Re: [lace] Machine or hand sew

2008-06-24 Thread Brenda Paternoster
Alex's view seems to concur with most of the replies on this subject - 
I certainly agree.


However, I think that this moving towards machine mounting is part of 
the changing nature of (bobbin) lacemaking.  Traditionally, lace made 
for sale was made by one person (or several in the case of sectional 
laces) and then a different person, with good sewing skills, did the 
mounting; they just didn't have access to sewing machines.  As 
lacemaking moved towards being a leisure activity people still put the 
'traditional' value onto the mounting of that lace.  Handmade lace 
itself has moved on a lot in the last couple of decades with a lot more 
colour and non-traditional threads being used and more and more people 
are realising that they can make a better job of machine mounting their 
lace than they can hand stitching it to fabric.  All part of lace 
evolution.


Brenda

On 21 Jun 2008, at 09:52, Alex Stillwell wrote:

Traditionally lace should be hand sewn to fabric but I would rather 
see a
piece well mounted using machine sewing than one spoilt by being badly 
mounted

by hand.



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Re: [lace] vivienne lace fairs

2008-06-24 Thread Brenda Paternoster

On 24 Jun 2008, at 18:09, [EMAIL PROTECTED] wrote:


At the end the chairwomen came and said did you have
a  good day? We knew we had done the best of any one but it still 
dismal, so
we  said no it was a disaster. The lady said, well what do you 
expect? We

are an  older group and don't really need anything

So why did they invite you and others to attend???

Any lace day organiser has to try to hit a balance between having 
enough traders and enough people to make it worthwhile for those 
traders.  One trader per 25-30 people is usually about right, so if you 
expect to sell 100 tickets 4 traders is ample - and they need to offer 
a range of goods.  Three bobbin makers and a bead stall is not 
adequate, but neither is it good to have 4 general suppliers all with 
very similar good on offer.  Ideally I'd go for two general traders who 
offer different threads/patterns, one bobbin maker and the fourth with 
either beads or books.


Much of the reason for the decline in lace days is due to there being 
more old lacemakers dropping off the end than there are new ones coming 
along.   Also I think that a lot of people tend to want shopping only - 
that's where the bigger fairs come in but even they are finding it 
harder to attract enough traders and customers.


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Re: [lace] new to me

2008-06-29 Thread Brenda Paternoster

Hello ALice

I've been making leaves in white cotton - White DMC Dentelle 100


Do you mean DMC Special Dentelles 100, or DMC Fil a Dentelles 100?
I've never seen/heard of either.
Or do you mean DMC Cordonnet 100 ?

Years ago I tried painting fabric dye onto white lace - it worked but 
left soft edges at the colour changes.  I guess a felt pen would give 
much more precise results


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Re: [lace] lace discolouration

2008-06-29 Thread Brenda Paternoster

Reckits Blue Bags!   NO!

They bring the laundry up looking whiter but it's impossible to 
subsequently was hit out and in time it makes the fabric look grey.


When I was a child Mum received quite a lot of sheets etc from Grandma 
and they had all been washed many times and whitened with blue bags.  
You could always tell if the sheets on the bed ere from Grandma's by 
the grey colour.


Not to mention the fact that the blue is actually ground up lapiz 
lazuli (low quality) and the tiny granules have sharp edges which can 
cause damage to the fibres of the fabric.


Brenda

On 29 Jun 2008, at 10:48, Wendy Davies wrote:

What a nusciance about the lace. It is awful when you look forward to 
getting

something you bought and find it like that when it arrives.

I was just wondering, you know those little blue bags you used to be 
able to

get everywhere for net curtains can they be used if you can find them.



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Re: [lace] mounting lace

2008-07-01 Thread Brenda Paternoster

Hello Sue

I am now at a critical point in our 40th Wedding anniversary napkins 
which

lots of you gave me ideas for many months ago.  The fabric is ready and
pressed and the lace made (just two more to darn the ends in) and then 
I am
set to add lace to fabric.  This particular set is a 4 sided strip 
design to

go along the inside edge all the way around the fabric, the lace is
approximately one and a quarter inches to lay on top of the fabric 
close to
the edge but headside facing in, not attached to the edge and laying 
off the

fabric, if you understand what I mean.  Because of the colour it is not
photographing well, but that doesn't matter would only be helpful to 
explain

my point.
Do you mean the straight foot edge is to be stitched close to the edge 
of the fabric with the headside unattached and nearer to the centre of 
the fabric?


My question is, how do I make sure the tension of the lace on the 
fabric is
right so that when attached neither the fabric or the lace will look 
bunched

in the future.
Both fabric and lace are cotton.
I'd suggest pre-shrinking both fabric and lace and then attach the lace 
to the fabric.  Also turn the hem *after* you have attached the lace.  
It's always easier to make fabric fit the lace rather than trying to 
make lace fit pre-hemmed fabric.


Lay the lace over the fabric, pin and tack/baste it in position and 
then stitch to the lace to the fabric using your chosen stitch.  If I 
have understood the first paragraph correctly I'd oversew the foot edge 
to the folded edge of the fabric.


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Re: [lace] Another OIDFA clip - with ME

2008-07-06 Thread Brenda Paternoster

I watched the video clip with Leonard on Mac without any problems!!
True I'm still in the ark and running MacOSX 10.3 (can't remember which 
is which with the big cats!) but I'm getting to the point where I need 
to upgrade, with web access being one of the issues. 10.3 would only 
recognise the old version of Google Earth, but that has stopped working 
and despite downloading the so-called Mac version again it still won't 
work.


The whole point of the internet is that it should be cross-platform, 
but Microsoft don't want it that way.


Brenda

On 6 Jul 2008, at 08:52, Sue Duckles wrote:


Morning All

I agree with Tamara, it's impossible for people who don't have windows 
to watch this, or haven't got media player either.  shame, as I 
would've liked to see what Leonard looked like!


Sue

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Re: [lace] Re: thread assistance please

2008-07-12 Thread Brenda Paternoster
That means she used Bockens 60/3 for the white and ecru, and Bockens 
35/2 (equivalent to 50/3) for the colours.


As Tamara said, if a (fairly recent) pattern states linen thread 
without a brand name the chances are it's Bockens  linen.


Brenda

On 12 Jul 2008, at 06:23, Jenny Brandis wrote:

It was loose in a folder so I had not looked - but on the inside fold 
is


Leinengardne:
Bockerns Knyppelgarn
Weiss oder ecru 60/3
Farbig 35/2 (entspricht 50/3)



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Re: [lace] La Paleta thread

2008-07-12 Thread Brenda Paternoster
Vivienne, correct me if I'm wrong,  but La Paletta is the new name for 
what used to marketed as Borayon (32 w/cm).
Am I right in thinking that El Molino is the same thread but in 
industrial size cones?


Brenda

On 12 Jul 2008, at 14:00, Lynne Cumming wrote:

Vivienne has a nice garter pattern I'd like to do which uses Finca 60 
and
La Palente. Brenda's oh so useful little book (latest edition) does 
not
have La Paleta in it so does anyone out there have a wrap measurement 
for
it as I would like to work the garter in silk. I rather assume it 
would be
very similar in thickness to the Finca 60 but would just like to 
check!




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Re: [lace] Spare thread

2008-07-13 Thread Brenda Paternoster
Provided you wind your bobbins properly so that it doesn't get 
untwisted or over twisted in the process,  ie roll the bobbin into the 
thread rather than wrapping the thread around the bobbin, the thread 
will be OK to use for the next project, but only do that if the lengths 
are sufficiently long not to have lots of joins/knots.  Cotton is not 
as elastic as wool and the curls don't set as much,


Brenda

I have finished the lace for the hood and about to start a piece to go 
around
the cloak. I still have a lot of thread left on some of the bobbins. 
Can I mix
new thread with thread already on the bobbins or should I use new all 
the way
through as it is going to be quite a length.  I am asking because if 
you use
wool that you have undone from a garment with new wool it has a 
different
tension which is why sometimes it is best to wash used wool first. I 
am asking
because I have wound a couple of bobbins with the old thread and 
notice it is
very kinked. I hope you understand what I am trying to say I have just 
re read

it and I think I have put it right.


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Re: [lace] Spare thread

2008-07-13 Thread Brenda Paternoster

Sister Claire

Winding bobbins properly isn't about the curve of the thread, 
whatever you mean by that, it's about not adding or taking away from 
the amount of twist put into the thread during its manufacture.


If you think you may be winding incorrectly try winding some narrow 
ribbon onto a bobbin.  It doesn't matter about haw far apart the wraps 
of ribbon are but the ribbon should should lie flat around the neck of 
the bobbin with no twists.


Jean Leader's lace note explains it in detail
http://www.q7design.demon.co.uk/lacenotes/winding/index.html

Bobbins unwinding whilst you work is more likely to be because you have 
made the hitch wrongly.  The way I make the hitch is shown at

http://paternoster.orpheusweb.co.uk/lace/bobbins/bobbins.html

The other thing that can affect the hitch holding is the shape of the 
bobbin's head.  Bobbins with a double head, such as English Midland 
bobbins, can vary quite a bit in the shape of the head.  I find that if 
the outer part has a smaller circumference than the inner part the 
hitch is constantly coming undone.  If I use a bobbin with a head 
shaped like the spangled glass bobbin at

http://paternoster.orpheusweb.co.uk/lace/bobbins/materials.html
I make a single hitch over the wound thread in the same manner as I 
would with a single headed continental bobbin.


Brenda

I think I may have just discovered the cause of my bobbins unwinding 
while I
work. Not all of them, but some. Could this be due to me winding the 
bobbins
improperly, against the curve of the thread? It's a real pain having 
to
rewind bobbins at frequent intervals, and this happened when I did 
Torchon

and it happens now with the Cantu even more.
Sr. Claire

On Sun, Jul 13, 2008 at 8:46 PM, Brenda Paternoster 
[EMAIL PROTECTED] wrote:

Provided you wind your bobbins properly so that it doesn't get 
untwisted or
over twisted in the process,  ie roll the bobbin into the thread 
rather than
wrapping the thread around the bobbin, the thread will be OK to use 
for the
next project, but only do that if the lengths are sufficiently long 
not to

have lots of joins/knots.


Brenda in Allhallows, Kent
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Re: [lace] Winding a skein of lace yarn without tools?

2008-07-15 Thread Brenda Paternoster

Hi Debora

Borrow a pair of hands to hold the skeins whilst you wind.  The person 
holding the skein just needs to allow the yarn to come off one side at 
a time.  My husband learned that skill as a child, and he's not from a 
crafting family, it's not too difficult.


Winding the ball by hand doesn't really take much longer than winding 
with a mechanical winder, it's dealing with the skein that's more 
difficult without a swift or human helper.


Brenda


I went on a shopping spree and came back with 14 skeins of lovely
lace-weight 2-ply alpaca (700 grams of wool). Problem is, I have no
winders or swifts to wind it...
Have any of you come up with a solution that does not involve
stretching the skein over the back of a chair and winding it by hand?
My last recourse would be to borrow the tools from my lace-making
fiends, but that's two months away and I want to play with my yarns 
now! ;-)

Thanks for any tips and suggestions,
Debora Lustgarten
Toronto, Canada

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Re: [lace] Representation of lace (loooong post)

2008-07-16 Thread Brenda Paternoster

Hello Mark

I'm wondering if the bobbin was actually a tool for making 'Proddie  
rugs  where scraps of fabric were pushed between the threads of a  
piece coarse canvas or sacking to make a thick floor covering.


Brenda


At the home of James Madison, Montpelier, outside of the museum was a
display of some home objects.  I asked if I can take a picture of  
these and

YES I could.  In this case was a curious object that was sort of
recognizable, but strange.  Below are the three pics I took for your  
review:


http://i192.photobucket.com/albums/z43/tatmantats/lace/ 
antiquebobbin1.jpg
http://i192.photobucket.com/albums/z43/tatmantats/lace/ 
antiquebobbin2.jpg
http://i192.photobucket.com/albums/z43/tatmantats/lace/ 
antiquebobbin3.jpg


At the top of the neck is a double notch cut at an angle(like a double  
hook

for crochet?) and at the bottom tip which has been deteriorating from
weather conditions is a small hole.  They report this being a bobbin  
for

lacemaking.  IS IT???  This item was just excavated and they apparently
placed it in a case of mishmash items just for interest.  I did get the
contact info to send my opinion of the piece, and told the curator my
questions about it.  They were happy that I would do my research and  
notify
you knowledgeable lacemakers so I could get back with them as to what  
the
item really is.  If it is a bobbin, then I told them I wouldn't  
contact them
and leave it be.  But if it wasn't a bobbin, then I would contact them  
with

my findings.

If anyone is fortunate enough to visit(or lives close by)
Williamsburg/Jamestown/Yorktown, VA and also Mt. Vernon and Montpelier  
and
the museums and to check out the tatting kits, and the questionable  
tatting
shuttles, knotting shuttles, and the bobbin in question, I would  
really like
to know your opinion about the representation of lace and its tools in  
the

time of our fore fathers that started this country back from 1608 and
beyond.



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Re: [lace] Representation of lace (loooong post)

2008-07-16 Thread Brenda Paternoster

Just goes to prove that great minds think alike!

On 16 Jul 2008, at 22:31, Sue Duckles wrote:


And now, I read my mail and find that Brenda has said the same thing!!!

Sue
On 16 Jul 2008, at 22:27, Sue Duckles wrote:


Evening Spiders

Mark, I wonder if it's a bradawl for a proddie or clippie rug...  It  
would need to be strong enough to poke holes in sacking and poke  
either long or short lengths of fabric through the hole.


Sue in EY
On 16 Jul 2008, at 20:50, Mark, aka Tatman wrote


http://i192.photobucket.com/albums/z43/tatmantats/lace/ 
antiquebobbin1.jpg
http://i192.photobucket.com/albums/z43/tatmantats/lace/ 
antiquebobbin2.jpg
http://i192.photobucket.com/albums/z43/tatmantats/lace/ 
antiquebobbin3.jpg


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Re: [lace] The strange bobbin

2008-07-17 Thread Brenda Paternoster
Nalbinding is sort-of related to needle lace and requires a giant  
sewing needle with the hole for the thread at the blunt end.

