tone of your post I don't think you have actually stopped
waiting or completed anything.  You still have an enormous wish list.

Just the way I read it :).  You are not alone, I have a bag full of
compromise purchases too.  The thing is you've just given me lots of
pointers to gaps in my list.  Damn!!!

Peter



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RE: ME Shutter cocked indicator

2001-04-04 Thread Peter Smith

Is it the same as the ME Super?  The one on the back vibrates with the
motion of film being advanced.  It is a film loaded indicator and doesn't
move if there is no film loaded.  IMHO they are both pretty useless because
you can get the info by trying the film advance lever (shutter cocked or
not) and trying the rewind crank - (film loaded or not).  I would leave it
alone.

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Todd Stanley
 Sent: 05 April 2001 01:26
 To: [EMAIL PROTECTED]
 Subject: ME Shutter cocked indicator



 I just got my hands on a used ME, and the shutter cocked indicator on the
 back is always orange, no matter if the shutter is cocked or not.  The one
 on the top is working fine.  Anyone have any ideas on how to fix this, or
 should I just leave it alone?

 TIA,
 Todd
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RE: EB: Cute auction

2001-04-03 Thread Peter Smith

Kinda cute ?  Downright dumb more like.  (Excuse the (non)English). The
guy opens the back with a film still loaded (Ok anyone could do it).  But
then apologises that the bidder may have lost some picture taking ability
and asks for the bidder to send him back the processed results.  As if the
winning bidder isn't going to just dispose of the ruined film.

I must admit though that before responding to this post and taking into
account the person who raised it, I was careful to check that the auction
wasn't listed on Apr 1.  :)

I felt quite left out on the Apr 1 gags because I didn't download my mail
till late and I have them sorted by topic.  Accordingly "April 1" titles
beginning with "A" came top of my list and I read the reactions ( and was
therefore fore-warned) before seeing any of the gags.  Admit to being amused
by your antics though Chris.


Peter



 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Chris Brogden
 Sent: 03 April 2001 18:56
 To: [EMAIL PROTECTED]
 Subject: OT: EB: Cute auction



 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1227346896

 This one's for a K-1000.  The description is kinda cute, especially
 given the seller's name.  :)

 chris

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RE: eBay problems???

2001-04-02 Thread Peter Smith

I've been in several times and made bids but anyone noticed this:

Ever since we changed the clock to summertime the search results are 1 hour
out. i.e. an item showing 5 minutes left on the search results screen has
actually got 1 hour and 5 minutes to run when you go to the auction page.
(maybe another UK PDML-er can confirm this?) Because they don't show in
search screen when ended it now doesn't show anything with less than an hour
to run.  Makes last minute bidding impossible. GRRR!

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Mark Dalal
 Sent: 02 April 2001 00:43
 To: [EMAIL PROTECTED]
 Subject: Re: eBay problems???


 Ted Beilby wrote:

 There were several auctions for Pentax equipment that I wanted to bid on
 this weekend. I have been unable to access eBay since Friday
 night. Anyone
 else having problems with the site?

 Ted,

 I've not been able to access ebay all weekend as well.

 Mark



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ER case for MZ/ZX series

2001-04-01 Thread Peter Smith

Jody wrote:

 The Spotmatic has a few things I took for granted that my MZ-30
 doesn't have.
snip
 3. I love the feel of the leather half-case in my
 hands.
snip
 Please help.
 Jody.

I may be able to help you get a similar case for your MZ30 (or other MZ).

My MZ50 (stolen recently) had a Pentax ER case in the traditional style.  It
was the model designed for the P30 and I've seen them for sale on ebay
recently. It fit the MZ50 very neatly.  The case is intended to hang on to
the camera with the strap lugs (like the ME series case) and falls off
because the MZ series don't have these lugs.  I solved it by drilling a hole
in the bottom of the case to line up with the tripod bush and fastened it
with a tripod bush screw.  I finished the solution only a week before losing
the camera having had it holding on with elastic bands for over a year
before that. I'm pretty unlucky with equipment.

Peter




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RE: Horrible person.

2001-03-30 Thread Peter Smith

Jody wrote:

 I like to take good photos, not crappy touristy shots.

Fair enough

 Also I like maximum control over my settings. That is
 why I use an SLR. I am glad some people still agree
 with me that you can't beat SLR.

I agree that at present SLRs from the big 4 (5?) manufacturers give better
value for money in bang for buck terms. At a similar price to any MZ/ZX
series SLR the digital camera would lose out in creative picture taking
facilities. (unless of course your prime requirement is a digital image)

 As for going digital,
 I would probably buy a scanner instead, so I can share
 my wonderful SLR photos, not some crap.

Now we start to disagree.  Digital is not BAD per se. Digital image
recording is only "another" way of recording light transmitted through a
lens.  An alternative to chemical based film.

 Try doing a
 good close-up with a digital, or a PS for that
 matter.

Not so - A friend recently bought a Nikon Coolpix 990 (I think that is the
number) - it has amazing macro ability.  I don't like the camera, it handles
like a pig and battery life is dismal, but give me the digital technology in
a Pentax SLR and I for one will be grateful.  Don't get caught in the trap
of equating digital to poor quality.  At present X quality digital photo
gear is more expensive than X quality film gear but it is changing fast in
favour of digital.  Look at some of the top end digital cameras being
released - they are very capable beasts - just very expensive and outside
the sensible budget of the average amateur enthusiastic image capturer.
We're all aware of the benefits of digital images - my next purchase will
probably be a film scanner.  I used to have a black and white darkroom in my
previous house (17 yrs ago) but I'm looking forward to being able to create
similar results in my "light room" in the near future.

Peter



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ebay items spotted

2001-03-29 Thread Peter Smith

These on UK ebay

24mm Lens hood

http://cgi.ebay.co.uk/aw-cgi/eBayISAPI.dll?ViewItemitem=1225293195


S accessory meter

http://cgi.ebay.co.uk/aw-cgi/eBayISAPI.dll?ViewItemitem=1225273974

Peter


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RE: Chernobyl effect on film (fwd)

2001-03-28 Thread Peter Smith

There was a recent TV documentary about the quest to send a manned flight to
Mars.  The astronaut once outside the Earths atmosphere is unprotected from
Solar and other stellar radiation so the time exposed is a big issue.
Experienced astronauts talked about "seeing" radiation flashes probably
caused by particles passing across the retina (or maybe through the brain).
Anyone know if they protect film against radiation on the shuttle missions?
(probably gone all digital now).

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of mike wilson
 Sent: 28 March 2001 08:23
 To: [EMAIL PROTECTED]
 Subject: OT: Chernobyl effect on film (fwd)


 Received this on private mail.

 One of my strongest impressions was BW documentary cinema shot from
 helicopter over the reactor: the picture showed multiple random bursts of
 light (flashing in different spots), I "felt" those hits passing through
 glass, body of operator and camera. I do not remember if it was shown for
 public. I was in military service (in Soviet Army) that time.
 
 You may post the message in PMDL.
 
 Best regards, Gleb Baida [EMAIL PROTECTED]

 Thanks, Gleb.  Hope you haven't given away any state secrets.
 If you want to participate in the list without receiving loads
 of mail, there is a "mailless" option further down the
 subscription page.

 Anyone nay further ideas on this subject?

 mike
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RE: arca-swiss type plate for super program

2001-03-28 Thread Peter Smith

 
 "Robertson, Alastair" wrote:
 
  does anyone know whether Kirk or somebody else makes a Swiss arca style
  plate for the super program.  Their website says that they make 
 one for MX/LX
  and another for PZ-1p
 

For those of us without the knowledge - What's a Swiss arca style plate ???

