[313] Charles Webster

2002-01-30 Thread Mad'R
Anybody heard his new album yet ?

what do you think ?

thxs

Mad'R


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Re: [313] aini?t no answer

2002-01-30 Thread neontsetse
Dear ladys, 

would you mind not making this posting only look ridiculous  ?

would you mind pointing out the things you don´t agree with ? 

would you mind showing up your own thoughts ?

What I was doing was showing up some complicated stuff - 

also including some deep feelings 

It´s not easy to go out there, this way - 

to talk about the harder things in life 

I can imagine there might be views that people do not agree with 

or some things were not explained the best way, they should be 

why don´t you pick out the subjects that you don´t agree with

or you might do know better ? 

this way you deny lot´s of stuff 

too many things I would think 


> I think you've had too many bites from those tsetse flies. I suggest you
go 
> and have a lie down.

> no more drugs for *you*.


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plantz
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m   

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Re: [313] aini?t no Ewoks - this is getting serious

2002-01-30 Thread Shosh _

From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] aini?t no Ewoks -  this is getting serious Date: Wed, 30 Jan 
2002 22:25:54 +0100 (MET)


Swayzak - they are not Ewoks ?

I thought they would be from London - Ewokland -

Ii?m very sorry (Scottish people aini?t no Ewkos)

and though some friend just sent me "whip the Ewoks"

Ii?m gonna stop the joking now,

as there also was some serious thought behind this silly stuff -

let me xplain -  iti?s gonna get 313-related and iti?s gonna get heavy -

- me myself - I am half-ewok and half of a germ -

nationality to me is a damned metaphysical construction,

but the world is built on this, so iti?s a reality I have to face

in this reality England and Germany and some other Nations as France,

the USA cauzed and still cauze so much horror in the line of history -

theese Nations repressed and killed countless people and culturez,

other national constructionz and move them around on the big plate,

they fight all the time various dirty games for the structures of "world
order" -

- Ghetto-reality, Palestine, Isreal (a part in a game too), Nigeria, 
Ireland

etc..

cauze of that

- many people in Detroit still live under bad circumstances -

cauze of that

- the biggest continent Africa, the major source - is kept in a mess

cauze of that

now -

all music we hear nowadays is connected to the history line -

music always is (transformed by artists) -

if therei?s Kraftwerks idea of creating "tribal music",

if iti?s about the rolling stones stealing from blues-artists,

the rocki?n roll robbery by elvis etc...

if iti?s about the alien-thing by many black artists as sun ra, george
clinton, 4hero

This list is about the "313-construction"

It was started cauze of "techno-music" coming from Detroit

Most artists are black artists who created this music,

now the views of many people about this music are coming from various
perspectives,

but why is it that it happens that people highlight certain "european and
white"

musical influences, even more then the historical afro-american background
of it ?

I feel the amount of theese influences mentioned here is not in the right

relation to the main basis and main source of much of the music -

this shows a picture, that is changing the meaning

the Ewok-joke was a silly inspiration to question the way

of understanding music the "English" do, which also does have

iti?s certain tradition in the line of history... (highlighting the
pop-aspect)

See, I doni?t want to be over- preachy

and I feel much love 4 "this house is our house"-vision,

and am so gratefull this door is still opened by artists

though the shit keeps happening all the time -

but I think we all do have the responsibility

to take care ... much more care ...

and that means to enjoy the music and the party of course,

to enjoy it 100 %,

but as long as I feel things are getting pulled into a certain direction,

that seems to be a part of stealing or redefining the 313-culture

in a "classical colonial" tradition,

there will be those wrong spelled grammar f***ing preachy mails,

and understand,

when Ii?m doing the same kind of mistakes

please tell me and teach me -

shoutz

m

--
LoveThemPlanetZ
peoplez
plantz
peaze
pluz
m

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Dear Sir
I think you've had too many bites from those tsetse flies. I suggest you go 
and have a lie down.

Shosh

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RE: [313] ain´t no Ewoks - this is getting serious

2002-01-30 Thread Matthew Mangold
no more drugs for *you*.

m

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, January 30, 2002 4:26 PM
To: 313@hyperreal.org
Subject: [313] ain´t no Ewoks - this is getting serious


Swayzak - they are not Ewoks ?
I thought they would be from London - Ewokland -
I´m very sorry (Scottish people ain´t no Ewkos)
and though some friend just sent me "whip the Ewoks"
I´m gonna stop the joking now,
as there also was some serious thought behind this silly stuff -
let me xplain -  it´s gonna get 313-related and it´s gonna get heavy -
- me myself - I am half-ewok and half of a germ -
nationality to me is a damned metaphysical construction,
but the world is built on this, so it´s a reality I have to face
in this reality England and Germany and some other Nations as France,
the USA cauzed and still cauze so much horror in the line of history -
theese Nations repressed and killed countless people and culturez,
other national constructionz and move them around on the big plate,
they fight all the time various dirty games for the structures of "world
order" -
- Ghetto-reality, Palestine, Isreal (a part in a game too), Nigeria, Ireland
etc..
cauze of that
- many people in Detroit still live under bad circumstances -
cauze of that
- the biggest continent Africa, the major source - is kept in a mess
cauze of that
now -
all music we hear nowadays is connected to the history line -
music always is (transformed by artists) -
if there´s Kraftwerks idea of creating "tribal music",
if it´s about the rolling stones stealing from blues-artists,
the rock´n roll robbery by elvis etc...
if it´s about the alien-thing by many black artists as sun ra, george
clinton, 4hero
This list is about the "313-construction"
It was started cauze of "techno-music" coming from Detroit
Most artists are black artists who created this music,
now the views of many people about this music are coming from various
perspectives,
but why is it that it happens that people highlight certain "european and
white"
musical influences, even more then the historical afro-american background
of it ?
I feel the amount of theese influences mentioned here is not in the right
relation to the main basis and main source of much of the music -
this shows a picture, that is changing the meaning
the Ewok-joke was a silly inspiration to question the way
of understanding music the "English" do, which also does have
it´s certain tradition in the line of history... (highlighting the
pop-aspect)
See, I don´t want to be over- preachy
and I feel much love 4 "this house is our house"-vision,
and am so gratefull this door is still opened by artists
though the shit keeps happening all the time -
but I think we all do have the responsibility
to take care ... much more care ...
and that means to enjoy the music and the party of course,
to enjoy it 100 %,
but as long as I feel things are getting pulled into a certain direction,
that seems to be a part of stealing or redefining the 313-culture
in a "classical colonial" tradition,
there will be those wrong spelled grammar f***ing preachy mails,
and understand,
when I´m doing the same kind of mistakes
please tell me and teach me -
shoutz
m

--
LoveThemPlanetZ
peoplez
plantz
peaze
pluz
m

GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net


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Re: [313] uk tech-house

2002-01-30 Thread Shosh _

From: "rob webb" <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] uk tech-house
Date: Wed, 30 Jan 2002 10:55:00 +

Binnie:


i thought swayzak were now micro-house and not tech-house...?


last i heard they'd gone all micro-techfunkstep... but then i read that in
Muzik, so who knows? ;)



rob


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Rob
I think you'll find that it's actually microstep-twofunkcheesewire
It's rocking your local deli counter on an almost daily basis. I heard it on 
the grapevine and that's the most reliable source I know. Take it from me 
it's second only to the Chinese whisper, very reliable don't you know.

Shosh

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Re: [313] uk tech-house

2002-01-30 Thread Shosh _
So what style of muse is Mark Dale playing these days? Also where is he 
playing out?
Looking for some inspiring new places and people to visit and meet. Cabin 
fever is getting too 
muchmust...get...out..or.will.go.insane!


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Re: [313] OT: Adam F

2002-01-30 Thread Cyclone Wehner
I finally played the Adam F hip-hop album and it's really strong. It has a
big cinematic soundtrack feel, if you like RZA productions circa Wu-Tang
Forever, this will appeal. I think the album would have been more of a
commercial success had Adam waited to build up his name  a little more in
hip-hop before doing a  conceptual album, since the usual way is to lace up
everyone a la Neptunes/Timbaland, then do an LP when the kids know who you
are. I think he probably went into it a little fast. The start of the song
Last Dayz (with Pharoahe Monch, formerly of the ace Organized Konfusion and
Simon Says fame) would be good to kick off a techno set with. It's got a
strong New World Order dystopian theme. 

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[313] ain´t no Ewoks - this is getting serious

2002-01-30 Thread neontsetse
Swayzak - they are not Ewoks ?

I thought they would be from London - Ewokland - 

I´m very sorry (Scottish people ain´t no Ewkos) 

and though some friend just sent me "whip the Ewoks" 

I´m gonna stop the joking now,

as there also was some serious thought behind this silly stuff -

let me xplain -  it´s gonna get 313-related and it´s gonna get heavy - 

- me myself - I am half-ewok and half of a germ -

nationality to me is a damned metaphysical construction, 

but the world is built on this, so it´s a reality I have to face 

in this reality England and Germany and some other Nations as France, 

the USA cauzed and still cauze so much horror in the line of history - 

theese Nations repressed and killed countless people and culturez,

other national constructionz and move them around on the big plate, 

they fight all the time various dirty games for the structures of "world
order" -

- Ghetto-reality, Palestine, Isreal (a part in a game too), Nigeria, Ireland
etc..

cauze of that 

- many people in Detroit still live under bad circumstances - 

cauze of that 

- the biggest continent Africa, the major source - is kept in a mess 

cauze of that 

now -

all music we hear nowadays is connected to the history line -

music always is (transformed by artists) -

if there´s Kraftwerks idea of creating "tribal music",

if it´s about the rolling stones stealing from blues-artists, 

the rock´n roll robbery by elvis etc... 

if it´s about the alien-thing by many black artists as sun ra, george
clinton, 4hero

This list is about the "313-construction"  

It was started cauze of "techno-music" coming from Detroit 

Most artists are black artists who created this music, 

now the views of many people about this music are coming from various
perspectives, 

but why is it that it happens that people highlight certain "european and
white" 

musical influences, even more then the historical afro-american background
of it ?  

I feel the amount of theese influences mentioned here is not in the right 

relation to the main basis and main source of much of the music - 

this shows a picture, that is changing the meaning 

the Ewok-joke was a silly inspiration to question the way  

of understanding music the "English" do, which also does have 

it´s certain tradition in the line of history... (highlighting the
pop-aspect) 

See, I don´t want to be over- preachy 

and I feel much love 4 "this house is our house"-vision, 

and am so gratefull this door is still opened by artists

though the shit keeps happening all the time - 

but I think we all do have the responsibility 

to take care ... much more care ... 

and that means to enjoy the music and the party of course, 

to enjoy it 100 %, 

but as long as I feel things are getting pulled into a certain direction,

that seems to be a part of stealing or redefining the 313-culture

in a "classical colonial" tradition, 

there will be those wrong spelled grammar f***ing preachy mails, 

and understand, 

when I´m doing the same kind of mistakes 

please tell me and teach me - 

shoutz 

m

-- 
LoveThemPlanetZ
peoplez
plantz
peaze
pluz
m   

GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net


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[313] Wonky

2002-01-30 Thread Nick Hardie
Sorry to Spam, but for anyone who is in Liverpool this weekend, we're having 
our first party of the year, and in downscaled tribute to Jeff Mills and his 
house club business we've got Ste Bass (Era) playing a disco set out for the 
first time.