Info about and pics of nalbinding needles at
http://www.flickr.com/photos/ragnvaeig/2516822688/in/pool- 
nalbindingnutters


However, the bobbin which Mark saw has a hole at the pointed end.
http://i192.photobucket.com/albums/z43/tatmantats/lace/ 
antiquebobbin1.jpg


IMO it's more like a BL bobbin than a nalbinding needle, though I still  
think it's a tool used for prodding something or boring a hole.  The  
notches on the other end suggest that one end was used to make a hole  
in something and then a string/cord pulled through that hole using the  
notches.


Of course we are all thinking it's textile related, but it may have  
been used for something else:

a crude tool for sewing up a turkey after it was stuffed?
a mini dibber for planting seedlings?
some other use?

Brenda

Could this be a nalbinding  needle, nal bin ding, originated in  
Scandinavia
I think, and is a form of knitting (well sort of), using one sewing  
needle,
usually crafted (whittled) from wood, pointy end and a thread hole  
in the

other.


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Re: [lace] Threads

2008-07-21 Thread Brenda Paternoster
Sorry Miriam, I've never heard of SoftRise, but if anyone does know 
please tell me too.


Brenda

can anyone tell me what kind of thread SoftRise is and who the 
manufacturer is so I can find a catalog on the internet.

What can I substitute for it?

Miriam
who has returned from OIDFA with a
lot of new ideas
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[lace] What are they?

2008-07-27 Thread Brenda Paternoster

Hello

I have been sent a photo of some lace bobbins and lace rings which 
came from two elderly Dutch ladies who said they are ivory.  I 
personally don't think they are ivory or lace bobbin but would be 
interested to know what anyone else thinks they are/were used for.  
Please have a look at

http://paternoster.orpheusweb.co.uk/lace/query.htm

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[lace] Re: [bobbinlace] What are they?

2008-07-27 Thread Brenda Paternoster

I have asked that question and will let you know when I get a reply.

Brenda

On 27 Jul 2008, at 21:03, Sister Claire wrote:


What is their size, Brenda? I can't tell from the picture.
Sr. Claire

On Sun, Jul 27, 2008 at 10:58 PM, Brenda Paternoster 
[EMAIL PROTECTED] wrote:


  Hello

I have been sent a photo of some lace bobbins and lace rings which
came from two elderly Dutch ladies who said they are ivory. I
personally don't think they are ivory or lace bobbin but would be
interested to know what anyone else thinks they are/were used for.
Please have a look at
http://paternoster.orpheusweb.co.uk/lace/query.htm

Brenda in Allhallows, Kent
http://paternoster.orpheusweb.co.uk/index.html






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[lace] Re: What are they?

2008-08-01 Thread Brenda Paternoster
Thank you to Jean, Beth, Janet, Diana, Adele, Bev and Claire for your 
comments which I have passed on.  The general opinion is that the 
bobbins are stilletos or awls used for broderie anglais or Ayreshire 
work and that the rings were either curtain rings or button forms.


Brenda


I have been sent a photo of some lace bobbins and lace rings which
came from two elderly Dutch ladies who said they are ivory. I
personally don't think they are ivory or lace bobbin but would be
interested to know what anyone else thinks they are/were used for.
Please have a look at
http://paternoster.orpheusweb.co.uk/lace/query.htm



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Re: [lace] help needed

2008-08-07 Thread Brenda Paternoster

Jane,

The only 28/2 linen (that I've seen) is Juul linen, which measured 
2S-19 wraps/cm.


Bouc 30 or Fresia 30/2 and Guetermann linen are all very similar, 2S-19 
wraps/cm.  Knox Falcon 30 and Knox Gimp 20 also measured the same but 
they were discontinued many years ago.


I haven't seen Goldschild NeL 50/3 (is it made?)  Goldschild Nm 50/3 
(NeL 80/3) is finer at 24 wraps/cm but also being 3 ply it is a bit 
rounder/firmer than a 2 ply.


Brenda

On 7 Aug 2008, at 04:33, Jane O'Connor wrote:

Is there a comparable thread to 28/2 [Goldshilds Nel 50/3 [green 
label]? I

cannot find anything in the Threads book.
 Thanks in advance.Jane O'Connor



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Re: [lace] help needed

2008-08-07 Thread Brenda Paternoster

Hello Sandra

Thanks for that info - yes it is Goldschild.  Other links to Goldschild 
on that site bring up the same page.


NeL 50/3 - Nm 30/3 is the one size that I don't have, but coming 
between NeL 30/3 (16 w/cm) and NeL 66/3 (22 w/cm)  it is quite likely 
that it will measure 19 w/cm as per the original query from Jane.


Although it measures the same, it's a 3ply thread so won't compare 
exactly to the 28/2 Jane asked about.


Brenda



Hello Brenda,

see https://www.langendorfkloeppel.de/home/index.php?cPath=31_63
They have Goldschild Leinen
Nel: 18/3 = Nm: 11/3
Nel: 30/3 Nm: 20/3
Nel: 50/3 Nm: 30/3
Nel: 66/3 Nm: 40/3
Nel: 80/3 Nm: 50/3
Nel: 100/3 Nm: 60/3
But I'm not sure, if this is the Goldschild linen lace yarn, that you 
mean.


Regards
Sandra from Germany (near Munich)


--- Brenda Paternoster [EMAIL PROTECTED] schrieb am Do, 
7.8.2008:

Von: Brenda Paternoster [EMAIL PROTECTED]
Betreff: Re: [lace] help needed
An: Jane O'Connor [EMAIL PROTECTED]
CC: lace@arachne.com
Datum: Donnerstag, 7. August 2008, 11:16

... text deleted

I haven't seen Goldschild NeL 50/3 (is it made?)  Goldschild Nm 50/3
(NeL 80/3) is finer at 24 wraps/cm but also being 3 ply it is a bit
rounder/firmer than a 2 ply.

... text deleted


Brenda in Allhallows, Kent
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Re: [lace] Newsletter

2008-08-11 Thread Brenda Paternoster

Hello Diana

You are not the only one to have forgotten - I was having a tidy up 
last week and found the renewal form in a pile of papers - and I then 
realised that that was why my magazine hadn't arrived!


I put a cheque in the post on Thursday, (along with the library books 
that I was returning) and confidently expect to receive the magazine 
this week.  As Sue says, they are very forgiving.


I know that direct debit makes that sort of thing easier but I am very 
reluctant to use it for anything other than absolute essentials such as 
gas, water, electricity, council tax.


Brenda

On 10 Aug 2008, at 11:40, Diana Smith wrote:


Has anyone in the UK received their Lace Guild magazine yet?
I'm wondering if I forgot to renew my subs - must check!

Diana in Northants, UK

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Re: [lace] Newsletter

2008-08-11 Thread Brenda Paternoster
Direct Debit is different to using credit or debit cards - more like a 
standing order but the amount paid each month/quarter/year is variable. 
It's appropriate for utility bills etc, and better for subscriptions 
etc than standing orders which have to be changed each time the subs 
change (increase!).


Most organisations like direct debt as it doesn't get forgotten and 
therefore membership retention is better.  I was on the Lace Guild Exec 
at the time DD was introduced and voted in favour, though personally I 
choose not to pay Lace Guild or any other subs by DD.  Although I have 
no intention of cancelling my Lace Guild membership, once it's on DD 
you do have to actively cancel if you want to resign.  However, it is a 
personal preference and many people do find DD more convenient.


Brenda

On 11 Aug 2008, at 15:36, Lorri Ferguson wrote:


Brenda and all,

Here in the USA, I was advised by my bank teller that using a 
'debit card'
was the safest because it is the easiest to cancel if there is a 
problem
later.  And canceling the debit card does not cancel the account it is 
linked

to.
We have 'debit cards' with numbers just like a credit card.  One 
gives the
vendor the debit card number not the bank account number.  The card is 
used

just like a credit card but you are not giving the vendor your checking
account number.  I use one like this for ordering drugs through the 
mail,

etc.

Lorri
Washington State, USA, in the foothills of Mt. Rainier



I know that direct debit makes that sort of thing easier but I am 
very

reluctant to use it for anything other than absolute essentials such as
gas, water, electricity, council tax.

Brenda

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Re: [lace] question re: terminology

2008-08-11 Thread Brenda Paternoster
According to the glossary in Mincoff  Marriage Fond à la vierge = rose 
stitch.  In the body of the book they say that rose stitch is 'violet 
stitch' to Germans and 'maiden's grounding' to the French.


Pat Earnshaw's Dictionary of Lace says cinq trous, five hole, fond à la 
vierge, virgin ground and rose stitch are all the same.


Margaret L Brook calls it Maiden's net or Point de la Vierge.

Cook  Stott's book shows 17 variations of rose ground plus cane ground.

Then there's Dillmont - she calls it 'double or ornamental ground' and 
what she calls rose ground is what most people nowadays would call 
honeycomb.


So, take your pick!!!

Brenda


On 11 Aug 2008, at 22:39, Jane O'Connor wrote:

There is a discussion on-going over terminology in different 
languages. I have

one that we in my group have not been able to identify. It is from a
'sGravenmoere book and after much bugging of lacers and research we 
finally

have an English translation but then, the stitch is an unknown factor.
'fond
de vierge '   We have figured out it means the background or bottom is 
done in

virgin stitch. What is the virgin stitch?
Possibly roseground but if so, why
in the same listing of techniques needed for the pattern have 
rozengrond

listed?
 Jane O'Connor



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Re: [lace] hitches on bobbins

2008-08-17 Thread Brenda Paternoster

Wendy

There isn't really a right or a wrong direction to wind bobbins, but 
you do have to make the hitch correspond to the direction the bobbin is 
wound.  You should also make sure that all the bobbins on the pillow 
are wound the same way or you will get confused when trying to lengthen 
them.


Some people can wind one way with continentals and the other way with 
midland bobbins, I personally can't, I always wind clockwise (looking 
down at the head).


Brenda

On 17 Aug 2008, at 12:09, Wendy Davies wrote:


Hi De Hi

Thank you all for your answers to this question.  I am using my SMP 
bobbin
winder for winding the bobbins so will have a look which way they are 
wound I
presumed it is the right way.  It is the first time I have heard of 
left or
right hand hitches so another thing for me to look at. It is so 
frustrating
when using thin thread and then having to undo to lengthen the thread 
as I
have to use a pin to separate the thread and I have had an occasion on 
the
piece I am working on that the thread has broken later on down the 
lace.


Wendy St Dogmaels


_
Win a voice over part with Kung Fu Panda  Live Search   and   100’s 
of Kung

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[lace] England/France lace trade - was [KFHS] Textiles

2008-08-20 Thread Brenda Paternoster

Hello everyone

This message, and my reply, has just been posted to the Kent Family 
History Society discussion group. Does anyone   know anything about the 
19th century England/France lace trade?


Brenda

Begin forwarded message:


From: Brenda Paternoster [EMAIL PROTECTED]
Date: 20 August 2008 22:26:06 BST
To: Jan Reed [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]
Subject: Re: [KFHS] Textiles

Hello Jan

I'm not the best of lace historians, but I'll forward your message to 
'Arachne' an internet lace discussion group, it's very likely to get a 
few good replies.


Do you know if you are asking about machine made lace or handmade lace?
Can you be more specific than just 19th century?
Where in France might you be interested in?  The traditional 
lacemaking areas of France include Bayeux, Calais, Lille, Chantilly, 
Dieppe, le Puy, Valenciennes


and there's your Kent link - Valenciennes is twinned with Chatham!

Brenda

On 20 Aug 2008, at 18:59, Jan Reed wrote:


My apologies as this is not Kent based but I wondered if anyone had
knowledge of where I might get information of the movement of workers 
in the
cotton/lace trade between uk and France in 19th Century?  I vaguely 
remember
something about Courtaulds records but cannot remember how to access. 
 Many

thanks



Brenda in Allhallows, Kent
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Brenda in Allhallows, Kent
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Re: [lace] scarf pattern

2008-08-27 Thread Brenda Paternoster
Yaspe (Jaspe) silk from Bart  Francis is in Addendum3 and Edition 4, 
page 45.


I measured it as 20 w/cm, but it's a slub thread so difficult to get an 
accurate measurement.
I have just finished (bank holiday weekend) a torchon edging made with 
Filato per Tombolo di Cantu 30 with Yaspe 30/2 for the workers.  Not 
conventional to mix cotton and silk but I wanted to see how the Yaspe 
worked up.  The mat's to big to get it all onto the scanner so I'll 
need to mess about with the camera to get a proper pic for the website 
gallery, but I've added a scan of 1/4 of it to:

http://paternoster.orpheusweb.co.uk/lace/lacepics/lacepics.html

Brenda

Also the thread calls for Yaspe shantung 100% siede, silk, soie Nm 
30/2 Nel

50/2
I don't see it in Brenda's book but I think it could be 18 wraps.  Am I
correct?



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Re: [lace] New website

2008-08-28 Thread Brenda Paternoster

Hello Alex

If Jean has really only been using a computer for a couple of months 
she's done fantastically well.  There's substance to the site, not just 
a blog, the layout is clean and the hyperlinks all work. Well done.


Re the pattern; as I could see no 'download' button and no hand 
appeared over the image my (mac) instinct was to click and drag it off 
to the desktop, which worked.  Then I read the instuctions - so right 
clicked - save image as ad that works too.  It printed out at the 
correct size.


However, most people would expect to find some sort of download 
'button'.  Doesn't have to be a button as such just the word will do so 
long as it's hyperlinked directly to the image file - and include  
target=_blank in the html so that it doesn't close the main 
window.


Brenda



My friend Jean has produced a web site for both of us at
http://web.mac.com/jeanmaryeke.  There is something about us, Lindfield
Lacemakers and Designers and a free pattern that will be changed 
periodically.
Jean has only had her computer, her first, for 2 months and I think 
she has
done well.  Can you open it? What do you think? Any suggestions? and 
can you

download the pattern?


Brenda in Allhallows, Kent
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Re: [lace] Mixing Threads

2008-08-31 Thread Brenda Paternoster

Hello Wendy

I am making an edging, the book says to use DMC Cotton Perle 8 with 
DMC 80
Cordonnet Special.  Well I have the Perle but didn't have any 
Cordonnet, so I
have used Venus 70 instead.  My problem is that it is very hard work 
as they

seem to be fighting each other by that I mean that tensioning is very
difficult as they don't slide if that is the right word. I have also
substituted the Perle for double Venus for the outer fan edging so I 
could

have the right colour.


