page.
Cheers-
Jeremy
Sent from my iPhone
On Aug 29, 2009, at 4:17 PM, Sean Kirkpatrick wrote:
Too bad, the color scheme is simply not readable to my eyes. I'd
read it otherwise.
Sean
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d the job. The mirror
was just one of the tools to keep me on track.
I hope this helps.
Cheers-
Jeremy
-Original Message-
From: Donald Huang [mailto:don@gmail.com]
Sent: Wednesday, August 26, 2009 5:59 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Using a Mirror
Hello all,
so you won't have to sight read the next
time.
4) It is a lot of fun and a neat way to meet other horn players.
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beers
and/or Scotch at some of Boston's finest public houses (I think they
have bars in Boston, right??)
Cheers!
Jeremy
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A friend of mine asked me about the Conn 10D but I know nothing about them. Any
thoughts about the horn, thumbs up, thumbs down?... Thanks!
Jeremy
_
Express your personality in color! Preview and select themes for Hotmail®
bad...I'd terrorize my students for such!)
Cheers-
Jeremy
Bill Gross wrote:
Weak horn humor. . . But as the Roman's noted around 2,000 years ago it's
futile to argue over taste.
-Original Message-
From: horn-bounces+bgross=airmail@music.memphis.edu
[mailto:ho
h a pretty
penny on the used market today. Used Telefunkens from the 40s and 50s
era that are in good working order have gone for well over $20,000 a
piece.
Cheers-
Jeremy
Sent from my iPhone
On Aug 1, 2009, at 6:19 PM, "Glick, Ed" wrote:
Howard,
Your statement ". . . try l
if it doesn't float my boat, I could fix it up from "scratch and
dent" and resell it for a bit more.
Thoughts? Suggestions?
Cheers!
Jeremy
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ithin the first
30 seconds of broadcast! Those already on though were able to hit
refresh and load the page again with very little hiccup. Supposedly
they're going to double their capacity for this next round.
Cheers-
Jeremy
Robert N. Ward wrote:
Hi again all,
Hope you enjoyed the solo
your main slides pulled more than an inch to get the horn in pitch?
Cheers-
Jeremy
Tina Barkan wrote:
Hi Laura,
I have a 5801 PMAL that I bought in December 08. The horn has a lovely
sound and great valves but it is significantly sharp. At IHS, all of
the Hoyer horns of this model (I don'
t.net
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o, IL
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Let's not forget at least one movement of Symphonie Fantastique.
On Jun 29, 2009, at 12:48 AM, "Robert N. Ward"
wrote:
Bzzzt - there is a harp note with the flute's first note.
B
On Jun 28, 2009, at 8:38 PM, Jeremy Cucco wrote:
The Moldau? Or is there a tri
Well...allow me to redeem myself:
Liszt's Orpheus
Mahler Symphony No 7 Mvmnt 2
Hanson Fanfare for the Signal Corps
Cheers-
J
On Jun 29, 2009, at 12:48 AM, "Robert N. Ward"
wrote:
Bzzzt - there is a harp note with the flute's first note.
B
On Jun 28, 2009, at 8
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This was released on CD as Supraphon 11 0106-2. If you can find it, get it.
It's great.
Jeremy
> Date: Sat, 27 Jun 2009 14:15:49 -0700
> From: hornfe...@comcast.net
> To: horn@music.memphis.edu
> Subject: Re: [Hornlist] (Czech) recordings
>
> There's also a
Baker
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if I get that free and easy e-mail, I'm certainly going to take notice.
I've bought or had students buy no less than 5 horns from hornplayer.net
just because of the horn list e-mail updates.
Cheers-
Jeremy
-Original Message-
From: Kenneth Pope [mailto:k...@poperepair.com]
Sen
did find it to be a tad more "refined" than the traditional 8D, but
again, I'm not an 8D kind of guy, so it didn't blow me away.
Overall, the symposium was fantastic! I met a LOT of folks at the
symposium - some listers, some new faces/names, some "famous" hor
made that comment - having a bona fide Marine in
the section would certainly deter all but the densest of violists (is
that redundant?) from striking back.
