).
Orrin
- Original Message -
From: Maarten Baute [EMAIL PROTECTED]
To: Robert Taylor [EMAIL PROTECTED]; [EMAIL PROTECTED];
[EMAIL PROTECTED]; 313@hyperreal.org
Sent: Sunday, May 11, 2003 7:16 AM
Subject: Re: (313) Every Dog 4
Check out Beyer's Concealed Project material for Svek - much
definition of d is one of his best works beside remainings on Drumcode, and
bangers are boring and hard for brain that bangers. They live short life on
scene Mull is coming back with some new materials as i heard, but im
asking are we going to hear some lekebusch stuff, i dont think so...
so
well it depends on a your brain type, most people are units who are here to
reproduce and populate generally go through a rebellious/ liberal phase
during
adolescence and then conform to the system of populous as they mature.
The hard techno sound was actually a product of +8 records, (faster =
Check out Beyer's Concealed Project material for Svek - much more 313-friendly
than his monotonous Drumcode loop sh!t
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 6:22 PM
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: (313) Every
Check out Beyer's Concealed Project material for Svek - much more
313-friendly than his monotonous Drumcode loop sh!t
Yes, those records on Svek he did are really good. 5 out of 5!
I heard Mike Grant playing the definition of D on the DEMF 2000 (I wasn´t
there, but saw the realvideo on
sorry if you never got this but my email provider has been down :(
-Original Message-
From: ian cheshire [mailto:[EMAIL PROTECTED]
Sent: 09 May 2003 19:04
To: Fabrizio Nahum; Wibo Lammerts; 'Odeluga, Ken'; [EMAIL PROTECTED];
313@hyperreal.org
Subject: RE: (313) Every Dog 4
im seriously
:
Subject: RE: (313) Every
Dog 4
a lot of people will probably barf all over this statement
but i
of Overload? Am I hallucinating or can anyone confirm?
Sorry if this has been covered in detail already.
- Original Message -
From: Wibo Lammerts [EMAIL PROTECTED]
To: 'Odeluga, Ken' [EMAIL PROTECTED]; [EMAIL PROTECTED];
313@hyperreal.org
Sent: Friday, May 09, 2003 2:04 PM
Subject: RE: (313
online mailbox of the same account?
-Original Message-
From: Max Duley / ARCart [mailto:[EMAIL PROTECTED]
Sent: zaterdag 10 mei 2003 13:49
To: 313
Subject: RE: (313) Every Dog 4
I'm sure I read somewhere that the Every Dog material is old, from the
early-mid 90s. I I think I read
Russhour is the winner: only 17,50 EURO!
This is the cheapest copy of an Every Dog Has Its Day ever, I presume.
Cheers,
Maarten
www.vinylunderground.co.uk has em at £12.99pretty good
robin...
Russhour is the winner: only 17,50 EURO!
This is the cheapest copy of an Every Dog Has Its Day ever, I presume.
Blimey, a proper market in Every Dog records! That's virtually the price of
an ordinary LP. In fact that *is* the price of an ordinary LP!
k
-Original Message-
From: robin pinning [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 12:33 PM
To: 313@hyperreal.org
Subject: Re: (313) Every
PROTECTED]; 313@hyperreal.org
Subject: RE: (313) Every Dog 4
Blimey, a proper market in Every Dog records! That's virtually the price of
an ordinary LP. In fact that *is* the price of an ordinary LP!
k
-Original Message-
From: robin pinning [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09
PROTECTED]; [EMAIL PROTECTED];
313@hyperreal.org
Sent: Friday, May 09, 2003 2:04 PM
Subject: RE: (313) Every Dog 4
Another Every Dog... is it worth getting?
And on the Axis tip... I heard about this Claude Young record on Axis?
Only
100 copies worldwide available? What;s the story
i feel there are only 2 tracks that really stand out while the
others are in the typical millsart everydog/metropolis style.
which is still good, but its nothing groundbreaking.
that's sort of the way I felt about vol. 3 myself. Don't get me wrong -- what
Mills does in this style is better
@hyperreal.org
Subject: RE: (313) Every Dog 4
i feel there are only 2 tracks that really stand out while the others
are in the typical millsart everydog/metropolis style. which is still
good, but its nothing groundbreaking.
