Tom Cox has been kind enough to post a DJ mix I recorded for his
website. ISM also has recent posts regarding Bleep43 and DEAF 08; Kai Alce
has already been announced as the next mix contributor, so bookmark early
and often.
http://infinitestatemachine.com/2008/11/23/guest-mix-m50-trying
Im pretty sure it was in Camden somewhere from 95/96. Strange place,
you walked in then went downstairs to a large dancefloor and then down
further to another room. ot a regular club by any means and you had to
get raffle tickets for alcohol.
I saw Juan Atkins and Richie Hawtin for a detroit
September 2007 16:08
To: 313
Subject: (313) Trying to remember a venue
Im pretty sure it was in Camden somewhere from 95/96. Strange place,
you walked in then went downstairs to a large dancefloor and then down
further to another room. ot a regular club by any means and you had to
get raffle tickets
Hey everyone,
I'm trying to find information, news clippings, old releases, anything relating
to the Members of the House.
This was a group from 1990-1995, that Mike Banks was the executive producer of,
and Jeff Mills was co-producer.
There were four front singers, Billy B, Quentin McRae
their discog
http://www.discogs.com/artist/Members+Of+The+House
I would imagine if you contacted Submerge/Mike Banks you could get some
info
MEK
Svagr, Jodie [EMAIL PROTECTED] wrote on 08/10/2006 11:32:46 AM:
Hey everyone,
I'm trying to find information, news clippings, old releases
ELDORADO in english edition
http://www.sr.se/cgi-bin/p2/program/index.asp?programID=2196
that was what the fuss was about
sent one message to robert taylor offlist
kjell in stockholm
my computer-knowledge is yet to be found- i am lost in the zombie-zone
zilch puter-savvyness
And to relation to detroit techno is
On 29-jul-2005, at 16:47, Kjell Alinge wrote:
ELDORADO in english edition
http://www.sr.se/cgi-bin/p2/program/index.asp?programID=2196
that was what the fuss was about
sent one message to robert taylor offlist
kjell in stockholm
my
Sean Deason Razorback !K7R008CD
A couple of the tracks have a definite jungle vibe, and the whole
thing is sexy as hell. Props, sir.
--
Brian balistic Prince
http://www.bprince.com - art and techno
Subject: RE: [313] trying again. hehe
Classic indeed! You've created a very pleasant track with soothing
development featuring very nice chords and progression ala early Carl
Craig. It's the sort of track that you imagine you've heard back in
the day and it's imbibed with a sense of warm
hi guys, i just put a track on line in my friends site. the url is
http://planeta.terra.com.br/arte/djelieser/audio/redemption_song.mp3
its old school detroit techno. no sofistication, just the classic gears. let
me know what u think ok? i would like to hear any kind of coments.
take care u
Rollins
-Original Message-
From: henrique casanova [mailto:[EMAIL PROTECTED]
Sent: Friday, July 05, 2002 1:29 AM
To: 313@hyperreal.org
Subject: [313] trying again. hehe
hi guys, i just put a track on line in my friends site. the url is
http://planeta.terra.com.br/arte/djelieser/audio
I 'm trying to get some more feedback on the video mix
i have posted up on my mp3page if you have some time
and have real player on your kamputor i would love it
if you check it out...
heres the site- http://www.mp3.com/clc101
anyfeedback good or bad is apreaciated.
if you like what you see
Thanks Mike D! ! ! ! I apreaciate it I working an
getting more material for my next video mix its hard
with copywrites
any one else???
=
CLC101 Presents
Visual Techno Music
http://www.mp3.com/clc101
[EMAIL PROTECTED]
__
Do You Yahoo!?
Yahoo!
Thanks Mike D! ! ! ! I apreaciate it I working an
getting more material for my next video mix its hard
with copywrites
any one else???
=
CLC101 Presents
Visual Techno Music
http://www.mp3.com/clc101
[EMAIL PROTECTED]
__
Do You Yahoo!?
I just deleted most of about 700 messages with 313 in the subject line, so
even if you were replying to me sometime int the last three weeks and your
message had 313 in the subject line but it was only sent to me, it likely
got deleted along with the rest. Please be so kind to re-send if you
When was Bounce your body to the box made?
You can tell it's older but not exactly how much.
