[313] Re:[313] Boo Williams
Yep, it's a virus. One that mutates you from a kick and hi-hat lover to a bassline and vocals afficionado :-) It has been passed on to you by Jonny McIntosh and myself through contaminated 313-mails... We too have been infected and are loving every minute of our disease, which we keep under control by buying huge amounts of vinyl-medication. :-))) RD PS That Boo Williams was released about a year ago. On Mon, 10 Sep 2001 07:27:17 -0500 (CDT) Kent williams [EMAIL PROTECTED] wrote: I don't know how old it is, but I've been digging on Boo Williams' Breakin Point EP on Track Mode. What could be cheekier than samping Numbers? It's funny, after hosting TP a half dozen times, having Boo out a few times, and seeing Moodyman and Larry Heard during DEMF, I've gone from a total experimental techno head to really loving deep house. Is this some sort of virus? I played out last saturday night and did my usual 'stuff the crate' 2 hour warm up the night before, just grabbing records that hit me without thinking too much about it. After I played a kid came up to me and said DOod excellent! No one plays deep house around here! Which was pretty funny -- I did play moodyman, and some herbert, and a few other things with vocals, but I also played Dietrich Schoenemann and Claude Young. Hmmm... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: UR - Hardlife
Same anticipation over here :-) As a techno-lover that dug good house turned into a dedicated house head with a firm love for good techno I was surprised to hear that housey a cut on ur. For me the original lacked something as well, but the Aaron Carl mix just blows me away, maybe because it does have that undefinable techno funk? The reason why I became more of a house head can be found in the growing number of loop-based techno that I find increasingly hard to listen to. But that's another story, and I guess that in the house world it is equally difficult to find the gems amongst the loads and loads of rubbish pouring out the record shops each and every week. RD On Tue, 4 Sep 2001 14:53:46 +0100 (GMT+01:00) Stewart Caig [EMAIL PROTECTED] wrote: Sure, UR have put out housier tracks, the whole X2X series is wicked, but there has always been a certain electro funk undefinable techno vibe to even there more jazzy cuts, whereas Hardlife, for me, is out and out house and very different from anything else Mike has put out on UR. Dont get me wrong, I dig it as a quality house cut and know that Mike puts out a variety of styles through various projects (Hipnotech), but I was just kinda surprised to hear a track that sounded so housey and pretty far removed from what I've always expected from UR. It'll be interesting to see what they put out next. Stewart - Original Message - From: Jongsma, K.J. [EMAIL PROTECTED] To: '313@hyperreal.org' 313@hyperreal.org Sent: Tue, 4 Sep 2001 14:41:50 +0100 (GMT+01:00) Subject: RE: [313] Re: UR - Hardlife From: Stewart Caig [EMAIL PROTECTED] I know Ron Mitchell sings the vocals, but I'm not sure about the production. Sure it's not Mad Mike? There is a vague similarity between this and his Members of the House stuff. I have to say its probably the first UR release ever that I've not actually liked that much, sounds too much like a Mark Kichen track with those vocals. Timeline was wicked, but are UR moving in a more house orientated direction?? Stewart They have always been on the house-side of things to. Didn't Mad Mike also recorded some tracks for the submerge related label Happy Tracks. The whol 'X 2 X' series always had this house and jazz feel to them. I don't think they are making more house-like thing they are just putting out less harder techno :) [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Freeserve - get your free ISP service including web-mail at: www.freeserve.co.uk - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] house id!
Hi, Was jamming to this cut last saturday, I heard it before but wasn't able to pin it down. There's a male vocal talking about house and a female vocal ripping up the chorus: it's an unbelievable house thing, it's unbelievable. Anyone? RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re:[313] Belgium, Red Planet, Theo Parrish...
Hi all, Been a while since I posted, but back just in time to read the kind words of the Macster :-) Thanks! Looking forward to coming over to London once again, be it as a tourist or as a big time international dj-star... Indeed peepz, take note of what Jonny says, if you're in Belgium get in touch, the more parties the better. RD On Tue, 28 Aug 2001 15:23:23 +0100 Jonny McIntosh [EMAIL PROTECTED] wrote: Howdy all, I've been ill all last week so didn't say this earlier, but if anyone happens to be in Belgium when RD puts on a party, do your best to get down to it. They pull out all the stops and I can guarantee a great atmosphere, equally great beer and some of the best people. And RD is pretty damn tidy of the ones and twos - Belgian party promoters take note :) Londoners can expect to hear him for themselves at some point in the not too distant future. While I'm on the subject, one of the great things about this list is it's facilitating of these kind of meetings. Should anyone be in London in the near future, give me a shout. It would be great to meet up. A lot of accomodation swaps go on, which is a superb idea. I only have a, by all accounts very comfortable, sofa to spare but people are welcome :) And if there's a party I'm planning and you fancy a spin, given enough notice, I'll do my utmost to fit you in. On other notes: Red Planet Flux night. I was ill, it was far too hot, the sound system in one room kept cutting out, the DJs were a bit over eager in their fader working and Chaos live was amusing but little more. My friend constantly asking everyone in UR shirt if they were Mad Mike was probably the best bit of the evening for me. It all seemed very ameuterish to me. But I suppose there was no way I would have missed it - I mean, I was ill and I went :) How was Lost? New records which are good I reckon: the two new Theo Parrishes on Sound Signature. Especially the 1987 one: one side sounds like he liked Washing Machine and the other sounds like Jeff Mills on Trax. Wicked. I heard the Larry Heard LP in Ghent and some of that sounds phenomenal. Snap it up, but leave a copy for when I get paid please. On a sad note, will miss Aaliyah. A real RB talent straight out of Detroit's High School for Performing Arts. Finally, if any Londoners are aware of interesting spaces (by which I don't mean some tiny basement of a crap bar) owned/run by party sympathetic people that hold around 300, could you drop me a line off list? Especially in and around N1, N5, N16 but a good varied range would be cool. I'm trying to get a bit of a database together for vague plans. Cheers, Jonny. P.S. I think Prince rocks. And well after Purple Rain, too. - Original Message - From: stuffed bird [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, August 21, 2001 8:43 AM Subject: [313] housemaster mac Hi Peepz, Had Jonny McIntosh over for the weekend and for a 'Kinky People'-party here in Belgium. Let no techno-purists put asunder, Jonny is truly a house master of excellent class! His set will become available in the near future on our new website, which is still being built. Stay tuned... RD - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] What counts is...
...that in between all the squabbling and editing there are those who still prefer a party with good music, which happens to be my hobby :-) For those of you who know the deephousepage.com (DHP) this should be duly noted, for those who don't, take note anyway: on Friday 5th October I'm setting up a little get-together of DHP-headz over here in Belgium @ our local bar. There are people coming in from all over Belgium, some from France and probably some Dutchmen as well, music lovers first and foremost, deep house lovers all over. We will be spinning gorgeous tracks all night and having a chat on how we can keep this thing going before everybody is overwhelmed with the likes of Jeff Mills and other hard-hitting techno-stars playing 30.000+ crowds at I Love Techno. Interested? Think you have the records and the skills to play? Drop me a private mail and I'll give you all the details. Is this 313-related? Do the following words have any relation with one another? Deep, Theo, Dixon, House, Junior, Parrish.. Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] housemaster mac
Hi Peepz, Had Jonny McIntosh over for the weekend and for a 'Kinky People'-party here in Belgium. Let no techno-purists put asunder, Jonny is truly a house master of excellent class! His set will become available in the near future on our new website, which is still being built. Stay tuned... RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] MUSIC MAN TEN
Music Man have lately been putting all their eggs in the Chicago basket... They released a couple of things from Phuture 303, which was totally uninspired IMO, hardish acidic techno. And they are about to storm the techno world with a new Green Velvet LP shortly, which is promising to be huge and a lot different from his latest stuff. DJ Hell was totally wild about the new material because of the 80ies feel in it. Other than that, the MM camp is pretty quiet. RD On Wed, 01 Aug 2001 11:36:36 +0200 Otto Koppius [EMAIL PROTECTED] wrote: ryan burns wrote: i was poking around sonics web site and found a record one music man called TEN (i think) its buy kenny larkin and Sterac around 1996. that sounds like quite the duo. any reviews on this record? Ten - Bassbin (Music Man 020) Kenny Larkin and Steve Rachmad both remixed this track, the original is by A. Faassen and A. D'Onorio (no, I've never heard of them either). It's pretty typical of what Music Man was doing around that time: groovy, melodic techno. The remixes are good, I slightly prefer the hypnotic bouncy feel of Kenny's remix. It's no classic, but you could certainly do a lot worse as it's pretty solid all around. I haven't been following Music Man recently (haven't seen any of them lately to be honest?!). Are they still around? Any thoughts on recent output? Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] track id
sweet seduction in a magazine, endless pleasure in a limousine, in the back shakes a tambourine, nicotine from the silver screen this is Felix Da Housecat Miss Kittin's 'Silver Screen, Shower Scene', just out on City Rockers UK. it's rather Felix' rip of Bobby Orlando's passion, but this discussion was on the list a couple of weeks ago everyone should buy this one for the splendid Laurent Garnier remix on the flip, as this one avoids the rip and has only the lovely vocals from Felix' version top class by Laurent! RD On Tue, 31 Jul 2001 05:22:11 jim proffit [EMAIL PROTECTED] wrote: Rob Muller: Can anyone id the track starting at the 1:41:50 mark in the groovetech swayzak set found here: http://www.groovetech.com/broadcastevent/7289 features female vocals along the lines of big seduction in a magazine, leisure in a limousine, ., nicotine from the silver screen. I DON'T know, but it sounds like some new retrowave song, you know, Lady Tron -kind of stuff... after that track comes an edit of old Ronnie Griffith song Spies though... -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Moby, underground techno
counter-culturally yours, Counter-Culture and all its bragging rights are just as toolish as Pop Culture: there's just less of you to do it. Whatever happened to real individuality? a sincere amen to that Jayson... RD _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re:[313] Moby, underground techno
On Wed, 25 Jul 2001 15:54:18 -0400 David Bitterman [EMAIL PROTECTED] wrote: I think the message was aimed more towards the POP headliners such as Moby, Oakenfold, Underworld, etc.., NOT at their more underground stage partners. Do you honestly believe that when Underworld made 'Cowgirl' and 'Dubnobasswithmyheadman' that they were aiming to becoming a pop-band? I don't think so, they were just trying to bring there version of the music we all know and love: techno. The way they evolved was not the way I liked, so I just stopped buying their records, not because they lost 'underground-credibility', but just because I didn't dig what they made. Point being if I flip through the MAJOR FM radio stations I may pass that shitty Moby track on a POP station. I'm not going to catch slak or Elektrostatik EVER on those same stations. True, just because major FM stations cater the majority of the audience which would rather hear Moby than Elektrostatic, not because they do not want to support the underground, but just because they just don't dig the music and rather hear things they know. Needless to say, I meet these dumb azz f*ckin promoters from time to time and consider them mostly a disease. They have no concept whatsoever. They are just trying to make a buck and be cool at the same time. Throw a bunch of names on a flyer, add whatever local talent is pandering to you, hire a bunch of stupid light systems, and voila. Instant success party. Sorry to burst your underground bubble, but when a promoter asks Derrick May and Jeff Mills for his party he too is trying to make a buck by putting a bunch of names on a flyer. He just chose a smaller market which is much easier to target and is almost surely a success. Personally I'd rather shoot myself in the foot than attempt to throw a party of that caliber. Well, why don't you get behind the screen and try to throw a different party then? Don't get me wrong on the previous paragraphs, I do agree with you to a great extent concerning the big events having no concept and only out to make money, but that goes for pop as well as techno as any other musical form. I myself have been throwing parties since 1993, and continue to do so to this very day with just one thing in mind: fun and music. I haven't gotten a penny out of it, but the memories and thank you's of my friends have made up for that in huge fashion. But I do not claim to be underground, I'm just bringing the music I like to whoever wants to hear it. So stop complaining and just do it! It was in a recent Autechre interview that they discussed art without a dissident edge, basically saying that without that propulsion away from the establishment or from compromise the art isn't really communicating anything revolutionary or otherwise. Does art really need to be revolutionary? I don't find Jeff Mills' 'Every Dog' revolutionary in the least, but for me it is well and truly art. Is it dissident? Not at all IMO, but it's just good music to my ears, and that's all that matters. I think these people (wack promoters) should go get a job at a burger joint and contribute more to society. I won't tell you what I REALLY think they should go do... I do believe that organizing a concert for 1 people and making their day is a bit more contribution to society than serving burgers and being attacked by antiglobalist-movements, but that's just my opinion. Back to you! RD D(bit) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Darren Emerson