Cheers
Nick

Wonky presents Farrago
Friday 1 February
Downstairs at Mello Mello
Liverpool


[313] Tomorrow @ Mixworks//Buzz Goree wsg Punisher and Lynx

2002-01-30 Thread keleigh casper

Mixworks, Thursdays @ Porter St.
1400 Porter St.
between Eighth and Trumbull

THURSDAY, JANUARY 31

BUZZ GOREE -- UNDERGROUND RESISTANCE, Detroit
wsg:
Punisher, Detroit
Lynx, Detroit

THURSDAY, FEBRUARY 7

D-WYNN -- MUSIC INSTITUTE, KMS PRODUCTIONS, Detroit
w/ resident John Willams

Special thanks to our artists from last week: Kaku, Scan 7 and Craig Huckaby 
and guest on percussion, and to everyone who came out and had a good time.


Starting in February, there will be no cover charge before 11 pm, as well as 
drink special ALL NIGHT LONG.


Mixworks is sponsored by: Made in Detroit, Submerge, Real Detroit, 
motormouth.org, Record Time and Current. Support local talent.




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Re: [313] am I the only one who is getting sick of deleting posts about jungle???

2002-01-30 Thread Nick Hardie

> what is wrong with Little Richard??

Nothing in my mind. Saw him play live last year, and if I can do that at his
age, I'll be made up

Cheers
Nick


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RE: [313] Track ID

2002-01-30 Thread Slow Me
it's dj buck- make it hot on siesta music

-Original Message-
From: Greg Lee [mailto:[EMAIL PROTECTED]
Sent: Wednesday, January 30, 2002 9:04 PM
To: 313@hyperreal.org
Subject: [313] Track ID


From:

http://212.40.161.253/rams/wmflounge200701.ram

at 35:20 into the 6 hr set

Heard it a lot and don't know what it is.

thanks

Gregory B. Lee, Junior Environmental Engineer
SEACOR Environmental Engineering Inc.
Suite A - 8 West St. Paul St.
Kamloops, BC
V1S 1W2
[EMAIL PROTECTED]
office: (250) 374-8749
fax:(250) 374-8656
cell:   (250) 314-4071
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[313] Track ID

2002-01-30 Thread Greg Lee

From:

http://212.40.161.253/rams/wmflounge200701.ram

at 35:20 into the 6 hr set

Heard it a lot and don't know what it is.

thanks

Gregory B. Lee, Junior Environmental Engineer
SEACOR Environmental Engineering Inc.
Suite A - 8 West St. Paul St.
Kamloops, BC
V1S 1W2
[EMAIL PROTECTED]
office: (250) 374-8749
fax:(250) 374-8656
cell:   (250) 314-4071
-
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The information in this email is intended for the named recipients only. It 
may contain privileged and confidential information. If you have received 
this email in error, any use, copying or dissemination of its contents is 
prohibited. Please notify the sender immediately by telephone at the number 
indicated on this page to arrange destruction and/or return of the email.


Your cooperation is appreciated. Thank you.
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Re: [313] US Tech-house(was uk tech-house)

2002-01-30 Thread Javier Drada
I have a pretty deep mix of mostly US stuff really deep on the Tech-side 
some of it reminds me of Juans House style when he plays.


Check it out and tell me what you think:

Deep House Session 1.15 (The Other Side of House)
- David Duriez - Gimme A Fresh One - Brique Rouge
- Hesohi - Get This - Viva Recordings
- Souldoubt - Chilldoubt - Viva Recordings
- Fog City Players - Remember - Tilted Records
- Envelope - Be There (For You Main Mix) - Primal Records
- Chris Simmonds - All Souled Out (House Proud Mix) - Viva Recordings
- Morgan Page - Floater - Nordic Trax
- Ben Nevile - Designer Drugs - Nordic Trax
- Chris Lum - The Here, The Now - Tilted Records
- Drivetrain - Paradise Millennium -Soiree Records
- Johnny Fiasco - Alta Vista - Viva Recordings
- JT Donaldson & Chriz Nazuka - Speaking With Sounds - Nordic Trax
- Shawn Ward - Cruiseship - Turbo Recordings

www.undergroundcommittee.com


Original Message Follows
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: 313 Detroit <313@hyperreal.org>
Subject: Re: [313] uk tech-house
Date: Thu, 31 Jan 2002 04:31:28 +1100


>i think Terry Francis has a new mix cd out next month.  i guess that'd 
give

>a good indication of the current state of "tech house".


It's actually out now. It's the second in the Fabric series - Fabric 02.
Quite nice.

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Re: [313] adult question

2002-01-30 Thread Paul V

On Suction records.
Solvent's Label.

Paul V
http://www.technologix.org/ram/beatnik/beatnik29.ram




From: "Ron" <[EMAIL PROTECTED]>
Reply-To: "Ron" <[EMAIL PROTECTED]>
To: "313" <313@hyperreal.org>
Subject: [313] adult question
Date: Wed, 30 Jan 2002 19:11:27 +0100

hi,
can anybody tell me on which label
tha solvent rmx af adults "flexidisc"
was released? its a really nice track,,,
ronster


ron lux _ jahnstr.7 _ d-71299 wimsheim _
fon | fax _  (+49)_7044_48199 _
cell _  (+49)_171_6574162 _

come to
www.megahertz.org
www.heckengaeu.de
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RE: [313] uk tech-house

2002-01-30 Thread Grammenos, Peter
Correct. 

Himawari is one of their album at imitating what traditional
house/tech-house sounds like, but snowboarding in argentina [their first
album i believe] is , in my opinion, a better more interesting listen. Nice
blend of dubby-house-ambient. Recommended! Also, 240Volts is an interesting
listen.

-pete


-Original Message-
From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
Sent: Wednesday, January 30, 2002 12:30 PM
To: 313 Detroit
Subject: Re: [313] uk tech-house


Swayzak is two Scottish guys.

>guess >>
>
>Is "313 Detroit" <313@hyperreal.org> a uk artist?
>
>I like his stuff on minus (with theorem) a lot, more on a dubby tip..

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[313] adult question

hi,
can anybody tell me on which label
tha solvent rmx af adults "flexidisc" 
was released? its a really nice track,,,
ronster


ron lux _ jahnstr.7 _ d-71299 wimsheim _
fon | fax _  (+49)_7044_48199 _ 
cell _  (+49)_171_6574162 _
 
come to
www.megahertz.org
www.heckengaeu.de
www.fortransit.com
---


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Re: [313] uk tech-house


>i think Terry Francis has a new mix cd out next month.  i guess that'd give 
>a good indication of the current state of "tech house".


It's actually out now. It's the second in the Fabric series - Fabric 02.
Quite nice.

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Re: [313] uk tech-house

Swayzak is two Scottish guys.

>guess >>
>
>Is "313 Detroit" <313@hyperreal.org> a uk artist?
>
>I like his stuff on minus (with theorem) a lot, more on a dubby tip..

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Re: [313] uk tech-house

Actually a lot of people say that but purely logistically you have to have
some signposts otherwise you would go into a store and have to sift through
Aqua, Chemical Brothers and country to get to that nice Rob Hood 12" or
whatever.

I can understand that artists get sick of tags but if they are employed
loosely then they shouldn't be too painful.

--
>From: Ian Cheshire <[EMAIL PROTECTED]>
>To: 'Maarten Baute' <[EMAIL PROTECTED]>, 313@hyperreal.org
>Subject: RE: [313] uk tech-house
>Date: Wed, 30 Jan 2002 8:17 PM
>

>Really There should be no genre, but sadly there is

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Re: [313] uk tech-house

It's really a loose term for music that sounds like a hybrid of techno and
house. Stacey Pullen is often cited as an originator of it, same with Dave
Angel, also Terry Francis.


--
>From: "Maarten Baute" <[EMAIL PROTECTED]>
>To: <313@hyperreal.org>
>Subject: [313] uk tech-house
>Date: Wed, 30 Jan 2002 8:13 PM
>

>Hi,
>
>the last days the words 'uk tech house' showed up in some messages.
>This should be popular in london, as an alternative to 'looped bangers' (or
>something)...
>
>But could someone please describe this genre more specific..
>
>Is it that boring style with really loud 909 open hihats in between the
>beats?
>
>And what´s up with detroit techno in london? I went over there last summer
>to visit record shops (I am from Belgium).. and was really amazed that there
>were so few techno records over there...
>
>Greets,
>Maarten
>
>
>-
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RE: [313] uk tech-house/layo & bushwacka

Keith Tenniswood, long-term accomplice and brother-in-arms of Sir Andrew
Weatherall... did he release anything onhis own bar the Uranium EP ?
Gwendal

> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, January 30, 2002 5:28 PM
> To: [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: Re: [313] uk tech-house/layo & bushwacka
>
>
>
> Ahhh, Rotter's Golf Club - Radioactive Man. Anyone interested in some
> truely driving electro should find and listen to this man.
>
> MEK
>
>
> That said, I can't recommend the Rotter's Golf Club enough
>
> -s
>
>
>
>
>
>
>
> -
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Re: [313] uk tech-house/layo & bushwacka


Ahhh, Rotter's Golf Club - Radioactive Man. Anyone interested in some
truely driving electro should find and listen to this man.

MEK


That said, I can't recommend the Rotter's Golf Club enough

-s







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Re: [313] vapour space

or for more information, check out...

http://www.greengalactic.com/magna.html

pw

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Re: [313] Fw: Tresor : True Spirit



wow, shame not a full vinyl release on 180g vinyl too :)

esp this track (tho i don't knwo what it sound like, it's dan bell init)

> c05 Tiny Robot "Theme From Tiny Robot" (5:09)
> (2001) Tresor 187/CD premiere

robin...


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Re: [313] uk tech-house/layo & bushwacka

- you get dull-tech-house nights, you get micro-house nights, you get 
body&soul

nights, you get looped-bangers nights, you get detroit-techno nights... You
don't often get plain old good nights out"


Probably due to the size of the place.
I mean how likely is it you'll end up at any night which doesn't spell out 
it's music policy in advance. And by that I don't mean "would you go to 
it?", but rather, "would you find out about it in a city this size?".


It's pretty hard -usually takes some damned clever flyer design- to get 
across a particular ethic without spelling out the playlist (i.e. 
tech-house, body and soul -whatever) and hence sticking to a particular 
genre, and with the competition being so stiff in London it's hard for 
anything small and interesting to get past those first few nights.


I suppose the exceptions to this are the few people who have the clout / 
credibility to draw a crowd without sticking to one particular style 
(probably Andy Weatherall - again, or Warp's nights). but there aren't 
many...


