[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-25 Thread russj

An interesting mixture of comments.

I have ditched my exotic hi-fi, a mix of pre/power amplification two
box cd setup, expensive cables and ridiculously expensive speakers. Ok
it sounded outstanding but for a £3k outlay it ought to have.  I was
won over by accessability of digital and now all that graces my hifi
stand is a squeezebox plugged directly into my power amps (all i kept
from the old system along with the speakers).  It basically sounds the
same as my old system - and thats down to the speakers, and to a much
lesser extent the amplifiers.  Flac does sound better than ogg, but to
a minute degree, and yes it is better than mp3, but only if you sit
down and subject yourself to listening tests, which i dont really want
to do.  If all you are thinking while listening is it could sound
better then the listening experience is being marred in my
opinion. 

After finding myself obsessed by cables, plugs, power supplies, i
decided it was time to abandon the quest for the elixir of sound
quality (which essentially can never be obtained - not least with
digital and compressed music) and listen to the music instead.  

I set a limit on bitrates to no lower that 192kbps (160 with ogg) and
the sound equals the original as far as my ears are willing to
scrutinise.  Its certainly no less of an experience that listening to
my old £3k worth of hifi.

Basically, plug your squeezebox into the simplest amp and speaker setup
you can get.  You dont need equalizers or anything else that alters the
source music - if you do, somthing is very wrong with the music.  Any
modest power amp (just use the SB's in built volume control) and
quality bookshelf speakers will give you a superb listening experience
which you can enjoy without becoming obsessed by frequency ranges,
dynamics, resonance and all the other senseless things that us
audiophiles, me included, all to easily take as the be all and end all
of the audiophile listening experience.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-25 Thread Pale Blue Ego

pablolie Wrote: 
 I'll see you later, CD replacement! Not yet, though, at least not around
 my environment. Of course, as I write this, Sting's Brand New Day has
 been playing in the background without any dropouts, sometimes I hate
 technology and the random %$#@ around it. But while I can listen to
 256k knowing I have compromised quality for now, what I culdn't bear is
 listening to a FLAC with the thought that is may drop out any second in
 the back of my head... and upon looking it up, there's a lot of that in
 the forums.

If you're still in the process of ripping and encoding, you might want
to try one of the VBR settings instead of a fixed bitrate of 256k.  You
can actually get better sound with less filespace and bandwidth.

I'm using the latest version of Lame, encoding with 
-V 1 --vbr-new  which gives an average bitrate around 210k.  Even the
highest-quality VBR setting (-V 0 --vbr-new) averages about 230k.  To
my ears, both of these sound better than a straight 256k, because the
bits can be allocated more efficiently:  

In the sections of music where there's not much going on, you're still
using (actually wasting) 256k, when a lower amount of data would give
the same results.  And in difficult, busy passages, you are *limited*
to 256k when the sound might be better served by allocating the full
320k to that section.

The --vbr-new routines are also optimized for speed.  The old vbr
routines were pretty slow in encoding; these are much faster.  You may
be able to save time, space, and bandwidth by using vbr, while getting
better quality of sound.

Here's a page on the latest beta of Lame with a discussion of the
various setting and how they relate to sound quality:

http://www.hydrogenaudio.org/forums/index.php?showtopic=28124


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread P Floding

pablolie Wrote: 
 Obviously the discussion did not pass me by. Today I converted 2
 favorites to flac, and also to 320Mbps MP3, for comparison.
 
 The quality of FLAC is undeniable, running it through the DA input on
 the Accuphase CD it sounds just like the original CD. With the MP3 at
 256, I can and could tell differences (even though it sounds great). At
 320, well, still differences to the original, but if there are
 differences to 256 I can't tell.
 
 What did spoil my experience at the higher resolution (both FLAC and
 320) were dropout issues. Random issues that I must attribute to
 buffering gone wrong. Never had a single issue at 256k. Wireless signal
 quality is in the 80s. Me thinks it may be a streaming issue with
 Slimserver itself. Not a performance issue with my computer - plenty of
 memory and an Athlon 64 3k processor... I don't know.
 
 That puts an end to my thoughts about FLAC for now. Not with this
 product generation for me, obviously not in my environment. The
 convenience is awesome, and at 256k it was a rock stable listening
 experiences. Dropouts are an utter an total no-no, I can't ever have
 them. I know you'l tell me I should debug. I work hard enough during
 the day, and 256k is reliable and just plain works and does what I want
 it to do. This stuff should be plug and play, the initial setup wasn't,
 and I don't feel like system testing things unless I get paid for
 it...
 
 I'll see you later, CD replacement! Not yet, though, at least not
 around my environment. Of course, as I write this, Sting's Brand New
 Day has been playing in the background without any dropouts, sometimes
 I hate technology and the random %$#@ around it. But while I can listen
 to 256k knowing I have compromised quality for now, what I culdn't bear
 is listening to a FLAC with the thought that is may drop out any second
 in the back of my head... and upon looking it up, there's a lot of that
 in the forums.

Sounds like a network problem to me. Unless your server is really,
really bogged down with something extremely demanding?

I stream WAV (about twice the bandwidth demand to FLAC) over an 11
Mbit/s WLAN, and it works fine. But I keep that WLAN to be used
exclusively by the SB. (I have a separate WLAN for surfing.)


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread pablolie

 I have even encoded 48 kHz DVD sourced audio to FLAC with no 
 problems. I also have a signal in the 80% range.

I believe you, ebough people report equal luck.

I don't know why, but I am experiencing some random instabilities:
vanishing playlists, incomplete library information - I have tried
updating the latest nightly a couple of times, to no avail. I have
little doubt with more effort I could fix it, but then again, that's
not what I want to do right now. I want to focus my effort on
digitizing my collection and enjoying the convenience. 

I think there are fundamental incompatibilities between SQB, Slimserver
and Windows Media Player for now. We'll see how it all evolves. At 256k
it exceeeds the expectations I had. Above it, it underwhelms in my
particular case because of the issues. It is not a replacement for the
CD player, not by a mile, at least not yet - utter no-matter-what
stability has to catch up in my environment. Which is a pretty vanilla
one.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread crooner

Have you been playing back your FLAC's shortly after rescanning your
library? 

You may be able to operate the SB while SlimServer is still updating
your library. I always check via the web interface to make sure the
scanning has completed, if not I'll get dropouts.

Whew, 100 posts, I'm a senior member now! :-)


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread mwphoto

pablolie Wrote: 
   I want to focus my effort on digitizing my collection and enjoying
 the convenience. 
 

That's a good reason for not working hard on debugging your environment
(although it's not a choice I would make).

