Ohio Boy Does Good-Scottie Sparks
Every now and then, I have the good fortune of being sent a tape copy of a new release by a friend in the business. My incredible fortune this time around was hearing a copy of Scottie Sparks' self-titled cd. Very good bluegrass, reminiscent of Clinch Mountain Country, yet Sparks' vocals transcend the high, lonesome sound to another plane of heart-felt emotion. Great tunes, "Midnight Storm", "In My Arms Instead Of In My Memory", "Highway Of Regret" and "Old Railroad Track" melds old-timey bluegrass with a distinctive modern sound. Some good musicianship here also...Aubrey Haynie, Barry Bales, Dan Tyminski. Definitely worth checking out . Tera
Re: Ohio Boy Does Good-Scottie Sparks
At 02:44 AM 3/31/99 -0500, you wrote: My incredible fortune this time around was hearing a copy of Scottie Sparks' self-titled cd. Any kin to big haired Larry Sparks? now THAT's somebody who knows how to sing! Jeff Wall http://www.twangzine.com The Webs least sucky music magazine 3421 Daisy Crescent - Va Beach, Va - 23456
Re: suckage: Re: Waco Brothers
Me: The reflex to say so and so "sucks" is always so much more tempting than settling for saying, "that's not my cup of tea." -- Terry Smith Jeff Wall: I don't see the difference. If I am reviewing a disc, and I can find absolutely no redeeming value, and I say that it sucks, is that not just my humble, or in my case, not so fucking humble opinion? I think most (but not all) rap sucks. Instead should I be saying that most rap is just not my cup of tea? Me again: OK, I'll rephrase it. If all you say is that something sucks, and then you don't give any worthwhile reasons, then what you've just said ain't worth a plug nickle. But if you admit that you don't like it mainly just because, um, you just don't like it, then that at least acknowledges that your judgment may have more to do with your own biases than any flaw on the side of the music. The fact that you probably wouldn't go to the trouble to review a rap record, because you're already aware of your biases, suggests that you're all too aware that rap ain't your "cup of tea." But country is, and if you reviewed a country record that you thought sucked, you'd be able to find plenty of reasons for why it's not so hot. Does that make any damn sense? The short explanation: Sometimes a performer or band really does suck majorly, and it's easy to explain why. Sometimes, though, you just don't like that sort of music. There is a difference. Queen apparently was a great bunch of musicians, but that sort of pretentious, orchestrated, glam crap just gives me a stomach ache. That, however, is more a comment on my own biases than anything particularly wrong with the music. Maybe that's not the short explanation after all. oh yeah. Jeff, take care in the Med (or Adriatic?) -- Terry Smith
Attention ex-Bostonians == WMBR Available via the Internet!
Hi everyone, Great news this week: the radio station of MIT (yup, that school with all the smarties) is now available over the Internet (WMBR, 88.1). For anyone that has ever lived close to the Boston/Cambridge area -- listen up Soron -- this is like a dream come true! The bad news: "Rockin' With Greg" just ended his 20yr stint at the station last month, lets hope he comes back for a few guest appearances. Although there are many great shows at the station, those of most interest to P2ers would be Wed 6-8am, Debbie Does Dallas; Sat 8-10am, Lost Highway; and 10-noon, Backwoods. These are all EST timeslots. Go to the site, check out the programming and enjoy! Here's their address: http://wmbr.mit.edu/ Then click on: RealAudio Kate N.P. Vince Bell/TEXAS PLATES
Re: Attention ex-Bostonians == WMBR Available via the Internet!
[EMAIL PROTECTED] writes: Although there are many great shows at the station, those of most interest to P2ers would be Wed 6-8am, Debbie Does Dallas; Sat 8-10am, Lost Highway; and 10-noon, Backwoods. These are all EST timeslots hey, whack me in the head -- of course, "Three Ring Circus" on Friday's from 4-6pm with Joan Hathaway, would also be required listening for most P2ers! Twang, surf, cocktail/lounge and rockabilly, too! Joan also has some great guests from time to time, including local comedy fav and now 60 Minutes II star, Jimmy Tingle. K.
Re: Attention ex-Bostonians == WMBR Available via the Internet!
Kate writes: Great news this week: the radio station of MIT (yup, that school with all the smarties) is now available over the Internet (WMBR, 88.1). For anyone that has ever lived close to the Boston/Cambridge area -- listen up Soron -- this is like a dream come true! Yeah, I was listening to "Debbie Does Dallas" this morning in my office and she mentioned it. Good news indeed. I've been spending most of my weekends up in New Hampshire of late and haven't heard "Backwoods" in probably two months. It'll be nice to tune in for a bit now. --Jon Johnson [EMAIL PROTECTED] Wollaston, Massachusetts
RE: Ohio Boy Does Good-Scottie Sparks
No, Scottie's not a relative of Larry's, at least not within spittin' distance. His family's from Carter County, KY, though Scottie himself was born around Dayton, OH, moving back to Carter County with the family in the late 1980s. Tera's right; it's a good album. Dwight McCall, of J.D. Crowe The New South sings tenor on 4 tracks, including a couple of the ones she singled out for mention. Today is the nominal release date; it's on Tim Austin's Doobie Shea label. Jon Weisberger Kenton County, KY [EMAIL PROTECTED] http://home.fuse.net/jonweisberger/
British CMA
Someone, a few weeks ago was asking about the British CMA. Apologies if this has already been posted but I've been off list for several weeks experiencing this Britsh judicial system at firsthand on jury duty. So anyway here are the award winners BRITISH Male Vocalist Charlie Landsborough Female Vocalist Mary Duff Group/Duo The Haleys Rising Star Adam Couldwell Bluegrass band The Down County Boys Album _Tribute to Hank Williams_ The Rimshots/Rusti Steel The Tin Tax INTERNATIONAL Male Vocalist Vince Gill Female Vocalist Reba McEntire Group/Duo The Mavericks Rising Star Dixie Chicks Artist on an independent label Heather Myles Bluegrass band Alison Krauss Union Station Album _The Key_ Vince Gill The awards are voted by a 150 member strong electoral college comprising journalists, radio presenters, country music club organisers, promotors and musicians, all of whom have a free vote in the first ballot, and chose the winners from the resultant nominees. Andy
Re: Mandy Barnett's I've Got A Right To Cry
Dr. Dave Purcell wrote: No, I'm not a weasel, I got a promo copy used, Well, per all that ranting last week about bootlegs and lost royalties, I think you owe Ms. Barnett some dough. If you dont get a check in the mail today your credentials on this list are going to go wayy down the toilet. Seriously, though, I'm jealous at everyone who's got this. I've been looking for her first record for a year and nobody here in Denver seems interested in stocking it. Will Miner Denver, CO
Re: Attention ex-Bostonians == WMBR Available via theInternet!