It is, it is. And the very same place where people discuss Moby, Chicago house, soul, disco and other 'obscure' curiosities. Isn't it sad that people do not limit themselves to one topic and keep looking in the same direction all the time? That might even lead to broadening horizons God forbid... RD On Thu, 19 Jul 2001 03:06:22 GMT Fred Heutte [EMAIL PROTECTED] wrote: Excuse me pardon me, I heard about this cool list where they discuss Detroit, Detroit techno and other music and things relating to Detroit. Can someone tell me if this is that place? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re:[313] felix da housecat full-length albums
There also is the very first Maddkatt Courtship LP from 1994, I believe it's called 'Wet Wednesday'. 'Thee Industry Made Me Do It' was released on Power Trax under the Aphrohead Guise on double orange vinyl, should be from 1997 / 98 I think. There is also a double mini LP by Aphrohead called '10' on Clashback Recordings from about two years ago. Dunno if these are on CD, I only have vinyls... Harisson Crump and Harry Havana are both different persons, Harisson has released quite some solo EP's actually. Hope this helps RD On Thu, 19 Jul 2001 11:15:00 -0700 Brian Dillard [EMAIL PROTECTED] wrote: i'm trying to assemble as complete a collection of felix stallings albums (cd if possible) as i can. i have these: thee maddkatt courtship - alone in the dark thee maddkatt courtship - i know electrikboy felix da housecat - metropolis present day felix da housecat - presents kittinz and the glitz felix da housecat - clashback compilation mix felix da housecat - transmissions aphrohead - aphrohead does anyone know of any other full-lengths that i'm missing? compilations from his labels that feature a lot of his productions? i've seen a tracklisting of another aphrohead album called thee industry made me do it but i can't find it anywhere. does it really exist? label? year? spare copy for sale? also, are harrison crump and harry havana just aliases for felix, or are they actual separate people? i know tyrone palmer is an actual person, but i'm a little confused about the other two. a newfound fanatic, brian dillard - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Moby
Indeed, and imagine the pain they must be going through when: - making big bucks dj'ing around the globe - being revered by millions of people - being revered by countless producers and influencing every techno / house / d'n'b producer I for one couldn't take that much disrespect... Honestly I think some people here have to start making up their minds, always stating that techno is underground and should not become commercial and at the same time always complaining about lack of exposure or being mad whenever a big event does not pay respect to the underground. What'll it be? RD On Thu, 19 Jul 2001 22:10:50 + Jayson B. [EMAIL PROTECTED] wrote: i know that the B3 is probably used to it, and probably don't even know or care that they're not being promoted, but i could never deal with that kind of pain on a repeated basis... which is worse? being booked alongside dj supahcheese under the title the innovators or not being booked at all? I understand where everyone is coming from on this issue, but as for the B3 being completely downtrodden is quite a bit of a myth. I don't see any of them driving rusted out minivans and eating bakes beans out of a can. Last time i checked, they were getting pimped out Ford focuses at cPOP. downtrodden? i think not. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] July party month part 2
Hi list (purists and others), After my trips to London and Paris, and my visit to the 10 days off festival in Ghent the party month continued. An overview with my humble opinions: Wednesday 18th July: 10 Days Off I went to see Derrick Carter who was replacing ear-troubled Garnier but I was blown away by two others: Herbert and Russ Gabriel. Herbert live was one of the most inspiring lives I've ever seen. Sometimes he was just a bit too much 'look what I can do with my machines' and 'look what I dare to do, breaking CD's on the mic and sampling that to make a track', but the minute his girlfriend came in on vocals (Dani Siciliano) and the piano player joined as well it was all about incredibly soulful and deep house music. big up to Herbie! I'd heard Russ Gabriel bringing it deep three years ago, and the man has evolved even more towards the deeper side of music. His mixing was far from flawless, but the tracks made me smile all the way through his set. And he's a nice fellow as well, what with giving me his last record just because he was too lazy to write down his e-mail address for future booking purposes :-) Derrick Carter was a big disappointment. He has given me some of my best nights in the past, but his uptempo, uninspired tech-house that night made me wanna cry. How much can you enjoy the music you play when you start playing promo's that have just been given to you without checking the quality first? Makes you wonder if Derrick isn't playing too much and just cashing in on his incredible talents. I hope he gets back to the deeper, vocal side I so love. Friday 20th July - Monday 23 July: love parade weekend in Berlin We landed at Tempelhof Airport around 9AM, giving us plenty of time for some vinyl shopping. The results can be read in the e-mail following this one. So if you are not interested in my records, don't read it, if you are, prepare to start weeping :-) The first night we went to the No Ufo's party at E-Werk, the once legendary club. Steve Bug absolutely tore it up with his minimal house and techno, a dj to check out! And a fine producer as well :-) Heard some other dj's that night too, but they were a bit to rough and loopy for my taste. All in all a good start. Saturday afternoon saw us checking out the weirdos at the parade itself. Getting a good seat close to a drinks-tent, 25°C and just the right amount of room to be comfortable can turn this parade-thing into quite a nice experience. The pervy-side of me couldn't help but noticing that German girls all seem to be over-furnished in the front, the it-is-love-parade-so-I-need-to-expose-as-much-as-possible attitude didn't quite help the esthetic side of things, but well, you can't have it all now can you? In the evening we went to Tresor, impatiently waiting for Blake Baxter to equal his genius-set of last year, but being blown away by resident dj Senze the minute we walked into the Globus Room (House room). After that Marshall Jefferson proved why I ran away 15 minutes into his gig at Cafe D'Anvers in Belgium a few months back: totally uninspired house with excessive use of the stupid filter effect on the pioneer mixing table. And again he started with this white label acapella naming all the things he - Marshall Jefferson - has done first: bringing a piano into house music, bringing vocals into house music, and blah blah blah, all rise for the master Marshall Jefferson... Brother please... Makes you wonder if tracks like Jungle Wonz' 'Time Marches On', 'The Jungle' or Ten City's 'Suspicious', 'Devotion', etc... were made by a different Marshall Jefferson. After two hours of chilling outdoors and checking the basement floor of Tresor - which must be thee most underground place in the world, but way too hard a music there for me - Blake was on, and played a fine set, but not quite near as brilliant as last year. Sunday saw me just lying in bed the whole day and only getting up for the Gigolo Records night at WMF. After some problems at the entrance - some 'crowd selector' thought we were not fit to enter his club until I brought it to his attention that he had just 'approved' the rest of our gang seconds earlier and that the necessary girl/boy ratio was thus well-reached by our ladies first policy - we entered WMF, which I consider to be one of the best clubs I ever visited, apart from the door policy of course :-) The smaller of two rooms had DJ Naughty playing some of the finest tracks I heard in years. Naughty is Fillipo Moscatello, production man behind DJ Hell. I was just totally blown away by his selection and had to run to the dj booth time and time again to ID some of his beauties. Crowning moment was when my 'what's that!?' was answered with a big smile and 'that's my remix of Fisherspooner, it's brand new'...nice :-) I concluded my WMF-blast in the bigger room, where Gigolo-leader Hell played a set that only he can play, making me go out of head the full 3 hours
[313] Berlin vinyl harvesting
Well, if you think that London or New York can get you sweet amounts of hard to find vinyls, please read my founds of last weekend in Berlin and reconsider :-) The shops I went to were Raw/Roh, Hardwax and Space Hall. We started with Space Hall in the Zossener Strasse, which features a very good techno-room and a fine house room. Fisherspooner - Emerge (Naughty's peaktime remix)(Gigolo) An absolute killer! This track single-handedly contains everything I want from a house track: it's raw, full of energy and has a bass line from bass line heaven :-) DJ Naughty - G3 EP (Gigolo) More raw stuff from F. Moscatello, clearly giving you clues how Hell gets his unique sound on his latest recordings...it's Moscatello all over! TokTok vs Soffy O - Missy Queen's Gonna Die (Bpitch Control) 80ies techno for your body, move over Miss Kittin! Versatile Family Sampler Limited Edition: Soha - Eve and two other tracks This track had me crying two weeks ago at the Rex Club when Laurent Garnier played it. Produced by Julie Jabre and Gregory this is a track which is only made once in a couple of years and stands out miles from the rest of the French house scene. Simply beautiful. Naomi Daniel - Feel The Fire (Innerzon) Double ep from 1994 featuring 8 tracks. Remixes by Chez'n'Trent, Deep dish and Craig himself. Quality as can be expected. Abstract Fusion 2 (Trackmode LP) 8 dep tracks by Larry Heard, GU, Rick Wilhite, ... Pick of the litter is 'Fabulous' by Norma Jean Bell, a track so deep you need a spade for serious digging to be able to play it... Savvas Pascalidis - Space Woman (Gigolo) Typical dark Gigolo track rooted firmly in the 80ies. We left the Space Hall - with a staff so unfriendly it becomes funny - to cross the road to Raw/Roh, having no clue of what was awaiting us: vinyl madness!!! My Chicago Jack/Acid tracks addiction almost suffered an overdose: 2 Chip E tracks on DJ International (forgot the name, they were from 85 and 86). I have often read that Chip E is the true Godfather of house, and now I know why... Simply amazing tracks which every Chicago-head should own. Chip E - Jack Me Frankie (DJ International or Underground, can't remember) More madness from Chip E, honouring the legendary Frankie Knuckles in the days of the Powerplant. House People EP on Underground (Tyree, Joe Smooth) The track 'No Control' blew me away in a Ron Hardy mix on the deephouse page, and now I have it :-) Tyree - Acid Over (Underground) Classic track finally in my crates. Housemaster Boys - The track we lost (Trax) How can you lose such a track? Maurice - This Is Acid (Trax) More classic Chicago, making you jack like nuthin' else! Morgan Geist - Super (Environ) Morgan is the man. My shop only had two copies, which were gone the minute they were in. I have one too now :-) Ten City - Whatever Makes You happy, Suspicious and Nothing's Changed (Ibadan) Three classic Ten City tracks being reworked and refined by Claussell and Chandler. Nuff said. Antonio - Celebration of life (Tribal Winds) The very first Tribal Winds. If you don't know Antonio yet, get to know him. House to fall in love with. Braxton Holmes - People Everyday (Cajual) Another step towards the completion of my Cajual-collection. 63 down, 14 to go... Larry Heard - Love's Arrival (Trackmode) Larry's long-awaited album. Deep quality stuff as expected. Joshua - Jo-Be EP (Solid Traxx) As stomped by Derrick Carter for years now. Been searching it for ages. Berlin provided. To top it all off I haggled the shopkeeper out of two EP's from his private collection: Gherkin Jerks - 1990 Gherkin Jerks - Stomp The Beat both on Gherkin Records, both by Larry Heard, both nearly impossible to find at a normal price, both essential IMO. I payed $30 :-))) After this high Hardwax proved to be a 'normal' shop... Armando - New World Order 4 Amazing Chicago house in true Armando-fashion (I have 1 and 3 as well, who has 2?). Furry Phreaks - Want Me Like Water (Peacefrog) Charles Webster from heaven. Been buying his stuff blind and saw it right every time :-) Fabrice Lig / Morgan Geist - Last Eden EP (Star Baby) Very good Detroitish techno / house with Morgan's touch in one track. And watch out for Fabrice, fabulous stuff! I forgot some but I suppose you can understand that with such an unhealthy amount of tracks... Unhealthy? Not!!! RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Moby, underground techno