That said, I can't recommend the Rotter's Golf Club enough

-s

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[313] Fw: Tresor : True Spirit

Tresor presents.
TRUE SPIRIT
FEATURING EXCLUSIVE, UNRELEASED, AND DELETED TRESOR CLASSICS FROM JEFF
MILLS, MAURIZIO, JOEY BELTRAM, BLAKE BAXTER, MODEL 500 AND MANY (MANY) MORE.

 Artist: VARIOUS
Title: TRUE SPIRIT
Label: TRESOR
Cat. No: 56185-2/6
Distribution: SRD (UK)
Release: 25 MARCH 2002

Tresor: A Decade of Techno History. TRUE SPIRIT is the definitive historical
guide of the Berlin label's vital contributions to the Electronic
Underground. The exclusively designed digi box includes a 48-pages booklet
with details about the history of Tresor club and label, the artists, photos
and tracks. The three CDs and two double-EPs of TRUE SPIRIT present the
label's greatest moments featuring first-ever CD appearances of previously
vinyl-only tracks by Jeff Mills, Model 500 aka Juan Atkins, Joey Beltram,
The Advent, Blake Baxter and Surgeon as well as hard to find classics by
Underground Resistance/X-101, Maurizio, Cristian Vogel, Marshall Jefferson,
K.Hand, Eddie Flashin' Fowlkes, Robert Hood, Neil Landstrumm, 3MB and Bam
Bam. 38 tracks (3.5 hours!) of pure Techno and House from one of the most
influential labels in Electronic music ever.

Of note to all Tresor fans and music collectors will be the exclusive,
previously unreleased Jeff Mills track 'The Hypnotist' and first-time
appearances of Mills' 'Late Night (Mills Mix)', Joey Beltram's 'Ball Park
(DJ Rush First Bass Mix)', the Tiny Robot (aka Daniel Bell) debut, Mike
Dearborn's rare remix of Joey Beltram's 'Game Form', Optic Nerve's
'Premonition', K.Hand's 'Mystery' and many more hard-to-find and extremely
rare collector titles.

To mark the release of this monumental compilation, Tresor will be
celebrating fittingly in the manner they know best - throwing a four day
party between March 13-16th. Artists confirmed at this stage include DJ
Rush, Neil Landstrumm (live), Dave Tarrida (live), Daniel Bell and Joey
Beltram.

CD1 (70 minutes)

a01 X-101 "Sonic Destroyer" (5:00)
(1991) Tresor 001/out of print

a02 Jeff Mills "Hypnotist" (4:32)
(1991) TRESOR EXCLUSIVE

a03 Eddie "Flashin'" Fowlkes "420-Low" (5:30)
(1992) Tresor 003

a04 Blake Baxter "Ghost" (5:24)
(1992) Tresor 002, 149

a05 Maurizio "Ploy" (Strategic Mix) (5:40)
(1992) out of Tresor print

a06 Bam Bam "Wheres Your Child" (5:11)
(1994) Tresor 030, 165

a07 Vainqueur "LYOT" (Maurizio Mix) (7:00)
(1993) Tresor 013/out of Tresor print

a08 The Vision "Projectile Darts" (5:05)
(1993) Tresor 017

a09 3 Phase feat. Dr. Motte "Der Klang der Familie" (6:35)
(1992) Tresor 006/out of Tresor print

a10 System 01 "Drugs Work" (4:41)
(1992) Interfisch 01730/Tresor 028/out of print

a11 Ingator "Skyscratch" (Mano Mano) (5:32)
(1992) Tresor 005

a12 Clock DVA "The Hacker" (7:23)
(1988) Interfisch 01701

CD2 (76 minutes)

b01 Jeff Mills "Late Night" (Mills Mix) (6:50)
(1993) TRESOR EXCLUSIVE

b02 Joey Beltram "Ball Park" (DJ Rush First Bass Mix) (6:13)
(1998) TRESOR EXCLUSIVE

b03 Cristian Vogel "Absolute" (7:03)
(1996) Tresor 022

b04 The Advent "Sketch O Matic" (5:09)
(1999) Tresor 124/CD premiere

b05 Fumiya Tanaka "Drive #5" (Edit) (5:17)
(2001) Tresor 176

b06 James Ruskin "Version" (4:17)
(2000) Tresor 145

b07 Karl O'Connor "Guiltless" (4:55)
(1999) resor 123, 147

b08 Sterac "Liteon" (5:18)
(2000) Tresor 143/CD premiere

b09 Transllusion "Transmission of Life" (4:26)
(2001) Supremat 03

b10 Drexciya "Lost Vessel" (5:53)
(1999) Tresor 129

b11 Surgeon "Intro" (Version II) (4:51)
(1997) Tresor 085/CD premiere

b12 Neil Landstrumm"Tension In NY" (4:06)
(1997) Tresor 082

b13 Tobias Schmidt "Wagging Tail" (4:06)
(2000) Tresor 158

b14 Cristian Vogel "General Arrepientase" (5:44)
(1999) Tresor 110, 120

CD3 (76 minutes)

c01 Blake Baxter "One More Time" (Red Planet Remix) (5:56)
(1992) out of print/CD premiere

c02 Marshall Jefferson "Floating" (8:35)
(1996) KTM 03/out of print

c03 3MB feat. Juan Atkins "Die Kosmischen Kuriere" (5:39)
(1994) Tresor 009/out of print mix

c04 K.Hand "Mystery" (4:38)
(1993) Tresor 013/out of print

c05 Tiny Robot "Theme From Tiny Robot" (5:09)
(2001) Tresor 187/CD premiere

c06 Eddie Fowlkes & Blake Baxter "Wisdom" (5:54)
(1992) Tresor 007/out of print

c07 Model 500 "Light Speed" (7:22)
(1995) Tresor 035, 164

c08 Optic Nerve "Premonition" (6:12)
(1994) Tresor 024/out of print

c09 Infiniti "Raindrops" (5:07)
(1996) Tresor 048, 052

c10 Robert Hood "Quartz" (6:30)
(1995) Tresor 032, 166/CD premiere

c11 Santonio "Deep Cover" (House Mix) (5:16)
(1994) Tresor House 04/out of print

c12 3MB featuring Eddie Fowlkes "Illuminism" (Sun Electric Edit) (6:21)
(1993) Tresor 013/out of print

c13 Joey Beltram "Game Form" (Mike Dearborn Remix) (4:15)
(1995) Tresor 033/exclusive mix


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[313] Re: 313 Digest 30 Jan 2002 10:02:02 -0000 Issue 904

The Dimension 5 album is nice. If you imagine clean Aril Brikha 
production values with a kind of stripped down B12, you're nearly 
there.


I've listened once already and that was pretty much my take on first 
blush. Problem is, I'd much rather listen to Aril Brikha with Aril 
Brikha production. ;)


Hopefully the second listen to D5 will reveal their true self ...

-d

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Re: [313] The Remote Agency And Force Inc. Announces Algorithm Composure Tour

For anyone looking for some online mixes from Algorithm, i noticed a
couple that i haven't seen mentioned here before. One from the Plus 8
website and another in the Mutek archives. Here's the links:
www.plus8.com/Audio
www.mutek.ca/fr/2000/archives/algo.html

Cheers!

G

Naeema Rehmani wrote:
> 
> The Remote Agency And Force Inc. Announces Algorithm Composure Tour
> 
> Composure features music from the entire current catalog of Force Lab 12"
> singles:
> 
> Chris McCormack, Auch, G (aka G Man), Sutekh, Donnacha Costello, Safety
> Scissors, Jasper, kid606, Twerk, Farben, Matmos, Vita (aka Mikael
> Stavöstrand), AtomT, Rechenzentrum, The Posterboys Of The Apocalypse,
> alva.noto, Geoff White, Kit Clayton, Lowfour (aka Andreas Tilliander) and
> Veer.
> 
> Algorithm will be on tour in support of Composure, and a variety of new
> projects on his Revolver Canada Imprint.
> 
> April - USA
> May - Europe
> June- Asia
> 
> COMPOSURE OFFICIAL RELEASE PARTIES
> 
> Montreal Feb 15th @ Laika : 6-9pm
> Toronto Feb 28th @ Mission (Element Bar) : 10-3am
> 
> LABEL: FORCE LAB
> 
> RELEASE DATE: February 2002
> 
> TITLE: Force Lab Edition - Composure, Mixed By ALGORITHM
> 
> Also features previously unreleased material from:
> 
> Electric Birds, OZY, Rabbits, Yagya and Bizz Circuits.
> 
> With over 12 years of DJing under his belt, Algorithm is undisputedly one of
> Canada's techno pioneers and easily one of the most skilled DJ's in N.
> America. His passion for emerging new sounds in electronic music have kept
> him a gem of the underground scene, though he can be found performing at
> some of the world's leading events and clubs.
> The Force Lab imprint has been the 12" home for both Mille Plateaux and
> Force Inc. artists to experiment in sounds that could work on the dance
> floor...through this combination, we feel one of the most innovative mix
> CD's has emerged. Algorithm takes the mix CD to new levels with Composure,
> layering and remixing over 300 loops from the catalog and re-processing them
> with his signature mixing style. Composure takes you to the point where over
> 7 different tracks are working seamlessly together! Beyond the typical
> click-techno and into something totally new, Composure set's a new standard
> for today's technology driven mix CD.
> 
> Project Synopsis :
> 
> Force Lab Edition - Composure
> Composure was designed in a multithread process with a variety of media. The
> original mixes were composed on Technics 1200's from the vinyl catalog
> releases. Unreleased material was taken from .wav files and then integrated
> into the mix. Each track was then discreetly edited into single instruments
> and loops of various lengths. Then, complimentary versions of loops were
> resaved with different EQ settings, transitions and effects. Each artist was
> initially remixed with their own material and then recombined with other
> artists. Over 300 loops and individual instruments were cut out of the bed
> mixes and recomposed. At times, 8 different Force Lab artists are layered
> and combined. For the final process of Composure, multiple variations of
> combined loops and instruments of various tracks were macrocomposed into
> primary sequences, continually bounced to larger macrosequences, until the
> end result emerged as the full length CD.
> 
> For more info, please see:
> 
> Composure Preview: http://www.force-lab.com/flab/
> Composure For Sale: http://shop.force-inc.com
> Algorithm Info: http://www.remoteagency.com
> Algorithm Info: http://www.techno.ca/revolver
> 
> For bookings and tour inquiries, please feel free to contact us or submit a
> booking request online at www.remoteagency.com/bookings.htm
> 
> Kind Regards,
> The Remote Agency
> 
> 1 514 739 3154 Montreal
> 1 905 542 9263 Toronto
> [EMAIL PROTECTED]
> www.remoteagency.com
> 
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Re: [313] educating the kiddies -> DC -> GoGo (now OT)

- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Wednesday, January 30, 2002 8:33 AM
Subject: Re: [313] educating the kiddies -> DC -> GoGo (now OT)


>
> If you haven't already, read "Funk : The Music, the People, and the Rhythm
> of the One" by Rickey Vincent. It covers some GoGo groups like Trouble
Funk
> while exploring the history and players of funk music. Apparently, GoGo
was
> difficult to sell commercially - it didn't translate well to other regions
> and as a result is now almost extinct (though I think Vincent does mention
> that there are still GoGo groups playing around DC in a retro - "remember
> when" kind of way). It's a great book. I was pleased to see underrated
> groups like Mandrill included and getting the praise they deserve.

