[MOPO] AA Nominations

2017-01-24 Thread Doug Taylor
Well, let the Hollywood self-gratification begin.  

 

La La Land (14 nominations) was enjoyable and fun, but we all know that any
film that glorifies "the business" (see entries The Artist, Argo) is a
rock-solid lock to be celebrated whether it was the "best" entry or not.

 

Regards

 

Doug Taylor

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 


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Re: [MOPO] Heritage charges

2016-06-17 Thread Doug Taylor
I haven’t needed to call on Grey that often, but he has always been pretty
quick to respond to me.  I suspect he’s out of touch, somehow.  It is school
break in the US and he is between auctions.

 

Regards

 

Doug Taylor

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Susan
Sent: Friday, June 17, 2016 6:58 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Heritage charges

 

Hey,
  Give the guy the benefit of the doubt.  Maybe he's not in the office for
the past couple of days.  I know he has kids college age, so maybe he's out
of state at a graduation.  I know in the past, he is usually quick to
respond to any questions we have here on the forumjust a thought..
 
Sue
Hollywood Poster Frames
 

  _  

Date: Fri, 17 Jun 2016 23:44:39 +0100
From: tommymb...@gmail.com <mailto:tommymb...@gmail.com> 
Subject: Re: [MOPO] Heritage charges
To: MoPo-L@LISTSERV.AMERICAN.EDU <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> 

'Grey doesn't have time to mess with the group. he's making money for his
employer'

 

Really? We know HA access this site as they promote their listings here, but
he is so busy making money that he simply ignores a forum of
collector/dealers, possibly some of his best clients, when his business
model is being criticized, and that's not corporate arrogance?

 

 

 

On Fri, Jun 17, 2016 at 11:29 PM, MPB Warehouse <wareho...@comic-art.com
<mailto:wareho...@comic-art.com> > wrote:

unlike HA who have no outlay other than the cost of listing the item.


sorry Tommy, that is such a simplistic definition of the work involved in A)
listing material for sale.. and B) being in business

I wish it was as simple as snapping my fingers, but first you have to gather
(in HA's case) 500 posters
then you have to send them down to the photography dept
then they have to be individually catalogued
then the catalogued list needs to be converted or uploaded etc to the site
you have to promote the auctions
you have to answer the questions
then you have to have the orders pulled individually
you have to send them down to shipping
shipping has top package & post them
all that is just the A)

the B) is that you have to pay for your website, your rent, your lights.
you have to pay your employees, your software designer
you have to pay for all that advertising you do

I probably haven't even touched the surface

this is why I have fewer auctions, even when we work out the bugs on the new
software - the labor is extensive and I have other stuff to do



as I said before, the silence from HA on this forum is quite deafening.


Grey doesn't have time to mess with the group. he's making money for his
employer



Tommy

On Fri, Jun 17, 2016 at 10:39 PM, Kirby McDaniel <ki...@movieart.com
<mailto:ki...@movieart.com> > wrote:

David is correct.  Who wants to work for NOTHING?

Thanks, David.

Kirby McDaniel



On Jun 17, 2016, at 4:37 PM, David <shadow@gmail.com
<mailto:shadow@gmail.com> > wrote:

Have read all comments I guess the overriding point is going to be one of
cost. Like everyone, it costs the same to handle a $200 poster as it does a
$20 and so rather than turn away business at the bottom end HA are are
simply going to charge you for it - why shouldn't they? How many dealers
sell posters for a $1, and are happy to do so?

I bet there is very few, most would not even bother stocking a $1 poster let
alone selling one. Try selling a poster on eBay for $1 - by the time eBay
take their slice of the action, the cost of materials, your time what's left
for you?

For others who sell via their websites you probably already know you can set
a minimum purchase value on the shopping cart - if you have set one then
what's the difference between you and HA?

It's expensive to sell stuff cheap.



David




Tommy Barr wrote on 16/06/2016 7:21 PM:

Just noticed that from this weekend Heritage Auctions is charging a minimum
buyer's commission of $19, an increase of 36%. I just wonder how they
justify that? 

Tommy


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Re: [MOPO] Last Living Performer from CASABLANCA Dies: Madeleine Lebeau

2016-05-15 Thread Doug Taylor
As an absolute lover of Casablanca, this is a very sad day for me.

 

Regards

 

Doug Taylor

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Todd
Sent: Sunday, May 15, 2016 12:02 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Last Living Performer from CASABLANCA Dies: Madeleine Lebeau

 

 
<http://www.msn.com/en-us/movies/news/madeleine-lebeau-dies-%E2%80%98casabla
nca%E2%80%99-actress-was-92/ar-BBt3nhP?li=BBnb7Kz> 


http://www.msn.com/en-us/movies/news/madeleine-lebeau-dies-%E2%80%98casablan
ca%E2%80%99-actress-was-92/ar-BBt3nhP?li=BBnb7Kz


 
<http://www.msn.com/en-us/movies/news/madeleine-lebeau-dies-%E2%80%98casabla
nca%E2%80%99-actress-was-92/ar-BBt3nhP?li=BBnb7Kz> Madeleine Lebeau Dies:
'Casablanca' Actress Was 92

www.msn.com <http://www.msn.com> 

The last living performer from Casablanca is gone, as French actress
Madeleine Lebeau, who played Yvonne in the 1942 Academy Award winning
classic, and in real life lived through experiences as harrowing as those of
the film's lead character, died following a hip injury on May 1. She was 92.

 

 

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Re: [MOPO] Patty Duke 1946-2016

2016-03-29 Thread Doug Taylor
I enjoyed Garry Shandling’s work so much.  I felt physical pain when I heard 
the news.  Just very sad.

 

Sue,

 

Your story was so touching.  I forwarded it to my wife.  It really was special.

 

Regards

 

Doug Taylor

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Toochis Morin
Sent: Tuesday, March 29, 2016 4:38 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Patty Duke 1946-2016

 

Wonderful story Sue!  She was such a wonderful actress and a lovely person.  
May she be in heavenly joy.

 

Just wanted to share some memories, though few, about Garry Shandling.  I had 
been assisting on a project that had several comedians interviewed for a 
mockumentary.  Garry was kind and funny in his awkward way.  His subtlety with 
his jokes and his physical comedy was amazing. I loved watching him work.  

 

My fondest memory was at an anniversary party where there was Scottish folk 
dancing.  All were encouraged to take part.  During the dance we had to switch 
partners and I ended up with Garry Shandling.  We were both awkward and he 
played it up so much that I was laughing my ass off.  Right before we had to 
switch partners again, he broke down laughing too.  We had so much fun and I 
got to see a glimpse of his warmth through his shyness.  He's making them laugh 
in heaven now.

 

Toochis

 

  _  

From: Greg Douglass <pickmeis...@cox.net <mailto:pickmeis...@cox.net> >
To: MoPo-L@LISTSERV.AMERICAN.EDU <mailto:MoPo-L@LISTSERV.AMERICAN.EDU>  
Sent: Tuesday, March 29, 2016 12:31 PM
Subject: Re: [MOPO] Patty Duke 1946-2016


"So sad; she/he wasn't that old"
I'm hearing that appended to more and more written tributes on MOPO and 
elsewhere.
None of us are "that old" untilwe are.
I toured the UK with Sam Andrew, guitarist for Big brother & the Holding Co., 
in 2014. We had a great time and a wonderful personal and musical rapport. We 
planned a two guitar tour and were making preparations for for it when he was 
struck down by a heart attack in January 2015. I think that's the first time I 
used the phrase "He wasn't that old" (he was 72).
The Reaper is like some white trash trailer park dwelling relative. When he 
shows up at the door, you don't want to let him in, but you have to because, in 
some macabre way,  he's kin.
Meantime, let us not dwell on our own mortality . Let us not spend our days 
ruminating on our own personal sell-by date. We know it's coming. Instead fill 
your days creating good and new things, finding ways to acquire that special 
poster, making ourselves and those we love happy, and honoring those great 
talents that brought us all into this wonderful little hobby.
Today's ear-worm for me is: "Patty adores a minuet, the Eiffel Tower, and 
Crepes Suzette, but Patty loves rock'n'roll, a hot dog makes her lose control, 
What a wild duet!" 
RIP.
Love those personal stories, Sue. Let's all keep 'em coming!
Greg Douglass
 Susan <filmfantast...@msn.com <mailto:filmfantast...@msn.com> > wrote: 
> She was a wonderful person.  I did a couple of films with her back in the 
> 70's and 80's.  I love her performance in The Miracle Worker and still watch 
> old reruns of The Patty Duke Show.  She was also fabulous in Valley of the 
> Dolls.  I was just speaking about her a couple of days ago telling a friend 
> about going to her home, at the time, in Westwood.  It was an early Sunday 
> morning and we were doing a film where the lead actress was fired the day 
> before and Patty was taking over the role, so we were in a rush to catch up.  
> I remember walking by a built in bookcase and there was her Academy Award in 
> the corner of a shelf with a bunch of stuff leaning against it.  Her two 
> sons, Sean and Mackenzie, were jumping up and down on the couch and, her 
> husband at the time, John Astin grabbed me by the arm and said "let's make 
> pancakes for everyone"it is one of my fondest memories.  So sad, she 
> wasn't that old.
>  
> Sue
> Hollywood Poster Frames
>  
> 
> Date: Tue, 29 Mar 2016 14:26:40 -0400
> From: s...@columbus.rr.com <mailto:s...@columbus.rr.com> 
> Subject: [MOPO] Patty Duke 1946-2016
> To: MoPo-L@LISTSERV.AMERICAN.EDU <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> 
> 
> Academy award winner Patty Duke died today at age 69. She won her Oscar for 
> 1962’s “The Miracle Worker.”  Baby boomers will always remember her for her 
> role as “identical cousins” Patty and Cathy Lane in “The Patty Duke Show” 
> (1963-1966). More details at this link: 
> http://www.usatoday.com/story/life/movies/2016/03/29/oscar-winning-former-child-star-patty-duke-dies-age-69/82382666/
>   
> <http://www.usatoday.com/story/life/movies/2016/03/29/oscar-winning-former-child-star-patty-duk

Re: [MOPO] Linen backing

2016-03-29 Thread Doug Taylor
https://a.disquscdn.com/uploads/mediaembed/images/3334/8660/original.jpg

Regards

Doug Taylor
Profile


-Original Message-
From: Doug Taylor [mailto:douglasbtay...@hotmail.com] 
Sent: Tuesday, March 29, 2016 1:52 PM
To: pickmeis...@cox.net; MoPo-L@LISTSERV.AMERICAN.EDU
Subject: RE: [MOPO] Linen backing

Call my alma mater, the University of Oklahoma.  The prof there was the science 
advisor for the show and will have written the formula. 

>From the alumni mag:

"Breaking Barriers - OU Professor of Chemistry Donna Nelson became known as 
science advisor to the megahit AMC series Breaking Bad, but her peers know her 
as the new president of the American Chemical Society.  Nelson's role as an 
ambassador for "science diplomacy" will include boosting public appreciation of 
science and networking with international scientists.  The Eufaula native and 
OU alumna is a highly respected researcher who has taught more than 10,000 
students; advised Congress; and been named a Fulbright Scholar, Ford Fellow and 
recipient of the Guggenheim Award."

Regards

Doug Taylor
Profile


-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Greg Douglass
Sent: Tuesday, March 29, 2016 1:23 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Linen backing

Maybe it's an easter egg.
Meanwhile, I'll ask my pal Chuey if he can get close to the formula for the 
blue stuff.He's my main source for Mexican wrestler movie posters (He just got 
me a Near Mint copy of "Santo Contra Donald Trump"). I'll let you know what I 
find out. Cooking meth is kind of like the grown-up man's paper routeextra 
money and you don't have to get up at 4:30 AM. Boo-ya!
Greg Douglass 
 Helmut Hamm <texasmu...@web.de> wrote: 
> Greg,
> 
> I'm almost through re-watching Breaking Bad. I bought the Bluray-box hoping 
> to find Walter's formula somewhere among the extras. No luck so far, though.
> 
> Helmut
> 
> 
> > Am 29.03.2016 um 17:39 schrieb Greg Douglass <pickmeis...@cox.net>:
> > 
> > Quoth the Marx brothers:
> > "Why a duck?"
> > It'd be much more fun to read auction catalogs: "Fine/Very Fine, on Duck".
> > On a more serious note: I'm going to see Diane Jeffrey at Studio C 
> > tomorrow. I'll ask her so we can all get some sleep. I know I'LL be up all 
> > night ruminating over this ponderous dork's dilemma. 
> > By the way, I ain't getting any younger. I need to start re-watching 
> > "Breaking Bad" so I can learn to make crystal meth. If I survive the drug 
> > cartels and the police, I can make enough money to finally get that 
> > original "Mummy" one sheet I always wantedand every AIP title. 
> > On Duck.
> > 
> > Greg Douglass
> >  Kirby McDaniel <ki...@movieart.com> wrote: 
> >> ALWAYS.
> >> 
> >> I think that the reason that duck (a variety of canvas) is used is that it 
> >> can be acquired acid-free.  At least, this is what I remember.
> >> 
> >> Duckbackedonesheet.  Sounds marketable to me!
> >> 
> >> K.
> >> 
> >>> On Mar 29, 2016, at 8:09 AM, Charlie <raull...@hotmail.com> wrote:
> >>> 
> >>> Meanwhile at a restaurant in Texas:
> >>> 
> >>> Server:  "And to drink?"
> >>> Guest:  "I'll think I'll have a Coke..."
> >>> Server:  "What kind?"
> >>> Guest:  "Dr. Pepper."
> >>> 
> >>> Charlie
> >>> 
> >>> Sent from my iPhone
> >>> 
> >>> On Mar 29, 2016, at 8:02 AM, Tommy Barr <tommymb...@gmail.com 
> >>> <mailto:tommymb...@gmail.com>> wrote:
> >>> 
> >>>> if it quacks . . .
> >>>> 
> >>>> On Tue, Mar 29, 2016 at 2:00 PM, Kirby McDaniel 
> >>>> <movieartaus...@gmail.com <mailto:movieartaus...@gmail.com>> wrote:
> >>>> Isn’t it actually a cotton duck?  
> >>>> 
> >>>> Kirby
> >>>> 
> >>>>> On Mar 29, 2016, at 7:25 AM, Tommy Barr <tommymb...@gmail.com 
> >>>>> <mailto:tommymb...@gmail.com>> wrote:
> >>>>> 
> >>>>> Just one of those idle thoughts that pops in to my head now and again, 
> >>>>> but shouldn't we now call it what it actually is, canvas backing?
> >>>>> 
> >>>>> Tommy
> >>>>> 
> >>>>> To unsubscribe from the MoPo-L list, click the following link:
> >>>>> https://listserv.american.edu/scripts/wa-a

Re: [MOPO] Linen backing

2016-03-29 Thread Doug Taylor
Call my alma mater, the University of Oklahoma.  The prof there was the science 
advisor for the show and will have written the formula. 

>From the alumni mag:

"Breaking Barriers - OU Professor of Chemistry Donna Nelson became known as 
science advisor to the megahit AMC series Breaking Bad, but her peers know her 
as the new president of the American Chemical Society.  Nelson's role as an 
ambassador for "science diplomacy" will include boosting public appreciation of 
science and networking with international scientists.  The Eufaula native and 
OU alumna is a highly respected researcher who has taught more than 10,000 
students; advised Congress; and been named a Fulbright Scholar, Ford Fellow and 
recipient of the Guggenheim Award."

Regards

Doug Taylor
Profile


-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Greg Douglass
Sent: Tuesday, March 29, 2016 1:23 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Linen backing

Maybe it's an easter egg.
Meanwhile, I'll ask my pal Chuey if he can get close to the formula for the 
blue stuff.He's my main source for Mexican wrestler movie posters (He just got 
me a Near Mint copy of "Santo Contra Donald Trump"). I'll let you know what I 
find out. Cooking meth is kind of like the grown-up man's paper routeextra 
money and you don't have to get up at 4:30 AM. Boo-ya!
Greg Douglass 
 Helmut Hamm <texasmu...@web.de> wrote: 
> Greg,
> 
> I'm almost through re-watching Breaking Bad. I bought the Bluray-box hoping 
> to find Walter's formula somewhere among the extras. No luck so far, though.
> 
> Helmut
> 
> 
> > Am 29.03.2016 um 17:39 schrieb Greg Douglass <pickmeis...@cox.net>:
> > 
> > Quoth the Marx brothers:
> > "Why a duck?"
> > It'd be much more fun to read auction catalogs: "Fine/Very Fine, on Duck".
> > On a more serious note: I'm going to see Diane Jeffrey at Studio C 
> > tomorrow. I'll ask her so we can all get some sleep. I know I'LL be up all 
> > night ruminating over this ponderous dork's dilemma. 
> > By the way, I ain't getting any younger. I need to start re-watching 
> > "Breaking Bad" so I can learn to make crystal meth. If I survive the drug 
> > cartels and the police, I can make enough money to finally get that 
> > original "Mummy" one sheet I always wantedand every AIP title. 
> > On Duck.
> > 
> > Greg Douglass
> >  Kirby McDaniel <ki...@movieart.com> wrote: 
> >> ALWAYS.
> >> 
> >> I think that the reason that duck (a variety of canvas) is used is that it 
> >> can be acquired acid-free.  At least, this is what I remember.
> >> 
> >> Duckbackedonesheet.  Sounds marketable to me!
> >> 
> >> K.
> >> 
> >>> On Mar 29, 2016, at 8:09 AM, Charlie <raull...@hotmail.com> wrote:
> >>> 
> >>> Meanwhile at a restaurant in Texas:
> >>> 
> >>> Server:  "And to drink?"
> >>> Guest:  "I'll think I'll have a Coke..."
> >>> Server:  "What kind?"
> >>> Guest:  "Dr. Pepper."
> >>> 
> >>> Charlie
> >>> 
> >>> Sent from my iPhone
> >>> 
> >>> On Mar 29, 2016, at 8:02 AM, Tommy Barr <tommymb...@gmail.com 
> >>> <mailto:tommymb...@gmail.com>> wrote:
> >>> 
> >>>> if it quacks . . .
> >>>> 
> >>>> On Tue, Mar 29, 2016 at 2:00 PM, Kirby McDaniel 
> >>>> <movieartaus...@gmail.com <mailto:movieartaus...@gmail.com>> wrote:
> >>>> Isn’t it actually a cotton duck?  
> >>>> 
> >>>> Kirby
> >>>> 
> >>>>> On Mar 29, 2016, at 7:25 AM, Tommy Barr <tommymb...@gmail.com 
> >>>>> <mailto:tommymb...@gmail.com>> wrote:
> >>>>> 
> >>>>> Just one of those idle thoughts that pops in to my head now and again, 
> >>>>> but shouldn't we now call it what it actually is, canvas backing?
> >>>>> 
> >>>>> Tommy
> >>>>> 
> >>>>> To unsubscribe from the MoPo-L list, click the following link:
> >>>>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1 
> >>>>> <https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1>
> >>>> 
> >>>> 
> >>>> To unsubscribe from the MoPo-L list, click the following link:
> >>>> https://listserv.american.edu/script

Re: [MOPO] Linen backing

2016-03-29 Thread Doug Taylor
What a fabulous, fabulous series.

Have you given Better Call Saul a look?  It's really maturing, getting better 
and better.  It's also great to see our old friends like Tuco, Mike, "the 
twins", etc.

Regards

Doug Taylor
Profile


-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Helmut Hamm
Sent: Tuesday, March 29, 2016 1:05 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Linen backing

Greg,

I'm almost through re-watching Breaking Bad. I bought the Bluray-box hoping to 
find Walter's formula somewhere among the extras. No luck so far, though.

Helmut


> Am 29.03.2016 um 17:39 schrieb Greg Douglass <pickmeis...@cox.net>:
> 
> Quoth the Marx brothers:
> "Why a duck?"
> It'd be much more fun to read auction catalogs: "Fine/Very Fine, on Duck".
> On a more serious note: I'm going to see Diane Jeffrey at Studio C tomorrow. 
> I'll ask her so we can all get some sleep. I know I'LL be up all night 
> ruminating over this ponderous dork's dilemma. 
> By the way, I ain't getting any younger. I need to start re-watching 
> "Breaking Bad" so I can learn to make crystal meth. If I survive the drug 
> cartels and the police, I can make enough money to finally get that original 
> "Mummy" one sheet I always wantedand every AIP title. 
> On Duck.
> 
> Greg Douglass
>  Kirby McDaniel <ki...@movieart.com> wrote: 
>> ALWAYS.
>> 
>> I think that the reason that duck (a variety of canvas) is used is that it 
>> can be acquired acid-free.  At least, this is what I remember.
>> 
>> Duckbackedonesheet.  Sounds marketable to me!
>> 
>> K.
>> 
>>> On Mar 29, 2016, at 8:09 AM, Charlie <raull...@hotmail.com> wrote:
>>> 
>>> Meanwhile at a restaurant in Texas:
>>> 
>>> Server:  "And to drink?"
>>> Guest:  "I'll think I'll have a Coke..."
>>> Server:  "What kind?"
>>> Guest:  "Dr. Pepper."
>>> 
>>> Charlie
>>> 
>>> Sent from my iPhone
>>> 
>>> On Mar 29, 2016, at 8:02 AM, Tommy Barr <tommymb...@gmail.com 
>>> <mailto:tommymb...@gmail.com>> wrote:
>>> 
>>>> if it quacks . . .
>>>> 
>>>> On Tue, Mar 29, 2016 at 2:00 PM, Kirby McDaniel <movieartaus...@gmail.com 
>>>> <mailto:movieartaus...@gmail.com>> wrote:
>>>> Isn’t it actually a cotton duck?  
>>>> 
>>>> Kirby
>>>> 
>>>>> On Mar 29, 2016, at 7:25 AM, Tommy Barr <tommymb...@gmail.com 
>>>>> <mailto:tommymb...@gmail.com>> wrote:
>>>>> 
>>>>> Just one of those idle thoughts that pops in to my head now and again, 
>>>>> but shouldn't we now call it what it actually is, canvas backing?
>>>>> 
>>>>> Tommy
>>>>> 
>>>>> To unsubscribe from the MoPo-L list, click the following link:
>>>>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1 
>>>>> <https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1>
>>>> 
>>>> 
>>>> To unsubscribe from the MoPo-L list, click the following link:
>>>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1 
>>>> <https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1>
>>> To unsubscribe from the MoPo-L list, click the following link:
>>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1 
>>> <https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1>
>> 
>> Visit the MoPo Mailing List Web Site at www.filmfan.com
>>   ___
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>> 
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>>In the BODY of your message type: SIGNOFF MOPO-L
>> 
>>The author of this message is solely responsible for its content.
>> 
> 
> --
> Greg Douglass
> Guitarist-
> Lessons, Live Shows, Touring, 
> & Studio Work 
> (760)212-3648
> 
> Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] Linen backing

2016-03-29 Thread Doug Taylor
That's ducked-up.

Regards

Doug Taylor
Profile

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Greg Douglass
Sent: Tuesday, March 29, 2016 11:39 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Linen backing

Quoth the Marx brothers:
"Why a duck?"
It'd be much more fun to read auction catalogs: "Fine/Very Fine, on Duck".
On a more serious note: I'm going to see Diane Jeffrey at Studio C tomorrow. 
I'll ask her so we can all get some sleep. I know I'LL be up all night 
ruminating over this ponderous dork's dilemma. 
By the way, I ain't getting any younger. I need to start re-watching "Breaking 
Bad" so I can learn to make crystal meth. If I survive the drug cartels and the 
police, I can make enough money to finally get that original "Mummy" one sheet 
I always wantedand every AIP title. 
On Duck.