AFAIC this thread is gibberish.

Peter

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RE: Jonesing for a photo fix (not shopping related)

2001-03-28 Thread Peter Smith

Dan Scott wrote:

snip
 The upside is that WalMart doesn't charge for prints you don't like, even
if it is  the whole roll.
snip


Really?  Cant see that happening this side of the pond.

Peter

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RE: Subject: Re: Cokin filters

2001-03-28 Thread Peter Smith

I regularly use a Cokin polarising filter to get some detail into the dreary
grey skies we regularly have in the UK.

I also occasionally use screw on No1 close up on a 50mm just to give a
little extra near focus.

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Tanya  Russell Mayer
 Sent: 28 March 2001 01:25
 To: Pentax Discussion List
 Subject: Subject: Re: Cokin filters


 On  Tue, 27 Mar 2001 13:20:57 -0800, Bob Blakely wrote;

 "Cokin filters suck canal water. Compared to even a cheap, screw in glass
 filter, they are
 sharpness reducing, contrast destroying, dispersion generating flair
 intensifiers."

 So what filters do you prefer then, Bob?  And which filters do
 others on the
 list prefer? And why do you prefer them?

 Tanya. :-)



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RE: shops in perth

2001-03-28 Thread Peter Smith

Scotland or Oz?

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Kelvin
 Sent: 28 March 2001 05:04
 To: [EMAIL PROTECTED]
 Subject: shops in perth
 
 
 hi
 
 I will be in Perth sometime late next month for a few days and 
 was wondering
 where I might go to find spotmatics and M42 lenses at a good price?
 
 If anyone residing in Perth has any of the above to sell (SP F 
 and SP IIa),
 please also let me know.
 
 Would appreciate your cc'ing me in your reply as I read the pentax digest
 and without an index as the old digest used to have, often I might miss
 the e-mail.
 
 
 
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RE: TTL flash

2001-03-25 Thread Peter Smith

Mark Cassino  wrote:

 There has long been a rumor that F and FA lenses transmit subject
 distance to the camera body in the Pz  and newer series (I'm not
 sure about the SF series.) If so, I've never seen
 any real point to that except in use of flash.

Isnt the subject distance info useful when the multi program bodies eg SFXn
MZ7 are choosing an auto program?

Peter

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RE: Girls like Pentax? (was: Camera Recommendations)

2001-03-25 Thread Peter Smith


Jens wrote


 Here  goes:
 I know a good reason for choosing Pentax. Some Pentax cameras are very
 beautiful designed (MZ-3 with limited lens!) and they are simple
 to use (PS
 ability) if you don't know anything about photography. I have met girls
 whith a camera, who didn't know anything about ASA, EV, shutterspeed,
 aperture, DOF etc. (and guys as well for that matter).  I
 remember one girl
 who had a MZ-5n. She just loved it. She was an educated person (engineer)
 but without any knowledge about photography. She wouldn't dream of showing
 up with a PS camera. But this one is a beautiful (talking about the
 camera), high quality SLR. Anybody can use it. I believe girls do like
 Pentax! I'm sure this will stir up a long thread about sexism etc. That's
 quite allright with me guys. Go ahead...
 Jens

No it's OK with me Jens.  My wife occasionally wants to use my camera but
she isn't the slightest bit interested in knowing anything about how a
camera works.  It's not that she couldn't understand it - she's a very
intelligent woman and holds a senior post in systems design.  She just isn't
interested in men's toys as she calls them.  When she wants to make a
photograph she wants to be able to frame the picture and press the button -
so I've showed her how to set it to auto-everything and she is perfectly
happy with that.

Peter

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RE: What you hate to see on ebay

2001-03-25 Thread Peter Smith

But by the same token we need more money to pursue our obsession. :(

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of PAUL STENQUIST
 Sent: 26 March 2001 01:15
 To: [EMAIL PROTECTED]
 Subject: Re: What you hate to see on ebay
 
 
 A big price for an LX winder?
 Gosh, it's what I really LIKE to see on ebay. It means the prices of
 used Pentax equipment are going up. And some of the stuff we already own
 is worth more than we paid for it. Can't say that about most of 
 my other investments.
 Paul
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RE: Subject: Re: Swan Song Photo!

2001-03-25 Thread Peter Smith

Todd  Tanya,

Yes I am confused too.  As I said in an earlier post I used to own a Tamron
135 2.5 close focus (Stolen 3 yrs ago).  But IIRC mine had an A setting on
the aperture ring.  And I thought thats what the A in PKA mount stood for.
Not so in this case it seems.

OK so the original (Whoosh) should still apply.  Trouble is it's 2am here
now (UK) and my brain is definitely starting to hurt.  I may try to apply
Erwins rules to your specifics - 400 asa film  f2.5 max aperture if I ever
get my clever head back but it wont work at present.  Going to bed now.

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Tanya  Russell Mayer
 Sent: 25 March 2001 23:52
 To: Pentax Discussion List
 Subject: Subject: Re: Swan Song Photo!


 Peter,

 forgive me, here I am totally confused and this is probably only due to my
 own lack of knowledge and experience here.  The lens is a Tamron 135/2.5
 with the adaptall mount that says PKA on it.  There is no "a"
 setting on the
 aperture ring.  (I take it that this is what the "A" in PKA stands for?
 Shows how much I know).  So if it is not a true PKA and it is not quite a
 PK, I guess I am stuck between a rock and a hardplace here.  Can anybody
 else offer some suggestions?  Well, at least I do know that I can
 use it in
 TV mode and compensate when I am not using it wide open.  This
 was more than
 I could do a couple of days ago!  Thanks everyone for the time
 you've spent
 with me on this

 Tanya.

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RE: Subject: Re: Swan Song Photo!

2001-03-24 Thread Peter Smith

This is a copy of a post from a few weeks ago  -  I re-send it because it is
relevent to what Todd was saying to Tania about using K mount lenses on an
MZ50.  Note this is by Erwin Vereecken not myself.  I think it's quite
clever though.

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Erwin Vereecken
 Sent: 16 February 2001 13:31
 To: [EMAIL PROTECTED]
 Subject: Re: time @ f-stop formula


 Just thinking of something,

 If you put your M50 f1.7 on your MZ-50, for more then just one occasional
 shot, you could do the following:

 Manually select an ISO speed of 2 and 2/3 stops lower then reality (ISO16
 for and ISO100film, ISO 32 for a 200film, etc..)

 With the camera on manual, the light meter will now show you
 which diaphragm
 to select. The middle of the meter range will be f4.0, one higher
 f5.6, one
 lower f2.8 etc, all the way from f1.4(which you don't have) to f11,
 including the half stops.

 Should work fairly quick, withouth calculations.

 There is a theoretical 1/6 stop overexposure, but that should'nt have a
 visible influence on the result. If you think your camera has a
 tendency to
 overexpose anyway, lower ISO speed by 2 and 1/3 stop, that will give a
 theoretical underexposure of 1/6 stop.

 It's not real easy, because if you would have several manual lenses, you
 would have to change ISO everytime you change lens, f.i. for a f2.8, lens
 ISO would have to be lowered 1 stop to keep f4 in the midle, and if you
 mount an automatic lens in between, you shouldn't forget to put
 ISO back to
 nominal.


 Just an idea,

 Erwin

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Todd Stanley
 Sent: 24 March 2001 18:29
 To: [EMAIL PROTECTED]
 Subject: Re: Subject: Re: Swan Song Photo!



 Yep, you have the idea there.  I remember someone had a way of setting the
 ISO to a certain setting (depends on film and lens) and the little dots on
 the light meter scale would indicate the aperture, but I forgot
 the details
 as I don't have a MZ-50.  Anyway, good luck with combo!