At 8:42 AM -0500 on 3/31/99, [EMAIL PROTECTED] wrote: Although there are many great shows at the station, those of most interest to P2ers would be Wed 6-8am, Debbie Does Dallas; Sat 8-10am, Lost Highway; and 10-noon, Backwoods. These are all EST timeslots. Good to hear, Kate, but all of these are before I'm up! Hell, that Debbie show is on just after bedtime. Now, if they can start archiving shows... Bob
Re: Mandy Barnett's I've Got A Right To Cry
In a message dated 3/31/1999 10:43:06 AM Eastern Standard Time, [EMAIL PROTECTED] writes: Seriously, though, I'm jealous at everyone who's got this. I've been looking for her first record for a year and nobody here in Denver seems interested in stocking it. Phonolux in Nashville has a bunch plus lots of single CDs, too. Give 'em a call! K.
Re: suckage: Re: Waco Brothers
Sez Will Miner: If we consider that Shania's records are ... majorly backed by big money because they are the perfect room spray that can disinfect millions of homes ... This is hilarious. Kelly
Re: Mandy Barnett's I've Got A Right To Cry
Will the Thrill Miner wrote: Well, per all that ranting last week about bootlegs and lost royalties, I think you owe Ms. Barnett some dough. If you dont get a check in the mail today your credentials on this list are going to go wayy down the toilet. After a few years on the list, two Twangfest, and too many drunken nights with P2ers, I think the issue of my credentials is a long, lost cause Dave *** Dave Purcell, [EMAIL PROTECTED] Northern Ky Roots Music: http://w3.one.net/~newport Twangfest: http://www.twangfest.com
Scud Mountain Boys info needed
Are the SMB's alive and kicking? If so, does anyone know how to contact them? One of Chicago's more respectable venues (in other words, nobody I'm affiliated with) wants to know. Thanks, Kelly
Re: Scud Mountain Boys info needed
No more Scud Mountain Boys, I'm afraid to say. The closest you'll get is the Pernice Brothers, which contains the same singer, only this time it's more pop oriented instead of...slow. There are two other incarnations with former Scuds involved. One is King Radio, a record we at Tar Hut released last year that is heavy on the power pop, and the other is the Ray Mason Band, who just released a fantastic record called Castanets with Tom Shea and Bruce Tull in the band. If you need any more info, I'd be happy to provide it.
RE: Scud Mountain Boys info needed
Joe Pernice broke up the band and released a fine, fine, fine, fine record _Overcome by Happiness_ on SubPop, with his new, aptly-named group, Pernice Brothers. I think their booking agent is a P2 member. I hear there's a new PB album coming this year - psyched already. Chris -- From: Kelly Kessler[SMTP:[EMAIL PROTECTED]] Reply To: [EMAIL PROTECTED] Sent: Wednesday, March 31, 1999 8:59 AM To: passenger side Subject: Scud Mountain Boys info needed Are the SMB's alive and kicking? If so, does anyone know how to contact them? One of Chicago's more respectable venues (in other words, nobody I'm affiliated with) wants to know. Thanks, Kelly
Re: Scud Mountain Boys info needed
On Wed, 31 Mar 1999, Kelly Kessler wrote: Are the SMB's alive and kicking? If so, does anyone know how to contact them? One of Chicago's more respectable venues (in other words, nobody I'm affiliated with) wants to know. Thanks, Kelly They are not. Joe Pernice disbanded the Scuds quite a while ago to start the Pernice Brothers. If you're still looking for a contact, that would be me for management and Billions for booking. Joyce Linehan
Corey Harris (was Re: Music Makers Relief Blues Artists
On Tue, 30 Mar 1999, William T. Cocke wrote: Now I'm fired up for the Corey Harris CD release show here this Friday. They've been playing cuts off his new album all week on the radio and it sounds like a winner. It sure is. He really branches out on this one, but still remain deeply rooted in the delta blues. Some songs incorporate reggae and mambo rhythms, bits of jazz and funk and gospel, and there's also some primal, hardcore delta stuff like "Sweet Black Angel." If you're lucky he'll be playin' with his band. I saw 'em in New Orleans last month, and I was entranced.--don
Re: British CMA
On Wed, 31 Mar 1999, Andy Benham wrote: INTERNATIONAL Male Vocalist Vince Gill Female Vocalist Reba McEntire Group/Duo The Mavericks Rising Star Dixie Chicks Artist on an independent label Heather Myles Bluegrass band Alison Krauss Union Station Album _The Key_ Vince Gill Which is a helluva lot better than what the American CMAs usually end up with.--don
RE: Scud Mountain Boys info needed
On Wed, 31 Mar 1999, Hill, Christopher J wrote: Joe Pernice broke up the band and released a fine, fine, fine, fine record _Overcome by Happiness_ on SubPop, with his new, aptly-named group, Pernice Brothers. I think their booking agent is a P2 member. I hear there's a new PB album coming this year - psyched already. Chris I doubt it will be this year, as he hasn't started it yet. He did finish up a "side project" record, recorded at home, with many of the same characters as "Overcome By Happiness." It's called "Chappaquidick Skyline" (that's album and artist title) and though we haven't been assigned a release date yet, we hope it will be this year. Joyce
Re: British CMA
Of the Brit CMA "international" division awards, Don sez: Which is a helluva lot better than what the American CMAs usually end up with. Ain't it the truth. It's weird how they do *so* much better, from a quality standpoint. What explains this? Do they simply get less industry pressure on the voters, or what, etc. Last year, didn't Dale Watson win one of their awards, like best new artist, or something? I mean, it'll be years and years, if *ever, before Dale could win one here. --junior
Re: suckage: Re: Waco Brothers
Jeff Wallbanger wrote: "If I am reviewing a disc, and I can find absolutely no redeeming value, and I say that it sucks, is that not just my humble, or in my case, not so fucking humble opinion?" -- which generates a whole new internet catchphrase: IMNSFHO. carl w.