I wouldn't say it's such a retro thing in DC as an indigenous music. I've
only been here a little while, but it seems very much a living part of the
culture with new influences bearing on it all the time, including some jazz,
r+b and hip hop collaborators. There's a prime time Sunday night radio show
still devoted to it here, and it still gets play in clubs. I can see how it
wouldn't be commercially viable though.

One thing I have yet to figure out is that all of the amazing DC street
drummers (like the old levis commercial, using buckets and what-not) are
sometimes referred to as go go as well. Maybe I've just talked to confused
people??? BTW - many of these drummers have full trap sets of buckets -
something that trully needs to be witnessed first-hand.

Tristan
--
http://www.mp313.com <- Music
http://www.metrotechno.net <- DC techno + more
http://www.metatrackstudios.com <- DC DJ/Production studios
http://phonopsia.tripod.com <- Hub
[EMAIL PROTECTED] <- email
 <- AOL Instant Messenger


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Re: [313] RE: was 'educating the kiddies,' now 'what is techno?'

on 30/1/02 1:57 pm, Rusty Blasco at [EMAIL PROTECTED] wrote:

> Computer World funky?!  Is this a joke?


have you heard the drums on numbers?


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[313] RE: was 'educating the kiddies,' now 'what is techno?'

Computer World funky?!  Is this a joke?  Melodious at parts, yes, but 
definitely not funky.  I don't think that was the intention.  I believed 
Kraftwerk's intentions to be more cerebral and conceptual in nature than 
emotional.  Almost like a career based on parody.  Their music reflects the 
current state of society but refracts it in such a way as to make it more 
palatable and, more than likely, optimistic.  The rhythms they utilized were 
slightly more jittery than the standard assembly line fare, which 
undoubtedly symbolized human intervention.


I'm not saying that Kraftwerk tunes don't touch me in a profound way.  They 
do very much, instilling a sense of awe about the perpetually changing world 
around me.  Without artists like Kraftwerk, society may tend to take 
technological and intellectual 'miracles' for granted.


Oh, and who knows what techno is really 'supposed to be?'  Art of a 
progressive nature evolves and will assume a plethora of shapes and 
textures.  From what I understand, techno is forward thinking and open to 
any number of interpretations.


Please understand this is just my opinion.  This 'what separates techno from 
other forms of (lesser) music' thread has begun upsetting me.  The merits of 
elitism are as limited as its perspective.  Everyone finds their way to the 
truth by different paths (though truth itself is a subjective mindset).  I 
did my time as a raver, and I must admit it opened my heart to spiritual 
realms that had yet to be awakened.


I apologize for the incomplete nature of this response.  I really must get 
to work and can't elaborate on the points that need addressed.  Maybe as 
debate simmers, I will be able to find threads to contribute to.


 Rusty


Date: Tue, 29 Jan 2002 20:38:28 -0500
To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org
From: "Mike Taylor" <[EMAIL PROTECTED]>
Subject: Re: Re[2]: [313] educating the kiddies
Message-ID: <[EMAIL PROTECTED]>


You listen to Computerworld by Kraftwerk, which to me is the best Techno
album that has ever been made, and compare it to James Brown. You are going
to find a ton of similarities, and the reason is that Kraftwerk were real
musicians(not jokers with a hacked copy of Acid) and they knew how James
Brown songs worked and could write those grooves on sequencers. All
Computerworld is is a James Brown record made with sequencers and they
talked about international finance rather than how Poppa was a bad ass dude.


Techno is supposed to be warm and funky, it is not supposed to be the kind
of shit that is so hard and fast that the only thing you can do is wave your
fist in the air and scream. You gotta give it up to Mills, because the man
is absolutely on point, Techno is not going to be that Wrath Of The Punisher
stuff, it is going to be Every Dog Has It's Day.

When he goes into those pop clubs and tears shit up, it is going to
completely change the audience for techno in the UK. All those kids who are
'avin it with trance and going to have a musical revelation when Mills goes
in there and shows them how it is supposed to be done. I genuinely believe
that the direction of techno going to change when after he plays those
clubs. The UK press will be eating out of his hands, and the rest of the
world follows the UK press.


Take care,
mt




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Re: [313] educating the kiddies -> DC -> GoGo (now OT)


If you haven't already, read "Funk : The Music, the People, and the Rhythm
of the One" by Rickey Vincent. It covers some GoGo groups like Trouble Funk
while exploring the history and players of funk music. Apparently, GoGo was
difficult to sell commercially - it didn't translate well to other regions
and as a result is now almost extinct (though I think Vincent does mention
that there are still GoGo groups playing around DC in a retro - "remember
when" kind of way). It's a great book. I was pleased to see underrated
groups like Mandrill included and getting the praise they deserve.

MEK









   
"Mann,  
   
Ravinder To: "'Sunlight Data'" <[EMAIL 
PROTECTED]>, 313@hyperreal.org 
[CCS]"   cc:
   
<[EMAIL PROTECTED]Subject: [313] educating the 
kiddies -> DC -> GoGo (now OT)   
c.uk>   
   

   
01/30/02
   
04:08 AM
   

   

   




Speaking of DC whatever happened to GoGo, used to love that sound

hit em wit the bop gun, hit em wit the bop gun
huge percussion roll, cymbal crash, then horns pa pa pa papa paa !




> -Original Message-
> From: Sunlight Data [SMTP:[EMAIL PROTECTED]
> Sent: Wednesday, January 30, 2002 9:36 AM
> To:   313@hyperreal.org
> Subject:   Re: Re[2]: [313] educating the kiddies
>
>
> I am old-fashioned and gravitate in this direction and snarf up
> whatever sounds good in this regard because I grew up on a steady
> and preferred diet of James Brown, Stax, the Meters and the other
> great pioneers of funk.  And being from DC, of course, a city
> that was always "on the one", we had go go, which is finally
> getting some recognition as Chuck Brown turns into our leading
> senior citizen of funk.
>
>

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[313] Dimension 5

I'll definatly go along with the Kenny Larkin comparisons. The album is superb. 
Real deep, warm alien soundcaped sci fi funk at its best! Smooth in places, 
abstract in others... John Harvey is a real discovery from Marsel and both the 
single and the album are possibly my favourite Delsin release so far!
Also if anyone has been able to get hold of the extremely rare (theres only 250 
copies out and 200 of them are in Dublin) Copper Beech ep by Derek Carr..it's 
very similar in style and class to this, but you'll be hearing more from him 
very soon.

Thanks Marsel for the album though... DS04 will be on its way to you in a few 
weeks :)

cheers

[EMAIL PROTECTED]
www.digital-soul.co.uk



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RE: [313] uk tech-house/layo & bushwacka


i once went and saw billy nasty cos holy ghost was playing alive set before
hand - the live set was excellent (and certainly much more interesting than
billy nasty) anybody know whatever happened to holy ghost? havent seen any
releases or live stuff going down for a while now. also any further info
appreciated - i can remember a live vocalist on some sort of IV drip and
another guy working the sequencer side of things.

cheers

neil

> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, January 30, 2002 12:06 PM
> To: [EMAIL PROTECTED]
> Cc: Jonny McIntosh; 313@hyperreal.org
> Subject: Re: [313] uk tech-house/layo & bushwacka
>
>
>
>  saw Umek on 4 decks at EasternBloc (a record shop) on saturday
> and while what he did was impressive (3 vinyls going at any one point) it
> just wasn't that interesting. i think he was getting at what
> hawtin aims at
> at
> the moment with layers etc. but it revolves around the same kind of track
> being played back to back with another of that type...
>
> gimme bone on 3 decks anyday!
>
> Here,here!
>
> That's exactly what was wrong with hearing Billy Nasty, Umek (& his
> 'recycled' mate who's name I can't remember)  on NYE - at times it just
> seems flat and unispiring. I know a few Umek tracks as well so usually it
> helps if you know some of the tunes but it really was a quite forgettable
> set (well, night to honest - musically anyway.)
>  Now with Bone you have a DJ who knows how to mix up the styles and keep
> things interesting! :o)
>
>
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>
>



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Re: [313] uk tech-house/layo & bushwacka


 saw Umek on 4 decks at EasternBloc (a record shop) on saturday
and while what he did was impressive (3 vinyls going at any one point) it
just wasn't that interesting. i think he was getting at what hawtin aims at
at
the moment with layers etc. but it revolves around the same kind of track
being played back to back with another of that type...

gimme bone on 3 decks anyday!

Here,here!

That's exactly what was wrong with hearing Billy Nasty, Umek (& his
'recycled' mate who's name I can't remember)  on NYE - at times it just
seems flat and unispiring. I know a few Umek tracks as well so usually it
helps if you know some of the tunes but it really was a quite forgettable
set (well, night to honest - musically anyway.)
 Now with Bone you have a DJ who knows how to mix up the styles and keep
things interesting! :o)


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Re: [313] Will any of you...

Hey Dan,

Sorry if that came out the wrong way.  It was a good lecture.

BTW it's never too late to hype the book!  I hype it all the time!  =)


TJ
www.wireframerecords.com
www.mp313.com

PeoplePC:  It's for people. And it's just smart. 
http://www.peoplepc.com 

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Re: [313] uk tech-house/layo & bushwacka

> I have a theory on London nightlife. It's sort of a concentrate of what
> you'd expect from reading UK press: hyper-fragmented - you get
> dull-tech-house nights, you get micro-house nights, you get body&soul
> nights, you get looped-bangers nights, you get detroit-techno nights... You
> don't often get plain old good nights out (in fact I've had maybe less than
> 10 in 5 years). It's partly to do with that over categorisation for which we
> are infamous here,

yeah i think it stems from the fact that it's kinda necessary to
categorise for the purposes of record buying. trouble is it should stop
there before you play any of it...

a whole set of one type of track is just not interesting to me (and from
the disillusionment i hear) to other people too...

an aside: i saw Umek on 4 decks at EasternBloc (a record shop) on saturday
and while what he did was impressive (3 vinyls going at any one point) it
just wasn't that interesting. i think he was getting at what hawtin aims at at
the moment with layers etc. but it revolves around the same kind of track
being played back to back with another of that type...

gimme bone on 3 decks anyday!

robin...


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Re: [313] uk tech-house/layo & bushwacka

I think when "uk tech house" is most appropriate is when it's as you feared,
though there are odd exceptions. Aubrey and his Portsmouth gang spring to
mind, but that's where "uk tech house" seems less fitting. Unfortunately
most London record shops are as bland too, right now. Exceptions are, IMO,
Smallfish and Vinyl Junkies, neither of which exactly hit the mark, meaning
you can spend a long time travelling when record shopping, and Detroit seems
to fall between the two stools unfortunately.