Greg Douglass
 Kirby McDaniel <ki...@movieart.com> wrote: 
> ALWAYS.
> 
> I think that the reason that duck (a variety of canvas) is used is that it 
> can be acquired acid-free.  At least, this is what I remember.
> 
> Duckbackedonesheet.  Sounds marketable to me!
> 
> K.
> 
> > On Mar 29, 2016, at 8:09 AM, Charlie <raull...@hotmail.com> wrote:
> > 
> > Meanwhile at a restaurant in Texas:
> > 
> > Server:  "And to drink?"
> > Guest:  "I'll think I'll have a Coke..."
> > Server:  "What kind?"
> > Guest:  "Dr. Pepper."
> > 
> > Charlie
> > 
> > Sent from my iPhone
> > 
> > On Mar 29, 2016, at 8:02 AM, Tommy Barr <tommymb...@gmail.com 
> > <mailto:tommymb...@gmail.com>> wrote:
> > 
> >> if it quacks . . .
> >> 
> >> On Tue, Mar 29, 2016 at 2:00 PM, Kirby McDaniel <movieartaus...@gmail.com 
> >> <mailto:movieartaus...@gmail.com>> wrote:
> >> Isn’t it actually a cotton duck?  
> >> 
> >> Kirby
> >> 
> >>> On Mar 29, 2016, at 7:25 AM, Tommy Barr <tommymb...@gmail.com 
> >>> <mailto:tommymb...@gmail.com>> wrote:
> >>> 
> >>> Just one of those idle thoughts that pops in to my head now and again, 
> >>> but shouldn't we now call it what it actually is, canvas backing?
> >>> 
> >>> Tommy
> >>> 
> >>> To unsubscribe from the MoPo-L list, click the following link:
> >>> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1 
> >>> <https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1>
> >> 
> >> 
> >> To unsubscribe from the MoPo-L list, click the following link:
> >> https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1 
> >> <https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1>
> > To unsubscribe from the MoPo-L list, click the following link:
> > https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1 
> > <https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1>
> 
>  Visit the MoPo Mailing List Web Site at www.filmfan.com
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> 

--
Greg Douglass
Guitarist-
Lessons, Live Shows, Touring, 
& Studio Work 
(760)212-3648

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Re: [MOPO] PEE WEE'S BIG COMEBACK

2016-02-16 Thread Doug Taylor
Sounds a little like Andy Kaufman.  

 

Regards

 

Doug Taylor

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Alan Adler
Sent: Tuesday, February 16, 2016 4:18 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] PEE WEE'S BIG COMEBACK

 

 

Back in the late 1970’s I apprenticed the troupe and was a manager for the 
Groundlings Theater in LA on Friday nights.

 

Paul Reubens initiated a new character - a naive kid who just got off the bus - 
who in the storyline eventually evolved into a comic.

All of LA was mythic and eye-opening to this character and he had a way of 
making you see the fairy tale of it all through his eyes.

 

This was the first appearance of Pee-Wee and on successive Friday nights he 
would appear and hone the character - change things here or there - draw in the 
audience more and more - Until he finally put together Pee-Wee’s Playhouse - 
the stage production - with other members of the Groundlings group - truly 
brilliant comic talents.

 

The movies were fun, I thought -

But, all I can say is that in person in those early days and through the 
development of Pee-Wee’s stage show -

I have seen few things funnier or laughed at fewer things harder that I did 
that show.

 

Rubens would come out tossing candy to everyone, dancing on his tip toes, 
engaging the audience.

I don’t know what it was - but he definitely tapped something both mythic and 
absurd - a wonderful and unusual combination.

 

Paul was always a very kind and gentle person, even quiet, and it was a shame 
he hit the Hollywood Babylon skids as he did.

We all have our feet of clay -

But in the old days - when it was fresh and never seen before - his act was 
nothing short of scream out loud riotous - you literally couldn’t get the air 
out of your lungs fast enough.

 

Jeez, I’d love to see something that funny once again!

 

Alan

 

 

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Re: [MOPO] PEE WEE'S BIG COMEBACK

2016-02-16 Thread Doug Taylor
I can kindof see why the first Zoolander became a cult hit…not my taste, 
particularly, but I can see it catching on.

 

Would completely agree about Extras.  (Gervais is simply a brilliant comedian.)

 

Regards

 

Doug Taylor

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Adrian Cowdry
Sent: Tuesday, February 16, 2016 3:19 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] PEE WEE'S BIG COMEBACK

 

I will not disagree and be judgemental about Ben Stiller as a person nor his 
family - but as an actor someone told him once that he was funny and he 
believed them...he is much better as a director...his funniest thing ever was 
being in Extras with Ricky Gervais - great respect for that because he took a 
great deal of micket taking.

But really? What has he done that is funny? Everything is forgettable that he 
has done.

 

 

This Never Happened to the Other Fella

Adrian Cowdry
 <mailto:jboh...@aol.com> jboh...@aol.com

 

 

-Original Message-
From: Doug Taylor < <mailto:douglasbtay...@hotmail.com> 
douglasbtay...@hotmail.com>
To: MoPo-L < <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> MoPo-L@LISTSERV.AMERICAN.EDU>
Sent: Tue, 16 Feb 2016 20:12
Subject: Re: [MOPO] PEE WEE'S BIG COMEBACK

Living in Sarasota (original home of Pee Wee) I can say that he is rather liked 
around here because the location of his dastardly deeds has resulted in a 
rather profitable tour.

 

Regarding Ben Stiller, I haven’t seen the latest (which has been destroyed by 
the critics) but I can tell you that I hold his wife Christine Taylor (and her 
mother) in the highest regard.  They are acquaintances (our daughters performed 
in Annie together) and are absolutely amazingly humble and well-grounded 
people.  I’ve seen Ben (not met him) and suspect that he, personally, is also a 
pretty good person. 

 

Regards

 

Doug Taylor

 

From: MoPo List [ <mailto:mopo-l@LISTSERV.AMERICAN.EDU?> 
mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Michael Greenwood
Sent: Tuesday, February 16, 2016 2:59 PM
To:  <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] PEE WEE'S BIG COMEBACK

 

I disagree strongly.  Pee Wee's Big Adventure is terrific and an all time fave 
of mine.

 

The honour you speak of belongs to the reprehensible Adam Sandler.  There is no 
defending him or his films.

 

M

 

  _  

From: MoPo List < <mailto:mopo-l@LISTSERV.AMERICAN.EDU> 
mopo-l@LISTSERV.AMERICAN.EDU> on behalf of Adrian Cowdry < 
<mailto:0029edc23ec7-dmarc-requ...@listserv.american.edu> 
0029edc23ec7-dmarc-requ...@listserv.american.edu>
Sent: Tuesday, February 16, 2016 1:36 PM
To:  <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] PEE WEE'S BIG COMEBACK 

 

Pee wee should be shot - he is the worst - absolute worst person to be allowed 
on the movie screen - and that is saying a lot when you have Jerry Lewis and 
Ben Stiller around!

 

This Never Happened to the Other Fella

Adrian Cowdry
 <mailto:jboh...@aol.com> jboh...@aol.com

 

 

-Original Message-
From: Kirby McDaniel < <mailto:ki...@movieart.com> ki...@movieart.com>
To: MoPo-L < <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> MoPo-L@LISTSERV.AMERICAN.EDU>
Sent: Tue, 16 Feb 2016 15:15
Subject: [MOPO] PEE WEE'S BIG COMEBACK

Mopolistas: 

 

You may need to log-in to the New York Times to read this.  PEE WEE’S HOLIDAY 
will play on Netflix.

 

 <http://www.nytimes.com/2016/02/14/magazine/pee-wees-big-comeback.html?> 
http://www.nytimes.com/2016/02/14/magazine/pee-wees-big-comeback.html?


 <http://www.nytimes.com/2016/02/14/magazine/pee-wees-big-comeback.html?> 

 <http://www.nytimes.com/2016/02/14/magazine/pee-wees-big-comeback.html?> 
Pee-wee’s Big Comeback - The New York Times

 <http://www.nytimes.com> www.nytimes.com

Pee-wee’s Big Comeback. After disappearing for nearly three decades, Paul 
Reubens’s subversive alter ego returns — and seems more radical than ever.

 

MEKA-LEKA-HI-MEKA-HINEY-HO!!!

 

 

Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  mobile 512 589 5112
 <http://www.movieart.com> www.movieart.com
 <https://www.facebook.com/movieart.austin.texas> 
https://www.facebook.com/movieart.austin.texas
 <http://www.pinterest.com/movieartaustin/> 
http://www.pinterest.com/movieartaustin/

 

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 <https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1> 
https://listserv.american.edu/scripts/wa-american.exe?SUBED1=MoPo-L=1 

 

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Re: [MOPO] PEE WEE'S BIG COMEBACK

2016-02-16 Thread Doug Taylor
Living in Sarasota (original home of Pee Wee) I can say that he is rather
liked around here because the location of his dastardly deeds has resulted
in a rather profitable tour.

 

Regarding Ben Stiller, I haven't seen the latest (which has been destroyed
by the critics) but I can tell you that I hold his wife Christine Taylor
(and her mother) in the highest regard.  They are acquaintances (our
daughters performed in Annie together) and are absolutely amazingly humble
and well-grounded people.  I've seen Ben (not met him) and suspect that he,
personally, is also a pretty good person. 

 

Regards

 

Doug Taylor

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Michael
Greenwood
Sent: Tuesday, February 16, 2016 2:59 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] PEE WEE'S BIG COMEBACK

 

I disagree strongly.  Pee Wee's Big Adventure is terrific and an all time
fave of mine.

 

The honour you speak of belongs to the reprehensible Adam Sandler.  There is
no defending him or his films.

 

M

 

  _  

From: MoPo List <mopo-l@LISTSERV.AMERICAN.EDU
<mailto:mopo-l@LISTSERV.AMERICAN.EDU> > on behalf of Adrian Cowdry
<0029edc23ec7-dmarc-requ...@listserv.american.edu
<mailto:0029edc23ec7-dmarc-requ...@listserv.american.edu> >
Sent: Tuesday, February 16, 2016 1:36 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> 
Subject: Re: [MOPO] PEE WEE'S BIG COMEBACK 

 

Pee wee should be shot - he is the worst - absolute worst person to be
allowed on the movie screen - and that is saying a lot when you have Jerry
Lewis and Ben Stiller around!

 

This Never Happened to the Other Fella

Adrian Cowdry
jboh...@aol.com <mailto:jboh...@aol.com> 

 

 

-Original Message-
From: Kirby McDaniel <ki...@movieart.com <mailto:ki...@movieart.com> >
To: MoPo-L <MoPo-L@LISTSERV.AMERICAN.EDU
<mailto:MoPo-L@LISTSERV.AMERICAN.EDU> >
Sent: Tue, 16 Feb 2016 15:15
Subject: [MOPO] PEE WEE'S BIG COMEBACK

Mopolistas: 

 

You may need to log-in to the New York Times to read this.  PEE WEE'S
HOLIDAY will play on Netflix.

 

http://www.nytimes.com/2016/02/14/magazine/pee-wees-big-comeback.html?


 <http://www.nytimes.com/2016/02/14/magazine/pee-wees-big-comeback.html?> 

 <http://www.nytimes.com/2016/02/14/magazine/pee-wees-big-comeback.html?>
Pee-wee's Big Comeback - The New York Times

www.nytimes.com <http://www.nytimes.com> 

Pee-wee's Big Comeback. After disappearing for nearly three decades, Paul
Reubens's subversive alter ego returns - and seems more radical than ever.

 

MEKA-LEKA-HI-MEKA-HINEY-HO!!!

 

 

Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  mobile 512 589 5112
www.movieart.com <http://www.movieart.com> 
https://www.facebook.com/movieart.austin.texas
http://www.pinterest.com/movieartaustin/

 

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=1 

 

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Re: [MOPO] David Bowie passing

2016-01-11 Thread Doug Taylor
I found it a really depressing way to start the day.  I was very sad to read
it.

 

Admittedly David Bowie was an acquired taste, but like his music or not he
was truly and renaissance man as an entertainer.

 

Regards

 

Doug Taylor

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Ben
Wadley
Sent: Monday, January 11, 2016 4:26 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] David Bowie passing

 

I thought it is worth mentioning that although Bowie was a truly gifted
musician, he also made a valuable contribution to the film industry.
Nominated for a Golden Globe for his song Cat People from the movie of the
same name, he can claim up to 39 acting credits. With film appearances such
as 'The Man Who Fell To Earth' / Christiane F. / The Hunger / Merry
Christmas Mr Lawrence / Yellowbeard / Absolute Beginners / Labyrinth / Last
Temptation Of Christ / August and The Prestige to name a few, his
contribution to the arts is worth remembering.

 

He will be sadly missed.RIP David.

 

Best wishes

 

Ben Wadley

All About Movies Pty Ltd (retailers of Vintage Movie Posters and Lobby
Cards)

Website: www.allaboutmovies.com.au <http://www.allaboutmovies.com.au/> 

Like All About Movies on Facebook:
https://www.facebook.com/AllAboutMoviesAu?pnref=lhc

Follow us on Twitter: www.twitter.com/AllAboutMovies1
<http://www.twitter.com/AllAboutMovies1> 

Linked In Profile: https://www.linkedin.com/pub/ben-wadley/1b/221/376

Like my Disc Jockey Facebook page:
https://www.facebook.com/allegrodjentertainment?pnref=lhc

 

 

 

 

 

 

 

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Re: [MOPO] UK Antiques Roadshow: Strange valuations

2016-01-06 Thread Doug Taylor
I’ve never owned one, but have the fabulous US OS on ebay right now, at an 
incredibly reasonable price.

 

It’s item number 331748348383, but in the interest of safety, please don’t 
everyone try to click buy it now at the same time.  I’ve seen that kind of 
frenzy knock a person’s index finger right out of the socket.

 

Regards

 

Doug Taylor

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of James Gresham
Sent: Wednesday, January 6, 2016 4:40 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] UK Antiques Roadshow: Strange valuations

 

I think I sold mine to Walter Reuben for $8500.

 

On Wed, Jan 6, 2016 at 3:22 PM, Wim Jansen <w...@bqjansen.demon.nl 
<mailto:w...@bqjansen.demon.nl> > wrote:

In any case a nice item for anyone who is not in poster collecting. As any item 
found in AR and similar shows whether a cuckoo clock, furniture or a poster is 
about insurance value I’m not too bothered about the valuations.

Nice enthusing item I think.

 

Very curious whether there has indeed never been a sale of the WotW quad.

 

Wim

 

Op 6 jan. 2016, om 20:46 heeft Posteropolis <posteropo...@bell.net 
<mailto:posteropo...@bell.net> > het volgende geschreven:





I saw that Roadshow and couldn’t believe it when he said 100,000 pounds.

 

Have no idea where he got that figure. I know many of the appraisers, dealers 
themselves of course, have a very high-end clientele who probably pay 
ridiculous sums for things (and thus many of the valuations tend to be at Saudi 
oil sheik levels) but even so I thought that one was over the top.

 

 

  _  

From: MoPo List [ <mailto:mopo-l@LISTSERV.AMERICAN.EDU> 
mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of martin last
Sent: January-06-16 2:02 PM
To:  <mailto:MoPo-L@LISTSERV.AMERICAN.EDU> MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] UK Antiques Roadshow: Strange valuations

 

Check out this link for an AR piece on British Quads - broadcast last week:

 

 <http://www.bbc.co.uk/programmes/p03cvthv> 
http://www.bbc.co.uk/programmes/p03cvthv

 

It was good to see a long feature (maybe too long) on movie posters but I was 
not totally convinced at the info given on the Lawrence of Arabia re-release 
(value) and the War of the Worlds poster (i.e. the fact that no quad exists and 
that if it did it would fetch £100,000 upwards).

 

The LoA estimate of £5,000 is surely out given that  Heritage have sold two for 
less than $1,000 (inc. BP). Pre-awards would be a different story.

 

As regards the WotW. I could have sworn that I have seen one in a catalogue, on 
a website or on TV. In fact, I have a feeling that I actually saw one on the UK 
AR many years back. It was in a large collection of 50s/60s quads. I cannot 
find any reference to it now but I also cannot believe that a 1950s quad for a 
not-so-fantastic movie could fetch £100,000+.

 

Any thoughts? Anyone remember that UK AR show? The guy had a mouth-watering 
collection.

 

 

 

 

 


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-- 

 <http://www.greshamsseasonalservices.com> Gresham's Seasonal Services, Inc.

 

  
<http://i114.photobucket.com/albums/n257/skycandle/gsslogoplatesnow_zps14705d30.jpg>
 

President | Owner - Macomb County

O: 586-677-SNOW | F: 586-677-5669

 

 

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[MOPO] WTS Casablanca OS

2015-11-23 Thread Doug Taylor
Well, my Casablanca OS VF- also came from a Heritage auction, and is
available for purchase.

 

The Heritage description for my poster was:

 

Casablanca (Warner Brothers, 1942). One Sheet (27" X 41").

 

The image on this one sheet of trench coat wearing Humphrey Bogart wielding
a gun, while protecting a gorgeous Ingrid Bergman, is recognized the world
over. Created by legendary poster designer Bill Gold, this classic piece
features a newspaper style layout, in which multiple key scenes from the
film are highlighted. For many, this would be considered the crown jewel of
one sheets, as it comes from what is thought to be the closest to perfection
a film has come. Serious collectors will not want to miss out on the chance
to add this fantastic item to their collection. Prior to restoration, the
poster had pinholes in the corners, a small tear in the left border, minor
paper loss in the folds, a bend in the top left corner, and additional
folding along the center horizontal fold. Fine/Very Fine on Linen.

 

I am accepting offers BELOW the already bargain price of $77,675 that last
Saturday's Heritage poster achieved.

 

Regards

 

Doug Taylor

 <http://www.linkedin.com/in/douglasbtaylor> Profile

 


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Re: [MOPO] current conversation on shipping at Heritage

2015-07-14 Thread Doug Taylor
Married 3 times?  Lightweight.

I'm with my 4th, last and best wife, Mary.

Regards

Doug Taylor
Profile

-Original Message-
From: pickmeis...@cox.net [mailto:pickmeis...@cox.net] 
Sent: Tuesday, July 14, 2015 1:41 AM
To: Douglas B Taylor; MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] current conversation on shipping at Heritage

Boy, I remember that too, Doug! That was a long time ago, but those butt scars 
take a long time to heal.
(I've been married three times soI know.) Poster dorks are like platypuses, 
funny looking but able to inflict painful wounds when disturbed or threatened.
(Ask my three wives.)
Greg Douglass
PS-Since this IS a poster forum... I just ought a combo half sheet from Attack 
of the Crab Monsters/Not of This Earth that I love, with the red background, 
in great condition. Got me to thinking; anyone ever seen the six sheet combo 
for this double bill up close and for real? Man, I'd LOVE to own one of those 
someday, but it's kind of likeHaley's Poster; it doesn't come around too 
often. I think I saw one for auction on Heritage, back when I had no money, but 
now?  I'll keep watching the skies for that one.

 Douglas B Taylor douglasbtay...@hotmail.com wrote: 
 I still find it difficult to sit down, after the blistering I got from my 
 first post that had about 20 poster images of my want list.
 
 
 
 
 
 
 Ouch.
 
 Doug Taylor
 
 
 
 
 
 From: pickmeis...@cox.net
 Sent: ‎Monday‎, ‎July‎ ‎13‎, ‎2015 ‎1‎:‎53‎ ‎AM
 To: MOPO
 
 
 
 
 
 Yes, we've had some grand flame wars during the history of MOPO! This was 
 a mere skirmish in comparison. I
 've only threatened one poster person with bodily harm, and that was over 
 the phone. This guy wanted to buy a poster from me but kept dragging his 
 heels, wouldn't send a deposit, and was generally not somebody I wished to 
 deal with anymore. Someone else offered me a ton of dough for the same poster 
 and I sold it. This guy called me and became incredibly unpleasant, insulting 
 me and basically calling me a crook, a scumbag,the usual dickhead 
 repertoire of lame insults. I calmly reminded him that he had every chance to 
 purchase the poster but did not come through with anything resembling a 
 payment. I also calmly reminded him that i had his physical address and would 
 be happy to show up at his doorstep in a couple of hours with another linen 
 backed one sheet which i would then insert in his back passage without the 
 use of lubricating liquids. Free of charge. I'm a generous fellow. (It is 
 very, very hard to piss me off, by the way, butTHIS guy was a piece of 
 work.) 
 I never heard from him again.
 Sometimes, the written word just doesn't convey a message as well as the 
 warm, soothing sound of the human voice, does it?
 
 Carry on, my fellow poster dorks!
 Greg Douglass
  David Kusumoto davidmkusum...@hotmail.com wrote: 
  
 
 
 Yes, all this is true, but as a member since the 1990s, things have a way of 
 working themselves out, with Scott having to jump in only a handful of times. 
   People kind of police themselves and/or things usually die out on their 
 own.  And in my view, there have been way more horrific fights over genuine 
 scams that have been battled out than this.  I confess that watching the 
 occasional verbal fracas break out sometimes reveals character and 
 temperamental thresholds that were not meant to be seen.  As a news vulture, 
 we love this; this is why disgruntled employees and disgruntled customers 
 are the source of most stories.  So long as no one gets physically hurt - nor 
 is threatened with physical harm in public or private - (the latter which HAS 
 occurred in the past) - I'm indifferent.  -d.
  
  Date: Sun, 12 Jul 2015 16:48:42 +1000
  From: b...@allaboutmovies.com.au
  Subject: Re: current conversation on shipping at Heritage
  To: MoPo-L@LISTSERV.AMERICAN.EDU
  
  Hi Franc
  
  thanks for your comment. I certainly agree with you - censorship is not a 
  good thing. However, surely we can have some basic rules where by if you 
  make posts personally attacking others using the 'F' and any other words 
  like it then they should not be used. On the topic of private messages 
  being published then that I think is a point in time where an administrator 
  should step in and say a rule of the forum has been broken. Otherwise the 
  word'private' has no meaning and the forum becomes like the wild west and 
  anybody can abuse anyone without consequence. Belonging to a forum that has 
  that potential is scary.
  
  Regards
  
  BenAll About Movies www.allaboutmovies.com.auFrom: Franc 
  [mailto:fdav...@verizon.net]
  Sent: Sunday, 12 July 2015 3:57 PM
  To: Ben Wadley
  Cc: MoPo-L@LISTSERV.AMERICAN.EDU
  Subject: Re: [MOPO] current conversation on shipping at Heritage 
  Ben, while I don't disagree with your sentiment, I'm also not in 
  favor of censorship in connection with this board. I'm also not in 
  favor of people who troll

[MOPO] Patrick Macnee

2015-06-25 Thread Doug .
 I almost never post on Mopo but I felt the need upon the passing of Patrick Macnee at age 93.Well done Patrick!I will raise a glass tonight in celebration of of an actor of true brilliance‎.Your portrayal of John Steed in The Avengers was beyond inspired. That bowler hat and umbrella belong in a museum.‎I feel no sorrow in his passing as his was a life well lived.SentfrommyBlackBerry10smartphoneontheFidonetwork.


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Re: [MOPO] What the heck is this?

2015-03-02 Thread Doug Taylor
Gotta be a knockoff.  I'm just surprised the Academy wouldn't chase these
down.  They are so protective about everything Oscar.

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Peter
Contarino
Sent: Monday, March 2, 2015 4:06 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] What the heck is this?

 

It infers in the description it's not authentic. Difference between this
and others is the authentic base

 

 

On Mar 2, 2015, at 3:35 PM, Richard Halegua Comic Art wrote:





At 05:57 AM 3/2/2015, Doug Taylor wrote:



It looks so legit, but you,ve got to figure the Academy would be chasing
anybody who started making Oscar replicas.
 
http://www.ebay.com/itm/231493095706?_trksid=p2055119.m570.l4467
http://www.ebay.com/itm/231493095706?_trksid=p2055119.m570.l4467_trkparms=
gh1g%3DI231493095706.N19.S2.M-2262.R1.TR1
_trkparms=gh1g%3DI231493095706.N19.S2.M-2262.R1.TR1 


I think it's a knock-off Doug..

from the listing:
Stands 13.5 inches tall and weighs 8.5 pounds. Difference between this and
others is the authentic base 



 

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Re: [MOPO] What the heck is this?