that's sort of the way I felt about vol. 3 myself. Don't get me wrong --
what
that's sort of the way I felt about vol. 3 myself. Don't get me wrong --
what Mills does in this style is better than a lot of the crap out there
diluting the market with average techno -- , but I'd rather have fewer
tracks that are just... well... more memorable or something. Or when the
best
M McQueen
what Mills does in this style is better than a lot of the crap out there
diluting the market with average techno -- , but I'd rather have fewer
tracks that are just... well... more memorable or something. Or when the
best of Every Dog vols. 1 thru 6 comes out let me know. ;) I feel
,
people should boycot the artist :-)
-Original Message-
From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
Sent: 09 May 2003 15:34
To: Fabrizio Nahum; Wibo Lammerts; Odeluga, Ken; [EMAIL PROTECTED];
313@hyperreal.org
Subject: RE: (313) Every Dog 4
i feel there are only 2 tracks
When I shop for records, I keep just one thing in mind: does it sound good?
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 2:29 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4
I disagree with the following views expressed, the more tracks
@hyperreal.org
Sent: Friday, May 09, 2003 6:31 PM
Subject: RE: (313) Every Dog 4
When I shop for records, I keep just one thing in mind: does it sound
good?
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 2:29 PM
To: 313@hyperreal.org
Subject: Re: (313
Subject: RE: (313) Every Dog 4
When I shop for records, I keep just one thing in mind: does it sound good?
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 2:29 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4
I disagree with the following views
It is my observation there is favoritism towards song based format techno
over track based techno form regular mailing list contributors.
This would explain the interest in pop music, deep house, pre-techno retro
music and a dislike of techno genres such as Swedish techno.
on 5/9/03 10:05 AM,
No sh!t Sherlock.
What's wrong with disliking Swedish techno and liking Nick Holder or Yello?
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 2:42 PM
To: Odeluga, Ken; 313@hyperreal.org
Subject: Re: (313) Every Dog 4
It is my observation
It is my observation there is favoritism towards song based format techno
over track based techno form regular mailing list contributors.
This would explain the interest in pop music, deep house, pre-techno retro
music and a dislike of techno genres such as Swedish techno.
..must not
-- Original Message --
From: spw [EMAIL PROTECTED]
It is my observation there is favoritism towards song based
format techno
over track based techno form regular mailing list contributors.
This would explain the interest in pop music, deep house,
pre-techno
]
Sent: Friday, May 09, 2003 3:42 PM
To: Odeluga, Ken; 313@hyperreal.org
Subject: Re: (313) Every Dog 4
It is my observation there is favoritism towards song based format techno
over track based techno form regular mailing list contributors.
This would explain the interest in pop music, deep house
oh, it's more than favoritism -- it's a conspiracy!
DJ Fox Mulder
On Friday, May 9, 2003, at 10:41 AM, spw wrote:
It is my observation there is favoritism towards song based format
techno
over track based techno form regular mailing list contributors.
This would explain the interest in pop
, 2003 4:41 PM
Subject: Re: (313) Every Dog 4
It is my observation there is favoritism towards song based format techno
over track based techno form regular mailing list contributors.
This would explain the interest in pop music, deep house, pre-techno retro
music and a dislike of techno genres
I was just stating an observation.
To answer your question my only objection to the criticism of Swedish
techno for example, is the generalization of a country's techno movement
without being specific about an artist or label.
on 5/9/03 11:43 AM, Robert Taylor at [EMAIL PROTECTED] wrote:
No
on 5/9/03 10:24 AM, spw at [EMAIL PROTECTED] wrote:
I was just stating an observation.
To answer your question my only objection to the criticism of Swedish
techno for example, is the generalization of a country's techno movement
without being specific about an artist or label.
I just
Whatever
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 3:46 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4 (correction)
on 5/9/03 10:24 AM, spw at [EMAIL PROTECTED] wrote:
I was just stating an observation.
To answer your question my
Yeah - it's funny how everyone on this list tends to favour Detroit house and
techno. Strange even.
-Original Message-
From: spw [mailto:[EMAIL PROTECTED]
Sent: Friday, May 09, 2003 3:46 PM
To: 313@hyperreal.org
Subject: Re: (313) Every Dog 4 (correction)
on 5/9/03 10:24 AM, spw
those are logical conclusions and I agree for the most part although i
would be careful in implying track based techno is immature it's more about
peoples brains maturing and their taste changing (becoming more
conservative) in the process.