Venus is very similar to DMC Cordonnet - it's a tad thicker than 
Cordonnet 80, more like Cordonnet 70, but both are double plied, 2S/3Z.


Is your problem with all the bobbins or just with the pairs wound 
double?.


If it's all the bobbins - are you used to using double plied thread 
such as DMC Cordonnet, Special Dentelles, Coats crochet and Venus 
crochet?  This type of thread is firmer and rounder than single plied 
thread and doesn't squash together as much.  If your problem is only 
with the bobbins wound double it could be that one of the threads was 
tensioned more than the other when the bobbin was wound.


Is there a tip so that I can ensure this doesn't happen when I try to 
use
substitute threads. If only we had the money to get the correct 
threads each
time.  I am slowly building up my thread library so fingers crossed in 
the

next 30 years I might have the right ones each time LOL.


In 30 years time it's quite likely that most of the threads around 
today will be discontinued, your stash will be vintage and the patterns 
will require something not yet available!  Nothing is set in stone, 
experiment with what you have and get to know how the different types 
of thread work up and in time you will know what you like and what you 
don't.


Brenda in Allhallows, Kent
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[lace] Lacemaking threads

2008-09-01 Thread Brenda Paternoster
Thank you all for the nice comments about my threads book, especially 
with the recent discussion about mixing threads.  For the newcomers to 
this group I have to say that it would never have got going without all 
the support from Arachnes from around the world.


Like most people I used what I was told to use in the early stages of 
learning BL - in fact I was told not to use anything which wasn't an 
accredited lacemaking thread  whatever that was and  I still don't 
know what accredited thread is!  As I started doing my own thing (I 
used colour!) I had a few disasters along the way and even when I 
started teaching I wasn't really sure what was what.  When I did the 
City  Guilds exam as a guinea-pig one of the things on the list was to 
know the difference between a 2 ply thread and a 3 ply thread and apart 
from simple counting I didn't have a clue!


The thing that got me started on he T4L project was a two hour workshop 
with Bill Hornsby at a Lace Guild convention.  Everyone had a reel of 
thread size 100 in advance and worked a sample on the same pricking and 
then did a winding and Bill explained the varying results.  I thought 
that this was a great way of comparing different threads and by doing 
windings of all the threads I had access to I could build up a useful 
teaching aid.  I talked about doing it to a few people locally and on 
Arachne and so many kind people delved into their stashes and suddenly 
it wasn't just a list; it was a whole book.


I have learned so much along the way.  I've made lots of little samples 
to see how the different threads work up and my recent bookmarks 
project is part of that.  I now know that a 2 ply thread is softer and 
squashier than a three ply thread and that the double spun 6 ply 
threads are very firm and round and keep their shape when made up - 
that's why DMC Cordonnet makes a makes a crisp but harsh feeling lace 
suitable for mats and doileys whilst DMC Broder Machine makes a much 
softer lace more suited to a hankie or underwear which will/might touch 
the skin.


I have discovered that most threads designed for machine stitching of 
seams is three ply, but Anchor Drima is only 2 ply and suddenly I 
realised that that was why that thread kept breaking when I used it on 
the sewing machine.  Coats Drima is 3 ply and OK.  Threads intended for 
machine embroidery are 2 ply as they spread out and give better surface 
coverage for the satin stitch.


Do I mix threads in BL?  Yes of course I do.  For most projects I try 
to keep silk with silk as it's a protein fibre whilst cotton, linen and 
rayon are cellulose and will mix together.  Metallics or synthetics I 
generally only use for accent and are fairly inert if it comes to 
washing the lace.


Now to look through the stash to find something suitable for the next 
computer manipulated pattern.  It's lace meeting later today and I want 
to be winding the bobbins if not actually starting the lace.


Brenda in Allhallows, Kent
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Re: [lace] My Humming Bird

2008-09-01 Thread Brenda Paternoster

Hello Sue

Some laces just have to be coloured don't they.

Your pic of Megan reminded me of our Sam.  Terry finally took him to 
the vet's for the last time on Friday last week.  He was 14 and a bit 
years old.


Brenda

On 1 Sep 2008, at 09:23, Sue Duckles wrote:


Hi All

I've recently finished Louise Colgan's humming bird... just uploaded a 
photo to arachne webshots.


http://community.webshots.com/album/562969811lwzEvS

I think i've just found my new favourite lace in colour of 
course!!!


Sue in EY

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Re: [lace] Any ideas on what this is?

2008-09-03 Thread Brenda Paternoster
Terry has something a bit like it cluttering up a cupboard - for 
fishing not lacemaking!


It's an old fishing reel attached to the handle part of an old fishing 
rod; I think it was used for transferring fishing line from one reel to 
another which is why it has a second clamp for attaching a second reel. 
 It doesn't have have the pointed end, just the inner ferrule where it 
would have been attached to the rest of the fishing rod.   See:

http://paternoster.orpheusweb.co.uk/fishingrod.JPG

Maybe the original owner of this one had some sort of aperture, or even 
soft ground, that the spike could be inserted into whilst the spool was 
being turned.


Brenda

On 3 Sep 2008, at 01:19, Adele Shaak wrote:

I don't recall seeing any responses to this post - maybe everybody 
else is flummoxed, too? I think it's part of a fishing rod - possibly 
you stuck a reed on the spindle part to make a full-sized rod - but 
I'm just going on my imagination and have no real knowledge.


I certainly can't think of any way this contraption could be used for 
lacemaking.


Adele
North Vancouver, B.C.
(west coast of Canada)



Any ideas on what this item is on ebay?

http://tinyurl.com/59c2ku

Item number 320292495309


described as: Vintage Pimative wood lace maker spindle  spool reel

Jean in Poole, Dorset, UK


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Re: [lace] lace design packages for pc

2008-09-13 Thread Brenda Paternoster
As Bev says, 'best' is whatever suits the user's needs, but industry 
standard (Mac and PC) is Adobe Illustrator.


The other specialist lace design program, available for both platforms, 
is Knipling

http://www.knipling.de/knipling/knipling-kn30en.html

Photoshop isn't really a drawing program, just an image processor.

Brenda

On 13 Sep 2008, at 18:44, bev walker wrote:


Hello Celia and everyone

'best' lace software design just depends on the user. There are several
choices of hobby software just for lace design, the two in English 
have free
demos to try. There are the computer-assisted drawing programs, and 
even the

simpler drawing program such as Paint.

There is some helpful information here:
http://www.xs4all.nl/~falkink/lace/SoftKlos-EN.html

and Jo also discusses Photoshop and Corel draw here:

http://www.xs4all.nl/~falkink/lace/SoftAlg-EN.html

Also if you can get into the mail archives for this list (I'm sorry I 
don't
have the link - but someone 'here' will have it) and do a search for 
lace

software, or Lace 2000, or Lace RX-P (did I get that right? name of new
program) you will find previous discussion.

Hope this helps ;)

On Sat, Sep 13, 2008 at 10:09 AM, Celia Mulhearn 
[EMAIL PROTECTED]wrote:




Whilst demonstrating my colleagues and I got into a conversation about
which design package was best for a computer. I mentioned 'Coral 
draw' but
was wondering what your ideas were, I know it's been discussed before 
but
didn't really follow the thread. My friend is using Windows 98 and 
wondered

which to try
Thanks in anticipation to your suggestions
Celia Mulhearn - in a sunny(for a change) SE London.

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--
Bev in Shirley BC, near Sooke on a bright Saturday morning, beautiful
Vancouver Island, west coast of Canada

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Re: [lace] threads for Cantù question

2008-09-19 Thread Brenda Paternoster

Hi Bev

Can you get common or garden cotton sylko 50 (Amman/Coats) - or any 
other cotton intended for regular machine stitching of seams?


Brenda

On 19 Sep 2008, at 17:02, bev walker wrote:


Hello everyone
...and anyone who does Cantù lace, just a question - what thread(s) do 
you use?

I'm working on a simple piece, thread specified is just 'no. 40 for
Cantù which I'm guessing is one listed in Brenda's thread book as the
Filato per Tombolo variety.
I don't have that, have tried Finca for lace 40 and 30, and now Coats
Encaje 30, this last one looks the best. It isn't easily available,
that I've seen though.

I might start tinkering with enlarging the pattern to try other
round-y threads, such as Cebelia 30.

--
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west
coast of Canada

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Re: [lace] threads for Cantù question

2008-09-19 Thread Brenda Paternoster

Hi Bev

Since Filato di Cantu 40 is 32 w/cm Amann/Coats Sylko is 32 w/cm and 
Tootle Sylko is 31 w/cm and you say Sylko is too fine it suggests that 
the number 40 specified wasn't Filato.


If you're thinking that the pattern needs about 20 w/cm it could be 
that the original used DMC Cordonnet 40, Coats crochet 40 or one of the 
minor brands of 2S/3Z tatting/crochet cotton.


Brenda

On 19 Sep 2008, at 18:17, bev walker wrote:


Thanks for the reply Brenda. The garden variety g cotton thread is
too fine for the pattern. Photo-reducing it isn't an option. Coats
Cometa 40 is 26 wraps in T4L. #30 not given - I ought to send you a
sample ;)
(I have an idea that it has been discontinued though)

Looking at the wraps for Filato per Tombolo di Cantu 40 (32 w.) and 30
(21 w.), and comparing in hand to Sulky 12 wt. (21 w.), I hazard a
guesstimate of  19 or 20 w. for Coats Cometa 30. Possibly the pattern
spec. is wrong, and Filato 30 was used in the original.
The Sulky could be too flimsy for the particular pattern (and me)
where I need the leverage of strong smooth thread. I might try a
sample using it, because it is readily available near me.
Now holding the DMC and the Cometa in hand, Cebelia 30, at 20 w. seems
slightly too coarse.

It does pay to sample :)

On Fri, Sep 19, 2008 at 9:18 AM, Brenda Paternoster
[EMAIL PROTECTED] wrote:

Hi Bev

Can you get common or garden cotton sylko 50 (Amman/Coats) - or any 
other

cotton intended for regular machine stitching of seams?




On 19 Sep 2008, at 17:02, bev walker wrote:




I might start tinkering with enlarging the pattern to try other
round-y threads, such as Cebelia 30.


--
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west
coast of Canada

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Re: [lace] Any ideas what this ebay item is?

2008-09-22 Thread Brenda Paternoster
To me it looks like a fancy knob for a four-poster bed.  I wonder where 
the other three are!


Brenda


On 22 Sep 2008, at 09:07, Jean Nathan wrote:


Any ideas what this ebay item is? Can't believe it's a lace bobbin.

19TH LARGE LONG SILK IVORI LACE BOBBIN RARE

Item numbber: 180291700210

tinied: http://tinyurl.com/3sz72n


Jean in Poole, Dorset, UK

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Re: [lace] Alan Brown

2008-09-25 Thread Brenda Paternoster

I'm very sad to hear that, my condolences to Sheila and family.

Brenda

On 24 Sep 2008, at 22:16, Tess Parrish wrote:

For those many people who know Sheila Brown, she has just emailed me 
with the sad news that her husband Alan has just died after quite a 
siege with cancer.  Some of you may already know this, but I thought 
others might not.


Tess ([EMAIL PROTECTED])

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[lace] Fwd: lace exhibition (in South Africa)

2008-10-21 Thread Brenda Paternoster
A while ago I helped Janis Savage and her friend Kim Lieberman work out 
a grid for Kim's lace sculpture project and I have just received this 
message from Janis.




Hello Brenda,
The exhibition of lace, for which you helped me work out the grid, is 
finally on show. You can see the article written for the Mail  
Guardian newspaper here

http://www.mg.co.za/article/2008-10-18-extreme-craft-meets-art
and another picture here
http://www.mg.co.za/section/arts

When the process of making bobbin lace was explained to her, 
thejournalist, Andrea Vinassa, coined the phrase extreme craft to 
describe lacemaking. which is probably quite apt to compare lacemakers 
with extreme sportspeople who obsessively take their sport to ever 
greater extremes and are cosidered a bit crazy to keep on doing it.


I made 8 of the chaotic ground circles and when it just got too boring 
doing the same pattern over and over again, I arranged for a group of 
lacemakers to do another 9 while Kim did one. She will send you a 
catalogue of the exhibition in due course.


The artworld here are apparently blown away by the works but I will 
be interested to see if any of them are sold.  When I looked at the 
prices quoted for them and got my breath back, I think, as lacemakers, 
we must be considerable undervaluing our work - one of these bronze 
figures with it's lace collar is R36,000 + VAT!!! That works out at 
about $3500 + tax or GBP 2500, even at today's poor exhange rate of 
the SA Rand.


Thanks for your help anyway.
Greetings from Janis Savage
South Africa



Brenda in Allhallows, Kent
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Re: [lace] bucks point grid size

2008-10-23 Thread Brenda Paternoster

Sue

If your Bucks grid has a working angle of 58 degrees you can make five 
corners for a pentagon shape or if it has a working angle of 60 degrees 
six corners will make a hexagon.  Otherwise you have to cut and paste 
and do all sorts of odd things or design a proper Bucks corner which 
takes the cloth stitch/gimps etc right across all the ground from the 
headside to the footside.


That's the reason why traditional Bucks point does not usually have 
corners, instead a straight edging is gathered around a corner.


Brenda


On 23 Oct 2008, at 10:32, Sue wrote:


Thanks Sue,
I had recognised that fact from the obvious different look along the 
short sides of the rectangle to the long, but I thought it was just me 
and was hoping that it could work right by using another grid (apart 
from 45 deg).  I was hoping to make this as a bucks point pattern 
without having to cut paper and use sticky tape.  Because I had the 
short length right (with the funny shaped grid, I now need to rework 
that out to fit the space I have).  I wish I was better at maths, 
grin.  I will get there eventually,  I like it too much to give up 
now.
I did change the pattern to a couple of other different numbers of 
grid with no better success. Sue T, Dorset UK


Sue Babbs wrote:

You can't print a rectangular Bucks pattern on one grid - as you have
discovered when you turn the corner the grid angle will change. If 
you were
working at 52 degrees then having turned the corner it will be 90-52 
degrees
ie 38 degrees.  The corner will need to be carefully designed to 
transition

from one to the other.

You will need to print one of the correct strips with a corner - and
physically cut and paste as needed.