2015-03-02 Thread Doug Taylor
The seller sent me the following:

 

It comes from overseas, because of course the Academy's copyright is too
strong in the US. Supposedly it is cast from an actual Oscar mold that was
acquired by the manufacturer. I just don't ask too many questions...


Interesting.

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Peter
Contarino
Sent: Monday, March 2, 2015 4:06 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] What the heck is this?

 

It infers in the description it's not authentic. Difference between this
and others is the authentic base

 

 

On Mar 2, 2015, at 3:35 PM, Richard Halegua Comic Art wrote:





At 05:57 AM 3/2/2015, Doug Taylor wrote:



It looks so legit, but you,ve got to figure the Academy would be chasing
anybody who started making Oscar replicas.
 
http://www.ebay.com/itm/231493095706?_trksid=p2055119.m570.l4467
http://www.ebay.com/itm/231493095706?_trksid=p2055119.m570.l4467_trkparms=
gh1g%3DI231493095706.N19.S2.M-2262.R1.TR1
_trkparms=gh1g%3DI231493095706.N19.S2.M-2262.R1.TR1 


I think it's a knock-off Doug..

from the listing:
Stands 13.5 inches tall and weighs 8.5 pounds. Difference between this and
others is the authentic base 



 

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Re: [MOPO] What the heck is this?

2015-03-02 Thread Doug Taylor
Good point.

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Tommy Barr
Sent: Monday, March 2, 2015 6:39 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] What the heck is this?

 

Don't know why everyone is worrying about this. If you want an original Oscar 
all you have to do is act in, write, compose for, direct, cinematograph, 
make-up, sound record, design, produce, etc.,a brilliant film. Simple!

 

Tommy

 

On Mon, Mar 2, 2015 at 11:25 PM, Doug Taylor douglasbtay...@hotmail.com 
mailto:douglasbtay...@hotmail.com  wrote:

The seller sent me the following:

 

“It comes from overseas, because of course the Academy's copyright is too 
strong in the US. Supposedly it is cast from an actual Oscar mold that was 
acquired by the manufacturer. I just don't ask too many questions...”


Interesting.

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU 
mailto:mopo-l@LISTSERV.AMERICAN.EDU ] On Behalf Of Peter Contarino
Sent: Monday, March 2, 2015 4:06 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: Re: [MOPO] What the heck is this?

 

It infers in the description it's not authentic. Difference between this and 
others is the authentic base

 

 

On Mar 2, 2015, at 3:35 PM, Richard Halegua Comic Art wrote:

 

At 05:57 AM 3/2/2015, Doug Taylor wrote:

It looks so legit, but you‚ve got to figure the Academy would be chasing 
anybody who started making Oscar replicas.
 
http://www.ebay.com/itm/231493095706?_trksid=p2055119.m570.l4467 
http://www.ebay.com/itm/231493095706?_trksid=p2055119.m570.l4467_trkparms=gh1g%3DI231493095706.N19.S2.M-2262.R1.TR1
 _trkparms=gh1g%3DI231493095706.N19.S2.M-2262.R1.TR1 


I think it's a knock-off Doug..

from the listing:
Stands 13.5 inches tall and weighs 8.5 pounds. Difference between this and 
others is the authentic base 

 

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[MOPO] What the heck is this?

2015-03-02 Thread Doug Taylor
It looks so legit, but you've got to figure the Academy would be chasing
anybody who started making Oscar replicas.

 

http://www.ebay.com/itm/231493095706?_trksid=p2055119.m570.l4467
http://www.ebay.com/itm/231493095706?_trksid=p2055119.m570.l4467_trkparms=
gh1g%3DI231493095706.N19.S2.M-2262.R1.TR1
_trkparms=gh1g%3DI231493095706.N19.S2.M-2262.R1.TR1

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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Re: [MOPO] 20 Years of MoPo!

2015-02-25 Thread Doug Taylor
I didn't get a harrumph from that guy.

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of bqjansen
Sent: Wednesday, February 25, 2015 3:38 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] 20 Years of MoPo!

 

Hip hip!

 

Wim

MoPo List User

Op 24 feb 2015, om 20:09 heeft Scott Burns het volgende geschreven:





Well we made it to 20 after all!

 

Today marks MoPo's 20th Anniversary. For the last couple of years, our
anniversary has been preceded by a discussion about how little we actually
discuss posters on this forum. This year it was John Reid's February 12th
post, How MoPo has Changed, pointing out the lack of discussion or comment
on movie posters. In 2014, in time for our 19thbirthday, Helmut posted an
analysis of MoPo posts (84% were either auction or for sale posts) and
former member Bruce H. mentioned how 2 other poster forums are pretty dead.
I find it just an interesting coincidence that this seems to happen just
about every February 24th! But no matter.MoPo is still chugging along.

 

We've survived longer than I ever dreamed (much longer than the majority of
Hollywood marriages). On February 24, 1995 the first official MoPo post was
distributed via American University's listserv. There were 11 members at the
start, and as is my annual custom, I recognize these MoPo pioneers:  Mahtab
Moayeri, Michael Danese, Rob Ellis, Donna Tschetter, Goh Kai Shen, Evan
Zweifel, George Nichol, Cindy Nemeth-Johannes (we lost Cindy in 2008, but
her husband Jay is still a member), Jeff Static (AOL'er Static555), Adam
Ehrlich and myself. In addition to Jay, Michael, Rob and Evan are still
members.

 

Last year I wondered whether MoPo would make it to 20, or if it even should.
Well, here we are and I guess we'll soldier on.at least until American
University decides to shut down their listserv! I do hate to see longtime
members leave, (Poster seller Bruce Hershenson and the prolific Tom Martin
are 2 examples of people who exited this past year), but that's the way of
Internet forums.

 

Thanks to all of you for keeping this relic of the 20th century alive for
yet another year!

 

Scott

MoPo List Owner

 

 

 


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[MOPO] FS: Forbidden Planet, Invasion of the Saucer-Men, War of the Worlds OS

2015-02-09 Thread Doug Taylor
Just cleaning out a few things from my collection.

 

I have a great 1950's SciFi Trifecta on ebay, item # 331473769911.  NM,
VF+ and VF+ respectively.  These are really nice pieces.

 

Buy it Now or Best Offer.

 

Regards

 

Doug Taylor

 


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Re: [MOPO] HEDY LAMARR, INVENTOR

2015-01-24 Thread Doug Taylor
That's Hedley!

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Saturday, January 24, 2015 10:38 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] HEDY LAMARR, INVENTOR

 

 

https://www.tumblr.com/reblog/109066512885/r35sW8VX

 

 

Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  mobile 512 589 5112
www.movieart.com http://www.movieart.com 
https://www.facebook.com/movieart.austin.texas
http://www.pinterest.com/movieartaustin/

 

 

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Re: [MOPO] My 2014 MOPO THINK-ABOUT-IT QUESTION

2014-12-31 Thread Doug Taylor
Great story.  Thanks for sharing.

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Phillip
Ayling
Sent: Wednesday, December 31, 2014 5:35 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] My 2014 MOPO THINK-ABOUT-IT QUESTION

 

Greg,

 

Forbidden Planet is a great choice. Greg, as you are a guitarist and you
also mention the amazing music in Forbidden Planet, I thought I would write
a bit about the score for the film that is not well known. In 1956, MGM,
which was the Production Company behind Forbidden Planet, had a full-time
and tenured Symphony Orchestra on staff at the studio. During this time all
of the other major Hollywood studios also had their own unique full-time
staff orchestras per agreements with the Musicians Union ( American
Federation of Musicians).

 

MGM also had its own group of famous composers and arrangers on staff from
the 30's through the 60s.  Before David Rose became famous as the composer
for Bonanza, Little House on the Prairie, and songs like Holiday for Strings
and The Stripper, he was doing arrangements and rehearsal piano work at MGM.
In fact, it was during this time at MGM  that the considerably older David
Rose became involved with the teenage Judy Garland. Though still married he
gave Judy Garland an engagement ring on her 18th birthday, which was kept
under wraps at the time by MGM. Later, after his own divorce from Martha
Raye became final, David Rose then became Judy Garland's first husband.

 

Anyway, after various composers were considered and approached about doing
the score for Forbidden Planet, eventually the assignment fell to David
Rose.  David Rose and the MGM Orchestra recorded music for Forbidden Planet,
but almost all of it is now lost.  Dore Schary who was head of MGM, didn't
particularly like Rose's melodic approach and threw the score out. It is not
clear if Dore Schary had ever expressed to David Rose his desire to have an
avant-garde type of score for the film. 

 

Anyway, Dore Schary had secretly engaged the husband and wife team of Louis
and Bebe Barron who were involved in early experiments with electronic music
to do some demos of electronic music for the film. They worked on it for
many months. The Barron's used early synth-type gear of their own design,
ring modulators, reverb and tape delay effects to create the unique sonic
landscape that we hearin Forbidden Planet.

 

When Schary decided to use the Barron's work in Forbidden Planet instead of
the score from David Rose and the MGM Orchestra, the Musicians Union
objected because they felt it wasn't 'real music'. Their real concerns were
also about future employment for the MGM Orchestra as well. The MGM Symphony
would eventually be dissolved about 12 years later.

 

The Barron's work was the very first electronic sound design style score
and even they weren't sure what to call it. Nonetheless, the original screen
credit was supposed to read:

Electronic Music by Louis and Bebe Barron

 

The Musicians Union was furious and they absolutely did not want the credit
to have music in it. They had an ongoing Collective Bargaining Agreement
with MGM that gave them standing on the issue. Legal on both sides worked
out a settlement and the Barron's final credit on the film was as
Composer(s): Electronic Tonalities.

 

While that may not seem like a big change, it was. Absence of the word
music meant that this revolutionary score for this big budget and now
iconic Sci-Fi film couldn't even be nominated for an Academy Award for
music, let alone win. Contrast that with the synth/sound design score of
Trent Reznor and Atticus Ross for The Social Network, which in my opinion is
far from revolutionary or even great in context for the needs of the film.
That score was both nominated and won the Academy Award for music a couple
of years back. 

In the case of Forbidden Planet, it isn't about the Robber Barons, but
rather the BARRONS  was robbed!

 

Best Wishes and Happy New Year to All 

 

 

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Gregory
Douglass
Sent: Wednesday, December 31, 2014 8:40 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: Re: [MOPO] My 2014 MOPO THINK-ABOUT-IT QUESTION

 

Pardon me for weighing in late on this question, but it has been the busiest
December EVER for this self-employed guitar picker (21 live shows total, and
that's with no New Year's Eve gig!) Add a recently acquired bad cold to the
mix and you get a guy whose recreational computer time has been minimal.

Unquestionably, the film that completely hooked me on cinema, the
horror/sci-fi genre, AND movie posters, all during one trip to the El Rey
theater in Walnut Creek, CA when I was six, was Forbidden Planet. I can
recall snippets of films that my parents took me to prior to that, but I
remember every moment of this sic-fi classic. While some

Re: [MOPO] Is anyone receiving MOPO posts today?

2014-11-26 Thread Doug Taylor
I am.

 

Also, Grey, congrats on the auction and thanks for your help with my pieces.

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Smith,
Grey - 1367
Sent: Wednesday, November 26, 2014 2:29 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Is anyone receiving MOPO posts today?

 

 

 

 

 

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Re: [MOPO] [FA] World's Largest Collection

2014-11-19 Thread Doug Taylor
What a great story and what a wonderful collection Morris has.  I've been
lucky enough to pick up a few things for my collection from him, over the
years.

 

As much fun as I've had completing my Best Picture collection, and dabbling
in 50's Sci-Fi and Film Noir, I can only imagine how much fun he has had
building a collection of such scale.

 

Good luck to him on the sale.

 

Regards

 

Doug Taylor

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Alan
Adler
Sent: Wednesday, November 19, 2014 4:55 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] [FA] World's Largest Collection

 

Mopos and Morrie-ites

 

Have a fun story that I always remember whenever Morrie's name is mentioned.

 

About 25 years ago, my wife and I were traveling blue highways from west
coast to the east coast for 6 weeks with about 15K in posters in the old SUV
-

We stopped at every junk shop we saw and traded posters for toys, just
before toys took off.

(I figured if movie posters were art - then toys were sculpture - and I
couldn't get enough.)

 

Had never met Morrie but called him and we arranged to meet at a Holiday Inn
or something in Cleveland or Columbus - 

But the fun thing was we took over a banquet room and each took tables to
lay out hundreds of posters.

Imagine a 2 man movie poster convention.

 

He was keen for a bunch of my not so valuable but tough to find titles from
the 1950's to fill in blanks in his holdings

And I went for anything that looked cool -

My favorite was the kicker in the deal - a Belgian Flash Gordon on linen he
gave me - still a cherished piece.

 

One thing I can say about Morrie is that he's the real McCoy.

A collector's collector and a great guy.

Whatever millions come to him, good for him.

I hope he has a great time spending the money!

 

Alan

 

 

Please Visit Our New Website:


WWW.MUSEUMOFMOMANDPOPCULTURE.COM http://WWW.MUSEUMOFMOMANDPOPCULTURE.COM 

And Our Ebay Store:

http://stores.ebay.com/Museum-Store-Gifts

 

 

 

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Re: [MOPO] [FA] World's Largest Collection

2014-11-19 Thread Doug Taylor
Now we're getting somewhere.

Regards

Doug Taylor
Profile

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Richard
Halegua Posters + Comic Art
Sent: Wednesday, November 19, 2014 5:03 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU; MoPo-L@LISTSERV.AMERICAN.EDU;
MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] [FA] World's Largest Collection

the likelihood we dealers could split this up in any fashion and not kill
each other in the process is about zero


At 01:41 PM 11/19/2014, Richard C Evans wrote:
I don't know Rich.

They're your bunch of dealers, I'm just suggesting how they could 
equitably split it up!


On 19 Nov 2014, at 21:34, Richard Halegua Posters + Comic Art wrote:

  while I am sure there could be a profit motive, let me ask what 
 dealers do you think could afford such a lot Richard?
 
  Maybe Heritage could buy the collection and feed it through their 
 auctions for years to come, but beyond that, I don't think any 
 dealer with $6m in the bank would be interested as they would 
 already be near retiring with what they have.
  the economics of selling  trying to get back 6m would be at the 
 very least - a daunting task
  Heritage does 8m or so annually and to my mind would be the 
 singular sales possibility, but only if they can expect to double 
 or triple their money by the slow sales of 3-4 years time (I'm sure they
could)
 
  I can't see any dealer involvement beyond that, unless someone 
 acts as an agent/bidder at the auction to shield the identity of the real
buyer
 
  Rich
 
 
  At 01:22 PM 11/19/2014, Richard C Evans wrote:
  Consigning to auction/s would be a solution for a group wouldn't it?
 
  Though admittedly, this just being idle speculation, haven't 
 looked at maths, whether likely profit outweighs risk or what time 
 frame market could bear.
 
 
  On 19 Nov 2014, at 20:43, Richard Halegua Posters + Comic Art wrote:
 
   At 11:47 AM 11/19/2014, Richard C Evans wrote:
   Would be interested to know what the view is on whether, if 
 this sells, it's likely to stay complete or be broken up.
  
   I can't imagine anyone buying this collection to break it up
   the starting bid is $6mil and the most likely buyers would be 
 institutional collections.
  
   the BFI or the Academy being the 2 most obvious interested partys
  
   someone asked me if a bunch of dealers would group together  
 buy it, but here's the question to that how would you expect a 
 bunch of dealers to actually split it up?
   the fights that would be engendered would be epic.
  
   The collection has at least one lobby card from every Lon 
 Chaney movie and every Boris Karloff movie. how would such portions be
divided?
  
   the collection will sell to one buyer, who will use it for exhibits
  
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Re: [MOPO] SEX!

2014-08-21 Thread Doug Taylor
My wife collects shoes and purses…sorry, “handbags”.

 

When I lived in Hong Kong our Regional Director had an assistant that did 
everything for him.  We called him the RD’s “handbag”.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of peter 
contarino
Sent: Thursday, August 21, 2014 1:25 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] SEX!

 

Ha! I can’t discuss that Tommy…Kirby is spot on. Most of the women I have seen 
at poster shows over the years have been standing behind their husband or 
boyfriend looking disapprovingly. 

I imagine bruce h. can tell you the exact number of female collectors worldwide 
and perhaps offer a cool pie chart of some sort.

 

From: Tommy Barr [mailto:tommymb...@gmail.com] 
Sent: Thursday, August 21, 2014 12:11 PM
To: peter contarino
Subject: Re: [MOPO] SEX!

 

Where do you keep them?

 

On Thu, Aug 21, 2014 at 4:59 PM, peter contarino pcontar...@triad.rr.com 
mailto:pcontar...@triad.rr.com  wrote:

Hi Tommy. I have 3 of the probably 12 women in the world who collect movie 
posters:)

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU 
mailto:mopo-l@LISTSERV.AMERICAN.EDU ] On Behalf Of Tommy Barr
Sent: Thursday, August 21, 2014 8:36 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: [MOPO] SEX!

 

Bet that got your attention. I notice that all the names of contributors to 
this site appear to be male - are there any female members of MOPO? And is 
movie poster collecting mainly a male preserve?

Tommy

 

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[MOPO] Probably already been talked about or discussed to death, but...

2014-05-06 Thread Doug Taylor
.I've been traveling and haven't kept up very well.

 

Interesting concept, although not the best examples.

 

http://www.buzzfeed.com/erinlarosa/movie-posters-improved-with-animation

 

Regards

 

DBT

 


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[MOPO] WTB

2014-03-29 Thread Doug Taylor
Designing Women  Silk Stockings OSs (Jacques Kapralik styles), VF or
better.

 

Please let me know condition, price, and send pic.

 

Thank you,

 

DBT

 


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Re: [MOPO] HERITAGE JUST PASSED ONE MILLION smackers

2014-03-22 Thread Doug Taylor
I contributed.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Saturday, March 22, 2014 6:45 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] HERITAGE JUST PASSED ONE MILLION smackers

 

for today's auction.  

 

 

Kirby McDaniel

MovieArt Original Film Posters

P.O. Box 4419

Austin TX 78765-4419

512 479 6680  www.movieart.com http://www.movieart.com 

https://www.facebook.com/movieart.austin.texas

mobile 512 589 5112

 

 

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Re: [MOPO] PSH RIP

2014-02-03 Thread Doug Taylor
I didn't used to feel this way, but now I do.  

 

I think drugs, violence, etc depicted in film/TV desensitizes the viewers
over time and has resulted in a level of tolerance that contributes to the
problems we're seeing today.  I never would have said that 20 years ago, but
I believe it now.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce
Hershenson
Sent: Monday, February 3, 2014 2:31 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] PSH RIP

 

Does movies and TV making light of drug use and drug dealing contribute at
all? And peer pressure is a real factor. If you are around a group of people
who think it is cool to do hard drugs, are you not far more likely to be
drawn into it yourself?

 

On Mon, Feb 3, 2014 at 11:30 AM, Johnson Tom tmjbr...@gmail.com
mailto:tmjbr...@gmail.com  wrote:

Amen, Kirby. Couldn't have put it better. Also, Hoffman's brilliance and his
ability to project inner suffering and a tragic tone onto the screen in all
his portrayals had everything to do with who he was and what he was up
against personally, and everything to do with his very sad and unfortunate
end. He was among the most gifted and endearing actors I've ever watched,
and I will sorely miss the decades of work I was looking forward to. 

-Tom

 

On Mon, Feb 3, 2014 at 8:39 AM, Kirby McDaniel movieartaus...@gmail.com
mailto:movieartaus...@gmail.com  wrote:

Phiip Seymour Hoffman has left behind a body of work that I cannot help but
admire.  That is separate from any admiration I might

have for him personally - or not.  I did not KNOW him.  His drug addiction
has robbed us of another artist.   The profession of acting

is diminished by his death.  When he appeared in a film, I could go to that
film, knowing that his performance would always be interesting.

 

Drug addiction is everybody's problem.  Incarceration is not the answer.
Education is the first line of defense, as with most problems.  And taking

the profit out of dealing in illicit drugs by the legalization of most drugs
is worth a serious consideration.   This would not cure drug addiction, but

it would change the nature of the problem.  And what we have done for
decades in the so-called war on drugs is an expensive ghastly flop.   

 

Kirby 

 

  

 

 

On Feb 3, 2014, at 8:18 AM, allen day aday_5...@yahoo.com
mailto:aday_5...@yahoo.com  wrote:





A group of young people were playing ball in the back yard. Going after an
errant throw, a young man hurdled a small fence, lost balance, and fell
awkwardly. His neck met a small object on the ground, larynx crushed, he
died. (True story that happened when I was a kid).

 

I am sure that everyone may recall a similar or worse publicly tragic
circumstance. 

 

Everyone is just 'one decision away' from unintended consequences.

 

PSH was polite enough to keep his decisions private.

 

ad

 


  _  


From: Adrian Cowdry jboh...@aol.com mailto:jboh...@aol.com 
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU  
Sent: Monday, February 3, 2014 2:42 AM
Subject: Re: [MOPO] PSH RIP

 

Sorry...

I can't admire anyone who takes drugs and especially in this manner - he was
a great actor but he should not be made heroic drug taking is in my opinion
the worst kind of self abuse.



 

 

This Never Happened to the Other Fella

Adrian Cowdry
jboh...@aol.com mailto:jboh...@aol.com 

 

 

-Original Message-
From: rodxmorgan rodxmor...@yahoo.com mailto:rodxmor...@yahoo.com 
To: MoPo-L MoPo-L@LISTSERV.AMERICAN.EDU
mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Sun, 2 Feb 2014 19:33
Subject: [MOPO] PSH RIP

A tragic loss.
 
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[MOPO] RIP Philip Seymour Hoffman

2014-02-02 Thread Doug Taylor
Damn.  A great American actor.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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[MOPO] testing - anybody there?

2013-12-15 Thread Doug Taylor
 

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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Re: [MOPO] GRAVITY

2013-10-24 Thread Doug Taylor
IMAX 3D is a must for that film.

It really is surprising...and what a role Sandra Bullock.  I'm not her
biggest fan but that film is as close to a one-person tour de force as you
might get.

Regards,

DBT

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Thursday, October 24, 2013 11:39 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] GRAVITY

We went to see GRAVITY tonight. For all my Facebook buddies: Get to the
biggest, baddest 3D screen you can find and see this movie. Do not see this
film in 2D, because it is the most astounding 3D film ever. A real ride! And
full of surprises. Don't wait for video. See this big and in 3D. The stereo
photography performs the function of an actor, really, layering content upon
content. An achievement. This experience resonates with seeing 2001: A SPACE
ODYSSEY in Cinerama -- and I was there for that!  It may be showing in IMAX
in your area.  That would be a good choice.  Worth every penny!

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Re: [MOPO] Hanging a Six Sheets

2013-09-15 Thread Doug Taylor
I have an extra few inches left on the LB all the way around and have it
painted black or some appropriate color and then mount it to a stretcher
board.  Pretty inexpensive and looks great on the wall.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Susan
Heim
Sent: Sunday, September 15, 2013 6:33 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Hanging a Six Sheets

 

This is a common way that I recommend to customers also.  Once the grommets
are in place you can even hang it, like a tapestry, with decorative chain.
One thing to do is put grommets in the bottom two corners and middle also
and then put a wooden dowel behind the bottom of the excess linen, put
washers ands screws through the front of the excess linen and now you have a
weight to hold the poster from rolling up on you from the bottomgood
luck.
 
Sue
www.hollywoodposterframes.com http://www.hollywoodposterframes.com  
 

  _  

Date: Sun, 15 Sep 2013 17:20:17 -0500
From: brucehershen...@gmail.com mailto:brucehershen...@gmail.com 
Subject: Re: [MOPO] Hanging a Six Sheets
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 

Here's a cheap way, if they left at least 1 all the way around. Get some
circular metal grommets and have someone cut matching size holes in the top,
and put around five or six across the top. Then put hooks in the wall and
voila!

It is not perfect, and your poster will pick up dust and dirt, but it is
cheap and quick.

 

On Sun, Sep 15, 2013 at 3:23 PM, Phillip W. Ayling mro...@earthlink.net
mailto:mro...@earthlink.net  wrote:

I would welcome any advice regarding hanging a linen-backed six sheet.

