I'm an idiot. the static EP was on RESIDUAL.. duh...
BTW. I unearthed some more .xtrak material. keep your eyes peeled.
+odd
--
Todd Sines
icq: 7580
SCALE:form | image | sound
http://www.scalestudio.com
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M-Ziq's Tango and Vectif is essential if you like that sort of thing - I
think it has just been re-released in England
It is worth getting just for the track PH*1700 alone.
Also try other Rephlex and Warp stuff from AFX and Squarepusher if you
ain't
heard any of it yet - it does begin to get
but how are they for mail-order within the states?
Speed of shipment
Customer Service
Accuracy of stock on web (in stock or not)
etc.
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u rock
thx, thats it.
-Joe
- Original Message -
From: Brendan Nelson [EMAIL PROTECTED]
To: ::) [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Wednesday, August 21, 2002 4:36 PM
Subject: RE: [313] track ID
Pepe Bradock - Deep Burnt
| -Original Message-
| From: ::)
I used to place orders on occasion with Satellite, but it's been a while
since I've done so... maybe 4 or 5 months since my last order with them.
(It was shortly after they implemented their so-called real-time inventory
online.)
Speed of Shipment - I'll rate it poor. Most shops I order from can
I've skipped over a bunch of msgs (behind on email here) so I may have
missed a reply to this, but I have an acapella version on an EP I picked up
(here in the States) called Acapellas Anonymous, which is sort of a
semi-bootleg EP. It's either on Vol. 1 or Vol. 2, I've seen new copies of
it in
Hi all,
Forgive the SPAM. It's one of my last weekends in the states for the
indefinite future, and I'm making a trip to Daytwah for the following event.
My friend, Metrotechno cohort and [313] lurker Elkay will be making her
Detroit debut. The whole lineup looks fun. Did I mention Traxx and T.
I agree with most of Matt's comments, except speed. Satellite is not the
speedy juggernaut that Groovetech is, but I've not had to wait more than 4
or 5 days for the order to ship in three orders I placed this Summer. I
assume they've improved this.
Re: availability. I think they've improved, but
http://www.emmrecords.com/~fux/cool_house.mp3
:)
thx
-Joe
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On Wed, 21 Aug 2002 [EMAIL PROTECTED] wrote:
I'm an idiot. the static EP was on RESIDUAL.. duh...
BTW. I unearthed some more .xtrak material. keep your eyes peeled.
Dude, I told you not to bury DAT tapes in the yard...
-
loved this and thought i'd share it
from maximum rock and roll
Part 2: Tape Hiss= The Frequency of Love
A mixtape, warm with the sonic coloration of analog, carries with it a
sense of intimacy. Every person's tape deck records at a different
signal-to-noise ratio, and the frequency of tape
Who are considered the biggest (or most underground) booty/ghetto tek DJs in
the D today?
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I got a whole website dedicated to acid house
Check the mixes link for pure uncut acid house from 87/88
can anyone recomend me some wicked tunes / cds / albums / EPs ...
i'm searching for some stuff like vibert's homewerk EP
or 2 rmxs by afx or squarepusher's acid traxx on selection
DJ Zapp, Gary Chandler, DJ Godfather and DJ Assault are the ones that
seem to be popping up all the time.
Peace,
Patrick.
At 6:06 PM +1000 22/8/02, Cyclone Wehner wrote:
Who are considered the biggest (or most underground) booty/ghetto tek DJs in
the D today?
They're the most well known ones, definitely. 12 Tech Mob are not well-known
at all but are an underground crew who seriously know what they're doing; it
was a mix-tape of theirs sent to me by a 313er in 1996 that turned me onto
that whole sound.
| -Original Message-
| From: Southern
www.ghettotech.de is pretty good.
loads of links too.
paul
www.innercity.co.uk
- Original Message -
From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Sent: Wednesday, August 21, 2002 7:12 PM
Subject: Re: [313] Dark Comedy
I believe it's finished. I heard that
Where is cameo a.k.a. Larry Blackmon from?
New York? Detroit? Philly?
And is Stasis a London guy?