Layo & Bushwacka are excellent examples of how limp tech house can be. They
do veer into some strange "breaks" territory, I think. One of the worst
nights out of my life was at the End when Layo was DJing, when someone or
other didn't turn up. I think he is in someway involved with managing the
club, and I had never heard of either of them outside of their flyers until
recently. Make of that what you will. Unfortunately, it does seem to be the
main techno alternative to "looped bangers".

I have a theory on London nightlife. It's sort of a concentrate of what
you'd expect from reading UK press: hyper-fragmented - you get
dull-tech-house nights, you get micro-house nights, you get body&soul
nights, you get looped-bangers nights, you get detroit-techno nights... You
don't often get plain old good nights out (in fact I've had maybe less than
10 in 5 years). It's partly to do with that over categorisation for which we
are infamous here, partly to do with 2/3 hour sets being the norm and is
then reinforced by the quite subtle exclusiveness that creeps into *all*
"scenes" here. It's very hard to get away from: if you break the mold then
someone'll just name it and tame it within months anyway. Though it's just
dumb: I can understand a producer releasing records that all sound the same,
but a DJ playing a set of them?

> the last days the words 'uk tech house' showed up in some messages.
> This should be popular in london, as an alternative to 'looped bangers'
(or
> something)...
>
> But could someone please describe this genre more specific..
>
> Is it that boring style with really loud 909 open hihats in between the
> beats?
>
> And whats up with detroit techno in london? I went over there last summer
> to visit record shops (I am from Belgium).. and was really amazed that
there
> were so few techno records over there...



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Re: [313] Dimension 5


> hey i like the sound of that, can someone point me to some sound samples
> to listen to...
 
http://www.delsin.org/25dsr.html

> getting that kinda stuff in manchester is not the easiest thing :)

Shouldn't be too hard - Delsin are distributed by Rush Hour and subsequently
Baked Goods and Ideal in the UK - Pelicanneck should have it for starters.
Also it's just the 'Control Complex' 12" that's out so far, the album's not
released yet...

But I have a copy of the album and confirm it's superb - kinda like Kenny
Larkin meets B12 in style and you can't get much better than that...

Cheers,

Tom

| tom churchill
| emoticon recordings uk
| emot 005 - connective zone/jeff samuel/scape one/schmutzig (out feb 2002)
| emot 006 - otomi - zusammen/vertrauen (out feb 2002)
| website/info - http://www.emoticonrecordings.com
| distribution - http://www.rushhour.nl


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Re: [313] Dimension 5


At 1/30/2002 + 10:55, you wrote:

> > >From: Minto George <[EMAIL PROTECTED]>
> > >Subject: [313] Tim Jackiw and Tundra Music
> > >
> > >as for releases I've been diggin lately, I really dig
> > >the dimension 5 control complex 12" on Delsin and am
> > >really looking forward to the forthcoming album.
> > >Delsin is truckin right now. Yeah Marcel! :)
>
> The Dimension 5 album is nice. If you imagine clean Aril Brikha production
> values with a kind of stripped down B12, you're nearly there.

hey i like the sound of that, can someone point me to some sound samples
to listen to...

getting that kinda stuff in manchester is not the easiest thing :)


thanks for all compliments - really appreciated!

fyi

his first twelve inch 'control complex' should be available 'anywhere'
you can check it at http://www.delsin.org/25dsr.html

a preview of the album is up at http://www.delsin.org/26dsr.html
the album will be released in march


bye

.. . :: http://nomorewords.net 

Re: [313] uk tech-house

i also think this tech-house is mainly boring stuff with no feeling or soul.
some of it is very nice music if u put one or two tracks like that its ok,
but to listen to whole nite of this kinda music? no way. BORING.
y
- Original Message -
From: "Maarten Baute" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 30, 2002 11:13 AM
Subject: [313] uk tech-house


> Hi,
>
> the last days the words 'uk tech house' showed up in some messages.
> This should be popular in london, as an alternative to 'looped bangers'
(or
> something)...
>
> But could someone please describe this genre more specific..
>
> Is it that boring style with really loud 909 open hihats in between the
> beats?
>
> And what´s up with detroit techno in london? I went over there last summer
> to visit record shops (I am from Belgium).. and was really amazed that
there
> were so few techno records over there...
>
> Greets,
> Maarten
>
>
> -
> To unsubscribe, e-mail: [EMAIL PROTECTED]
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>
>


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RE: [313] uk tech-house

>
> The Terry Francis Fabric CD is out already (check
> http://www.fabric-london.com/)
>
> His Architecture CDs are very good, particularly Architecture 1. Personally
> though, I am bored with the whole Fabric ,middle of the road, samey,
> inoffensive tech-house sound.


tech-house = progressive house

nuff said...

it certainly aint 313!

robin...


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RE: [313] uk tech-house


The Terry Francis Fabric CD is out already (check
http://www.fabric-london.com/)

His Architecture CDs are very good, particularly Architecture 1. Personally
though, I am bored with the whole Fabric ,middle of the road, samey,
inoffensive tech-house sound. Mr.C's show on Kiss is very good but then he
plays tracks by Derrick Carter & Funk D'Void etc so it keeps things more
interesting / varied. Subterrain nights at The End are quite poor though -
lack of people, atmosphere, good music etc ;o)



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RE: [313] uk-tech-house

Darth Vader has landed :0)

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 30 January 2002 11:00
To: 313@hyperreal.org
Subject: [313] uk-tech-house


Swayzak are typical Ewoks 

sorry, but some strong vibe tells me this needs to be said :D  

-- 
LoveThemPlanetZ
peoplez
plantz
peaze
pluz
m   

GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net


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[313] Re: Dimension 5


From: robin pinning <[EMAIL PROTECTED]>
hey i like the sound of that, can someone point me to some sound samples
to listen to...

getting that kinda stuff in manchester is not the easiest thing :)


http://www.delsin.org/

has some sound samples. You can always get Delsin product from Rush Hour I 
would think.


http://www.rushhour.nl/

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[313] uk-tech-house

Swayzak are typical Ewoks 

sorry, but some strong vibe tells me this needs to be said :D  

-- 
LoveThemPlanetZ
peoplez
plantz
peaze
pluz
m   

GMX - Die Kommunikationsplattform im Internet.
http://www.gmx.net


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[313] Dimension 5


> > >From: Minto George <[EMAIL PROTECTED]>
> > >Subject: [313] Tim Jackiw and Tundra Music
> > >
> > >as for releases I've been diggin lately, I really dig
> > >the dimension 5 control complex 12" on Delsin and am
> > >really looking forward to the forthcoming album.
> > >Delsin is truckin right now. Yeah Marcel! :)
>
> The Dimension 5 album is nice. If you imagine clean Aril Brikha production
> values with a kind of stripped down B12, you're nearly there.


hey i like the sound of that, can someone point me to some sound samples
to listen to...

getting that kinda stuff in manchester is not the easiest thing :)


robin...



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Re: [313] uk tech-house


Binnie:


i thought swayzak were now micro-house and not tech-house...?


last i heard they'd gone all micro-techfunkstep... but then i read that in 
Muzik, so who knows? ;)




rob


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[313] Re: 313 Digest 30 Jan 2002 10:02:02 -0000 Issue 904


>From: Minto George <[EMAIL PROTECTED]>
>Subject: [313] Tim Jackiw and Tundra Music
>
>as for releases I've been diggin lately, I really dig
>the dimension 5 control complex 12" on Delsin and am
>really looking forward to the forthcoming album.
>Delsin is truckin right now. Yeah Marcel! :)


The Dimension 5 album is nice. If you imagine clean Aril Brikha production 
values with a kind of stripped down B12, you're nearly there.


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Re: [313] uk tech-house

>
> >Swayzak are a duo from London. They played at Motor a year or two ago.
>
> it's not all that up-to-date, but there's more info here:
> http://www.themedicinelabel.com/Swayzak/

i thought swayzak were now micro-house and not tech-house...?

:)


robin...


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[313] GIG


Hi everyone

I thought I would blow my own trumpet..(sounds like some porn video doesn't
it..:-)

I am off to Germany on the 16th Feb to play at Midnightbeats.

Many of you will not know who I am but hoepfull soon this year you will.

For details please see .midnightbeats.com 

Thank you..

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Re: [313] uk tech-house


Mike Taylor:


Swayzak are a duo from London. They played at Motor a year or two ago.


it's not all that up-to-date, but there's more info here: 
http://www.themedicinelabel.com/Swayzak/




rob


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RE: [313] Metroplex Question

aren't the labels different colors??

> -Original Message-
> From: gw12b [SMTP:[EMAIL PROTECTED]
> Sent: Tuesday, January 29, 2002 1:54 PM
> To:   313@hyperreal.org
> Subject:  [313] Metroplex Question
> 
> Hi, does anyone know how to distinguish between an original metroplex
> pressing and a repress, Ive just picked up a second hand copy of M-002 -
> Model 500 - Night Drive /  Time Space Transmat / No Ufos (D-Mix) and due
> to
> recently selling my other original metroplex 12's i dont have anything to
> compare it to. Any help much appreciated.
> 
> cheers
> 
> 
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Re: [313] uk tech-house


Swayzak are a duo from London. They played at Motor a year or two ago.

mt



From: "Maarten Baute" <[EMAIL PROTECTED]>
Reply-To: "Maarten Baute" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Subject: Re: [313] uk tech-house
Date: Wed, 30 Jan 2002 10:39:24 +0100


>

Is Swayzak a uk artist?

I like his stuff on minus (with theorem) a lot, more on a dubby tip..






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[313] "Ladies and Gentleman We Are Now Invisible"

what song does this bassline that T-1000 used come from??  is it a direct
sample, or did he re work it.  I know i have heard this bassline before,
quite possibly on a john aquaviva mix...

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RE: [313] uk tech-house


Rav:


As ever with any sun genre, its hard to describe tech house,
more moody/textural than house but less intense than techno
...blah..blah

I would suggest a listen to
Circulation - Colours - from 98
16B - Sounds from Another Room - from about 97 before the term was even 
coined

Terry Francis - Archtecture vol 1+2 from 97/98 ish


i think Terry Francis has a new mix cd out next month.  i guess that'd give 
a good indication of the current state of "tech house".


i'm generalising of course, but on the whole "tech house" does nowt for me - 
it's just too plasticy, the sounds are too synthetic, if you know what i 
mean.  it has neither the soul nor the funk that i crave... imho of course. 
;)




rob


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[313] FA (ebay)


More up...Kron (R. Voigt), Isan, Funkadelic, +8 Classics comps, Deepest
Shade of Techno I&II, Llips v. Starfish Pool, Blaze. Cybotron, New
Latinaires, Sandii & The Sunsetz, Pluxus/Fridge, more. Low start bids, no
reserves. Thanks.
seller id = [EMAIL PROTECTED]
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&[EMAIL 
PROTECTED]&include=0&since=-1&sort=2&rows=25
...jeff



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[313] educating the kiddies -> DC -> GoGo (now OT)

Speaking of DC whatever happened to GoGo, used to love that sound

hit em wit the bop gun, hit em wit the bop gun
huge percussion roll, cymbal crash, then horns pa pa pa papa paa !