Part of it is conforming to the system as they stop the
:
Subject: Re: (313) Every Dog 4
05/09/03 09:41 AM
; 'Odeluga, Ken'; [EMAIL PROTECTED]; 313@hyperreal.org
Subject: Re: (313) Every Dog 4
i just got it the other day so i havent heard it much yet -
that said, i feel there are only 2 tracks that really stand out while the
others are in the typical millsart everydog/metropolis style. which is still
-- Original Message --
From: spw [EMAIL PROTECTED]
those are logical conclusions and I agree for the most part
although i
would be careful in implying track based techno is immature it's
more about
peoples brains maturing and their taste changing (becoming
- Original Message -
From: [EMAIL PROTECTED]
Today I can't really tell the difference between most of these artists
anymore - they should just all get together and be one big Swedish Super
Group and play one big f*ck off kick drum loop and then go off and try
something different for a
-- Original Message --
From: [EMAIL PROTECTED]
beyer is working on it. check out the ignition key album and/or
any of the
other things about to come out on truesoul.
i just heard ignition key for the first time this week. while its
not the best thing ive
: (313) Every Dog 4
Date: Fri, 09 May 2003 11:16:28 -0500
From: spw [EMAIL PROTECTED]
To: Fabrizio Nahum [EMAIL PROTECTED], 313@hyperreal.org
those are logical conclusions and I agree for the most part although i
would be careful in implying track based techno is immature it's more about
peoples
- Original Message -
From: David Powers [EMAIL PROTECTED]
To: spw [EMAIL PROTECTED]; Fabrizio Nahum
[EMAIL PROTECTED]; 313@hyperreal.org
Sent: Friday, May 09, 2003 2:55 PM
Subject: Re: (313) Every Dog 4
I think the problem with hard techno is that it just isn't done with a very
creative
:
Subject: Re: (313) Every Dog 4
- Original Message -
From: David Powers [EMAIL
a lot of people will probably barf all over this statement
but i think one of the toughest things to do is play a well
programmed hard techno set.
no you are absolutely right! that's why people who play hard and INTERESTING
with their own personal style can make even the most rigid and
-- Original Message --
From: [EMAIL PROTECTED]
a lot of people will probably barf all over this statement but i
think one
of the toughest things to do is play a well programmed hard
techno set.
yeah, finding a whole set worth of good records is damn near
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
I was going through a not buying records phase when Vol.1 of this came out.
Is it ultra limited? .I've never seen a vinyl copy.
If not, anyone know where you can pick these up?
I was the same Alex, I only used to buy CD's till a few months ago. I
managed to get all 3
1. From some place in Sydney
2. From Recordcollector inc in Iowa (Thanks Vince;-)
3. From Smallfish
The first 2 I found on Gemm.com so you could start there. Although since
then Barrie from Rub-A-Dub
I was going through a not buying records phase when Vol.1 of this came out.
Is it ultra limited? .I've never seen a vinyl copy.
I never saw any in the UK (I picked mine up by chance when I was in
Singapore with sometime listmember Collin Chen)... but as BT says it's
probably worth
I got mine on ebay I have seen them around on websites and stuff but
they r pretty rare
GEMM is a v good bet
I was going through a not buying records phase when Vol.1 of this came out.
Is it ultra limited? .I've never seen a vinyl copy.
I never saw any in the UK (I picked mine up
hardwax.com might still stock vols 2 and 3
just ask them: [EMAIL PROTECTED]
- Original Message -
From: Paul Wise [EMAIL PROTECTED]
To: tom churchill [EMAIL PROTECTED];
[EMAIL PROTECTED]; 313@hyperreal.org
Sent: Wednesday, July 31, 2002 7:42 PM
Subject: Re: [313] every dog has its day
]
To: 313@hyperreal.org
Date: Wed, 31 Jul 2002 09:13:47 +
Subject: Fwd: Re: [313] every dog has its day vinyl tracklist
I was the same Alex, I only used to buy CD's till a few months ago. I
managed to get all 3
1. From some place in Sydney
2. From Recordcollector inc in Iowa (Thanks Vince
Oh yeah, i love the axis, i think it is old stuff from the master.
And as for the arpanet, heard it , and love it...
Haven't found a place that sells it yet though :(
I've heard the arpanet album as well, listening to it right now actually
And i think it's really a step further in the
It only has that nasty 'leeking' broom sound of noise in the back
which I thought was coming from my mixer.