Re: Corey Harris (was Re: Music Makers Relief Blues Artists
I was fortunate enough to be filling in as the vocalist for Blues Hangover (featuring Deborah Coleman -- she's hot!) at the Carolina Blues Festival in Greensboro last summer, and we followed Corey Harris and his band -- they were awesome! Still, I gotta say that I like hime solo best ... definitely different from the run-of-the-mill blooze! Caribbean rhythms, a unique feel, great playing, great voice ... they are based out of Charlottesville, VA, I believe! Rob Date: Wed, 31 Mar 1999 09:05:22 -0800 (PST) From: Don Yates [EMAIL PROTECTED] Subject: Corey Harris (was Re: Music Makers Relief Blues Artists To:passenger side [EMAIL PROTECTED] X-To: passenger side [EMAIL PROTECTED] Reply-to: [EMAIL PROTECTED] On Tue, 30 Mar 1999, William T. Cocke wrote: Now I'm fired up for the Corey Harris CD release show here this Friday. They've been playing cuts off his new album all week on the radio and it sounds like a winner. It sure is. He really branches out on this one, but still remain deeply rooted in the delta blues. Some songs incorporate reggae and mambo rhythms, bits of jazz and funk and gospel, and there's also some primal, hardcore delta stuff like "Sweet Black Angel." If you're lucky he'll be playin' with his band. I saw 'em in New Orleans last month, and I was entranced.--don ___ Robert A. Russell Director, Writing and Communication Center East Tennessee State University Box 70602 Johnson City, TN 37614 Phone: (423) 439-8438 Fax: (423) 439-8666 [EMAIL PROTECTED] http://www.etsu.edu/wcc *** "Objective evidence and certitude are doubtless very fine ideals to play with but where on this moonlit and dream-visited planet are they found?" -- William James, 1842-1910, "The Will to Believe"
Clip-Del McCoury Band
Del McCoury Stands Up for His Genre When Steve Earle got it in his head to make a bonafide bluegrass album, he didn't cut any corners. By his own admission, he wanted to write and record bluegrass music that would stand the test of time. It's a bit early to gage whether or not he succeeded on that front (The Mountain was only released in February), but future musicologists are bound to give him credibility points for recruiting arguably the best bluegrass outfit of the later Twentieth Century, the Del McCoury Band. And what, the uninitiated might ask, distinguishes a good bluegrass band from a bad one? Del, the silver-haired patriarch of the Del McCoury Band and father of two of its members, ponders the question for a minute and responds, "You can't use electronics. It's got to come out of your instrument and out of your voice. You have to really be able to play." His son Ronnie, who is now in his early thirties and has played mandolin in his father's band since he was fourteen, adds, "I think it's about pushing the envelope in the singing." Robbie McCoury, the banjo-playing younger brother in the band, points out, "If you can play bluegrass, you can play any kind of music." Although none of them can pinpoint what defines the music they love so dearly, they can all agree on one thing: "When it's bad, it's really bad!" But as Earle or any other true-blue bluegrass fan can testify, the inverse is also true, i.e., "When it's good, it's great." The Del McCoury Band -- it's current incarnation rounded out by Nashville bluegrass veteran Mike Bub on bass and fiddler Jason Carter -- reproves this slogan every time it hits stages across the country and around the world. Their music is rooted in the bedrock of tradition but never weighed down by it. They have the good looks and demeanor of perfect southern gentlemen. Their edge, highlighted by Del's high voice, pompadour and short sideburns, is offset only by their unfailing modesty and wholesomeness. All these elements, added to their virtuoso musicianship, have made them the most successful bluegrass band in years. Success is hard-won on the bluegrass circuit and the type of popularity that the McCourys enjoy makes them part of a tiny elite which includes Ricky Skaggs, Alison Krauss and Bela Flek. Of that group, only Del and his band have achieved their status without departing from the rigid paradigm set out by
Clip-Steve Earle
Steve Earle Lets Loose on Bluegrass and Country Music You'd be a damn fool if you thought a clean and sober, suit-wearing, hair-combing, mandolin-picking Steve Earle had gone soft. Earle's career is more threatening now than ever. In the middle of a creative renaissance that featured stellar back-to-back rock roll releases, Earle ditched his distribution deal with Warner Bros. and decided to put out a bluegrass album on his own E-Squared label. Bad idea? Guess again. The Mountain, recorded with bluegrass titans the Del McCoury Band, is selling faster than any of his Warner titles in it's first four weeks. Sit down for a spell with Earle to discuss The Mountain, and you'll be treated to a string of colorful anecdotes about bluegrass legend Bill Monroe, history, politics and scores of other meaty topics. He rattles off this chatter between sporadic puffs on his pipe (the "two pack habit" he sung about in his landmark "Guitar Town" is a thing of the past) as he takes a brief breather between soundcheck and donning his bluegrass uniform for a show in New York. Despite the stories of the angry Steve Earle of yore, only his conversation seems daunting. As the saying goes, he seems to know enough about everything to be dangerous. I met Bill Monroe several years ago. He wrote "God bless you" on my album, then told me to get a haircut. Monroe had a very dry sense of humor. The most famous Monroe New York story is he went to Carnegie Deli, and they got him a bagel and cream cheese. And he finished it and said, "That's the worst donut I've ever had." Now Monroe had been to New York hundreds of times, but people in Nashville will tell that story as if Bill Monroe was some kind of rube who didn't know the difference between a bagel and a donut. But that's the way his humor was, you either got it or you didn't. He came out and played with you in December, 1995. Had you met him before then? I'd been introduced to him several times over the years. But it was when Monroe started to pay attention to me that it really counted. It didn't have anything to do with music, it had to do with Bill's sense of fairness. And it had to do with the fact that what happened was so public. Every time I made a [drug-related] court appearance it was on all three channels and in the newspaper. Monroe started paying attention to me because he felt I was treated
RE: PLAYLIST: Fear Whiskey 3/29/99
-Original Message- From: Carl Abraham Zimring [SMTP:[EMAIL PROTECTED]] Subject: PLAYLIST: Fear Whiskey 3/29/99 Music this week includes tracks from three bands who are playing April 17: Jim Roll the Deliberate Strangers at Pluto's, and the Sovines who play the Next Decade. If I can coordinate show times, I'll try to be at both events. [Matt Benz] Hmmm. Could this mark the first time -outside of Austin, of course- that 4 p2 bands play head to head (add the Polish Hillbillies, who are playing with us, into the fray)? COuld be, could be. I nominate Jim Roll as poster boy of P2: he's got cool hats. And actual fans.
Re: Corey Harris (was Re: Music Makers Relief Blues Artists
On Thu, 1 Apr 1999, Rob Russell wrote: I was fortunate enough to be filling in as the vocalist for Blues Hangover (featuring Deborah Coleman -- she's hot!) at the Carolina Blues Festival in Greensboro last summer, and we followed Corey Harris and his band -- they were awesome! Still, I gotta say that I like hime solo best... definitely different from the run-of-the-mill blooze! Caribbean rhythms, a unique feel, great playing, great voice ... they are based out of Charlottesville, VA, I believe! Corey's based in New Orleans.--don
Re: British CMA
Jon on the surprisingly high "quality" music being recognized by the Brit and Australian country music press, etc : I suspect that there's an element of this. I remember reading an article last year about some Nashville push that was going on in Australia. There is also a Brit / Commonwealth magazine, which may be simply titled "Country Music" (I forget), that I've seen a few copies of and which always amazes me by how much it covers what *I* would consider good country as opposed to HNC industry promo, etc. It's available on newstands in Canada, etc. I remember last year seeing articles on Ted Roddy and other Austin artists that industry bigwigs wouldn't give a moments' notice to, alongside articles on biggies like McCready, Stuart, Yoakum, etc. I'll see tonight if I don't have a copy of this mag somewhere. In my recollection, it compared favorably, for me, to any US country music mag. --junior
RE: PLAYLIST: Fear Whiskey 3/29/99
On Wed, 31 Mar 1999, Matt Benz wrote: [SMTP:[EMAIL PROTECTED]] Subject: PLAYLIST: Fear Whiskey 3/29/99 Music this week includes tracks from three bands who are playing April 17: Jim Roll the Deliberate Strangers at Pluto's, and the Sovines who play the Next Decade. If I can coordinate show times, I'll try to be at both events. I thought that the Sovines were LITERALLY playing the NEXT DECADE or I would have scheduled my show on a different day. Damn . . . [Matt Benz] Hmmm. Could this mark the first time -outside of Austin, of course- that 4 p2 bands play head to head (add the Polish Hillbillies, who are playing with us, into the fray)? COuld be, could be. It's Twangfest 2.5 -- -- or perhaps Twangburgh 1.7 or at the very least it has the makings of one great computer geek party after-hours. Me? I'll be at the Sovines van trying to score some perverted jokes from Pete. And yes, I will definitely be wearing a silly hat of some sort. Which reminds me that when I played with the Derailers at Mac's last year their guitar player told Jamie DePolo that he was surprised to find that I am not bald . . . he was under the impression that my hat was a deivice. I mean can't a guy wear a hat cause he likes hats?? Well Matt Benz apparently thinks it's ok . . . so I will trudge forward w/chapeau(sp?). -jim