I would suggest that it might be worth your while ripping your
collection to FLAC and converting to MP3 in anticipation of further
slimserver releases, hardware upgrades, time etc. It would be a shame
to upgrade to 6.5 in March and find all your issues have gone,  but all
your collection is MP3.

Malcolm


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread Zacko

I started all this, and it went somewhere I couldn't follow anymore.
It's har for me to understand that the powersupply could make any
difference but in this room it seems to be so many intelligent people
so I go for it.
So I sum it up:

1) New power supply. Stabilized, around $25 in Sweden.
2) New Amp with digital line in. Any suggestions? Don't want to spend
more than $650.
3) New cables. Could do that.
4) Go Flac. Don't think so. What about Apples lossless?
5) New hardware equalizer. Don´t want to have another box on top of all
the others.

Did I miss something?

Best regards

Mats


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread tomsi42

Zacko Wrote: 
 I started all this, and it went somewhere I couldn't follow anymore.
 It's har for me to understand that the powersupply could make any
 difference but in this room it seems to be so many intelligent people
 so I go for it.
 So I sum it up:
 
 1) New power supply. Stabilized, around $25 in Sweden.
 2) New Amp with digital line in. Any suggestions? Don't want to spend
 more than $650.
 3) New cables. Could do that.
 4) Go Flac. Don't think so. What about Apples lossless?
 5) New hardware equalizer. Don´t want to have another box on top of all
 the others.
 
 Did I miss something?
 
 Best regards
 
 Mats

Myself, I am going for a new powersupply now (An expensive 5V3A unit).
I have already invested in new cables (Kimber Kable Timbre). 
I use FLAC and FLAC only. Apple lossless should be OK but I don't trust
Apple...
At around $650, I don't think you will get a decent amp with digital
in; spend it on a separate DAC instead. or buy a pure analog amplifier
(a used one perhaps?).
I belive that good hardware equalizers are expensive, and you could
probably spend the money more wisely on other parts of your stereo.

Bottom line, if I were you, I would try a different power and new
cables. Those investments are relatively low.

Tom


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread jonheal

Zacko Wrote: 
 I started all this, and it went somewhere I couldn't follow anymore.
 It's har for me to understand that the powersupply could make any
 difference but in this room it seems to be so many intelligent people
 so I go for it.
 So I sum it up:
 
 1) New power supply. Stabilized, around $25 in Sweden.
 2) New Amp with digital line in. Any suggestions? Don't want to spend
 more than $650.
 3) New cables. Could do that.
 4) Go Flac. Don't think so. What about Apples lossless?
 5) New hardware equalizer. Don´t want to have another box on top of all
 the others.
 
 Did I miss something?
 
 Best regards
 
 Mats
How about giving up and going back to iTunes.

It seems that you are looking for a sound that is emphasized at certain
points across the spectrum. Sorry, but unequalized, the SqueezeBox just
ain't gonna do it for you. It's built to be flat. If you're not willing
to add an equalizer, I'm afraid there's not much anyone can do for you.

Cut your losses, sell it on eBay. You'll get a taker.


-- 
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Jon Heal says:
Have a nice day!
http://www.theheals.org/

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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread agentsmith

jonheal Wrote: 
 How about giving up and going back to iTunes.
 
 It seems that you are looking for a sound that is emphasized at certain
 points across the spectrum. Sorry, but unequalized, the SqueezeBox just
 ain't gonna do it for you. It's built to be flat. If you're not willing
 to add an equalizer, I'm afraid there's not much anyone can do for you.
 
 Cut your losses, sell it on eBay. You'll get a taker.

I would not go that far.  But I agree that these purist approaches
are not going to get what you want.  I think your listening orientation
tends towards the bright hi fi sound.  You may be better off to get
some big mass market type speakers that gives you lots of highs and
lows, and not worry about all these accuracy issue.  it could just be
that the more accurate it gets, the less you'll like.

And there really isnt anything wrong with that approach either.  My
friend listens to a lot of music, but whenever he listens to a high end
system, he always says not enough bass, not enough treble.  And he
absolutely adores BO and Bose.  He is a very good friend of mine, but
our musical and listening tastes are just different.


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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread Mitch Harding
Exactly the point of my earlier post. Even if you want to use mp3 for playback, it's worth your time to rip and encode to flac, so you never have to rip again. Once you have your collection in flac you can transcode to mp3, or maintain a parallel library in mp3, or debug your dropout problems when you have time and then play flac directly.
I don't even want to think about how long it took me to rip my CD collection. Ugh.On 2/23/06, mwphoto 
[EMAIL PROTECTED] wrote:pablolie Wrote:
 I want to focus my effort on digitizing my collection and enjoying the convenience.That's a good reason for not working hard on debugging your environment(although it's not a choice I would make).
I would suggest that it might be worth your while ripping yourcollection to FLAC and converting to MP3 in anticipation of furtherslimserver releases, hardware upgrades, time etc. It would be a shameto upgrade to 
6.5 in March and find all your issues have gone,but allyour collection is MP3.Malcolm--mwphotomwphoto's Profile: 
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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-23 Thread abdomen

Zacko Wrote: 
 4) Go Flac. Don't think so. What about Apples lossless?
Just want to make sure you are aware: You will not be able to fast
forward or rewind within Apple Lossless tracks. If it hasn't already
been referenced before, this Wiki page may be useful:
http://wiki.slimdevices.com/index.cgi?BeginnersGuideToFileFormats


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-22 Thread P Floding

pablolie Wrote: 
  Buying 5,000 compact discs and having 250 *good* ones is 
  either poor selection or incredibly bad luck.
 
 That's an ignorant thing to say. Listen to jazz recording until the
 early 70s. A 256kbps MP3 is not going to be the *gating factor* in the
 vast majority of cases.
 
  It does beg the question, why further limit the resolution of 
  the few good sounding ones you do have?
 
 I don't. I own Accuphase gear, and fantastic speakers. Catch up to that
 with a SQB. And good luck. You want to be obnoxious, 2 can play that
 game: you don't even realize your line of argument betrays your
 insecurity in your system's capabilities. The SQB is convenient. It
 sounds amazing. As ar as rivaling the psychoacoustic experience of
 listening to things without it through the Accupphase CD and amplifier:
 no way.

What is a gating factor?
As far as I'm aware errors accumulate.
I have very few CDs that are not clearly different in sound when
compressed to 256 kbps MP3, BTW. Even on my iPod nano I can easily hear
the difference between 224 kbps AAC (which sounds better than MP3) and
apple lossless. It is especially marked with symphonies.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-22 Thread agentsmith

pablolie Wrote: 
  The results are a lack of ACCUracy compared to the source.
 