That side (of planet E release) along with You don't know how to play
our music
both just JACK. Circa early nineties maybe, or older?
He definitely utilizes his instruments to the max.
Thats what
Hello,
I am not trying to start a big argument, but I will put it to you like
this.
get a random teenage techno DJ, and play them a marco corolla record,
and then play him the Kick the Pump Mix of Big Fun by Derrick May. I
guarantee you he will pick the Marco Corolla record.
You know your
On Sun, 18 Jun 2000, Intermodal wrote:
Hello,
I am not trying to start a big argument, but I will put it to you like
this.
get a random teenage techno DJ, and play them a marco corolla record,
and then play him the Kick the Pump Mix of Big Fun by Derrick May. I
guarantee you he
[EMAIL PROTECTED] wrote:
[EMAIL PROTECTED]:
records, but I admit that many of them are poorly produced, the writing
isn't all that great, and they do not really work in a modern context. I
love them because they sound so old, so primitive, and because in many
ways they laid the
I'd have to agree with Andy here. Some early techno records might have
raw
production, mixing and muddy pressings, but these records are also full
of
the kind of raw expression (soul) that's so hard to find in 'modern'
techno.
I also have to agree.
You had some raw sparse minimal tracks that came
Message-
From: Todd Smith [mailto:[EMAIL PROTECTED]
Sent: Friday, June 16, 2000 8:22 PM
To: Nick Walsh
Cc: 313@hyperreal.org
Subject: Re: [313] Frankfurt scene (was : 'Trying to recreate something
that's long gone')
Could have sworn Gaetek was Italian no? Other conform artists, Advent
(UK) Qmen
... no matter what you think. to me juan is the shit. especially his old
stuff. no matter how other people judge it. i don`t care how many percentage
out of a crowd
judges carola over m500 at all. these two individuals just aren`t
compareable.it`s almost redicilous to name them in one
n'
roll but presented as the new pop thing and it broke down racial barriers
all over the world where whites and blacks were trying to live together but
not doing a very good job of it.
In America, the civil rights amendment would NEVER have been passed were it
not for Berry Gordy
solely responsible for beginning two major cultural, youth-oriented
revolutions one being with the RB/Motown thaing. It wasn't
why did not you add punk ? MC5, Iggy Pop The Stooges...
Gwendal
on 6/19/00 12:25 PM, Gwendal Cobert at [EMAIL PROTECTED] wrote:
solely responsible for beginning two major cultural, youth-oriented
revolutions one being with the RB/Motown thaing. It wasn't
why did not you add punk ? MC5, Iggy Pop The Stooges...
Gwendal
This is actually a good point, and
I'm a 16 year old girl that's only been into techno for around 2 years and I
love early techno I hear all my older friends pumping in little house
parties. They think it's cheesy and funny sometimes and reminisce, but I love
it!
+|~Christine~|+
In a message dated 6/18/00 4:31:45 AM US Eastern
On Mon, 19 Jun 2000, laura gavoor wrote:
+Detroit changed the world twice with no assistance from anyone on the
+planet.
i agreed with your post, except for the above statement.
i'm pretty sure detroit changed the world more than twice. i'm pretty
sure fargo also changed the world more than
my only problem is finding records
that are pre 1990.
I think that is part of the reason why you may disagree with Cyclones
post about people not liking early techno. When I think of those early
records(play it cool by M500 comes to mind) I can understand exactly why
a 16 year old who just got
my only problem is finding records
that are pre 1990.
I think that is part of the reason why you may disagree with Cyclones
post about people not liking early techno.
Actually, I think don't think you were referring to my post (for once! :) )
as I would never argue that. I think me and the
[EMAIL PROTECTED]:
records, but I admit that many of them are poorly produced, the writing
isn't all that great, and they do not really work in a modern context. I
love them because they sound so old, so primitive, and because in many
ways they laid the groundwork for so much of what came
[EMAIL PROTECTED] wrote:
...but I admit that many of them are poorly produced, the writing
isn't all that great, and they do not really work in a modern context. I
love them because they sound so old, so primitive, and because in
many ways they laid the groundwork for so much of what came
on 6/16/00 9:03 AM, Otto Koppius at [EMAIL PROTECTED] wrote:
[EMAIL PROTECTED] writes:
as far as blues and rock goes, you need to maybe take
AMERICAN history and learn that not only was blues and ragtime and rock
WIDELY accepted by american audiences when they were created,
Not when they
i am certain that a large section of this mailing list would not enjoy
listening to the early techno records.