 

Thanks,

 

Phil Ayling

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-- 

Bruce Hershenson and the other 29 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take
lunch)
our site http://www.emovieposter.com/ 
our auctions http://www.emovieposter.com/agallery/all.html 

 
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Also, please read the following three pages of in-depth Customer Reviews of
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Page 3
http://www.emovieposter.com/images/announcements/buyerreviews_page3.jpg ,
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and our auctions so very different from all others!

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Re: [MOPO] Hanging a Six Sheets

2013-09-15 Thread Doug Taylor
All true.

 

My title hanging this was is Dark Corner.a nice image but not particularly
expensive to replace, if damaged.

 

Regards,

 

DBT

 

From: Susan Heim [mailto:filmfantast...@msn.com] 
Sent: Sunday, September 15, 2013 6:48 PM
To: Doug Taylor; MoPo-L
Subject: RE: [MOPO] Hanging a Six Sheets

 

Yes Doug...that is another option. Six sheets are problematic, let alone
extremely expensive to custom frame.  I do often have 6 sheets linenbacked
and have them leave about 3 of excess linen and then stretch it on a
stretcher bar the way you would a painting.  That gives you something to
hang it up with. However, you have to build a good stretcher bar with
supports in the middle of the square so the poster doesn't sag over time.
The fabric is a bit different in it's characteristics  when it has paint on
it. Paint acts as a natural sealant and doesn't allow the fabric to stretch
much.  Paper mounted to the fabric doesn't do the same thing so, unless it's
stretched properly, it can keep on stretching and sag.  Of course, the
poster displayed this way, or any way, without a plexiglass covering, does
leave it susceptible to junk in the air or something getting spilled on it,
especially if you have little hands in the house that like to touch
everything.  I had a customer once who had a very expensive title he wanted
to hang without the cost of framing.  It was a poster worth well over
$20,000.  Framing was about $3000. My feeling is if you have something of
that value, you just got to spring for the framing to protect it..
 
Sue
 

  _  

From: douglasbtay...@hotmail.com mailto:douglasbtay...@hotmail.com 
To: filmfantast...@msn.com mailto:filmfantast...@msn.com ;
MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: RE: [MOPO] Hanging a Six Sheets
Date: Sun, 15 Sep 2013 18:40:39 -0400

I have an extra few inches left on the LB all the way around and have it
painted black or some appropriate color and then mount it to a stretcher
board.  Pretty inexpensive and looks great on the wall.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Susan
Heim
Sent: Sunday, September 15, 2013 6:33 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: Re: [MOPO] Hanging a Six Sheets

 

This is a common way that I recommend to customers also.  Once the grommets
are in place you can even hang it, like a tapestry, with decorative chain.
One thing to do is put grommets in the bottom two corners and middle also
and then put a wooden dowel behind the bottom of the excess linen, put
washers ands screws through the front of the excess linen and now you have a
weight to hold the poster from rolling up on you from the bottomgood
luck.
 
Sue
www.hollywoodposterframes.com http://www.hollywoodposterframes.com  
 

  _  

Date: Sun, 15 Sep 2013 17:20:17 -0500
From: brucehershen...@gmail.com mailto:brucehershen...@gmail.com 
Subject: Re: [MOPO] Hanging a Six Sheets
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 

Here's a cheap way, if they left at least 1 all the way around. Get some
circular metal grommets and have someone cut matching size holes in the top,
and put around five or six across the top. Then put hooks in the wall and
voila!

It is not perfect, and your poster will pick up dust and dirt, but it is
cheap and quick.

 

On Sun, Sep 15, 2013 at 3:23 PM, Phillip W. Ayling mro...@earthlink.net
mailto:mro...@earthlink.net  wrote:

I would welcome any advice regarding hanging a linen-backed six sheet.

 

Thanks,

 

Phil Ayling

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http://www.filmfan.com 

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-- 

Bruce Hershenson and the other 29 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take
lunch)
our site http://www.emovieposter.com/ 
our auctions http://www.emovieposter.com/agallery/all.html 

 
http://www.emovieposter.com/images/announcements/unparalled_customer_servic
e.png 


Complete Buyer Protection
http://www.emovieposter.com/unused/20120625ad_emovieposter_no_buyer_beware_
buyer_warranty.jpg  - No time limit on our guarantees  NO buyer beware
Hershenson Help Hotline
http://www.emovieposter.com/images/announcements/20120906_mcw_ad_hershenson
_help_hotline_forsite.jpg  - Direct line to Bruce (our owner!) for urgent
problems
Also, please read the following three pages of in-depth Customer Reviews of
our company - Page 1
http://www.emovieposter.com/images/announcements/buyerreviews_page1.jpg ,
Page 2
http

Re: [MOPO] Heritage Sells $1.86mm in July Signature Auction!

2013-07-29 Thread Doug Taylor
Bid on 3 lots...got 2, I'm happy.

Regards

DBT
Profile

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Tom
Martin
Sent: Monday, July 29, 2013 10:55 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Heritage Sells $1.86mm in July Signature Auction!

well Grey, that was a real respectable sale for starters... but next
time  lets see what you can really do///  like they do Downtown... :) But
that was pretty decent since you all live in Texas.. Next time though make
it TEXAS size.. OK? we are all counting on ya..  
Heritage Rocks!


 Original Message 
From: gre...@ha.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: RE: [MOPO] Heritage Sells $1.86mm in July Signature Auction!
Date: Mon, 29 Jul 2013 02:15:17 +

1008 Lots sold this weekend for $1.86 million in Heritage's July
Signature Auction with 1267 bidders participating. 94% of the lots sold 
with highlights seen below.
65 lots of Post Auction Buys are now available online at
http://movieposters.ha.com/c/search-results.zx?N=54+794+4294950922ic
=catalog_pabs_link




* 83237   $262,900.00 Frankenstein (Universal, 1931). Insert
(14 X 36).



* 83413   $71,700.00 The Wizard of Oz (MGM, 1939). Half
Sheet (22 X 28) Style A and Partial Pressbook



* 83036   $41,825.00 The Adventures of Robin Hood (Warner
Brothers, 1938). Six Sheet (81 X 81).



* 83369   $38,837.50 Citizen Kane (RKO, 1941). One Sheet
(27 X 41) Style A.



* 83222   $35,850.00 The Thin Man (MGM, 1934). One Sheet
(27 X 41) Style C.



* 83415   $31,070.00 Gold Diggers of 1933 (Warner Brothers,
1933). One Sheet (27 X 41) Style B.



* 83109   $28,680.00 The Three Stooges in Mutts To You
(Columbia, 1938). One Sheet (27 X 41).



* 83110   $26,290.00 The Three Stooges in Playing the Ponies
(Columbia, 1937). One Sheet (27 X 41).



* 83021   $21,510.00 Ocean's 11 (Warner Brothers, 1960).
Door Panel Set of 6 (20 X 60).



* 83291   $20,912.50 Sunset Boulevard (Paramount, 1950). One
Sheet (27 X 41) Style A.



* 83236   $20,315.00 Dr. Jekyll and Mr. Hyde (Paramount,
1931). Jumbo Lobby Card (14 X 17).



* 83235   $19,120.00 Dr. Jekyll and Mr. Hyde (Paramount,
1931). Jumbo Lobby Card (14 X 17).



* 83240   $16,730.00 The Invisible Man Returns (Universal,
1940). One Sheet (27 X 41).



* 83416   $15,535.00 Moon Over Miami (20th Century Fox,
1941). One Sheet (27 X 41) Style B.



* 83151   $14,340.00 2001: A Space Odyssey (MGM, 1969). One
Sheet (27 X 41) Psychedelic Eye Style.



* 8   $11,950.00 Baby Face (Warner Brothers, 1933). One
Sheet (27 X 41)



* 83014   $11,352.50 The Public Enemy (Warner Brothers,
1931). Window Card (14 X 22).



* 83375$11,352.50 Disraeli (Warner Brothers, 1929). One
Sheet (27 X 41) Style A.



* 83436$11,352.50 Cabin in the Sky (MGM, 1943). One
Sheet (27 X 41) Style C.



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Re: [MOPO] We recently discovered complete records of our very firstonline sales from May 1999!

2013-07-07 Thread Doug Taylor
I spite of being treated well, getting extreme good service and fair prices,
I've stayed loyal all these years.

Regards,

DBT

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Tom
Martin
Sent: Sunday, July 07, 2013 1:31 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] We recently discovered complete records of our very
firstonline sales from May 1999!

well when you treat people well, give extreme good service and
prices and are fair... dont be surprised if they come back or tell thier
friends!!  you prove what I have always thought was important in any
business or relationship.. honesty and service.. Keep it Up.best always, Tom


 Original Message 
From: brucehershen...@gmail.com
To: dreamfact...@hollywooddreamfactory.com
Subject: Re: [MOPO] We recently discovered complete records of our very 
firstonline sales from May 1999!
Date: Sun, 7 Jul 2013 06:04:12 -0500

Thanks Tom. It really amazed me to look over the list of online
buyers from
1999 and see just how many of them are *STILL *regular
eMoviePoster.com
buyers!


On Sat, Jul 6, 2013 at 7:18 PM,
dreamfact...@hollywooddreamfactory.comwrote:

 wow that's great Bruce !!! i am so glad you found that data! also
 shows a growth pattern.. best of luck for many more years of
success
 you have done a good job.
 
 
  Original Message 
 From: brucehershen...@gmail.com
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: RE: [MOPO] We recently discovered complete records of
our
 very first online sales from May 1999!
 Date: Sat, 6 Jul 2013 15:42:18 -0500
 
 *We recently discovered complete records of our very first
online
 sales
 from May 1999 (which had been lost for many years!)*
  We have always known that we started auctioning on eBay
early
 in May
 of 1999, but our records from that time were in a very primitive
 Microsoft
 Works table that we soon abandoned, and a few years later, when
our
 computers were being formatted, we *THOUGHT* the file with those
 sales had
 been accidentally deleted (we now back up *EVERYTHING* in
several
 ways, to
 prevent this from ever happening again). But we just came across
 that table
 among some super-old files, so not only are we now able to add
our
 first
 1,906 Internet sales ever (from May 7th, 1999 through the end of
 that year)
 to our *Auction History
 http://www.emovieposter.com/agallery/archive.html*table, but
we
 also
 can right now share with you some interesting information about 
 how we began on eBay!
 
 Our very first auctions ever were on 5/7/99, and they were three
 test
 auctions of linenbacked one-sheets at $49.95 each, and the three
 posters
 sold to three different buyers for the minimum bid (none of
those
 three
 buyers from May 7th, 1999 are still current customers). We added
 five
 auctions on May 10th, five auctions on May 11th, and seven
auctions
 on May
 14th, and those started at a variety of prices, all well under
the
 retail
 value of the posters, and all sold (at that time, I solely
auctioned
 posters that I owned personally, because I knew that at first I
 would be
 selling for under retail, sometimes giving the posters away,
so I
 wanted
 the loss to be mine and not that of any consignor, and it was
not
 until
 12/6/1999 that I first ran an auction for a consignor that was
not a
 poster
 I owned myself).
 
 You can see a chart of those first 20 auctions below:  *Date
Sold*
 *Item
 Title* *Item Size* *Price Sold*  5/7/1999 Young Philadelphians
linen
 one-sheet $49.95   5/7/1999 Tentacles linen one-sheet $49.95
 5/7/1999 Two
 Minute Warning linen one-sheet $49.95   5/10/1999 Beast Within
 pressbook $5.50
   5/10/1999 Hunter pressbook $8.50   5/10/1999 Airplane
pressbook
 $16.50
 5/10/1999 Xanadu linen one-sheet $99.06   5/10/1999 Gauntlet
folded
 one-sheet $25.00   5/11/1999 Blues for Lovers linen one-sheet
$49.95
 5/11/1999 American Hot Wax linen one-sheet $50.00   5/11/1999
 Fiddler on
 the Roof linen one-sheet $50.95   5/11/1999 Oliver's Story
pressbook
 $2.00
 5/11/1999 Raiders of the Lost Ark pressbook $26.50   5/14/1999
 Speedway folded
 one-sheet $89.01   5/14/1999 Kagemusha Spanish folded one-sheet
 $4.95
 5/14/1999 Silver Streak folded one-sheet $9.95   5/14/1999
Summer
 1999
 Sales List Sales List
   $3.00  5/14/1999 Heaven Can Wait pressbook $12.09   5/14/1999
 Meatballs
 pressbook $15.50   5/14/1999 Spy Who Loved Me linen one-sheet
$77.00
 
 The first of the posters that were auctioned on May 10th was
bought
 by one
 of our current customers (in fact, he just had an order shipped
last
 week!), so we are awarding him an *Ultimate Bonus Offer*
(containing
 books
 with an original retail of around $500, plus a coffee table book
 that
 retails for $50 or more, like Graven Images!), for being our
longest
 term
 current online customer (he has been buying from us on the
Internet
 for 14
 years)!
 
 Starting on May 17th, we began adding around 10 auctions per day
for
 four
 days each week, and over the next few weeks, we 

[MOPO] Hollywood Poster Auction

2013-06-01 Thread Doug Taylor
Has anyone received an invoice or confirmation of purchases from last week's
auction in Columbus?  I think I won an item but haven't seen any
confirmation.

 

Regards,

 

DBT

 


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Re: [MOPO] Forest Lake man finds poster worth thousands

2013-05-22 Thread Doug Taylor
My thoughts are that this confirms we all need to listen more closely to the
voices in our head.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of
MotionPictureArt.com
Sent: Wednesday, May 22, 2013 3:03 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Forest Lake man finds poster worth thousands

 

What are your thoughts on this:

 

http://www.myfoxtwincities.com/story/22380494/goodwill-gold-forest-lake-man-
finds-poster-worth-thousands

 

Ron  Alexandra

http://www.motionpictureart.com

 

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Re: [MOPO] Pressbook CUTS and effect on value

2013-05-12 Thread Doug Taylor
Indeed an interesting subject.  

 

Many of you know that I collect Best Picture winner OS's.  For those films,
I also collect the original PB and the original program from the Oscar
ceremony.  

 

I own all but 15 of the original programs.mostly missing programs within the
first 20 years.

 

I own about 45 pressbooks from Best Picture winners.the earliest I have is
All Quiet on the Western Front.  Needless to say, I place great emphasis on
uncut PBs.  In fact, I've passed on many over the years because they were
cut.especially if the cuts impacted the poster pages.  I do, however, buy
cut PBs for the very rare years.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of MnTwister
Sent: Saturday, May 11, 2013 11:26 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Pressbook CUTS and effect on value

 

Very interesting subject, and am glad to see pressbooks discussed here a bit
more. Long ago when I was 7 and my grandfather had worked for Universal then
Fox, and my mother was an editor at Paramount, I became addicted to movies.
They frequently had pressbooks lying around the offices, and I remember
piles and piles of them. Instead of getting into posters, my ph was paved by
the red carpet of pressbooks. A good percentage of mine never got to
theaters but were brought home by me from the studios above and of course my
grandfather and mother had friends in the other studios so I was able to get
those. Luckily, many of the studios had pressbooks dating much father back
than 1960 so my collection goes much farther back. In years next 43 years, I
have managed to amass a collection of some 15,000+ pressbooks (yes I am
still buying them, many times in bulk when I can).

 

As far as cuts go, I do have some with cuts, but most of the time one small
ad or two. This has never prevented me from purchasing a pressbook for a
movie that I didn't already have. So for a collector like me, in answer to
the question, it isn't a huge issue, though I prefer uncut editions. Imagine
how much money I could have if I had taken home the posters instead, but at
that age, I preferred all of the ads and to read the press materials.

 

Bruce, I am a regular buyer in your pressbook sales. What you wrote about
the percentage of pressbooks you have is amazing, my mouth was watering. I
could spend a week just looking at those. I do know how you feel about
assorting though. This past 2 years, my friend and I have taken all of them
(all in protected covers) and separated them by studio and then alphabetized
them and rated their condition, as I may decide to sell them soon, but if
not I still have a complete list with year, studio, condition, number of
copies, number of pages, ect. It was a huge undertaking for the amount I
have and I assume the amount you have is probably dozens of times larger.
But now that I finally finished my database list, it is a wonderful feeling
to be done. So best of luck to you on the pressbook sorting. Hopefully you
have some extreme movie fans doing it who would enjoy that as much as I did.

 

Robert

 

 

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Re: [MOPO] Pressbook CUTS and effect on value

2013-05-12 Thread Doug Taylor
Great idea.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Alan
Adler
Sent: Sunday, May 12, 2013 12:12 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Pressbook CUTS and effect on value

 

You guys with millions of pressbooks should scan them all into some kind of
giant database or make CD' available by years, studios or decades.  Maybe
you could even get a grant from the Academy to do it and share with them.  

 

Alan

 

On May 11, 2013, at 8:26 PM, MnTwister wrote:





Very interesting subject, and am glad to see pressbooks discussed here a bit
more. Long ago when I was 7 and my grandfather had worked for Universal then
Fox, and my mother was an editor at Paramount, I became addicted to movies.
They frequently had pressbooks lying around the offices, and I remember
piles and piles of them. Instead of getting into posters, my ph was paved by
the red carpet of pressbooks. A good percentage of mine never got to
theaters but were brought home by me from the studios above and of course my
grandfather and mother had friends in the other studios so I was able to get
those. Luckily, many of the studios had pressbooks dating much father back
than 1960 so my collection goes much farther back. In years next 43 years, I
have managed to amass a collection of some 15,000+ pressbooks (yes I am
still buying them, many times in bulk when I can).

 

As far as cuts go, I do have some with cuts, but most of the time one small
ad or two. This has never prevented me from purchasing a pressbook for a
movie that I didn't already have. So for a collector like me, in answer to
the question, it isn't a huge issue, though I prefer uncut editions. Imagine
how much money I could have if I had taken home the posters instead, but at
that age, I preferred all of the ads and to read the press materials.

 

Bruce, I am a regular buyer in your pressbook sales. What you wrote about
the percentage of pressbooks you have is amazing, my mouth was watering. I
could spend a week just looking at those. I do know how you feel about
assorting though. This past 2 years, my friend and I have taken all of them
(all in protected covers) and separated them by studio and then alphabetized
them and rated their condition, as I may decide to sell them soon, but if
not I still have a complete list with year, studio, condition, number of
copies, number of pages, ect. It was a huge undertaking for the amount I
have and I assume the amount you have is probably dozens of times larger.
But now that I finally finished my database list, it is a wonderful feeling
to be done. So best of luck to you on the pressbook sorting. Hopefully you
have some extreme movie fans doing it who would enjoy that as much as I did.

 

Robert

 

 

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MUSEUM GIFT SHOP:

http://stores.ebay.com/Museum-Store-Gifts


ALAN J. ADLER INTERVIEW:

http://ephemera.typepad.com/ephemera/2009/09/movie-poster-collector-alan-j-a
dler-interview.html



 

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Re: [MOPO] Christies June Auction THE OUTLAW 6sh

2013-04-27 Thread Doug Taylor
Grading is always a debated topic, but I’m not sure anyone in the biz grades
as “broadly” as Christies.  I’m always skeptical about buying from them if I
haven’t personally inspected the poster.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of filip de
volder
Sent: Saturday, April 27, 2013 11:58 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Christies June Auction  THE OUTLAW 6sh

 

i stopped working with them , they lost my french 007 goldfinger
linenbacked poster in their stock , put  my original sex pistols and ramones
1977 concert posters in their catalogue with wrong venue ( how they did that
with the venue printed on the poster is beyond me) stated them as from
somewhere in the 1980s , had  an unsold poster go to cadogan tate storage
(instead of returning it to me) unable to get it back with a bill that was
going up to 700£ etc etc ...filip 
 

  _  

Date: Sat, 27 Apr 2013 08:36:32 -0700
From: neiljawor...@yahoo.co.uk
Subject: [MOPO] Christies June Auction  THE OUTLAW 6sh
To: MoPo-L@LISTSERV.AMERICAN.EDU

Hallo MOPO

 

So the Christies digital version of their May Sale Catalogue is now online
(link below) and chock-a-block with dozens of brilliant posters that we've
seen for sale hundreds of time before.

 

I haven't had time to go through it all in great detail, but it was
interesting to see them try and palm-off a Casablanca Australian Daybill as
a US insert.

 

Even more mischievously, they describe their latest Outlaw 6sheet (where are
all these Outlaw 6sheets coming from?!?) as ...only the third time this
poster has appeared for sale at Christies.  The last time this poster was
offered for sale in these rooms in 2004, it realised over £50,000.

 

A cynic might point out that it only achieved this price because Christies
encouraged the 2004 consignor to claim that they had destroyed the other
copies of this poster.

 

And a cynic did point this out (see below) to their expert Caitlin
Stonewall Graham, who didn't seem that thrilled about getting involved in
a debate with me.  Maybe she's a bit shy.

 

Anyway, Christies are having a poster sale, so check out their posters.
There are some possibly only known copies of various posters so get them
now or miss out forever!  Or at least until the next Christies sale.

 

Cheers

 

Neil

 

 

 
http://christies.scene7.com/s7/brochure/flash_brochure.jsp?company=Christie
ssku=CSK8843_SaleCatconfig=Christies/eCat_210x267_Fulllocale=enimage=Chr
isties/CSK8843_SaleCat
http://christies.scene7.com/s7/brochure/flash_brochure.jsp?company=Christies
sku=CSK8843_SaleCatconfig=Christies/eCat_210x267_Fulllocale=enimage=Chri
sties/CSK8843_SaleCat

 

 

 

- Forwarded Message -
From: Graham, Caitlin cgra...@christies.com
To: Neil Jaworski neiljawor...@yahoo.co.uk 
Sent: Thursday, 25 April 2013, 9:43
Subject: RE: ecatalogue error Lot 238 and Lot 239

 

Dear Mr Jaworski, 

 

Thank you for your email regarding the cataloguing error on Lot 238. There
is a saleroom notice on this lot to correct the error. It has not yet
updated on Christies.com but will do overnight.

 

Please do not hesitate to contact me if I can be of further assistance.

 

Kind regards,

Caitlin

 

Caitlin Graham

Pop Culture 

CHRISTIE'S

85 Old Brompton Road

London SW7 3LD

Tel: +44 (0)20 7752 3275

Fax: +44 (0)20 7752 3184

 

 

From: Neil Jaworski [mailto:neiljawor...@yahoo.co.uk] 
Sent: 24 April 2013 23:27
To: Graham, Caitlin
Subject: ecatalogue error Lot 238 and Lot 239

 

Dear Caitlin Graham

 

The Casablanca poster that you're claiming is a US insert (Lot 238) is
clearly an Australian poster.

 

Also, I was disappointed to see your narrative for The Outlaw 6sheet (Lot
239) This is only the third time this poster has appeared for sale at
Christies.  The last time this poster was offered for sale in these rooms in
2004, it realised over £50,000.

 

I think this description must redefine the term chutzpah.  The 2004 Outlaw
6sh only realised that price when Christies encouraged the consignor of the
poster to publicly state that they had destroyed other copies of this
poster.  

 

This was after it had transpired that the consignor actually had several
Outlaw 6sheets, which embarrassingly contradicted the only known copy
assertion in your 2004 catalogue.

 

Your latest catalogue's grinning wink to this shameful episode is shabby and
ludicrous.

 

Regards

 

Neil Jaworski


- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Visit www.christies.com http://www.christies.com/  to explore special
multi-media sale promotions, browse our illustrated catalogues and leave
absentee bids through LotFinder(R), Christie's online search engine, and
register for Internet bidding with Christie's Live(TM).

This message and any attachment are confidential. If you are not the
intended recipient, please telephone or email the sender and delete the
message 

[MOPO] test message

2013-04-17 Thread Doug Taylor
 

 

Regards,

 

DBT

 


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Re: [MOPO] RIP Annette

2013-04-08 Thread Doug Taylor
Annette  Margaret Thatcher on the same day?

 

Coincidence?  Maybe.  You decide.

