They seem to be giving out mixed messages on the encoding side of things - in
their FAQ it says "Bleep MP3s are a minimum of 256kbps, while the majority of
MP3s found on the internet are 128kbps". Yet they seem to contradict that in
the technical queries bit. Personally I don't think they should
> -Original Message-
> From: Michael Lees [mailto:[EMAIL PROTECTED]
> Sent: 14 January 2004 16:54
>
> > Oh and warps bleep is now live:
> > https://www.warprecords.com/bleep
> >
>
> This is so expensive! 0.99 a track regardless of length. So an album
> with lots of short tracks cost mo
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
>
> >Frequency 7 - Visage
You can get it on the compilation "Secret History" on New Religion records,
which should still be fairly easy to find. I know that Smallfish
(www.smallfish.co.uk) have it in stock, and I
> -Original Message-
> From: Dennis DeSantis [mailto:[EMAIL PROTECTED]
> Sent: 12 January 2004 10:34
>
> But it makes me sad to see an issue like this creating
> divisivness among people who probably completely agree with
> him. ...bickering amongst ourselves distracts from those larger
I think that that's the most likely explanation, and it would be fairly
exciting although I can see potentially negative consequences for the world
of vinyl pressing and distribution if not necessarily for actual producers
themselves. Could it be argued that Apple will be stepping into the shoes of
That's a hell of a quote. Sounds to me like the person who came up with it
is truly in touch with the "soul" of techno... :)
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 05 January 2004 22:57
> To: 313@hyperreal.org
> Subject: (313) A quote to start th
> -Original Message-
> From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED]
> Sent: 22 December 2003 04:07
> >
> > It's a bit of a chicken'n'egg question I suppose.
>
> Not in this casethe power of the experiment is that you're able to
> ferrett out the causal element...
>
> Take a po
> -Original Message-
> From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED]
> Sent: 21 December 2003 06:50
>
> There's been some attempt to actually test this empiricallyto see
> whether exposure to rap music (or other "aggressive art forms" like heavy
> metal) has an impact on how pe
The mixes from November 22nd's 313 party in London have finally been encoded
into mp3 format and will be online pretty soon. Sorry about the delay in
getting them done - laziness struck for several weekends in a row and now
that the Christmas break is underway I've managed to get round to recording
> -Original Message-
> From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
> Sent: 09 December 2003 15:07
> To: Brendan Nelson; 313@hyperreal.org
> Subject: RE: (313) More new (well, newish) records reviewed
>
>
> "Trolley Route - A Occhi Chiusi (Pure Pla
Having enjoyed my old-fashioned "record shopping" trip to ye olde
Berwick Street the weekend before last, I just couldn't resist
heading on down there again. It's over ten years since I started
frequenting the shops of Berwick Street, and by now the smell of
rotting vegetable matter (from the s
I didn't know that - I downloaded them all when they were just on
threetracks.com, and this is the first I heard of Absolut snapping them up for
their ad campaign. There's nothing wrong with it though, I don't think! It's
just another example of people being introduced to the music through drugs
OK, they're not all new, but I bought them all recently, so they're new to
*me*...
Starfighterz - 4 Flavours Of A Two-Sided Story - Part 1 (Delsin)
I didn't like this quite as much as I'd expected to when I first heard it, but
repeated listens have shown it to be a bit of a grower. It is a very
urs before being able to head home and actually playing
the things. So in the last few weeks I've been a bit old-
fashioned and have actually been going to shops... :)
> -Original Message-
> From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
> Sent: 04 December 2003 11
I've been drooling in anticipation of this Stasis compilation for some time, so
it's good to hear it's finally out - I think I'll be hitting the shops on
Saturday! What are the unreleased tracks like, incidentally? They're not along
the lines of the Mo'Wax-era Stasis tracks are they?