Cheers!
Jeremy
Lawrence Yates wrote:
What are these "marine" things you keep going on about? (I know about our
"Royal Mari
mphis.edu/mailman/options/horn/jeremy%40sublymerecords.com
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have my priorities screwed up
but what
can I say? Blood is thicker than Hetman Light Rotor.
--
Regards,
Dave Weiner
Brass Arts Unlimited\
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tario=yahoo...@music.memphis.edu [mailto:horn-
>> bounces+hornontario=yahoo...@music.memphis.edu] On Behalf Of Jeremy
>> Cucco
>> Sent: Friday, May 22, 2009 11:18 PM
>> To: h...@yahoogroups.com; 'The Horn List'
>> Subject: [Hornlist] Head Count - IHS Sym
posium
On May 22, 2009, at 10:17 PM, Jeremy Cucco wrote:
> I wanted to get a head count/roll call of those who will be
> attending the
> IHS Symposium in a couple weeks.
>
> I'll be coming out, but only for 2 days (Thursday and Friday).
>
> Will there be some gathering f
Hi Friends!
Sorry for the double post.
I wanted to get a head count/roll call of those who will be attending the
IHS Symposium in a couple weeks.
I'll be coming out, but only for 2 days (Thursday and Friday).
Will there be some gathering for us Internet nerds?
Cheers-
J
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recording sessions,[of the Beatles] and or typical studio behavior is probably coincidental.
As an aside, Jeremy Cucco pointed out the Coles mics agains the back gobos - any possibility they were being used as "room mics" for the strings?
Paxmaha
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the drummer doesn't bill for the time he's
hitting drums, he bills for the time he's in the building. Contracts
did get pulled to prove this - thankfully, no lawyers needed to get
involved!
Debbie Schmidt wrote:
Jeremy just to clarify payment Is not actually studio time b
session would be
started over from the top. That would definitely make it into the mics.
In any case - yes, it's fake, but it's certainly amusing. It's one of
those legendary stories that can be passed on - only this time, we have
a video to accompany the story.
Cheers-
Jere
G#s... ;)
Cheers all,
Martin.
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enceyates.co.uk
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Durk D3 stick out as being great
instruments as well.
For what it's worth, I blend just fine with 8Ds, Paxmans, Lewis's and
many other types. The sound I get on this horn is exactly what I would
have hoped for after years of searching. Full, deep and supported in
all registers with a
I vehemently disagree.
;-)
phir...@nypl.org wrote:
Yes.
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That is indeed the case. I believe mine was from 1999.
I'm not one to hold grudges and of course Johannes is a great guy, so
I'm always amenable to trying out his new creations. Of course, I'm
more than happy with my own horn for the time being.
Cheers-
Jeremy
scott..
True -
In fact, he lived about 45 minutes from me when he was here in
Richmond. He's the one that I bought my Finke from. Good guy!
You know who you are...
Cheers-
J
scott...@msn.com wrote:
I know of at least two more people on this list that have played them (one of you was a Finke distribu
ly won't even try a horn if "so and so" of the "what's it
called symphony" isn't playing on this gear. It's an absurd truth.
I'm curious to hear other's takes on the idea.
Cheers-
Jeremy
Carlberg Jones wrote:
At 2:17 PM -0400 4/2/09, scott.
ms like a no brainer to me. I'm personally assuming rebadged,
Chinese manufactured, impossible to tune without the aid of a blow torch
and jewelers saw, etc. I'm most interested in first hand experience
rather than conjecture. As you can see, I've already jumped to those
concl
he great one and is my daily driver.
Walt Lewis
--Original Message--
From: Jeremy Cucco
Sender: horn-bounces+lewhorn9=yahoo@music.memphis.edu
To: The Horn List
ReplyTo: The Horn List
Subject: Re: [Hornlist] Yamaha & Alexander 103
Sent: Mar 10, 2009 1:26 PM
Durk has created a
Durk has created a 103 clone which, IMO, is a truly great instrument.