 Todd

 At 07:31 PM 3/24/01 +1000, you wrote:
 
 "Todd, thankyou so much for this!  I had no idea that I could
 use it in TV
 mode providing that it is wide open.  I almost always shoot in manual and
 hadn't even considered trying the other modes.  I am so happy that I can
 now use this lens!  I was quite disappointed to find that the
 meter wouldn't
 work with the lens and not having a handheld meter, I had rendered it
 virtually useless on this camera!  So basically, what you are
 saying is that
 if I want to use it say on f5.6, then I just slow down the shutter speed
 that
 the camera advises by 21/2 stops? Makes sense now!  I am renewed, I
 can use my lens, and in actual fact, it may prove beneficial to my
 learning to have to work this way for some time, as I will really have to
 think about the relationship between the f-stops and the shutter
 speed.  So,
 there we go, there is a silver lining after all!"
 

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RE: Yet another PAIN!!!

2001-03-23 Thread Peter Smith

I received the Snow white story too - but I recognised it and deleted it
without opening the attachment.  It may have come from someone on the list
so watch out.

This is not a critiscism of anyone,  the sender of the virus is probably
totally unaware of it.

Peter



 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of jmadams
 Sent: 23 March 2022 07:02
 To: [EMAIL PROTECTED]
 Subject: Re: Yet another PAIN!!!


 I have just had to wipe my hard disk, and rebuild my system, as it was
 attacked by some nasty virus. It was done like many of the jokes
 I regularly
 receive, it subject 'Snow White and the Seven Dwarfs - The real story'.

 ***Watch out
 Just  Dooon't open the attached file, it is leathal to your Hard Disk, and
 can't be reversed once the Spider Web shows up on your screen (Usually
 around a week from infection).

 Neddless to say I have lost all my emails, especially the ones concerning
 the Ricoh **10 camera Kit, Please can you forward those emails again.
 James

 - Original Message -
 From: "Rob Studdert" [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Thursday, March 22, 2001 10:07 PM
 Subject: Re: fisheyes (was Re: Pentax wish list)


  On 22 Mar 2001, at 23:53, tom wrote:
 
   I guess there's two schools of thought on this in regards to short
   lenses. One says there's so much DOF that any small focusing
 errors will
   be covered. The other school says there's so much DOF it's hard to see
   exactly where to focus.
 
  Hi Tom,
 
  I own a CZ Hologon for the AF-G camera, it is the only non-AF
 lens in the
  line-up and is scale focus only, it isn't coupled to the electronic RF
 although
  you can take a distance reading from the G body. The lens is
 fixed at f8 I
  have always just guessed the focus distance and I have never been
  disappointed with my focus decisions and I am quite critical of
 myself :-)
 I
  find the 16mm reasonable to focus and wonder how much an AF system
  might hunt when using an ultra-wide in less than ideal conditions?
 
   This is true when you're doing close-ups. For normal
 photography with a
   macro lens, AF makes sense. In fact it's pretty cool in the
 case of the
   FA 50/2.8. I'm willing to bet that it's the fastest AF'ing lens in the
   lineup.
 
  Sure, what I have noticed when using my Macro lenses at long focus
  distances is that even though they are relatively slow compared to their
 non-
  macro counterparts the focal plane sometimes seems more apparent than
  when using faster lenses.
 
   What are you using to remap? I saw a Quicktime 5 demo a few weeks
   ago...instead of a cylinder model, it's a cube now. You can
 look up and
   down.
 
  Check: http://www.ozemail.com.au/~distudio/fisheye_to_rectilinear.html
 
  Cheers,
 
  Rob Studdert
  HURSTVILLE AUSTRALIA
  Tel +61-2-9554-4110
  Fax +61-2-9554-9259
  UTC(GMT)  +10 Hours
  [EMAIL PROTECTED]
  http://www.ozemail.com.au/~distudio/publications.html
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RE: A TRAGIC, TRAGIC day....

2001-03-22 Thread Peter Smith



I sympathise Tanya it must hurt - but look on the bright side - the two
irreplaceable babies are safe.  One day you will replace the third. How's
your insurance?

Peter

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RE: P30n

2001-03-22 Thread Peter Smith

I looked at a P30t some time ago.  It's nice but the reason I rejected it is
that there is no manual film speed setting and no exposure compensation so
you have to use DX coded film.  OK if thats your intention but at the time I
was bulk loading film into my own cassettes. I think that the P30n is the
same.

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Tanya  Russell Mayer
 Sent: 22 March 2001 23:40
 To: Pentax Discussion List
 Subject: P30n


 Hi again everyone,

 In view of my recent "tragedy", I have had a very generous offer
 to purchase
 a P30n at a great price.   Can anyone fill me in on some specs/past
 experience with this model?

 Thanks in advance.
 Tanya.

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RE: 67mm filter on 49mm lens...?

2001-03-20 Thread Peter Smith

I think you mis-understood something here Bob.

The "All-blacks" see http://www.nzrugby.co.nz/ are the NZ national rugby
football team and I dont think that Rfsindg intended anything racist in his
or her post.  Thats the way I read it anyway.

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
 Sent: 20 March 2001 12:39
 To: [EMAIL PROTECTED]
 Subject: Re: 67mm filter on 49mm lens...?


 On 19 Mar 2001, at 23:05, petit miam wrote:

   Love the silver and black. Hate all-black (and
   all-blacks, but don't tell em I said so). It is so
   morbid and boring.

 A comment that I hope was made in jest...
 This list is multi racial and multi cultural, and the better for it.
 We are not just a bunch of 'old white boys' who's ancestors were
 Europeans.

 Regards,  Bob S.
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RE: Black ME Super

2001-03-19 Thread Peter Smith

Shel said:

I've too many ME Supers


Does not compute.  Does not compute.  Aargh!!


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RE: ZX-5N 's lousy AF???

2001-03-18 Thread Peter Smith

Chris Brogden wrote:

 Not to mention a battery drainer.  If you want to see annoying, check out
 the AF assist on the MZ-30 and MZ-7.  It's a strobe flash.  I can almost
 hear the batteries being sucked dry.  :)


What evidence do you have for this Chris?  In my experience as a user I find
that the number of times the MZ7 actually chooses to use the strobe is
minimal. When it does choose to then it obviously finds such use
beneficial - therefore so do I.

No issue.

Peter

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RE: Battery drain :(was: Best shot you _know_ you missed - What do you shoot)

2001-03-14 Thread Peter Smith

I have an ME super which gives me problems only if I switch it off.  The
LEDs flicker (different pattern to the low battery flicker) and I get
occasional mechanical shutter (125th) rather than the indicated speed.
Problem goes away if I leave it switched on all the time (even in bag) and
I've noticed no shortened battery life.  I had assumed that when the LEDs go
out it has switched off power completely.  It also solves the problem of the
fiddly release from locked position.

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of W Keith Mosier
 Sent: 14 March 2001 21:10
 To: [EMAIL PROTECTED]
 Subject: Re: Battery drain :(was: Best shot you _know_ you missed - What
 do you shoot)


 Skip,

 You may be right, there may be no current drain on the battery.  I don't
 know for certain.  I based my assumption on my past experience with the
 MESuper and my battery operated analyzers and laptops which drain the
 battery much faster while in standby mode than when off.  I should have
 been more clear that my statement was an assumption.

 Also, I misunderstood your original post, and thought you were leaving the
 camera on ALL the time.  You (Skip/"dosk") wrote:

  Anyway, I'm not really talking about keeping the switch on ALL the
  time!  (Keeping it on in the bag was a mistake, of
 course...) But if I
  were at a sporting event, say a basketball game I was
 shooting, I most
  certainly would keep the camera on constantly whilst it was hanging
  around my neck!  (And would probably miss my best shot anyway, while
  changing rolls...)