Sue




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Re: [lace] bucks point grid size

2008-10-23 Thread Brenda Paternoster

Hi Sue

No you wouldn't need 72 degrees to get a pentagon.  The working angle 
is the angle between a line of ground pins and the line of foot edge 
pins, not the angle that the corner turns.


Draw a pentagon, mark the centre and divide it into five triangles 
around the centre point.
If everything is equal and the triangles are isosceles the five angles 
in the centre will each be 72 degrees.
For any one of the triangles the other two angles together will be 
180-72 = 108 degrees, so each will be 54 degrees (I got it wrong too!).


Now look at one of the triangles.  The outside edge is the footside and 
the side that goes down towards the centre point is the line of ground, 
so the working angle is 54 degrees.


If you did have a working angle of 72 degrees, each triangle would have 
two angles of 72 degrees, so the other one would only be 36 degrees and 
you would end up with ten sides


For a hexagon it works out that every angle is 60 degrees (which 
doesn't make for the best looking Bucks point) and the working angle is 
the same as the turning angle.


Same with a square.  Divide it into four triangles, the four angles at 
the centre are each 360/4 = 90 degrees, so the other two will be 45 
degrees and 45 degrees - the working angle of torchon.


Brenda

On 23 Oct 2008, at 14:01, Sue Babbs wrote:

Not spending time to check my thoughts, but wouldn't you need 72 
degrees to get a pentagon? 5x58 = 290 so you are 70 degrees short of a 
circle, which is what you'll need isn't it? Or are my early morning 
thoughts missing something?

Sue

- Original Message -
From: Brenda Paternoster
To: Sue
Cc: Sue Babbs ; Arachne
Sent: Thursday, October 23, 2008 6:01 AM
Subject: Re: [lace] bucks point grid size

Sue

If your Bucks grid has a working angle of 58 degrees you can make five
corners for a pentagon shape or if it has a working angle of 60 
degrees

six corners will make a hexagon.  Otherwise you have to cut and paste
and do all sorts of odd things or design a proper Bucks corner which
takes the cloth stitch/gimps etc right across all the ground from the
headside to the footside.

That's the reason why traditional Bucks point does not usually have
corners, instead a straight edging is gathered around a corner.

Brenda


On 23 Oct 2008, at 10:32, Sue wrote:

 Thanks Sue,
 I had recognised that fact from the obvious different look along the
 short sides of the rectangle to the long, but I thought it was just 
me

 and was hoping that it could work right by using another grid (apart
 from 45 deg).  I was hoping to make this as a bucks point pattern
 without having to cut paper and use sticky tape.  Because I had the
 short length right (with the funny shaped grid, I now need to rework
 that out to fit the space I have).  I wish I was better at maths,
 grin.  I will get there eventually,  I like it too much to give up
 now.
 I did change the pattern to a couple of other different numbers of
 grid with no better success. Sue T, Dorset UK

 Sue Babbs wrote:
 You can't print a rectangular Bucks pattern on one grid - as you 
have

 discovered when you turn the corner the grid angle will change. If
 you were
 working at 52 degrees then having turned the corner it will be 
90-52

 degrees
 ie 38 degrees.  The corner will need to be carefully designed to
 transition
 from one to the other.

 You will need to print one of the correct strips with a corner - 
and

 physically cut and paste as needed.

 Sue



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Brenda in Allhallows, Kent
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Brenda in Allhallows, Kent
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Re: [lace] Hand made lace for sale on ebay

2008-10-23 Thread Brenda Paternoster
Most of the edgings are Leavers machine, number 2 is Barmen machine, 6, 
8  9 are chemical lace and 10 is Swiss embroidery.


The smallest doiley is machine tape put together by hand, the circular 
doiley beside it could be anything, the picture isn't good enough to 
tell, the oval doiley is Leavers with a bit of Barmen around the edge, 
the smaller  hankie is probably Leavers.  The bigger hankie might just 
be BL, or it might be Barmen - again the picture isn't good enough to 
see what the corners are like.


I see the seller is in Robin Hood county!  That's no more a place than 
is 'Hot-pot county', 'Pork pie town' or 'Tartan kilt land'


It's a pity the Trade Descriptions Act can't be enforced against Ebay 
sellers!


Brenda

On 23 Oct 2008, at 09:23, Jean Nathan wrote:

Described as ANTIQUE HAND MADE LACE BOBBIN HONITON NOTTINGHAM Old 
for sale on ebay:


http://tinyurl.com/6kata2

Item number 220299471215

Is any of this hand made? I don't think any of it is, apart from the 
tape lace doily. I'd say the rest of it's machine made - the broderie 
anglais most certainly is. There's definitely no Honiton included, and 
Nottingham is a machine process anyway.


Jean in Poole, Dorset, UK
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Brenda in Allhallows, Kent
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Re: [lace] Small thin bobbins

2008-10-28 Thread Brenda Paternoster
I have a couple of ivory - yes ivory from legitimate sources - made by 
Barry Adams which are 9cm long but of average thickness.  I used to 
think that they were short because he'd used old piano keys but he said 
no, it was because his ex-partner has very small hands and she prefers 
the smaller length and as he developed his own style of bobbin turning 
it was based on that shorter length.


I guess that historically it's always been the case that the 
bobbinmakers made what suited their customers.  Bucks thumpers are 
shorter than the average midlands bobbin and some may have preferred a 
similar length.  Also if you've got a lot of bobbins on the pillow very 
slim bobbins ('Old Maids') bundle together better.


Brenda


On 28 Oct 2008, at 06:47, Brian Lemin wrote:

Thank you for your contributions.  Most interesting.  Some folks have 
asked me

the size:

They are 8 cm long and 5mm at the largest part (just below the neck)


There is no doubt in my mind that they are  old, so travelling 
bobbins are

not really an option (I stand to be corrected of course)
I was always under the impression that these were really old bobbins. 
 From

where I got that idea I have no notion!.
The fact that they are bone bothers me as I would have thought that 
wood

would have been the oldest material.

I have a couple that just breach that description (short and thin) 
and are

fully decorated

and from known makers.

Over the years of my bobbin studies I have moved from trying to prove 
Who
made them, what were they used for but I still like to enquire as  
not

being a lace maker makes me ask these questions first.

The chances are that they made from small bits of bone that were 
available

to the maker.  They would not want to waste useful material.

Just as simple as that.


Fashion  too seems to play a part in the trends.
There was a time when bobbins were quite thick (say 8mm in dia) but 
modern

bobbins have become quite thin again. (This is of course a sweeping
generalization)  When I was making bobbins I had a handy little 
clientele
that actually asked me to make thicker bobbins so they could handle 
them

better.  I presume they had issues with arthritis etc.

In the South bucks range of bobbins there are some quite small ones

(Dumps/

bobtails) I think they may be called.

It is just interesting (to me at least)


Thanks again

Brian and Jean
from Cooranbong, Australia

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Brenda in Allhallows, Kent
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Re: [lace] Emailing: Halloween.jpg

2008-10-30 Thread Brenda Paternoster

Hello Sheila

You can't post images to Arachne - you have to upload them to a website 
somewhere and post the URL link.


Brenda

On 30 Oct 2008, at 16:01, Alan  Sheila Brown wrote:


The message is ready to be sent with the following file or link
attachments:
Halloween.jpg

Note: To protect against computer viruses, e-mail programs may prevent
sending or receiving certain types of file attachments. Check your
e-mail security settings to determine how attachments are handled.


 I hope this one comes through. Still cold and wet.
Sheila in Sawbo'

[demime 1.01d removed an attachment of type image/jpeg which had a 
name of Halloween.jpg]


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Re: [lace] eBay item

2008-11-04 Thread Brenda Paternoster
It's the type of thing the Victorians did (is it right to say 
Victorians for 19th century Americans?) but I don't think it's BL, 
looks more like NL to me.


Brenda


Amazing item on eBay no 120328659264

Antique bobbin lace mourning memorial made of human hair - the hair of 
Anne Clerke.




Brenda in Allhallows, Kent
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Re: [lace] Thread - help, please?

2008-11-15 Thread Brenda Paternoster

Hello Linda

Swedish linen  almost certainly means Bockens linen.
Bockens 90 would suit torchon drafted on a 2mm grid (4mm between 
footedge pinholes)


Brenda

On 15 Nov 2008, at 20:55, Linda Walton wrote:

The pattern is from Raie Clare's The Dryad Book of Bobbin Lace, the 
book from which I taught myself . . . quite a long time ago.  It was 
published in 1987, in case that helps.  The thread prescribed is 
Swedish linen thread no. 90.


Brenda in Allhallows, Kent
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[lace] Advent calendar

2008-11-30 Thread Brenda Paternoster

Hello everyone

Here in England it's almost December and I've done another Advent 
calendar. Various thoughts, ideas, musings etc on the Christmas theme.


There's a link from my homepage, as in the signature at the bottom.
On 24th December there's a little quiz with a small prize, open until 
31st December.


Actually I'm still working on it, so even if you know how to cheat you 
can't see all the pages yet!


Brenda in Allhallows, Kent
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Re: [lace] Advent calendar

2008-12-01 Thread Brenda Paternoster

Oops, sorry, that was last year's winners!

I realised what I'd done just after I'd shut the computer down and it 
was too late at night to change it. I've been busy changing the daily 
pages and forgot to update the wrapper page! Should all be OK now.


As before it's a hotch-potch, but all on the Christmas theme, a couple 
of recipes, patterns and general musings - ramblings etc.  This year 
there is just one prize, a Lace Guild calendar and you'll have until 
the end of December to do the quiz which will appear on Christmas Eve.




On 1 Dec 2008, at 00:23, Sue Duckles wrote:


Brenda

The advent calendar lace looks great but why does the page give the 
impression that it's already the end of December by saying who won the 
quiz?


Sue in EY
On 30 Dec 2008, at 23:15, Brenda Paternoster wrote:


Hello everyone

Here in England it's almost December and I've done another Advent 
calendar. Various thoughts, ideas, musings etc on the Christmas 
theme.


There's a link from my homepage, as in the signature at the bottom.
On 24th December there's a little quiz with a small prize, open until 
31st December.


Actually I'm still working on it, so even if you know how to cheat 
you can't see all the pages yet!


Brenda in Allhallows, Kent
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Brenda in Allhallows, Kent
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Re: [lace] Card Exchange

2008-12-04 Thread Brenda Paternoster

How right you are!

I have several lace and other Christmas ornaments from Christmas 
exchanges and I can't remember  who some of them are from.


Maybe I should put up a web page with them all an and ask if anyone 
recognised their work!


Brenda

On 3 Dec 2008, at 16:17, Janice Blair wrote:


 I usually keep all my exchange cards and bring
them out each year in one display, so if it goes on the tree in a few 
years I

will probably forget who sent it to me.



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Re: [lace] Card Exchange

2008-12-04 Thread Brenda Paternoster

I've just done that web page
http://paternoster.orpheusweb.co.uk/lace/arachne/exchanges.htm

Brenda

On 4 Dec 2008, at 08:52, Brenda Paternoster wrote:


How right you are!

I have several lace and other Christmas ornaments from Christmas 
exchanges and I can't remember  who some of them are from.


Maybe I should put up a web page with them all an and ask if anyone 
recognised their work!


Brenda

On 3 Dec 2008, at 16:17, Janice Blair wrote:


 I usually keep all my exchange cards and bring
them out each year in one display, so if it goes on the tree in a few 
years I

will probably forget who sent it to me.



Brenda in Allhallows, Kent
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Re: [lace] Christmas Greetings

2008-12-15 Thread Brenda Paternoster

Hi Sue

The best I can offer is from
http://www.mincepieclub.co.uk/Mince_Pie_News/Mince_Pie_History/ 
The_History_Of_The_Mince_Pie.html


To make Pyes - Pyes of mutton or beif must be fyne mynced and  
ceasoned wyth pepper and salte, and a lyttle saffron to coloure it,  
suet or marrow a good quantite, a lyttle vyneger, prumes, greate  
raysins and dates, take thefattest of the broathe of powdred beyfe, and  
yf you wyll have paest royall, take butter and yolkes of egges and so  
tempre the flowre to make the paeste.


Brenda

On 15 Dec 2008, at 14:29, Sue Duckles wrote:


Just been on Brenda's site to see todays offering (15th).

My husband wants the 'original recipe'!!

Sue in EY
On 15 Dec 2008, at 10:33, Brenda Paternoster wrote:


and a reminder that there's a link to the Advent calendar on my  
homepage


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[lace] Christmas Greetings

2008-12-15 Thread Brenda Paternoster

Just over a week to go now!
My electronic Christmas card to you all is at
http://paternoster.orpheusweb.co.uk/Christmas/2008/card08.htm

and a reminder that there's a link to the Advent calendar on my homepage

Merry Christmas
Brenda in Allhallows, Kent
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Re: [lace] fan patterns

2008-12-15 Thread Brenda Paternoster

Hi Linda

There are a number of big fan patterns around, or you could enlarge a 
smaller one, though coarse lace doesn't usually look good on a fan.  
The main thing is that you *MUST* be sure that the lace will fit your 
sticks before you start making it.  It's not only the diameter of the 
inner and outer edges of the lace which needs to fit, the pattern 
should also be right for the number of sticks - if it's a repeating 
design the sticks need to come at the same place on each repeat, and 
also the decorative inner part of the sticks should look right when the 
fan is opened - most fan leaves are a bit less than half a circle but 
if you make a leaf which is the full semi circle it might not look 
right when opened out fully.


Brenda

On 14 Dec 2008, at 19:27, Lynda Barnes wrote:

I was given some really beautiful fan sticks trouble is they are big! 
from
start to end of the sticks they are 35cms  the lace for the stick 
would be 21

- 22cms  as you can see a very big pattern is needed.



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Re: [lace] Thread help

2008-12-21 Thread Brenda Paternoster

Hello Ann

It depends which DMC 50 you mean.
DMC Cordonnet 50 is similar thickness to Bouc 50, both are 23 wraps/cm.
DMC Coton a Broder is/was finer at 30 wraps/cm and DMC Broder Machine 
50 is finer still at 42 wraps/cm.


Bev has already listed a number of alternatives to Bouc 70;  Bockens 
linen 60/2 or Fresia linen 80/3 are the nearest.  Of the more available 
cotton threads Presencia Finca 30 and Venus 70 both measure 27 wraps/cm 
(marginally finer).