Thanks,
Maarten
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Stasis is a London guy, now works in the RB/hip-hop field where his drum
programming skills are proving quite a valuable asset. He's still 'in touch'
with the electronic scene and recently gave Smallfish an unreleased old
track which they put out on 7.
Now sure about Cameo though!
|
Stasis is Steve Pickton, who is also Phenomena. He's from the same London
circle as Mark Broom and Baby Ford. I think he's collaborated with a few
people, definitely Mark Broom
-Original Message-
From: Maarten Baute [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 22, 2002 9:54 AM
To:
Hey!!
I am now going thru that I want to have that original copy!-phase of my dj
carreer.
So.. I was just listening to that scuba track by king britt called heavenly
(remix).
This is the same track played by derrick may in his mayday mix.. but on my
copy there is (c) 2000 ovum recordings.
The
As for me and a Reinforced release.. I don't recall doing that one!
I think he's referring to that Static release on Residual.
Duh!
No wonder noone bothered to answer my question. (sorry but i read this list
at work where im fairly busy)
So, is this release in typical Sines style? From
I'm writing a feature about him soon, so I thought I'd pick the lists's
collective brains. Anyone want to venture some thoughts on what his most
important contributions to music have been?
By the way, plenty of people have requested copies of the press list. I've
got all the names saved and
Funky Funk Funk
-Original Message-
From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 22, 2002 10:29 AM
To: 313 mailing list
Subject: [313] Kevin Saunderson
I'm writing a feature about him soon, so I thought I'd pick the lists's
collective brains. Anyone want
Bringing quality vocals into a scene that wash heavily into acid house and
doing so in a way that fitted in perfectly with the feeling and the emotions
that were flying around back in 1988
I'm writing a feature about him soon, so I thought I'd pick the lists's
collective brains. Anyone want
http://www.redbullmusicacademy.com/index.php?mod=PageMod.showComponentc
omponent_id=14
John Acquaviva Vs. Final Scratch video
At the end of it you can actually hear/see what it does.
I lov it.
Allthebest,
Enar
url: http://www.stereo88.com
Hi all,
I will be in Barcalona from tonight on untill monday...does anbody know if
there´s something 313 happing up there or which place i should visit?
Thanx,
Martijn de Blaauw
Searchline
Van Breestraat 154
P.O. Box 9292
1006 AG Amsterdam
The Netherlands
Tel: +31 (0)20 578 86 86
Fax: +31
Lemme know
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I guess that in fusing vocal soul with techno in Inner City he was
explicitly displaying a connection back through time to Motown. Probably
more than Juan or Derrick's work, Inner City showed the wider world that
machine music could be infused with genuine soul. I'd say he was the guy out
of the
I can see what you are saying but I think if we had cdrs back in 1988 we
would feel just the same about are mix tapes - the music was more special
then because it was new, not because it had hiss.
nowdays of cousre we can add as much analogue warmth as we want before the
recording process using
Tom Robbins/Magic Feet wrote on Thu, 22 Aug 2002 about following:
I'm writing a feature about him soon, so I thought I'd pick the lists's
collective brains. Anyone want to venture some thoughts on what his most
important contributions to music have been?
many of those inner city records have
S'funny, I was discussing the possibility of 'downgrading' to quarter-inch
with the Richer Sounds guys downstairs, just yesterday afternoon ... does
anybody use this format and have some views? Ta
k
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From: Tom Robbins/Magic Feet [EMAIL PROTECTED]
Subject: [313] Kevin Saunderson
I'm writing a feature about him soon, so I thought I'd pick the lists's
collective brains. Anyone want to venture some thoughts on what his most
important contributions to music have been?
The Reese bassline.
||
wow Im sold too - gimme gimme :)
Thats a properly interesting interview
-Original Message-
From: Michael Lees [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 22, 2002 12:33 PM
Cc: 313@hyperreal.org
Subject: Re: [313] Final Scratch...
I'm impressed, I like the fact function keys are
Praise must be singled out here too - a great house record. Mind you it's
May's mix that really does it.
-Original Message-
From: Simon Walley [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 22, 2002 11:56 AM
To: 313@hyperreal.org
Subject: Re: [313] Kevin Saunderson
From: Tom
| Where is cameo a.k.a. Larry Blackmon from?
| New York? Detroit? Philly?