 OK, so let's see - what is the ultimate benefit of phase accuracy? What
 does it help reproduce in a stereo recording?
 
 It goes back to a point I made before: since most phasing is introduced
 utterly artificially in most recordings these days, the hardly
 measurable phase inaccuracy introduced by MP3 does not corrupt the
 musicality of the source - that's a rethoric overstatement.
 
 If it's a brilliantly engineered recoding with true staging (and there
 are such recordings around) with an entire band on stage, different
 story. 
 
 Incidentally, I have listened to the latter as a test on MP3 at
 256kbps, and while it suffers, it's still very impressive. Beyond my
 expectations, and those were not set by humble and compromised original
 equipment - I need to make that clear.
 
 On an articually channel- and phase- mixed recording I truly don't
 overly care about utter 110% accuracy.

pablolie, on my humble system piano is near unbearable at 192Kbps MP3,
I have not evaluated 256Kbps though.

Probably it has something to do with the way it is encoded, or type of
music.

But it is nice that people with all sorts of opinions and conviction
all love enjoying their music collection.  We're a lucky bunch.


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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-22 Thread ron thigpen

pablolie wrote:


Like the OS I use now will be around in 5 years... right. Good luck
running that application then.


two thoughts:

 1) store the source code, not the binary executable
(better yet: store the format spec and re-implement if needed)

 2) emulators already exist for current OS's (VMWare,et.al.).
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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-22 Thread Mitch Harding
I can't tell the difference between high bitrate mp3 and FLAC. Of course, my system is far from audiophile quality. Maybe someday I'll have equipment which reveals the difference to me. Maybe not.Despite this, my entire CD collection (500+? 700+? I don't even know anymore) is encoded in FLAC. It has required multiple hard drives, and I'm using RAID 1, so I'm using double the drives I strictly speaking need.
Why? First, the noise of the system is a nonissue -- it's not in a listening room.Second, and this is the part I haven't seen you really address in your replies, FLAC ensures that I will never need to re-rip my CDs (unless catastrophe strikes and I lose the RAID system -- but I'm planning on adding periodic backups to my safety net as well). If you encode with mp3, and later you need/want to use another lossy format, you'll either have to re-rip or suffer a generational loss of quality. You (like I) may not be able to distinguish between high bitrate mp3 and FLAC, but after a generation or two of quality loss, you may begin to notice the difference.
My next project may involve keeping a parallel library in mp3 format, generated automatically from my FLAC library. I can use the mp3s for players which don't speak FLAC.Disk space is cheap. The time it took me to rip all those CDs and verify the tags is not. I don't really care how anyone else chooses to do this, but I do feel like anyone with a decent sized music collection must have a streak of masochism is they'd willingly leave themselves open to having to re-rip all of their CDs. :)
On 2/22/06, pablolie [EMAIL PROTECTED]
 wrote: All in good fun though. We're both here because music is important to us, but getting 'the best sound from your
 squeezebox' is not the most important thing in the world.Agree with you on all counts.As I have stated before: I am very likely to re-digitize thoserecording that are important to me as FLACs in due time. First of all I
have to see how much storage space I have left after I have achieved myprimary objective, which is archiving my entire collection forconvenience while mantaining acceptable sound. The current sound leveland musicality of the set-up by far exceeds my original expectations,
so I am ecstatic about it. My goal wasn't and isn't to maintainidentical playback quality - I have been consistently clear aboutthat.I can't recall telling ayone else what they should do when it comes to
setting up their system or digitizing their collection, because I amnot sure what their goals are.Perhaps I could have gone out to see if I could utterly replace my CDplayer. I am not even remotely close to that. My idiosynchrasies and
preferences are just mine, not asking anyone else to adopt them. On theother hand, I think it's foolish for others to try to judge the resultsI get without having experienced them first hand. That's called dogma.
And all I can say is I am not afflicted by it.--pabloliepablolie's Profile: 
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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-22 Thread Robin Bowes
Mitch Harding said the following on 02/22/2006 03:40 PM:
 
 My next project may involve keeping a parallel library in mp3 format,
 generated automatically from my FLAC library.  I can use the mp3s for
 players which don't speak FLAC.

http://projects.robinbowes.com/trac/flac2mp3

R.

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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-22 Thread crooner

I have experienced no dropouts whatsoever. I have even encoded 48 kHz
DVD sourced audio to FLAC with no problems. I also have a signal in the
80% range.

Given the kind of performance I am getting, I truly believe this is the
time to embrace FLAC lossless coding. The thing is even gapless.
Sometimes I have to pinch myself to tell me this is not a dream :-)

Perhaps you have SlimServer configured to transcode FLAC to raw PCM
before streaming. This would definitely reduce your bandwidth...


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread ceejay

pfarrell Wrote: 
 
 
 Is the audiophile world that old? I think The Absolute Sound is
 only about 15 years old. Maybe a little older.
 
 

I think the Audiophile world is MUCH older than that. Perhaps not the
term itself, and of course the technologies being fussed about are
changing all the time, but if you're interested in the history of this
strange obsession you could try hunting down A Song of Reproduction.
Flanders and Swann, 1950s.

Ceejay


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread P Floding

pfarrell Wrote: 
 
 Is the audiophile world that old? I think The Absolute Sound is
 only about 15 years old. Maybe a little older.
 
 The idea of high end was pretty much defined by TAS.
 In the 70s and 80s, stereo was more of a mass market, or
 at least widespread, everyone in college aimed for some
 serious speakers, be they AR-3As or Large Advents, or
 something more exotic like Quads or Dahlquists. The
 current audiophiles seem to love wandering off into
 religious discussions. The idea of spending
 $500 or $1000 on interconnects is beyond beyond my
 understanding.
 

Why should TAS define audiophile, and why do you think being an
audiophile is equivalent to buying expensive interconnects? Religious
discussions are part of every xyz-phile hobby. It is part of the fun.

I know specialist audiophile publications existed at least 25 years
ago, since I have been an audiophile for 25 years. I was admittedly on
a low budget initially, but that has nothing to do with being or not
being an audiophile. Some of the highest quality recordings around were
made in the 50's -and I guess the masterful people making these
recordings were their time's audiophiles.


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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread Pat Farrell
P Floding wrote:
 pfarrell Wrote: 
Is the audiophile world that old? I think The Absolute Sound is
only about 15 years old. Maybe a little older.
 