Brendan
>
More 909 than 808 as well, I'd say the bit of drum programming most likely to
cause me to dislocate a knee on the dancefloor is Suburban Knight's "The Art of
Stalking"... also, "Spectral Nomad" by Robert Hood ends up sounding nearly four
times as fast as its real BPM due to the dense and inordin
om: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 28 November 2003 16:54
> To: Martin; Robert Taylor; Brendan Nelson; 313@hyperreal.org
> Subject: RE: (313) 313 Party - names to faces
>
>
> so a there is the Jan date? has it been set Brendan/martin..will
> I miss it
; From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 28 November 2003 16:21
> To: Brendan Nelson; 313@hyperreal.org
> Subject: RE: (313) 313 Party - names to faces
>
>
> What record is that from?
>
> -Original Message-
> From: Brendan Nelson [mailto:[EMAIL PR
> -Original Message-
> From: Brendan Nelson [mailto:[EMAIL PROTECTED]
> Sent: 26 November 2003 23:47
> >
> > > sigma.jpg (I think this one is actually phi.jpg)
>
> Actually that's true - sigma.jpg is a shot of the barman properly
> rocking it on the d
> -Original Message-
> From: Phonopsia [mailto:[EMAIL PROTECTED]
> Sent: 26 November 2003 22:57
>
> > sigma.jpg (I think this one is actually phi.jpg)
Actually that's true - sigma.jpg is a shot of the barman properly rocking it
on the decks. I've got to say, my favourite bit of his set was
Thanks to Julian for posting those pictures! We have some photos of our own,
and I'm aware of a number of others knocking about, and those should soon be
online, but in the meantime, here's a bit of a guide to who *I* recognise in
some of the pictures on the kiddyraver.com site. I know it's poin
Just in case you've missed any of the earlier mails about it,
here's a final reminder about tomorrow's 313 party. Apologies
for the repetition, but you'd be surprised how many people
complained last time about not knowing the party was happening!
The party is at Public Life and kicks off at 8.3
This Saturday, the place to be in London is the 313 party!
Hot on the heels of the last 313 party at Public Life, Spitalfields,
we're having the big pre-Christmas 313 Party this Saturday, the 22nd
of November, featuring:
* Dan Butler
* Guy Thackeray
* Lunar Selector
* Matt Chester
* Max D
I'd say the first bit of "Windwalker" by Suburban Knight & The Martian on the
way out, and something like Mills' "Entrance to Metropolis" on the way in...
Brendan
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 07 November 2003 08:18
> To: 313@hyperreal.o
OK, we've got the list of who's playing at the next 313
party, which will be taking place on Saturday November 22nd
at Public Life, and will be free for all 313-mentioning
people who turn up at the door!
DJs on the night will be:
Max Duley
Matt Chester
Dan Butler
Tristan Watkins
Lunar Selector
; Maybe you can get Hood and Atkins to play they're at Lost the same
> night
>
>
> - Original Message -
> From: "Brendan Nelson" <[EMAIL PROTECTED]>
> To: <313@hyperreal.org>
> Sent: Tuesday, November 04, 2003 3:35 PM
> Subject: (31
We've been given a chance to hold another 313 party at Public Life on November
22nd - I know it's fairly soon after the last one, but I didn't want to turn
down a chance to have another night of such high-quality music before Christmas!
So the same arrangement as last time will apply - if you'd
That's a very good analysis. One thing that springs to mind, for me, is
that, during the mid and late 1980s, there was another city apart from
Detroit where people were trying to develop a sound called "techno":
'We have heard techno attempted, and yet sadly you have failed
you should stick to vic
I've got that movie - I think it's definitely worth buying! It sits on my video
shelf next to "Brother From Another Planet"...
"A Joyful Noise" is a good one too, but that's more of a documentary, and
features some amazing footage; rooftop renditions of "Astro Black", Sun Ra
playing synth whil
Cheers! I do have a tendency to waffle a bit, especially on a
Monday afternoon as it makes the time go by a bit faster... :)
I was just thinking that after I got heavily into techno (which
was in 1991), it was only a few years before it suddenly became
absolutely huge, with the Tribal Gathering
Break even on selling records? What a weird concept! I have to say that if a
situation comes about where the techno audience grows, leading to a) a downside
where there's a perhaps rather more naive bunch of people into techno than
there used to be, and b) an upside whereby a lot of techno label
This is a bit of a long shot, but...