A single strand of most stranded cottons is 25 wraps/cm or thereabouts 
but the 2ply soft twist of those threads means that it doesn't have the 
'oomph' of a linen thread.  Finca is 3ply and Venus is 3x2ply so they 
both have more body to them.


Brenda


On 20 Dec 2008, at 20:52, ann.humphreys wrote:

I'm sure someone will be able to tell me this. Would DMC 50 be an 
acceptable
equivalent thread to use instead of BOUC 50 linen thread and what 
would be an

alternative to BOUC 70?



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Re: [lace] card exchange

2008-12-22 Thread Brenda Paternoster
I've sent uncompressed images of the lace cards to Janice - they are 
big files!


Also I would like to ad my thanks to Jenny for putting all the exchange 
lace onto the website, and I do hope your sight problems get sorted 
properly.


Merry Christmas
Brenda

On 21 Dec 2008, at 23:40, Janice Blair wrote:


Brenda, do you have a larger picture of your Christmas tree lace?  
Even when I

enlarge it I can't see the detail of the lace.

I also want to say a big thanks to Jenny for putting everything on the
website, including my tree patterns.


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Re: [lace] subs for Tanne 80?

2008-12-29 Thread Brenda Paternoster

Hello Marianne

I am looking for threads that can be substituted for the Tanne 
(Cotona) 80.
I don't have either of these, and am wondering if any that I have on 
hand
would work, since I want to start the project now, not in 2 or 3 
weeks

Egyptian Gassed 80/2 or YLI Heirloom Sewing 70/2.


Can anyone tell me what the Ne or Nm equivalent would be?
To convert from CC (English cotton count, also sometimes called NeC = 
Number English cotton) to Nm (Number metric) multiply by 1.69  Thus 
80/2 CC is 135 Nm


To convert to NeL (English Linen number) multiply the CC by 0.36.  Thus 
80 CC = 29 Nm


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Re: [lace] subs for Tanne 80?

2008-12-29 Thread Brenda Paternoster

Oops sorry!!
I should have said
To convert to NeL (English Linen number) *DIVIDE* the CC by 0.36.
Thus 80 CC = 29 Nm 222



On 29 Dec 2008, at 09:29, Brenda Paternoster wrote:


Can anyone tell me what the Ne or Nm equivalent would be?
To convert from CC (English cotton count, also sometimes called NeC = 
Number English cotton) to Nm (Number metric) multiply by 1.69  Thus 
80/2 CC is 135 Nm


To convert to NeL (English Linen number) multiply the CC by 0.36.  
Thus 80 CC = 29 Nm




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Re: [lace] or these instructions?

2008-12-30 Thread Brenda Paternoster
The lady I watched on a street corner in Belgium was actually making 
reverse lace!
She was making a big show of it and tossing her bobbins around but when 
I looked closely she was doing:

cross, twist, cross, twist, untwist..
Perhaps she learned BL using a few inches of string!

Brenda


On 30 Dec 2008, at 06:47, Jenny Brandis wrote:


http://www.essortment.com/articles/make-handmade-lace_6501.htm

which states:
I have been to Belgium and seen the ladies doing it on the street 
corner.




--
Jenny Brandis,
Kununurra Western Australia
URL: www.brandis.com.au/craft/lace
EMAIL: je...@brandis.com.au

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Re: [lace] Mixing fibers and gimp question

2009-01-03 Thread Brenda Paternoster

Hello Donna

My first question concerns the thread.  The pattern calls for Egyptian 
Cotton
80/2.  As I said though, I'm putting this on linen.  Does one usually 
mix

fibers for the lace and fabric?  
Most people would find it acceptable to put cotton lace onto linen 
fabric, but it is a question of personal choice though I would 
definitely pre-shrink both the lace and the fabric before attaching the 
lace - and, if the lace isn't gathered then ease it to the fabric to 
allow for the possibility of a bit more shrinkage..


The main problem with mixing the fibres is the colour difference, 
sometimes a white cotton gimp is very different to the white linen of 
the rest of the lace, which is itself a good reason for making up your 
own gimps from several strands of the main thread.


Re substituting linen for Egyptian 80/2; finding a linen thread fine 
enough is going to be the main problem.  I'm not sure if you can still 
get Bouc 140/2, but that was the finest available, and even so it's a 
little bit thicker.   Egyptian 80 = 50 w/cm, Bouc 140 = 46 w/cm.  
However, with the finer threads 4 wraps either way doesn't make that 
much difference.


Re the path of the gimps - sit down with (enlarged) copies of the 
pattern and mark in the exact course of the gimp threads.  I don't know 
the pattern you refer to.  I assume it's point ground, and yes it is OK 
to double up the gimps around honeycomb holes (no twists between so 
that the gimps stay close together) and that is definitely preferable 
to having lots of ends that could eventually work loose and look 
untidy.


Whatever you decide on this is going to be a big project so it will be 
worth the effort of making samples of the lace, partly to see if you 
like the effect of whichever threads you choose and pertly to see how 
it attaches to your fabric.


Good luck!

Brenda


 I know from knitting and spinning that
mixing of fibers can give different results when it comes to 
laundering.  And
as I hope this will get passed down from my daughters to their 
children, will
the different fibers age differently?  If I should use a linen thread 
what
would be an equivalent?  I have a conversion chart but it shows no 
match for a

linen thread in comparison to the Egyptian Cotton 80/2.
My second question concerns the pattern itself - the gimp actually.  
The
pattern calls for 2 pair of gimp and where the fingers are I can see 
where
each pair go.  What I'm unclear of though, is the gimp around the 
honeycomb. 
Does or could one double up the gimp around the honeycomb between each 
pattern

or would it be preferable to start and stop the gimp with each pattern?



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[lace] Advent calendar quiz - winner

2009-01-05 Thread Brenda Paternoster

Thank you to everyone who entered the quiz.

Just about everyone got questions 1-10 right, but no-one guessed 
question 11 correctly!
It was actually two pairs of socks; one multi colour stripes and the 
other black with multi coloured spots; knee length for my daughter to 
wear with her boots.


So, all 18 entries went into the hat and the winner is:

Pene Piip

Pene would you please let me have your address so that I can send you 
your Lace Guild calendar.




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Re: [lace] Re: Advent calendar quiz - winner

2009-01-05 Thread Brenda Paternoster
They were bought from MS and had the combined wrapper/hanging hook 
attached, so they were not easy to wrap neatly!


It's a heck of a long time since I hand knitted any socks.  I did knit 
a couple of scarves for the grand daughters this Christmas - 3 x 50gms 
fluffy yarn, cast on 35 stitches and knit till the yarn ran out.  
Couldn't have been simpler!


Brenda

On 5 Jan 2009, at 12:37, pene piip wrote:


Wow, what a surprise! I have sent my address privately, Brenda.
Last year I knitted quite a few pairs of socks as birthday presents.
So were these ones hand knitted or bought, Brenda?
Thanks for the fun calendar,
Pene

Brenda Paternoster wrote:

Thank you to everyone who entered the quiz.

Just about everyone got questions 1-10 right, but no-one guessed 
question 11 correctly!
It was actually two pairs of socks; one multi colour stripes and the 
other black with multi coloured spots; knee length for my daughter to 
wear with her boots.


So, all 18 entries went into the hat and the winner is:

Pene Piip

Pene would you please let me have your address so that I can send you 
your Lace Guild calendar.




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Re: [lace] mangling bobbin storage

2009-01-10 Thread Brenda Paternoster
And some of those 83 degrees please - we've been down to -7 deg C with 
fog to go with it - nasty!

Definitely staying indoors and making lace weather.

Brenda

On 10 Jan 2009, at 01:28, Clay Blackwell wrote:



I was full of pain and compassion for your discomfort and misfortune 
with the broken finger, but that part about the chocolate covered 
frozen key lime pie on a stick...  well - that was just too much.  I 
think that in penance, you should send each of us a share of it...


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Re: [lace] Thread Identification

2009-01-19 Thread Brenda Paternoster

Hello Delores

I have a 1950s book The Identification of Textile Fibres which goes 
into great detail about microscopic and chemical tests to distinguish 
one fibre from another, but unless you have your own laboratory to 
hand


If you are just trying to decide between linen and cotton the best 
thing is to look at it with a powerful magnifier, at least x8.  Untwist 
the plies and then untwist a single ply and the individual fibres will 
separate out.  If it's cotton none of the fibres will be more than 
about an inch or so long, if it's linen they will be much longer, up to 
about a metre/yard in length.  Also spun linen/flax tends to have slubs 
in it whilst cotton is generally much more uniform.  Linen thread is 
nearly always spun in the S direction, cotton can be either.


Is there a label on this cone? or anything printed onto the cone itself?

Brenda

Could someone tell me how to test a thread to see if it might be 
linen?  I
have a large cone of thread I believe is linen but would like to know 
for

sure.




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Re: [lace] Victorian Farm was lace-digest V2008 #276

2009-01-19 Thread Brenda Paternoster

Hello Sue

Chemical lace is cotton embroidery on acetate fabric, then the whole 
lot is steeped in acetone or something similar to dissolve away the 
acetate leaving only the embroidery.  Discovered in the 1880s I think 
so Victorian but slightly late for the 1850s setting of the TV 
programme.


http://lace.lacefairy.com/Lace/ID/Chemical.html
Once you've seen a few pieces of chemical lace it's very recognisable 
even though it can have so many different styles.


Brenda

On 19 Jan 2009, at 11:45, Sue wrote:

Brenda, you may have seen this coming, but I now have to ask what 
chemical lace is please?




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Re: [lace] lemongrass Obama dress

2009-01-23 Thread Brenda Paternoster
Guipure, especially when used by a fashion designer, is a rather 
general term which just means a lace made up of separate elements and 
'custom' means it was designed for the client.


From the close-up picture in the link that Jane sent
http://news.bbc.co.uk/1/hi/in_pictures/7840306.stm
(image no 8)  it does look very much like chemical lace, machine 
embroidery worked onto a dissolvable fabric which once removed leaves a 
holey, lacey fabric.  You can't see from the picture what fibre it is 
made from, but it could be wool embroidery and lined with silk


The image is actually a little bit bigger than it displays on the BBC 
web page, so right click and 'Save As' - or on a mac just click and 
drag it to the desktop.


Brenda

On 23 Jan 2009, at 13:29, hottl...@neo.rr.com wrote:

Hello again!  How does wool lace in silk net, described by the 
designer as custom guipure, translate into chemical lace??  Susan in 
Grassy Key




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Re: [lace] lace for a wedding gift

2009-01-24 Thread Brenda Paternoster

Hello Sr Claire

If they are not doily people I'd suggest that lace trimmed pillow cases 
aren't suitable either as they would need more care with laundering 
than plain ones.  Bookmarks only if they are avid readers, otherwise 
they might just end up lost between the pages somewhere.


A framed medallion sounds good though.  Do you do any lace designing?  
Something with their initials and the marriage date worked into it?


Brenda

I'm out of the loop with regard to wedding presents at all, and I 
haven't

been to the US for 25 years so I want to check on what would be an
appropriate lace gift. Some ideas I've had are a pair of lace-trimmed 
pillow
cases, a framed lace medallion, his and hers bookmarks. They don't 
strike me

as doily people.



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Re: [lace] eBay 120365023152? French object (tool)

2009-01-27 Thread Brenda Paternoster
I've done a few jewellery classes and have drawn wire by hand.  Even 
very thin wire very definitely has to be clamped at one end and clasped 
tightly with pliars at the other end on order to pull it through the 
holes and it's quite a physical effort.


Gravesend Adult Ed Centre has a very well equipped jewellery workshop.  
For wire drawing a heavy metal plate with holes in (rather like a very 
heavy knitting needle gauge) is clamped at one end of the apparatus.  
The wire is filed to a point to push a few mm through the required 
hole, grasped with very heavy pliars and pulled through to narrow and 
elongate it.  There is no way the little contraption on ebay could be 
used for wire drawing!


I think it may be for positioning threads in embroidery - or even for 
crimping pastry but not wire drawing!


Brenda

On 27 Jan 2009, at 05:25, Avital wrote:


So my guess was right (and if I'd been paying attention, I would have
seen the French and translated it but I've had a cold for a couple
days). It's a tool for drawing wire. Wire is made by hammering a piece
of metal into thinner and thinner (and longer) pieces. The final wire
is formed by drawing it through a gauge with pre-formed holes (we're
talking about wire-making by hand). I wasn't sure about it because
most of the wire-drawing tools I've seen had handles that enabled you
to clamp them to a work bench because you want the gauge to be fairly
stable so that you can draw the wire through with a pair of pliers. If
the metal were very soft, I guess you could use a hand-held
wire-drawer like this.

Here's an article explaining the process:
http://en.wikipedia.org/wiki/Wire_drawing

Most wire-making is done by machine these days but there are jewelers
who do wire-drawing by hand. Arlene Fisch describes the process and
tools in her book, Textile Techniques in Metal. (Great book. Pity it
appears to be out of print at the moment.)

Avital


On Tue, Jan 27, 2009 at 12:00 AM, Susan Reishus
elationrelat...@yahoo.com wrote:

The online translation is for the ebay item is:

Draw wire Handle in oak Very beautiful general presentation

So must be something for wire to place while working with it.  
Conceptually reminds me of a French knitter so one can work in a 
tube.  The openings seem disturbingly harsh for threads, imho.  I 
agree that often listers can unknowingly misrepresent items.


Best,
Susan


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Re: [lace] eBay 120365023152? French object (tool)

2009-01-27 Thread Brenda Paternoster

On 27 Jan 2009, at 05:25, Avital wrote:


So my guess was right (and if I'd been paying attention, I would have
seen the French and translated it but I've had a cold for a couple
days). It's a tool for drawing wire. Wire is made by hammering a piece
of metal into thinner and thinner (and longer) pieces. The final wire
is formed by drawing it through a gauge with pre-formed holes (we're
talking about wire-making by hand). I wasn't sure about it because
most of the wire-drawing tools I've seen had handles that enabled you
to clamp them to a work bench because you want the gauge to be fairly
stable so that you can draw the wire through with a pair of pliers. If
the metal were very soft, I guess you could use a hand-held
wire-drawer like this.

Here's an article explaining the process:
http://en.wikipedia.org/wiki/Wire_drawing

Most wire-making is done by machine these days but there are jewelers
who do wire-drawing by hand. Arlene Fisch describes the process and
tools in her book, Textile Techniques in Metal. (Great book. Pity it
appears to be out of print at the moment.)