In the beggining techno was underground, but then it was only techno, today everybody that use somekind of filter is techno. So if we talking about big events you cant make event, book Moby, FBS, Underworld(without emerson), Paul van Dyk and call it Techno, because its POP. So if I follow your reasoning then Jeff Mills, Laurent Garnier, Richie Hawtin, Dave Clarke, Mark Broom, Derrick May, Juan Atkins, Claude Young, Ken Ishii, etc... who all play or played the I love techno party together with Underworld, Pills, Mixmaster Mike and others for 3 people here in Belgium (which does qualify as a big event me thinks) do not play techno but pop? I'd give a lot to hear their opinion on that... you can stop that some records go out of thier original place on scene, but when you start to make songs with that purpose you are history for underground electronic music. Then you go on Top of the Pops. When I heard Laurent Garnier play 'Man With The Red Face' live as early as 1999 I don't think that he made that track with the specific purpose of becoming a hit record. If you could actually know which techno/house records will cross over into the mainstream I'm willing to bet that all names mentioned above would not hesitate to make such a track. Or did you think that Rolando's 'Knights Of The Jaguar' was pre-conceived to becoming a hit record? He would be glad to hear that... I could be misreading your thoughts, so feel free to correct me. RD Long time ago Moby and crew made that. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] July party month part 2
I think you were too focused on the piano player... Or else Dani was ill and replaced by Herbert's roadie :-) Nope, Dani Siciliano is most definitely a girl, you can always contact Herbie through www.matthewherbert.com and ask if you do not believe me! RD On Wed, 25 Jul 2001 10:08:20 -0400 Grammenos, Peter [EMAIL PROTECTED] wrote: you wrote : but the minute his girlfriend came in on vocals (Dani Siciliano) is that really his g-friend? that she is definitely a he. granted i've seen a lot stranger things, just wondering though. i'd have to agree, Herbert is probably the best live p.a. i've ever seen. -Pete -Original Message- From: stuffed bird [mailto:[EMAIL PROTECTED] Sent: Wednesday, July 25, 2001 5:52 AM To: 313@hyperreal.org Subject: [313] July party month part 2 Hi list (purists and others), After my trips to London and Paris, and my visit to the 10 days off festival in Ghent the party month continued. An overview with my humble opinions: Wednesday 18th July: 10 Days Off I went to see Derrick Carter who was replacing ear-troubled Garnier but I was blown away by two others: Herbert and Russ Gabriel. Herbert live was one of the most inspiring lives I've ever seen. Sometimes he was just a bit too much 'look what I can do with my machines' and 'look what I dare to do, breaking CD's on the mic and sampling that to make a track', but the minute his girlfriend came in on vocals (Dani Siciliano) and the piano player joined as well it was all about incredibly soulful and deep house music. big up to Herbie! I'd heard Russ Gabriel bringing it deep three years ago, and the man has evolved even more towards the deeper side of music. His mixing was far from flawless, but the tracks made me smile all the way through his set. And he's a nice fellow as well, what with giving me his last record just because he was too lazy to write down his e-mail address for future booking purposes :-) Derrick Carter was a big disappointment. He has given me some of my best nights in the past, but his uptempo, uninspired tech-house that night made me wanna cry. How much can you enjoy the music you play when you start playing promo's that have just been given to you without checking the quality first? Makes you wonder if Derrick isn't playing too much and just cashing in on his incredible talents. I hope he gets back to the deeper, vocal side I so love. Friday 20th July - Monday 23 July: love parade weekend in Berlin We landed at Tempelhof Airport around 9AM, giving us plenty of time for some vinyl shopping. The results can be read in the e-mail following this one. So if you are not interested in my records, don't read it, if you are, prepare to start weeping :-) The first night we went to the No Ufo's party at E-Werk, the once legendary club. Steve Bug absolutely tore it up with his minimal house and techno, a dj to check out! And a fine producer as well :-) Heard some other dj's that night too, but they were a bit to rough and loopy for my taste. All in all a good start. Saturday afternoon saw us checking out the weirdos at the parade itself. Getting a good seat close to a drinks-tent, 25°C and just the right amount of room to be comfortable can turn this parade-thing into quite a nice experience. The pervy-side of me couldn't help but noticing that German girls all seem to be over-furnished in the front, the it-is-love-parade-so-I-need-to-expose-as-much-as-possible attitude didn't quite help the esthetic side of things, but well, you can't have it all now can you? In the evening we went to Tresor, impatiently waiting for Blake Baxter to equal his genius-set of last year, but being blown away by resident dj Senze the minute we walked into the Globus Room (House room). After that Marshall Jefferson proved why I ran away 15 minutes into his gig at Cafe D'Anvers in Belgium a few months back: totally uninspired house with excessive use of the stupid filter effect on the pioneer mixing table. And again he started with this white label acapella naming all the things he - Marshall Jefferson - has done first: bringing a piano into house music, bringing vocals into house music, and blah blah blah, all rise for the master Marshall Jefferson... Brother please... Makes you wonder if tracks like Jungle Wonz' 'Time Marches On', 'The Jungle' or Ten City's 'Suspicious', 'Devotion', etc... were made by a different Marshall Jefferson. After two hours of chilling outdoors and checking the basement floor of Tresor - which must be thee most underground place in the world, but way too hard a music there for me - Blake was on, and played a fine set, but not quite near as brilliant as last year. Sunday saw me just lying in bed the whole day and only getting up for the Gigolo Records night at WMF. After some problems at the entrance - some 'crowd selector' thought we were not fit to enter his club until I brought it to his attention that he had just 'approved' the rest of our gang seconds earlier
[313] House ID's
Hi, Been vibing to a Lil Louis mix I got from somebody (I believe he had it from the deephouse page) and I just gotta know this track. Its bassline vaguely reminds me of 'The Word Is Love' by Steve 'Silk' Hurley, and even the whole feel of this track reminds me of that classic. Lyrics are: keep pushing on, things are gonna get better, it won't take long, keep on pushing to the top and then there is another chorus: reach on up and reach on in, keep on pushing and you'll win which repeats itself for a couple of minutes. It's NOT 'Rise' by Eddie Amador... Another track I've been hunting down is a house track in a similar vain which I heard Derrick Carter, Joe Claussell, Llorca play this weekend, so it should be fairly recent. Can't tell you much about it, it's a vocal track with a chorus speaking of 'time and time again'. Quite a minimal house groove, but a couple of times somes keys / piano licks kick in and heat up the track. Trainspotters ready?...set... RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Bjork - The Hunter Remix
Stuffed Bird's trivia continues...sorry for the waste of bandwidth! Been searching the world over for any info on a remix of Bjork's 'The Hunter' that Laurent Garnier played a lot in 1999/2000. I was once told that it was a remix by Funkstorung, which made sense because they have remixed more Bjork-tracks. The track itself is a 4/4 house/techno remix with the complete unchanged lyrics and a string arrangement that keeps surging up and down once started. Anybo Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Three days of emotion
Hi peepz, As July has been officially named party-month at the stuffed-residence I had quite some blasts these last days. A review: Thursday 12 July: called some mates, got into the car and drove to Paris to check out what could have turned out to be one of the last Garnier-dj sets ever. The man is suffering from hearing problems and cancelled almost all of his gigs for the rest of the year and it remains to be seen if he will ever return to the decks. With this in mind the night was rather a mixed feelings one. Now most of you will know Garnier as a techno dj, but the Rex being his home he plays allnighters there where he proves just how diverse his tastes are. The first two hours were so deep and so house that I just kicked myself in the head for not going to his Rex-residencies sooner... After the guest Laurent finished in true Garnier-techno-style: deep, melodic, full of strings and diversity. If this was goodbye than it was a good one! Got back to Belgium in time for the Axion Beach Beats-festival, the dance counterpart of Beach Rock. Still tired of the Paris-trip I wanted a slow start and headed over to the House-tent to check Llorca...to be blown away from the very first track I heard... This man single-handedly delivered all that I ever wanted from a house set: deeper than deep basslines, heavenly vocals, chicago jack trax (DJ Pierre Phuture mad me totally wild) and steaming us grooves. Talk about a wake-up call... After two hours of partying we definitely needed a break and crashed on the beach to check out Dreadzone on the main stage; and although I'm not to fond of their ragga-styled vocals and basslines, they did deliver a great show and earned everybody's respect. On to the techno-tent for Stacey Pullen! He had to take over from T-Quest, who was boring me to death with his hard, looped techno, and did this in tremendous fashion. Whereas the crowd went mad to the beats of T-Quest, Stacey made'em go even more mad to more-than-beats. I know where my preferences are... After an hour of Stacey Pullen we had to move again to the house tent, where master Carter was going to drop some jackin' beats...and so he did. The first hour was a bit predictable, but the second hour he gave all he can give, which in his case means rump-shaking beats and a capella's thrown in at the right time. My ears were getting a bit tired by the end of his set, so I decided to call the dancefloor a day and headed over to the techno tent once more for the last hour of DJ Hell. And no regrets there! To my delight Hell's dj sets are going more and more into the direction of his label-efforts. Delicious 80ies influenced techno mixed with 'real' 80ies beats and jackin' house tracks always make my day :-) I headed home a happy camper... A good sleep had to get me back in shape for the first day of the Ten Days Off festival in Ghent (formerly 10 days of techno). I had been looking forward to this one for some time: Joe Claussell of BodySoul, Ibadan, Spiritual Life came to bless us with a 3-hour set! And blessing was indeed the word! I have NEVER heard anyone put that much passion and variety into a dj-set. The dj before him played nowadays typical house set: fast, uninspired, looped disco beats. And the crowd was digging it in the way that you are dancing to beats just because everyone else is and just because it's a party, but there ain't no true emotion in there, but when Claussell started he immediately dropped the BPM to a true house-level (120/125) and started working the EQ's like only NY-dj's can do. Giving us beats only when we needed them, and then mixing 'Groovin La Chord' with some Kerri Chandler track making the whole venue go absolutely insane. It's hard to describe the feeling I got when he suddenly powered down the 1200 and played 'Is this love' by Bob Marley... Some 1000 people singing 'Is this love, is this love, is this love that I'm feeling' when Joe faded the track out during the chorus is just simply magical. At that moment you realize that you are not on a house party, you are not on a techno party, you are just listening and dancing to music. And all those house and techno purists alike, all those dj's playing to the formats, all those arty farty let's follow whatever the hype is types can just retire and get it over wit Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Pathetic Pioneer Projects
Hi, When I visited 10 Days Off in Ghent I couldn't help but laugh my ass off with the Pioneer add for their newest DJ-CD player: New features: vinyl emulation, powering down like a turntable, and more... Isn't it absolutely hilarious how they are so trying to make a CD play like vinyls? Next thing you know they'll be adding a feature providing dust cracks and making the CD's bigger so they have the size of a 12... Will somebody please tell 'em that if you are trying to make CD's like vinyls chances are that we just might prefer real vinyls? Just a thought perhap Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Desperately seeking...