 Why should TAS define audiophile,

They were the first to use the term high end

Which is where mortals start to think of the term 'audiophile'

The old normal stereo fans seem to have fallen away,
moving to video or surround. From what I can see
stereophile is the only US magazine still availble and alive.

The mass market (mostly Japanese) receivers, turntables,
and CD players of the late 70s drove the magazines to
a all amps sound alike approach, which was bad for
business and the hobby. The audiophile karma points out
that they are not alike, and brought back tube amps, vinyl
and other relics from the past.

 and why do you think being an
 audiophile is equivalent to buying expensive interconnects? 

Look at the advertisements in TAS, Stereophile, The Audiophile Voice
and tell me what the magazines, and their advertisers think
are defining lusts?


 being an audiophile. Some of the highest quality recordings around were
 made in the 50's -and I guess the masterful people making these
 recordings were their time's audiophiles.

I agree that the 50s hi-fi hobby and 'stereo' that swept
the colleges in the late 60s and 70s are the precursors to
today's audiophiles.

I don't think of audiophile as being a universal positive term.
IMHO, too much attention is spent on 'gear' and not enough
on the music.




-- 
 -- toc
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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread agentsmith

pfarrell Wrote: 
 P Floding wrote:
  pfarrell Wrote: 
 Is the audiophile world that old? I think The Absolute Sound is
 only about 15 years old. Maybe a little older.
  
  Why should TAS define audiophile,
 
 They were the first to use the term high end
 
 Which is where mortals start to think of the term 'audiophile'
 
 The old normal stereo fans seem to have fallen away,
 moving to video or surround. From what I can see
 stereophile is the only US magazine still availble and alive.
 
 The mass market (mostly Japanese) receivers, turntables,
 and CD players of the late 70s drove the magazines to
 a all amps sound alike approach, which was bad for
 business and the hobby. The audiophile karma points out
 that they are not alike, and brought back tube amps, vinyl
 and other relics from the past.
 
  and why do you think being an
  audiophile is equivalent to buying expensive interconnects? 
 
 Look at the advertisements in TAS, Stereophile, The Audiophile Voice
 and tell me what the magazines, and their advertisers think
 are defining lusts?
 
 
  being an audiophile. Some of the highest quality recordings around
 were
  made in the 50's -and I guess the masterful people making these
  recordings were their time's audiophiles.
 
 I agree that the 50s hi-fi hobby and 'stereo' that swept
 the colleges in the late 60s and 70s are the precursors to
 today's audiophiles.
 
 I don't think of audiophile as being a universal positive term.
 IMHO, too much attention is spent on 'gear' and not enough
 on the music.
 
 
 
 
 -- 
 -- toc
 toc (AT) curmudgeon4 (DOT) us
 http://www.curmudgeon4.us/

I sort of agree with your view on interconnects, I think money is much
better spent elsewhere.  Being a Naim and vinyl person, I am probably
guilty of being a bit of a gear snob.  However, I cannot for the life
of me understand how people can buy into the idea of $5000 power
cables.  I surmise that there **may** be minor differences, (and that
is a big may), but the difference should be minuscule and may or may
not even be better, let alone worthing $5000.

But I do believe all the Slim people frequenting this board are more
music lovers and are smarter with their gear setup.  From their
descriptions many of them have some pretty awesome and well chosen
systems.  A nice mix of people with open minds and well balanced left
and right brains.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread Skunk

pablolie Wrote: 
 
 You'll just hear a mediocre recording with higher resolution, but it'll
 remain mediocre. I thikn the average hifi system is superior to the
 average recording the music industry produces.
 

Hmm. Upgrading my system made cd's I yearned to 'crank up' much more
apt for doing so. Radiohead never sounded good on my system until I got
everything just right. Doesn't mean it was a bad recording, just that I
didn't have the right system for it. I certainly didn't buy B$W
speakers to magically make it sound right though. 

Conversly, my Pink Floyd The Wall Mobile Fidelity Sound Labs has
sounded _great_ even when I used a receiver, dvd player, and bose
monitors. I wouldn't want all recordings to sound like that, because
the engineering on some of these modern recordings blow me away. The
newest Gorillaz album sounds leaps and bounds better than anything MFSL
I've heard... 

If all the cd's you pick sound that bad, I'd suggest reconsidering the
music you purchase :P


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread Skunk

pablolie Wrote: 
 
 OK, so we can all crank up the passive-aggressive stanza here. 

There are a couple things in that post I wish I could take back, but
that wasn't one of them. I didn't mean anything by it, sorry you took
offense. Buying 5,000 compact discs and having 250 *good* ones is
either poor selection or incredibly bad luck. It does beg the question,
why further limit the resolution of the few good sounding ones you do
have?

pablolie Wrote: 
 
 But the gating factor is the emotion - the gear itself and the sound
 quality has long stopped being a factor in my case. Whatever I play
 through whatever medium in my home system is going to sound pretty
 fantastic
Fine and good. Don't suggest that mp3 is *almost* as good as FLAC
though. Bit perfect is a completely different ballpark, eg if someone
has an hdcd decoding external dac- mp3 has no chance.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread John Stimson

Weren't you arguing the merits of disk space and future support of the
format?  It doesn't matter to me that you get off on particular rituals
and I think it's great that you realize that the point is to enjoy the
music, but what does that have to do with choosing between MP3 and
FLAC?  The act of playing an MP3 track is much the same as the act of
playing a FLAC track.  You sit down, press a few buttons on your
Squeezebox remote, and the music starts.

Why use FLAC?

- FLAC exactly preserves the original digital recording.
- FLAC is available as source code.  If there is never a new version
  of FLAC released, you will still be able to use the current one.  If
  you buy a new computer with different architecture, you can
  re-compile FLAC and it will continue to work.  The only case in which
  that would not be true is if the C programming language were not
  available for your chosen hardware.
- Once you've ripped to FLAC, you never have to re-rip your
  collection again to change formats.  With MP3 you will either have to
  re-rip or accept the loss of quality.  Converting from MP3 to another
  lossy format compounds the loss of quality -- different formats throw
  out different information.  If you decide to switch from MP3 to AAC to
  Vorbis, you'll have to re-rip every time or suffer generational
  losses.  If you decide to switch from FLAC to Apple Lossless to
  Monkey Audio to some future lossless format, direct conversion from
  one format to the next involves no generational loss and can be
  automated.

So what's the downside of FLAC?

- Disk space.  But disks are cheap.  Cheap cheap cheap.  If you don't
  want noisy disks near where you relax or work, don't put them there. 
  Put them somewhere else.
- Not as compatible with portable players, in terms of format and in
  terms of space.  However, it's not hard to automate the process of
  duplicating your entire collection into some other format from the
  FLAC originals and store it in a separate directory, ready to use
  with your portable devices.  So that's really back to the disk space
  issue.  Did I mention that disks are cheap?