Avital


On Tue, Jan 27, 2009 at 12:00 AM, Susan Reishus
elationrelat...@yahoo.com wrote:

The online translation is for the ebay item is:

Draw wire Handle in oak Very beautiful general presentation

So must be something for wire to place while working with it.  
Conceptually reminds me of a French knitter so one can work in a 
tube.  The openings seem disturbingly harsh for threads, imho.  I 
agree that often listers can unknowingly misrepresent items.


Best,
Susan


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Re: [lace] Interesting Lace Find!

2009-02-03 Thread Brenda Paternoster

Hi Mark

It looks very much like Barmen machine to me, and yes, narrow tallies 
like that can be made on those machines.


Brenda

On 3 Feb 2009, at 19:24, Mark, aka Tatman wrote:


Hi all lacing friends,
This past weekend  Kim and I were shopping for costumes and props for 
the HS

musical(South Pacific) at some antique shops in the area.  Much to my
surprise my peering eyes spotted in one of the cases this old booklet 
full
of lace samples! Who would have thought I would find this!  Normally I 
just

find lace lengths or shuttles or threads.  But I have never seen a Lace
Merchants sample booklet.  It is titled Imported Cluny Laces by 
Brookside
Manufacturing Corporation, 114 East 32nd Street, New Yor 16, NY.  
There is
no copyright date to indicate its age.  I am assuming the early part 
of the

20th C.  The booklet is 13 inches tall and made of blue card stock of
separate pieces that are bound with darker blue cloth strips.  Each 
folded
card section is 13 inches tall by 14 inches wide.  Most of the samples 
look

to be torchon technique.  But from I gather it is handmade lace not
manufactured machine lace.  I can see in the samples some mistakes and 
also

there are some leaf tallies.  As I understand that feature is hard to
duplicate(??).  Correct me if I am wrong!  Each sample has a color and
number.  Take special note of the price per yard.  YIKES!

Below are the images from front cover to back.  Click on the images 
for a

closer view.

Front cover:  http://tinyurl.com/ah8f5d

Pages 1-2: http://tinyurl.com/b2d9p8

Pages 3-4: http://tinyurl.com/cp42yo

Pages 5-6: http://tinyurl.com/d8fsaq

Pages 7-8: http://tinyurl.com/d324mo

Pages 9-10: http://tinyurl.com/bvncxn

--
Mark, aka Tatman (who had a terrific WIPEOUT on the ice this morning,
walking to work.  I am sure the people in the passing car were laughing
their heads off!! G)

Temporary website: http://my.att.net/p/PWP-tatmanlace
Temporary blog: http://tatmantats.wordpress.com/
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Re: [lace] Metallic thread for needlelace

2009-02-07 Thread Brenda Paternoster

Hello Liz

I'm not a needle lacer but I've done enough to know what it's about and 
I personally wouldn't recommend using any thread which is wrapped, ie 
the metallic part is wraped around a silk or viscose core as the 
friction of pulling the thread through the work many times will cause 
the metallic wrapping to snag, pull away and expose the core thread,


Madeira No 40 and Sulky Metallic are both wrapped threads, as are most 
of the finer metallics.  I haven't seen Butterfly metallic but if it's 
a conventional twisted thread then use that.  Looking through Ed4 the 
finest of the readily available metallics is DMC Fil Or (Fil Argent if 
it's silver) which is probably similar to your Butterfly brand.  The 
DMC is 2Z/3S and although it won't separate easily I think you would be 
able to get a needlefull at a time.


Brenda

On 7 Feb 2009, at 04:44, Elizabeth Ligeti wrote:

I need to use gold thread in Needlelace - for the cordonette around 
the edge,
and maybe(Probably) for some couronnes (the little fancy rings that 
are stab

stitched on afterwards.)

I have Madeira #40 gold 4,  Sulky Metallic, and Butterfly brand (a 3 
ply so

I would use only one of the plys, I think)

Question - Has anyone had any experience with using any of these for
Needlework - needlelace or Embroidery?
I am wondering how easily the gold splits and wears through to the 
cotton core

(I am presuming they all are made similarly)

Which one might be the easiest - or best- to use?


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[lace] Aussie bush fires - Helen Gannac

2009-02-10 Thread Brenda Paternoster
I'm not sure if Helene Gannac is still subscribed to Arachne, or if the 
email addy I have for her is still current, but I know she lives in 
Victoria.  Helene are you safe?



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Re: [lace] Aussie bush fires - Helen Gannac

2009-02-12 Thread Brenda Paternoster
Thank you to Liz, Laura, Ruth  Joanne for letting me know that Helene 
is visiting her family in France, so well away from the terrible  fires


Brenda in Allhallows, Kent where we'd be happy to let some of our rain 
go down under.

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[lace] Re: [lace-chat] CROCHET HOOKS

2009-02-12 Thread Brenda Paternoster

There used to be TWO sets of sizes for British crochet hooks.
The bigger ones for use with knitting yarns were the same as the old 
British knitting needle sizes,  The steel hooks for use with finer 
crochet cottons had a different set of sizes although the two sets of 
numbering did overlap a bit.  see:

http://www.crochettreasures.com/conversion.htm

Also someone mentioned engineering wire gauges - the old British 
knitting needle/crochet hooks are actually (imperial) Standard Wire 
Gauge or SWG, whilst the old American sizes are American Wire Gauge or 
AWG, aslo known as Brown  Sharp.  They are both indirect sizes which 
mean that the higher the number the finer the wire/needle/hook.  See:

http://www.colomar.com/Shavano/conductor.html

I don't know what system the old British steel hooks followed.

On 12 Feb 2009, at 16:36, lucie...@uottawa.ca wrote:



The Canadian/UK seem to be the old imperial sizes at least they
are when I look at the few I've got!!



Yes, they are! We even had for a while conversion gauges made of metal 
or
plastic with graduated holes in them listing the US, CAN and MM sizes 
on

them. CAN equaled BRITISH.

I have a few still, somewhere. If you would like one, let me know by
sending me your address.

Lucie DuFresne
Ottawa Canada

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Re: [lace] threads

2009-02-13 Thread Brenda Paternoster
Yes you're right, DMC Cordonnet 100 is very similar in thickness to 
Broder machine 30 or Bockens 100/2.  Finca 40 and DMC 
Cordonnet/Dentelles 80 are all a little thicker whilst Brok 100 and 
Finca 80 are both much finer.


Brenda


On 13 Feb 2009, at 06:30, Lorelei Halley wrote:


Hi
Can somebody help with a thread question?  I have an internet friend 
who has


Finca 40, Finca 80, DMC 80, DMC 100, and Brok 100.

But has a pattern which calls for Broder machine No 30 and Bockens 
Linen

100/2

I would have said DMC 100, but am not sure about Finca or Brok 100.

Any ideas?
Lorelei

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Re: [lace] thread equivalent?

2009-02-24 Thread Brenda Paternoster

I haven't seen Ariane cotton - or any other thread which is 32/2.
A Google search for Ariane cotton 32/2' gets:
http://www.mail-archive.com/lace@arachne.com/msg11172.html

Brenda

On 24 Feb 2009, at 02:35, d2one...@comcast.net wrote:

Can someone suggest a thread equivalent for ariane cotton 32/2?  I do 
recall
this question was asked some time ago on Arachne, but I don't recall 
that an
answer  was ever given.  This thread is used in a pattern by Michel 
Jourde.


1

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Re: [lace] Re: Rescued piece of lace/thread

2009-02-24 Thread Brenda Paternoster
Like th eothers I think that this is more torchon than Cluny and that 
it's more likely to be linen than cotton.


If just over 3 stitches per inch means that there are just over 3 
pinholes per inch - along the footside then it's a spacing of just less 
than 1/3 inch or 8mm between the pins.  The optimum thread size for 
that grid is, as Tamara says 15 wraps/cm.


However, as we don't know how old the lace is it would be wrong to 
suggest that it's made from something currently available; there was a 
lot of Knox's linen used in the past.  Three twists in the working 
doesn't make the thread 3 ply. Mark, is it 2 ply or 3 ply?


Brenda

On 24 Feb 2009, at 05:35, Tamara P Duvall wrote:




I am guessing at size 40-50?
It  is just over 3 whole stitches per inch on the footside.


According to various charts I have -- some with photos of samples -- a 
similar density is achieved by linen 35/2 in lace which has 4 footside 
stitches per inch. So, if this one has only 3, then the tread is 
coarser than that. Unfortunately, none of the charts I have even 
mentions a 3-stitches-per-inch footside :)


I'm not sure my math skills are up to getting it right from Brenda's 
book, but I'll try.


According to her book, the optimum (and the thread in your piece is 
certainly well chosen) is 12wraps between footside stitches for 
Torchon (I agree with Alice, that the piece is more Torchon than 
Cluny). So, with 3 stitches per inch, it's 36 wraps per inch, or 36 
wraps per 25mm. Or 14.4 wraps per 10mm/1cm, which is how she counts 
her wraps. In the 14 and 15wpcm columns, she has only one well known 
brand of linen and that's Bockens 25/3. The linen used in your piece 
is a  2-ply, not 3, I think. So, at the moment, there seems to be no 
2-ply linen available that is that coarse :)




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Re: [lace] Re: Rescued piece of lace/thread

2009-02-24 Thread Brenda Paternoster

Hello Mark

No, I don't think it's handspun, but I do think it's linen.

I can see that it's S twist, which is what I'd expect a linen thread to 
be, along with variations in thickness.  The two linens which fit the 
description are Knox's Floss 20 or Knox's Falcon 25, both of which 
measured 2S/16.  Falcon is the more likely since it was on a reel and 
Floss was skeins.


However, I couldn't tell you for sure even if I had it in my hand.

Shame about the cigarette smoke smell - that is probably adding to the 
colour too, it will probably come up much whiter if you choose to wash 
it.


Brenda

On 24 Feb 2009, at 15:20, Mark, aka Tatman wrote:



Upon examination I would say it is 2 ply.  And it isn't highly twisted.
There is a lot of thick and thin variation.  So you think this thread 
was

hand spun linen, instead of manufac


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Re: [lace] How about this for a lace bobbin

2009-02-28 Thread Brenda Paternoster

Hmmm...
I agree that the bulbous end is probably a handle.  The abrupt end to 
that 'handle' makes it look as though there should be some sort of 
cover that slips over the narrower part.


Could it be a tool for turning, say, glove fingers?

But then why would it have fancy turning?  And why do midlands bobbins 
have fancy turning?  Only for aesthetic value.


Brenda


On 28 Feb 2009, at 08:39, Jean Nathan wrote:


How about this for a lace bobbin?

http://tinyurl.com/crnjay

or search for item number 170306947189

The seller says I've been to watch the Spanish lace making ladies. 
None seemed to have anything like it and they all said it was very 
old., and she asks if anyone can tell her what it is.


I've got no ideas on what it could be. The bulbous bit on the end 
looks like it could be a handle.





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Re: [lace] measure problems

2009-02-28 Thread Brenda Paternoster

Hello Francis

I too have Googled and found a few useful pages.  The best one is:
http://www.colourmart.com/eng/knowledge_base/knitting_properties

other useful info at:

http://www.kilkeelknitwear.com/new_page_19.htm
(bottom of page)

http://reviews.ebay.com/Machine-Knitting-Acrylic-Yarns-Weights-and- 
gauges_W0QQugidZ100935914


http://www.knitgrrl.com/?p=508

The problem is, most knitting yarns are made with crinkly fibres.  This  
makes the finished yarn a bit elastic so that you can easily get the  
second needle into the loop on the first needle without having the  
stitches so loose that they fall off the first needle.  It also means  
that there is a lot of air inside the yarn making it look thicker than  
it would otherwise be.  If you try to make a wrapping to measure the  
wraps/cm (or wraps per inch/2.5cm for the thicker yarns) to compare  
with other known thread/yarn do you wrap loosely to keep the yarn in  
its relaxed state or pull hard to eliminate much of the air and get a  
result which matches something with a similar amount of fibres per  
metre but which is in reality much thinner?


Another reason why you don't find many knitting yarns with a Nm or  
other number may be because synthetic fibres are less dense than  
natural ones.  Nm is the number of 1000m hanks produced from 1Kg of  
fibre.  If that fibre is significantly less dense, 1Kg will contain a  
lot more fibres and therefore make a longer length of thread.   In  
'from Source to Sink' Pat Earnshaw lists the various fibre specific  
gravities as:

Linen 1.54
Cotton 1.54
Silk 1.30
Wool 1.32
Rayon 1.52
Synthetic 1.14

I decided not to include wool/acrylic knitting yarns in Threads for  
Lace partly because of the stretchiness problem, partly because so many  
knitting yarns are here-today-gone-tomorrow fashion yarns and partly  
because relatively few lacemakers use very thick yarns, though the  
numbers of us who do is increasing.  Usually the lacemakers who do use  
knitting yarns are experienced enough to be prepared for some  
unexpected results!


I have measured some of the plainer yarns in my knitting stash and am  
pleasantly surprised at how consistent the measurements are:

2 ply lace weight (Shetland) - 9 w/cm
3 ply baby yarn - (suits old size 12, 2mm needles for stocking stitch)  
- 8 w/cm
4 ply (fingering) (suits old size 10, 3.25mm needles for stocking  
stitch) - 7 w/cm
Double knitting (suits old size 8, 4mm needles for stocking stitch) - 6  
w/cm

Aran weight (suits old size 6, 5mm needles for stocking stitch) - 5 w/cm
I haven't tried winding the boucle, slubby, eyelash or other fancy  
yarns as the results could be all over the place!


If you do find a woollen yarn with a Nm number it's likely that it is  
made for weaving.  Weavers have similar problems to lacemakers in that  
setting up a loom with lots of warps takes time, and the thickness of  
the thread does have to be matched to the spacing of the warps in the  
heddle.  Much the same as winding dozens of bobbins takes time and the  
thickness of the thread needs to match the scale of the pricking, so  
weavers too want to get it right first time.  Also weavers generally  
choose fairly smooth yarns, just as most bobbin lacers choose smooth  
thread.