I would've guessed Philly myself, but he grew up in Harlem, and that's where
Cameo started as well...
Blackmon and Nathan Leftenant appear on a track from the new (DJ) Cam album
Soulshine, but it's not good...lame Roy
The Godfather!
of course there are more, but big ups to this man; for real!
_
Chat with friends online, try MSN Messenger: http://messenger.msn.com
-
To
is this thing on?
sakke
--
random rants and links at:
http://www.arabuusimiehet.com/sakke/
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Second that
www.discod.com
I spoke to him about a month ago or so and he said he was moving to New York to
start up a new company. I guess it will be an all around Ghetto Tek promotional
juggernaut for music, parties, clothing, etc.
ben
-Original Message-
From: dj revolver
He was amongst the first to make serious dollars out of techno, and to put
it on the map by putting it in the mainstream pop charts.
k
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I guess if you expand beyond Detroit you also have the likes of Splack Pack,
Clay D, Disco Rick etc etc etc - the true innovators of booty!
My two cents is that the ghetto tech scene is currently in a similar phase
to drum'n'bass circa 1996/1997 - the old school sound (ie proper booty
bass) was
Atlanta I think ... least that's where their old label was.
They were right up the street at the Michigan State Fair last night --
heard Candy wafting through the summer air. :)
-d
On Thu, 22 Aug 2002, Maarten Baute wrote:
Where is cameo a.k.a. Larry Blackmon from?
New York? Detroit?
this is on Classic according to todd sines' track listing. thats
derrick carter's label, right? is this a recentish track? is it
possible to find new on vinyl easily? pardon me if this is like
some huge old classic anthem, im an idiot.
tom
Excellent record by Derrick L Carter!
It can be found at ...
http://www.classicmusiccompany.com/clhome.htm
Shhh!
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Naaah That original album mix of praise... the way that it builds before
the beat kicks in... unbelievable...
W
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: donderdag 22 augustus 2002 14:58
To: 'Simon Walley'; 313@hyperreal.org
Subject: RE: [313] Kevin
Why doesn't someone archive 313ish tapes like they do with house tapes on
www.deephousepage.com.
Any takers?
o
From: robin pinning [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Thu, 22 Aug 2002 12:09:14 +0100 (BST)
To: [EMAIL PROTECTED] [EMAIL PROTECTED]
Cc: 313@hyperreal.org
top 5 Inner City records anyone?
I'll do the kick off:
1) Good Life
2) what you gonna do about my loving
3) Praise
4) Pennies from Heaven
5) Do You love what you feel...
be good,
W
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good life
share the fun (reese dub)
praise (orig.)
and i do
fire
- Original Message -
From: Wibo Lammerts [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, August 22, 2002 4:12 PM
Subject: [313] TOP 5 INNER CITY singles/album tracks
top 5 Inner City records anyone?
I'll do
Thanks for all the great Ghetto Tek leads.
DJ Godfather is making his first trip to Oz, hence my research.
Why do you all think that Ghetto Tek has not crossed over (ie left its
geographic base) in the same way that techno has?
Miami bass hasn't either really - though Khia's My Neck has blown
SEE ALSO: the movie High Fidelity
Mix tapes are a folk art that is in danger of disappearing. In a sense,
a cassette tape -- like other forms of perishable art -- is wistful in its
impermanence, and the ones that survive over the years are more precious
for it.
I have dozens and dozens of them
I'd like to add 'your love' in there - Im quite aq fan of that
-Original Message-
From: Niko Tzoukmanis [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 22, 2002 3:25 PM
To: Wibo Lammerts; 313@hyperreal.org
Subject: Re: [313] TOP 5 INNER CITY singles/album tracks
good life
share the
Big fun. Mayday remix
Unity.. Juan atkins mix
Praise mayday mix
Good life
Do u love what you feel
Wibo Lammerts wrote on Thu, 22 Aug 2002 about following:
top 5 Inner City records anyone?