> -Original Message-
> From: Sunlight Data [SMTP:[EMAIL PROTECTED]
> Sent: Wednesday, January 30, 2002 9:36 AM
> To:   313@hyperreal.org
> Subject:  Re: Re[2]: [313] educating the kiddies
> 
> 
> I am old-fashioned and gravitate in this direction and snarf up
> whatever sounds good in this regard because I grew up on a steady
> and preferred diet of James Brown, Stax, the Meters and the other
> great pioneers of funk.  And being from DC, of course, a city 
> that was always "on the one", we had go go, which is finally
> getting some recognition as Chuck Brown turns into our leading
> senior citizen of funk.
> 
> 

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Re: [313] uk tech-house

oops - I forgot 16B -  Guy on that label called Omid, produces some
fantastic stuff which is hard to track down.



- Original Message -
From: Mann, Ravinder [CCS] <[EMAIL PROTECTED]>
To: 'Toby Frith' <[EMAIL PROTECTED]>; Ian Cheshire
<[EMAIL PROTECTED]>; 'Maarten Baute' <[EMAIL PROTECTED]>;
<313@hyperreal.org>
Sent: Wednesday, January 30, 2002 10:04 AM
Subject: RE: [313] uk tech-house


> As ever with any sun genre, its hard to describe tech house,
> more moody/textural than house but less intense than techno
> ..blah..blah
>
> I would suggest a listen to
> Circulation - Colours - from 98
> 16B - Sounds from Another Room - from about 97 before the term was even
coined
> Terry Francis - Archtecture vol 1+2 from 97/98 ish
>
> Rav
>
>
> > -Original Message-
> > From: Toby Frith [SMTP:[EMAIL PROTECTED]
> > Sent: Wednesday, January 30, 2002 9:27 AM
> > To: Ian Cheshire; 'Maarten Baute'; 313@hyperreal.org
> > Subject: Re: [313] uk tech-house
> >
> > Don't forget Swag & Mr C's "Subterrain" label as well.
> >
> > There are a few good producers around but I find it a bit uninspiring
IMHO.
> > Nick Holder is perhaps one of the better guys around, as well as Jamie
> > Anderson and the guys from Swayzak, who are on the up.  Terry Francis, a
> > Fabric resident is perhaps the most well-known Tech-house DJ in the UK.
> >
> >
> >
> > - Original Message -
> > From: Ian Cheshire <[EMAIL PROTECTED]>
> > To: 'Maarten Baute' <[EMAIL PROTECTED]>; <313@hyperreal.org>
> > Sent: Wednesday, January 30, 2002 9:17 AM
> > Subject: RE: [313] uk tech-house
> >
> >
> > > Really There should be no genre, but sadly there is
> > >
> > > Tech-Hosue is labels like EUKAHOUSE, people like GET FUCKED
> > >
> > > For Detriot music go to Big aplle Records in Croydon next time,,,there
you
> > > will find John Kennedy who plays for LOST and also the man who created
> > > GRAIN...
> > >
> > > Detroit Techno still lives on in the UK and I hope to bring a good
Nite of
> > > blistering music
> > > to the UK/London, As I to feel there should be at least another nite
> > giving
> > > good vibes to those
> > > who love the Detroit sound..
> > >
> > > I would need some help but it is something I feel with some friends of
> > mine,
> > > we can do it.
> > >
> > >
> > >
> > > -Original Message-
> > > From: Maarten Baute [mailto:[EMAIL PROTECTED]
> > > Sent: 30 January 2002 09:13
> > > To: 313@hyperreal.org
> > > Subject: [313] uk tech-house
> > >
> > >
> > > Hi,
> > >
> > > the last days the words 'uk tech house' showed up in some messages.
> > > This should be popular in london, as an alternative to 'looped
bangers'
> > (or
> > > something)...
> > >
> > > But could someone please describe this genre more specific..
> > >
> > > Is it that boring style with really loud 909 open hihats in between
the
> > > beats?
> > >
> > > And what> ´s up with detroit techno in london? I went over there last
summer
> > > to visit record shops (I am from Belgium).. and was really amazed that
> > there
> > > were so few techno records over there...
> > >
> > > Greets,
> > > Maarten
> > >
> > >
> > > -
> > > To unsubscribe, e-mail: [EMAIL PROTECTED]
> > > For additional commands, e-mail: [EMAIL PROTECTED]
> > >
> > > -
> > > To unsubscribe, e-mail: [EMAIL PROTECTED]
> > > For additional commands, e-mail: [EMAIL PROTECTED]
> > >
> >
> >
> > -
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> > For additional commands, e-mail: [EMAIL PROTECTED]
>
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RE: [313] uk tech-house

As ever with any sun genre, its hard to describe tech house,
more moody/textural than house but less intense than techno
...blah..blah

I would suggest a listen to
Circulation - Colours - from 98
16B - Sounds from Another Room - from about 97 before the term was even coined
Terry Francis - Archtecture vol 1+2 from 97/98 ish

Rav


> -Original Message-
> From: Toby Frith [SMTP:[EMAIL PROTECTED]
> Sent: Wednesday, January 30, 2002 9:27 AM
> To:   Ian Cheshire; 'Maarten Baute'; 313@hyperreal.org
> Subject:  Re: [313] uk tech-house
> 
> Don't forget Swag & Mr C's "Subterrain" label as well.
> 
> There are a few good producers around but I find it a bit uninspiring IMHO.
> Nick Holder is perhaps one of the better guys around, as well as Jamie
> Anderson and the guys from Swayzak, who are on the up.  Terry Francis, a
> Fabric resident is perhaps the most well-known Tech-house DJ in the UK.
> 
> 
> 
> - Original Message -
> From: Ian Cheshire <[EMAIL PROTECTED]>
> To: 'Maarten Baute' <[EMAIL PROTECTED]>; <313@hyperreal.org>
> Sent: Wednesday, January 30, 2002 9:17 AM
> Subject: RE: [313] uk tech-house
> 
> 
> > Really There should be no genre, but sadly there is
> >
> > Tech-Hosue is labels like EUKAHOUSE, people like GET FUCKED
> >
> > For Detriot music go to Big aplle Records in Croydon next time,,,there you
> > will find John Kennedy who plays for LOST and also the man who created
> > GRAIN...
> >
> > Detroit Techno still lives on in the UK and I hope to bring a good Nite of
> > blistering music
> > to the UK/London, As I to feel there should be at least another nite
> giving
> > good vibes to those
> > who love the Detroit sound..
> >
> > I would need some help but it is something I feel with some friends of
> mine,
> > we can do it.
> >
> >
> >
> > -Original Message-
> > From: Maarten Baute [mailto:[EMAIL PROTECTED]
> > Sent: 30 January 2002 09:13
> > To: 313@hyperreal.org
> > Subject: [313] uk tech-house
> >
> >
> > Hi,
> >
> > the last days the words 'uk tech house' showed up in some messages.
> > This should be popular in london, as an alternative to 'looped bangers'
> (or
> > something)...
> >
> > But could someone please describe this genre more specific..
> >
> > Is it that boring style with really loud 909 open hihats in between the
> > beats?
> >
> > And what> ´s up with detroit techno in london? I went over there last summer
> > to visit record shops (I am from Belgium).. and was really amazed that
> there
> > were so few techno records over there...
> >
> > Greets,
> > Maarten
> >
> >
> > -
> > To unsubscribe, e-mail: [EMAIL PROTECTED]
> > For additional commands, e-mail: [EMAIL PROTECTED]
> >
> > -
> > To unsubscribe, e-mail: [EMAIL PROTECTED]
> > For additional commands, e-mail: [EMAIL PROTECTED]
> >
> 
> 
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Re: [313] article in Salon.com mentions Strings of Life

As ozymandias G knows, I was exaggerating about the Aeron chairs
for effect :)

There were actually other non-Expansion parties at other than
Organic office spaces, but I didn't want to confuse the stories
too much.

Yes, that was DJ Vitamin B (Brian Behlendorf, actually) you see
briefly in the background in one scene of Groove playing the
chill room -- just as he does at a lot of our parties -- using
part of the Cloud Factory sound system that many of us have
played on over the years.

The Expansion parties were pretty all-encompassing.  So much so
that we wore everyone out.  I played one of them at 6 am in the
chill area, with the morning light streaming in through the
skylights, spinning LTJ Bukem and other "atmospheric" jungle
to three people asleep on a couch :)

As for the Chems, we saw them at the Henry Kaiser auditorium
in Oakland a few years ago, with the Orb opening.  The Orb were
great, and the Chems were boring.  When they played "Setting
Sun," their big hit of the moment, the crowd *rushed the stage*
and we gave up and left.

But mileage will vary on the Chems, as almost anything...

Fred


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Re: [313] uk tech-house


<>

Is Swayzak a uk artist?

I like his stuff on minus (with theorem) a lot, more on a dubby tip..






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Re: Re[2]: [313] educating the kiddies

I'll disagree with Mike Brown -- but just a little.  There are
some techno records that are supremely funky, but just a few.

That amazing UR remix of Expo 2000 is one great example.  A lot
of Octave One certainly is, especially from their two
magnificent double-packs, "Images from Above" and "Living Key."

Various releases by Jeff Mills (there, i said it), John Tejada,
Gary Martin, AO, Steve Stoll, occasionally Ian Pooley, and quite
a bit of the Black Nation releases certainly qualify.

I am old-fashioned and gravitate in this direction and snarf up
whatever sounds good in this regard because I grew up on a steady
and preferred diet of James Brown, Stax, the Meters and the other
great pioneers of funk.  And being from DC, of course, a city
that was always "on the one", we had go go, which is finally
getting some recognition as Chuck Brown turns into our leading
senior citizen of funk.

I live in Portland, which is not really a very funky place.  And
San Francisco, where I hang out a lot, had the funk for a brief
period in 1992-94 before it drifted away.  When it's out there,
you go for it.  The fact that there is still a pretty strong
leaning toward funk in Detroit techno and house is one of the
things that has kept me a close follower all these years.

But I will admit, having looked through a *lot* of record bins in
my time, as you all have, that it's pretty thin picking in the
techno section overall.



So like I said,


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RE: [313] uk tech-house

very true Toby...your brain is working much better than mine this morning:)

Swayzak is very good, propbably one of the most exciting,,,its a new sound I
guess

And Jamie Anderson has done well for himself, I feel he is coming more into
form lately..



-Original Message-
From: Toby Frith [mailto:[EMAIL PROTECTED]
Sent: 30 January 2002 09:27
To: Ian Cheshire; 'Maarten Baute'; 313@hyperreal.org
Subject: Re: [313] uk tech-house


Don't forget Swag & Mr C's "Subterrain" label as well.

There are a few good producers around but I find it a bit uninspiring IMHO.
Nick Holder is perhaps one of the better guys around, as well as Jamie
Anderson and the guys from Swayzak, who are on the up.  Terry Francis, a
Fabric resident is perhaps the most well-known Tech-house DJ in the UK.