...Steve Bug - Bride and Bridegroom Rmxs (Raw Elements 602) Have searched the world over for this one, willing to pay good money! If someone has this one and is willing to part, please let me know! Thanks, RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Why'd u fall!!!
Hi Peepz, It's been haunting me all day... I missed the DEMF, which is bad in itself, but all that talk about 'White Falls' by Lil Louis is getting me pissed. Sure enough there was a bootleg a few months ago which ripped that track, but that ain't got nuthin' to do with the original track which is called 'Why'd u fall' and features on the Epic Release of 'I Called U' from 1989. This piece of marvel contains 5 tracks, among which the well-known *riing* I called U, but you weren't there, and the slamming 'The Conversation', best sax-track ever, with the legendary opening line 'feed me...bass'. Just setting things straight. RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] KMS - Ontoni
Hi, Has anyone any info on a 12 on KMS by Ontoni, so something like that? A friend of mine had a copy a few years back but sold it, and is now very sorry because it was such a slamming track. Any info is welcome! RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] DEMF in Belgium
Hi, While y'all were getting down in Detroit, I went to Fuse in Brussels last Saturday to see Mr Gigolo Hell. And it was mad! Hell just played one memorable record after the other, dark, booming, just the way only he can play. He even dropped in some old Front 242 stuff :-) There was one track which stood out, and which also sounded like a Front 242-track, but I can't quite pin it down. It had lyrics in it like 'I wear my sunglasses at night so I can, so I can...' Anyone? RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re:[313] tuuuuuuune id
You have a keen ear Alex! It's the Naked Music Mixes of Sade's 'By Your Side', a totally deeep and sexy piece of wax. It was released only a few months ago, but it was kinda a bootleg, no label info or credits apart from the above-mentioned. Am I now really a keen spotter? Knowing this without a clip? :-)) RD On Mon, 28 May 2001 18:57:50 +0930 alex [EMAIL PROTECTED] wrote: ok this will take some effort to id i think porno sexy house, very naked music sounding... very very mellow vemale vocal : ( i will only type out 1 line!) when youre cold ill be there to hold you tiiight if you are a REALLY keen spotter i can send you a clip thanks A LOTT in advance :) ab [our arch enemies give it up] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Clubs?
Hi Peepz, Can anyone give me any links of sites gathering links of European Clubs? Can e-mail privately. RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Beat My House
Me again, Does anybody have any info on a track called 'Beat My House', I think it's by Kenny K. Collins and should be pretty old chi-house. RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] JD 800 Manual
Hi peepz, Last weekend I bought a perfect Roland JD 800 synth with just one tiny flaw...no owners manual! There was an owners manual II included, but this one contains technical data and no real instructions on how to operate the synth. Can anybody help me out on this one? E-mail me privately! Cheers, RD Interested in Turkey? Visit http://www.turkey.com! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Jori Hulkkonen
Indeed I am and will. Jori is a great guy and a superb producer IMO. He has released a lot of stuff which hardly ever leaves my crates. His releases on F-Com are superb, but he has also released on other labels such as Lumi Records (co-run by himself I believe) and Plump House (as Bobby Forrester). On F-Com his best releases for me are: Let Me Luv You (as Jii Hoo), limited and pretty hard to find but there is a release on a uk label as well. Detach Yorself And his latest with remixes of Let Me Luv You and Whsipers is da bomb. He also released a great LP on the now defunct label of Cari Lekebush (forgot the name): Finland 0 points. I could give you a complete list of the releases I have, just gimme a yell. Greetz, RD On Fri, 27 Apr 2001 16:25:36 +0200 John Osselaer [EMAIL PROTECTED] wrote: Fellow 313-member Stuffed Bird aka Red D is a huge fan of Jori. He'll be able to help you out to the fullest. He's even planning to throw a party with Jori in a couple of months. See ya, John From: Benjamin Cuthbert (Merch) [EMAIL PROTECTED] To: '313' 313@hyperreal.org Subject: [313] Jori Hulkkonen Date: Fri, 27 Apr 2001 08:53:59 -0400 I just got a copy of his new album When no one is watching We are invisible and really dig it. Other than his mix on Turbo, can anybody recommend anything else or point me in the direction of a website? Thanks. Ben Cuthbert Borders Group Inc. [EMAIL PROTECTED] www.djbenwu.com 734-477-1191 phone 734-477-1345 fax Wu's current CD pics: 1. Donald Glaude - Mixed Live (Moonshine) 2. Pish Posh - Indoor Storm (Rawkuts) 3. Gene Farris - Booked 002 (SHR) _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Marshall Jefferson
True words by our man John. No Detroit without the Chicago posse as far as I'm concerned. Regarding Marshall Jefferson, I love his releases, and he has been there from the very beginning, but when I heard him DJ a few weeks ago I was soo disappointed. For two hours he played the most unbelievable cheap filtered disco house you can imagine... Big bummer I tell you... Well, I'll keep on playing his records and avoid him as a DJ, easy enough I think. RD On Sat, 05 May 2001 17:17:53 +0200 John Osselaer [EMAIL PROTECTED] wrote: I wonder where I'd categorize Derrick if he had some cuts on Trax for example --- Funny that you should mention this because Derrick May had some serious affection for Chicago and its sound before he embarked upon techno. Derrick frequently went to Chicago, both for records and clubbing. Who has heard of a club called The Bismarck? Apparently Lil' Louis played there a lot and Derrick was influenced by him (or so I have been told). It think it is hard to deny that Detroit techno learnt a lesson or two from the brotha's in the Windy City. John - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Chicago track ID
Trainspotter Mac, have a go at this one: It's a classic chicago track, typical late eighties drum trax, with a vox throughout and a chorus: 'so let it be real, so let it be house' There is also a sentence which has been sampled last year by both Trevor Rockliffe (Mentor 001) and Jonzon - Veinmelter on Gigolo: 'we created a sound called house but in some minds there still was doubt, we had to clear them' RD Signup for FREE email and member home pages at http://www.turkey.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re:[313] RE: X-Mix on vinyl
There was no X-Mix 1 in the format we all know (video + cd + vinyl). And indeed, all the X-Mixes (at least the early ones were released on triple vinyl). I know because I have X-Mix 2 by Laurent Garnier, X-Mix 3 (Hawtin/Aquaviva), X-Mix 4 (Dave Angel) and X-Mix 5 (Hell, best in the series for me, very rare tracks on that one). And I've seen the Ken Ishii, Hardfloor, Mr C, Dave Clarke X-Mix'es on vinyl as well. Happy hunting! RD On Thu, 26 Apr 2001 20:50:12 +1000 [Cosmic_Lolie Productions] d-JCB [EMAIL PROTECTED] wrote: Actually I have a copy of X-Mix 3 on vinyl and I'm sure the first 2 were also available but I have never seen them. Thought you'd like to know d-JCB Not all the X-Mix series was released on vinyl, and they definately aren't available from !K7 anymore. Hmmm lemme check the network and see what actually was released on vinyl... Looks like probably everything from X-Mix 4 (Dave Angel) on. Good luck finding it. Tosh _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] things that have been knocking my eardrums to the floor
- Metro Area 3 by the Geist: no comment needed for those who know it :-) - Addvibe - Brothers: deeper house on the fabulous Discfunction label - Mike Grant - The Struggle Of My Peoples (Mr G mix): played it last weekend and just totally freaked out - Laurent Garnier - Smart Move: Laurent giving us some smooth house - T Connection - At Midnight: disco bomb Levan-style... RD, can't wait to get home and play these babies again :-) On 26 Apr 2001 06:28:00 -0700 Wraith313 [EMAIL PROTECTED] wrote: 1. dj ShuffleMaster's EFX on Tresor 2. Adam Marshall's Underwater something or other on Killer 3. Theory label i forgot (I'm @ work ) 4. Surgeon's Remixes on Tresor 5. Caveman Tactics label i forgot 6. Daniel Bell label i forgot 1.zero7- ep2 : group on the ultimate dilemma label. unbelievably tasty tasty chops on the fender rhodes, with some gorgeous rotary connection/4 hero like string arrangements to boot. out friggin standing 2.clicks and cuts 2: a bit excessive at 3 cds in length, but a very nice comp that has all the usual suspects on it. 3.k hand- detroit-history part 1 : a concept album that revolves around the DEMF. out on tresor and i'm already looking for a copy on vinyl. some nice solid solid technoand the whole concept gets me all warm and squishy thinking about the first festival. 4.djbone- subject detroit volume 2: one of the best mix CDs i have heard in a very long time. i'm kicking myself in the arse for not listening earlier! 5.van halen- and the cradle will rock: just because i need some rock out music to wake me up whilst medicated 6.any and all things metro area. i made a CD-R of my vinyl copies and it gets me through the afternoon slump 7.recloose- le muv : old mix CD from the Detroit:Technology show your turn. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Wraith313 www.mp3.com/wraith313 www.outrecords.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Record shops Amsterdam / D. Carter @ Chemistry
Hi, Calling all Dutch 313'ers! I'm coming over to Amsterdam this Saturday, record shopping in the afternoon, Derrick Carter @ Chemistry in the evening / night. Please advise me on any cool record shops, especially second hand rarities, deep house, chicago house, disco, etc. Also if you want to meet up @ Chemistry, lemmeknow! Greetz, RD Signup for FREE email and member home pages at http://www.turkey.com
Mp3, vinyls, CD, etc