Do you really think so? I think most of the people on this list want to find
out more and are already open to those old records to an extent.
I meet kids all the time who are very well
-
From: Cyclone Wehner [SMTP:[EMAIL PROTECTED]
Sent: Saturday, June 17, 2000 5:12 AM
To: 313 Detroit
Subject: Re: [313] Trying
i am certain that a large section of this mailing list would not enjoy
listening to the early techno records.
On Thu, 15 Jun 2000, [EMAIL PROTECTED] wrote:
Not the same mag, but in a recent Jockey Slut, they had DB dj's (LTJ
Bukem, Jumpin' Jack Frost and some other guy) review 12's and they ripped
on 'Revenge of the Jaguar', saying it was 'trying to re-create something
that's long gone' (read
is dope.
not from detroit,
-jason
http://www.genmod.org
I think they have a point. I'm not sure if it applies to KOTJ, but
it's a valid one nontheless.
If Bukem namedrops old 313 records, is he just 'trying to prove he was
down'? I think he _was_ down, played those tunes when they were
the tech-house sound for quite some time
(no more Ebeneezer Goode from him, remember the Shamen?) with his label
The End and his club by the same name. There was an article on him in a
recent Muzik magazine about how he's trying to bring tech-house to America.
I think it's great but rather deja
here's a question...
at what point has the music of one scene become so copied that the original
soul and unique spirit of those first pioneers become diluted with 1/2 arsed
knock-offs and misguided interpretations? simply put, how long doest take
for the bandwagon to run over the pioneers?
Why YOU gotta go make shit racial?
Kind of like what the Beatles and the Rolling Stones did with
blues..another black American art form.
I think it's actually a racial thing
Get Your Private, Free E-mail from MSN Hotmail
In a message dated 6/15/00 7:30:17 PM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
If Bukem namedrops old 313 records, is he just 'trying to prove he was
down'? I think he _was_ down, played those tunes when they were released,
then
went on to create his own style. Tunes like 'Demon's
In a message dated 6/16/00 12:03:29 AM Eastern Daylight Time,
[EMAIL PROTECTED] writes:
at what point has the music of one scene become so copied that the original
soul and unique spirit of those first pioneers become diluted with 1/2 arsed
knock-offs and misguided interpretations? simply
This isn't really that 313 related, but
Here is your music, loo what we can do with it, and, you're missing out
on it. Kind of like what the Beatles and the Rolling Stones did with
blues..another black American art form.
Actually, it was Led Zepplin and many other British bands (even Black
In a message dated 6/16/00 1:51:48 AM, [EMAIL PROTECTED] writes:
It is kinda wierd, but it seems as though whenever black americans create
a new, amazing genre of music, whether its jazz, blues, rock, or techno-
it is often rejected by the mainstream American audience, but well
accepted by
In a message dated 16/06/00 11:30:21 GMT Daylight Time, [EMAIL PROTECTED]
writes:
If that is how you truly feel, then please progress to another mailing
list. You and the smart guy in the message below this one are obviously
very
angry non-americans.
I'm American, although living in
To ToToRoGrL:
I could diss you about a million things that are wrong
about your country. And you could do the same about
mine. This is about the music... no one cares where it
comes from. I don't believe things like black/white or
Yank/Limey conflicts should be discussed anymore in
todays
Nick Walsh wrote:
The American dance scene IS a helluva lot better than
that in the UK.
I don't know your experiences, but mine are rather different (although
based only on many nights clubbing in London, which I realise may not be
representative of the UK as a whole): the UK has a frequency
[EMAIL PROTECTED] wrote:
[EMAIL PROTECTED] writes:
It is kinda wierd, but it seems as though whenever black americans create
a new, amazing genre of music, whether its jazz, blues, rock, or techno-
it is often rejected by the mainstream American audience, but well
accepted by various
Subject: Re: [313] 'Trying to recreate something that's long gone'
In a message dated 6/16/00 1:51:48 AM, [EMAIL PROTECTED] writes:
It is kinda wierd, but it seems as though whenever black americans create
a new, amazing genre of music, whether its jazz, blues, rock, or techno-
it is often
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
You and the smart guy in the message below this one are obviously very
angry non-americans. as far as blues and rock goes, you need to maybe take
AMERICAN history and learn that not only was blues and ragtime and
it's just a few t*ssers that are behind the times.