Had I not had my own personal biases against a 103 type instrument, this
would have been a strong contender when I was shopping last fall.
As I understand it, Durk is an Alex alumni who decided to take matters
into his own
they need amplification. However, minimal
mic'ing is typically what the 'audiophiles' are after.
Sadly, many people 'claim' to be recording engineers that really
aren't. There's a LOT of science and art that go into recording and
it's something that must be
bonate valve that gummed up on me all the
time with the introduction of any oil whatsoever. Nor have I ever had
any problems with my slides. If I did ever have a slide that was too
polished, it wasn't hard to put a light scratch finish on them to better
hold the slide grease in place.
C
re, but
"to tape" is still the expression :-)) "Fixing it in the mix" is a horrible
cop-out and the sign of a true amateur recording engineer. We strive to
make the recording sound perfect in the same way that us as horn players
strive to make the performance perfect. Of course,
o try and type a
full-length reply on my iPhone.)
I wouldn't really say it got into being a "wrangle" - just a healthy
discussion. I think it's always interesting to hear a couple different
sides of the recording story - from both sides of the microphone.
Cheers-
Jeremy
PS -
I
g purchase.
Jeremy
Ps-
If you get a chance, try an Otto. I just picked mine up recently and
it's simply amazing. If more people in the States new of them, they'd
sell like hot cakes. If you decide to try one, contact me - I'll
gladly pass on info and experiences. Cheers-
O
tape, you're going to have the inherent hiss
associated with it as well as any distortion due to misaligned or magnetized
heads.
I consider myself a HUGE fan and supporter of analog technologies. However,
they do have their limitations. Digital done well is worth a listen.
Digital done poorl
all of the kids LOVED these two particular pieces in general. The only
reason I wrote the 2nd part harder is because I knew I'd be playing it and
these were the kinds of ornamentations that I would have done anyway.
Cheers-
Jeremy
-Original Message-
From: Milton Kicklighter [mailto:ki
recall the model #). It was
affordable, in great condition, played well in tune, and had a beautiful
sound. In my young naivety, I didn't purchase the horn (they asked
$2100 at the time - in 1996). That experience has left me with an
overall positive disposition towards compensating horns.
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s were fine with not even a scratch.
Of course, the converse is true as well - in a gig bag, to be most
effective, the padding must be quite thick and dense but pliable.
Sadly, there is no perfect case, that is for sure.
Kindly,
Jeremy
-Original Message-
From: jerryol...@aol.com [
Bonna as a gig bag type "CASE" - it's hard, it protects the
instrument, it's light and it's portable.
The gig "BAG" is light and portable but it doesn't protect.
If even the Marcus Bonna case is too heavy (I've regularly walked 5 or 6
miles with mine) t
x27;ve used some gig bags in the past on
my detachable bell horns and have almost always had bad luck regarding
dents.
The one notable exception is the Reunion Blues leather gig bag, which, in my
opinion, offers better protection than many fixed bell cases.
Cheers-
Jeremy
-Original Message-
ral instances (at least
2 that I know of) where at the end of the piece, it's noted:
D.C. al Segno (It uses the sign, but I don't have that on my keyboard).
Sadly, the first measure of the piece contains only 1 note and the 2nd
measure of the piece contains the segno. It'
is the "cause and effect" concept. He's constantly
reminding me that many of the things I'm trying to fix are in reality
the effects of a proper embouchure and fixing the cause is more
important than focusing on the effects.
But again, a good teacher is the most important s
s for things like
"this mouthpiece works on higher stuff - I'll use it on this piece..." etc.
I can't tell you how much time was spent/wasted for my lips to adjust from
one mouthpiece to the next.
Just some thoughts -
Happy new year!
Jeremy
-Original Messa
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erm "call time" is used
by amateur groups to mean the time to show up.
Larry
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_
ant (directed to the members of the list), but if you really
have nothing to contribute but insults and judgment, please consider not
hitting "send."