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread pablolie

 Buying 5,000 compact discs and having 250 *good* ones is 
 either poor selection or incredibly bad luck.

That's an ignorant thing to say. Listen to jazz recording until the
early 70s. A 256kbps MP3 is not going to be the gating factor in the
vast majority of cases.

 It does beg the question, why further limit the resolution of 
 the few good sounding ones you do have?

I don't. I own Accuphase gear, and fantastic speakers. catch up to that
with a SQB. Good luck. You want to be obnoxious, 2 can play that game.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread ezkcdude

tyler_durden Wrote: 
 In another year or so, mp3 players will disappear because the cost of
 storage will be so low everyone will go lossless, first with lossless
 compression like flac. aac or wma, then in another couple years, you'll
 just be storing .wav files (for CDs, until you need to store 24 bit 96
 ksps stuff).
 
 At the rate things are going, terabyte drives will be $100 in another
 12-18 months.
 
 TD

Although I agree with your sentiment, mp3's are not going to disappear
any time soon. In fact, I bet if you ask 100 people, 80 of them will
not even know that mp3 IS a compression scheme. Most people have no
clue about format wars. That said, I have started using FLAC as an
archival format, while I still play very high quality mp3's. I use LAME
VBR at the highest quality setting, and on my system, I can't hear any
difference between FLAC and these mp3's. But, that is my system and my
ears. Of course, YMMV.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread pablolie

 ...  keep a copy of the encoder/decoder software on a CDROM ..

Like the OS I use now will be around in 5 years... right. Good luck
running that application then.

 In another year or so, mp3 players will disappear ...

You're going a tad overboard. Out of all the encodings around, MP3 is
still the most widely adopted one. No company in its right mind would
discontinue its support and push away such a wide customer base.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread crooner

pablolie Wrote: 
  I don't. I own Accuphase gear, and fantastic speakers. C

Why then limit yourself to inferior compressed lossy material (MP3)?

As for not wanting to expose defects in recordings. Well in this life
nothing is perfect. I much rather live with those small recording
imperfections than knowing some algorhythm software butchered the
original.

This somehow reminds me of the NO-Noise and CEDAR craze of the 80s and
early 1990s. Much rather have HISS on my music than something
artificially enhanced.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread crooner

I must add I still have MP3 encoded material from years ago. I don't
plan to get rid of it, since I have some rare material. 

For new rips though, I am totally FLAC. I have even ripped to FLAC some
older 1940's Sinatra recordings. I could have used MP3 since most are
low in fidelity. But HD space is no longer an issue.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread radish

pablolie Wrote: 
 
 Like the OS I use now will be around in 5 years... right. Good luck
 running that application then.
 

5 years? I think you underestimate. Win 98 still has a very large user
base and it's 8 years old now. I can still run DOS apps from the early
80's on my XP machine. Likewise, vi was written in 1976 and still runs
frequently on pretty much every unix box I ever touch.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread Skunk

pablolie Wrote: 
 
 That's an ignorant thing to say. Listen to jazz recording until the
 early 70s. A 256kbps MP3 is not going to be the gating factor in the
 vast majority of cases.
It is if you rip it from vinyl. Ignorance is ripping vinyl to mp3. FLAC
is bliss. Sorry to be obnoxious :)

pablolie Wrote: 
 
 I don't. I own Accuphase gear, and fantastic speakers. Catch up to that
 with a SQB. And good luck. 
Maybe you're right, if you still get up and put the disc in the player.
I'll take my FLAC on SB's DAC over your mp3 on accuphase's dac though,
thanks. 

pablolie Wrote: 
 
 You want to be obnoxious, 2 can play that game: you don't even realize
 your line of argument betrays your insecurity in your system's
 capabilities. 
My only line of argument is that you're not too good at choosing
software. I don't understand the rest of your statement.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread pablolie

 Why then limit yourself to inferior compressed lossy material 
(MP3)?

Great gear is about musicality even -or especially- when the source
isn't perfect. Audiophile 101, really. 

 I much rather live with those small recording imperfections 
 an knowing some algorhythm software butchered the original.

Since I have listened to the original and the MP3, I know for a fact
the original has *not* been butchered. The music still sounds
fantastic. At least on my gear, YMMV, etc.

  Much rather have HISS on my music than something 
 tificially enhanced.

How odd that based on the exact same premise -I seldom used Dolby
compesation on my CCs- I arrive at exactly the opposite conclusion.
Especially since I have never claimed MP3 encoding at any rate provides
an enhancement.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread Skunk

pablolie Wrote: 
   I'll take my FLAC on SB's DAC over your mp3 on accuphase's 
  dac though, thanks. 
 
 As you said, ignorance is bliss.

I'll add: 'you can lead a whore to culture, but you can't make her
think'.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread pablolie

 I'll add: 'you can lead a whore to culture, but you can't make 
 her think'

The company you frequent is your business, I don't judge. :-)


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread Skunk

pablolie Wrote: 
  I'll add: 'you can lead a whore to culture, but you can't make 
  her think'
 
 The company you frequent is your business, I don't judge. :-)

I don't ride horses or whores, just return trifling cliches. 

All in good fun though. We're both here because music is important to
us, but getting 'the best sound from your squeezebox' is not the most
important thing in the world. Music has so much more to offer than
being able to be realistically reproduced in a house, so in many ways I
agree with you.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread crooner

Funny, Accuphase stands for accuracy and phase.
MP3 is not accurate since it relies on destroying supposedly inaudible
phase characteristics!


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread pablolie

 All in good fun though. We're both here because music is 
 important to us, but getting 'the best sound from your 
 squeezebox' is not the most important thing in the world. 

Agree with you on all counts.

As I have stated before: I am very likely to re-digitize those
recording that are important to me as FLACs in due time. First of all I
have to see how much storage space I have left after I have achieved my
primary objective, which is archiving my entire collection for
convenience while mantaining acceptable sound. The current sound level
and musicality of the set-up by far exceeds my original expectations,
so I am ecstatic about it. My goal wasn't and isn't to maintain
identical playback quality - I have been consistently clear about
that.

I can't recall telling ayone else what they should do when it comes to
setting up their system or digitizing their collection, because I am
not sure what their goals are.