Steve Earle and Del McCoury Band over America
Just a few observations about the fine show they did here last night- -A three hour show, not counting the intermission. Tickets were $23 after the TicketBastard charge, but can't say you didn't get your money's worth. -Both Steve and Del fluffed lyrics on a couple of occasions, on their own tunes. Long tour or what? I'd have sort of expected they'd be pretty sharp at this point. -We (Jack Copeland, Nancy Copeland and Cathy Weigel) started out in the back of the really packed (though not sold out) venue, so the sound had to compete with the conversations around us, but this may have still been the worst overall sound I've heard in ages. They shoulda had this show at the Beaumont Club. -Local resident Iris Dement got the best crowd reaction of the night, both on her duet with Steve Earle "I'm Still In Love With You", and the Tom T. Hall cover (help me out here somebody?) she did. Del and Ronnie can sing with the best, but Iris killed. -A little curious to me that bluegrass groups reportedly make %80 of their show income at the swag table after the show, when THE FAMILY and Jason Carter's solo discs were priced at $17. I'd have certainly given them $15 for the record, and fully intended to, but I couldn't find my wallet when it came to the extra $2, which seemed a little gouge-y to me. No offense- so I'm a piker. The tables weren't exactly swollen with buyers of $17 discs and $25 t-shirts. -Ronnie McCoury and Jason Carter delighted me. -I've heard lots and lots of good things about that book of Steve Earle quotes. Maybe he should go back there and recycle, because he's used almost exactly the same schtick this time as he did last June. Stop me if you've heard this one before... If this crew is coming your way, you just have to go see them. b.s. n.p. Um, THE MOUNTAIN
Re: Steve Earle and Del McCoury Band over America
Jason Carter's solo discs were priced at $17. I'd have certainly given them $15 for the record, and fully intended to, but I couldn't find my wallet when it came to the extra $2, which seemed a little gouge-y to me. No offense- so I'm a piker. You have to wonder how much Rounder is charging them for the discs...maybe the only way they can profit off it is to charge that much..
RE: PLAYLIST: Fear Whiskey 3/29/99
-Original Message- From: James Gerard Roll [SMTP:[EMAIL PROTECTED]] I thought that the Sovines were LITERALLY playing the NEXT DECADE or I would have scheduled my show on a different day. Damn . . . [Matt Benz] Naw, that would be the Sovines: "Together Again" tour, 2010, with all original members for the first time since 1999! We'll all be swigging water and holding babies, discussing junk bonds, hanging out with our aging model wives and senators backstage Grand Funk will be opening.
RE: PLAYLIST: Fear Whiskey 3/29/99
On Wed, 31 Mar 1999, Matt Benz wrote: [Matt Benz] Naw, that would be the Sovines: "Together Again" tour, 2010, with all original members for the first time since 1999! We'll all be swigging water and holding babies, discussing junk bonds, hanging out with our aging model wives and senators backstage Grand Funk will be opening. WOWI am SO there.at least for the opening band! g If I drink enough I might be convince to stick around for the headliner. NP: Mandy Barnett's first release - and if the 2nd is better than this one, color me impressed! JC
Re: Steve Earle and Del McCoury Band over America
"Tar Hut Records" [EMAIL PROTECTED] 03/31 1:53 PM You have to wonder how much Rounder is charging them for the discs...maybe the only way they can profit off it is to charge that much.. Rounder's artist price is $6 a unit. I'd say they're making quite a profit... Jim Nelson
Re: Steve Earle and Del McCoury Band over America
Tar Hut Records wrote: Jason Carter's solo discs were priced at $17. I'd have certainly given them $15 for the record, and fully intended to, but I couldn't find my wallet when it came to the extra $2, which seemed a little gouge-y to me. No offense- so I'm a piker. You have to wonder how much Rounder is charging them for the discs...maybe the only way they can profit off it is to charge that much.. Yeah, maybe, but it makes their selling it after the show rather more a service to fans without internet access than a moneymaking venture. Anytime a band will sell me their record for $12 and/or a t-shirt for $10- relative bargains I'll grant- I'll buy them. Otherwise, I'd better be awful darn impressed, and in a generous/inspired mood. It *does* happen. g No weasel swag here, b.s.
RE: Steve Earle and Del McCoury Band over America
Tar Hut Jeff quotes Bill and says: Jason Carter's solo discs were priced at $17. I'd have certainly given them $15 for the record, and fully intended to, but I couldn't find my wallet when it came to the extra $2, which seemed a little gouge-y to me. No offense- so I'm a piker. You have to wonder how much Rounder is charging them for the discs...maybe the only way they can profit off it is to charge that much.. Bill also noted that they were asking $17 for The Family, which isn't on Rounder, but on Ceili. On the larger question, so to speak, bluegrassers not infrequently are willing to pay top dollar at the record table for stuff they could easily buy for less at retail in order to 1) feel better about shaking and howdying with the artist (they may worry about the artist feeling it's a waste of time when they're not buying), and 2) support the artist by buying directly. Even at $15 it's usually a couple of bucks over the lowest available price... Jon Weisberger Kenton County, KY [EMAIL PROTECTED] http://home.fuse.net/jonweisberger/
Twangfest accommodations
Looks like you early birds got the best rooms, as the Oak Grove Inn, the official Home Away From Home of Twangfest, tells us there are no more rooms available with two double beds for the weekend of June 10-13. They do have rooms with one bed still available, so hop on it (1-800-OAK-GROV) if you want to stay there. Be sure to mention Twangfest for the best rates. Luckily, you have another good option for rooms, as there is a Motel 6 right across the street from the Oak Grove Inn (314-892-3664). This may be even a better option for those of you who travel with your dog, cat, ferret, ocelot, etc., as this particular Motel 6 accepts pets. Watch where you step. Don't forget we have our very our Queen of Airline Travel in Jo Wendland (1-800-208-4158), who will be happy to set you up with airline tix for St. Louis. She has a special deal on TWA flights, and it just so happens St. Louee is a hub for that airline. Be sure to mention Twangfest with her as well. Coming soon...we announce ALL the bands who will be playing Twangfest 3 and some of the other fun-type activities we've got planned for that weekend! Muchas smooches, Your Twang Gang
RE: British CMA
Joonyah: There is also a Brit / Commonwealth magazine, which may be simply titled "Country Music" (I forget), that I've seen a few copies of and which always amazes me by how much it covers what *I* would consider good country as opposed to HNC industry promo, etc Country Music People. Jon Weisberger Kenton County, KY [EMAIL PROTECTED] http://home.fuse.net/jonweisberger/
Re: Steve Earle and Del McCoury Band over America
CK-wan wrote: -Local resident Iris Dement got the best crowd reaction of the night, both on her duet with Steve Earle "I'm Still In Love With You", and the Tom T. Hall cover (help me out here somebody?) she did. Del and Ronnie can sing with the best, but Iris killed. I'm guessing either I miss alot of Trains, which is on the Tom T Hall Project or I washed my face in the morning dew which she did in Nashville. Bingo. "I Washed My Face in the Morning Dew". Band was a little ragged on backup, (Jason and Ronnie nearly collided at the mic, and were smiling about it) but the crowd was so up and the band seemed really pleased to be working with Iris Dement again. After the tumultuous response to the duet, Steve Earle remarked how much they'd missed doing the tune, since they hadn't since those Station Inn shows. (You dog.) b.s. n.p. Young Fresh Fellows, THE MEN WHO LOVED MUSIC
Re: Steve Earle and Del McCoury Band over America
Jon Weisberger noted: Bill also noted that they were asking $17 for The Family, which isn't on Rounder, but on Ceili. Right, which made me a little curiouser, though it's all business of course. On the larger question, so to speak, bluegrassers not infrequently are willing to pay top dollar at the record table for stuff they could easily buy for less at retail in order to 1) feel better about shaking and howdying with the artist (they may worry about the artist feeling it's a waste of time when they're not buying), and 2) support the artist by buying directly. Even at $15 it's usually a couple of bucks over the lowest available price... So a markup to $17 isn't uncommon? Hmm.And I was ready and willing to give $15, but I was taken aback at $17. I guess that $15's where the old "indifference curve" flattens out for me. And now that I've shown my cheap-ass, I'll be sure to buy something when they return for the River Valley Bluegrass Festival on May 7th. g b.s.