1 good life
2 pennies from heaven
3 hallelujah
4 share my life (kenny larkin detroit mix)
5 do
GREAT TOPIC
1. Until We Meet Again
2. Good Life
3. Hallelujah
4. Praise
5. Big Fun
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There are a few reasons Ghetto Tech hasn't crossed over as well as techno:
- Its emphasis on DJing skills: outside the US there's less of a culture of
respect for a DJ's skills on the turntables. A ghetto tech promoter I work
with booked Disco D to play in Brixton, and while the set was
surely his biggest contribution has to be the great records he did on
metalheadz - pulp fiction and basic principles.. or his peanut butter cups..
stephen (who overdosed on irony this morning)..
_
Chat with friends online, try
Brendan Nelson wrote:
I guess that in fusing vocal soul with techno in Inner City
He wasn't fusing anything; that *was* techno.
One of the relatively few facets of it at the time, anyway.
IMHO, of course.
- Mike
yeah, it's a DC track, and in typical DC form, there is one *really* sick
and kinda psycho tek mix (that's way too short ;) and a longer more stock
deephouse mix. if you have a hard time finding it, check tweakin records
(online and in sf)-- they're pretty good about restocking Classic.
this is
Well techno hadn't up until then been considered a primarily vocal music,
and when you did get vocals they were more likely to be in the Model 500
robotic synthpop style rather than the style used on Inner City. Obviously
it's not that Inner City wasn't techno, just that it explicitly demonstrated
Its emphasis on DJing skills: outside the US there's less of a culture of
respect for a DJ's skills on the turntables.
I don't understand why people think this. Why do Americans understand
appreciate mixing technique more than the rest of the world? If you're into
hearing DJs then surely in
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:16 PM
|
| Its emphasis on DJing skills: outside the US there's less of a culture of
| respect for a DJ's skills on the turntables.
|
| I don't understand why people think this...
|
are you saying that there are less people who understand the culture
of mixing skills outside the US?
thats a broad statement Brendan :0)
If you mean most a percentage of UK trance - Judge Jules, Seb Fontaine etc
listeners have a less understanding than the US then maybe your right but
try and
From: Brendan Nelson [EMAIL PROTECTED]
Subject: RE: [313] Kevin Saunderson
Well techno hadn't up until then been considered a primarily vocal music,
and when you did get vocals they were more likely to be in the Model 500
robotic synthpop style rather than the style used on Inner City.
I don't
aha you have answered it..apologise Brendan, I was late on my one finger
typing then :0)
there's not a lot of pressure on people like Norman Cook or Paul
Oakenfold to show off dazzling new deck tricks
ha ha mate its 30 secs for each Norman Cook track, every mix I hear of
his is the same but
| -Original Message-
| From: Simon Walley [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:31 PM
|
| From: Brendan Nelson [EMAIL PROTECTED]
| Subject: RE: [313] Kevin Saunderson
|
| Well techno hadn't up until then been considered a primarily vocal music,
| and when you did
i think you're spot on with the below.
in the uk most of the people who go to parties (from my experience) tend
to be either mainstream (won't get ghetto tek _ever_, in the same way
they wouldn't get jeff mills) or are 'alternative'/hippy/raver types who
think booty is not politically correct
And dont forget Living for the Night on UR as an example of an early vocal
track from detroit...
-- Original Message --
From: Simon Walley [EMAIL PROTECTED]
To: 313@hyperreal.org
Date: Thu, 22 Aug 2002 15:31:17 +
Subject: RE: [313] Kevin Saunderson
From: Brendan Nelson [EMAIL PROTECTED]
and that's why there aren't any British techno DJs who mix
like Claude Young
*cough* Dave Clarke
;O)
Thanks for explaining your theory though. I just thought that the likes of
Sasha Digweed were now starting to blow-up (not literally unfortunately)
in the US as well. I was under the
I've heard that Robert Hood has release out called Point Black - all I know
is its an album.
I havent found any info or mention of it on the net, can anyone shed some
light on this?
thanks
fab
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and
therefore missing out on why this stuff is fun.
Why is it fun?
Most peopole who listen to fun over here are into hardcore that was fun...
(apparently) I used to hate it.
I don't get the point of 'fun'...
Fun to me is going out and hearing wikked tunes all night
Placid
--
It's on Peacefrog - that wonderful label that has rebooted a lot of US
producers careers.