Hi peepz, I've been following the medium-discussion for a while now, there have been solid arguments from all parties, but in the end I think it all comes down to this: everybody has a preferred way of listening and playing his of her favourite music. There ain't no right or wrong is this matter, there are just different ways. I myself prefer vinyl, because IMO no other medium has up till now reached the sound of vinyl played on a good turntable with a good soundsystem. I have this old Hitachi-amp hooked up to my mixer and that dusty, grey, hot as hell after 20 minutes at level 10 baby gives me a sound compared to which all digital sound seems cold and too clean. And no matter which technologies will come into being in the future I'm pretty sure that vinyl will not cease to exist in my lifetime, especially not if I read all the posts from people who prefer it as well on this list. And for those people who do prefer MP3's and digital sound, just go ahead and enjoy the music as much as I do. And if one day there will be a deejay playing at the same venue as I, only using MP3's, well, if he plays good tracks I'll have a party, and if he sucks I'll tell him so, and that will have to do with the music and not the medium. RD Signup for FREE email and member home pages at http://www.turkey.com
First Choice
Hi, Could anybody provide me with some info on the Claudio Cocolutto Rmxs of First Choice's 'The Player'? Year, label, availibility,etc. Thanks, RD Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] Andres - Moodymann
my best guess is that andres is indeed moodymann, the music indicates this and also the 'funded by MM' etched in the record would point in that direction RD the reference kdj-024 is edited for Andres,Who is Andres ? is Moodymann ? Thanks in advance Jose ___ Do You Yahoo!? Envía mensajes instantáneos y recibe alertas de correo con Yahoo! Messenger - http://messenger.yahoo.es - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
New Morgan Geist EP (was Morgan Geist)
I don't know what Morgan Geist is like as a DJ, but last week I bought 'Metro Area 3' on Environ, and the a-side of that EP is just totally heavenly. It has just totally blown me away from the very first moment I heard it. It's so utterly beautiful is seems even pointless trying to describe it... He has my vote :-) RD Hello folks! Can anybody give me a comment about Morgan Geist as a DJ? What kind of stuff does he spin? Does he play more house or the technoid stuff? Thanx in advance.. Arne Weinberg Propaganda Rec./Groundzero Rec. °°° - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] Lil Louis Out of Napster
no flames but I disagree, I think that all musicians have the right to forbid that their music is available on Napster I love Lil Louis records and it is indeed very difficult to find them, but not impossible. It has taken me a lot of webtime and a lot of hard cash, but I have found most or all of his essential stuff one way or the other. You shouldn't always settle for the easy way! RD : Lil Louis,like the Beatles or Metallica,is forbidding : his tracks on Napster. : That man is very jealousy of his music,any comments? this is a pretty silly move it's so difficult to get his records anyway... now less people are gonna have access to his music. as i was just discussing with a friend we would by his records as soon as we saw them regardless if we had them in mp3 format or not. i do understand that it is his music and he has the right, but it seems a little weird to me. flames?? tan... -- graham [tan] wilson - MNEMIC IMAGE [EMAIL PROTECTED] http://fnord.fishwerx.org/tan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Bernard Badie
Hi Peepz, Has anyone ever spotted (or better has it and wants to part) one of these two babies: Jackin Bernard - Mood Music (Night Club, Chicago) (NCL016) Bernard Badie - Time Reveals () (NCL017) Thanks, RD Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] 326
Yep, I messed up names, I checked my copy last night and it is of course Dion Williams :-) RD Isn't Duane Harden the person who sang the vocals for Armand's You Don't Know Me:-) Ciao, Joel - Original Message - From: stuffed bird [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, April 03, 2001 7:18 AM Subject: Re: [313] 326 I believe 326 was Duane Harden. The track Just Like Heaven received a fabulous remix treatment by Armando and Mike Dunn on Muzique Records. RD Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] Vincent Floyd
Last thing I have of him is 'heart attack' on relief records. RD Since you guys are taking about Chicago for a sec I thought I'd throw this one out. Anyone know of any other Vincent Floyd releases besides Cactus Juice and Chan Your Eyes? Or even better, anyone know what ever happened to Vincent? Talk about a man ahead of his time... well, i have on ep by mr Floyd, but i don't know if it's the same guy. Vincent Floyd - The Magic ep on Subwoofer/Freetown, 1996 tracks: Get closer I need you I am Strange Pleasure records says Written and Produced by Floyd Walker, additional keyboards by Jordan Fields and Robert Alexander i'd say the ep is nice deep(ish) chicago house.. sakke -- A dream will always triumph over reality, once it is given the chance. -- Stanislaw Lem - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] 326
I believe 326 was Duane Harden. The track Just Like Heaven received a fabulous remix treatment by Armando and Mike Dunn on Muzique Records. RD --- Danny Wolfers [EMAIL PROTECTED] wrote: I bought this record on Dance Mania from a certain 3.2.6. Incredible sleazy production (Casio CZ all over the place) and deep melodic arrangments. Its so f*ckin good. Anyone knows who is behind 326 did 326 do more stuff?? 326 was the address for Ron Hardy's Musicbox!:) the second half of the record you have is on Muzique __ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/?.refer=text - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] can't get no decent techno .... but i try
yeah sure, just because I don't like banging, looped techno I'm narrow-minded and I have an elitist attitude... and I hate to break the news, but some of us do just like the music for being music without thinking of getting chicks and FYI, my record boxes are crammed with records that sold over a million copies and I have not burned them because that turned them too commercial on the whole it's total lack of respect for opinions and mindless flaming that brings down the quality of this list filled with people who do love music just for the sake of it RD PS Please don't reply unless you can leave the flaming I think there are as many quality techno records coming out as there were in those days, yeah, when everyone and their mother only uses equipment that's 10 years old or older, the new sound thing runs thin. So much for being the only innovative sound eh? it's just the number of crappy looped banging stuff that has multiplied enormously, umm, its always been crappy looped banging stuff. That's what makes it techno. and is sadly being bought by loads of young dj's who just want to get the girls and get paid like a superstar. isn't getting laid and paid the whole reason for doing ANYTHING? Guys do certain things because it attracts certain chicks. Deep house has always been a little less popular and has IMO maintained more integrity ahh yes, the whole, if its sold more than a thousand copies the artist MUST have sold out and have no integrity, bit. Haven't heard THAT before. I think people take music too seriously for the wrong reasons. YES, its a powerful medium. YES, its an artform. But dude, RELAX. its just music. Its not going to cure cancer. Just because an artist writes a song that other people like besides him does NOT make it evil, nor does it make him a sellout, or commercialized. It means he wrote a track that other people like. Yeah, there's a commercial aspect to music, and there ARE people who sellout, but i think it happens less than y'all think. I mean, was andy warhol an evil commercial sellout cause he sold his paintings? I just think its time that this whole elitist attitude gives it up. Its Tired, and i think needs to be saved for acts like britney spears. so Sit back, RELAX, enjoy the hard beats. (although the French disco house sound is a serious attempt at destroying that integrity). yeah, those evil French Disco House Dj's are just trying to capitalize on that which is pure and unmoved right? Cause they're makin those Ten Dollah bills y'all! Oh well, just wanted to toss my 2 cents in. you're more than welcomed to your opinion, and if you want to keep yourself as closeminded as possible, that's great. don't let me stop you from reaching that level of Snobbery (seriously). My opinion: Deep house makes me want to go to bed. For a supposed new sound, its just as old and rehashed as all music is. _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
AJ sound
Hi, A few weeks back I finally located and bought a track which has eluded me from the very first moment I heard it featuring in Laurent Garnier's 'Laboratoire Mix'. I only heard it once thereafter and that was also when LG was spinning at 10 days of techno. I now have it and am playing it constantly :-) I now also have a bit more info: it is a release on a UK label called Decay Records, 'The Block EP', produced by AJ Sound, with my fave track called 'Basemental'. I paid a rather steep price because I could not locate it in any database (HTFR, Sonic Groove, etc) so I had to be really rare. Any info? Jonny? RD Signup for FREE email and member home pages at http://www.turkey.com
Farley Mix?
Hi, Today someone posted about two classic track ID's in a Farley mix on deephousepage. I deleted that post, could someone please repost it so I know which mix we are talking about? Thanks, RD Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] OT track id
That's Sandee - Notice Me on Fever records. Produced by Clivilés Cole incredibly enough. Released way back in 1988. There have been re-releases on other labels but I don't know which. Check www.htfr.com for more details, I think it's in their database. RD Haye! This one should be easy, though not 313. I've heard this track quite some years ago. Baaad bassline, some vocals in spanish wit a lot of reverb. Because all that reverb, I can't understand what the vocals say besides conocer-me (to know me). It gets to the point that the vocals go something like: Why didn't you noticed me, like I've noticed you, why didn't you love me like I loved you... (this one should be the easy part for the ID) It has some breaks that are typical of old-school chi-house (even though it may not be), and some instrumental solos too that you don't hear anymore. Somewhere out there should spot it. I apreciate it. Lay Unconditional Empowerment http://barkingcat.org/counterforce - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] Isn't this all just about a party???