Re: Chag Pesakh!
Now where's that recipe for Tex-Mex Latkes??... You use Mole instead of sour cream. ___ Mark Rubin POB 49227, Austin TX 78765 http://markrubin.com
Re: British CMA
Someone asked about Dale's participation in last year's British CMA's. Best I can remember he was nominated as Best Male Vocalist alongside Strait, Jackson et al and actually won the Best Independent Artist Award, the same as Heather won this year. Mike Hays http://www.TwangCast.com TM RealCountry 24 X 7 Please Visit Then let us know what you think! Mike Hays www.MikeHays.RealCountry.net For the best country artist web hosting, www.RealCountry.net
Re: Mandy Barnett's I've Got A Right To Cry
The single is smoky cool and has been added to TwangCast and my regular FM station playlist, can't wait to get my hands on the entire CD. Mike Hays http://www.TwangCast.com TM RealCountry 24 X 7 Please Visit Then let us know what you think! Mike Hays www.MikeHays.RealCountry.net For the best country artist web hosting, www.RealCountry.net
RE: Steve Earle and Del McCoury Band over America
On the larger question, so to speak, bluegrassers not infrequently are willing to pay top dollar at the record table for stuff they could easily buy for less at retail in order to 1) feel better about shaking and howdying with the artist (they may worry about the artist feeling it's a waste of time when they're not buying), and 2) support the artist by buying directly. Even at $15 it's usually a couple of bucks over the lowest available price... So a markup to $17 isn't uncommon? Hmm.And I was ready and willing to give $15, but I was taken aback at $17. I guess that $15's where the old "indifference curve" flattens out for me. Everyone's curve flattens out at a different place, I guess, and of course, some folks (like, f'r instance, me) will sometimes buy at retail even when there's no price differential in order to have an impact there. Anyhow, $17 has been uncommon, at least at festivals, although we're heading into a new season, and maybe it will soon be the norm. Jon Weisberger Kenton County, KY [EMAIL PROTECTED] http://home.fuse.net/jonweisberger/
Re: British CMA
There is also a Brit / Commonwealth magazine, which may be simply titled "Country Music" (I forget), that I've seen a few copies of and which always amazes me by how much it covers what *I* would consider good country as opposed to HNC industry promo, etc Country Music People. The magazine's website can be found at http://www.musicfarm.demon.co.uk/. Unfortunately, except for a review or two, there isn't much to "sample" from there. "Country Weekly" has its flaws, but there's more there to entertain the online visitor. --Jon Johnson [EMAIL PROTECTED] Wollaston, Massachusetts
Re: SF Local - Buck Owens/Red Meat
In a message dated 3/31/1999 3:27:42 PM Eastern Standard Time, [EMAIL PROTECTED] writes: This is early notice, I know... but we're leaving on tour tomorrow morning, and dammit, I'll be gone all April. BUT...if you're a Bay Area-ite, do NOT miss this show! Wednesday, May 19 at Bimbo's 365 Club in San Francisco -- Buck Owens and Red Meat. What an honor; I'm really, really excited! an honor indeed!! Make sure you get lots of pictures backstage! Living legends are tough to come by these days. I was playing "Buck Owens Sings Harlan Howard" on the way back from errands and wishing I were 20yrs older so I could have wittnessed the Buck/Don show in their prime!! good luck, Kate
Re: Steve Earle and Del McCoury Band over America
Jon Weisberger wrote: Even at $15 it's usually a couple of bucks over the lowest available price... So a markup to $17 isn't uncommon? Hmm.And I was ready and willing to give $15, but I was taken aback at $17. I guess that $15's where the old "indifference curve" flattens out for me. Everyone's curve flattens out at a different place, I guess, and of course, some folks (like, f'r instance, me) will sometimes buy at retail even when there's no price differential in order to have an impact there. Anyhow, $17 has been uncommon, at least at festivals, although we're heading into a new season, and maybe it will soon be the norm. The problem's been that the record simply hasn't been available at any local retail outlets, and I think KC's still a top-30 market. Record-store-guy Jack Copeland blames the distributor. Still, if the country's foremost bluegrass band can't get their record in the stores, that swag table becomes a lot more important, which I gather is the norm for other bluegrass acts. Now *that's* a damn shame- why'd I think this might be an exception? b.s.