I have heard that it is up there with Minimal Nation and Nightime World
-Original Message-
From: Fabrizio Nahum [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 22, 2002 3:55 PM
To: 313@hyperreal.org
You just have to look at the crowd attendance at, say, a Q-Bert gig in the
UK against one in the US. The US spawned a genre of music, hip-hop, where
skills on the decks are hugely important to the DJ, and that culture lives
on quite strongly there. In the UK, you have to admit, the majority
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:40 PM
|
| in the uk most of the people who go to parties (from my experience) tend
| to be either mainstream (won't get ghetto tek _ever_, in the same way
| they wouldn't get jeff
i've had a listen to samples on smallfish.co.uk
and noticed it was probably a good idea to
pre-order the cd only not the vinyl as two of the
four samples were tracks from mp322 invincible
and mp323 spectra respectively don't know
if this is a mistake but i assume it's not
- Original Message
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:43 PM
|
| and that's why there aren't any British techno DJs who mix
| like Claude Young
|
| *cough* Dave Clarke
|
| ;O)
That was quite a bad typo - I meant many rather than any :)
yeah i've seen claude clear dancefloors with blinding skills on more than
one occasion...shame
- that's because it's all very well mixing up a storm but if it interferes
with the groove too much you can't really dance to it. I have been impressed
by Young and his mixing nose but it did get on my
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:46 PM
|
| or booty DJs who mix like DJ Godfather.
|
| i've never seen a booty dj in the uk, how do uk booty djs mix?
I'm one, and I'd describe myself as conventional... Guy Thackeray
Comparing Assault or Godfather to Sasha and Digweed is like comparing the
Stooges to the Eagles. They cater for different markets and will continue to
be followed by different markets. They're so far apart I don't see how they
can affect each other's success.
Sean.
-Original Message-
Thursday, August 22, 2002, 8:55:07 AM, a knob was tweaked and out came:
FN I've heard that Robert Hood has release out called Point Black - all I know
FN is its an album.
FN I havent found any info or mention of it on the net, can anyone shed some
FN light on this?
Its a good record. Some of it
Brendan Nelson wrote:
Well techno hadn't up until then been considered a primarily vocal music,
Up until Inner City, or more specifically the Ten Records compilation it
was on, techno hadn't even been considered a form of music to begin with,
because the label simply didn't exist. Inner City
| -Original Message-
| From: Otto [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 5:32 PM
|
| Otto
| (*1) apart from our friends Technotronic and 2 Unlimited of course :)
| Techno, techno, techno!
In a parallel universe, Technotronic might have become the Drexciya of the
I have
been impressed
by Young and his mixing nose but it did get on my nerves after
a while.
yeah this is quite an interesting point - as a DJ it can be hard to draw the
line between
pukka-skills (tm) and keeping a room alive. Claude whipped out his crazy
mixing nose at fabric when I went to
http://www.acid-house.net
*sad* :) forgetting to put the URL wherew's my medication
What link are you referring to Mr. Wise? I'd love to surf that site as I too
grew up in the 80's and was weened acieed house during the Summer of Love.
rsvp.
DJ Nikadeemas
- Original
Some interesting thoughts.
Correct me if I am wrong, but I think the general industry perception is
that two-step has failed to 'crossover' beyond the UK. Two of its most
auspicious acts, Craig David and Ms Dynamite have cut more RB inspired
efforts. Two-step, like ghetto tek, has a boutique,
- Its emphasis on DJing skills: outside the US there's less of a culture of
respect for a DJ's skills on the turntables.
Or they misunderstand the meaning of 'skills' I remember reading a UK
magazine (perhaps DJ) a while back naming the top 50 DJ's in the world,
Paul Oakenfold won which
| -Original Message-
| From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 5:37 PM
|
| these parts. However, I feel that ghetto tek may be selling more in
| Australia than previously because, as with hip-hop and electro and some
| two-step, it fits into the 'nu
Yes, that is true as far as techno events (which are becoming more
scarce daily).