...back in the days of GPR (the label that put out Temple of Transparent Balls
by the Black Dog, alongside various other electronic-listening gems of the
early 1990s), they signed an act called Third Shock. This was in the final days
of GPR, however, and bef
Guy and myself have finally got round to finishing and uploading
"All Cylinders", a mix we've been trying to perfect for absolutely
ages! It's available for download as a 73-minute mp3 file at:
http://www.non-stop-djs.com/
With over 100 tracks on there, the mixing is pretty rapid-fire and
the
Forgive the sparse layout of the site - I'll be uploading tracklists and
other information later on, but for now here are some pictures:
http://www.313party.com/
Enjoy!
Brendan
Here's what I can remember of mine too - it's all a vague memory,
and, like Matt's, has been assembled after a quick scan of what records
have been pulled out of their sleeves in my bag:
Drexciya - Black Sea
Kosmik Messenger - Soundscape (Intricate mix)
Miklos Kovari - The Basement Track
Dave Cl
Thanks for the positive messages from everyone about Saturday's 313 party here
in London - I think everyone involved can congratulate themselves on a job well
done! As Tristan said, the venue was absolutely packed, and the dancefloor
responded spectactularly. And to think that, at around 10pm, t
So are you alleging that they have bootlegged Environ releases?
> -Original Message-
> From: FRED giannelli [mailto:[EMAIL PROTECTED]
> Sent: 09 October 2003 17:59
> To: 313@hyperreal.org; [EMAIL PROTECTED]
> Subject: Re: (313) Paging Metroplex Records
>
>
> Not to mention this little it
There will definitely be pictures, and I am hoping to do some
recording! We were all set to do it at the Bootytronics party
back in August, and we had the machines to do it, but were one
lead short and so it didn't happen in the end. This time around,
we'll think it through a bit more - we mana
1751&A=Y&Z=1
And here is the lineup on the night - unfortunately Placid and
Rohan won't be able to make it:
Brendan Nelson (Lunar Selector, WIDE)
Dan Butler (313 Lurker!)
Guy Thackeray (WIDE)
Ken Odeluga (Bleep43)
Matt Chester (11th Hour)
Max Sullivan (Amp-Art)
Toby Frith (Bleep43)
Isn't that "Troglodyte" by the Jimmy Castor Bunch? That's the original, though,
so it doesn't repeat...
> -Original Message-
> From: :: evilgenetix :: [mailto:[EMAIL PROTECTED]
> Sent: 26 September 2003 17:24
> To: 313@hyperreal.org
> Subject: (313) Track/Accapella ID
>
>
> Would like t
> -Original Message-
> From: Lee Herrington IV [mailto:[EMAIL PROTECTED]
> Sent: 25 September 2003 15:13
>
> does anyone else find that their musical tastes
> change with the seasons?
Definitely! I always find myself heralding winter with "It Is What It Is" -
synthesized strings and cris
OK, my brain isn't exactly firing on all cylinders today and so my list didn't
include a particular 313er who *should* have been included... a Mr Ken Odeluga!
So here's the updated lineup:
Ken Odeluga (Bleep43)
Brendan Nelson (Lunar Selector, WIDE)
Guy Thackeray (WIDE)
Roh
That's Toby *Frith*, not Toby *Young*, as I moronically typed below... sorry
about that! :)
> -Original Message-
> From: Brendan Nelson
> Sent: 23 September 2003 16:04
> To: 313@hyperreal.org
> Subject: (313) 313 London party - the lineup for October 11th
>
in London, near Liverpool Street and Aldgate tube
stations. If you need any more information on the party, just send me a private
mail!
Anyway, the lineup (in no particular order) is:
Brendan Nelson (Lunar Selector, WIDE)
Guy Thackeray (WIDE)
Rohan Thurairatnam (Audiolove, Overload)
Tristan Wat
OK, it's time for another 313 bash at Public Life - more than a year on from
the last one!