More Mandy (was RE: PLAYLIST: Fear Whiskey 3/29/99
On Wed, 31 Mar 1999, Jerry Curry wrote: NP: Mandy Barnett's first release - and if the 2nd is better than this one, color me impressed! You are not gonna *believe* how much better it is. Imagine every song *at least* as good as her version of "Planet Of Love," and many of 'em surpassing her singing on that one. It totally screwed up my productivity yesterday. It was all I could listen to yesterday afternoon, and when I got home after a long meeting, I had to play it twice more. Mike's justifiably impressed by the knockout title song -- well, every single other song on it is also an aural treat, and every time I listened, something else about it floored me. Buddy Emmons' otherworldly pedal steel on the closing track just about made me break down and cry like a little girl. I know I'm raving, but dang it, it's *that* good. BTW, anyone know who first recorded the title song? (And no fair lookin' in your Billboard book, Jong.) Hint: It's the title track of an album that came out in 1971, and I played another song from that album during the first hour of Swingin' Doors last week (the hour that's up on the KCMU web page).--don
your worst fears realized
This from the current LA Weekly. Everything evil you've ever believed about the record biz is true, according to this, at least. Pretty amazing stuff. -- Neal Weiss --- The Suit An Anonymous Executive Talks by Sarah Luck Pearson "Youre writing about dropping bands, right?" says a major-label president who randomly answered his phone. "But I cant do it. And you know why." Later he agrees to a rare interview if his name is forever guarded in anonymity and if none of his bands are examined. Arnold, as Ill call him, wants the description of a different man, black rectangles to mask his eyes and an underwater TV gurgle attached to his voice. "Im only doing it because when we drop a band it means that weve failed them," he whispers. "And because if I were you, this would be the article I would want to write." A week later, Arnolds face is hidden behind an ergonomic throne. Posters of his victory bands decorate the walls. When he barks into the phone, "Yeah, Ill be happy to call the monster and argue with her I love her," he sounds momentarily happy, like a dog trying to get a ball out of a tight spot. That the monster in question is extremely well known doesnt make him sweat: He is expert in diva resolutions. But you get the impression that his sleep is fitful, that his vacations are slightly paranoid. He has the alluring air of an uncle who has done well for himself but still takes a moment to bounce you on his knee. It would be hard to hate him, easy to hold his hand if he were in pain. You get the feeling he always has a long- winded joke ready to tell and a closet not as spiffy as his title. "Listen," he pronounces, "I have a job to do, but my heart and soul are with the artists." He pauses, allowing a long search in his eyes for sincerity, then continues matter-of-factly. "Besides, its just a matter of time for me." A phone rings on the other side of the wall, and he freezes, leaning forward only when the sound stops. "But if Im identified," he warns, "the stocks would probably go down an eighth of a point, and they would go fucking insane." Above all, Arnold is intent on differentiating himself from other record kings he is a benevolent dictator, a personable ruler who gives out his home number to bands, fights to give a dropped band their master recording back, even drives elderly Democrats to the polls. "Youre getting a very liberal account from me," he explains. "You should go to Tommy Mottola at Sony for the real right-wing corporate point of view. But I almost dont want to put you through the misery. You see, if we had all the record-company presidents in this room," he says, settling onto the couch, "I guarantee you I would be in the minority." Such an assembly of record presidents, he says, would be no Michael Moore picnic: "It would be disgusting. Most of them dont give a shit about artists. Most of them spend more time choosing what cigar theyre gonna smoke than in promoting an artists career." Arnold, and in turn his label, is also in the minority on the pivotal subject of band turnover: Whereas majors typically sign 20 to 30 new acts annually with only the budget to market about six of them effectively, Arnolds company generally signs fewer bands. "I believe you shouldnt just throw everything against the wall and see what sticks, and then choose that. On the one hand, it doesnt usually work very well, and on the other hand, its very cruel to the other artists." He maps a devastating cycle: AR shark attacks on new talent, he says, create mammoth bidding wars (making it impossible for artists to later recoup royalties); too many acts are signed, whittling away at the precious resources of time, attention and budgets; the labels release too many records on top of each other, and come fourth quarter, everybody is screwed. The labels havent recouped their band advances, artist development has been snuffed out, and new talent lands on the corporate chopping block under the mighty budgetary steak knife ready to trim off the fat, their dream. "Without what we call prioritization," he cautions, "the artist has almost no chance. Everybody gets a little, which means that nobody gets enough. Therefore, everybody will fail." Arnolds recommendation that bands sniff out how a label is investing their time and look for a label that truly believes in them is only partially helpful: What about the kid straight out of Wichita who hasnt even broken eight guitar strings yet doesnt it sound to him like they all believe? Perhaps Arnold hasnt been privy to the schmooze dinners where every ingenuous rock fantasy is preyed upon by fast-dancing AR blokes who were hired by their stepfathers and live in the perpetual Goodfellas fantasy of "I can make ya or break ya." "Many artists are naive," he concedes. "They dont know the difference between someone who lies and someone who tells the truth. Ive seen people who werent interested in a band, got a demo, didnt like it, and
Re: Chag Pesakh!
Mark: Now where's that recipe for Tex-Mex Latkes??... You use Mole instead of sour cream. Of course, how could I forget!? Have a good one, everbody... Off to start those matzoh balls. I will have a matzoh ball cookoff with anyone on the list, btw. Mine are the fluffiest in the land g Who knows, it could be a great Tfest picnic competition? --junior
Re: your worst fears realized
Neal, Thanks for posting that article. Hell of a world we live in and industry some of us work in. Mike Hays http://www.TwangCast.com TM RealCountry 24 X 7 Please Visit Then let us know what you think! Mike Hays www.MikeHays.RealCountry.net For the best country artist web hosting, www.RealCountry.net
Re: your worst fears realized
Everything evil you've ever believed about the record biz is true, according to this, at least. Yeah, so much so you wonder whether the piece is legit TL
Re: your worst fears realized
I can't believe I said all those things to her and she printed it. Jeez. I thought it was some college student doing a paper... -Original Message- From: Todd Larson [EMAIL PROTECTED] To: passenger side [EMAIL PROTECTED] Date: Wednesday, March 31, 1999 5:30 PM Subject: Re: your worst fears realized Everything evil you've ever believed about the record biz is true, according to this, at least. Yeah, so much so you wonder whether the piece is legit TL
Re: your worst fears realized
Everything evil you've ever believed about the record biz is true, according to this, at least. Yeah, so much so you wonder whether the piece is legit Well, I can vouche for LA Weekly being a credible journalistic voice. (I used to write for them, how could they not be? g) Heads would roll in the halls of that there publication if this article was a fraud. NW
Steve Earle and Del McCoury Band over America
-Local resident Iris Dement got the best crowd reaction of the night, both on her duet with Steve Earle "I'm Still In Love With You", and the Tom T. Hall cover (help me out here somebody?) she did. Del and Ronnie can sing with the best, but Iris killed. "I miss a lot of trains". i love the way she belts that song out on the tth record probably my favorite song on the album. elaine np: pete krebs/gossamer wings
Re: your worst fears realized
On Wed, 31 Mar 1999 [EMAIL PROTECTED] wrote: Well, I can vouche for LA Weekly being a credible journalistic voice. (I used to write for them, how could they not be? g) Heads would roll in the halls of that there publication if this article was a fraud. Well, it wouldn't surprise me if it was real. Then again, I'm a cynical bastard.g BTW Neal, what's the cover date for that issue? Just curious.--don
Re: your worst fears realized
Neal Weiss writes: Well, I can vouche for LA Weekly being a credible journalistic voice. (I used to write for them, how could they not be? g) Heads would roll in the halls of that there publication if this article was a fraud. Yeah, I remember when I used to think the same thing about the Boston Globe. "The Globe? Make up stories? It'll never happen" Oh, we were innocent then! We had a song in our hearts and a spring in our step! But it *is* an interesting piece, if true. Now I'm wracking my brain trying to figure out who the anonymous executive might be. Any irresponsible theories anyone? --Jon Johnson [EMAIL PROTECTED] Wollaston, Massachusetts
Re: your worst fears realized
Well, it wouldn't surprise me if it was real. Then again, I'm a cynical bastard.g BTW Neal, what's the cover date for that issue? Just curious.--don Vol 21, Number 18, March 26-April 1. It's part of a special music issue that also includes a great story on the rise and fall of one-time local buzz band Mary's Danish. Actually, it's some of the best music journalism that paper's done in some time. NW
Re: Mandy Barnett's I've Got A Right To Cry
In a message dated 3/31/99 9:43:47 AM Central Standard Time, [EMAIL PROTECTED] writes: I've been looking for her first record for a year and nobody here in Denver seems interested in stocking it. Dang. I saw it at the Austin Record Convention this weekend for $2, in the special promo package. Sorry. My best scores: "Mary Jo" by the Four Blazes, the new Boneshakers, and the new all instrumental George Duke album, all for $3 each. Slim
Re: your worst fears realized
Excerpts from internet.listserv.postcard2: 31-Mar-99 Re: your worst fears realized by "Jon E. Johnson"@juno.co But it *is* an interesting piece, if true. Now I'm wracking my brain trying to figure out who the anonymous executive might be. Any irresponsible theories anyone? Seems like someone younger than Seymour Steinis Danny Goldberg heading a label at the moment? Carl Z.