Perhaps I could have gone out to see if I could utterly replace my CD
player. I am not even remotely close to that. My idiosynchrasies and
preferences are just mine, not asking anyone else to adopt them. On the
other hand, I think it's foolish for others to try to judge the results
I get without having experienced them first hand. That's called dogma.
And all I can say is I am not afflicted by it.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-21 Thread crooner

pablolie Wrote: 
  OK, so let's see - what is the ultimate benefit of phase accuracy?
 What does it help reproduce in a stereo recording?
 

Phase accuracy plays a key role in soundstaging and imaging. It allows
you to properly identify each instrument and it's relative position in
the soundfield. 

A 256 kbps file may resemble the original in tone, but the alteration
of phase relationships between channels will prevent the  illusion of
actual musicians performing in a space.

Of course, recordings that are compressed and artificially processed in
the studio will not have actual soundstaging of any sort. For those, I
guess, MP3 at 256 kbps would do.

As For me, I try to listen to recordings that are accurate and musical.
Tough I know, specially when you like certain artists that are recorded
like crap!


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread crooner

Try it. Once you go FLAC there's no going back to MP3s. Everything
that's on the CD is encoded even the warts on not so perfect
recordings!

Besides, hard drive storage is pretty cheap nowadays. I bought a 300
gig drive and I haven't even used a third of it.

The main reason MP3 was adopted was the narrow bandwidth of dial-up
internet connections and limited hard drive space a decade ago. I first
found out about MP3s in late 1997, how time flies!

CD technology was ahead of early PC computers. CDs were introduced in
1982 and could hold 650 MB of data. By contrast IBM's PCs of those
years used 240 KB low density floopy drives for storage and some didn't
even have hard drives!

While CDs already offered full uncompressed linear PCM coding in 1982,
MP3s compression was, in my opinion, a step backwards for convenience
and economy.

Well no more!
Now with broadband, WI-FI streaming and huge storage space the time is
ripe for lossless music encoding.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread pablolie

 That aside, why not choose an open source format, i.e. flac?

Without a doubt, when (it's not even an if) I go lossless I'd have a
very strong preference for FLAC. But the fact it's open doesn't mean
that the big guys with vested interest can't hijack it in the end if it
suits their purpose - it's happened before in the open source community.
:-(


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread tyler_durden

pablolie Wrote: 
  That aside, why not choose an open source format, i.e. flac?
 
 Without a doubt, when (it's not even an if) I go lossless I'd have a
 very strong preference for FLAC. But the fact it's open doesn't mean
 that the big guys with vested interest can't hijack it in the end if it
 suits their purpose - it's happened before in the open source community.
 :-(

So what is your point?  Are you going to use a proprietary lossless
format instead of a free lossless format because the free lossless
format might become proprietary some day?  

You sound like you don't want to use a proprietary format but you're
affraid to use an open source format.

I'm confused...

TD


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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread Pat Farrell
tyler_durden wrote:
 pablolie Wrote: 
Without a doubt, when (it's not even an if) I go lossless I'd have a
very strong preference for FLAC. But the fact it's open doesn't mean
that the big guys with vested interest can't hijack it in the end if it
suits their purpose - it's happened before in the open source community.
 
 So what is your point?  Are you going to use a proprietary lossless
 format instead of a free lossless format because the free lossless
 format might become proprietary some day?  
 
 You sound like you don't want to use a proprietary format but you're
 affraid to use an open source format.

Contrary to most people's expectation, MP3 is not free or open source,
it is proprietary. The format and codecs are owned
by Thomson and the Fraunhofer Gesellschaft, and
the encoders have always had licensing fees.

In 2002, they added licensing fees on decoders, and
as a result, RedHat removed MP3 decoding from their
free distributions.

The hardware player manufacturers pay a fee per unit.
It isn't a lot, but it is not zero. That was part
of the motivation for MS and Apple to invent their
own systems, so they can save costs of the license.

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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread Pat Farrell
pablolie wrote:
I don't understand. I was in the local CompuSA store yesterday 
 Seagate 200GB disks for $35 each ...
 
 Cost is not the issue. The biggest mirrored drive I could get when I
 bought my Netgear SC101 was 400GB, I got 2 of them - now the largest
 one is 500GB. It simply is not large enough to house my collection
 -losslessly- and allow for headroom for growth.

And your enviroment won't let it span drives?

As I said, I have my songs on three separate drives, all linked
to appear as a unified libary.

So why not have several of the mirrored drive sets?

Of course, if you want to keep it on a router or other
restricted box, that may be different. I have mine
on an old PC running Mandriva.

I can use NFS to mount disks all over the house into
a single system.

If it is a limitation of the Netgear, then its not
a limitation of the SlimServer or SqueezeBox

 I, on the other hand, think it is utter lunacy to not house a CD
 collection of several hundred CDs on redundant media.

My point was that RAID is not a backup solution.
And unless it is setup and administered properly,
it is no more secure or reliable than using a single disk.

 Different strokes for different folks. I still like to listen to the CD
 itself when the audio quality is the primary consideration.

I never listen to CDs, I use my squeezeboxes.
When I get serious, my SB1/g goes thru a Benchmark DAC-1.
If I had not wanted to buy the DAC-1 anyway, if I had
a SB2 or SB3, I might not bother.

Bits are bits, transports are obsolete.

I'm not following how you jump from audio quality to
redundancy to reliability at once. They are different
issues that one can decide to implement or not
as your strokes require.

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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread pablolie

 I'm interested in this research, but couldn't find it on their 
website. Do you have any links?

I used to be subscribed to German Stereo magazine, they ran 2 articles on
the matter about 3 years ago that influenced me quite a bit. Online
references exist for almost everything, though, including any statement
about audio quality. :-)


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread aubuti

pablolie Wrote: 
  
 Cost is not the issue. The biggest mirrored drive I could get when I
 bought my Netgear SC101 was 400GB, I got 2 of them - now the largest
 one is 500GB. It simply is not large enough to house my collection
 -losslessly- and allow for headroom for growth.
 

Then why not simply get additional drives? As others have pointed out,
slimserver can easily work with music collections on multiple drives.
If need be, get an additional SC101, too.
-Ken


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread pablolie

 I'm not following how you jump from audio quality to
 redundancy to reliability at once. They are different
 issues that one can decide to implement or not
 as your strokes require.

But there are some trade-offs, like in every engineering project, given
the amount of resources one is willing to commit. And I am not talking
only money - also convenience, perceived elegance of the solution.
Both objective and subjective parameters are relvant here - I am not
designing my system for public use, after all.