Thank you-
Jeremy
-Original Message-
From: hans.pi...@t-online.de [mailto:hans.pi...@t-online.de]
Sent: Sunday, Decem
her horn player in the world
isn't just trying to make excuses for why they can't play when they
identify a bonafide problem.
Jeremy.
On Dec 20, 2008, at 7:36 AM, "hans.pi...@t-online.de" > wrote:
Well, all these theories about the influence of food or medication
find similarly or have some reasoning as
to why?
Thanks-
Jeremy.
On Dec 16, 2008, at 9:38 PM, marksue...@aol.com wrote:
This is going to sound strange. But does anyone know if there are
any
dietetic things that promote a healthier embouchure - more strength,
less fatigue,
that ki
horn.
Thanks!
Jeremy
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. The
pitch is generally better and the note pops out much easier.
Cheers-
Jeremy
On Oct 13, 2008, at 7:45 AM, Todd Sheldrick <[EMAIL PROTECTED]>
wrote:
Greetings!
In the octave leaps in the first movement of Haydn Symphony 31,
there is no slur marked in my part however on the rec
few notes funky. Modifying your existing mouthpiece should be easy and
cheap if it's not setup that way currently.
Cheers,
Jeremy
On Oct 11, 2008, at 2:50 PM, "Mathew James" <[EMAIL PROTECTED]>
wrote:
Hey list,
I'm currently in the market for a new horn. Her
I was wondering if there were any private teachers out there that had to drop a
student due to non-payment and have had to take the matter to small claims
court. What was your experience with that? What are the pros and cons of taking
that sort of action? Thanks.
Jeremy R
I've had VERY good luck with the stain remover included with Dryel (the
"do-it-yourself" dry-cleaning package). The stuff is fantastic. I've
gotten stuff out that came back from the cleaners stuck in. It always takes
out grease stains.
Cheers-
Jeremy
-Original M
ve specific evidence that it arose or was
popularized in Vienna?
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post: ho
As a proud owner of Garritan and a few other sample libraries, I can
tell you that it is in fact a very powerful tool when used correctly.
When used incorrectly, it's a monumental waste of time and only a
moderate waste of money. The package is designed specifically with the
capability of "bu
and arrangers. Just a thought.
Jeremy
[EMAIL PROTECTED] wrote:
Must be your speakers.
"Rocky" was first shown in 1976.? I don't think there was a synth back then
that could even come close to imitating brass.? They still don't these days either.
ct me off-list as well.)
Sorry if it sounds like blatant advertisingthey are good brass
quintet arrangements though and the arranger (with whom I have no
financial ties) sells his arrangements at a very affordable rate. I
don't make any money if he sells the arrangements...I swear!
cy as well.)
To your final question, I'm certain that there are such studies, but I
couldn't put my hands on them even if forced to. I will say that my pitch
accuracy (hearing and repeating) has increased in accuracy with age. My
son, on the other hand, at age 3 has great pitch. He
ey, I'm in need of a horn now where he does have a short wait right now
for his.
I'm going to be posting some "horn blog" information on my MySpace page as
soon as I have some free time to write it up.
Cheers-
Jeremy
PS -
Seriously, give this horn a try at the next wo
piece or excerpt in one take. Some *have* played note-
perfect first takes, but even then the performers have been
dissatisfied with them in some other way. I've been doing this since
1968 (started *real* young ). So, even if you're a major figure,
don't be dismayed if it takes sev
posterity
or for commercial sale, every person listening carefully in their living
room will.
Cheers-
Jeremy
-Original Message-
From: Ben Reidhead [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 14, 2008 10:53 AM
To: The Horn List
Subject: RE: [Hornlist] ?Practice mutes...
I haven
rty, fun and fits in your budget?
Read reviews on AOL Autos.
(http://autos.aol.com/cars-BMW-128-2008/expert-review?ncid=aolaut0005000
017 )
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else since it will likely
result in me spending more money.
Cheers-
Jeremy
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In fact, I'd hate to purchase a horn from a place where I didn't have the
luxury and ability to play a few side-by-side for direct comparison.