Brenda


On 28 Feb 2009, at 11:58, Francis Busschaert wrote:


Hallo to all
i have an other question
it is also knitting related

on that knitting event in Holland were i found those lovely knitting  
needles i was also there as an seller of our threads
and quite often we were confronted whit a question i did not directly  
had an aswer for
they asked if it was laceweight, and other teminolegy concerning the  
thickness of the threads
i have to say i m very good in conversions in Nm Nec linnen wool  
deniers etc but thatone is again an other kind of mesurements i did  
not know
i have googled for it but did not find until now a good conversion  
towards Nm or other known numbers i can relate to


so i hope, as most of you are not only bobbin or needle lacers,
but generaly whit a very broad horison  in textiles
and can be considered as the real genuan textile-maniacs /  
filo-maniac like myself (they say its a mental desease that keeps  
you from the streets)

and so that you can solf the problem

so is there any out in the virtual world
knowing exactly how its working from those laceweight towards real Nm  
or Nec or den measures?

or and that is what i have found until now onn the net
they give a kind of fork/interval of numbers were that kind of thread  
could be pinpointed in


many thax in advance

francis
kortrijk
belgium
the sun is shining
the crocus flowers are getting open
the first signs of summer

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Re: [lace] threads

2009-03-01 Thread Brenda Paternoster

Hello Sue

I haven't seen either of those but the Perivale 130/3 means 130 denier 
x 3 plies, probably just a little thicker than common or garden Sylko 
cotton.


Re Ackermanns.  50 will be a size, if it's yardage/meterage  yds or 
meters is always written after the number.  Silk is usually measured in 
denier but it could be another measurement such as Tex, Dtex, Dram, 
Micron or Metric number.  50 denier will be a lot finer than the 130/3, 
probably of the thickness for fine point ground lace.


Brenda

On 1 Mar 2009, at 12:30, Sue wrote:

It says it is Perivale sewing silks, the size mentioned is 130/3.  
there is lots of thread on those two.
Another little one with it called Ackermanns 50 the word Schlusselgarn 
on the other end label.  I feel the 50 might be the meterage rather 
than the size of the thread, although it does seem fine or maybe the 
equivalent of broder 50  or 30.


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Re: [lace] Finca threads

2009-03-02 Thread Brenda Paternoster

Hello Diana

Brok 100/3 is the only other thread anything like Finca 80

Brenda


Can anyone suggest some equivalent threads to Finca 80 please.



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Re: [lace] Finca threads

2009-03-03 Thread Brenda Paternoster
Using Tanne or DMC Broder machine instead of Brok 100/3 or Finca *will* 
make a difference to the feel of the lace because both Tanne and Broder 
Machine are 2 ply threads which will make a softer, more draping lace.  
3 ply threads are rounder and the lace has more 'body' to it.


If all you are concerned with is finding a suitable thickness for your 
pattern then yes you could use one of the Tannes, or nearer in 
thickness would be Egyptian 80 (a couple of wraps either way doesn't 
make a great deal of difference with the finer threads).  But if you 
want a substitute for Finca 80 that matches in both thickness and 
structure the only choice is Brok 100/3.


Make a sample piece with your chosen thread, take the pins out and see 
if you like the effect.


Brenda

I shall be using it for a floral Beds motif - adapted by Anita 
Wilkinson from one of the old units prickings - so adding an extra 
pair here or there shouldn't be a problem.



 Depends how close you need to be.  Brenda has just said Brok, but 
Fince 80 and 100 are both sold as equivalent to Tanne 80.  This latter 
thread sits between the two Fincas, slightly nearer to 100 I think.  I 
have used both as alternatives to the Tanne 80 and prefer the 100, but 
only because with Milanese I prefer the option of putting an extra 
pair or two in if needed, to trying to do a braid with less pairs than 
I really need.


 So, if whatever you are making could cope with a slightly finer 
thread, then the Tanne is an option.  Much closer (only 1 wpc 
different) is the DMC machine broder (or the older retors or 
brilliante d'alsace).  I don't think that amount of difference would 
affect the appearance of the lace at all.


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Re: [lace] Laceweight Yarn vs. Thread Thickness

2009-03-03 Thread Brenda Paternoster

Hello Fancis

I have a great love of Sanquhar (and also Selbuvotter, which is less 3 
ply specific).



it sound very Nordic or Irisch or does it make part of some other 
ancient knitting slang?

it even sounds to me like part a figure from lords of the ring
Selbuvotter is the Norwegian two colour star knitting patterns.  
Sanquhar is similar from Scotland.





as far as they recollect they only have uesed Nm and in the old days 
they had 3 other numbers but then one of the region of limoges france 
told me that even that is a very very long time ago

Worsted numbers
Dewsbury numbers which are for the very thick counts
and the woolen numbers


I have a little booklet from The Handweavers Studio which explains the 
old numbers - well actually I have two copies, one with my notes 
scribbled on it and one in good condition!  I will put that in the post 
to you tomorrow.


Brenda

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[lace] Knitting yarn thickness

2009-03-07 Thread Brenda Paternoster
Following the recent discussions about this I have done some wrappings 
of the knitting yarns in my stash and put together a web page:

http://paternoster.orpheusweb.co.uk/lace/knittingyarns.htm

I'm not planning a huge project like Threads for Lace !! but if anyone 
can add useful information


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Re: [lace] Ideas

2009-03-13 Thread Brenda Paternoster

Hi Alex

As an edging to plain a plain collar
On a Christening gown;
  between yoke  skirt
  either side of a front panel
  around the hem
As a picture frame
Around a pin cushion
Two lengths side by side as a garter
Edging the flap of an envelope style nightdress case
Appliqued diagonally across one, or two opposite corners of anything 
rectangular such as a mat or a prayer book cover

gathered/rolled up to make a lace rose for a corsage
Folded over and over in a zig-zag to make a jabot

Brenda


On 13 Mar 2009, at 10:09, Alex Stillwell wrote:


I am currently
working on the 2nd chapter which is an edging 7/8 ins (23mm) wide and 
I need

an idea for using it with or without a corner.


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Re: [lace] Re: lace on hankies

2009-03-15 Thread Brenda Paternoster
That's fine for tatting or crochet where you attach the lace as it's 
made but if you are attaching BL or any other pre-made lace to the edge 
of a hankie you should always make the fabric fit the lace and not try 
to make the lace fit the fabric.  ie attach lace to oversize fabric and 
then make some sort of hem.


If you have an edging with corners what are the chances that a 
readymade square of fabric will be exactly the right size without 
easing/stretching the lace?


Brenda

If you want some nice hankies all ready to attach lace try 
hhtatting.com




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[lace] Lacemaking or Lace making

2009-03-19 Thread Brenda Paternoster
Thank you to everyone who has replied to this thread, far too many to 
reply to individually, but Noelene the poem is lovely - I've printed it 
out to stick into the back of my copy.


I'm pleased that the large majority of you prefer lacemaking as one 
word.  That's what it has been for the first four editions, and will be 
for Ed5.


Re: lacing, I think that's probably an American expression but I have 
noticed that some of Terry's birdwatching friends sign emails with 
'happy birding' instead of 'happy bird watching', though I suppose that 
'birding' could include writing up notes etc whilst bird-watching is 
just looking through the binoculars.


And guess what - birdwatching is queried but bird watching is accepted 
by Mail!


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Re: [lace] Lace or Lacemaking 3

2009-03-20 Thread Brenda Paternoster

Jean, I very much agree with you.

Actually color/colour was another thing the (electronic) typesetting 
people queried because both are in Ed5.  It's color in 'JP Coats Color 
Twist' because that's how the label is, it's an old reel of cotton from 
America, but all other instances of the word in Ed5 are spelled the 
British English way, colour.


The Americanism that bugs me is their use of single consonants in words 
like travelled/traveled.  The basic rule of grammar that I learned was 
that a vowel followed by a single consonant and then E says its own 
name, ie a long sound whilst a vowel followed by two consonants then E 
is prounounced with a short vowel sound, so travelled is pronounced 
TRA-VEL-D (as most people do pronounce it) but traveled should be 
pronounced TRA-VEEL-D.


Another Americanism that I find odd is that they have exhibits but they 
don't have exhibitions.


The -ise  -ize is thing is more complicated and goes back to whether it 
comes from a Greek root.  In older British English writings the ize 
form is more common than it is today.  The French/latin influence over 
the last century has made a lot of words in British English take on the 
ise form instead of ize whilst America, and surprisingly Canada, have 
not taken the French influence so much.


There is one Americanism that I do like though (I think it stems from 
middle English and the very earliest settlers) and that is gotten, past 
tense of the verb get.  In British English we just say got.  Unusual 
for the American version to be longer than the British form.



On 20 Mar 2009, at 08:32, Jean Nathan wrote:

Not adopt, but accept. Both s and z are now acceptable for words 
ending in 'ise' - ie your spelling probably wouldn't be marked as 
wrong if you used z. Color - no. A lot of us cringe at 'aluminum' and 
I don't think that will ever come into general use here. 'Program' is 
used for anything computer related, otherwise it's 'programme'. With 
appalling spelling often coming from texting (that hasn't made it into 
my spell checker yet) - never will understand that - I don't doubt 
that once us old fogies are gone an entirely new system of spelling 
will emerge. No need to learn shorthand any more


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[lace] YLI Colours

2009-03-21 Thread Brenda Paternoster
Following the recent discussions about UK and US spelling, does anyone 
in America have a spool of 'YLI Colours'?  Does the label say Colours 
or Colors?  It's an American company but the spool I have, which was 
purchased in UK at Ally Pally Knitting  Stitching, reads 'Colours' and 
was made in Japan.


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Re: [lace] YLI Colours

2009-03-21 Thread Brenda Paternoster

Hello Sr Claire and Ilske

Thank you for that info - all the more reason to keep to my English 
spelling!


Brenda

On 21 Mar 2009, at 10:21, Sister Claire wrote:


For a long time it was usual for UK companies to keep
UK spelling when they marketed in the US because UK spelling was 
believed to
be perceived by Americans as having an aura of prestige. For a 
similar, but
opposite reason, American companies marketing in the UK adopted UK 
spelling

there.


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Re: [lace] Patterns from Retournac - and a thread question

2009-03-28 Thread Brenda Paternoster

Hello Beth

Using a 3 ply thread instead of a three ply one will make the lace 
slightly softer and it will drape better, a three ply would be a bit 
crisper.  Depends what you want to use it for.


Claire's Lace stocks Fresia and Bockens
http://www.claireslace.co.uk/

SMP stock Fresia
http://www.smplace.co.uk/

Roseground have Fresia and Moravia
http://www.smplace.co.uk/

Church Meadow Crafts have Bockens
http://www.churchmeadowcrafts.com/

Jo Firth has Bockens and Fresia
http://www.churchmeadowcrafts.com/

I can't find anywhere in UK which still has Goldschild linen.  Tim 
Parker's website comes up but he retired a couple of years ago.
Barbour's linen appears to have been taken over by Coats group, but 
there's nothing about linen thread on the Coats website.


Brenda


On 28 Mar 2009, at 19:11, Beth Marshall wrote:

Which brings me to the thread question: the pattern sheet suggests 
50/3 linen
for these; Threads for Lace has three 50/3 linens listed: Barbour, 
Bockens 
Pellavia, all at 20 or 21 wraps/cm which is about the same as Fresia 
40/2

linen which I already have. How much difference to the finished
appearance/texture would it make to use the two-ply Fresia instead of 
a 3-ply

linen?

Also does anyone know how many of the three 50/3 linens are still 
available,

and which UK suppliers are likely to stock them?




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Re: [lace] threads

2009-03-31 Thread Brenda Paternoster

Hello Susan

 I've been following the linen  metallic thread discussions with 
great interest.  What sort of lace would be made with Goldschild linen 
aka Londonderry or Rainbow Gallery??  I have both in my embroidery 
stash  neither one looks too appetizing to me, i.e thick  bumpy.

Heavier Torchon probably - or Russian braid lace.

What sizes of Londonderry/Rainbow Gallery line do you have?  I am 
trying to confirm that these are all the same threads, just with 
different brand labels attached.  Goldschild usually quote both the  
metric Nm and the Linen NeL numbers (Nm is always a smaller number than 
the NeL)


I have some Danish linen that is much finer  more appropriate (in my 
mind) for lacemaking.
Is that Moravia 40/2?  If so it's not Danish but from the Czech 
Republic.  This is another case of the same thread getting different 
brand names.  Jana Novak of Atelier Moravia in Denmark is Czech by 
birth but emigrated to Denmark as a young woman.  However she sources 
her lace threads in the Czech Republic.  I don't know who produces the 
linen; I think it goes back to the communist days when everything was 
state controlled and brands didn't exist, but some of my 'Moravia 
equivalent' linen came from another Czech lacemaker/teacher, Anna 
Hallikova, at one of the Lace Guild conventions.


The metallic threads Jana sells are also Czech, made by Texlen.  Texlan 
make a bigger range of metallics than Moravia take.



As to metallics, Madeira Astro is a wonderful product  far superior 
to Kreinik blending filament, for use in embroidery.
Astro  in Medeira threads just means varigated colours.  Madera use the 
same description for their rayon and polyester threads.  However, the 
only metallic which comes in Astro colours, as well as solids, is No 
40.  It's a wrapped thread which mans a strip of metalised polyester is 
wrapped around a core of rayon filaments.  It's smoother than most of 
the twisted metallic threads but not so good if it's going to get a lot 
of friction (ie making sewings) because the outer wrapping strip can 
get broken to expose the core.


Another metallic that I have not yet seen mentioned is YLI, called 
Candlelight I believe,  it comes in a nice range of colors.  It is a 
heavier metallic  would work nicely as a gimp for a tatting cotton 
weight thread in the ground.


There are lots of other brands of metallics out there too.  Bart  
Francis, Mez, Anchor, Presencia, Habu Textiles, DMC, Anchor ..




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Re: [lace] more threads

2009-03-31 Thread Brenda Paternoster

Hello Susan

HV-Garn 40/2 isn't especially fine, 21 wraps/cm, but it does (or is 
that did!) come in a lot of colours.  Assuming Londonderry is 
Goldschild;  50/3 Nm, which = 80/3 NeL is a bit finer at 24 wraps/cm, 
though the three plies will make it feel a bit sturdier.


I haven't seen Rainbow Gallery linen.  All the Rainbow Gallery threads 
I've seen in UK are wound onto cards with perhaps five or ten yards 
depending on the thickness, so intended for embroidery as there isn't 
enough to do much else with.  As it's Swedish I'm wondering if it's 
Bockens under another label!  Rainbow Gallery sell a lot of Glissen 
Gloss threads on cards, and a lot of the Glissen Gloss threads I have 
are Madeira Gissen Gloss with the same names!  It all gets so 
confusing!  However, 16/2 linen is pretty thick - Bockens is 12 
wraps/cm.