Re: your worst fears realized
But it *is* an interesting piece, if true. Now I'm wracking my brain trying to figure out who the anonymous executive might be. Any irresponsible theories anyone? I tried to find out from my Weekly connex. Was told that even the publisher wasn't divulging. Think major label with smaller roster, right? At least it has to be a bigger player if he's making seven figures and answering to people who make eight or nine. What about pre-merger Interscope? Iovine? Or Hollywood Records. Or... Maybe it's just Deep Throat. Neal Weiss
Re: Steve Earle and Del McCoury Band over America
At 02:53 PM 3/31/99 -0600, CK wrote: I'm guessing either I miss alot of Trains, which is on the Tom T Hall Project or I washed my face in the morning dew which she did in Nashville. And Bill replied: Bingo. "I Washed My Face in the Morning Dew". Let me chime in and confirm it was "Morning Dew" -- most certainly ragged but very very right. I felt fortunate we heard two tunes from Iris, who certainly isn't one to linger on stage any longer than she has to. Not much I can add to Bill's as-usual observant report of the KC show. One thought: I'm recalling the recent thread about best guitar pickers that compared Earle's talents to Del McCoury, and am thinking that maybe Steve's even braver to play mandolin on the same stage as Ronnie McCoury. No disrespect whatsoever meant toward Earle, whose chop I like just fine. But I'd have to say that young Mr. McCoury (isn't he a recent IBMA mando guy of the year?) makes Steve -- and probably a lot of others who'd make greater claims for their playing than Steve ever would -- look pretty ham-fisted. Oh, and this: Given Earle propensity for using the same jokes show-to-show, I'll dutifully report that we also heard that the 20th Maine saved us all from sounding like Steve Del 'n' boys -- thanks for spoiling the punchline, Chicago folks (g), and for those on down the road from us, sorry if I'm ruining it for you. And I'll also dutifully report that Earle dedicated "Copperhead Road" to the guy who ceaslessly hollered for it all evening long -- quote: "Here you go, asshole." Y'know, I can't in my wildest dreams imagine Del McCoury ever doing anything even remotely like that. Hey, Junior, we missed you at Roadhouse Ruby's -- hope your Lawrence show with FW and Deke Dickerson was hot! Jack Copeland Shawnee, Kansas
Re: your worst fears realized
Neal writes: I tried to find out from my Weekly connex. Was told that even the publisher wasn't divulging. Think major label with smaller roster, right? At least it has to be a bigger player if he's making seven figures and answering to people who make eight or nine. What about pre-merger Interscope? Iovine? Or Hollywood Records. Or... There are a bunch of clues littered throughout the article. I'd guess that the individual is in his fifties, since he seems to have once had the idealism of the '60s generation. He also works for a label that has one of the divas under contract. Though Sony has Barbra Streisand, Mariah Carey, and Celine Dion, we can probably count out Mottola, unless it *is* Mottola and that was thrown in to throw armchair sleuths like us off the track. Who else? Whitney Houston at Arista? Madonna at Warner? Reba McEntire at MCA? There's also the suggestion that he didn't come up through the ranks at his current label; that he was a middle-level staffer somewhere else who was lured to his current job for whatever reason. I'd also guess that he's a fairly prominent liberal Democrat, though that doesn't exactly narrow it down in the entertainment industry. Bono is also mentioned; someone who was associated with Island or Polygram at one time, perhaps? --Jon Johnson [EMAIL PROTECTED] Wollaston, Massachusetts
Re: your worst fears realized
whew! I guess I'll stick with my little homespun Vermont Beef Farm label where my biggest gripe is that she didn't do as much radio promotion as I hoped because the calves were being born. Must be a lot of damaged musicians walking around those battle fields. God bless 'em. - Elena Skye
Re: your worst fears realized
On Wed, 31 Mar 1999, Jon E. Johnson wrote: There are a bunch of clues littered throughout the article. Indeed there are. I'd rule out some of the labels Jon mentioned though and focus on the ones whose presidents are based in LA. I doubt the LA writer flew out to New York or Nashville to interview a label head when she lives in Weasel City. I bet some LA insiders have a damn good idea who it might be. Get on it, Weiss, and do some detective work -- your LA weaselcred is in jeopardy.g--don
Re: your worst fears realized
Vol 21, Number 18, March 26-April 1. It's part of a special music issue that also includes a great story on the rise and fall of one-time local buzz band Mary's Danish. Actually, it's some of the best music journalism that paper's done in some time. NW So, what DID ever happen to the Danish, Neal? I remember them becoming an unfocused mess within a couple of years of forming, but early on they sure seemed like a solid blend of X and Thelonious Monster (and torch-bearers for both). As I recall, the blonde singer in the band--Gretchen Seager?--started a band called Battery Acid. I'm going to assume they went nowhere fast. However, what about the--hubba hubba--brunette, Julie Ritter? During MD she spent a lot of her time trading insults with Bob Forrest (Her "you Beat Up" for his "Politically Correct Song For a Girl From the Valley," for instance).