is tosser really a swear word?
what does it refer to?
i love to augment my store of expletives ...
at least i can have a more cultured foul mouth...
peace,
h*lly
In a message dated 16/06/00 6:30:28 [EMAIL PROTECTED] writes:
FYI from california, you are very bold to say that kind of shit on a
mailing
list invloving Americans. Not only does your opinion hold no value, it
also
lacks intelligence. It is your closed-mindedness that keeps the world
inextricably linked. The Frankfurt-Berlin-Detroit
Trans-Atlantic connection
ho ho... I'm not trying here to add a point to this ongoing thread, but just
curious : I still have some difficulty attaching the artists to city
scenes - Detroit I see - Berlin I see (basically I would put there Tresor
--- Gwendal Cobert [EMAIL PROTECTED] wrote:
inextricably linked. The Frankfurt-Berlin-Detroit
Trans-Atlantic connection
ho ho... I'm not trying here to add a point to this
ongoing thread, but just
curious : I still have some difficulty attaching the
artists to city
scenes - Detroit I
wrote:
--- Gwendal Cobert [EMAIL PROTECTED] wrote:
inextricably linked. The Frankfurt-Berlin-Detroit
Trans-Atlantic connection
ho ho... I'm not trying here to add a point to this
ongoing thread, but just
curious : I still have some difficulty attaching the
artists to city
scenes
I thought that David Squillace was Italian too.
I think David Squillace is the
only person from Germany who has produced on this label. Actually just
confirmed Conform is Gaetek's label from Italy.
todd
[EMAIL PROTECTED]
:[EMAIL PROTECTED]
Sent: vrijdag 16 juni 2000 20:22
To: Nick Walsh
Cc: 313@hyperreal.org
Subject: Re: [313] Frankfurt scene (was : 'Trying to recreate something
that's long gone')
Could have sworn Gaetek was Italian no? Other conform artists, Advent
(UK) Qmen (Italy), Marco Carola
In a message dated 16/06/00 10:34:50 [EMAIL PROTECTED] writes:
ho ho... I'm not trying here to add a point to this ongoing thread, but just
curious : I still have some difficulty attaching the artists to city
scenes - Detroit I see - Berlin I see (basically I would put there Tresor,
Basic
-Berlin-Detroit
Trans-Atlantic connection
ho ho... I'm not trying here to add a point to
this
ongoing thread, but just
curious : I still have some difficulty attaching
the
artists to city
scenes - Detroit I see - Berlin I see (basically
I
would put there Tresor,
Basic Channel
From: Nick Walsh [EMAIL PROTECTED]
Subject: Re: [313] Frankfurt scene (was : 'Trying to recreate something
that's long gone')
MMM... that's weird then 'cause when Gaetek came to
The Orbit it said on the flyer Gaetek (Frankfurt).
How could this be?
Hmm, thats a puzzler. Especially as flyers
not trying here to add a point to this ongoing thread, but
just
curious : I still have some difficulty attaching the artists to city
scenes - Detroit I see - Berlin I see (basically I would put there
Tresor,
Basic Channel, Chain Reaction...), but Frankfurt - what are the most
famous
artists
Don't be cheeky... I'll never buy your records again,
if you keep making comments like that:)
Nick:)
--- Simon Walley [EMAIL PROTECTED] wrote: From:
Nick Walsh [EMAIL PROTECTED]
Subject: Re: [313] Frankfurt scene (was : 'Trying
to recreate something
that's long gone')
MMM... that's weird
In a message dated 16/06/00 11:52:07 [EMAIL PROTECTED] writes:
I could have sworn that Force Inc and it's offspring labels were from
Colonge, along with Heckmann and the rest of the crew.
Who gave you that information?
Here's the address from force-inc.com
Force Inc. Music Works
Now if only I can locate the source city of that legendary duo Khan
Walker...
they're from cologne.
peter
Um, again, I apologize that this message focuses on rock more than techno,
so if you aren't interested, then delete.
If that is how you truly feel, then please progress to another mailing
list. You and the smart guy in the message below this one are obviously very
angry non-americans.
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