- Original Message -
From: Ian Cheshire <[EMAIL PROTECTED]>
To: 'Maarten Baute' <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, January 30, 2002 9:17 AM
Subject: RE: [313] uk tech-house


> Really There should be no genre, but sadly there is
>
> Tech-Hosue is labels like EUKAHOUSE, people like GET FUCKED
>
> For Detriot music go to Big aplle Records in Croydon next time,,,there you
> will find John Kennedy who plays for LOST and also the man who created
> GRAIN...
>
> Detroit Techno still lives on in the UK and I hope to bring a good Nite of
> blistering music
> to the UK/London, As I to feel there should be at least another nite
giving
> good vibes to those
> who love the Detroit sound..
>
> I would need some help but it is something I feel with some friends of
mine,
> we can do it.
>
>
>
> -Original Message-
> From: Maarten Baute [mailto:[EMAIL PROTECTED]
> Sent: 30 January 2002 09:13
> To: 313@hyperreal.org
> Subject: [313] uk tech-house
>
>
> Hi,
>
> the last days the words 'uk tech house' showed up in some messages.
> This should be popular in london, as an alternative to 'looped bangers'
(or
> something)...
>
> But could someone please describe this genre more specific..
>
> Is it that boring style with really loud 909 open hihats in between the
> beats?
>
> And what´s up with detroit techno in london? I went over there last summer
> to visit record shops (I am from Belgium).. and was really amazed that
there
> were so few techno records over there...
>
> Greets,
> Maarten
>
>
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Re: [313] uk tech-house

Don't forget Swag & Mr C's "Subterrain" label as well.

There are a few good producers around but I find it a bit uninspiring IMHO.
Nick Holder is perhaps one of the better guys around, as well as Jamie
Anderson and the guys from Swayzak, who are on the up.  Terry Francis, a
Fabric resident is perhaps the most well-known Tech-house DJ in the UK.



- Original Message -
From: Ian Cheshire <[EMAIL PROTECTED]>
To: 'Maarten Baute' <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, January 30, 2002 9:17 AM
Subject: RE: [313] uk tech-house


> Really There should be no genre, but sadly there is
>
> Tech-Hosue is labels like EUKAHOUSE, people like GET FUCKED
>
> For Detriot music go to Big aplle Records in Croydon next time,,,there you
> will find John Kennedy who plays for LOST and also the man who created
> GRAIN...
>
> Detroit Techno still lives on in the UK and I hope to bring a good Nite of
> blistering music
> to the UK/London, As I to feel there should be at least another nite
giving
> good vibes to those
> who love the Detroit sound..
>
> I would need some help but it is something I feel with some friends of
mine,
> we can do it.
>
>
>
> -Original Message-
> From: Maarten Baute [mailto:[EMAIL PROTECTED]
> Sent: 30 January 2002 09:13
> To: 313@hyperreal.org
> Subject: [313] uk tech-house
>
>
> Hi,
>
> the last days the words 'uk tech house' showed up in some messages.
> This should be popular in london, as an alternative to 'looped bangers'
(or
> something)...
>
> But could someone please describe this genre more specific..
>
> Is it that boring style with really loud 909 open hihats in between the
> beats?
>
> And what´s up with detroit techno in london? I went over there last summer
> to visit record shops (I am from Belgium).. and was really amazed that
there
> were so few techno records over there...
>
> Greets,
> Maarten
>
>
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RE: [313] uk tech-house

sorry about my spelling..


I get so excited I 4get how crap at typing I can be :0)

www.kube72.co.uk
www.bleep43.co.uk

-Original Message-
From: Ian Cheshire [mailto:[EMAIL PROTECTED]
Sent: 30 January 2002 09:17
To: 'Maarten Baute'; 313@hyperreal.org
Subject: RE: [313] uk tech-house


Really There should be no genre, but sadly there is 

Tech-Hosue is labels like EUKAHOUSE, people like GET FUCKED

For Detriot music go to Big aplle Records in Croydon next time,,,there you
will find John Kennedy who plays for LOST and also the man who created
GRAIN...

Detroit Techno still lives on in the UK and I hope to bring a good Nite of
blistering music
to the UK/London, As I to feel there should be at least another nite giving
good vibes to those
who love the Detroit sound..

I would need some help but it is something I feel with some friends of mine,
we can do it.



-Original Message-
From: Maarten Baute [mailto:[EMAIL PROTECTED]
Sent: 30 January 2002 09:13
To: 313@hyperreal.org
Subject: [313] uk tech-house


Hi,

the last days the words 'uk tech house' showed up in some messages.
This should be popular in london, as an alternative to 'looped bangers' (or
something)...

But could someone please describe this genre more specific..

Is it that boring style with really loud 909 open hihats in between the
beats?

And what´s up with detroit techno in london? I went over there last summer
to visit record shops (I am from Belgium).. and was really amazed that there
were so few techno records over there...

Greets,
Maarten


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RE: [313] uk tech-house

Really There should be no genre, but sadly there is 

Tech-Hosue is labels like EUKAHOUSE, people like GET FUCKED

For Detriot music go to Big aplle Records in Croydon next time,,,there you
will find John Kennedy who plays for LOST and also the man who created
GRAIN...

Detroit Techno still lives on in the UK and I hope to bring a good Nite of
blistering music
to the UK/London, As I to feel there should be at least another nite giving
good vibes to those
who love the Detroit sound..

I would need some help but it is something I feel with some friends of mine,
we can do it.



-Original Message-
From: Maarten Baute [mailto:[EMAIL PROTECTED]
Sent: 30 January 2002 09:13
To: 313@hyperreal.org
Subject: [313] uk tech-house


Hi,

the last days the words 'uk tech house' showed up in some messages.
This should be popular in london, as an alternative to 'looped bangers' (or
something)...

But could someone please describe this genre more specific..

Is it that boring style with really loud 909 open hihats in between the
beats?

And what´s up with detroit techno in london? I went over there last summer
to visit record shops (I am from Belgium).. and was really amazed that there
were so few techno records over there...

Greets,
Maarten


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[313] uk tech-house

Hi,

the last days the words 'uk tech house' showed up in some messages.
This should be popular in london, as an alternative to 'looped bangers' (or
something)...

But could someone please describe this genre more specific..

Is it that boring style with really loud 909 open hihats in between the
beats?

And what´s up with detroit techno in london? I went over there last summer
to visit record shops (I am from Belgium).. and was really amazed that there
were so few techno records over there...

Greets,
Maarten


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Re: [313] vapour space

Mark Gage is one of the truly overlooked producers of the last decade.
Everyone knows "Gravitational Arch of 10" but my favorite one is
"Gettin Into the Swing" with vocals by Claudja Barry.

http://www.swimhq.com/artists/gage_discography.html
http://www.vapourspace.com/disco/collaborations.html


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Re: [313] article in Salon.com mentions Strings of Life

On Tue, Jan 29, 2002 at 09:16:50PM -0800, Sunlight Data wrote:
> "warm, funky, exultant records that were just right for nightclubs and
> high-tech launch parties packed with gamines in $300 shoes sloshing
> day-glo cocktails"
> 
> Really, if that isn't taking the piss (as the UK contingent says)
> I don't know what is.
> 
> Well, it's pretty clear that Michelle Goldberg has the tenuous grasp
> on techno that you would expect from the average clever music journo.
> So it's not a bad article overall but clanks with the clotted phrases
> that pass for insight in the high reaches of music journalism these
> days.

It's not really a record review, it's cultural commentary. In a sense,
I get what she's saying -- y'all can say what you like about Chemical
Brothers vis a vis them actually being techno, but I saw them play SF
a few times, long ago ('95 and '96, I think), and they put on a great,
LOUD, completely unpretentious live show. On the one hand, I just
can't imagine going to one of those shows now, because hey do belong
to a different era. On the other hand, that's me that's changed, not
the Chemical Bros. I'm sure there are kids that are going to listen to
the new album and just think it's the keenest.

> Let me say, though, that there really were "office parties" at the
> crest of the dotcom wave in San Francisco.  If you've seen the movie
> "Groove" -- that's us. 

_Groove_ is the only movie in cinema history to feature a dotcom CTO
and open source pioneer (the same person, in fact, who owns the
machine that 313 is hosted on) playing a chill room DJ. Fun fact!
Impress your friends!

> (Aside from the speaking-part actors, although that's my man
> Dmitri-from-the-Lower-Haight who snagged some on-screen time and
> that classic promo shot with the disco ball on the Muni Metro.)  A
> lot of the extras and small parts, and much of the equipment seen in
> the movie were also in the "Expansion" parties that we threw from
> time to time when various dotcom firms in South of Market San
> Francisco

If by "various" you mean "Organic", then sure. ;) I don't think there
was ever a non-Organic Expansion party.

> were moving in and out of their spaces.  That was the only way to
> get 1000 people to a good party in SF in the late 1990s without
> getting busted (and one of the Expansion parties did get busted,
> ostensibly for a faulty fire exit sign in a building used 365 days a
> year as office and workshop space :).

The high point of that particular Expansion was the landlord for the
building trying to throw his weight around with the fire marshal,
being all "I have friends in City Hall, you know" (which may have been
true (it probably wasn't), but wasn't going to do us any good at
midnight on a Saturday night). In most parts of the world, the
landlord would have been screaming that he was going to have us
evicted, but not in San Francisco. Having hipster dotcom companies in
his building allowed him to boot all the sweat shops out and put other
hipster dotcom companies into the exact same dingy spaces for twice
the rent. Ah, those halcyon days!

It's worth pointing out that the parties Phred is talking about
generally featured some of San Francisco's most Detroit-friendly DJs
and were probably the best rave-type parties in SF post-1993. They
were cheaply staged, had ridiculous sound, and featured astonishingly
diverse lineups (how many parties have *you* been to with a Celtic
rock band, a gamelan orchestra, a shoegazer band, and a jazz singer to
complement the Banging Techno Loops (tm) coming out of the main sound
system?).

I miss those parties a lot more than I miss the company that sponsored
them, that's for sure.