Saturday 11th October is the date, and a full lineup of DJs has yet to be
confirmed, so if you're up for playing, send me a mail and we'll announce the
full lineup when it's been decided.
All 313 members
Bit of London spam here, so apologies to everyone else!
Booty/ghetto-tech big cheese DJ Assault and Direct Beat head honcho Keith
Tucker (aka DJ K-1) are both appearing at BASE on Friday 26th September,
alongside Space DJz, Jim Masters and Colin Dale.
The party is taking place at Crash, at 66 G
Hi,
Just a quick update for those who have e-mailed me about tonight's BASE party
with Kevin Saunderson, Jim Masters and Ed DMX, and for those who are still
deciding on coming!
I can get 313 members onto the concessions list, which will mean you'll get in
for the BASE member's price of £10 (ra
Hi,
Just to let you know that Kevin Saunderson will be
appearing at BASE this Friday, at Crash in Vauxhall,
alongside Jim Masters, Ed DMX, Cutlass Supreme, and
the Non Stop DJs. Here is the info!
Friday 5th September at Crash
66 Goding St. Vauxhall, London
10pm - 6am
Admission £12.00 / £10.00 NUS
I was once in Uxbridge town centre at 7pm one evening, and a modified Mini came
roaring round the corner with "Strings of Life" blasting out of its hugely
overspecced sound system... now *that* was one time I just cut loose on the
streets! Never heard anything like that since, though...
> -
Well, we have some 313-style action at Public Life from 8pm - more information
at www.bootytronics.com - and then afterwards there's Lost, featuring Plaid and
Jeff Mills... I'm hoping to make it down to both! (and I'd really *better* make
it down to the former - I'm playing there :)
Brendan
>
Watch it! I already mentioned that :)
Anyway, I'll see your "Blackout" and raise you Rob Hood's mix of Red 2...
"bring the lights down, we're about to do something real serious... if you
gotta lighter in your pocket, light it up!"
> -Original Message-
> From: Robert Taylor [mailto:[EMAI
And, obviously, "Blackout" by Lil Louis... :)
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 15 August 2003 17:10
> To: 313@hyperreal.org
> Subject: (313) The lights go on the lights go off
>
>
>
>
>
>
> OK, you know that there's going to be DJs th
> -Original Message-
> From: Matt MacQueen [mailto:[EMAIL PROTECTED]
> Sent: 14 August 2003 16:12
>
> Also Claude Young was involved with some remixes on a Solar Feelings
> 12" from that album... on R&S in the mid 90's. He did a pair of
> remixes on the 12", then there is an original an
There is also some 313er action at Public Life on the Sunday, with me and
Tristan Watkins playing... there is more information at www.bootytronics.com !
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 13 August 2003 14:46
> To: Neil Tomlinson; 313@hyperreal.or
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 07 August 2003 19:50
>
> One of my favorite stories of this is Ken Ishii - he took
> one of his keyboards and turned it off and on repeatedly
> until it kind of went kzzzgk - and then it made weirder
> noi
And you could argue that if the BBC was trying to do a piece of genuine news
(rather than advertorial) about digital DJing and so on, they should really
mention alternative products (Ableton, Final Scratch, other makes of CD deck)
to retain some sort of balance...
...but this is *way* off topic
I've not heard it either, and the range of opinions I've heard about it so far
is broad enough for me not to have decided in advance whether I'm going to buy
it or not - at least it hasn't been universally panned!
This year is shaping up to be quite a big one when it comes to people with
highly
A bit of 313 London spam here - apologies to everyone else!
We are putting on a night at Public Life on Sunday 24th August - Carnival
weekend - presenting a mixture of Detroit house, electro-funk, techno, booty
and ghetto tech. The line-up is:
Non Stop DJs (WIDE, Bootytronics)
Tristan Watkins (
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 16 July 2003 13:43
>
> In the middle of my set I drop the Jacksons "Can You Feel It"
> and the crowd goes wild. Funny thing is -- this girl comes up
> to me and says "Can you play the original?!" and i'm like
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 10 July 2003 15:23
>
> look, I'm not starting anything, and this is not a sarcastic
> question. But,
>
> >This is why Juan Atkins came up with a similar sound with
> out even hearing
> of Kraftwerk.