However, hiphop battle style DJing is everywhere (I mean it's not HUGE
but it has just been around so long there are people all over that dig
it), and a booty DJ could make it in that scene here in the US, as
-Original Message-
From: David Powers [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 22, 2002 6:16 PM
To: [EMAIL PROTECTED]
Cc: Brendan Nelson; 313@hyperreal.org
Subject: Re: [313] Mo' Ghetto Tek
Would this have anything to do with the typically more reserved nature that
the British
BM (which I believe happened in Detroit? Didn't the ghetto
BN tech sound partly originate from DJs continually pitching the bpm upwards
BN and upwards in strip bars?) for it to find a non-ironic and sincerely booty
BN audience!
Hot damn! I would so tear that ass up. Sincerely!
-
Last Dance Tickets are moving quickly! We will certainly be sold-out before the
actual night.
You can still get tickets for $20 @ Motor (back bar), Recordtime and
Ticketmaster.
This Friday-8/23
9pm, 18+
On a semi related noteIs anyone familiar with baltimore house or baltimore
breakbeat. I have seen some floating around a couple of the record shops
here in Philly but have never really opted to give it a listen.
Everyone that I have asked about it has sort of shrugged or sneered...but
charle feelgood (not name dropping- just a boston resident) was telling me
about that once. i guess its their own littel local version of booty. might be
interesting to give it a listen.
On Thu, 22 Aug 2002, Malcolm J. McAtee wrote:
On a semi related noteIs anyone familiar with
anyone knows about any in the web?
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Baltimore Breaks suck ass. Don't touch 'em with a 10-foot pole.
Think about the worst elements of Fatboy Slim, West Coast Breaks and
circa'92-rave crap (from what I've heard - not that all rave crap from '92
is crap) all meshed into one gruesome puddle of funkless muck. Some of those
in-the-know
Ive got something of his. the name is:
CBloch_vs_ShadowPusher_live
probably available on soulseek, I dont know where I got it.
-Joe
- Original Message -
From: henrique casanova [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, August 22, 2002 4:56 PM
Subject: [313] c. block
These aren't really in any order, but it's about as close as I can get... :)
1. Set Your Body Free
2. Whatcha Gonna Do With My Lovin
3. Pennies From Heaven
4. Big Fun
5. My Heart's Not Here With You
Honorable Mention (couldn't bear to leave these out):
Power Of Passion
Hallelujah
And I Do
It is typical (read great) Todd Sines as .xtrak if you like the static Ep i
suggest my personal favorites..
trait full contact contact records
xtrak multiplexor 7th city #3
xtrak null ep peacefrog
xtrak i-node ep peacefrog
todd sines null ep background
todd sines hi8tus lp residual
plus he has
Brendan Nelson wrote:
| Otto
| (*1) apart from our friends Technotronic and 2 Unlimited of course :)
| Techno, techno, techno!
In a parallel universe, Technotronic might have become the Drexciya of the
hip-house scene, keeping the genre alive during the fallow early 1990s...
Now *that*
Sat. August 31st: Release party Keynote Records 006
---
John Consemulder - Meta EP (GZ 006)
Bootleg DJ Cafe
Mauritsweg 33, Rotterdam, The Netherlands
http://www.bootlegdjcafe.com
Lineup:
T!M (Grammar)
Joris Voorn (Keynote/Sound Architecture)
Axel
I think there are large differences in the sets/styles i've heard between
the two leading exponents of ghetto bass.
dj assault may not have the hip hop styled skills of godfather - ie he
doesn't double and scratch as much but listen to some of his sets and the
genres that he covers are amazing.
Otto [EMAIL PROTECTED] scribbled:
:: Sat. August 31st: Release party Keynote Records 006
:: ---
:: John Consemulder - Meta EP (GZ 006)
::
:: Bootleg DJ Cafe
:: Mauritsweg 33, Rotterdam, The Netherlands
:: http://www.bootlegdjcafe.com
::
:: Lineup:
At 04:59 AM 8/22/2002, Brendan Nelson wrote:
Stasis is a London guy, now works in the RB/hip-hop field where his drum
programming skills are proving quite a valuable asset. He's still 'in touch'
with the electronic scene and recently gave Smallfish an unreleased old
track which they put out on
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