Upcoming releases clipped
From the newly updated ICE website. Highly subjective snipping, use at own risk: April 6: Fountains of Wayne Utopia Parkway (Atlantic) Carl Sonny Leyland (from Fly-Rite Boys) Im Wise (HMG) April 13: Mike Ness (Social Distortion leader) Cheating at Solitaire (ICE #145) (Time Bomb) Tom Petty and the Heartbreakers Echo (ICE #144) (Warner Bros.) Elvis Presley Suspicious Minds (anthology of 1969 Memphis sessions; ICE #144) (RCA) Bruce Springsteen 18 Tracks (title change; ICE #145) (Columbia) Mandy Barnett Ive Got a Right to Cry (Sire) April 20: Barely Pink Ellis Suitcase (ECD) (Big Deal) Bill Kirchen (ex-Commander Cody) Raise a Ruckus (w/Flaco Jiminez guesting on accordion) (HighTone) -For Jack C.-VA Bluegrass Mandolin Extravaganza (two CDs; w/David Grisman, Ricky Skaggs, Del Ronnie McCoury, et al.) (Acoustic Disc) VA This Notes for You Too!: A Tribute to Neil Young (w/Coal Porters, Steve Wynn, Richard Lloyd and others) (Inbetweens) Greg Brown One Night (live album from 1982 w/bonus tracks) (Red House) Alice Cooper The Life Crimes of (four-disc box; ICE #144) (Warner Archives/Rhino) Danny Gatton Hot Rod Guitar: The Anthology (two CDs; w/Delbert McClinton, Robert Gordon and Joshua Redman guesting) (Rhino) Woody Guthrie Buffalo Skinners: The Asch Recordings, Vol. 4 (26 tracks, 6 previously unreleased) (Smithsonian Folkways) The Mekons I Have Been to Heaven and Back... Vol. I (Quarterstick) April 27: The Backsliders Southern Lines (Mammoth) Old 97s Fight Songs (Elektra) Tom Waits Mule Variations (ICE #144) (Epitaph) May 4: The Blue Rags Eat at Joes (Sub Pop) Shaver (Billy Joe Shaver band) Electric Shaver (New West) The Damned Box Set (Cleopatra) May 11: Jack Logan Buzz Me In (produced by Kosmo Vinyl; w/Kevn Kinney, Vic Chesnutt, and ex-Swimming Pool Qs, Brains, and Coolies members guesting) (Capricorn) May 18: The Apples in Stereo Her Wallpaper Reverie (mini-album) (spinART) The Go-Betweens Bellavista Terrace (best-of; w/interview disc in first 2000 copies) (Beggars Banquet) -For new dad Paul K.-VA Dark Pleasures: The Vital Gothic Collection (w/Nick Cave, Bauhaus, et al.) (Hip-O) Marty Stuart The Pilgrim (MCA) Radney Foster See What You Want to See (Arista Austin) May 25: Luna The Days of Our Nights (w/a cover of Guns N Roses Sweet Child O Mine) (Elektra) The Rooks (w/Richard X. Heyman) A Wishing Well (Not Lame) -For Dave and Amyg-Mary Chapin Carpenter Party Doll and Other Favorites (ICE #145) (Columbia) Tentatively scheduled for June release are Luscious Jacksons Electric Honey and Pavements Terror Twilight, among others.
Re: Steve Earle and Del McCoury Band over America
In a message dated 3/31/1999 7:53:08 PM Eastern Standard Time, [EMAIL PROTECTED] writes: And I'll also dutifully report that Earle dedicated "Copperhead Road" to the guy who ceaslessly hollered for it all evening long -- quote: "Here you go, asshole." Y'know, I can't in my wildest dreams imagine Del McCoury ever doing anything even remotely like that. ...it was real interesting to watch Steve cursing his head off as Del moved further and further back into the darkness of the stage at The Vic, Chicago. I'm surprised he lasts as long as he does when Steve is ranting about record labels, the death penalty, the audience or other sordid issues. I'll say this for The Del McCoury Band...someone yells for a request, and the band IMMEDIATELY jumps into it (when they tour on their own). At some shows/festivals, the entire night is made up of requests with new material thrown in to push the product. Once again, solid lessons from the "Wanda Jackson School of Entertainment" = they paid good money, we're gonna give 'em what they want! IMHO, Steve's approach is much more rigid and, in a way, less gratifying after seeing Del and the boyz in action. Kate.
Re: SF Local - Buck Owens/Red Meat
Notes early bird Owen: Wednesday, May 19 at Bimbo's 365 Club in San Francisco -- Buck Owens and Red Meat. What an honor; I'm really, really excited! Man, a dream show! Congrats! I saw Buck with Dwight a few years back (no, no one needs to write in reminding us what year that was) and it was a thrill. Why not book a second tour with this new lineup, Owen? Kelly
RE: Steve Earle and Del McCoury Band over America
Jack says: I'd have to say that young Mr. McCoury (isn't he a recent IBMA mando guy of the year?) makes Steve -- and probably a lot of others who'd make greater claims for their playing than Steve ever would -- look pretty ham-fisted. Ronnie's pretty well got a lock on that award, having won it back in October for the 6th year in a row. The last year the World of Bluegrass Trade Show and Awards ceremony was held in Owensboro, he came down off the stage and gave it to Mr. Monroe, which was a classy thing to do. Kate said: I'll say this for The Del McCoury Band...someone yells for a request, and the band IMMEDIATELY jumps into it (when they tour on their own). At some shows/festivals, the entire night is made up of requests with new material thrown in to push the product. Here's Del on the subject, from an interview conducted in January: "Q: You said that you get up on stage and do what comes to you. Do you think at all about how to balance out...you must get a lot of requests, but yet you have a new album that youre trying to get people interested in, and especially when youre going out to mixed audiences... Del: Ill tell you, usually what we do when we get up there, before they start hollering requests and get loosened up, you can do your new thing for a while, maybe twenty or thirty minutes, then somebodyll start requesting and well do that, but that way we get the new stuff in, I dont know what order itll come in..." Jon Weisberger Kenton County, KY [EMAIL PROTECTED] http://home.fuse.net/jonweisberger/
Merle Haggard Birthday Party
Many folks blasted me for not giving a heads up about this last year so here goes. . . This Saturday night at the 40 Watt is the Merle Haggard Birthday Party. All Merle songs all night. I don't have the complete line-up but last year it included The Hot Burritos, The Starroom Boys, Kevn Kinney (of Drivn' N Cryin), Drive-By Truckers, Redneck GReece, Jack Logan, Vic Chesnutt, etc. Anyway it's a blast! $5 dollars. Deb
Re: your worst fears realized
At 6:28 PM -0400 on 3/31/99, Jon E. Johnson wrote: Yeah, I remember when I used to think the same thing about the Boston Globe. "The Globe? Make up stories? It'll never happen" Oh, we were innocent then! We had a song in our hearts and a spring in our step! Have any reporters made anything up, or is it limited to columnists? Bob
Re: your worst fears realized
At 6:28 PM -0400 on 3/31/99, Jon E. Johnson wrote: Yeah, I remember when I used to think the same thing about the Boston Globe. "The Globe? Make up stories? It'll never happen" Oh, we were innocent then! We had a song in our hearts and a spring in our step! Have any reporters made anything up, or is it limited to columnists? Bob I have a confession. As a reporter on my high school newspaper, circa 1973, I fabricated a band, The Froglegs, and their debut album, "Tastes Like Chicken," and wrote a review about them. I tried to make it as outlandish as possible, for instance, describing the music as a hypnotic mix between Yes and CCR. The next day, a guy came up to me and wondered why his record store had no knowledge of this record. I told him it was an import. He was disappointed because he thought it sounded like a great record. So, I guess I broke the mold in journalism -- I started as a cynic and wound up as an idealist. That article Neal posted was pretty amazing, and depressing. And the obvious question, for me at least, is does this picture of the music business represent a tailspin into bottom-line greed, or is it just more of the same old shit? And, if it's the former, is there a corresponding reduction in the product at the end of the assembly line? That is, of course, assuming that differences in quality do exist in music, and it's not all just equivalent mush that only takes on character when we opinionated human beings decide whether it sucks or not. -- Terry Smith ps I'll vouch for the LA Weekly, too. A good paper, which I'm hoping would double and triple-check the veracity of the reporter's tale. This thing looks so much like it could be a hoax that any responsible (and observant) editor would make absolutely certain it's not before letting it get in the paper.