>
> Is
27;t
really all that original.
> -Original Message-
> From: robin pinning [mailto:[EMAIL PROTECTED]
> Sent: 10 July 2003 15:07
> To: Brendan Nelson
> Cc: spw; 313@hyperreal.org
> Subject: RE: (313) Tour de France 03 video
>
>
>
> rock is just the sound of
So today's revelation, broadly speaking, is that electronic music is
made with electronic equipment?
You know, 313 isn't just informative and entertaining - it's
*educational* too!
> -Original Message-
> From: spw [mailto:[EMAIL PROTECTED]
> Sent: 10 July 2003 15:00
> To: 313@hyperreal.or
I'd definitely agree - I remember when the first edition of Muzik came
out, and they were giving copies away at the 1995 Tribal Gathering. By
that time I'd kind of stopped reading magazines for information on the
music *I* liked, but occasionally bought magazines like Muzik or Mixmag
for the sake o
> -Original Message-
> From: jurren baars [mailto:[EMAIL PROTECTED]
> Sent: 01 July 2003 16:21
>
> actually the only reason i brought this up, is because i need
> an id on the first track bmg's playing...
That's Basstronic by Unknown DJ...
Brendan
An interesting essay here on 1983, "the year that electro took over",
and a look at what it has meant for the development of popular music
over the last 20 years:
http://www.sagant.freeserve.co.uk/1983.htm
"While 1981 may have been year 'zero' for the electro sound, with the
birth of Tommy Boy re
http://www.discogs.com/label/It_Is_What_It_Is
I have IIWII 002, which *could* well be the one you are talking about.
There's a John Tejada remix on that 12" which has kind of the sound
you're describing - warm and chicago-y but with a kind of mechanical
tone to the rhythms...
Brendan
> -Orig
It is an Al Green track, and your brain wasn't being baked! Mine has,
though, as I seem to have completely forgotten exactly which track it
was...!
> -Original Message-
> From: robin pinning [mailto:[EMAIL PROTECTED]
> Sent: 26 June 2003 12:08
> To: 313@hyperreal.org
> Subject: (313) souls
Julian 'Jumpin' Perez? The Wee Papa Girl Rappers?
Inquiring minds demand to know! :)
> -Original Message-
> From: Placid [mailto:[EMAIL PROTECTED]
> Sent: 19 June 2003 15:36
> To: [EMAIL PROTECTED] Org
> Subject: (313) Wow.. Guess who is headlining at 24th August 'lost'?
>
>
> But you c
Just in case any 313ers are going to be wandering the sultry streets of
South London tonight looking for loud 808 kick drums, WIDE is doing a
Bootyquake party at the Dogstar.
Entry is free, and myself and mute 313 subscriber Guy Thackeray will be
appearing as the Non Stop DJs at 10pm!
For more i
The Iridite releases are sh*t hot and are produced by Jason Brunton,
who's a 313 subscriber and should be able to point you to shops that are
stocking them... I've never had any problems picking them up in London
though!
Brendan
www.lunarselector.com
> -Original Message-
> From: [EMAIL PR
| -Original Message-
| From: Benn Glazier [mailto:[EMAIL PROTECTED]
| Sent: Monday, June 16, 2003 2:49 AM
|
| I mean like who the hell is it and what sort of name is M for a
| label? :/
Well, I dunno, the M kinda provides a solid foundation while the space
characters to either side of it
| -Original Message-
| From: J. T. [mailto:[EMAIL PROTECTED]
| Sent: Sunday, June 15, 2003 11:57 AM
|
| i'm not trying to draw a line in the sand, my feelings
| arent all one way or another, just talking y'know..
Exactly - I'm coming from the same position myself.
While I'm prepared to co
> -Original Message-
> From: Andrew Hodgson [mailto:[EMAIL PROTECTED]
> Sent: 13 June 2003 16:44
>
> Definitely! What's wrong with combining all the knowledge gained up to
> now to give people the ultimate night out? Wankers.