Anyway I'm listening now for the first time
and I think It could be recorded before vol 1
or recorded elsewhere then vol 1
I still looking for some pushy/rolling basslines but they aren't
...and on the subject of Detroit techno, my copy of Every Dog Has
It's Day
Vol 3 arrived today. i've only played it the once, but i've gotta
say it's
the best thing i've heard from Mills on Axis in feckin ages...
and i dont know if you guys will agree, but this 3° vol. is much
closer to
henrique casanova:
and i dont know if you guys will agree, but this 3° vol. is much
closer to techno then the other two(thank god!!). at least in the
drums..
i don't know that i feel quite right saying one record is more techno than
another. to me, techno is *so* much more than just the
ahhh words that speak sense..
finally the 313 gets back to basics..
well done Jason!
-Original Message-
From: Jason Donnelly [mailto:[EMAIL PROTECTED]
Sent: 11 March 2002 15:55
To: 313@hyperreal.org
Subject: [313] every dog vol 3
now available at bent crayon:
MILLSART: Every Dog
I paid £22
It's top notch though.
- Original Message -
From: Jason Donnelly [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, March 11, 2002 3:55 PM
Subject: [313] every dog vol 3
now available at bent crayon:
MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
£23 for this double-pack in Manchester.
That's an outrage in my opinion.
I mean, some of the import 12's are £8.99 which is bad enough, but this is
£11.50 per twelve.
Someone is taking
:To: [EMAIL PROTECTED]
:Cc: 313@hyperreal.org
:Subject: Re: [313] every dog vol 3
:
:
:
:Memo from Alex Bond of PricewaterhouseCoopers
:
: Start of message text
:
:£23 for this double-pack in Manchester.
:That's an outrage in my opinion.
:
:I mean, some
, 2002 4:11 PM
:To: [EMAIL PROTECTED]
:Cc: 313@hyperreal.org
:Subject: Re: [313] every dog vol 3
:
:
:
:Memo from Alex Bond of PricewaterhouseCoopers
:
: Start of message text
:
:£23 for this double-pack in Manchester.
:That's an outrage in my opinion.
:
:I mean
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: 11 March 2002 16:38
|
| I just can't see a reason for it, can anyone else?
Well, the only reason I can think of is that a limited run results in a
larger overhead per copy pressed - especially if there's
that's ($16.99) the price in usa. obviously by the time it's shipped
over the uk distributors need their profit and us shops need ours.
we're selling them at £19.99 if anyone still needs a copy.
we're probably joint cheapest in uk as usual.
£8.95 for imports in manchester? come to leeds it's
£20... that's kinda pricey imho.
£20+ for a doublepack, even an import doublepack, is absolutely ridiculous -
he's taking the piss big time - I'd love to hear his justification for
this...
Cheers,
Tom
-
To unsubscribe,
Tom:
£20+ for a doublepack, even an import doublepack, is absolutely ridiculous
-
he's taking the piss big time - I'd love to hear his justification for
this...
i wouldn't want to point any accusing fingers, and i'd imagine everyone has
had their cut of the higher price, but surely someone
£20 for a double pack?.. careful now or this will merge into the 'regarding
business' thread.. every thread will have it's day.. every dog will have
it's thread..
on another note, if you're after the forthcoming tresor comp 'true spirit'
amazon.co.uk seem to have got the pre-order price wrong
but
paul
- Original Message -
From: rob webb [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Friday, March 08, 2002 2:11 PM
Subject: Re: [313] Every Dog 3...
Tom:
£20+ for a doublepack, even an import doublepack, is absolutely
ridiculous
-
he's taking the piss big time - I'd love to hear
Paul:
it certainly isn't us shops as it's
costing us nearly double normal
price for this kind of release.
i kinda figured that'd be the case. i'm sure there are a few stores and
distributors out there who're adding-on a coupla extra quid cos they know
they can get it, but a lot of places
-
From: Ken Odeluga [mailto:[EMAIL PROTECTED]
Sent: Thursday, January 10, 2002 6:48 AM
To: [EMAIL PROTECTED]
Subject: RE: [313] every dog vol 3
Wrong. The music gets mentioned almost in every posting; the general
consensus is that the music could stand tall, footnotes or not ... you have
a nice
At 08:04 AM 1/10/02 +, you wrote:
no, i think you're right Steve - a bunch of posts about the sleeve notes
on Every Dog Vol 3, and (unless i've missed something) there's been nothing
about the music on that particular record just yet...
Most likely due to the fact that it isn't out yet...