 

Like Clark Kent and Superman, I'm not sure the two of them were ever seen in
the same place, at the same time.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kenwick
Cook
Sent: Monday, April 8, 2013 1:24 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] RIP Annette

 

http://todayentertainment.today.com/_news/2013/04/08/17656458-annette-funice
llo-beloved-mouseketeer-dies-at-70?lite

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Re: [MOPO] Deke Richards

2013-03-25 Thread Doug Taylor
I bought some of my favorite 50's Scifi posters from Deke.  Very good man.
I'm sorry to hear of his passing.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of
p...@cinemarts.com
Sent: Monday, March 25, 2013 5:42 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Deke Richards

 

Sad news. I'm sure many of us had dealings with Deke over many years.
Phil

-Original Message-
From: Adrian Cowdry [mailto:jboh...@aol.com]
Sent: Monday, March 25, 2013 04:28 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Deke Richards

Dear Mopo

Just a note to tell you all that one of our respected dealers ad friends has
passed away. Deke Richards one of the nicest grumpy old men you could have
met.



 

  http://presence.mail.aol.com/mailsig/?sn=jbohmss  This never happened to
the other fella...

Adrian Cowdry

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Re: [MOPO] Casablanca Six Sheet

2013-03-23 Thread Doug Taylor
Congrats.

 

I bought the OS, as well as a few other items that I was thrilled to acquire
(at what I thought were reasonable prices).

 

I was surprised to be the only bidder on the Mutiny on the Bounty, Style D.
I know it is not a high-demand poster but it is VF+ 1935 AA paper.  The
other copy I own is VF and I paid $2500 many years ago.  I don't think there
are more than a half dozen around.

 

Looking forward to another couple deals tonight (with a little luck).

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Ralph //
RalphDeluca.com
Sent: Saturday, March 23, 2013 3:47 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Casablanca Six Sheet

 

I find it amazing that I won one of two know Casablanca six sheets for about
half the price of what the insert sold for last auction.  Very thankful that
the winning bidder or under bidder of that insert didnt chase this six sheet
up too high!!

Ralph


 

-- 
Ralph DeLuca
http://ralphdeluca.com
800-392-4050
973-377-1007 outside the USA
ra...@ralphdeluca.com  Email 

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Re: [MOPO] FIFTY ESSENTIAL GAY FILMS

2013-03-17 Thread Doug Taylor
To quote Cary Grant, in Bringing Up Baby, I just went gay, all of a
sudden.

Regards

DBT
Profile

On Mar 16, 2013, at 7:49 PM, Kirby McDaniel wrote:

 Ok, all you wannabe-gays, here's your chance to get with the gay film
sensibility.
 
 Comments?
 
 

http://www.out.com/entertainment/movies/2011/02/09/50-essential-gay-films?pa
ge=0,0
 
 
 
 
 Kirby McDaniel
 MovieArt Original Film Posters
 P.O. Box 4419
 Austin TX 78765-4419
 512 479 6680  www.movieart.net
 mobile 512 589 5112
 
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Re: [MOPO] Bid Retraction On Heritage?

2013-03-14 Thread Doug Taylor
I've done it.  Simply called GS and he took care of it quickly.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Tom A.
Pennock
Sent: Thursday, March 14, 2013 1:55 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Bid Retraction On Heritage?

 

Is it ever possible to adjust or retract a bid on a Heritage Auction before
an auction on line (pre-date). This is possible on e-bay when an error is
made. I was just curious about this.

 

Thank's,

 

--Tom Pennock 

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[MOPO] Jaime Mendez?

2013-03-14 Thread Doug Taylor
Anybody spoken to Jaime recently?  I've 3 posters with him and can't seem to
reach him on email or phone.

 

Thanks

 

DBT

 


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Re: [MOPO] OT: Audrey Hepburn's latest TV commercial.

2013-03-14 Thread Doug Taylor
Can't comment on the commercials but I got to meet her, briefly, in the
mid-80's.helped her on with her jacket.  She was struggling with it, a bit,
and I helped her.  She was startled, at first, than perfectly.beautifully,
elegant.

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: Thursday, March 14, 2013 6:37 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OT: Audrey Hepburn's latest TV commercial.

 

Interesting reactions from MoPoers (intriguingly, all private) to the latest
Audrey Hepburn commercial.  Some hated it or thought Audrey's image looked
fake.  Others thought it was poignant.  Meanwhile, here's the other,
earlier, more famous (and equally controversial) Audrey commercial that
incorporated footage from 1957's Funny Face to sell skinny jeans for The
Gap (2006).  It shows Audrey dancing to AC/DC's Back in Black.  

The 30-second Gap commercial can be viewed by clicking the link above or
below the photo below: 
http://bit.ly/ZLsFH1
  http://i920.photobucket.com/albums/ad49/PRtoday/audrey-gap.jpg 
http://bit.ly/ZLsFH1

A memorable article in the Huffington Post in late 2006:

http://www.huffingtonpost.com/danny-miller/audrey-hepburn-dead-is-th_b_29484
.html

...captures the controversial gist of using dead people to sell products. -
d.

  _  

Date: Mon, 11 Mar 2013 14:28:28 -0700
From: davidmkusum...@hotmail.com mailto:davidmkusum...@hotmail.com 
Subject: OT: Audrey Hepburn's latest TV commercial.
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 

** AUDREY HEPBURN RETURNS TO LIFE IN A CHOCOLATE AD. ** Not everyone likes
this spot, whereby a CGI-generated Audrey is meshed with new footage as she
sings Moon River in the background. This spot was authorized by her sons,
Sean Ferrer and Luca Dotti. I personally think it's fine.  Click on the link
below Audrey's image.  (Bruce first posted this video on his FB wall last
week.)

http://bit.ly/ZEdVtp
  http://i920.photobucket.com/albums/ad49/PRtoday/audrey.jpg 
http://bit.ly/ZEdVtp

~~
Audrey Hepburn Resurrected For New Commercial

By JARETT WIESELMAN, E.T. News



February 26, 2013

 Dearly departed Audrey Hepburn is the latest celebrity to be
resurrected by the ad industry so she can star in a new commercial.
 In the spot for Galaxy (a British chocolate brand), Hepburn is
sightseeing in Italy when her tour bus gets delayed. Luckily she stops
across from a handsome stranger as her version of Moon River begins to play.
What happens from there is classic Hepburn, but how did the ad come to be?
 Hepburn's sons, who control her estate, authorized the use of her image
for a fee. Sean Ferrer and Luca Dotti say their mother would be proud of
her new role, adding in a press release that she often spoke about her love
of chocolate and how it lifted her spirit.
 Hepburn is not the first (nor will she be the last) dead celebrity who
Madison Avenue has brought back to life thanks to advanced technology used
in order to hawk a product. Chris Farley shilled for DirecTV, Fred Astaire
danced for Dirt Devil, John Lennon rocked out for Rock Band, Gene Kelly
grooved for Volkswagen, John Wayne sipped on Coors Light and Kurt Cobain
wore his Doc Martens in heaven.
 You'll also recall that Hepburn already starred in another modern day
ad when The GAP had her pushing pants.

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Re: [MOPO] OT - Why Steven Spielberg Is A Loser In Hollywood.

2013-03-01 Thread Doug Taylor
I thought Silver Linings was Best Picture, followed by Argo.  Lincoln would
have been 3-5 on my ballot.

 

DDL and Spader were great, but I found the film uninspired and a bit
manipulative from the opening scene of the conversation between Lincoln and
the two soldiers.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: Friday, March 1, 2013 6:55 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] OT - Why Steven Spielberg Is A Loser In Hollywood.

 

A pair of interesting stories evaluating why Steven Spielberg - who, along
with pre-1996 Martin Scorcese are my favorite still-living directors of
all time - is a big loser when it comes to winning awards.  Argo was fine,
but I thought Lincoln and the Silver Linings Playbook were better.
Meanwhile, this year's Oscars telecast with Seth MacFarlane made me vomit in
my mouth a little.  The first article is from Buzz Feed, the second is from
the NY Times. - d.





“Argo” Win Makes Steven Spielberg Hollywood's Biggest Loser


Once again, the Best Picture prize slips from his hands. What does Hollywood
have against its most successful resident? 

by Richard Rushfield - BuzzFeed Staff Writer, February 24, 2013

 
http://s3-ec.buzzfed.com/static/enhanced/webdr03/2013/2/23/17/enhanced-buzz
-25736-1361658499-3.jpg 

Image by Mario Anzuoni / Reuters

Tonight, Hollywood officially turned its back on its king. Again. The
triumph of Argo in the Best Picture race, snatching victory from the jaws of
Lincoln brings Steven Spielberg's win-loss record to a dismal one victory in
seven at bats for entertainment's biggest prize. 

And tonight, not only did he lose out on the Best Picture prize that once
seemed his, but the consolation prize of Best Director, the category in
which Argo's Affleck was not even nominated, was also snatched away and
handed to Life of Pi's Ang Lee.

For a man who is widely considered Hollywood's godfather — who is in his
unbelievable fifth decade at the top of the heap, who has reigned
untouchable since before many of today's young directors were born — facing
up to yet another defeat at the hands of his people starts to look like a
clear and consistent rebuff. 

Worse still, Spielberg's films are not just distant also rans. Most of his
seven nominated films were at some point in their campaigns considered
favorites to win the whole thing, making Spielberg the Academy's Charlie
Brown, forever having the football pulled away. 

This year in particular. for a brief moment between the Oscar nominations
being announced and the Golden Globes, Spielberg's Lincoln looked like a
shoo-in to win the prize. Only to see Argo stage a last minute surge and
steal its thunder again. 

So to what do we attribute this ongoing snub? Chalk it up to Hollywood's
love/hate relationship with its greats. The number one thing Hollywood hates
is failure. The sad fates of those who have fallen beneath the C list
demonstrate every day how little empathy the town has for those who can't
soar with the eagles. 

But the number two thing Hollywood hates is success. Praying for the
downfall of its mighty is practically the industry's official religion.

Spielberg these days is such a venerable figure that one can easily forget
his historically troubled history with the Academy. After receiving one for
a Best Picture nominations for his first outing — Jaws, but then being
denied for nearly a decade that followed, Oscar finally broken down and
ponied up nods for E.T. — when it became the day's highest grossing of all
time — and Color Purple. 

But both those films still lost out on the grand prizes, and to add insult,
he was shut out in Best Director category throughout the 70s and 80s as
well.

After the Color Purple loss, Academy officials were so alarmed by the serial
snubbing of Hollywood's most successful director that they took the unheard
of step of bestowing upon Spielberg at age 40 the Thalberg Lifetime
achievement award, until then reserved for septuagenarians at the end of
their careers. 

It wasn't until seven years later, when he made a three hour holocaust film
that Oscar finally couldn't deny giving him their grand prize for
Schindler's List. But since then, it has been a 20 year sea of also-rans.

Of course, he hasn't gone completely unrecognized. Eight Best Picture
nominations is something most directors will never even dream of. Add to
that, two Best Directing awards making him the most awarded director since
William Wyler in the 1950's.

But still, somehow the Best Picture prize keeps sliding from his grasp, and
for a man at the top of Hollywood, to be the town's perpetual also-ran in
its biggest contest has to be galling.

In a town with — despite the disruptive presence of the internet — a fixed
number of studios and a shrinking number of major releases, entertainment
remains a zero-sum game. Celebrating the achievement of the man with a
permanent 

Re: [MOPO] King Kong's 80th Birthday

2013-02-19 Thread Doug Taylor
Kong's better looking.

Regards,

DBT

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Tuesday, February 19, 2013 10:38 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] King Kong's 80th Birthday

King Kong is 80?  Yeah, well so is YOKO!

;)




Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  www.movieart.net
mobile 512 589 5112

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Re: [MOPO] King Kong's 80th Birthday

2013-02-19 Thread Doug Taylor
Tom,

Your honest and level-headed comments are really putting a damper on our
senseless Yoko bashing.

Regards,

DBT


-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Tom
Martin
Sent: Tuesday, February 19, 2013 3:23 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] King Kong's 80th Birthday

You guys crack me up Yoko must have been born in 1923?? 
well when I first hear the two virgins album when it came out in what 1969??
I thought Lennon and Ono went cucko... and when they didthe Peace bed thing
in Montreal... and then he even came to ann arbor Mich to do the free John
Sinclair rally  as they jailed him for smoking dope... and so The Beatkes
and John always influenced me in Pop culture and since I played Music they
where a big inspiration
they also disbanded in 70 so it was very odd But through the years Ive
grown to see that Yoko was a free thinker and i can see that just like any
art its all interpitation
Funny thing is I quit music pusueing in 1980 after John was shot as i was so
shaken by the entire thing... here was a guy that got killed by a fan...
what a waste and so when my kid wanted to be in Music I told him all the
pitfalls.. so whats he do.?? Goes into Music and film... 
Also Johnny told me that while inHamburg Lennon and the beatles would piss
on peoples heads that where going to church on sunday morn in Hamburg.. I
guess they where real rowdy bunch...

So to me Yoko is cool and part of the whole 60s ,, movement along with
Wharhol and the dada movement and the other art movements of the time... the
Voice and all was just a extention  of originality and crossing the limits
of expression almost like a cry of primal screeming so in a way I think
that why lennon loved her as he too saw all the BS of society.. and thats
why he compared the Beatles attraction to Jesus was that he saw they where
just simple Liverpool lads that with some beefed up marketing from Epsiten
where able to project a image that peopel made up half the time.. they just
went with the flow.. like the LSD lucy inthe sky withdiamonds and more...
all just peopel seeing in it what they wanted

well I was emailing with Julian Lennon and i told him about my sones film...
not relizing salami JOE the film is about a Buluga whale sauage...recipe...
well Julian ironiically did a film about saving whales... so I offended him
a isuspect but he defriended me off facebook...  which Then i wrote and
kidded him as to being a limey and also that i would take away his white
geather status  that he thinks was a omen from aboriginies in austrailia
that his dad said would help him. so I sent him into orbit 

Then I joked on the AMIA list awahile back... that Paul wrote all the John
songs to archivists world over...I thought it was a hoot as It was always a
joke who wrote what... well the archivists got theire feathers rufflesd and
through me off the Group... yep... so the beatles appear to love me. I
once talked to Lindas step mom ..
John eastmans wife and my friend was her neighbor in ScarsdaleNY where she
came from a poster friend In UK had Mal evans ) beatles
Roadie) daughter that helped selling posters and stuff Once in NYC at a
trade show.. Avi hersh a button maker said you shouldme paul he would like
yourstuff as he collects animation...I came two inches from shaking hands in
Detroit when His manager met me backstage in
1976 on a wings tour,, Brian brawley,,, and as i turned my back Paul and
linda hopped in a limo and took off waving,,,  they had to leave the airport
by 9pm for a noise ordinance.,, that was so close.. like
3 foot...  I did meet Pete best and took him to a jazz bar with the band in
Toledo called Rustys and we talked... seems his mom owned the van , and
rehearsal place and was like the manager ,,, and when Brian came on board he
said the mom has to go if you want me and so did Pete...
Can you imagine that so me being kicked off newslist is nothing
comapared to pete being kicked out of the Beatles..
In summery I think Yoko is a sweetheart and she misses John so much and she
is trying still to forgive and get world peace... To me shes a pillar and
john would be proud of her and Sean and even Julian although Julian seems
deeply hurt and yet loves his dad and even collects beatle stuff, does
photography and music and seems like a great soul also... we all are just
trying to find our way in this crazy thing we call Life... I like the beatle
lyrics and in the end the love you take is equal to the love you make..
sums it up for me...
God bless everyone...




 Original Message 
From: posteropo...@bell.net
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] King Kong's 80th Birthday
Date: Tue, 19 Feb 2013 13:17:05 -0500

and has a better singing voice.


-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of
Helmut
Hamm
Sent: February-19-13 12:36 PM
To: 

Re: [MOPO] As The Dracula Lawsuit Turns-Final Update

2013-01-22 Thread Doug Taylor
Diane,

 

I'm so sorry to hear about this ending to the saga.

 

All the best to you in the future.  I truly believe that, ultimately, good
things happen to good people (although I also recognize that sometimes bad
things happen to good people).

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Diane
Jeffrey
Sent: Tuesday, January 22, 2013 9:18 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] As The Dracula Lawsuit Turns-Final Update

 

To All  - 

 

Well, after numerous postponements, numerous letters to the Judge and over 3
years in time, today I received a Judgment against me in the amount of:

$263,312.50, plus attorney fees of $18,134.80.  That is our justice system,
and in my opinion, not its finest moment!.

 

Thank you to all that tried to help me, and to all the encouraging private
emails I received about this.

 

Diane

Studio C

 

PS - If you see an old lady that appears to need help crossing the street,
or if you see something in this world that appears to be morally not right,
DO NOT do anything, I repeat, DO NOT do anything!!! Lesson for today.

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[MOPO] Best wishes

2012-12-23 Thread Doug Taylor
Friends at MOPO,

 

I wish you all, and all of your families, a happy and healthy holiday season
and new year.

 

Best wishes,

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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Re: [MOPO] FLASH FROM HERITAGE

2012-11-30 Thread Doug Taylor
I've got NM and VF plus Forbidden Planet one sheets that I'd like to introduce 
to the $25k underbidder.

Regards

DBT

Sent from mobile device

From: Rix Posterz
Sent: 11/30/2012 7:41 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] FLASH FROM HERITAGE

Hey, at that high a price, wouldn't be surprised if the under-bidder
suddenly comes up with bidder's remorse.  Might have been caught in the
moment...and now that moment is gone.  I certainly feel that's one hefty  price
for a Casablanca insert.  We shall see...
 Rick


In a message dated 11/30/2012 4:21:11 P.M. Pacific Standard Time,
brucehershen...@gmail.com writes:

I have  located another example of the Casablanca insert poster. If anyone
knows the  underbidder have them contact me! Maybe there can be another
record sale,  and both parties can save the commissions.

On Fri, Nov 30, 2012 at 12:36 AM, Wim Jansen _wow@bqjansen.demon.nl_
(mailto:w...@bqjansen.demon.nl)  wrote:

Tweedle Dum, Iwrote a bit about that  character:
_http://movie-ink.com/2012/10/25/whats-in-a-name-the-case-of-tweedledum-studies-mathematics/_
(http://movie-ink.com/2012/10/25/whats-in-a-name-the-case-of-tweedledum-studies-mathe
matics/)
Wim


Op 30 nov 2012, om 05:54 heeft Daniel Kinske het volgende  geschreven:




I'd Pardon all of the flashy bidding for another chance at the  Hirschfeld
stone litho art for the pardon us one sheet, ha ha. Didn't  think it would
go so low--Stan and Ollie outsmarted me again ;) Play it  again Stan!


Tweedle-Daniel-Dum...
West Hollywood









On Nov 29, 2012, at 20:25, Alan Heimann _alanheimann@GMAIL.COM_
(mailto:alanheim...@gmail.com)  wrote:



I couldn't believe what was seeing on screen as the numbers kept  going
up..Anybody know who got into the bidding war?

On Thu, Nov 29, 2012 at 5:53 PM, Richard Evans  _evansrc@mac.com_
(mailto:evan...@mac.com)  wrote:

Wow indeed.

I've come to expect better from  Chief Commissioner McDaniel of the
Spelling  PD!

Jehoshaphat.

(There'd be a smiley attached,  but I don't do them.)

But yes, holy shit, according the the  Heritage www, $191,200 inc BP.

Hope one of the nice people on  Mopo consigned it.


Sent from my iPad


On 29 Nov 2012, at 22:06, Kirby McDaniel _kirby@MOVIEART.NET_
(mailto:ki...@movieart.net)  wrote:

 Someone  has texted me that the CASABLANCA insert sold for  $191K.

 !

 Jumpin' Jahosephat (sp?)  !!





 Kirby  McDaniel
 MovieArt Original Film Posters
 P.O. Box  4419
 Austin TX 78765-4419
 _512 479  6680_ (tel:512%20479%206680)   _www.movieart.net_
(http://www.movieart.net/)
 mobile _512 589 5112_ (tel:512%20589%205112)

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P.O. Box 874
West Plains, MO 65775
Phone:  417-256-9616 (hours: Mon-Fri 9 

Re: [MOPO] BREAKFAST AT TIFFANY'S 1-SHEET ON EBAY

2012-11-11 Thread Doug Taylor
I was the under bidder.

Regards

DBT

Sent from mobile device

From: Jeff Potokar
Sent: 11/10/2012 9:43 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] BREAKFAST AT TIFFANY'S 1-SHEET ON EBAY

The seller started the auction with an opening bid of only 15.00.

It was the competing bidders that drove the price to $3700.00, so it
wasnt as if the seller placed a very high opening bid amount that may
have made many potential bidders leery.

Any and all new sellers start with a 0 feedback score.

This seller just happened to have a desired (and legitimate) poster
that got bid up to that final price. And from the way it was
described, Im thinking the seller did not know what they actually
had, as far as value goes (but those bidding knew what they were
looking at).   ;)






On Nov 10, 2012, at 6:12 PM, Rix Posterz wrote:

 Hello, all,

Hard to believe a seller with zero feedback would sell a
 Breakfast At Tiffany's one sheet for $3700!!
 Maybe I'm too much of a sceptic. but I have always had a policy of
 taking into mind the record of the eBay seller before even buying
 something for a couple hundred bucks, let alone $3700 to someone
 with no feedback??
 Talk about rolling the dice and hoping not to be taken to the
 cleaners!  Just my two cents...
Rick


 http://www.ebay.com/itm/Rare-Authentic-Audrey-Hepburn-Movie-Poster-
 Breakfast-at-Tiffanys-/110972662972?
 pt=LH_DefaultDomain_0hash=item19d67c74bc


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Re: [MOPO] RIP BIG TEX

2012-10-19 Thread Doug Taylor
Actually started last Saturday, caused by heat from the meltdown of the
Texas Longhorn football team against their hated rival (and my alma mater)
Oklahoma Sooners.

Boomer Sooner!

Regards

DBT
Profile

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Friday, October 19, 2012 12:52 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] RIP BIG TEX

Big Tex does burning man.  Forget MCW, forget the death of print media, here
is REAL meltdown.

www.dallasnews.com



Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  www.movieart.net
mobile 512 589 5112

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Re: [MOPO] R.I.P. Movie Collector's World 1976-2012

2012-10-16 Thread Doug Taylor
I attribute at least half of my Best Picture Collection, the most complete
private collection of AA best picture OS's in the world, to Brian and MCW.
My NM Plum-style GWTW, my VF Mutiny on the Bounty, and many others were
found in this great publication.

 

Thank you Brian, very much.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce
Hershenson
Sent: Tuesday, October 16, 2012 6:55 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] R.I.P. Movie Collector's World 1976-2012

 

I am so very sad to announce that On Monday, October 15 two of the most
highly respected film buff publications, Movie Collector's World (MCW) and
Classic Images (CI) announced that they had come to an agreement on the sale
of MCW. Classic Images has agreed to buy Movie Collectors World, a Michigan
based newspaper published by Brian Bukantis since 1985. The agreement was
made on Friday, October 12. The two papers, serving movie buffs around the
world, will be merged into one monthly publication. Under the terms of the
agreement, currently active paid MCW subscribers will receive each monthly
issue of CI, beginning with the December issue, for the length of their MCW
subscription term.

Those of you who only joined this hobby the past few years only know of MCW
as a thin magazine, filled mostly with auction announcements and ads for the
foremost dealers.

But for those of us who have been in the hobby for decades, we remember so
well those pre-Internet days when a large portion of the collectors and
dealers subscribed to this then bulging publication, because it was THE
number one way to buy and sell, and pretty much the most important day of
the month was the one when MCW arrived!

This really IS the end of an era. I want to publicly thank Brian Bukantis
for publishing it the past 27 years, and for doing a superb job throughout
that time (of course, the ONLY thing he couldn't overcome was the Internet,
which is rapidly putting EVERY newspaper and magazine out of business, and
Brian should be quite proud that he was able to continue publishing as long
as he did). He is a great guy, both personally and professionally, and he
added immeasurably to our hobby. The ONLY silver lining to this is that
Brian's life now won't be spent going from one urgent deadline to another!