 Been there, done that; both leaving the batteries on in the
 camera bag, and
 changing rolls or lenses while the SHOT was occurring. g

 I agree about leaving the camera on during an "event".  I do the same.

 K.



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RE: Pentax nomenclature

2001-03-14 Thread Peter Smith

John

If you dont want to set up a web site but just want to share your pictures
on the web then these people will let you store up to 50Mb of photos for
free.  You could always do multiple registrations if that werent enough -
but I didnt suggest that did I.

http://icd.internetphotoservices.co.uk/

Regards

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
 Sent: 14 March 2001 19:47
 To: [EMAIL PROTECTED]
 Subject: RE: Pentax nomenclature


 Can anyone recommend a free or cheap Web-hosting site? I'd like
 to put a few
 pictures up for other people to see. What are the pros and cons
 of selecting
 a host?
 Thanks,
 JJ

 J. John Cohen, M.D., Ph.D.
 Department of Immunology, B-184
 University of Colorado Medical School
 Denver, CO 80262, USA
 phone: +1 303 315-8898
 fax: +1 303 315-5967
 [EMAIL PROTECTED]


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RE: eBay payment methods / Zenitar fisheye

2001-03-11 Thread Peter Smith

I've used BidPay http://www.bidpay.com/ a few times.  I live in UK and most
auctions are US or Canadian. The advantage is that you pay by credit card
which is the easiest way of doing currency conversions.  The seller gets
notified direct from BidPay that a money order is on its way so they can
ship the goods.  It costs the buyer $5 flat for payments less that $100 or
2.25% +$5 for orders over $100. The seller pays nothing so has no reason to
object to this method.

I too have been watching those Zenitars - there seem to be lots of them for
sale.  Would be interested in your views appearing here  once you've had
chance to use it.

Regards

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Frits J. Wthrich
 Sent: 11 March 2001 11:46
 To: [EMAIL PROTECTED]
 Subject: eBay payment methods


 Now that I participated in my first eBay auction I gain interest in it.
 I have read on this list from members stating they will use nothing else
 then paypal. Since the participating country list is so limited, I wonder
 what they think of Billpoint? That one is world-wide.

 Are there other services like that? Advantages/disadvantages?

 Any input is welcome.

 Frits (now waiting for his Zenitar M 2.8/16mm) Wuthrich

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RE: glenn's peephole fisheye

2001-03-04 Thread Peter Smith

Are you trying to make a pinhole Camera?  If so you dont place the pinhole
in front of the lens you REPLACE the lens completely - so it should be
mounted in a (Black) body cap not a lens cap.

I may have got hold of the wrong end of the stick here so if so ignore what
follows.

The small hole will give a very wide angle and large DOF so focusing is not
an issue.  It is unlikely that there will be sufficient light transmission
for your camera's meter to register so long exposure and experimentation are
the trick here. Also the precision of the pinhole will greatly affect the
sharpness of the image.

I made a pinhole camera many years ago with just a biscuit tin - school
project.  A great way for kids to learn the basics of photography. Just put
a tiny hole in the lid - it needs to be small and precise so just banging a
nail in is not good enough. The inside of the tin needs covering with black
paper (or paint) to stop internal reflections.  I used mono photographic
printing paper instead of film cut to the size of the tin and mounted (in
darkness) face up on the bottom of the tin.  Put the lid on and close the
shutter by sticking a piece of black electrical tape over the hole.  Remove
the tape to expose the paper replacing it again after timing the exposure.
Develop the paper as normal and use the paper neg to make a contact positive
print.

Exposure can be found by experimentation but tests of around 1 min should
give a result.

Again I may have misunderstood the objective but ne're mind eh?

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Dan Scott
 Sent: 04 March 2001 06:31
 To: [EMAIL PROTECTED]
 Subject: glenn's peephole fisheye



 In completely unrelated news, I finally got around to making a hole
 in a lens cap to mount one of those fisheye peephole thingies I got
 at a hardware store many months ago, and played with it on the front
 of an M42 50mm briefly.  It does want a short extension tube behind
 it (and if there's a 2x converter behind _that_, the image becomes
 a reasonable size in the viewfinder), but I noticed that I was unable
 to focus (with or without the 2x).  There was a definite point of
 _least_ blurriness, but at no point in my experiments was anything I
 saw through it _sharp_.  Holding it up to my eye, things look sharp
 through it.  I don't really understand why (though if anyone does
 understand and wants to have a crack at explaining it, I'd be grateful).
 I'm guessing that it doesn't project an image the same way a normal
 photographic lens does, but relies on the eye to focus _through_ it.
 But I don't understand why the camera lens can't focus through it.
 
 
  -- Glenn
 

 Might be that the minimum focus distance of your eye is better
 than that of
 your M42 50mm. Sounds like a cool project, though.

 Dan Scott
 [EMAIL PROTECTED]


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RE: Spotmatic battery covers

2001-03-03 Thread Peter Smith

Noticed Power winder covers for ME ME Super MG etc too.

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Ken Archer
 Sent: 03 March 2001 04:31
 To: [EMAIL PROTECTED]
 Subject: Spotmatic battery covers
 
 
 Pentax Service tells me Spotmatic battery covers are unavailable, 
 but I just
 found a listing for them here:
 
 http://www.kellycamera.com/products/filters.asp
 
 Has anyone purchased from this source before?
 
 -- 
 Kenneth Archer + San Antonio, Texas
 [EMAIL PROTECTED]   ICQ #24980801
 Powered by Linux ++ Mailed by Kmail
 
 
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Have an ebay laugh

2001-03-03 Thread Peter Smith


Try this one if you are bored - Bargain **ntax


http://cgi.ebay.co.uk/aw-cgi/eBayISAPI.dll?ViewItemitem=1217647209


Even has an "optical" lens.


Peter


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RE: WOW! Check this out!

2001-03-03 Thread Peter Smith

WHY ALL EBAY SELLINGS IN CAPIFALS AND SPELING CANT?

Just an observation.

Peter




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RE: Flashing Av On The MZ/ZX-30

2001-02-27 Thread Peter Smith

Bruce Ferguson wrote:


 Leaving the lens on the A setting every time you want to use the camera
manually
 seems a pointless waste of having an aperture ring in the first place.
snip

But hasn't the Pentax philosophy been to make the lenses compatible across
the range.  Remove the aperture ring and you make the lens only usable on a
small range of pentax bodies. This is the approach that kn**N and **n*C
(dyslexic) take.  You wouldnt want Pentax to do that would you?


Peter


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RE: MZ-S worth

2001-02-27 Thread Peter Smith

Mafud wrote:

 *PS folks sure don't think Canon ps cameras equal PENTAX
 quality or else
 Canon would be the leading PS sales instead of PENTAX.
 Pt: "let me know when Canon builds a medium format stable."

I agree Mafud - but isnt the reason that Pentax now dominate that market
because they invested heavily in it.  I remember a time (10-12 years ago -
guesstimate only) when the key players in the PS market were Canon and
Olympus and Minolta to a lesser extent. Nikon didnt figure and Pentax didnt
even make a PS camera.  At that time Pentax's image for serious work was
higher amongst other equipment users.  I think that Pentax serious gear may
suffer in market image terms because of a popular image of Pentax as a PS
manufacturer.  Many of the younger low end Canon and Nikon users probably
used Pentax P$S cameras "before" they got "serious" about photography.

Just a theory.

Peter

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RE: fungus question: Warning !