: Re: [313] every dog vol 3
At 08:04 AM 1/10/02 +, you wrote:
no, i think you're right Steve - a bunch of posts about the sleeve notes
on Every Dog Vol 3, and (unless i've missed something) there's
been nothing
about the music on that particular record just yet...
Most likely due to the fact
Ken Odeluga:
ok - can I just ask about the cd of the same name (on Music Man): Every
Dog
... ... Is that anything to do with vol 3 or am I hopelessly behind the
times? ...
i think the cd includes tracks from Vol1 and Vol2 (both of which are limited
vinyl doublepacks on Axis).
rob
Otto:
Most likely due to the fact that it isn't out yet...
(the original post started with a quote from the Bent Crayon mailout, where
you could only pre-order it since it isn't released yet)
yeah, i realise that. so, for arguments sake, has anyone actually heard it,
or are we stuck with
btw, imho it seems like Mills writes his sleevenotes in German or perhaps
French and then uses Babelfish to translate them into English. anyone
else
think this is likely?
Maybe that´s the reason why I do understand it :D
but more serious also to Stephen -
(with most respect 4 your
That Mills stuff sounds like classic jive-nonsense talk. I think
it's actually supposed to be funny; if you read it aloud it has
that kind of swing rhythm...
I don't think he is going for the Serious Jazz mode, or else he
*should* hire you to do the liner notes!
Just think, you could be the
I haven't really looked at this topic as it looked a bit too active but,
would this be a good time to ask whether anybody liked Mills' Mono?
That was his piece of art; I saw it at Sonar 2001.
-
To unsubscribe, e-mail: [EMAIL
fuck.. what's going on with this list these days?...
is anybody going to comment on how the record sounds - or are you all happy
debating how good/bad the sleeve notes are?.. two digests full of this shit
about the sleeve notes and nobody has said anything about the record..
i'm right here
Makes no sense whatsoever.
Unfortunately Mills influenced a whole generation of producers to put this
sort of gibberish on the back of their album sleeves.
Jason Donnelly [EMAIL PROTECTED] on 08/01/2002 11:26:30 AM
To: 313@hyperreal.org
cc:
Subject: [313] every dog vol 3
on the most
Makes no sense whatsoever.
i thought that, but then i thought maybe it was a zen trick to empty your
mind.
Unfortunately Mills influenced a whole generation of producers to put this
sort of gibberish on the back of their album sleeves.
what would you rather be written?
hmm i think we
respond to [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
cc: Jason Donnelly [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] every dog vol 3
Makes no sense whatsoever.
i thought that, but then i thought maybe it was a zen trick to empty your
mind.
Unfortunately Mills influenced a whole
: Tuesday, January 08, 2002 11:33 AM
To: Jason Donnelly
Cc: 313@hyperreal.org
Subject: Re: [313] every dog vol 3
Makes no sense whatsoever.
Unfortunately Mills influenced a whole generation of producers to put this
sort of gibberish on the back of their album sleeves.
Jason Donnelly [EMAIL
Here's one I'll never forget: Blake Baxter presents '313' (Tresor, '96)
Detroit as a city is a forgotten place but it can develop a new urban
role... (or very close).
That's Detroit as a city mind, not as a pumpkin.
not as a state of mind? :)
robin...
Very good.
-Original Message-
From: robin pinning [mailto:[EMAIL PROTECTED]
Sent: Tuesday, January 08, 2002 11:58 AM
To: Odeluga, Ken
Cc: [EMAIL PROTECTED] Org
Subject: RE: [313] every dog vol 3
Here's one I'll never forget: Blake Baxter presents '313' (Tresor, '96)
Detroit as a city
]
To: [EMAIL PROTECTED]
cc:
Subject: Re: [313] every dog vol 3
Yes, I think that we have been here before.
Am I the only one who gets slightly irritated by people thanking God for
their musical abilities? It's completely unnecessary. Besides, what the
lord giveth, the lord taketh away
Well, since others are throwing around their opinions about this, I guess I'll
toss mine out there. I enjoy writings like this. The concept of time and its
existence have perplexed intelligent minds for forever (if forever exists).
Without time there is no forever and with forever there is
The grammar isn't to the point where it bothers me.I'd have to read it
directly from the record and not Jason's retyping it to actually analyze it
though. Maybe Jeff should hire an editor to fend off grammatical analysts! ;)
On Tue, 08 January 2002, robin pinning wrote:
Well, since
as just that.