Whoa indeed, big props to Scott for telling all tight-assed pseudo wannabe a superstar dj's how it is. As if Derrick May, Derrick Carter, Laurent Garnier and other true players would even bother with such a trifling job like taking off labels... Stop arsing about please. RD Whoa!!! I think this 'label' discussion is a perfect example of how crazy this whole DJ thing has gotten in the past 5 or so years... Not to ruin the fun for anybody, but a DJ's set is not really a religious experience, it mainly is not a piece of artistic expression, it is just some good records being played to keep the party flowing, and that's what's it's been since it's beginning in detroit (think of what was being played at the prep scene parties, hardly stuff that was unknown or secretive)... As far as mixing and all that stuff, it's really just a way to keep the floor moving and the party jumping, not necessarily as a way to show how 'good' or 'talented' you are... Anyone can spin records with enough practice... There is innovation on the decks, but most everything has been done before, and with enough practice can be done by anybody... The best DJ's just rock the party IMHO... How this relates to the 'taking off labels' discussion is this... If you feel the need to take off your labels, go ahead... But you're being a complete prick... Crap like this ticks me off... like I'm so cool I don't want anyone to know what records I'm playing... This is music ideas something that should be shared with everyone, and anyone... I saw Derrick May in Connecticut a few months back and it was the first time I heard the Force record by Technasia... I had to find out what record it was, so I waited for an appropriate time after his set, and asked him what that 5th or so record he played was with the white jacket... And he was more than nice about flipping through his records (he truly didn't know what he had played as was mentioned earlier in the thread), till I saw it... Then he let me write down all the info, and told me when I e-mailed them about the record that I should mention he played it... Very cool I thought... Now that is the way it should be... Derrick may IMHO is the best DJ in the world period, and if he's not too big to share the music he plays than who the hell else is??? We should be a family, not a bunch of spy's trying to keep what's good away from each other... In My humble opinion at least.. scott - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Track ID Derrick Carter and thanks
Hi, I've long since been wondering which track features as the opening track of Derrick Carter's mixtape of mixtapes 'Dialog: Head vs Heart'. It's a saxy house track with the following lyrics: He's a player, player, he'll get next to you, he's a player, player, this is what he'll do, he'll shoot you down, right down to the ground Any leads? Also big ups to all the Londoners who supplied me with cool places to see and visit. My friend was very happy with all the info. RD Signup for FREE email and member home pages at http://www.turkey.com
Bernard Badie
Hi, I've long since been looking for a track by Bernard Badie on a Chicago label I have never even seen in my life, 'Night Club Chicago'. The track is called 'Can U Feel It'. Any leads? Jonny? I also wish to repeat my question concerning cool spots to visit in London, not 313-related but a bit on the cool non-tourist side of things. Come on Londoners! Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] jedi knights
I believe there was a re-release of most of their stuff on a double LP recently. Dunno the label though. RD hi there, i'm hardly searching for the new school science by jedi knights. anybody knows a place where it could be still available (vinyl of course). ronny - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Londoners! Info please...
Hi, I've got this really cool colleague who will be coming to London this weekend, and she was asking me if I knew any cool places. Cool places meaning food, shopping, drinks, things to see or do, not really the typical tourist things but more low profile, alternative type of things. Don't let her down! Signup for FREE email and member home pages at http://www.turkey.com
RE: [313] curious on opinions more
I guess if we're talking about good and fresh house there are a few names which people keep forgetting: Larry Heard, Brett Dancer and for sure Jori Hulkkonen. Besides being a very cool bloke he keeps on releasing stuff that's getting better by the record. 'Wanna Do You' is absolutely divine, as is his latest ep 'We are Being Watched'. Which brings me to another point that has not been mentioned on this list since I joined: F Communications! This label from Eric Morand and Laurent Garnier has been as consistent in releasing superb stuff as any other label. And I do think they have one major advantage on many other quality labels like Tresor, Glasgow Underground, etc, their diversity. Any comments on that? RD ::: :::Glasgow Underground the other GU :) ::: :::Yeah, both GU's are worth checking out.. how about Rick Wade, :::Rick Wilhite, :::anything from the Planet E stable, Johnny Fiasco just to start. ::: :::Also, the UK lable, Paper often has some good house sounds. agreed also seem to have common factor signed up too (well under his real name Nick Calaengart sp?) don't no what the deal is with some of the track names though eg the nipple song and the penis song but good none the less been picking up some very nice tunes on classic records from the uk too, derrick carter, iz wiz dj bang to name a few but yeah the planet e stuff is definetly worth checking esp. that herbert remix of recloose also looks like they've released some older tunes on an album.. this was on juno: VARIOUS: G2 - Geology: A Subjective History Of Planet E Volume Two (Planet E US) House 12: Common Factor-Get Down (Future/Past mix)/Chaz Vincent-Human Powered Flight (Carl Craig special edit)/Carl Craig-At Les (Russ Gabriel mix)/Innerzone Orchestra-Bug In The Bassbin (Street mix) (PE 65261) [7.50] andrew - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] curious on opinions
anyone calling Miguel Migs cheesy can line up for a smack on the head... rd is stuff on naked music considered cheesy in the house world? i like it is that a sin?! ab - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Vital track ID and comment
Hi all, I'm looking for this track, which has a very Green Velvet-feel to it with a vocal saying 'I'm so nasty' throughout. Has about the same build-up as Velvet's 'Help me' track. I heard it the first time on a tape from Laurent Garnier at Fuse in 1995, and last year Derrick Carter played it at Food Club. I asked him what it was and he showed me the sleeve which stated: Nuthin Nyce 'Nasty Girl'. Can anyone provide me more info on that one? Label, where can I get it, etc. Much obliged, RD Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] Vital track ID and comment
nope, it's really 'I'm so nasty' I've got his 'Horny'-track, and I believe it's on Cajual. Someone once told me the 'nasty girl' track was originally produced by Prince, but this has to be a rmx RD don't you mean i'm so horny ??? that appeared on relief records. rp[rf] http://mp3.com/_rohformat www.rohformat.de - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] Detroit Techno Artist
Right on T! I too believe that more people here should see things in a broader perspective. Do not confine to techno and detroit in particular. There are marvelous gems to be discovered in house, hiphop, ambient, whatever. It's music we should be talking about! RD Hey people I have learned one thing if nothing on 313. That is that their are some very cool and knowledgeable people out their, but please some people on 313 should try and expand your mind on the scene a little more. Ive mentioned Scan 7 , Keith Tucker , Strand (Kech Harringhton and Bryon Bonds), Optic Nerve, Aux 88, Adult, Anthony Shakir, Guys from Souther outpost Australia, The closer, Dj godfather, Sharod Ingram and a load of others who have been around for quite some time who are very well known respected, professional and dependable artist who show up at all gigs. Please people how many times can you hear a jeff mills record or derrick may record, not that I dont like them let's hear more than just that. Hey LISTEN TRY AND EXPAND TO SOMETHING ELSE. I READ ALL MESSAGES ON 313 AND I tell you it's not at all what it use to be. PLEASE PEOPLE I WELCOME ALL REPLIES AND RESPONSES Wow the time has come discuss and discover someone else. _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] Blake Blaxter
I believe the Tresor website can help you with that: www.tresorberlin.de RD Can I get any pertinent info on Blake Blaxter??? bio? discography? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] Since We're On The Topic Of Ron Trent
Who's talking about influences? Ron Trent is just a great producer making fabulous music. Isn't good music what it's all about? I wish a lot of people would stop seeking influences and labelling things in electronic music. Good music is good music, no need to divide things IMO. RD Greetings, I'm always suprised to see references to people like Ron Trent on this list every now and then. I was just curious to find out what kind of influences Ron has had to the 313 sound? Ciao, Joel - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Felix Da Housecat Discography
Hi, A while ago some people asked for a Felix Da Housecat discography. I have a rather extensive collection of Felix-tracks, so here we go: As Felix Da Housecat: The Chaos Engine (Touche), includes Dobre Jamez Rmx The Morning After (Reload) Housekatt's Mousetrap EP (Strawberry) Thee Dawn (Guerilla), my personal favourite! Thee? (Power Music) Reach Out (Radikal Fear) Freakadelica (Djax Up), simply fabulous! Temptation (Djax Up) Metropolis Present Day Thee Album (Radikal Fear) Thee Remixes Part 1 Part 2 , with a superb Robert Hood Rmx Nu World (Guerilla) As Aphrohead: Prophets Of Nature (Global Cuts) 10 (Clashbackk double ep) Groovetrain (Clashbackk) In The Dark We Live (Bush), the infamous Dave Clark Rmx Thee Industry Made Me Do It (Power Music) As Maddkatt Courtship By Dawns Early Light (Deep Distraxion), superb wild pitch Alone In The Dark (Deep Distraxion), the follow up album I KNow Electrikboy (FFrr), the third installment Welcome To Thee Lite (Ffrr), all tracks are on the LP :-( As Outerrealm: Welcome to the storm (Radikal Fear) As Aura and Thee Dove: Puss'n'Meow (Radikal Fear) As Sharkimaxx: Untitled EP on Power Music Clashback (Soma), storming track As Thee Dawnsmen: Distortion (Radikal Fear) Remixes: Phuture - Your Only Friend (Felix T. H. Rmxs) (Trax UK) Power Music Greatest Hits () (Power Music) He also co-produced a lot of other Radikal Fear tracks from Professor Traxx, DJ Attik, etc... Please feel free to correct/add to this list! RD Signup for FREE email and member home pages at http://www.turkey.com
RE: [313] Dream Sequence?