Well, if it was good enough for Ron Hardy and Larry Levan, or f
> I thought Robin meant:
>
> 1st Wave: Jimmy Saville (50's) to Levan etc. (early 80's)
>
> 2nd Wave: Acid House (85-ish) to Now (general beatmatching,
> DJing as an artform, big money etc.)
>
> 3rd Wave: The future? (Digital mixing from laptops, personal
> edits, more accessible, FX & outboard
> -Original Message-
> From: Langsman, Marc [mailto:[EMAIL PROTECTED]
> Sent: 13 June 2003 16:03
>
> That was kinda where I went with my final year uni project -
> basically a
> software core running DSP filters in realtime over audio
> feeds controlled by
> a generic midi device...
Tha
> -Original Message-
> From: Martin [mailto:[EMAIL PROTECTED]
> Sent: 13 June 2003 16:34
>
> I would suggest that if you think using Ableton some how
> makes you creative your mistaken...
I had thought that pretty much anyone in the electronic music scene
understood that the issue is not
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 13 June 2003 15:14
>
> is it the kind of thing you do on the fly, or is it something
> you have to
> sit down and think about and sort of sit there and do over and over
> (say, like building a track on cubase
> -Original Message-
> From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
> Sent: 13 June 2003 14:59
>
> Fantastic...if this is 3rd wave djing then bring it on.
>
> Can anyone give me a couple of sentances on how this is done
> and what equipment is needed ?
Definitely - I'd love to s
> -Original Message-
> From: robin pinning [mailto:[EMAIL PROTECTED]
> Sent: 13 June 2003 14:04
> >
> > is the first track like that all cut up or is that you
> cutting records?
Yep, the intro is me cutting bits of records into one another - Ableton
gives you the chance to basically make
e-
> From: Brendan Nelson
> Sent: 12 June 2003 10:31
> To: 313@hyperreal.org
> Subject: (313) New (and slightly weird) mix online
>
>
> After all that discussion a few weeks back about what
> technologies like
> Ableton mean for the humble mix, I started tink
After all that discussion a few weeks back about what technologies like
Ableton mean for the humble mix, I started tinkering around with it a
bit myself! The general concept for this mix is one that's been knocking
around my head for several years but all attempts to render it with two
turntables j
It's not - it's most likely Drexcyen DJ Stingray, I would guess...
> -Original Message-
> From: Roland van Oorschot [mailto:[EMAIL PROTECTED]
> Sent: 02 June 2003 17:22
> To: 313@hyperreal.org
> Subject: (313) Drexciya-Live from all tomorrows parties???
>
>
> Hi there
>
> I just found o
> -Original Message-
> From: robin pinning [mailto:[EMAIL PROTECTED]
> Sent: 02 June 2003 12:11
>
> this looks amazing (A Guy Called Gerald acid house set almost
> swings it for me alone)...
Talking of Gerald, who else made it down to the Rocket on Friday? I have
to admit that, having tu
Oh yeah - this is tomorrow night isn't it! I had forgotten about that...
Any London 313ers who plan on going fancy meeting up in a nearby pub for
some drinks beforehand?
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 29 May 2003 17:01
> To: 313@hyperrea
> -Original Message-
> From: David Hampson [mailto:[EMAIL PROTECTED]
> Sent: 28 May 2003 12:07
>
> [techno family tree]
>
> * 1976 Grandmaster Flash releases his first album "Super
> Rappin'" with his new band The Furious Five, one of the first
> commercial albums of Hip Hop.
OK, serio
> -Original Message-
> From: David Powers [mailto:[EMAIL PROTECTED]
> Sent: 23 May 2003 17:23
>
> You could probably make enough money to not only buy more
> gear, but also start your own record label. And your
> "ghetto" credentials would be extremely high.
I think the "ghetto" creden
An "Alan Oldman" is listed as a fourth member of UR...