I will have more about this (and a farewell message from Brian) in my next
weekly e-mail club message on Sunday!

Bruce
-- 

Bruce Hershenson and the other 26 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take
lunch)
our site http://www.emovieposter.com/ 
our auctions http://www.emovieposter.com/agallery/all.html 

 
http://www.emovieposter.com/images/announcements/unparalled_customer_servic
e.png 


Complete Buyer Protection
http://www.emovieposter.com/unused/20120625ad_emovieposter_no_buyer_beware_
buyer_warranty.jpg  - No time limit on our guarantees  NO buyer beware
Hershenson Help Hotline
http://www.emovieposter.com/images/announcements/20120906_mcw_ad_hershenson
_help_hotline_forsite.jpg  - Direct line to Bruce (our owner!) for urgent
problems
Also, please read the following three pages of in-depth Customer Reviews of
our company - Page 1
http://www.emovieposter.com/images/announcements/buyerreviews_page1.jpg ,
Page 2
http://www.emovieposter.com/images/announcements/buyerreviews_page2.jpg ,
Page 3
http://www.emovieposter.com/images/announcements/buyerreviews_page3.jpg ,
which shows you in our customers' own words exactly what makes our company
and our auctions so very different from all others!

  http://www.emovieposter.com/images/announcements/bruce01.jpg 

 

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Re: [MOPO] Changes for eBay's branding

2012-09-14 Thread Doug Taylor
My old buddy Devin Wenig, former colleague at Reuters and head of the Markets 
Division at Thomson Reuters, is trying his old tricks at a new company.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of John Waldman
Sent: Friday, September 14, 2012 1:39 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Changes for eBay's branding

 

 

From a design stand point, their old logo was a 1000 times better.  But than 
again, who really cares.

 



 

From: JOHN REID Vintage Movie Memorabilia johnr...@moviemem.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, September 13, 2012 8:23 PM
Subject: [MOPO] Changes for eBay's branding

 

eBay has just launched its new logo ...

Today we’re creating the future again. We’ve been building the new eBay. And 
today, we’re proud to introduce a new look for the eBay brand.

http://pages.ebay.com/announcements/new/index.html

 

I guess someone got paid a fortune to come up with this new refreshed logo 


Our refreshed logo is rooted in our proud history and reflects a dynamic 
future. It’s eBay today: a global online marketplace that offers a cleaner, 
more contemporary and consistent experience, with innovation that makes buying 
and selling easier and more enjoyable. We retained core elements of our logo, 
including our iconic color palette. Our vibrant eBay colors and touching 
letters represent our connected and diverse eBay community – more than 100 
million active users and 25 million sellers globally and growing.

 

 


JOHN REID VINTAGE MOVIE MEMORABILIA
Website: http://www.moviemem.com/
Facebook: http://www.facebook.com/moviemem
PO Box 92
Elanora
Qld 4221
Australia

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[MOPO] WTB US Dead Reckoning OS, Style B, VF+ or better

2012-08-25 Thread Doug Taylor
I'm looking for a US Dead Reckoning Style B OS, VF+ or better, could be
backed or unbacked.  Condition is important to me.  Only original issue
1947, please.

 

Please send pictures and quotes.

 

Thank you,

 

DBT

 


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[MOPO] Testing delivery - can anyone see this?

2012-08-18 Thread Doug Taylor
 

 

Thank you

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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Re: [MOPO] ReSexiest pre-1960 actress ever? Whites Only List?

2012-07-07 Thread Doug Taylor
I'd add Garbo.

Personally, I had a thing for Greer Garson, after seeing Random Harvest.

Regards,

DBT


On Jul 7, 2012, at 6:11 AM, Bruce Hershenson wrote:

 I am going to start a three week series of Face/Offs, choosing the Sexiest
pre-1960 actress ever!
 
 Here's how it will work:
 There will be 16 to start. The first 8 days they will go against each
other. The next four days the winners of the first 8 will go against each
other. Then the next two days the winners of those four will go against each
other. and then the two last winners will have a final Face/Off!
 
 Now here are the rules:
 1) They must be incredibly sexy (so I don't think great actresses like 
 Bette Davis or Barbara Stanwyck or Joan Crawford qualify, but I am 
 open to opposing viewpoints!)
 2) They must be talented actresses who had substantial careers (so I 
 don't think super-sexy women like Jayne Mansfield or Gina Lollabrigida 
 qualify, but I am open to opposing viewpoints!)
 3) They must have had a substantial portion of their career before 1960,
and as an adult, so Natalie Wood, Ann-Margret, and tons of others don't
qualify.
 
 Here is a preliminary list (in no particular order):
 Marilyn Monroe
 Sofia Loren
 Brigitte Bardot
 Jean Harlow
 Catherine Deneuve
 Grace Kelly
 Audrey Hepburn
 Kim Novak
 Louise Brooks
 Elizabeth Taylor
 Ava Gardner
 Ingrid Bergman
 Lana Turner
 Veronica Lake
 Gene Tierney
 Rita Hayworth
 Hedy Lamarr
 Diana Dors
 
 HERE IS WHAT I AM ASKING OF YOU!
 1) Who deserves to be on the above list, but isn't?
 2) Who is on the above list, but doesn't deserve to be?
 3) What is the sexiest single image you have ever seen of any or all of
the above (or your alternate choices)? I will use the best of them to create
the Face/Off images!
 
 I will be fascinated to see what you great minds come up with. If this
goes well, I will follow it with a post-1960 version.
 
 --
 Bruce Hershenson and the other 26 members of the eMoviePoster.com team 
 P.O. Box 874 West Plains, MO 65775
 Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we 
 take lunch) our site our auctions
 
 
 
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Re: [MOPO] Poster Bucket List (just need a big enough pail big enough to hold them all!)

2012-06-20 Thread Doug Taylor
Daniel,

 

So you want to see all these posters before you go?  I think it’s doable.  J

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Daniel Kinske
Sent: Wednesday, June 20, 2012 1:15 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Poster Bucket List (just need a big enough pail big enough to 
hold them all!)

 

Hello just wanted to throw out a few posters I have on my Al Hirschfeld bucket 
list. I realize they are very hard to find, but who knows--even one if very fun 
;)  -daniel...

 

“How to Sleep” one-Sheet (MGM, 1935) with Robert Benchley.

 

“How to Behave” one-sheet (MGM, 1936) with Robert Benchley.

 

“The Chief” pressbook (MGM, 1933) with Ed Wynn.

 

Hollywood Party campaign book, color (MGM, 1935) with Mickey Mouse, Laurel 
and Hardy, Jimmy Durante, et al.

 

“Broadway to Hollywood” pressbook (MGM, 1934) with Madge Evans and Frank Morgan.

 

“The Murder Man” Campaign Book (MGM, 1935) with Spencer Tracey.

 

“Everybody Sing” 3-sheet style “A”, 1-sheet style “D” with Fanny Brice.

 

“Flirting with Fate” 6-sheet (MGM, 1938) with Joe E. Brown.

 

“Go West” 3-sheet style “A” and midget window card (MGM, 1940) Marx Brothers.

 

“Andy Hardy’s Double Life”  3-sheet style “A” (MGM, 1942) with Mickey Rooney.

 

“Politics” 6-sheet, both 3-sheets, ½ sheet “B” (MGM,  1931) with Marie Dressler 
and Polly Moran.

 

“Reducing” both 3-sheets, non roto 1-sheet, window card (MGM, 1933) with Marie 
Dressler and Polly Moran.

 

‘Meet the Baron” 6-sheet, one-sheet “D”, window card (MGM, 1933) with Jimmy 
Durante and Jack Pearl.

 

“Sons of the Desert” one-sheet “C” (MGM) 1933 with Laurel and Hardy.

 

“Baby Face Harrington” Everything except the herald and window card (MGM, 1935) 
with Charles Butterworth.

 

“Rationing” 6-sheet and 3-sheet (MGM, 1944) with Wallace Beery and Marjorie 
Main.

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[MOPO] Test

2012-06-15 Thread Doug Taylor

Is MOPO down?  I don't receive posts.




Regards,
 
DBT
  
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[MOPO] DS English Patient A OS?

2012-05-01 Thread Doug Taylor
Does anyone have, or ever seen, a DS English Patient regular style OS?  This is 
the version with Fiennes standing against the gold background...not the kissing 
style...not the review style.  It's just Fiennes on the left and credits on the 
right.

Thank you
Regards

DBT

Sent via mobile device

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Re: [MOPO] DS English Patient A OS?

2012-05-01 Thread Doug Taylor
Man, it's pretty hard to watch that AA winning epic.  Makes me want to say 
love means never having to say you're sorry. 
Regards

DBT

Sent via mobile device

-Original Message-
From: p...@cinemarts.com
Date: Tue, 1 May 2012 21:55:56 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] DS English Patient A OS?

But love of THE ENGLISH PATIENT is unconditional, n'est pas?

Phil

  -Original Message-
From: Bruce Hershenson [mailto:brucehershen...@gmail.com]
Sent: Tuesday, May 1, 2012 05:05 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] DS English Patient A OS?

But now that we know Doug wants it, it will be another $1,000 modern poster, 
like the international Bueller!


On Tue, May 1, 2012 at 3:28 PM, David Kusumoto davidmkusum...@hotmail.com 
mailto:davidmkusum...@hotmail.com  wrote:


Yes, definitely, Doug.  I owned and displayed a double-sided 27 x 40 of that 
version and it took awhile to find because many versions with the 
stand-alone-Fiennes image (w/NO reviews) also came single-sided.  After I 
fell out of love with that movie, I sold it.  Bruce also has several listed 
in his auction archives in a double-sided state.  It has never sold for very 
much, averaging around $20 or less. =d. 

http://bit.ly/IEn9Bu



 Date: Tue, 1 May 2012 17:30:31 +
 From: douglasbtay...@hotmail.com mailto:douglasbtay...@hotmail.com 
 Subject: DS English Patient A OS?
 To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 


 
 Does anyone have, or ever seen, a DS English Patient regular style OS? This 
 is the version with Fiennes standing against the gold background...not the 
 kissing style...not the review style. It's just Fiennes on the left and 
 credits on the right.
 
 Thank you
 Regards
 
 DBT
 
 Sent via mobile device
 
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-- 
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P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site http://www.emovieposter.com/ 
our auctions http://www.emovieposter.com/agallery/all.html 
 
http://www.emovieposter.com/unused/signature/20111028Frankensteinemployeegroupphotosignature.jpg
  
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[MOPO] Spider-Man 2 48 x 70 lenticulars

2012-04-08 Thread Doug Taylor
Does anyone know the provenance of these posters?

 

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=160775920848ssPageName=
ADME:X:RTQ:US:1123 item=160775920848ssPageName=ADME:X:RTQ:US:1123

 

Were these actually studio produced?  Marvel produced?  Individually
produced?

 

At 48 x 70, it seems a pretty odd size, and with no studio or actor credits
of any kind it just seems to be unrelated to the actual marketing campaign
for the film.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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Re: [MOPO] Spider-Man 2 48 x 70 lenticulars

2012-04-08 Thread Doug Taylor
Here's a link to the poster pic:

 

 http://www.burton-taylor.com/test/Posters/Spider-Man2.jpg
http://www.burton-taylor.com/test/Posters/Spider-Man2.jpg

 

The only thing it says on the poster is Tracer Graphix.  It would be
interesting to know if they are actually anything.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Jay Pea
Sent: Sunday, April 08, 2012 1:41 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Spider-Man 2 48 x 70 lenticulars

 


It is interesting, too, how the original listing, which only ended on April
2 (with a BIN sale), is no longer available to view. I thought that
completed items on ebay were viewable for 90 days after an auction ended.




--- On Sun, 4/8/12, Doug Taylor douglasbtay...@hotmail.com wrote:


From: Doug Taylor douglasbtay...@hotmail.com
Subject: [MOPO] Spider-Man 2 48 x 70 lenticulars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Sunday, April 8, 2012, 8:43 AM

Does anyone know the provenance of these posters?



http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=160775920848ssPageName=
 item=160775920848ssPageName=
ADME:X:RTQ:US:1123 item=160775920848ssPageName=ADME:X:RTQ:US:1123



Were these actually studio produced?  Marvel produced?  Individually
produced?



At 48 x 70, it seems a pretty odd size, and with no studio or actor credits
of any kind it just seems to be unrelated to the actual marketing campaign
for the film.



Regards



DBT

http://www.linkedin.com/in/douglasbtaylor Profile




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Re: [MOPO] Spider-Man 2 48 x 70 lenticulars

2012-04-08 Thread Doug Taylor
Richard,

Thanks so much for your help.  I have 3 of these, but no idea of their
value.

It was very kind of you to take the time to track them down.  Do let me know
if there is anything I can do for you.

Regards

DBT
Profile

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Richard
Halegua Posters + Comic Art
Sent: Sunday, April 08, 2012 3:35 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Spider-Man 2 48 x 70 lenticulars

Doug

I am not an expert on lenticular posters, but I suspect this poster, which
can be seen with this correct link
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem_trksid=p4340.l2557rt=ncnma=
trueitem=160775920848

is real and either studio created or Marvel comics created and maybe for
trade show exhibition, like at San Diego Comicon or another convention,
where the cost of making the poster would fit in with the cost of exhibiting
at the show.

keep in mind, the costs of creating a lenticular of this size is
considerable, and I doubt such a poster would be sent out for display to
many theatres if any at all and I also doubt it would be used for bus stops
as to print 100 of them would cost a boatload of money

I recommend going over to Allposterforum.com where the majority of
collectors there are modern era collectors and I would be surprised if
Marklawd, Dale Dilts or a couple other fellows there do not know exactly
what the poster is

Rich

ps.. I know I have a lenticular poster of this size in my warehouse for
Zathura (correct spell?) and LAMP has a list of lenticulars that do include
other bus stop sizes, but their list is incomplete. I think allposterforum
has a complete list of lenticular posters somewhere

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[MOPO] Argentina King Kong OS questions

2012-03-24 Thread Doug Taylor
This poster just sold on ebay:

 

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=360357329376
item=360357329376

 

It has interesting artwork, that is similar to this poster:

 

http://www.burton-taylor.com/test/Posters/images/KK.jpg

 

My questions are:

 

Are they both original 1933?  If so, does anyone know the difference between
the two?  Did they just release two styles or is one a reprint or re-release
of some sort?

 

Thank you

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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Re: [MOPO] Argentina King Kong OS questions

2012-03-24 Thread Doug Taylor
Decent artwork.  Too bad it's not worth anything.

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Richard
Halegua Posters + Comic Art
Sent: Saturday, March 24, 2012 4:15 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Argentina King Kong OS questions

 

same art as the 1952R US poster, so my suggestion is that the poster
pictured at your link is 1952 or later


At 01:10 PM 3/24/2012, P Molitor wrote:



There was at least one RKO rerelease:

http://petersmovieposters.com/fotos/30s-2/kingkong-arg.jpg

I was told this was a '40s release.

--Peter


--- On Sat, 3/24/12, rixpost...@aol.com rixpost...@aol.com wrote:

From: rixpost...@aol.com rixpost...@aol.com

Subject: Re: [MOPO] Argentina King Kong OS questions

To: MoPo-L@LISTSERV.AMERICAN.EDU

Date: Saturday, March 24, 2012, 10:56 AM

The one sheet from Argentina that's said to be original says that the
production company is Enterprise Films, not RKO---maybe I'm out of the
loop, but I've never heard of Enterprise Films.  It would lead me to believe
even the original poster is probably a 40's re-release.  As for the one
that sold for $1200 on eBay, I'd be willing to bet it's more likely a repro
than anything else.

  Rick

 

In a message dated 3/24/2012 10:47:16 A.M. Pacific Daylight Time,
spitfire3...@yahoo.com writes:

The actual artwork itself on both of these posters is identical. What
strikes me is that for a supposed 1st release poster (the ebay copy), there
are no production credits at the bottom (or anywhere else) and no RKO logo.

The second version has production credits at the bottom, but then is missing
that small  logo and the word Presenta at the upper right. Because of this
omission, the 3 actors' names are now not centered. And with the name
Enterprise Films in the credits, on this version, wouldn't that suggest a
later release by a local distributor?

It would be great to be able to see the small mark/symbol on the lower right
border of the ebay copy and to be able to read what is printed in the same
area of Doug's second version, too.

The bottom image is a first release poster for Kong, in Argentina.

 1933 KING KONG Linen Back 1 Sheet Movie Poster 6.5
http://i.ebayimg.com/t/1933-KING-KONG-Linen-Back-1-Sheet-Movie-Poster-6-5-/
00/$KGrHqIOKjIE1tK+FhWjBNmlp0CGkw_1.JPG 

 

 []
http://i.ebayimg.com/t/1933-KING-KONG-Linen-Back-1-Sheet-Movie-Poster-6-5-/
00/$KGrHqEOKpIE1qn127P1BNmlp8fp-g_3.JPG 



 http://www.burton-taylor.com/test/Posters/images/KK.jpg



 King Kong 1933. This is a Vintage Film Poster from Argentina an
http://www.goart.com/collecting/king-kong-201.jpg 





--- On Sat, 3/24/12, Doug Taylor douglasbtay...@hotmail.com wrote:

Mouse here to zoom in

Image not available

From: Doug Taylor douglasbtay...@hotmail.com

Subject: [MOPO] Argentina King Kong OS questions

To: MoPo-L@LISTSERV.AMERICAN.EDU

Date: Saturday, March 24, 2012, 8:50 AM

This poster just sold on ebay:




http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem

 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=360357329376
item=360357329376 

item=360357329376




It has interesting artwork, that is similar to this poster:




http://www.burton-taylor.com/test/Posters/images/KK.jpg




My questions are:




Are they both original 1933?  If so, does anyone know the difference between

the two?  Did they just release two styles or is one a reprint or re-release

of some sort?




Thank you




DBT

 http://www.linkedin.com/in/douglasbtaylor
http://www.linkedin.com/in/douglasbtaylor  Profile





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Re: [MOPO] the artist

2012-03-23 Thread Doug Taylor
I was happy that it won.

 

Regards,

 

DBT

 

From: Bruce Hershenson [mailto:brucehershen...@gmail.com] 
Sent: Thursday, March 22, 2012 10:24 PM
To: Doug Taylor
Cc: MoPo-L@listserv.american.edu
Subject: Re: [MOPO] the artist

 

So The Artist FINALLY made it to tiny West Plains, and I thought it was
great! The ending was way too slow, but the rest of it was really nice,
although I can see where it really helps to have seen the movies it payed
homage to, and also to know the history of that time really well.

The best gags reminded me of the best of Chaplin and Keaton.

Bruce

On Sun, Feb 26, 2012 at 8:53 PM, Doug Taylor douglasbtay...@hotmail.com
wrote:

The Artist did seem heavily influence by Cinema Paradiso.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: Sunday, February 26, 2012 8:29 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] the artist

 

The predictable storyline and the pulling from other sources is a function
of, 1) this is a mostly silent film constrained by its format, and, 2) it's
a homage and not a message picture.  It is filled with hokey clichés ON
PURPOSE!  My goodness, this is not supposed to be Eugene O'Neill - and it's
not plagiarism when sources are properly credited.  

With minutes to go before Billy Crystal, here's what I see:

 WILL WIN  COULD WIN --- ROOTING FOR
Best Picture The ArtistThe Help  The Artist 
The Tree of Life
Director The ArtistHugo  The Artist 
The Tree of Life
ActorJean Dujardin George ClooneyGeorge Clooney
Actress  Viola Davis   Meryl Streep  Meryl Streep
Supporting Actor Christopher Plummer   Max Von Sydow Both
Supporting Actress   Octavia Spencer   Octavia Spencer   Octavia Spencer

Original Screenplay  Midnight in Paris A Separation  The Artist 
Margin Call
Adapted Screenplay   The Descendants   Tinker Tailor The Descendants

-Original Message-
Date: Mon, 27 Feb 2012 00:33:32 +
From: douglasbtay...@hotmail.com
Subject: Re: the artist
To: MoPo-L@LISTSERV.AMERICAN.EDU

I loved the film.  If for no other reason than it reminded me that drama and
emotion are not limited to dialogue.
Regards
 
DBT
 
Sent via mobile device
 
-Original Message-
From: Phillip W. Ayling mro...@earthlink.net
Date: Mon, 27 Feb 2012 00:20:40 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] the artist
 
As long as the score for Vertigo is mentioned again, I'm finally going to
jump in and comment. It distracted me in a way too, though maybe for
different reasons than most of the rest of you. The music used in the film
is not from the original film itself as conducted by Bernard Hermann, but
rather is a later suite recording made by the Royal Philharmonic conducted
by Elmer Bernstein. The orchestra sounds fantastic and Elmer's conducting
approach as contrasted with Bernard's is different, by really rather
elegant. By comparison the Brussels Philharmonic, which plays the rest of
the score for The Artist just sounds dreadful to me; out of tune, poor solo
playing and lame mix. I'm not making a comment on the compositions
themselves. I have opinions, but that isn't what I'm talking about here.
Nonetheless the score itself has been nominated for an Academy Award.  
  
There is a Red Nichols recording used in the film that is right from the
time of The Artist, as well as Duke Ellington and Rose Murphy recordings
from about a decade after the time period in which The Artist is set. If the
intent of the score was to mimic the sound quality of a late 1920's
orchestra they didn't come close to getting it right, if not...then it
sounds lame without any pretense driving it, in my opinion. 
  
Anyway, I found that far more distracting than noticing Vertigo. 

- Original Message - 
From: Alan Heimann mailto:alanheim...@gmail.com  
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU  
Sent: Sunday, February 26, 2012 3:34 PM 
Subject: [MOPO] the artist 
 
ran out to see this before the awards..just home..storyline
predictable..acting excellent..nice odes to this and that...some things i
liked besides the dog..actually the william powell\ astor relationship was
nice.. I also liked the fred astaire dance moves at the end..Only
distraction for me (besides the idiot w the popcorn bag sitting behind me)
was it seemed like the last 1/3 of the movie sported the score for
vertigo..probably intentional..once u recognize that music its a
distraction...Have not seen many of the nominated films..so no predictions
here..happy oscar night..Alan
 

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[MOPO] WTB Casablanca OS, VF or better

2012-03-23 Thread Doug Taylor
Looking to upgrade, please send condition and pricing.

 

Thank you

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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[MOPO] Dr Noir contact?

2012-03-16 Thread Doug Taylor
Does anyone have contact information for the people now handling the Dr Noir 
content?  I want to buy a poster but haven't received a reply to emails.

Thank you 
Regards

DBT

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Re: [MOPO] This Day in Movie History...

2012-03-02 Thread Doug Taylor
Wish I had the posters they used.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of
Posteropolis
Sent: Friday, March 02, 2012 11:02 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] This Day in Movie History...

 

...King Kong opened at Radio City Music Hall in NYC, March 2, 1933.

 

http://en.wikipedia.org/wiki/King_Kong_%281933_film%29

 

 

Dave

Posteropolis Vintage Movie Posters

http://www.posteropolis.com

 

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Re: [MOPO] Ron Moore is alive and well!

2012-02-29 Thread Doug Taylor
My beautiful All Quiet OS was once the property of Ron Moore.

Thanks Ron!  Glad you are well.
Regards

DBT

Sent via mobile device

-Original Message-
From: Bruce Hershenson brucehershen...@gmail.com
Date: Wed, 29 Feb 2012 13:27:39 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Ron Moore is alive and well!

Thanks to everyone who gave me Ron's contact info, and the man himself e-mailed 
me, and he is fine.

It is just that over the past few years I have been getting a lot of phone 
calls that start out, I am the wife of one of your customers... or Do you 
know X (one of my customers) and often those calls are bearing sad news, and I 
just needlessly worried in this case.

Bruce

-- 
Bruce Hershenson and the other 24 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site http://www.emovieposter.com/ 
our auctions http://www.emovieposter.com/agallery/all.html 
 
http://www.emovieposter.com/unused/signature/20111028Frankensteinemployeegroupphotosignature.jpg
  
http://www.emovieposter.com/unused/signature/20111028Frankensteinemployeegroupphotosignature.jpg
 







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Re: [MOPO] The Oscars

2012-02-27 Thread Doug Taylor
I found it to be one of the most boring I can remember.  Even Billy Crystal
seemed bored with the gig.