I think imma have to correct you on that one. There was indeed a re-release of the Dream Sequence LP a while ago, but only a few weeks back Tresor released a new Dream Sequence EP with three tracks, and this week or next week will see the release of a new dream sequence LP, which I saw on CD last weekend in Muenster DE. The EP contained two rather mediocre tracks and one storming track in typical Blake style, co-produced by Trevor Rockliffe. Yep, the first Dream Sequence wasn't his best work for me as well, I prefer the stuff he did before that on Incognito, KMS, UR or his EP's on UK's Logic Records. RD It's a re-release of an old Blake Baxter album. The original album was released in 1992 or so. This is definitly not Blake's best work. Try his latest work or his earliest. can someone post me a review on Dream Sequence album on Tresor (i think it is Tresor 160) and also some more info on this artist, please? thanks ivan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
RE: [313] Madkatt Courtship
Felix Stallings is indeed his full name, he has released under different guises such as Aphrohead, Felix Da Housecat, Sharkimaxx, Aura and Thee Dove, a.o. A few essential tracks: In the Dark We Live - Aphrohead (Bush Records) Thee Dawn - Felix D.H. (Guerilla) Metropolis LP - Felix (Radikal Fear) and many, many more (mail me privately if you want a complete list, I have some 40 or 50 records of him...) He was at one time part of Pierre's Phantasy Club I believe, contributing to Fantasy Girl and other classics if i'm not mistaken. RD Aphrohead is also known as Felix the Housecat. He has released numerous tracks under these 2 names. Felix Stallings (I thought that was his last name but i'm not sure) is one of the beter DJ Pierre followers. He has adapted hsi wild pitch sound to his own unique sound. He was also responsable together with pierre for some choicago house classics but i forget wich tracks. [EMAIL PROTECTED] Well you're right about one thing it is a good album ;-). But about the detroit affiliation no (not that I know). But hey it isn't that far apart...just a few hours driving...and the man made some classic technocuts under his APHROHEAD guise. About something in a similar vain. That isn't easy. Try locating Armando's (RIP) Album. Fear the world (I think it is called, but don't have my collection here. List correct me if I'm wrong). Which can stand the comparison. JayCee BTW : Lighten up people...no need to shoot each other to pieces... Hello - I'm currently listening a lot to I know Electrikboy by Madkatt Courtship - incredible album, incredible production, 90% of the tracks are excellent singles on their own... and : 1) I seem to remember the guy is somehow Detroit-affiliated, is this true ? 2) any recommandations in the same vein ? Thanks in advance Gwendal - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ I B I Z A in your Box! Get Your Personal, Free Email at http://www.ibiza-mail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] missing you - larry heard
yep, 1999 the original version of this track is on the 'Genesis'lp by Larry on Mecca Records trackmode released 2 remixes by larry heard himself on a limited edition, including the utterly wonderful Jazz Café remix, and they released a double pack with more remixes by the likes of Bernard Badie a.o. which is not that hard to track down hope this helps, RD what's the date on this record?? 1999?? tan... -- graham [tan] wilson - i don't want a pickle [EMAIL PROTECTED] http://fnord.fishwerx.org/tan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] Gemini CDJ Package For Sale
Don't know if there are any Monthy Python fans on this list, but I think this is turning into a rather silly discussion. Just play what you want at the speed you want, it's just a matter of feeling comfortable. I usually play no faster than 120/125bpm, so I have to downpitch almost everything. And if I want to play Untitled by Robby Hood, I have to pitch up my beats and still play it -8 (for the record, pitching up to +16 does not do anything for downpitching!), and I like it just fine. If one should play every record as it was intended, there wouldn't be a lot of mixing freedom now would there? Hell, you wouldn't even need pitching, let alone technics. Do you think dj's play the BPM-level the way they made the record?! That's what I mean, silly ain't it? RD On Thu, 1 Feb 2001, Dennis Donohue wrote: I agree... There are alot of older tracks that I rarely play anymore because they are only 135BPM at +8, and I usually play faster than that. For instance: anything on +8 Spastik by plastikman Anything by woddy McBride (incl. Basketball heroes) Most Metroplex records why do you ruin good old classics by playing them too fast? that sounds horrible! and why are you limiting yourself to only about 135 bpm? start working from slower records then slowly work it up to more uptempo, it's really easy. then learn to bring the tempo downwards. d'oh. buy yourself a bit wider range of records and try again. thank you. I can't understand this i play only this tempo thingy at all. it's so narrow minded. sakke - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] the LONG short of dj sets
Hold your horses! I never denied Mills abilities, nor as a dj, nor as an artist. And I know he doesn't claim to be God, it's just that when I see hundreds of kids screaming like madmen just when they see Jeff approaching the decks, and doing the same when he is bangin' away at a way-too-fast-pace to be healthy, with more backspins than any normal brain could handle, changing records every 2 minutes or less, well at that time I do not consider him to be an exquisite dj, and I long for the moment when he would play his Every Dog Has Its Day - tracks and other beauties. I must add that I have only seem him on big raves, and we all know that for some bizarre reason dj's think that at big raves it has to be harder, faster, less groovy, no room for downtempo moments. That's wack IMHO. Who is great in my book? Derrick Carter, DJ Rasoul, Laurent Garnier, Mark Farina, Mike Dunn. Those have never disappointed me. Later, RD And finally someone who dares to say that Jeff Mills is not God behind the decks. Mills never claims to be God, why would you listen to anyone quoting such tripe? However if you're denying Mills' ability as an exquisite dj and artist, I would be curious to see who is 'superb' in your book. You know I heard Oakenfold is pretty smooth. Same for Guiness Stout and babies' bottoms... Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] the long dj set
you are not alone on this one my friend :-) I too hate the 'look mama how many records I can squeeze into an hour'-style. Just listen to Derrick Carter or Laurent Garnier, mixing for four minutes or more, they just tell a complete story. It oftens happens that you just don't know which sound belongs to which track, a new track is born that very moment, and that's dj-magic for me! And finally someone who dares to say that Jeff Mills is not God behind the decks. Smoothness all the way baby! RD the more i read this, the more i ask myself if you guys have ever heard a really superb dj (which e.g. jeff mills is a solarsystem away from). even techno can be mixed fast but smooth, interesting but building. i can't understand why people like this i need to play 10 vinyls in 3 minutes style, no matter what comes. no matter if it even is more bumping than smooth. this always makes me completely confused when i heard a good track and another one is rolling in like a train in my face, 5 beats faster than the one which is just playing (umfgadumppengbaengbumm). even if i seem to be alone on this point of view, but i can't dance to that. i love to spin two tracks for 10 minutes (if possible) together and play around with them. there is much more a good dj can build up than with crashing tracks into each other. rp[rf] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] ID's
I think that could be Terra Deva (sorry, short-term memory forgot the title, but if no one else comes through I'll look it up at home, have it somewhere). The track you want is a Joshua rmx, the b-side has a fabulous stripped-down underwater grooving Derrick Carter remix. I've got it on True records, a label distributed by belgian N.E.W.S. RD Hi 313ers If someone could ID the following track for me i would be so happy (i've been trying to discover what it is for a few years now after i heard Carl Craig play it on his Radio One Essential mix...) It's in Kenny Larkin's set on Plus 8 Transmissions part a, and it plays at aroun 18mins 30 secs.WHAT a track : kind of a looped strummed guitar sound with simple but effective bassline with the occasional break in the loop...vocal comes in : searchin'.searchin' every night which loops round and round Hopefully yours, H - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Re:[313] Haha, you are so lame!! (was future of DJ'ing)
I got to admit, Tosh has some very strong arguments here, but he has especially mastered the art of making a point in his favor by using a lot of put-down remarks. A keen and commonly used trick to baffle opponents in a discussion. What are we talking about here? Is the digital jockey the end of our music? Of course it isnt. No less than DJs who still prefer vinyl and refuse using a laptop are small-minded traditionalists. What bothers me in all this ranting and raving about progression and embracing new technology is the emptiness of it all. Everyday we are slapped in the face with some new and improved technology which we should use because we would not wish to be hopelessly retarded now would we? Sorry to break the news to all the technology freaks, but this is absolute bollocks. Just take a minute to look back in the past and see what was the last invention which has really affected all of our lives, whether we wanted it or not. Was it the mobile phone? Was it the internet? No it wasnt. People not using the internet, or not using a mobile phone are perfectly happy and do not miss a single thing without which they could not live. The last invention which really affected everybody and everything was the car. It gave us the possibility to see more of the world, it affected the environment (roads, pollution), it affected the economy. It changed the face of the earth. All the other new and revolutionary technologies are mere trifles in our lives. What does this all have to do with our discussion? Well, whether you use vinyl or final scratch, the progression will always made by your mind, by the things you play, by the feeling you can pass on to people listening. Making things easier has absolutely nothing to do with progress, its called laziness, and IMO its laziness which brings things to a halt. I prefer to play with vinyls, and I dont care to tow along truckloads of record bags, I feel good with it, and if you think that makes me a narrow-minded, old-fashioned conservative, you couldnt be more wrong. RD I can't believe the things I read on this list. This list, which uses the works of Alvin Toffler in vain and frequently evokes the imagry of Blade Runner and music created in a present future dystopia, and then I read crap like this: Sounds horrible, going through the box is part of the artform. It would make it too calculated, you can't flick through your box, land on something else and think hmmm, now maybe I can play that instead. The smell of brand new vinyl out of the sleeve, the crackle of the record under the needle... there's something spiritual and special about vinyl that no other media can replicate. Pushing buttons has nothing to do with dj'ing as far as I am concerned. Imagine the joy of finally finding that record you've been after for several years, and then compare it to downloading that track Seeing a set being pieced together with records and the DJ making the set come together is part of the thrill and artform. Do you really want to watch some dude just press a few buttons on a computer, a pre-planned set, there could be no spontaneity, by default. It would be as boring as hell. Any fool could use the new system as it would be a relative cinch. I can't see too many house DJs adopting the new thing Like aren't some of the hip-hop turntablists establishing a way of notating scratches? I also sometimes wonder about about the reading ability of people on this list. I seem to recall saying the only aspect of DJ'ing that it changes is the carrying of vinyl and selecting of tracks to play. Do you people have that much difficulty with English? Is the Aussie dialect really that difficult that it doesn't penetrate the quoted sentence? I will break down the sentence: *the only aspect of DJ'ing that it changes* - this implies there is only one aspect, but there are actually two, now I see why you are all confused. *is the carrying of vinyl* - this is aspect one, the DJ doesn't have to carry around as much vinyl anymore. How much less is up to the individual. *and selecting of tracks to play* - this is the other aspect, the DJ no longer has to flip through a box of records. PAY ATTENTION! THE PERFORMER STILL MUST BUILD A SET, MUST STILL PLACE THE NEEDLE ON A RECORD ON A TECHNICS 1200, MUST STILL MATCH BEATS, MUST STILL CREATE A MOMENTARY EVENT, MUST STILL LOOK FOR HO'S, MUST STILL TRY NOT TO KNOCK THE NEEDLE WHEN BLOWING COKE, MUST STILL DECIDE IF RECORD 'B' IS SUITABLE TO PLAY AFTER RECORD 'A', ETC ETC ET-FU**ING-CETERA. So with that out of the way and because I am bored and incredulous I will respond to each of these in order. Sounds horrible, going through the box is part of the artform. It would make it too calculated, you can't flick through your box, land on something else and think hmmm, now maybe I can play that instead. -- How the hell is looking through a box for something you
Laurent ID's
I posted this one a few weeks ago, but it was kinda hidden among several other ID-wants, so here we go again, I know you can do it! This is a mix of Laurent Garnier, played at the weekend of love 2000 at No Ufo's the evening before the love parade. The mix can be found on www.stereofm.com, it's an absolutely stunning Laurent Garnier at his very best, I'm like two tracks to be ID'd in particular. First one is 38min into the mix, second one 46min into the mix. Help me out her Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] Future of DJ'ing, also anyone at MIDEM?