2001-02-27 Thread Peter Smith



 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Philippe Trottier
 Sent: 27 February 2001 00:48
 To: [EMAIL PROTECTED]
 Subject: Re: fungus question: Warning !
 
 
 That's why the LX at -6.5 EV and working (Heerrrmm) at low temp 
 is great...
 I can send some photos of northern lights that would change the 
 mind of many
 about the great north.
 
 Philippe
 
 

OK - I think we'd all like to see them.

Peter
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RE: SMC Takumar 85/1.8 fungus question

2001-02-27 Thread Peter Smith

 Date: Mon, 26 Feb 2001 14:23:59 -0600
 From: Ken Archer [EMAIL PROTECTED]
 Subject: Re: SMC Takumar 85/1.8 fungus question

 This is from Ed Romney's site:

 "An equal mixture of household ammonia and medicinal hydrogen peroxide
applied
 with a  swab removes fungus from the glass of lenses. Mix just before
using."


Are you advocating disassembly to clean inner elements or just outer
surfaces?

Peter

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RE: MZ-S availabiity Price in Canada

2001-02-27 Thread Peter Smith


This week's Amateur Photographer (UK magazine) forecasts  800 ($1152) for
MZ-S body and 1200 ($1728) with 24-90 f3.5-4.5 zoom.

 1 = $1.44 at 27 Feb 2001

Peter

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RE: the cost of doing digital

2001-02-27 Thread Peter Smith

Really Mafud!!

I think you are doing a good job of being Devil's advocate here.

 **Equivelent amount of "photorealistic" paper, ink cartridges and
 permanent (light tight) storage facilities?

I dont think anyone prints *all* their images and certainly don't store all
their archives in printed format - so this is a red herring.  Indeed I would
say that for some digital image purposes printing is never a requirement.
And why would I need a light tight storage facility for ink jet paper?

 STORAGE?
 *If they store their images in or on cards, hard drives or tape, will the
 contemporary (circa 2001C.E.) playback devices be able to
 retrieve or even
 view their images?
 Remember, unless the owner is wealthy and can pay for off-(home) site
 storage, the storage problem alone becomes problematically
 exponential***.
 ***More storage, more retrieval equipment, more disc-card-drive
 investments,
 more cataloging and archiving costs, more room in absolute terms.

Valid points but I'll try to answer.

I've been in the IT industry since 1971 and if I were to have stored digital
images then (forget the lack of technology and storage capacity in those
days) I would have great difficulty reading the images now because all the
storage media from 1971 is obsolete.  I can still use my negs and
transparencies from 1971.

First point to Mafud.

However, as the technology has changed I have always been able to transfer
digital data quickly and simply from one type of storage media to another.
For example, my data files stored on my first PC on 360kb 5.25 in floppy
disks in the early 80s were easily brought forward through the several
evolutions of PC upgrades and, were they still useful, would now be archived
on CDRom.

I currently archive scanned images on CDRom with ZIP disks as an
intermediary for editing and sorting. ( I still use film because the digital
cameras which offer me the same facilities as a 35mm film SLR are
ridiculously expensive ).  CDRom offers the highest amount of storage per
penny at present, and is widely readable and compact and durable for
storage.  I have no doubt that CDrom will eventually become obsolete but
this will not happen overnight.  Whatever becomes the replacement preferred
method of digital storage will only do so because it offers better
facilities (bits per penny, etc.) than CDrom and I am confident that I will
at that stage be able to quickly and easily transfer my archives to that
media.

Validity of stored data.  Yes I would have difficulty reading a Visicalc
file now.  Digital images however are quite simple things and the formats
widely interchangeable between various imaging software.

Cost -  well none of my PC equipment is bought exclusively for photographic
purposes (media and film scanner excepted)

Peter




 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
 Sent: 27 February 2001 14:50
 To: [EMAIL PROTECTED]
 Subject: Re: the cost of doing digital


 In a message dated 2/27/01 7:11:34 AM Eastern Standard Time,
 [EMAIL PROTECTED] writes:

  If the digital version really takes off at $7000, I wonder:
  Assuming the difference is the electronics making this so much more
  expensive then the MZ-S, and realising how much electronics plummets in
  price over time, I wonder if it would take something like 2
 years till it
  reaches the price level of the MZ-S? 

 I'm curious:
 *If the working lifetime of the new PENTAX digital CCD is 20 years:
 *Is the "average" small format owner willing to amortize the
 $7,000 @ $350
 year for 20 years?
 How much would the actual "savings" differential be for a person
 who shoots
 20 rolls of film monthly?
 *For that same person, assuming they are *not* in business, thus *cannot*
 deduct the depreciation on their new digital body, what will it
 cost them**
 to produce the same amount of images as in 20 rolls of film?
 **Equivelent amount of "photorealistic" paper, ink cartridges and
 permanent
 (light tight) storage facilities?

 STORAGE?
 *If they store their images in or on cards, hard drives or tape, will the
 contemporary (circa 2001C.E.) playback devices be able to
 retrieve or even
 view their images?
 Remember, unless the owner is wealthy and can pay for off-(home) site
 storage, the storage problem alone becomes problematically
 exponential***.
 ***More storage, more retrieval equipment, more disc-card-drive
 investments,
 more cataloging and archiving costs, more room in absolute terms.

 Mafud
 [EMAIL PROTECTED]
 [EMAIL PROTECTED]
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RE: MZ-S Is It Worth It !

2001-02-26 Thread Peter Smith



Mafud wrote:

 No more muttered: "It's a PENTAX" when asked by strangers, no
 more "I've been thinking of switching" vacillations, no more "brand shame"



But I always was and am proud of my Pentax gear.  And (shame) only once ever
thought of switching in the last twenty something years (driven by
availability of 3rd party lenses for the competition) and that lasted only a
few minutes.  I also am not afraid to say Nikon, Canon etc. they make
quality gear but to my mind they have no soul.

As for the MZ-s I dont think I'll ever be able to afford one so it's not for
me,  but I can dream.

Peter



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RE: AE vs A

2001-02-26 Thread Peter Smith

If thats a Tamrom Adaptall lens then go down to your dealer and buy a KA
mount to replace the K mount adapter.  It should then work in the AE
position on your MZ30.  Take the body and lens with you to test it at the
store.

Check first that the adapter you already have is a K and not a KA.

Good luck


Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of petit miam
 Sent: 26 February 2001 12:23
 To: Digest Pentax
 Subject: AE vs A


 Hi,
 I have a Tamron manual zoom lens (?80-210) with Pentax
 K adapter. I would like to have it working on my
 MZ-30. But so far, no luck. My MZ-30 requires an "A"
 position on the aperture ring, but the lens only has
 "AE". Are these equivalent? Any ideas to get it to
 work? Or am I just s**t (no, not a camera brand) out
 of luck?

 Jody.

 __
 Do You Yahoo!?
 Get email at your own domain with Yahoo! Mail.
 http://personal.mail.yahoo.com/
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RE: Step-down metering

2001-02-23 Thread Peter Smith

Bill Peifer wrote:

It's often impossible to focus your lens at reduced aperture (not enough
light to see the scene
clearly), so you may have to set the aperture wide open in order to focus,
then stop it down to meter and shoot.  Someone on the list noted that you
can think of stop-down metering as "built-in depth-of-field preview" -- a
pretty good way to think about it.

I know Bill is talking about stop down metering rather than DOF in
particular but he clearly states how I feel aboout DOF buttons on cameras.
I find because of the image dimming my eyesight is incapable of fully
appreciating the depth of focus in the viewfinder image. Therefore the DOF
button is useless to me.  I know many correspondents here regard this
feature as essential - but can they actually use it.  When is it most
useful? (macro work I assume). I personally would be interested in other's
views.