> And then at 7 am we'd clean up, leave nothing but footprints, and the
> next week the place would be an Ethernet forest demarcated by a
> terrain of Aeron chairs and big 19-inch monitors with inscrutable code
> scrolling by :)

Not hardly, pal. More like two 21-inch monitors perched on doors
balanced on stands -- they almost never collapsed -- and there may
have been Aerons around, but *I* never got one. ;)

Forrest

-- 
   . . . the self-reflecting image of a narcotized mind . . .
ozymandias G desiderata [EMAIL PROTECTED] desperate, deathless
(415)823-6356   http://www.pushby.com/forrest/   ::AOAIOXXYSZ::

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[313] vapour space


> Coming soon from Magna Carta 
> Vapourspace & Various Artists/Sonic Residue From Vapourspace CD $13.99
> That's right, a remix project !! Our friend Vapourspace (Mark Gage) has
been
> remixing tracks from many of our artists into a brand new album. Tracks
from
> Steve Walsh, Niacin, Tempest, Liquid Tension Experiment, Bozzio Levin
> Stevens, Steve Morse and Attention Deficit have been transformed into
brand
> new pieces of music.  Here is a bit of what our friend Jedd wrote for the
> Ytsejam website:  The record starts simply enough-it ploughs its way
through
> three brilliant takes on three brilliant tracks: Attention Deficit's "Girl
> From Enchilada," Niacin's "Blue Mondo," and Steve Morse's incomparable
"Led
> On," and sends them into a new existence where they become extended,
layered
> head trips that will please even the purest purist proggie. You get the
> feeling, listening to these tracks, that they were all born this way,
> brought into the world amidst the funky noise and late-night glow that
Gage
> places upon them and that's as it should be. Like an artist taking on a
> cover tune, Gage makes these tunes his own: Liquid Tension Experiment's
> "Another Dimension" and Tempest's "Jenny Nettles" also take on previously
> inconceivable dimensions as Gage works his magic with machine, tape, and
> counsel. And, while those are but two of his masterworks (check out what
he
> does to "Melt" and "Dark Corners," both from Bozzio Levin Stevens) the
real
> stunner here is Steve Walsh's dark epic "Kansas," a piece that, in its new
> state, takes on the deepest meaning.
> soundbite - 



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RE: [313] article in Salon.com mentions Strings of Life

"warm, funky, exultant records that were just right for nightclubs and
high-tech launch parties packed with gamines in $300 shoes sloshing
day-glo cocktails"

Really, if that isn't taking the piss (as the UK contingent says)
I don't know what is.

Well, it's pretty clear that Michelle Goldberg has the tenuous grasp
on techno that you would expect from the average clever music journo.
So it's not a bad article overall but clanks with the clotted phrases
that pass for insight in the high reaches of music journalism these
days.  (I'm an *owner* of Salon, dammit, and with my $0.14 a share
stock I can say whatever I want!)

Let me say, though, that there really were "office parties" at the
crest of the dotcom wave in San Francisco.  If you've seen the movie
"Groove" -- that's us.  (Aside from the speaking-part actors, although
that's my man Dmitri-from-the-Lower-Haight who snagged some on-screen
time and that classic promo shot with the disco ball on the Muni
Metro.)  A lot of the extras and small parts, and much of the equipment
seen in the movie were also in the "Expansion" parties that we threw
from time to time when various dotcom firms in South of Market
San Francisco were moving in and out of their spaces.  That was the
only way to get 1000 people to a good party in SF in the late 1990s
without getting busted (and one of the Expansion parties did get
busted, ostensibly for a faulty fire exit sign in a building used
365 days a year as office and workshop space :).

And you wouldn't see any woo-woo cocktails or $300 shoes at those
parties, and if there were any Chems tracks played at all they would
have been from the Dust Brothers days anyway.

And then at 7 am we'd clean up, leave nothing but footprints, and the
next week the place would be an Ethernet forest demarcated by a
terrain of Aeron chairs and big 19-inch monitors with inscrutable code
scrolling by :)

phred


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Re: [313] Will any of you...



> Yeah I went.  It was pretty cool.  Dan Sicko hyped his book a bit, the

Umm ...I don't think you meant anything by this, but I did not "hype my
book."

I gave an original lecture based on some of the concepts in the book.

Techno Rebels is going on 3 years old ... I think the time has passed for
"hype."  :)

-d


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RE: [313] Don't forget the Wizard!

> > making kids on E dance doesnt mean much to me because they would be
> dancing
> > to anything with 4/4 timing at that point.

Sounds like you need to drop some Domu or something. What happens when
you have drugged out people who will dance to anything and the dj plays
some sophisticated music, like with breakdowns and such?

-Dave

ps the answer is the dj gets water bottles thrown at him/her.

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Re: [313] Tim Jackiw and Tundra Music

Yeah, good stuff coming from Tundra. Look for a 2x12" compilation coming in 
the next few months, there will be a good chunk of 313 related artists on 
it.


You cannot mess with Delsin!

Take care,
mt


From: Minto George <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: [313] Tim Jackiw and Tundra Music
Date: Mon, 28 Jan 2002 08:44:29 -0800 (PST)


Whew a little break from the Mills posts. This Label
sounds promising if they got guys like Tim Jackiw
releasing stuff for the label. What's the news with
the re-release of That Offworld ep he did? Otto,
Jason?? any news guys?

as for releases I've been diggin lately, I really dig
the dimension 5 control complex 12" on Delsin and am
really looking forward to the forthcoming album.
Delsin is truckin right now. Yeah Marcel! :)

minto

http://downlowmusic.org

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Re: [313] don't forget the glowsticks!

I think he means that 7 years ago you went to a rave to hear good music and 
see your friends, and drugs were around if you were so inclined.


Rather than today where kids go to raves for the to get fucked up because 
the whole reason for going to a rave is to get fucked up. Music, dancing, 
and everything else is secondary to drug use. It all went down hill in 
Detroit around 1996 or so.


I know that drugs have always been there and always will be there, but there 
was a time in the Midwest when Drugs were not the primary focus. You may or 
may not remember those days.


Take care,
mt


From: <[EMAIL PROTECTED]>
To: ":P" <[EMAIL PROTECTED]>
CC: "Grammenos, Peter" <[EMAIL PROTECTED]>,   "'Tim Maughan'" 
<[EMAIL PROTECTED]>,   "'laura gavoor'" <[EMAIL PROTECTED]>, 
313@hyperreal.org

Subject: [313] don't forget the glowsticks!
Date: Mon, 28 Jan 2002 13:51:18 -0500 (EST)


> and I dont endorse the drug culture thats been paralleling the techno 
scene

> in the US for 3-4
> years now.

wow, people have been using drugs while listening to techno for 3 whole
years? i thought that trend started last june!



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Re: Re[2]: [313] educating the kiddies

There should be no difference between a james brown bassline and a dx100 
bassline. If the writing is there, the writing is there. Good techno should 
be every bit as funky as a p-funk record or a james brown record. The 
problem is that everybody's expectations are so low that they will let 
producers get away with any old shit with a kick drum.


You listen to Computerworld by Kraftwerk, which to me is the best Techno 
album that has ever been made, and compare it to James Brown. You are going 
to find a ton of similarities, and the reason is that Kraftwerk were real 
musicians(not jokers with a hacked copy of Acid) and they knew how James 
Brown songs worked and could write those grooves on sequencers. All 
Computerworld is is a James Brown record made with sequencers and they 
talked about international finance rather than how Poppa was a bad ass dude.


We get suckered into thinking that music is totally different, when it is 
all the same underneath. Musicians may paint their houses different colors, 
but they all use the same set of tools to build their house. The reason that 
Techno doesn't have funk basslines is because it stopped being the Black and 
Gay music of the 80's and became the elitist, testosterone-fueled, 
hetero-white dude music of the late 90's. If you want techno to be funky 
again, you gotta strip out all the industrial influence that has been 
messing things up since those early UR records.


Techno is supposed to be warm and funky, it is not supposed to be the kind 
of shit that is so hard and fast that the only thing you can do is wave your 
fist in the air and scream. You gotta give it up to Mills, because the man 
is absolutely on point, Techno is not going to be that Wrath Of The Punisher 
stuff, it is going to be Every Dog Has It's Day.


When he goes into those pop clubs and tears shit up, it is going to 
completely change the audience for techno in the UK. All those kids who are 
'avin it with trance and going to have a musical revelation when Mills goes 
in there and shows them how it is supposed to be done. I genuinely believe 
that the direction of techno going to change when after he plays those 
clubs. The UK press will be eating out of his hands, and the rest of the 
world follows the UK press.


Anyway, enough of my ranting for tonight, I am supposed to be getting work 
done right now...


Take care,
mt


From: Dan Sicko <[EMAIL PROTECTED]>
To: Mike Brown <[EMAIL PROTECTED]>, 313@hyperreal.org
Subject: Re: Re[2]: [313] educating the kiddies
Date: Tue, 29 Jan 2002 13:11:16 -0500



'Funky' really seems to be the most overloaded word in electronic music. I 
was
cringing when I read the start of this thread. Techno is 'funky'? Well it 
sure
isn't funky the way The Meters, James Brown, Prince or Red Hot Chili 
Peppers

are funky. Most techno doesn't even have a funk-derived bass line.


I hear you ... the only worse adjective is "jazzy."

However, I always point to those crazy Derrick May DX-100 sequences
as being funky. Something about his programming and the quality of
the sounds themselves sound as funky as any traditional bass line.
But that's just me. And that's certainly *not*  most techno records.
:)

-d

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Re: [313] Will any of you...

Yeah I went.  It was pretty cool.  Dan Sicko hyped his book a bit, the
graphic artist for virtually all Detroit record labels gave a presentation
of her and her colleague's work (including a 15 minute preview of the
official DEMF 2000 documentary), the guy from Adult told his story, and Carl
Craig told his as well.  Carl also showed a pretty cool video.  His main
story was about how he started working with others to get his music out, but
ultimately decided that he had to do it by himself and be his own boss.
This was a really cool little presentation, especially by Rita.  Her art is
really good.  I was thinking about trying to contact her, but she is really
busy it seems!!!  BTW does anyone have her contact info???

TJ Johnson
www.wireframerecords.com
www.mp313.com

- Original Message -
From: "Data General" <[EMAIL PROTECTED]>
To: "Pryor, Ryan N" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Tuesday, January 29, 2002 5:02 PM
Subject: Re: [313] Will any of you...


> I'm not sure if i missed a thread, but did anyone end up going to this?
>
>
> ben
>
>
>
> On Fri,
> 25 Jan 2002, Pryor, Ryan N wrote:
>
> > 313'ers be attending this?
> >
> > Critical Studies:Humanities Lecture Series "Detroit Sound"
> > Lecturing from 1:00 - 4:30 pm
> > Adam Lee Miller-Adult.
> > Carl Craig-Planet E
> > Rita Sayegh
> > Dan Sicko
> >
> > Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills,
> > Michigan
> > Open to the public on a first-come, first-served basis with museum
admission
> >
> > For more information and directions:
> > http://webserver.cranbrookart.edu/site/events_info_frameno.html
> >
> >
> > -
> > To unsubscribe, e-mail: [EMAIL PROTECTED]
> > For additional commands, e-mail: [EMAIL PROTECTED]
> >
>
> data general===
> ==www.umich.edu/~btausig===
> [EMAIL PROTECTED]
> [EMAIL PROTECTED]
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Re: [313] Will any of you...

I'm not sure if i missed a thread, but did anyone end up going to this?


ben



On Fri,
25 Jan 2002, Pryor, Ryan N wrote:

> 313'ers be attending this?
>
> Critical Studies:Humanities Lecture Series "Detroit Sound"
> Lecturing from 1:00 - 4:30 pm
> Adam Lee Miller-Adult.
> Carl Craig-Planet E
> Rita Sayegh
> Dan Sicko
>
> Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills,
> Michigan
> Open to the public on a first-come, first-served basis with museum admission
>
> For more information and directions:
> http://webserver.cranbrookart.edu/site/events_info_frameno.html
>
>
> -
> To unsubscribe, e-mail: [EMAIL PROTECTED]
> For additional commands, e-mail: [EMAIL PROTECTED]
>

data general===
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