Brenda


The linen, well it isn't Danish at all--my apologies to the Danes--but 
Swedish!  HV-GARN 40/2 in the most delicious shades of cornflower 
blue.  The crazy quilter in me bought it because it was s-o-o-o 
lovely, but I've never used it.  The Rainbow Gallery (made in Sweden) 
is 16/2 , according to the card, is intended for cross stitch  
needlepoint.  They were received in a gift basket  I haven't used 
these either.  The Londonderry is 50/3  I must confess I bought it to 
dress my slate frame for Elizabethan work.  And I know darn well there 
is some DMC linen floss in there somewhere, but it's hiding.


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Re: [lace] Starting and finishing

2009-04-02 Thread Brenda Paternoster

Alex,

I agree too, it's very unprofessional as a teacher not to offer all of 
your knowledge.  If you have  bright students who are interested in the 
subject there are bound to be times when they ask something you don't 
know.  Providing you either make every effort to find out, or encourage 
the student to find out for themselves that's OK.  It could be that the 
query is Why do you do something this way?  what happens if you 
don't.  Often trying it the other way is the best way of learning why 
something is done.


As for getting 'bums on seats' over the years I've seen that happen 
with other crafts too.  One jewellery tutor from years ago always tried 
to ensure that his students never finished a piece of work at the end 
of a term so that they had to go back the next in order to use the 
equipment.  (very few students have annealing facilities or polishing 
equipment at home)


I started teaching BL way back in the early 1980s - because the teacher 
was retiring and there was no-one else around to take over her classes. 
 I remember asking her do you think I could do it? and the reply was 
well you can start and you can finish, and you can wangle it when it 
goes wrong!  What I think she meant was that I didn't rely on her 
starting every piece - which many of her students did and I think she 
encouraged them to, to be sure that they didn't take on something she 
couldn't do herself.


Wangling is sorting out a mess, not necessarily undoing the mistake(s) 
but compensating by perhaps leaving out a pair less or a pair more 
somewhere else to get all the pairs back to the correct places - not 
good practice!


Sometimes if a beginner got into a muddle she would take their pillow 
home to sort it out before the next lesson.  She only did that to me 
once and when it came back the carefully marked workers had become 
passives.  I think that was a deliberate action, but I learnt more from 
undoing it again  to get back to where they had been switched over.  
That was as a pretty raw beginner; I don't bother about winding in 
matching pairs now.  Work a few pieces with half stitch and you get 
used to  all the bobbins moving around independently of the original 
partner.


Brenda

On 1 Apr 2009, at 22:39, Alex Stillwell wrote:

I thoroughly agree with you. Anyone learning lace must be taught how 
to start
and finish, they are essential parts of the process of making lace. I 
usually

get my students to think about starting and what to look for when they
approach a new piece, and make sure they are well aware that for some 
patterns
there may be several different lines along which to start, all of 
which may be

equally valid. I always suspect teachers who do not teach starting and
finishing. 1. As you say, they think they are keeping 'bums on seats' 
but the
students are being short changed. 2. They are they incapable of 
teaching them
because they do not understand the process properly, in which case 
they should
not be charging for their services.  I have always taught everything I 
know, I

keep nothing back; that is what a teacher is paid to do. If you are
enthusiastic and teach to a high standard you are more likely to keep 
students
than by short changing them. If you are a teacher and do not know the 
answer
to a question that comes within your remit then it is up to you to 
find the
answer for the student. I kew little more than my students when I 
started
teaching in the early 1970s, but I studied hard and did my best to 
keep ahead
of them. Students are surprisingly tolerant even when  you make 
mistakes,

providing they know you are doing your best.



Brenda in Allhallows, Kent
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Re: [lace] a question, mostly for the designers

2009-04-04 Thread Brenda Paternoster

Hello Sue

What I have found is that because I have flipped the pattern strip to 
fit at
the corner, I have the working lines going in opposite directions, 
therefore
when I get to the centre side join I found the change.  I have ignored 
those
lines and worked them all the same, so guess I need to learn not to 
flip the

pattern in that way, for the future.
You need to rotate the pattern rather than flip it over to avoid that 
problem.

Alternatively you could flip it before you mark in the worker lines,


Also, having got this far with my hanky I am thinking about working a 
garter,
this time the complete width and in nice crisp cotton, using the 
shirring
elastic I know some of you use, but wondered if between you all there 
are some
really favourite elements you always use, or do you choose to do them 
all
differently (obviously that last question for those who have done more 
than

one).   At the moment I am thinking of what I might put in before I try
putting some bits together on the program.
Are you asking do we use spiders, or roseground, or leaves or gimps or 
halfstitch blocks etc etc?

I use them all. But not all in the same piece!

If you are intending to work in just white, or any other plain colour, 
you need to introduce a variety of textures by using a variety of 
different stitches.  If you are planning to use several colours then 
the colour itself makes pattern and you need less variety in the 
stitches used.


The best way to get to grips with designing is to look at other 
people's patterns.  Look at how the different fans work, try 
substituting rose ground for spiders (sometimes it will work, sometimes 
you end up with a row of plain ground).  Count the pinholes to see why. 
 Ask yourself why the designer has done something slightly different.  
The more you look at patterns the better you will understand them and 
the more confident you will get.


Brenda in Allhallows, Kent
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Re: [lace] A help : what is bertha?

2009-04-04 Thread Brenda Paternoster

Hello Elizabeth

A bertha, or bertha collar, is a wide collar which lies flat over the  
garment bodice.  It's likely to be about 6-8 15-20 cm deep.  The  
opening is usually worn at the back.


No collar should be an exact circle around the neckline, it should be  
slightly oval to fit around the neck and shoulders, but a bertha collar  
opened up and laid flat will look a bit like a wide circular edging  
with ends that have not yet been joined together.  As in the picture on  
the webpage you posted.


For other collar shapes see:
http://www.infovisual.info/06/043_en.html

Brenda

On 4 Apr 2009, at 21:34, Ellizabeth wrote:


Helo, spiders,
Can anyone help me?

http://marisa-connuestrasmanos.blogspot.com/2009/01/soles-de-tenerife- 
espaa.h

tml
In this site, in the post above - soles de tenerife - we can see the
expression bertha in teneriffe lace.
Searching in the web, y saw many times the word bertha with words like
patterns, collar,  etc and etc. like this little texte from e-bay:
This pattern will make two pretty dresses, both with Bertha collars,  
and
pouf front waistlines. Dress A has long sleeves, lace covered yoke  
with
ruffled high collar and Tab Bertha. Dress B has short gathered sleeves  
and

Bertha collar. Sleeves and collar are edged with lace.

Can anyone tell me what this word bertha can says?

Thanks

elizabeth horta correa
www.nhandutideatibaia.com.br
0xx11 4412-1082   ehcskype

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Re: [lace] Survey Invitation

2009-04-05 Thread Brenda Paternoster

Dear spiders

I've had a few responses already - in the first couple of minutes!
It's only a bit of fun, but will hopefully give an overall idea of what 
lace and other craft activities we all get up to!


Brenda

On 5 Apr 2009, at 22:33, paternos...@appleshack.com wrote:

I have put together a short survey about bobbin lacemaking and the 
experiences and preferences of Arachne members.


It is anonymous and there are no questions about money or other 
personal details.


Brenda Paternoster


http://www.questionpro.com/akira/gateway/1205463-0-0



Brenda in Allhallows, Kent
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Re: [lace] news story on Alice in Oregon

2009-04-05 Thread Brenda Paternoster

Oh Alice,
that's a lovely article, and the reporter certainly made a lot of 
pretty accurate notes - which is more than most of them do!


Brenda

On 5 Apr 2009, at 21:06, Alice Howell wrote:

My husband just found that the write up on me and my bobbin lace in 
2006 is in the online archives at our local newspaper.  It is a rather 
good writeup considering the reporter knew nothing about the art when 
she did the interview.  The archives do not show all the pictures that 
were in the printed article.


It you have a few minutes and would like to take a look, here's the 
link:

http://web.newsregister.com/news/results.cfm?story_no=210976

Alice in Oregon -- sunshine and supposed to reach 70 degrees today and 
tomorrow.  Then cool again.


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Re: [lace] Survey

2009-04-06 Thread Brenda Paternoster

Hi Marji, and everyone

I just happened to find the questionnaire site and thought I'd give it  
a try, and the response has been amazing, 74 replies already in just 8  
hours!


What you can do for free is limited - only ten questions, but it can be  
text answers, it doesn't have to be check boxes and radio buttons.  If  
the good folk of Arachne would like another survey in a couple of weeks  
time just tell me what questions to ask!  I think I can do another one  
for free.


I was going to ask about how many lace books you have, how many bobbins  
and pillows you all have, bobbin preferences, collecting lace etc, but  
ran out of questions.  I also messed up the question about coloured  
lace for the first dozen or so replies - got the answers down the left  
instead of along the top.  Thanks Sue for pointing that out


Because it's not for commercial purposes I have chosen not to see the  
sending email addresses, all I get is a city; my own response came up  
as London which is about 40 miles away.  I can also get the answers in  
an Excel file which is great for statistics.


It's Easter next weekend, Lace Guild Convention the weekend after, and  
then I'll get all the stats put together, probably in a webpage, for  
everyone to see.  Meanwhile let me know of any other questions.


Brenda


On 6 Apr 2009, at 02:22, Marji Sakievich wrote:

It was interesting to do but I was wishing that I could add comments  
on the things I would like to do or learn.


Marji

--- On Sun, 4/5/09, paternos...@appleshack.com  
paternos...@appleshack.com wrote:


From: paternos...@appleshack.com paternos...@appleshack.com
Subject: [lace] Survey Invitation
To: lace@arachne.com
Date: Sunday, April 5, 2009, 3:33 PM

I have put together a short survey about bobbin lacemaking and the  
experiences and preferences of Arachne members. 


It is anonymous and there are no questions about money or other  
personal details. 


Brenda Paternoster


http://www.questionpro.com/akira/gateway/1205463-0-0






__ 


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paternos...@appleshack.com




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Re: [lace] question about threads used in Lace Express

2009-04-06 Thread Brenda Paternoster

Hello Theo

Thank you for that info - and I have CCd this message to the Arachne 
group.  I'm not advertising, it's just passing on information!


Brenda

On 6 Apr 2009, at 16:53, Theo Brejaart wrote:


Hello Brenda,

This is just to inform you that I still stock following coloured 
threads:


Bockens 35/2 and 60/2
Klippans 16/2, 35/2, 40/2 (on skeens)
DMC 237/30 and 50 (brillanté d'Alsace) on spools of 300 and 500 mtrs

kind regards,
Theo Brejaart, Bergsonstraat 154, 3076 RN Rotterdam, Netherlands
tel. ++ 31 10 4194715
www.brejaart.com  E-mail: breja...@tiscali.nl

- Original Message - From: Brenda Paternoster 
paternos...@appleshack.com

To: Marianne Gallant m...@shaw.ca
Cc: lace@arachne.com
Sent: Monday, April 06, 2009 4:28 PM
Subject: Re: [lace] question about threads used in Lace Express


Finding coloured linen is difficult!  If you can't get Bockens 60/2 
which is 26 wraps/cm the nearest in colour is either Moravia 40/2 at 
22 wraps/cm so thicker, or Goldschild  80/3 (Nm 50/3) which is 24 
wraps /cm


Coloured substitutes for Brok 32/2 which is 31 wraps.cm include DMC 
Special Dentelles, 30 wraps/cm or Coats Amman Sylko at 32 wraps/cm.  
Sylko will probably work up closer to Brok than than the Dentelles 
which being double plied is quite hard in texture.


Brenda

On 6 Apr 2009, at 00:48, Marianne Gallant wrote:


They use a lot of 'Brok' 32/2 cotton in assorted colours, as well as
'Bockens' 60/2 linen in several colours. I can only find these 
threads in

white or off-white, no colours. Have these coloured threads been
discontinued? If so, what would be appropriate subs for these 
threads?




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Re: [lace] Another fence by joep

2009-04-06 Thread Brenda Paternoster

Hello Jo, Ilske

It opened with Safari for me - but you do have to have Windows Media 
Player installed on your computer.


I have taken some screen shots of the video playing.  They are .pdf 
files so won't open in a web browser, but I have uploaded them to:

http://paternoster.orpheusweb.co.uk/lace/fence/Picture 1.pdf
http://paternoster.orpheusweb.co.uk/lace/fence/Picture 2.pdf
http://paternoster.orpheusweb.co.uk/lace/fence/Picture 3.pdf
http://paternoster.orpheusweb.co.uk/lace/fence/Picture 4.pdf
http://paternoster.orpheusweb.co.uk/lace/fence/Picture 5.pdf
They can be downloaded and viewed in Adobe Reader or whatever software 
you have that will open .pdf files.


Brenda

On 6 Apr 2009, at 21:33, J. Falkink wrote:


I tried to capture one or two screenshots, but it is somehow tecnically
protected. The old fence is one on http://www.demakersvan.com/ but 
imagine

it in front of some 10-story building, like
http://207.44.228.232/photopost/data//2/5Couwenhoven_flat_20.jpg

By the way, wouldn't it be an idea with thinner wire to make bird 
cages or

doors of rabit houses?


Jo,
I get only the message that Safari can't find the side. Have
any idea what to do?

Ilske



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Re: [lace] coloured linen thread

2009-04-06 Thread Brenda Paternoster

Hello Beth


Anyone know how many wraps/cm the 50/3 (Nm 30/3) is? It isn't in 
edition 4 of
threads for lace and I can't connect to the addendum page for some 
reason!
I haven't seen that size, but from the other sizes of Goldschild I'd 
guess its 19 or 20 w/cm.


The addendum pages are all up and running OK, but Goldschild linen 
isn't in any of them because all the sizes I've seen are in Edition 1.


And is the French pattern (one of the latest set from Retournac 
museum) likely

to be referring to Nm or Nel when it calls for 50/3 linen?

Most linens are quoted with the NeL size.
As far as I know, the only other linens which come in size 50/3 is 
Pellava from Finland.  That's  NeL 50/3




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