Regards

Peter


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RE: Price vs. Worth(Screw Mount lens on K mount)

2001-02-23 Thread Peter Smith

Well if you see another one at that price then pick one up for me ;)

Thanks for advice

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Evan Hanson
 Sent: 23 February 2001 15:35
 To: [EMAIL PROTECTED]
 Subject: Re: Price vs. Worth(Screw Mount lens on K mount)
 
 
 IMHO opinion this lens is nearly
 priceless. ; ) Seriously the SMC version
 is probably my favorite lens.  Feels
 great and super sharp every time I use
 it I can't believe I picked it and the
 SPII up for 19.95.
 
 Evan Hanson
 
 Peter Smith wrote:
  
  So what is this worth?
  
  http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1215176171
  
  Going in less than an hour.
  
  Peter
  
 
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RE: Screw Mount lens on K mount

2001-02-22 Thread Peter Smith

Chris wrote:

 AFAIK, all of the Pentax M42 lenses *do* have manual stop do have manual
 stop-down.  Even the SMC-Taks and Super-Taks (as well as some
 Auto-Taks) have a sliding auto/manual switch to stop down the
 aperture.  You'll need to manually stop down the aperture to meter
 properly and to take the shot.  It's not the fastest route if you're in a
 hurry to take pictures, but then there's AF lenses for times like
 those.  :)

Ok that solves it - I was aware that some screw lenses had a stop down
switch but the one I've just been experimenting with (a Pentacon) doesn't,
just a pin that the screw body pushes.  If all the Takumars do have a manual
switch then no prob.

 OTOH, if you don't ever plan on using M42 bodies, then you may as well get
 K-mount lenses.  They can be more expensive sometimes, but are easier to
 switch between bodies if you have more than one K-mount body.  You could
 do worse than getting some nice M42 Pentax lenses and a body or two,
 though.  :)

Already have an old fully mechanical Praktica body as a starting point to
try with hence the pentacon lens.  I sold it to a friend when I upgraded in
1977 ish.  Reading about the enthusiasm for screw mount on this group got me
to phone him to see if he still had it and lo  behold it's back in my hands
looking as new as the day it left me.  Didnt want to go looking for
glassware though if they weren't also usable on my other bodies.

Thanks for response.

Peter

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RE: Screw Mount lens on K mount

2001-02-22 Thread Peter Smith

So what is this worth?

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1215176171

Going in less than an hour.

Peter


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Chris Brogden
 Sent: 23 February 2001 00:52
 To: [EMAIL PROTECTED]
 Subject: RE: Screw Mount lens on K mount


 On Fri, 23 Feb 2001, Peter Smith wrote:

 Nope - K bodies cannot mechanically stop down any m42 lenses,
 it becomes strictly a meter  shoot *at aperture*  Just like
 the Golden Age of Photography   :^)
 
  I presume that when you say *at aperture* you mean wide open? 'cos if I
  could shoot at selected aperture there wouldn't be a problem.

 Nope, "at aperture" means that you can stop the lens down manually and
 shoot at that aperture.  Think of it as built-in DOF preview.  :)  You can
 select and shoot at any aperture.  The only thing that you cannot do is
 set the lens to, say, f8 and expect the camera body to stop it down for
 you.  You have to stop the lens down yourself.

 chris

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RE: OT: Geography Poll General Results!

2001-02-21 Thread Peter Smith

on 2/20/01 6:07 PM, Len Paris at [EMAIL PROTECTED] wrote:

 You are correct but, if I might make an addition, the  spoken
 change from Nippon to Nihon is because it is followed by a
 syllable starting with a "hard g" sound.


You are right for Nihongo "Sun Land Language" (or Japanese language) but
Nihonjin "Sun Land Person" (or Japanese person) does not have the hard g.

BTW Amerikajin American person - Furansujin French person - Furansugo French
Language - Eigo English language.


Peter Smith


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RE: Geography Poll General Results!

2001-02-21 Thread Peter Smith

Mark Roberts wrote

 Collin Brendemuehl [EMAIL PROTECTED] wrote:

 A few years ago I got a software contract located in
 an area where there were VIP tours.  Got to go to lunch
 with a Supreme Court justice  wife from Greece.
 Now, I'm not too keen on the spelling, but in their
 language there would be a breathing sound before
 the word to give the "h" sound. "`Ellas" would
 fit the bill.

 Well the word for "pertaining to Greek culture" is "Hellenic",
 so I suspect the "H" belongs in there.

Yes Mark but the word Ellas is the Greek people's own name for Greece in the
Greek language(admittedly with different character set) and Hellenic is
English for things Greek - so the H is an add on in English as Colin states
to cover the "breathing sound".

Hellas (Grk., "Land of the Hellenes"), name that came to be applied to
ancient Greece, including the Greek islands and colonies. The name became
common after the great migrations of Hellenic peoples, beginning about 1100
BC. Modern Greece, in accordance with classical tradition, is also known as
Hellas or Ellas.

"Hellas," Microsoft(R) Encarta(R) 96 Encyclopedia. (c) 1993-1995 Microsoft
Corporation. All rights reserved. (c) Funk  Wagnalls Corporation. All
rights reserved.

Peter Smith

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Autofocus lenses

2001-02-20 Thread Peter Smith


I see various descriptions of Pentax Auto focus lenses in dealers adverts.
Sometimes lenses are describes as Pentax AF sometimes Pentax FA and
sometimes Pentax F.
Do all these tags mean the same thing or does the tag denote something else.

Peter Smith

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RE: There's OK, Then There's OT, and Then There's OL (was: PDML rewriting hi...

2001-02-19 Thread Peter Smith

But havent you (between you) now created another of these OL,OT or WYW
threads?  Thats how it works - people reply to something OT about something
OT ad infinitum.  Great fun isn't it?

Peter

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
 Sent: 17 February 2001 19:29
 To: [EMAIL PROTECTED]
 Subject: Re: There's OK, Then There's OT, and Then There's OL (was: PDML
 rewriting hi...


 In a message dated 2/17/2001 10:41:23 AM Eastern Standard Time,
 [EMAIL PROTECTED] writes:

  [I wrote]
   3. OL messages. These are "contributions" to the PDML that have
   essentially nothing to do with Pentax in specifics nor with
   photography in general, and therefore, in my humble opinion,
   should be considered Off List messages.
 
  Absolutely. With the total volume of traffic these days, many or
  most of the Off List "contributions" are about as welcome as the
  contributions the local pigeons make to the decor of my balcony.

 Unfortunately, Robert, I'm probably "preaching to the choir",
 since the list
 members who are carrying on all the "Way Off Topic" threads are
 elsewhere,
 embroiled in those threads, and would not be interested in this anyway.

 While I will admit that there could occasionally be some appropriate
 photographic reference to these topics in the PDML, I'm going to
 go out on a
 limb and naively suggest that any thread (with spinoffs) that
 discusses Mel
 Gibson, the Enigma Machine, D-Day, Braveheart, Oliver Stone, John
 Kennedy,
 UFO's, God, "the government", Scottish history, whether "all men
 are created
 equal" or whether "all men are equal", Americans as a group,
 propaganda, W.W.
 II, DuPont Chemicals, General Motors, the Krupp Works, "the international
 corporate mantra", "Remember the Alamo!", the Nazis, Ford Motor Company,
 Henry Ford, Hitler, the US Revolution, British history, French and German
 mercenaries, Ben Franklin, the "Founding Fathers", the Haitian
 Revolution,
 American automobile production, the attack on Pearl Harbor, the Canadian
 government, Jewish refugees, "transcendental Truth in history",
 Willys Jeeps,
 the "underbelly of the 'corporate ethos'", the "national pastime of the
 European nobility", W.W.I, the French Foreign Legion,
 publications "for the
 publics good", artillery shell proximity fuses, Bayer Chemicals, "the
 so-called Zionist conspiracy", the invasion of Czechoslovakia, C-SPAN,
 Pacifica, the BBC, and PBS radio just might be a wee bit
 inappropriate for
 the PDML.