The description of jungle's origins kind of sounds like ghetto tech
("..mix House music and Hip Hop at 45 rpm")
"Speed garage" did not seriously emerge in the UK until 1996, with 1997
being the year it properly blew up. They list it at 1993..
; -Original Message-
> From: Alex Bates [mailto:[EMAIL PROTECTED]
> Sent: 23 May 2003 16:07
> To: Langsman, Marc; Brendan Nelson; [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: RE: (313) RE: Third Wave DJ was RE: (313) Fw: Dex and FX with
> Kir k Degiorgio
>
>
> does
[mailto:[EMAIL PROTECTED]
> Sent: 23 May 2003 15:33
> To: Brendan Nelson
> Cc: 313@hyperreal.org
> Subject: Third Wave DJ was RE: (313) Fw: Dex and FX with Kirk
> Degiorgio
>
>
>
> another point:
>
> the hi-tech dj ("third wave dj"?, have i been reading
Yes, track selection is definitely more important - while the
traditional DJ might cock up track selection sometimes (by simply not
being able to find the right record in time, or having had to limit the
number of records brought to a gig for weight reasons), a high-tech DJ
has no excuse for pickin
ack selection skills
are lacking then you won't do very well.
Brendan
> -Original Message-
> From: robin pinning [mailto:[EMAIL PROTECTED]
> Sent: 23 May 2003 12:05
> To: Brendan Nelson
> Cc: 313@hyperreal.org
> Subject: RE: (313) Fw: Dex and FX with Kirk Degior
I look forward to it too - well done to Alex, by the way, who I notice
has one of his OurTime tracks on the compilation! :)
Anyway, on the point of this being a new form of mix - I think it is the
logical progression on from the Hotmix 5 style megamix, and I am
prepared to argue the point.
First
I would just like to say, I agree completely.
> -Original Message-
> From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
> Sent: 21 May 2003 13:06
> To: [EMAIL PROTECTED] Org
> Subject: (313) Technotourist on Derrick May
>
>
>
> http://technotourist.org/modules.php?op=modload&name=Sections&;
>
Underground Resistance "The Final Frontier" on UR003...
> -Original Message-
> From: Ralf Gill [mailto:[EMAIL PROTECTED]
> Sent: 19 May 2003 11:33
> To: '1-11'; '313@hyperreal.org'
> Subject: RE: (313) DJ Bone Radio1 Mix 2002 - Track id
>
>
> does anyone happen to know what the track sta
> -Original Message-
> From: Benn Glazier [mailto:[EMAIL PROTECTED]
> Sent: 15 May 2003 15:26
>
> Perhaps his favourite part isn't the part that is your favourite!
>
> Talk about picky! Hands down it's a f**king sweet mix.
I did say it's an "excellent" mix and acknowledged that it's a
The only thing that annoys me about this excellent mix from Bone is that
he mixes out of Flash at the same point almost every other DJ does -
namely, right before the best bit of the entire track! Whenever I hear
that segment where the phasing on the beat starts to slowly rise
upwards, I stare at w
I saw Tristan wearing a nice-looking 313 t-shirt over in London a few
months back... I asked him what the deal was with the shirt, but was too
drunk to remember the story! But that may well have been the same
thing...
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTE
For anyone who was planning to head down to the Detroit Grand Pubahs gig
on Saturday night (17th May) at Impact in Hoxton, beware! Impact has
been shut down by the fire department and so the night has shifted to a
new venue. Luckily the lineup remains intact!
The new venue is The Key near Kings Cr
Just to let 313ers know, there's a chance to see Ed DMX at Dirty Fingers
for free this Friday! Here are the details:
Down Tiki Bar
Bar and Dining Rooms
2 Essex Road, Islington (nearest tube: Angel)
It's free before 11pm, and only £2 after, so even if you end up being
late it's not too much tax fo
003 17:47
> To: 313 Mailing List
> Subject: RE: (313) Best Drexciya
>
>
> My personal favourite is their S.I.D. release and also
> Journey home on Warp!!
> Absolutely alltime classics!
>
> Cheers, Arne
>
> "Brendan Nelson" <[EMAIL PROTECTED]&g
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