 

Frankly, it has never been a particularly good show, but this was one of the
least entertaining IMHO.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce
Hershenson
Sent: Monday, February 27, 2012 7:56 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] The Oscars

 

It's the morning after, and overall, I thought it was a real snoozefest,
Billy Crystal was entertaining, but SO familiar in everything he did and
said. And was I the only one who kept wondering if he might have looked and
performed better if he hadn't had his very obvious plastic surgery? And
isn't it a bad sign when the best segment was the circus art, which has zero
to do with movies.

It hit me when they did the In Memorium segment, and there were tons of
behind the scenes people no one knows, with a few famous faces thrown in.
They have successfully turned the Oscars into the Golden Globes, filled with
insiders and inside jokes, where they pretty much ignore the viewing public,
and give the awards to the movies THEY like. the kind that the critics fawn
over, but which not many people actually see.

Of course, this transformation has been going on for many years, but at
least they used to pretend to care about the people who make it all
possible, those who buy the tickets. And in a day when movies face more and
more competition from all sorts of other kinds of entertainment, it may not
be just the awards ceremony that sees its number of viewers continuing to
fall in coming years.

This was once must-viewing for me. and I have watched it every year, but I
think I will skip it next year.

Bruce

-- 
Bruce Hershenson and the other 24 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take
lunch)
our site http://www.emovieposter.com/ 
our auctions http://www.emovieposter.com/agallery/all.html 
 
http://www.emovieposter.com/unused/signature/20111028Frankensteinemployeegr
oupphotosignature.jpg 

 

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Re: [MOPO] The Oscars

2012-02-27 Thread Doug Taylor
I had just the opposite feeling.  I thought it deserved screenplay, but
nothing else.

 

I seem to be the contradictory voice on all subjects today.

 

The good news is that my opinion is worth what you've all paid for it!

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of
Posteropolis
Sent: Monday, February 27, 2012 11:07 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] The Oscars

 

Franc, Woody got Best Original Screenplay, which I thought was weird,
considering what a tired idea for a movie it was.

 

Dave

- Original Message - 

From: Franc mailto:fdav...@verizon.net  

To: MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Monday, February 27, 2012 10:59 AM

Subject: Re: [MOPO] The Oscars

 

I actually thought it was one of the LEAST boring Oscar telecasts I've seen
in a long time but then again I record the show on my DVR and only began to
watch it at around 9.30 PM EST with a remote control in my hand. By the time
11 o'clock rolled around I was completely caught up, having not listened to
any of the acceptance speeches I wasn't interested in or the commercials.
(You do the math on that one.) I thought Billy Crystal got it right almost
all night. I thought some of the choices on the video packages were strange
especially the In Memorial segment which featured almost all still photos,
odd for an event celebrating motion pictures. I didn't miss having to sit
through the two ghastly Best Songs but the package assembled for Best Movie
of the Year was wrong-headed, intercutting the clips from the best films so
that one never got a taste for any of the nine films, just a stupid idea. I
wasn't too upset with the actual awards last night, although I wish Hugo had
taken either Best Movie or Best Direction. I was frankly expecting an old
guard backlash with the totally ordinary The Descendants and George Clooney
winning top awards and I'm glad that didn't happen. I would have preferred
Viola Davis or Michelle Williams rather than Meryl Streep winning for a
strong performance in an absolutely ghastly film but I'm also glad Woody
Allen didn't win for his latest warmed-over opus.  I guess I'm mellowing.
FRANC  

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Joseph
Bonelli
Sent: Monday, February 27, 2012 9:55 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] The Oscars

Sorry to disagree, Bruce, but several of us thought that, though it wasn't
the greatest, that last night's Oscar presentation at LEAST paid attention
to the professionals, living and passed on, who make up the world of
movies...unlike the last two years when the production tried to cater to the
People's Choice and Teeny-bop Awards. We could actually see the entire
audience in the beautiful theatre last night--  instead of having it
decorated like a studio for a game show, complete with peanut gallerey
screaming, Pick me!

Sorry, but SOMEONE has to take the higher road.  I believe that OSCAR needs
to be that someone.  

There is a huge international audience for the Oscars which negates the
necessity to cater to the US's Text-Sending Teeny-Set.  Don't worry about
them.. Michael Bay  the Vampire Crew. will see to it that they are well
entertained and spend lots and lots of mommy-daddy money at the concession
stands...and the grownups can snooze with pleasure through an Oscar program
that  honors Hugo rather than Transformers.

When Oscar becomes the People's Choice, excellence in film will be buried
under a heap of poot jokes and CGI.  

Sorry if my comments seem old-fashioned, but that's the way this movie fan
sees it.

 

Joe B in NOLA 

 

PS-- I thought the awards were well-apportioned on the whole.  This year was
all about the Nomination being the thing--- an excellent year for film.

PPS-- But the choice NOT to bestow special honors on the Potter series
with it's decade-long history of excellence in everything, was
unfortunate...the night's biggest failing in my estimation.

Joe

  

From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, February 27, 2012 6:55 AM
Subject: [MOPO] The Oscars

 

It's the morning after, and overall, I thought it was a real snoozefest,
Billy Crystal was entertaining, but SO familiar in everything he did and
said. And was I the only one who kept wondering if he might have looked and
performed better if he hadn't had his very obvious plastic surgery? And
isn't it a bad sign when the best segment was the circus art, which has zero
to do with movies.

It hit me when they did the In Memorium segment, and there were tons of
behind the scenes people no one knows, with a few famous faces thrown in.
They have successfully turned the Oscars into the Golden Globes, filled with
insiders and inside jokes, where they pretty much ignore the viewing public,
and give the awards to the movies THEY like. the kind that the critics fawn
over, but which not many people actually see.

Of course, 

Re: [MOPO] the artist

2012-02-26 Thread Doug Taylor
I loved the film.  If for no other reason than it reminded me that drama and 
emotion are not limited to dialogue.
Regards

DBT

Sent via mobile device

-Original Message-
From: Phillip W. Ayling mro...@earthlink.net
Date: Mon, 27 Feb 2012 00:20:40 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] the artist

As long as the score for Vertigo is mentioned again, I'm finally going to jump 
in and comment. It distracted me in a way too, though maybe for different 
reasons than most of the rest of you. The music used in the film is not from 
the original film itself as conducted by Bernard Hermann, but rather is a later 
suite recording made by the Royal Philharmonic conducted by Elmer Bernstein. 
The orchestra sounds fantastic and Elmer's conducting approach as contrasted 
with Bernard's is different, by really rather elegant. By comparison the 
Brussels Philharmonic, which plays the rest of the score for The Artist just 
sounds dreadful to me; out of tune, poor solo playing and lame mix. I'm not 
making a comment on the compositions themselves. I have opinions, but that 
isn't what I'm talking about here. Nonetheless the score itself has been 
nominated for an Academy Award.  
  
There is a Red Nichols recording used in the film that is right from the time 
of The Artist, as well as Duke Ellington and Rose Murphy recordings from about 
a decade after the time period in which The Artist is set. If the intent of the 
score was to mimic the sound quality of a late 1920's orchestra they didn't 
come close to getting it right, if not...then it sounds lame without any 
pretense driving it, in my opinion. 
  
Anyway, I found that far more distracting than noticing Vertigo. 
- Original Message - 
From: Alan 
  Heimann mailto:alanheim...@gmail.com  
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU  
Sent: Sunday, February 26, 2012 3:34 PM 
Subject: [MOPO] the artist 

ran out to see this before the awards..just home..storyline predictable..acting 
excellent..nice odes to this and that...some things i liked besides the 
dog..actually the william powell\ astor relationship was nice.. I also liked 
the fred astaire dance moves at the end..Only distraction for me (besides the 
idiot w the popcorn bag sitting behind me) was it seemed like the last 1/3 of 
the movie sported the score for vertigo..probably intentional..once u recognize 
that music its a distraction...Have not seen many of the nominated films..so no 
predictions here..happy oscar night..Alan
 
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Re: [MOPO] the artist

2012-02-26 Thread Doug Taylor
The Artist did seem heavily influence by Cinema Paradiso.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: Sunday, February 26, 2012 8:29 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] the artist

 

The predictable storyline and the pulling from other sources is a function
of, 1) this is a mostly silent film constrained by its format, and, 2) it's
a homage and not a message picture.  It is filled with hokey clichés ON
PURPOSE!  My goodness, this is not supposed to be Eugene O'Neill - and it's
not plagiarism when sources are properly credited.  

With minutes to go before Billy Crystal, here's what I see:

 WILL WIN  COULD WIN --- ROOTING FOR
Best Picture The ArtistThe Help  The Artist 
The Tree of Life
Director The ArtistHugo  The Artist 
The Tree of Life
ActorJean Dujardin George ClooneyGeorge Clooney
Actress  Viola Davis   Meryl Streep  Meryl Streep
Supporting Actor Christopher Plummer   Max Von Sydow Both
Supporting Actress   Octavia Spencer   Octavia Spencer   Octavia Spencer

Original Screenplay  Midnight in Paris A Separation  The Artist 
Margin Call
Adapted Screenplay   The Descendants   Tinker Tailor The Descendants

-Original Message-
Date: Mon, 27 Feb 2012 00:33:32 +
From: douglasbtay...@hotmail.com
Subject: Re: the artist
To: MoPo-L@LISTSERV.AMERICAN.EDU

I loved the film.  If for no other reason than it reminded me that drama and
emotion are not limited to dialogue.
Regards
 
DBT
 
Sent via mobile device
 
-Original Message-
From: Phillip W. Ayling mro...@earthlink.net
Date: Mon, 27 Feb 2012 00:20:40 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] the artist
 
As long as the score for Vertigo is mentioned again, I'm finally going to
jump in and comment. It distracted me in a way too, though maybe for
different reasons than most of the rest of you. The music used in the film
is not from the original film itself as conducted by Bernard Hermann, but
rather is a later suite recording made by the Royal Philharmonic conducted
by Elmer Bernstein. The orchestra sounds fantastic and Elmer's conducting
approach as contrasted with Bernard's is different, by really rather
elegant. By comparison the Brussels Philharmonic, which plays the rest of
the score for The Artist just sounds dreadful to me; out of tune, poor solo
playing and lame mix. I'm not making a comment on the compositions
themselves. I have opinions, but that isn't what I'm talking about here.
Nonetheless the score itself has been nominated for an Academy Award.  
  
There is a Red Nichols recording used in the film that is right from the
time of The Artist, as well as Duke Ellington and Rose Murphy recordings
from about a decade after the time period in which The Artist is set. If the
intent of the score was to mimic the sound quality of a late 1920's
orchestra they didn't come close to getting it right, if not...then it
sounds lame without any pretense driving it, in my opinion. 
  
Anyway, I found that far more distracting than noticing Vertigo. 

- Original Message - 
From: Alan Heimann mailto:alanheim...@gmail.com  
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU  
Sent: Sunday, February 26, 2012 3:34 PM 
Subject: [MOPO] the artist 
 
ran out to see this before the awards..just home..storyline
predictable..acting excellent..nice odes to this and that...some things i
liked besides the dog..actually the william powell\ astor relationship was
nice.. I also liked the fred astaire dance moves at the end..Only
distraction for me (besides the idiot w the popcorn bag sitting behind me)
was it seemed like the last 1/3 of the movie sported the score for
vertigo..probably intentional..once u recognize that music its a
distraction...Have not seen many of the nominated films..so no predictions
here..happy oscar night..Alan
 

Visit the MoPo Mailing List Web Site at www.filmfan.com

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Re: [MOPO] Our 17th Birthday!

2012-02-24 Thread Doug Taylor
Thanks MOPO.  You've cost me a LOT of money over the years!

 

 

 

 

 

 

And, perhaps, made me a bit too.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

 

On 24-Feb-12, at 1:08 PM, Scott Burns wrote:





I can't let the day pass without mentioning another MoPo milestone..
Birthday Number 17!

 

On February 24, 1995 the first MoPo post was distributed via American
University's listserv. For a few weeks prior to that date, the original MoPo
members simply cc'd their e-mail messages to the other 11 people in the
group. In keeping with my annual tradition, I'd like to recognize those 11:

 

Mahtab Moayeri, Michael Danese, Rob Ellis, Donna Tschetter, Goh Kai Shen,
Evan Zweifel, George Nichol, Cynthia Nemeth-Johannes, Adam Ehrlich, myself
(your humble listowner) and AOL'er Static555-who for the first time I can
finally identify as Jeff Static. For years I was unsure of Static555's real
name, but by digging through the early MoPo archives I finally stumbled upon
his true identity. Michael, Rob and Evan are still members.

 

Thanks to you all for keeping MoPo alive these 17 years even in the face of
a lot of competition from those more graphically-enhanced discussion boards.
Also a big thanks to American University for the use of their ever-reliable
listserv system, a dinosaur that they continue to support. And thanks to the
original 11 who got MoPo off to a fine start way back in 1995.

 

Scott

MoPo List Owner

 

Visit the MoPo Mailing List Web Site at www.filmfan.com
http://www.filmfan.com/ 

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Re: [MOPO] Some big shoes to fill

2012-02-23 Thread Doug Taylor
Huh?

Regards,

DBT

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Thursday, February 23, 2012 11:15 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Some big shoes to fill

How about Faye Dunaway when she said Don't fuck with me, fellas.

They just don't make movies like that anymore.


Do they?


K.


On Feb 23, 2012, at 4:07 AM, jboh...@aol.com wrote:

 My favorite is Gene Wilder smoking weed and talking in a high voice also
the Waco kid's steady hand but he shoots with the other one that cannot stop
moving and I love the rendition of I get a kick out of You. Lastly we cannot
forget the bean scene...they don't make movies like this anymore.
 
 This never happened to the other fella.
 
 
 -Original Message-
 From: peter contarino pcontar...@triad.rr.com
 To: MoPo-L MoPo-L@LISTSERV.AMERICAN.EDU
 Sent: Thu, 23 Feb 2012 8:01
 Subject: Re: [MOPO] How did he do such great stunts, with such little
feet?
 
 My favorite: Slim Pickins at the toll booth- Anybody got any dimes? 
 Someone go back to camp and get a shitload a' dimes.  From: MoPo List 
 [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David Kusumoto
 Sent: Wednesday, February 22, 2012 10:22 PM
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: [MOPO] How did he do such great stunts, with such little feet?
 
  What, no one cares about Hed-ley Lamarr? 
 
 gt; How did he do such great stunts, with such little feet?
 
 Lamarr's (Harvey Korman) final words after he gets shot by Sheriff Bart
(Cleavon Little) outside of Grauman's Chinese, gazing at Douglas Fairbanks'
footprints (Blazing Saddles, 1974). 
 
 My favorite scene in that picture is when Bart holds a gun to his own 
 neck, playing a stooge hostage who cries out Help me, somebody help 
 me! - in front of the clueless and racist townsfolk, who all have the
same last name, Johnson.gt; Date: Wed, 22 Feb 2012 19:18:02 -0500 gt;
From: douglasbtay...@hotmail.com gt; Subject: Re: OT: DiCaprio Helps AMPAS
Acquire Best Condition Ruby Slippers from Oz.
 gt; To: MoPo-L@LISTSERV.AMERICAN.EDU
 gt;
 gt; How did he do such great stunts, with such little feet?
 gt;
 gt; OK, that's a softball tossed up there for all to knock out of the
park.
 gt;
 gt; Regards
 gt;
 gt; DBT
 gt; Profile
 gt;
 gt; -Original Message-
 gt; From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf 
 Of Freeman gt; Fisher gt; Sent: Wednesday, February 22, 2012 7:10 PM 
 gt; To: MoPo-L@LISTSERV.AMERICAN.EDU gt; Subject: Re: [MOPO] OT: 
 DiCaprio Helps AMPAS Acquire Best Condition Ruby gt; Slippers from 
 Oz.
 gt;
 gt; Well I think its swell Leo pitched in on the shoes, but I just 
 don't think gt; their his size.
 gt;
 gt;
 gt;
 gt;
 gt;
 gt;
 gt;
 gt; On Feb 22, 2012, at 2:27 PM, David Kusumoto wrote:
 gt;
 gt; gt;
 gt; gt;
 gt; gt;
 gt; gt;
 gt; gt; February 22, 2012
 gt; gt; FOR IMMEDIATE RELEASE
 gt; gt;
 gt; gt; Oz Ruby Slippers Find Their Way Home.
 gt; gt; MAJOR ACQUISITION FOR THE ACADEMY MUSEUM OF MOTION PICTURES.
 gt; gt; Leonardo DiCaprio spearheads effort with help from Steven 
 Spielberg, Terry gt; Semel.
 gt; gt;
 gt; gt; Beverly Hills, CA - The Academy of Motion Picture Arts and 
 Sciences has gt; acquired a pair of the iconic ruby slippers from 
 The Wizard of Oz for the gt; Academy Museum of Motion Pictures.
 gt; gt;
 gt; gt; Actor Leonardo DiCaprio led a group of angel donors whose 
 gifts to the gt; Academy Foundation enabled the purchase.
 gt; gt;
 gt; gt; In addition to the Leonardo DiCaprio Foundation - a 
 component fund of CCF gt; Environmental and Humanitarian Causes - 
 donations came from gt; producer-director Steven Spielberg and Terry 
 Semel, co-chair of Los Angeles gt; County Museum of Art and the 
 former chairman and CEO of Warner Bros. and gt; Yahoo! - along with other
donors.
 gt; gt;
 gt; gt; The ruby slippers occupy an extraordinary place in the 
 hearts of movie gt; audiences the world over, said Bob Iger, 
 president and CEO of the Walt gt; Disney Co. and chair of the capital 
 campaign for the Academy Museum of gt; Motion Pictures. This is a
transformative acquisition for our collection.
 gt; gt;
 gt; gt; Leo's passionate leadership has helped us bring home this 
 legendary piece gt; of movie history, added Academy CEO Dawn Hudson. 
 It's a wonderful gift to gt; the Academy museum project, and a 
 perfect representation of the work we do gt; year-round to preserve and
share our film heritage.
 gt; gt;
 gt; gt; These slippers, known as the Witch's Shoes, are in the 
 most pristine gt; condition of the four pairs of ruby slippers known 
 to exist. It is widely gt; believed that these are the slippers Judy 
 Garland wore in close-ups and gt; insert shots, most famously when 
 Dorothy clicks her heels three times to gt; return to Kansas. They 
 are called the Witch's Shoes because they are gt; likely the pair 
 seen on the feet of the Wicked Witch of the East after gt; Dorothy's
house falls on the witch.
 gt; gt;
 

Re: [MOPO] Some big shoes to fill

2012-02-23 Thread Doug Taylor
I was responding in the context of Blazing Saddles.

Regards

DBT
Profile

-Original Message-
From: Kirby McDaniel [mailto:ki...@movieart.net] 
Sent: Thursday, February 23, 2012 1:22 PM
To: Doug Taylor
Cc: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Some big shoes to fill

I can't believe you don't know or don't remember that IMMORTAL line!


http://www.youtube.com/watch?v=bSGXe-x-E9g

If you haven't seen this film, you need to sit down with your children and
have a family movie night.



K.

On Feb 23, 2012, at 10:55 AM, Doug Taylor wrote:

 Huh?
 
 Regards,
 
 DBT
 
 -Original Message-
 From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of 
 Kirby McDaniel
 Sent: Thursday, February 23, 2012 11:15 AM
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: [MOPO] Some big shoes to fill
 
 How about Faye Dunaway when she said Don't fuck with me, fellas.
 
 They just don't make movies like that anymore.
 
 
 Do they?
 
 
 K.
 
 
 On Feb 23, 2012, at 4:07 AM, jboh...@aol.com wrote:
 
 My favorite is Gene Wilder smoking weed and talking in a high voice 
 also
 the Waco kid's steady hand but he shoots with the other one that 
 cannot stop moving and I love the rendition of I get a kick out of 
 You. Lastly we cannot forget the bean scene...they don't make movies like
this anymore.
 
 This never happened to the other fella.
 
 
 -Original Message-
 From: peter contarino pcontar...@triad.rr.com
 To: MoPo-L MoPo-L@LISTSERV.AMERICAN.EDU
 Sent: Thu, 23 Feb 2012 8:01
 Subject: Re: [MOPO] How did he do such great stunts, with such little
 feet?
 
 My favorite: Slim Pickins at the toll booth- Anybody got any dimes? 
 Someone go back to camp and get a shitload a' dimes.  From: MoPo List 
 [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David Kusumoto
 Sent: Wednesday, February 22, 2012 10:22 PM
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: [MOPO] How did he do such great stunts, with such little feet?
 
 What, no one cares about Hed-ley Lamarr? 
 
 gt; How did he do such great stunts, with such little feet?
 
 Lamarr's (Harvey Korman) final words after he gets shot by Sheriff 
 Bart
 (Cleavon Little) outside of Grauman's Chinese, gazing at Douglas
Fairbanks'
 footprints (Blazing Saddles, 1974). 
 
 My favorite scene in that picture is when Bart holds a gun to his own 
 neck, playing a stooge hostage who cries out Help me, somebody help 
 me! - in front of the clueless and racist townsfolk, who all have 
 the
 same last name, Johnson.gt; Date: Wed, 22 Feb 2012 19:18:02 -0500 
 gt;
 From: douglasbtay...@hotmail.com gt; Subject: Re: OT: DiCaprio Helps 
 AMPAS Acquire Best Condition Ruby Slippers from Oz.
 gt; To: MoPo-L@LISTSERV.AMERICAN.EDU gt; gt; How did he do such 
 great stunts, with such little feet?
 gt;
 gt; OK, that's a softball tossed up there for all to knock out of 
 the
 park.
 gt;
 gt; Regards
 gt;
 gt; DBT
 gt; Profile
 gt;
 gt; -Original Message-
 gt; From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf 
 Of Freeman gt; Fisher gt; Sent: Wednesday, February 22, 2012 7:10 
 PM gt; To: MoPo-L@LISTSERV.AMERICAN.EDU gt; Subject: Re: [MOPO] OT:
 DiCaprio Helps AMPAS Acquire Best Condition Ruby gt; Slippers from 
 Oz.
 gt;
 gt; Well I think its swell Leo pitched in on the shoes, but I just 
 don't think gt; their his size.
 gt;
 gt;
 gt;
 gt;
 gt;
 gt;
 gt;
 gt; On Feb 22, 2012, at 2:27 PM, David Kusumoto wrote:
 gt;
 gt; gt;
 gt; gt;
 gt; gt;
 gt; gt;
 gt; gt; February 22, 2012
 gt; gt; FOR IMMEDIATE RELEASE
 gt; gt;
 gt; gt; Oz Ruby Slippers Find Their Way Home.
 gt; gt; MAJOR ACQUISITION FOR THE ACADEMY MUSEUM OF MOTION PICTURES.
 gt; gt; Leonardo DiCaprio spearheads effort with help from Steven 
 Spielberg, Terry gt; Semel.
 gt; gt;
 gt; gt; Beverly Hills, CA - The Academy of Motion Picture Arts and 
 Sciences has gt; acquired a pair of the iconic ruby slippers from 
 The Wizard of Oz for the gt; Academy Museum of Motion Pictures.
 gt; gt;
 gt; gt; Actor Leonardo DiCaprio led a group of angel donors whose 
 gifts to the gt; Academy Foundation enabled the purchase.
 gt; gt;
 gt; gt; In addition to the Leonardo DiCaprio Foundation - a 
 component fund of CCF gt; Environmental and Humanitarian Causes - 
 donations came from gt; producer-director Steven Spielberg and Terry 
 Semel, co-chair of Los Angeles gt; County Museum of Art and the 
 former chairman and CEO of Warner Bros. and gt; Yahoo! - along with 
 other
 donors.
 gt; gt;
 gt; gt; The ruby slippers occupy an extraordinary place in the 
 hearts of movie gt; audiences the world over, said Bob Iger, 
 president and CEO of the Walt gt; Disney Co. and chair of the 
 capital campaign for the Academy Museum of gt; Motion Pictures. 
 This is a
 transformative acquisition for our collection.
 gt; gt;
 gt; gt; Leo's passionate leadership has helped us bring home this 
 legendary piece gt; of movie history, added Academy CEO Dawn Hudson.
 It's a wonderful gift to gt; the Academy museum project, and a 
 perfect

Re: [MOPO] How did he do such great stunts, with such little feet?