 I am not trying to say that these topics are not worth
 discussing.  Rather, I
 am suggesting that this should not be the forum for discussing them.

 But, what do I know...

 Fred

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RE: SMC - Zeiss x Asahi ?!?

2001-02-17 Thread Peter Smith



 People just gotta stop thinking that Hollywood is real.

Not the point

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RE: SMC - Zeiss x Asahi ?!?

2001-02-16 Thread Peter Smith

Mafud

I agree with emotion of everything you say even if my knowledge of the facts
is incomplete.  And perhaps this is not the forum.

It didn't happen exactly that way, but would you have preferred that
America
have stayed out of the war?

No I greatly appreciate the real American contribution to WWII - did I say
otherwise? just objecting (like you) to the way the stories are re-told.

I was reacting to a NASA claim to Ziess's multi coating technology.  My
comments were actually intended to be slightly more tongue in cheek than you
actually took them. I also wasnt trying to find or quote an "ethical outrage
against humanity".

So if anyone else wants to jump down my throat - sorry in advance - I
suppose I did start it.

Regards

Peter

---Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
Sent: 16 February 2001 11:19
To: [EMAIL PROTECTED]
Subject: Re: SMC - Zeiss x Asahi ?!?


In a message dated 2/16/01 4:39:36 AM Eastern Standard Time,
[EMAIL PROTECTED] writes:

 But then a recent hollywood film shows that the Americans with the help
of
 Mel Gibson captured the German Enigma encryption machine and cracked the
 code thus saving the world.

It didn't happen exactly that way, but would you have preferred that America
have stayed out of the war?

The machine was in fact captured and cracked by  the Brits before the
Americans even entered WWII.

Well known fact deeply appreciated at least by we Americans, if no one else.

Only American forces took part in the D Day landings didnt they? (Saving
Private Ryan).

But...but England has had ~years~ to write her own version of the war and
her
heroism. But here, you fault the United States for blowing her own horn?
"Private Ryan" was fiction, but closely follows the repeated story of many
American families who lost two-three-four siblings in the war.

The rest of the world is getting used to Americans rewriting history.

Anyone seen "Braveheart" (Mel again)- an interesting adventure movie but
little
 foundation in historical truth. 
But..., but his character did exist and his story, his heroism, his faith is
well known. So Mel overdoes it? It's a movie man.

Want to know a ~real~ lie, a moral and ethical outrage against humanity and
God?
When Europeans and Americans in the new world tell the story of how the
world
was built exclusively by whites, with no consideration at all for the 400+
years of free and underpaid labors of more than 40 million Africans in the
Americas, most of them, until their forced conversion, Muslims? We're still
waiting for America and Americans to tell the true story about that series
of
prevarications
Then there is the European exploitation of the Native American, the
exploitation of peoples in the Near and Far east, especially in India, the
way England and the West, including America, forced Opium on the Chinese...
Those lies too must be straightened out so...
get in line.

Mafud
[EMAIL PROTECTED]
[EMAIL PROTECTED]
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RE: SMC - Zeiss x Asahi ?!?

2001-02-16 Thread Peter Smith

Mafud

I agree with emotion of everything you say even if my knowledge of the facts
is incomplete.  And perhaps this is not the forum.

It didn't happen exactly that way, but would you have preferred that
America
have stayed out of the war?

No I greatly appreciate the real American contribution to WWII - did I say
otherwise? just objecting (like you) to the way the stories are re-told.

I was reacting to a NASA claim to Ziess's multi coating technology.  My
comments were actually intended to be slightly more tongue in cheek than you
actually took them. I also wasnt trying to find or quote an "ethical outrage
against humanity".

So if anyone else wants to jump down my throat - sorry in advance - I
suppose I did start it.

Regards

Peter

---Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of [EMAIL PROTECTED]
Sent: 16 February 2001 11:19
To: [EMAIL PROTECTED]
Subject: Re: SMC - Zeiss x Asahi ?!?


In a message dated 2/16/01 4:39:36 AM Eastern Standard Time,
[EMAIL PROTECTED] writes:

 But then a recent hollywood film shows that the Americans with the help
of
 Mel Gibson captured the German Enigma encryption machine and cracked the
 code thus saving the world.

It didn't happen exactly that way, but would you have preferred that America
have stayed out of the war?

The machine was in fact captured and cracked by  the Brits before the
Americans even entered WWII.

Well known fact deeply appreciated at least by we Americans, if no one else.

Only American forces took part in the D Day landings didnt they? (Saving
Private Ryan).

But...but England has had ~years~ to write her own version of the war and
her
heroism. But here, you fault the United States for blowing her own horn?
"Private Ryan" was fiction, but closely follows the repeated story of many
American families who lost two-three-four siblings in the war.

The rest of the world is getting used to Americans rewriting history.

Anyone seen "Braveheart" (Mel again)- an interesting adventure movie but
little
 foundation in historical truth. 
But..., but his character did exist and his story, his heroism, his faith is
well known. So Mel overdoes it? It's a movie man.

Want to know a ~real~ lie, a moral and ethical outrage against humanity and
God?
When Europeans and Americans in the new world tell the story of how the
world
was built exclusively by whites, with no consideration at all for the 400+
years of free and underpaid labors of more than 40 million Africans in the
Americas, most of them, until their forced conversion, Muslims? We're still
waiting for America and Americans to tell the true story about that series
of
prevarications
Then there is the European exploitation of the Native American, the
exploitation of peoples in the Near and Far east, especially in India, the
way England and the West, including America, forced Opium on the Chinese...
Those lies too must be straightened out so...
get in line.

Mafud
[EMAIL PROTECTED]
[EMAIL PROTECTED]
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RE: time @ f-stop formula

2001-02-16 Thread Peter Smith

Erwin Vereecken wrote "re using K mount lenses on MZ50"

If you put your M50 f1.7 on your MZ-50, for more then just one occasional
shot, you could do the following:

Manually select an ISO speed of 2 and 2/3 stops lower then reality (ISO16
for and ISO100film, ISO 32 for a 200film, etc..)

With the camera on manual, the light meter will now show you which
diaphragm
to select. The middle of the meter range will be f4.0, one higher f5.6, one
lower f2.8 etc, all the way from f1.4(which you don't have) to f11,
including the half stops.

Should work fairly quick, without calculations.
There is a theoretical 1/6 stop overexposure, but that should'nt have a
visible influence on the result. If you think your camera has a tendency to
overexpose anyway, lower ISO speed by 2 and 1/3 stop, that will give a
theoretical underexposure of 1/6 stop.

It's not real easy, because if you would have several manual lenses, you
would have to change ISO everytime you change lens, f.i. for a f2.8, lens
ISO would have to be lowered 1 stop to keep f4 in the midle, and if you
mount an automatic lens in between, you shouldn't forget to put ISO back to
normal.

That's brilliant Erwin.  You could make it easier by keeping a note of the
exp compensation needed for each of your lenses.  I didn't use my K mount
lenses on my MZ50 but would have had I thought it through like that.
Problem's gone away now though - "Stolen"   I replaced with MZ7 which
doesn't have the problem.  Great tip for anyone still owning MZ50 though.