And even then... Same reason why I refuse to play any CD's applies here as well. Pushing buttons has nothing to do with dj'ing as far as I am concerned. Imagine the joy of finally finding that record you've been after for several years, and then compare it to downloading that track from the internet... Nuff said I think. RD Sounds horrible, going through the box is part of the artform. It would make it too calculated, you can't flick through your box, land on something else and think hmmm, now maybe I can play that instead. The advantage is that it overcomes the dreaded, 'the airline lost my records, damn I will have to borrow Judge Jules' records or make a quick sortie to the local record store' syndrome. Anyone at MIDEM and see the release of Final Scratch? You know how I've been going on about the future of DJ'ing? Well Hawtin and Acquaviva along with N2IT out of The Netherlands did their press release of Final Scratch yesterday. It's not the first time they've used the system, it was used during their Peel show a few months ago, and John has been using it at almost every gig for the last few months. Essentially the only aspect of DJ'ing that it changes is the carrying of vinyl and selecting of tracks to play. Now instead of carrying boxes of vinyl you need only a suitable powerful laptop, and instead of flipping through your record box you just double-click a track and it's ready to go. That is the only aspect of DJ'ing as we all currently know that changes. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: 313-he Signup for FREE email and member home pages at http://www.turkey.com
track id's laurent garnier
Mighty 313-spotters, A huge task awaits you. I have some 7 tracks I'd really like to be ID'd. First of all, there are two tracks laurent garnier played at the Weekend Of Love of NO UFO's on the love parade 2000. A part of that set can be found on www.stereoFM.com (there's only one garnier mix, can't miss it) It's the second track in the mix, first track being Phuture's 'String Free', it has a kind of new wave male vocal in it singing: my force is in my soul, my force is in my heart, come to me, come to me, love me, don't leave me, leave me alone, the track itself is a driving techhouse thing, vox reminds me of Jimi Tenor or New Order. And around 33 min into that mix there is another gem I don't know. Reminds me of some of the softer stuff of Johannes Heil. A typical Garnier-as-a-dj-track. Right, part 2. I have this tape from a radio show called Nightgroove, I believe in Frankfurt in Germany. Laurent once again spinning the tracks. The first 6 tracks of that mix are pure magic, and I only know one of them... Here we go: Track 1: electro-track, machine vox saying: You've got no work, because of me. I'm a machine, I never sleep. And now you pray all night and day. A funny way, I'm human made Track 2: definitely Björk, but probably a remix, lyrics: I'm a hunter, I bring back the goods, I'm not stopping, Leaving it all behind, someone told me this was a rare remix by Funkstörung? Label? Track 3: typical track for Garnier to play, heavenly synth line, and a driving loop coming in around half of the track going higher and higher, no vox here :-(( Track 4 is ME's 'Ride' on Trax-records. Track 5: WHAT IS THIS? Detroit-styled rhythms and drums, synth lines equalling Jaguar, and then suddenly someone starts stabbing a synth/organ sound in a Carl Craig way. Track 6: purpose maker styled with an overwhelming synth kicking in That's it, I'm waiting and hoping. RD Signup for FREE email and member home pages at http://www.turkey.com
track ID's Ron Hardy Mix
Hi all, I love Detroit, but I absolutely adore Chicago, so forgive me if some of you find this off topic (which it is really not because who influenced Derrick May, Juan and others? Yep, the late Ron Hardy). Here we go, the mix I listened to is on http://deephousepage.com/mix12.htm It is No 438 from the list, a Ron Hardy mix from 1987: My everlasting love and respect to those who can ID the following tracks: track 5: Trax-style all the way, female singing: Fall down on me, I need you, I need you,etc track 6: Trax-style, male singing: Can't you see, everybody is dancing with me...Music takes control, music that's good for your soul... track 7: a deep deep bassline turning into a scorching acid loop, wind gusting throughout the track I'm hoping that the mighty 313 spotters can help me here. But I'm sure you'll all have a blast listening to the mix! Thanks, RD Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] blake baxter
But that's just the beginning! Take these tips from the owner of one of the largest collection of Blake-traxx :-) When we used to play EP on KMS is the bomb! As is Derise Me on Incognito, but very hard to find. And check out the following tracks as well: The Vault LP on Disko B, H-Factor LP on Disko B, Disko Tech and Sex Tech EP's on Tresor.Dream Sequence LP on Tresor (Tresor 02). Also the mostly uncredited stuff he released on Mix Records might be what you are looking for. There are many more, if you want to have a complete list, e-mail me privately and I'll check my Blake-stack at home :-) RD Energize on Tresor is one of my ALL time favorites ,and I have defenitely been diggin the recent Work it(rockliffe/baxter) ! Nelson Dj Nova (Miami, FL) In a message dated 1/10/01 1:00:41 AM Eastern Standard Time, [EMAIL PROTECTED] writes: can anyone suggest some of blake baxters better tracks. i really like when a thought becomes you and sexuality, what are some of his other tracks that have that real sensuous feel it them??? ryan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
house gems
Hi, For those among you who appreciate smooth deep house, a bit of latin vibes, some underground disco and heavenly vocals, just check Kerri Chandler's 'Excursions 01' mix CD, it's a total masterpiece!!! RD Signup for your free Virtual Countries E-mail address at http://www.turkey.com
Re: [313] dodgy mixing
My mail about dodgy mixing was not directly related to the UR DJ's or UR party, it was just a general impression I have after 10 years of visiting parties and listening to tapes and mixes. Also, Ken Ishii was just an example I gave. When I saw him, way back in 97, just when he had started earning a (well deserved) name as producer, he just couldn't mix. The fact that he has become a good DJ now (would be sad if he hadn't after three years...) does not change the point I was trying to make: great producers often start DJ'ing to make good money just when they are not ready to give a good DJ performance. It is their right to capitalize on their producing success, but I feel ripped-off when some big name turns out to be a crappy DJ, and sadly it happens all the time. I'm confused about this supposed dodgy mixing by the UR DJs. Not that I heard and saw. Also, the post 5-am shutdown was completely in line with the entire presentation UR did. The point is, they show up, they do their thing, then they're gone. This is not a standard presentation and not supposed to be. If that offends, so be it, but I know that UR have their reasons for doing things... phred Signup for your free Virtual Countries E-mail address at http://www.turkey.com
sample ID
Hello think tank, I'm looking for the track which was first sampled (that I know of) by Johnny Fiasco on his Cajual EP in the track 'Get Up' (The label on the vinyl says Funkies Funk 2, but I think they got the order wrong), the same EP also contains 'Conduction'. That very same sample is now not used but abused in the club hit 'IntroD' by Alan Braxe/Fred Falke. Anyone? RD Signup for your free Virtual Countries E-mail address at http://www.turkey.com
dodgy mixing
Is anybody still surprised by big names who can't seem to mix two tracks in a decent way? I'm not. As long as party-organisations continue to book good producers for DJ sets just because they attract a crowd, and as long as producers regard DJ'ing just as a way of making easy money you'll have awful mixing by well-known names. A few years ago Ken Ishii was announced as the great Japanese DJ, not to be missed at Ten Days Of Techno in Ghent. It was a bloody disgrace, the sucker couldn't even put the beats in the right tempo, he was still desperately listening to his headphones (with both ears...) and didn't even hear his first record was finished... Steve Stoll is even worse... What everebody should learn to do is cut the hype about these people and stop yelling and screaming when they are being announced or when they come on stage and just learn who the true DJ's are and who the producers are. I'm sure that half of the DJ's which are announced a big parties can be outclassed by many people here on 313. Big respect to the likes of Derrick Carter, Mark Farina, Laurent Garnier and some others who truly know what DJ'ing is all about, and for most of the others, please put together a decent live show and leave the decks to those who know! RD Signup for your free Virtual Countries E-mail address at http://www.turkey.com
Re: [313] 313 rumor...
Another cool 'breakthrough' story is the one of Finish house genius Jori Hulkkonen: He discovered early house and techno in his above-the-polar-circle town Oulu through a Swedish radio show. He didn't know for the world where to get those records and that kind of music so he decided to make his own and started buying old equipment wherever he could find it. After a while he started sending tapes to various labels he had discovered through frequent visits to Helsinki (where he had finally found some house records). A few months later his mother told him that there was an American gentleman on the phone for him...it turned out to be Carl Craig who wanted to give him a contract on Planet E. Jori was so overwhelmed he couldn't answer immediately so Carl gave him a few days to think about it. The following day he had just about made his decision when the phone rang again...it was a French gentleman calling from his car. It turned out to be Laurent Garnier who immediately offered him a contract for a whole slew of 12... Talk about choices, choices... RD On Wed, 20 Dec 2000 09:43:11 -0500 * ani * [EMAIL PROTECTED] wrote: yeah, i heard this story, but i heard that he gave carl a tape between 2 slices of bread in addition to his order. check out the cover art on recloose's so this is the dining room 12 - audio tape between 2 pieces of bread. ani record time [EMAIL PROTECTED] icq# 33610265 ph 810.775.1550 fax 810.775.5830 - Original Message - From: Gwendal Cobert [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, December 20, 2000 5:42 AM Subject: [313] 313 rumor... This one is 313, and it does not even concern Atkins' drug addiction : I'd like to have some confirmation for the following story : Matt from detroit is recloose, who has released four 12inches on carl craig' s planet e. matt was working in a deli right next to the planet e office, where carl craig and hannah went out to having brunch every day. one day carl craig found a tape in the sandwich just between ham, salad and mayonnaise. this was from matt. that's why the first recloose release on planet e had a comic sandwich on the cover! And as a general rule : this rumor seems very similar to the one about Kid Koala and Ninja Tune - is there some common urban legend there, or are there other verified examples of producers DJs getting attention by finding some weird way of giving their tapes to label people ? Gwendal --- -- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for your free Virtual Countries E-mail address at http://www.turkey.com
track ID's Derrick May
Hi people, Right, I've got this tape mixed by Derrick May at Simon's in Gainsville (I believe 1998), somewhere around 50min he plays 'Silvery Sounds' by Sound Of K on Fcom, right after that he plays this track which is kinda the ultimate party track: a kind of jazzy, big band bass line and this female scatting voice over top talking about the moo-moo blues in an incredibly fast way, what the hell is this track?! part 2, a track commonly played by Derrick and by Blake Baxter sampling 'I love music, any kind of music', ID please thanks guys and girls RD Signup for your free Virtual Countries E-mail address at http://www.turkey.com
greetings
Hi strangers, Just joined this list after hearing from it through John O., Belgium's leading Detroit techno journalist. Is this a nothing-but-detroit-do-not-look-beyond type of list or do you welcome a DJ who plays all music groovy, be it Motor City, Windy City, Big Easy or Big Apple? RD PS the mail address was inspired by 't is the season to be joll Signup for your free Virtual Countries E-mail address at http://www.turkey.com