Just some thoughts-
Jeremy
-Original Message-
From: hans [mailto:[EMAIL PROTECTED]
Sent: Wednesday, August 06, 2008 10:00 AM
To:
country. Students should (where possible) take
advantage of this but that doesn't mean they will or can.
Cheers-
Jeremy
-Original Message-
From: hans [mailto:[EMAIL PROTECTED]
Sent: Sunday, August 03, 2008 12:58 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Dangers of Pl
ptions at
http://music2.memphis.edu/mailman/options/horn/jeremy%40sublymerecords.com
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Nancy,
Is this Jim London who used to play with the Dallas Symphony?
Jeremy
> Date: Sat, 19 Jul 2008 08:18:02 -0600> From: [EMAIL PROTECTED]> To:
> horn@music.memphis.edu> Subject: [Hornlist] Ralph Pyle & Jim London Pictures>
> > Dear List,> > I am pre
ning out and leaving teaching at age 42. Had the compensation been
better, maybe I would have lasted longer.
Dana Twiss
Litchfield, Maine
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others of you, too--knew her.
Howard Sanner
[EMAIL PROTECTED]
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so out. Much further
than this with a dynamic mic (a la Shure SM58) and you really start to
lose the sound and start to risk major feedback.
Your sound board operator is going to need to cut a little at 300-400 Hz
to avoid feedback anyway, but you don't want the guy to have to work too
hard
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om
No virus found in this incoming message.
Checked by AVG.
Version: 7.5.524 / Virus Database: 270.4.3/1528 - Release Date: 7/1/2008
7:26
f which are more valuable than
my Lawson) and they do phenomenal work.
It's a tad extreme for the average hornist, but for those who find
themselves on planes every other week or so, it's a worthwhile
investment.
Cheers-
Jeremy
No virus found in this outgoing message.
Checked by AVG
your needs and your budget and they'll design a treatment
package for you. Additionally, one of the recording Internet BBS
services where I'm a moderator offers a room for Acoustics specifically
and it's moderated by a world-renowned and published acoustics expert.
That site can be
e approves it, I can release some
mp3 samples.
Cheers-
Jeremy
Quoting Ashley Grothe <[EMAIL PROTECTED]>:
A friend of mine is leading a brass quintet in our school. We are
looking for some music and don't really know where to head. I really
want to do a jazzy piece. Also, if anyone
ipping supplies!
> http://thirdpartyoffers.juno.com/TGL2131/fc/Ioyw6iigT3djyhtS1ugLYW0ThI
> FVWoCL9ld8nscVE6VYzMEeRrz8w8/
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t: Re: [Hornlist] Peter & the Wolf
Sorry Jeremy I've played it a thousand times - only ever seen three horns
there.
lawrenceyates.co.uk
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pping supplies!
http://thirdpartyoffers.juno.com/TGL2131/fc/Ioyw6iigT3djyhtS1ugLYW0ThIFVWoCL9ld8nscVE6VYzMEeRrz8w8/
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It, or at least portions of it, were indeed overdubbed.
Notice the way Paul moves around the vocal microphone. If that were a
real recording, you would have heard him sound dramatically different
as he moved. Especially with that microphone.
The sync issues *could* be due to a mis-sync be
he results were not nearly so
tasty. Be sure not to miss the inspiring cabbage solo!
http://www.youtube.com/watch?v=INI3M3Z2IMA
- Steve Mumford
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Quoting William Botte <[EMAIL PROTECTED]>:
If the horn is to
heavy for the inevitable whiners, lift weights to develop strength
or the piccolo.
Bill
I tried lifting the piccolo to build strength. It did very little to help.
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Lawrence writes... (snip)
..
I don't understand why they insist on using these things.
lawrenceyates.co.uk
..
Which things? Stands or conductors?
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Quoting hans <[EMAIL PROTECTED]>:
If you have played the stuff on another horn chair than 2nd,
there should be not any problem playing it even prima vista.
The loud passages are quite identical. You are familiar with
horn in A & horn in D, right
Yes - I'm perfectly fine with the transposition
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