Yes, the Netgear solution has limitations (I can't recall ever claiming
the limitations are the SQB or SLMSRV), but it seemed to be a simple and
elegant way for my own set of priorities. Why? I have a specially
designed quiet computer. I hate fan noise in my study. A friend let me
play with a full RAID server in case I was interested, but the noise
level was utterly unacceptable. I spend long hours working, reading and
writing in my study. Once you have gone low noise, you will not go back.
The Netgear offers mirrored networked drives, and is very quiet. Bingo
as far as I am concerned.

As to audio quality, well, in the audiophle world the debate it existed
long before the advent of MP3s and FLACs. It's part of the fun to argue
about it. To claim LPs sound better despite lower SN ratios. To hear
differences in cables. To not hear a difference between 256k and 320k
MP3, or to claim the quality loss is defensible in some cases... the
more things change...


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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread Pat Farrell
pablolie wrote:
I'm not following how you jump from audio quality to
redundancy to reliability at once. They are different
issues that one can decide to implement or not
as your strokes require.
 
 
 Yes, the Netgear solution has limitations (I can't recall ever claiming
 the limitations are the SQB or SLMSRV), but it seemed to be a simple and
 elegant way for my own set of priorities. Why? I have a specially
 designed quiet computer. I hate fan noise in my study. A friend let me
 play with a full RAID server in case I was interested, but the noise
 level was utterly unacceptable.

I can understand the noise problem.
My SlimServer box is in the basement, far away from my serious
music listening. Even then, I put in quieter fans, the
cheap ones that most computers are built with can
be greatly upgraded for $20 or so.

Solves the same problem in a different way.

I did have a laptop used to control my SlimServer
and to surf the web, do email, etc.
I returned it, the fan was too noisy to tolerate.


 As to audio quality, well, in the audiophle world the debate it existed
 long before the advent of MP3s and FLACs. It's part of the fun to argue
 about it. To claim LPs sound better despite lower SN ratios. To hear
 differences in cables. To not hear a difference between 256k and 320k
 MP3, or to claim the quality loss is defensible in some cases... the
 more things change...

Is the audiophile world that old? I think The Absolute Sound is
only about 15 years old. Maybe a little older.

The idea of high end was pretty much defined by TAS.
In the 70s and 80s, stereo was more of a mass market, or
at least widespread, everyone in college aimed for some
serious speakers, be they AR-3As or Large Advents, or
something more exotic like Quads or Dahlquists. The
current audiophiles seem to love wandering off into
religious discussions. The idea of spending
$500 or $1000 on interconnects is beyond beyond my
understanding.

I don't see any value in even talking about whether one
or another MP3 version is relativly better or even good enough
since for my decision space, the computer in the basement
has infinite disk space, and then FLAC is my choice
because it is lossless and open source. MP3 is neither.

YMMV

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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-20 Thread crooner

TAS started as an underground mag in the late 1970s. It didn't come of
age until a decade later.

I do believe good cables make a difference but I would not pay more
than $100 for a set of interconnects. Good thing the local dealer has a
lot of demo and used cables to choose from. Like XLO's for 50 bucks.

My speaker cables are orange jacketed cable from the Home Depot, a TAS
suggestion for cost effective wire!


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread Zacko

Hi,
and thansk for all replies. About being an audiophile: I've been there,
done that. In the attic I have a pair of IMF TLS80-speakers, big ass
fridges, icredible sound but impossible to place in my livingroom.
My relation to good sound is like it is to music. A good tune is a good
tune, I don't care if it's Dire Straits who made it.
So what sounds good in my ears is good enough for me.
Yes, I have a lot of MP3:s, just because iTunes on my Mac doesn't
recognice Flac, I've spent a lot of time decoding Flac to AAC and I
don't want to go trough the whole library again.
There is certainly some 128 among them, I myself use 192 and I'm quite
sure that it close to impossible to tell the difference between 192 and
higher.
SB3 is a really nice machine, but if it's as great as many says why do
I have to mod it?
I know some buffs want the music completely flat. I'm not one of them,
it may work if I carry down my fridges from the attic but not with the
speakers I use now. Still a EQ would be nice.
I've tried the 6.2.2 and experienced a lot of cuts in during playing. I
will try it again, since I suspect it was due to slow updating of the
library.
Maybe I buy myself a new amp, it would be with a great deal of sorrow,
my BO is 20 years old, have a fantastic designed and is as a fact a
dear old friend, even if the remote is bigger than some of the
bathrooms I've been forced to use sometimes.
And still: the iTunes intreface it's much nicer and quicker than
Slimserver.
This whas a bit long. Sorry.

Mats


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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread Pat Farrell
Zacko wrote:
 SB3 is a really nice machine, but if it's as great as many says why do
 I have to mod it?

I haven't mod'd any of mine.
Lots of people talk about mods because many of them are easy and cheap.
Buying a $10 power supply and plugging it in counts as a 'mod' to
some folks, it is so cheap, it is easy to try.


 I've tried the 6.2.2 and experienced a lot of cuts in during playing. I
 will try it again, since I suspect it was due to slow updating of the
 library.

I get noticable dropouts, maybe one per album.
Its a known bug in the 6.* series, never had it with the 5.* server
code.



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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread konut

Why don't you just buy a hardware EQ?


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread jonheal

konut Wrote: 
 Why don't you just buy a hardware EQ?
A friend of mine with a pretty decent system has been happy with this
model:

http://www.partsexpress.com/pe/pshowdetl.cfm?DID=7Partnumber=245-882


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread pablolie

Thanks for your comments, Pat.

 It isn't the bass that is usually different, it is usually
 the reverb tails at the mid frequencies, and the decay of
 a snare hit.

The acoustic bass has that range, especially when recorded as well as
in that Kevin Mahogany album. t's in the echo, when you hear the note
reverbrate. Mahogany's vocals are out of this world, and I truly can not
detect a difference in resolution there. 

My reference for percussion and drums was Will Calhoun's Native
Lands, and indeed there I did detect slight differences in the
sharpness of some hits, but then again my ears seem to prefer warmth
over bite in some instances, if you know what I mean. 

 Why not FLAC? Same convenience as MP3, same sound as 
 uncompressed, disk usage between uncompressed and MP3.

Indeed, why not? I may give it a try. The main reason is inertia - I
had started digitizing my music collection a while ago, and started off
with my LP collection about 2 years ago - and back then following some
online research decided on the MP3 256k CBR format. I'd feel guilty
about giving my CDs better treatment than my beloved old LPs. :-) And
it'd be a heck of a lot of work to re-do everything. 

I'll probably give the FLAC an inevitable test run one of these days -
inquiring minds always need to find something new to play with. The
Kevin Mahogany album is a prime candidate.