-Original Message-
From: T.J.Johnson [mailto:[EMAIL PROTECTED]
Sent: Tuesday, January 08, 2002 1:17 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: [313] every dog vol 3
The grammar isn't to the point where it bothers me.I'd have to
read it directly from
... The Everydog Has It's Day CD edition out on Musicman last year was a
different item?
-Original Message-
From: Jason Donnelly [mailto:[EMAIL PROTECTED]
Sent: Tuesday, January 08, 2002 1:42 PM
To: 313@hyperreal.org
Subject: [313] every dog vol 3
meant to say before everyone on the
The grammar is not the point at all ... (but it is just as bad in the
origianl notes as in the transcript, I'm afraid) The point is whether we
really think Jeff is adding a great deal to the history of Western
philosophy with all this?
hmm, does that matter? the text JM provides is surely
On Tue, 08 January 2002, Odeluga, Ken wrote:
... but at the end of the day (upon
which a dog will have his) facile, primary school sentiments are easily
recognisable as just that.
Whoops! Recognizable. ;)
So the point is, that whoever recognizes Jeff's discussion topics are smarter
than
hmm, does that matter? the text JM provides is surely just setting the
stage for the music to follow. to get you in the right frame of mind to
get (grok) what JM wants you to take from the music.
robin...
I agree whole-heartedly! The text is there to try to get the listener into the
same
I've actually been thinking about offering my services as a liner notes
writer to detroit influenced artists. Taking the liner notes from EVERY
DOG HAS ITS DAY away from the context of the album makes it even more
apparent that techno artists need real writers if they are serious about
taking
time exists to organise the universe's knowlege
-- Mensagem original ---
De : Jason Donnelly [EMAIL PROTECTED]
Para: 313@hyperreal.org
Cc :
Data: Tue, 08 Jan 2002 11:26:30 +
Assunto : [313] every dog vol 3
on the most recent Bent Crayon mailout:
So what can we expect? Another 2 slabs of old, dusty tracks?
W
-Original Message-
From: Jason Donnelly [EMAIL PROTECTED] at INET-1
Sent: Tuesday, January 08, 2002 11:26 AM
To: 313@hyperreal.org at INET-1
Subject: [313] every dog vol 3
on the most recent Bent Crayon mailout:
that they
would be able to string a few sentences together themselves.
Lester Kenyatta Spence [EMAIL PROTECTED] on 08/01/2002 04:03:44 PM
To: Jason Donnelly [EMAIL PROTECTED]
cc: 313@hyperreal.org
Subject: Re: [313] every dog vol 3
I've actually been thinking about offering my services as a liner
On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote:
I don't think that musicians need writers to transform their work into
something that is more meaningful. Most music is equivocal, and it is this
that has imbued it with so much power and meaning throughout history. If an
artist wants some sort of
what´s the problem ?
interesting thoughts - written in a simple understandable way -
don´t know if someone else would write down those thoughts -
language will be moving along and the advanced definitions of how people
should communicate - seperating the classes will be gone tommorow
so
Kenyatta Spence [EMAIL PROTECTED] on 08/01/2002 04:26:07 PM
To: [EMAIL PROTECTED]
cc: 313@hyperreal.org
Subject: Re: [313] every dog vol 3
On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote:
I don't think that musicians need writers to transform their work into
something that is more meaningful
...be they heartfelt,
insightful, tongue-in-cheek or just plain pretentious rubbish.
Its always intriguing at the very least.
From: [EMAIL PROTECTED]
To: Lester Kenyatta Spence [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] every dog vol 3
Date: Tue, 8 Jan 2002 08:30:30 -0800
Well, yes I see
On Tue, 8 Jan 2002, james boylan wrote:
I think some people are slightly embarrassed by the futurist
philosophy/mythology that sometimes informs techno and look upon it with the
same disdain as punks did on some of the excesses of progressive rock,
musical or otherwise.
You're right.
But if you're going to add another layer to it...why not use a WRITER?
I don't know that we're supposed to take it that seriously. I think
it's just supposed to come off as whimsical stoned nonsense.
hire a copywriter, and then you just get *insincere* whimsical stoned
nonsense. (please
The grammar is not the point at all ... (but it is just as bad in the
origianl notes as in the transcript, I'm afraid) The point is whether we
really think Jeff is adding a great deal to the history of Western
philosophy with all this? Of course the validity of temporality (or not),
the
1 - 100 of 110 matches
Mail list logo