Peter


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RE: Losing My Heads

2001-02-15 Thread Peter Smith

Whenever I go take pictures of the Hong Kong city lights, I find
myself sharing the Peak viewing gallery with lots of tourists.  The
take a picture of a 600m wide harbour with the flash on their PS and
then look at *me* like I'm an idiot for not having a flash.

Sheesh!

dave

They must be the people I saw on TV at the opening ceremony of the
Olympics - and every other night time stadium event.

Peter (_8(|)


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RE: 24 mm f/3.5 - Opinions?

2001-02-15 Thread Peter Smith

No comments but what is the URL of your lens op web site Stan?

Peter

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Stan Halpin
Sent: 15 February 2001 03:06
To: PDML
Subject: 24 mm f/3.5 - Opinions?


I recently had a visitor to my Lens Opinion web site seeking information on
the 24 mm f/3.5. I have no opinions harvested from discussions here - either
I missed it, or nobody has said anything here about this lens in the last 3
years.

Any comments?

Stan

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Re: Acoustic Photography, Was Re: News from PMA - MZ-S and other stuff

2001-02-14 Thread Peter Smith


I own a Pentax Stereo adapter so can i join the acoustic photography group?

Peter
Manchester, England

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RE: old exposure meters

2001-02-13 Thread Peter Smith

Dan Scott wrote:
Anyone familiar with old, batteryless, exposure meters--specifically
a GE Type DW-68 (made of metal and glass, takes readings with
"cover closed", "cover open", and "hood off")? Were these any good
/very accurate? If so, how would you operate it?

Hi Dan,

I've got a Weston Euromaster II that sounds similar to what you describe.
First you dial in the film speed. Then you point the light sensor at the
subject.  A needle will give a reading on a scale  (you have to press a
button on mine and when you release it the needle locks to "remember" the
reading)  In bright light situations the needle may go off the scale - this
is when you close the cover and a different scale comes into view behind the
needle.  Having got your reading you then rotate the inner dial to match the
value indicated by the needle.  You can then read off a range of appropriate
aperture/shutter speed combinations.

I've attached a picture of the Weston reading 13.5.  You can see the film
speed is set to 200asa or 24din.  The dial has been rotated to match 13.5 on
the pointer and round the outside I can choose a suitable shutter/aperture
combination e.g. 1/1000 at F8.

Yours will be different but I'm sure the principle will be the same.

In my experience if used correctly they are very accurate.  The trick is in
the pointing of the meter.  It's easy to get too much sky area just like
with TTL but since it has a wide area of view even easier.  Get in close for
your reading if possible.  If the "hood" is translucent then when fitted
it's intended to measure the ambient light.  i.e. the light falling on and
illuminating the subject not the reflected light from the subjet.  Fit the
hood  go to the front of the camera and take a reading pointing backwards
towards the camers.  this time you do want the reaging from the sky or sun
or other light source. Take the reading and then use it as described above.

Not sure if attachments allowed. If not I'll upload the picture to somewhere
suitable if anyone can suggest such a place. Or maybe email it direct if
asked.

Peter
Manchester England

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RE: Digital vs Film

2001-02-13 Thread Peter Smith

Dick Graham wrote

The one product digital  CANNOT give you is first generation slides, and
every now and then I love to run a few rolls of slide film through my
cameras.  There will always be a film camera in my arsenal.

If you use a Computer monitor instead of a projector and screen then isn't a
digital image
a first generation slide?

Peter

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RE: News from PMA - MZ-S and other stuff

2001-02-12 Thread Peter Smith

But the RTSIII has 100% coverage and a relatively high-eyepoint finder, and
those things aren't unrelated to magnificaton. Generally, eye relief and/or
higher coverage both make it harder to achieve high magnification, and high
magnification makes it harder to achieve 100% coverage and/or good eye
relief.

High Magnification , High Eyepoint, x% coverage?

I'm getting confused - what does it mean to me? I have an ME-Super and MZ7
so I decided to compare the viewfinders using the same 50mm K mount lens.

Magnification -

the ME super gave a much larger brighter image - but the metering/shutter
speed information was out of site when wearing glasses unless I turned the
camera slightly.  Without my glasses I can neither read the metering info
nor see the split screen clearly enough to focus.

MZ7 - smaller dimmer image but I could see the full information with or
without glasses due to the dioptre adjustment in the viewfinder.  Focusing
was easy with or without glasses if using the focus confirmation LED.
(easier still if using the beep but I find that irritating and have it
switched off)

I still don't know what is meant by .75x magnification though - can somebody
explain?

Field of view (coverage)

Well I spent ages setting both cameras on a tripod and moving objects about
on a table to detect the edges of the field of view but couldn't discern the
difference between the two.  Then I looked at the specs.  ME-Super 92%  MZ7
series 92%.

DOH! (_8(|)

High Eyepoint - I've no idea what this means.

Conclusion - I like the large bright viewfinder on the ME Super and would
appreciate similar in a MZ spec.  From reading other contributors comments
the restriction seems to be a result of limited space for the pentaprism and
viewscreen because of the pop up flash unit.  So why does it have to be
mounted on the pentaprism?  35mm compacts have pop up flashes without even
having a pentaprism to mount them on so that proves that it is not the only
solution.

Peter
Manchester, England

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RE: OTHER PMA

2001-02-12 Thread Peter Smith

Regarding the prototype digital SLR

http://www.dpreview.com/news/0102/01021106pentaxdigitalslr.asp

Why does it have to be so big? We know it cant be a power drive so is that
an enormous battery pack on the bottom?

I think digital will be great when the cameras offer the same creative
options as film cameras - but to me handling is oh so important and I
absolutely hated my SFXn because of its bulk and ponderous focussing.  The
MZ/ZXs redressed that when they handled as nicely as the ME Super.

Otherwise it looks very much like the MZS.

PS - has anyone published any figures in terms of effective "megapixel"
resolution of various films.

PPS - I read a couple of years ago about someone working on a "digital film"
for fitting in any 35mm camera - does anyone know what happened to that?
Perhaps the power requirements killed it off. Alternatively what about a
digital back?

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RE: ME super repaired / theatre photos

2001-02-12 Thread Peter Smith

Somebody was asking about ME super repairers
(sorry I cannot remember who, this nomail option has its disadvantages) -
if
you're looking in the north of England I would recommend these people.

Well I live in the N of England so would find the info useful but I couldn't
find it in your posting.  Mind repeating it?

Cheers

Peter


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RE: The AF assist beam / body for MF only

2001-02-12 Thread Peter Smith

Wieland Willker wrote:

I am currently thinking about getting a new body.

Me too so if you find out how to do this let me know.

Peter


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RE: What is the 'best' M42 pre-spotmatic camera?

2001-02-12 Thread Peter Smith

Frantisek wrote:

 P.S I should have guessed your location from the domain @btinternet.com,
 does it mean (gasp!) British Telecom? Do they still suck ;) ?

They blow too because I can both send and receive email :)

Peter


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RE: What is the 'best' M42 pre-spotmatic camera?

2001-02-10 Thread Peter Smith

"I guess it just comes down to something appealing about going out with a
mechanical body, hand-held meter, and two or three primes.  I realise it
won't allow me to do anything I can't already do with my plethora of K mount
stuff, but I think it will be a fun and rewarding experience."

When I first got into photography in the early 70s I used "Practica" cameras
from East Germany.  My first one was an "L2" - 42mm screw mount, no meter,
and completely mechanical 1 to 1/1000 sec shutter and very nice Carl Zeiss
Jena F1.8 50mm and 135mm f3.5.  I know it's not Pentax "except the mount"
but I believe there is some connection. If you could find one I bet they
change hands for very small amounts nowadays.  I did at the time however
lust after the more expensive TTL technology then being offered by Pentax
and others.

Regards

Peter


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