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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread Pat Farrell
pablolie wrote:
 Indeed, why not? I may give it a try. The main reason is inertia - I
 had started digitizing my music collection a while ago,

I can understand that. I have 750 CDs in my library
and I never want to touch them again.



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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread agentsmith

Zacko Wrote: 
 I myself use 192 and I'm quite sure that it close to impossible to tell
 the difference between 192 and higher.
 
From my system 192kbps MP3 is unaccceptable, with very noticable
sibilence especially with piano music.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread crooner

320 kbps is the minimum for acceptable sound in my experience. Might as
well go all the way and use FLAC in such a case.

I have also found that audible MP3 artifacts are more noticeable with
certain kinds of music. It also depends on the quality of the encoding
process.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-19 Thread pablolie

 320 kbps is the minimum for acceptable sound in my experience. 

Fraunhofer institute has repeatedly lined up audiophile experts, and
they've never been able to reliably tell the difference between 320k
and 256k MP3 encoding. It's all due to psychoacoustics. The algorithms
are tricky, and the linearity one would intuitively expect isn't really
there.

Differences between 256k and well recorded CDs are slight, however they
are audible, as stated in other threads. I'd be curious to test out
FLAC, and shall do so.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-18 Thread pablolie

I have been listening to quite a bit of music with the SQB3. 

I tested:

(1) Original CD on Accuphase DP65v
(2) SQB3 connected via Kimber Optical to DP65v's DA
(2a) Uncompressed
(2b) 256kbps MP3

(1) Always loved the sound. Crisp, high resolution, yet extremely
musical.

(2b) In the vast majority of instances, equally stunning sound. But
upon listening closely to My world is empty on a Kevin Mahogany
album, I finally saw some warmth and a certain acoustic echo missing on
the bassline. The slightest difference, but detectable.

(2a) Same as 1, impossible to tell a difference. 

I am sticking to my strategy of compressing MP3s at 256k CBR. The
quality loss is damn near undetectable, the sound great, the
convenience unbeatable.


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Re: [SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-18 Thread Pat Farrell
pablolie wrote:
 (1) Original CD on Accuphase DP65v
 (2) SQB3 connected via Kimber Optical to DP65v's DA
 (2a) Uncompressed
 (2b) 256kbps MP3
 
 (2b) In the vast majority of instances, equally stunning sound. But
 upon listening closely to My world is empty on a Kevin Mahogany
 album, I finally saw some warmth and a certain acoustic echo missing on
 the bassline. The slightest difference, but detectable.
 
 (2a) Same as 1, impossible to tell a difference. 
 
 I am sticking to my strategy of compressing MP3s at 256k CBR. The
 quality loss is damn near undetectable, the sound great, the
 convenience unbeatable.

Hey, this is the audiophiles list.

It isn't the bass that is usually different, it is usually
the reverb tails at the mid frequencies, and the decay of
a snare hit.

Why not FLAC? Same convenience as MP3, same sound as uncompressed,
disk usage between uncompressed and MP3.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-17 Thread dwsomers

Upgrade the server to version 6.2.2. That made a huge difference for me
in terms of analogue output. Upgrading PS to regulated Linear supply,
using decent interconnects all helps to improving the sound as well.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-17 Thread MartinP

dwsommers, can you explain what it is about Slimserver 6.2.2 that
results in a sound improvement? Is the improvement specific to a
particular kind of encoding, or does it work accross the board?


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-16 Thread Skunk

Zacko Wrote: 
 
 iTunes/Airport Express sounds much better thanks to that simple
 equalizer.

My amp doesn't even have bass or treble, let alone equalization, and
sounds pretty clean and crispy with the squeezebox. 

Were you planning to lower the high frequencys with the eq? 

Also, FLAC encoded music sounds much better on the Squeezebox than mp3,
in case mp3 is what you were using with the airport express.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-16 Thread jonheal

Zacko Wrote: 
 I read the tests, I liked the cool look of the Squeezebox 3 and there it
 was, shiny and bright, rather easy setup.
 But where were the true clean crispy sound?
 Not in my speakers.
 iTunes/Airport Express sounds much better thanks to that simple
 equalizer.
 It's an old BangOlufsen amplifier, small Infinity speakers, no
 supercables, no way BO has a digital line in.
 So what could I do except for hoping for a software equalizer solution
 or a plug-in wich will let med play music through SB3 from iTunes?
 
 Mats
 Goteborg
 Sweden
Maybe you're listenting to stuff you bought on iTunes or 128kpbs mp3s,
which happen to have no high end, no bottom and a nice flat and muddled
middle. (They *need* an equalizer to even begin to sound proper.)

You know the sayings ... garbage in, garbage out... and You can't
make a silk purse out of a sow's ear... and all that rot.


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-16 Thread bludragon

You could use foobar to preprocess all your audio.
Alternatively, if you can find command line util to process audio that
can stream data in and out, you can use that within slimserver - I
havn't tried this, but I'm sure it must be possible...

As you're in the audiophile forum I should say don't talk to me about
equalisation unless its DRC...


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-16 Thread Krobb

I've checked my SB3 on my amp (Sony w/ Jamo speakers) like this:

- Original CD from one line
- Lame APS rip from an other line in
- Synchronized playing (both started at the same time)
- Doing blind compare by switching several times between them (~15
times)

Result: very hard to distinguish the original and the rip.

So ... I think you better check your system (amp, quality of rips,
etc.). The SB3 is very good (and yes, with FLAC it's even better).

::Krobb::


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[SlimDevices: Audiophiles] Re: Where is the incredible sound?

2006-02-16 Thread jonheal

joncourage Wrote: 
 Lots of information in this article, provides a good summary of what to
 expect.  Sort of a reader's digest version of going through many of the
 threads on this forum.
 
 http://www.enjoythemusic.com/magazine/equipment/1205/slimdevices_squeezebox.htm
 
 Short version: the SB is indeed capable of high-quality audiophile
 grade sound but to some degree depends on a) what you feed it (format
 and quality of rips); b) what you output it to (DAC, interconnects,
 electronics, speakers).
 
 The consensus seems to be that the out-of-the-box SB is comparable at
 least to most consumer-grade CD players.  Add a decent DAC, you're
 looking at least at mid-grade audiophile-oriented CD players as a
 comparison.  Have some mods done on the SB and you can get it into
 high-end audiophile territory, provided you're feeding it lossless
 music and outputting it to a decent stereo system.
Given the same source material, how could the SqueezeBox's (with an
outboard DAC, if you wish) sound quality *possibly* be any less than
that of *any* CD player with a DAC of similar quality?!?


-- 
jonheal

Jon Heal says:
Have a nice day!
http://www.theheals.org/

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