2012-02-23 Thread Doug Taylor
David,

 

My experience was identical to yours in every way.  Shocked, but unable to
resist.  

 

Where are all the white women at?

 

I appreciated Young Frankenstein more than you, perhaps.  

 

What a year for Mel Brooks, eh?

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: Thursday, February 23, 2012 4:15 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] How did he do such great stunts, with such little feet?

 

* I remember when I first saw Blazing Saddles, I was SHOCKED.  It was the
foulest and most racist picture I'd ever seen.  But I went again and again,
each time with a new group of friends.  It got funnier even though there's
no nudity nor a single f-word in the entire picture.  Looking back, it's
typical juvenile humor by Mel Brooks, Gene Wilder, Richard Pryor and their
gang of crazy writers that mostly men enjoy.  I took my Dad with my brothers
to see it and we all howled.  But then I took my girlfriend to see it and
she hated it.  She was OFFENDED.  That was the kind of picture it was.  (I
wonder if other MoPo'ers can share what their experiences were like.)

* Hence my mild disappointment when Young Frankenstein came out in
beautiful b/w.  (Cloris Leachman as Frau Blucher:  He vas my boyfriend!)
It was funny, but Blazing Saddles is still the best parody ever.  Hell,
any movie that introduces a black sheriff riding on a horse decked out in a
Gucci saddle (close-up on the Gucci logo), with jazzy music, and then the
camera pulls back and you see Count Basie and his orchestra playing that
music in the middle of a vast desert - has to be good.  

Patron on a horse outside a saloon: 
You can't park that animal over there!  It's illegal!
Mongo punches the horse in the face, knocking both to the ground.

Hedley Lamarr going through a law book:  
Land snatching!  There must be some precedent for this!  Land snatching,
land snatching, land, land, here it is!  Land snatching, see snatch.

Hedley Lamarr, recruiting a long line of bad guys, discovers one chewing
gum:
Chewing gum in line, eh?  I hope you brought enough for everybody.
I didn't know there was going to be so many!
Hedley shoots him.
Cleavon Little, observing this while hiding nearby, says to Gene Wilder, 
Boy, is he strict.

-Original Message-
Date: Thu, 23 Feb 2012 14:49:37 -0500
From: danes...@ptd.net
Subject: Re: How did he do such great stunts, with such little feet?
To: MoPo-L@LISTSERV.AMERICAN.EDU
Has there ever been a more quotable film? 

When Sheriff Bart and Jim first meet and Jim is in jail guzzling a bottle of
whiskey first thing in the morning:

Bart - Man that drinks like that's gonna die!
Jim - When?

And later when they are getting to know each other a bit:
Bart - Well, Jim, what do you like to do?
Jim - Play chess, screw . . .
Bart - Well, let's play chess!

You could almost post the entire script!

Here are a few more faves:
We damn near lost a four hundred dollar hand car!
What a nice guy!
Pitter baby
You Teutonic twat!
 . . . And always too soon
Gabby Johnson's right!
And there is an perfect example of authentic frontier gibberish!
Work-work-work -hello boys, haven't seen you all day!
I could go on forever with this movie!

Thanks,
MD


On Feb 23, 2012, at 4:07 AM, jboh...@aol.com wrote:
My favorite is Gene Wilder smoking weed and talking in a high voice also the
Waco kid's steady hand but he shoots with the other one that cannot stop
moving and I love the rendition of I get a kick out of You. Lastly we cannot
forget the bean scene...they don't make movies like this anymore.

This never happened to the other fella.

-Original Message-
Date: Thu, 23 Feb 2012 00:18:26 -0800
From: davidmkusum...@hotmail.com
Subject: Re: How did he do such great stunts, with such little feet?
To: MoPo-L@LISTSERV.AMERICAN.EDU

Or how about almost all of Gene Wilder's lines as the Waco Kid, a.k.a.,
Jim? 

To Sheriff Bart (Cleavon Little):  What's a dazzling urbanite like you
doing in a rustic setting like this?

I must have killed more men than Cecil B. DeMille.

Or this exchange between Madeline Kahn, who does a send up Dietrich through
the whole picture; after an amorous night with Cleavon Little, the first
camera shot the next morning shows her character (Lily von Schtupp) holding
up a huge phallic-like bratwurst at the breakfast table:

Lili:  Would you like another schnitzengruben?
Bart: No thank you.  Fifteen is my limit on schnitzengruben.
Lili: Well, how about a little...  (she whispers something in his ear)
Bart: Baby, please!  I am not from Havana!


-Original Message-
From: peter contarino pcontar...@triad.rr.com
To: MoPo-L MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thu, 23 Feb 2012 8:01
Subject: Re: [MOPO] How did he do such great stunts, with such little feet?

My favorite: Slim Pickins at the toll booth- Anybody got any dimes?
Someone go back to camp and get a shitload a' dimes. 


-Original Message-
From: MoPo List

Re: [MOPO] OT: DiCaprio Helps AMPAS Acquire Best Condition Ruby Slippers from Oz.

2012-02-22 Thread Doug Taylor
How did he do such great stunts, with such little feet?

OK, that's a softball tossed up there for all to knock out of the park.

Regards

DBT
Profile

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Freeman
Fisher
Sent: Wednesday, February 22, 2012 7:10 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] OT: DiCaprio Helps AMPAS Acquire Best Condition Ruby
Slippers from Oz.

Well I think its swell Leo pitched in on the shoes, but I just don't think
their his size.   







On Feb 22, 2012, at 2:27 PM, David Kusumoto wrote:

 
 
 
 
 February 22, 2012
 FOR IMMEDIATE RELEASE
 
 Oz Ruby Slippers Find Their Way Home.
 MAJOR ACQUISITION FOR THE ACADEMY MUSEUM OF MOTION PICTURES.
 Leonardo DiCaprio spearheads effort with help from Steven Spielberg, Terry
Semel.
 
 Beverly Hills, CA - The Academy of Motion Picture Arts and Sciences has
acquired a pair of the iconic ruby slippers from The Wizard of Oz for the
Academy Museum of Motion Pictures. 
 
 Actor Leonardo DiCaprio led a group of angel donors whose gifts to the
Academy Foundation enabled the purchase. 
 
 In addition to the Leonardo DiCaprio Foundation - a component fund of CCF
Environmental and Humanitarian Causes - donations came from
producer-director Steven Spielberg and Terry Semel, co-chair of Los Angeles
County Museum of Art and the former chairman and CEO of Warner Bros. and
Yahoo! - along with other donors.
 
 The ruby slippers occupy an extraordinary place in the hearts of movie
audiences the world over, said Bob Iger, president and CEO of the Walt
Disney Co. and chair of the capital campaign for the Academy Museum of
Motion Pictures. This is a transformative acquisition for our collection.
 
 Leo's passionate leadership has helped us bring home this legendary piece
of movie history, added Academy CEO Dawn Hudson. It's a wonderful gift to
the Academy museum project, and a perfect representation of the work we do
year-round to preserve and share our film heritage.
 
 These slippers, known as the Witch's Shoes, are in the most pristine
condition of the four pairs of ruby slippers known to exist. It is widely
believed that these are the slippers Judy Garland wore in close-ups and
insert shots, most famously when Dorothy clicks her heels three times to
return to Kansas. They are called the Witch's Shoes because they are
likely the pair seen on the feet of the Wicked Witch of the East after
Dorothy's house falls on the witch.
 
 After production of the film ended in 1939, the ruby slippers were stored
on MGM's Culver City lot for the next three decades. Several pairs of
slippers were discovered in 1970 by costumer Kent Warner while he was
preparing for that year's historic auction of MGM costumes, props and other
production-related items. One pair of slippers was sold at the auction and
was donated anonymously to the Smithsonian in 1979.
 
 Warner kept the finest pair - the Witch's Shoes - in his private
collection for more than a decade before selling them at auction in 1981.
They were sold again in 1988 to another private collector, and have been
displayed publicly only a handful of times in the years since, most notably
at the National Portrait Gallery and the Library of Congress.
 
 The 2012 sale to the Academy was handled by auction house Profiles in
History.
 
 Last October, the Academy and the Los Angeles County Museum of Art
announced plans to establish the Academy Museum of Motion Pictures inside
the historic May Company building, currently known as LACMA West. The
building has been a Los Angeles landmark since its opening in 1939, the same
year The Wizard of Oz premiered.
 
 ABOUT THE ACADEMY
 The Academy of Motion Picture Arts and Sciences is the world's preeminent
movie-related organization, with a membership of more than 6,000 of the most
accomplished men and women working in cinema. In addition to the annual
Academy Awards-in which the members vote to select the nominees and
winners--the Academy presents a diverse year-round slate of public programs,
exhibitions and events; provides financial support to a wide range of other
movie-related organizations and endeavors; acts as a neutral advocate in the
advancement of motion picture technology; and, through its Margaret Herrick
Library and Academy Film Archive, collects, preserves, restores and provides
access to movies and items related to their history. Through these and other
activities the Academy serves students, historians, the entertainment
industry and people everywhere who love movies.
  
 AWARDS PUBLICITY
 8949 WILSHIRE BOULEVARD | BEVERLY HILLS, CA 90211-1907
 
 The Communications Department of the Academy of Motion Picture Arts 
 and Sciences handles all press, media and public relations and 
 supplies additional resources to the media about the Academy, its 
 year-round activities and the Academy Awards.  Additional information 
 about the Academy of Motion Picture Arts and Sciences and the Academy 
 Foundation may be found at 

Re: [MOPO] How did he do such great stunts, with such little feet?

2012-02-22 Thread Doug Taylor
No more calls please.  We have a winner!

 

Well done, sir.  Your reward is a laurel, and hardy handshake.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of David
Kusumoto
Sent: Wednesday, February 22, 2012 10:22 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] How did he do such great stunts, with such little feet?

 

What, no one cares about Hed-ley Lamarr?  

 How did he do such great stunts, with such little feet?

Lamarr's (Harvey Korman) final words after he gets shot by Sheriff Bart
(Cleavon Little) outside of Grauman's Chinese, gazing at Douglas Fairbanks'
footprints (Blazing Saddles, 1974).  

My favorite scene in that picture is when Bart holds a gun to his own neck,
playing a stooge hostage who cries out Help me, somebody help me! - in
front of the clueless and racist townsfolk, who all have the same last name,
Johnson.

 Date: Wed, 22 Feb 2012 19:18:02 -0500
 From: douglasbtay...@hotmail.com
 Subject: Re: OT: DiCaprio Helps AMPAS Acquire Best Condition Ruby Slippers
from Oz.
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 
 How did he do such great stunts, with such little feet?
 
 OK, that's a softball tossed up there for all to knock out of the park.
 
 Regards
 
 DBT
 Profile
 
 -Original Message-
 From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Freeman
 Fisher
 Sent: Wednesday, February 22, 2012 7:10 PM
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Re: [MOPO] OT: DiCaprio Helps AMPAS Acquire Best Condition Ruby
 Slippers from Oz.
 
 Well I think its swell Leo pitched in on the shoes, but I just don't think
 their his size. 
 
 
 
 
 
 
 
 On Feb 22, 2012, at 2:27 PM, David Kusumoto wrote:
 
  
  
  
  
  February 22, 2012
  FOR IMMEDIATE RELEASE
  
  Oz Ruby Slippers Find Their Way Home.
  MAJOR ACQUISITION FOR THE ACADEMY MUSEUM OF MOTION PICTURES.
  Leonardo DiCaprio spearheads effort with help from Steven Spielberg,
Terry
 Semel.
  
  Beverly Hills, CA - The Academy of Motion Picture Arts and Sciences has
 acquired a pair of the iconic ruby slippers from The Wizard of Oz for
the
 Academy Museum of Motion Pictures. 
  
  Actor Leonardo DiCaprio led a group of angel donors whose gifts to the
 Academy Foundation enabled the purchase. 
  
  In addition to the Leonardo DiCaprio Foundation - a component fund of
CCF
 Environmental and Humanitarian Causes - donations came from
 producer-director Steven Spielberg and Terry Semel, co-chair of Los
Angeles
 County Museum of Art and the former chairman and CEO of Warner Bros. and
 Yahoo! - along with other donors.
  
  The ruby slippers occupy an extraordinary place in the hearts of movie
 audiences the world over, said Bob Iger, president and CEO of the Walt
 Disney Co. and chair of the capital campaign for the Academy Museum of
 Motion Pictures. This is a transformative acquisition for our
collection.
  
  Leo's passionate leadership has helped us bring home this legendary
piece
 of movie history, added Academy CEO Dawn Hudson. It's a wonderful gift
to
 the Academy museum project, and a perfect representation of the work we do
 year-round to preserve and share our film heritage.
  
  These slippers, known as the Witch's Shoes, are in the most pristine
 condition of the four pairs of ruby slippers known to exist. It is widely
 believed that these are the slippers Judy Garland wore in close-ups and
 insert shots, most famously when Dorothy clicks her heels three times to
 return to Kansas. They are called the Witch's Shoes because they are
 likely the pair seen on the feet of the Wicked Witch of the East after
 Dorothy's house falls on the witch.
  
  After production of the film ended in 1939, the ruby slippers were
stored
 on MGM's Culver City lot for the next three decades. Several pairs of
 slippers were discovered in 1970 by costumer Kent Warner while he was
 preparing for that year's historic auction of MGM costumes, props and
other
 production-related items. One pair of slippers was sold at the auction and
 was donated anonymously to the Smithsonian in 1979.
  
  Warner kept the finest pair - the Witch's Shoes - in his private
 collection for more than a decade before selling them at auction in 1981.
 They were sold again in 1988 to another private collector, and have been
 displayed publicly only a handful of times in the years since, most
notably
 at the National Portrait Gallery and the Library of Congress.
  
  The 2012 sale to the Academy was handled by auction house Profiles in
 History.
  
  Last October, the Academy and the Los Angeles County Museum of Art
 announced plans to establish the Academy Museum of Motion Pictures inside
 the historic May Company building, currently known as LACMA West. The
 building has been a Los Angeles landmark since its opening in 1939, the
same
 year The Wizard of Oz premiered.
  
  ABOUT THE ACADEMY
  The Academy of Motion Picture Arts and Sciences is the world's
preeminent
 movie-related 

Re: [MOPO] paying for autographs

2012-02-21 Thread Doug Taylor
I have a couple of signed AA awards programs.

I've never collected an autograph myself.  I was lucky enough to meet many at 
the awards, from Audrey Hepburn to Carey Grant, but never asked for an 
autograph or a picture.  I've often wondered what a nice picture collection I'd 
have, but I always felt so lucky to have tickets that I never wanted to abuse 
the privilege in any way.
Regards

DBT

Sent via mobile device

-Original Message-
From: Neil Jaworski neiljawor...@yahoo.co.uk
Date: Wed, 22 Feb 2012 00:23:14 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] paying for autographs

a big yes to director's sigs, if anyone has a Lubitsch-signed 'To Be Or Not To 
Be' poster let me know.  I'm sure there are hundreds out there.  failing 
that, i'll even take a Mackendrick-signed Sweet Smell Of Success.  i'm not an 
unreasonable man.




but i have never bought a signed movie item, other than a George C Scott 
autograph that i bought from from a NY autograph dealer for $25.  I didn't have 
much interest in the signature other than it was on a Dr. Strangelove window 
card.  

 
 
   

 From: Simon Oram fab5fre...@btinternet.com
 To: MoPo-L@LISTSERV.AMERICAN.EDU 
 Sent: Wednesday, 22 February 2012, 0:14
 Subject: Re: [MOPO] paying for autographs
   

 
 
 
 
Let's be honest here a first edition Clockwork Orange quad signed by Stanley 
Kubrick equals, very desirable, I would imagine in this case it would add to 
the price of the poster itself but signed by McDowell and you have a misnomer. 
Can't really think of too many people who I would want sigs of on posters, I 
suppose these would be the only ones Samuel Fuller, Nicholas Ray, Hitchcock and 
be nice to have a Vertigo signed by Saul Bass, director's sigs seem a very nice 
touch for a poster. Stars on posters not interested at all. Like books with the 
authors sigs films with the directors seems more right to me. 
  
Simon 
  
  
  
 
 
 
From: Richard C Evans mailto:evan...@mac.com  
Sent: Tuesday, February 21, 2012 10:49 PM 
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU  
Subject: Re: [MOPO] paying for autographs 
  
Got a few posters signed by Kubrick though a friend working at WB. 
Normally I really don't like signed posters, though with these perhaps there's 
a sense of a tenuous connection to Kubrick even if all that amounted to was the 
message passed back, Stanley says he doesn't want to see these coming up in 
auction in the next few years. 
  
Can far more easily understand the appeal of signed first edition books. 
The Fleming's go for a lot of money, imagine anything signed by Chandler would 
be very desirable, (Rich would know better, is that a holy grail?). 
Can't imagine Chandler as an agreeable or promiscuous signer. 
  
That was a great story about Paul Newman, and Helmut's preventing the guy 
signing the CFTBL with gold pen. 
  
 
  
 
On 21 Feb 2012, at 19:21, Zeev Drach wrote:
 
 
 
Maybe he figured that after his refusal you'll come to your senses and settle 
for one of his prints.  After all, it is HIS autograph you're standing in line 
for, right?  Or so he thinks. 
   
Zeev 
   
   
   
 
 
From: Franc [mailto:fdav...@verizon.net] 
Sent: February 21, 2012 12:30 PM
To: 'Zeev Drach'; MoPo-L@LISTSERV.AMERICAN.EDU 
mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: RE: [MOPO] paying for autographs 
   
 
I guess I sort of understand that but if the celebrity is going to refuse to 
sign someone's personal memorabilia the celebrity should take into account that 
he's going to lose his autograph fee, which is exactly what happened to Sam J. 
Jones in my case since I didn't want any of the reprints that he was willing to 
sign.  FRANC  
-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Zeev Drach
Sent: Tuesday, February 21, 2012 9:17 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: Re: [MOPO] paying for autographs 
Let me explain. 
Some celebrities feel that only they should be able to benefit from sales of 
their image.  Especially in a show where they are present. 
Imagine a celebrity being asked to sign a real cool looking image, which is a 
repro, and again and again fans show up with the same image to be autographed, 
just because another dealer at that show has a whole stack for sale.. 
It doesn't come out of their pocket, but you can understand if that celebrity 
gets jealous or upset. 
   
Zeev 
   
 
 
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Franc
Sent: February 20, 2012 4:03 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU mailto:MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: Re: [MOPO] paying for autographs 
   
 
I don't understand the point your making. Take my example of Sam J. Jones. I 
brought him over a One sheet from Flash Gordon and a centerfold. They were 
items I owned but for all he knew I might have bought the One sheet from you at 
the show and maybe the centerfold from some magazine dealer at 

Re: [MOPO] paying for autographs

2012-02-21 Thread Doug Taylor
We were leaving the Oscars one night and our limo almost ran over Jimmie
Stewart crossing the street.  He was like a life-sized stick figure.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of
rixpost...@aol.com
Sent: Tuesday, February 21, 2012 7:53 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] paying for autographs

 

At a Fourth of July celebration in 1985 (I believe that was the year) in
Palos Verdes, CA, Jimmy Stewart and Frank Capra were scheduled to appear.
At the time, I already had a Rear Window insert...and went up to Hollywood
and bought a You Can't Take It With You lobby card for the occasion, hoping
to have both Stewart and Capra sign it.  Unfortunately, Mr. Capra's wife was
sick and he couldn't be there...so I ended up having Jimmy Stewart sign both
pieces (I still have the Rear Window insert).  What I remember most about
Jimmy Stewart was how incredibly tall (and old) he seemed.  I was quite
nervous, fumbling around with the special pen I'd brought with me, dropping
it a couple of times. He merely signed his name in the poster's background.
Hey, I really don't care if his autograph affects to value of the insert one
way or the other.

The fact is...I actually met Jimmy Stewart and talked with him for a minute
or two.  I suppose his autograph 

is proof of what happened on that Fourth of July, but the thrill of meeting
him means more to me than whatever value the poster might have.  It's the
only poster I've ever had autographed. But this was Jimmy Stewart!  Truly a
memorable momentdidn't cost me anything except a bad case of nerves...

   Rick

 

In a message dated 2/21/2012 4:28:15 P.M. Pacific Standard Time,
sa...@comic-art.com writes:

  imagine anything signed by Chandler would be very desirable, (Rich 
 would know better, is that a holy grail?).


drool...

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Re: [MOPO] The Artist OS, M, DS

2012-02-05 Thread Doug Taylor
I should have included in my original note, DS only please.  Could I please
get quotes for The Artist OS, Mint, clean edged, DS, originals only, please.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: Doug Taylor [mailto:douglasbtay...@hotmail.com] 
Sent: Sunday, February 05, 2012 11:42 PM
To: MOPO (mopo-l@listserv.american.edu)
Subject: The Artist OS, M

 

Well, guess it's time to place my bet.

 

Could I please get quotes for The Artist OS, Mint, clean edged, originals
only, please.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 


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Re: [MOPO] REQUEST FROM KIRBY AT WWW.MOVIEART.NET

2012-01-06 Thread Doug Taylor
Warning!  Warning!  Danger, Will Robinson!

Regards

DBT
Profile

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Kirby
McDaniel
Sent: Friday, January 06, 2012 3:41 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] REQUEST FROM KIRBY AT WWW.MOVIEART.NET

I would like to request folks on the list who can spare the time to simply
visit the site listed above and see if it appears to work normally.  I'm not
including a link to it, because I want to see if the link itself could be
causing problems.
Kirby

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Re: [MOPO] The real The Great Escape!

2011-11-24 Thread Doug Taylor
I loved this movie and this story.  It was an amazing accomplishment, and it
didn't hurt the my hometown fav James Garner played a key role in the film.

 

When I was in MBA school at the University of Oklahoma, we had a very
progressive management professor who used movies for teaching and tests in
his Group Dynamics course.  Our mid-term was to analyze the results of
management styles in the Great Escape.  (Our final was doing the same for 12
O'clock High.)

 

During the prep for our mid-term the professor brought in a local vet from
Oklahoma City, who was a prisoner at the Stalag and part of the team that
built the tunnels.  It was fantastic to hear the stories.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce
Hershenson
Sent: Thursday, November 24, 2011 9:18 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] The real The Great Escape!

 

One of my absolute favorite movies, The Great Escape, was based on a true
story (a few American characters were added, but otherwise the story was
very accurate, telling of the three escape tunnels in a WWII POW camp). Now
it turns out that there was also a FOURTH tunnel that the Germans never
found, and it has been located and it was filled with artifacts, and a TV
show Digging The Great Escape will be aired! 

http://www.dailymail.co.uk/news/article-2063652/The-classic-Steve-McQueen-mo
vie-immortalised-tunnels-Stalag-Luft-III-PoW-camp--astonished-archaeologists
-discovered-fourth.html?ITO=1490
-- 
Bruce Hershenson and the other 25 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take
lunch)
our site http://www.emovieposter.com/ 
our auctions http://www.emovieposter.com/agallery/all.html 
 
http://www.emovieposter.com/unused/signature/20111028Frankensteinemployeegr
oupphotosignature.jpg 

 

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Re: [MOPO] Police reopen Natalie Wood enquiry

2011-11-18 Thread Doug Taylor
My theory has always been that there was an altercation between Wagner and
Walken, and Natalie somehow became the victim.probably accidentally and
perhaps even her own doing trying to break up the argument.

 

I think the nude scenes between Walken and Woods, and maybe even more, did
not sit well with Wagner.

 

Regards

 

DBT

 http://www.linkedin.com/in/douglasbtaylor Profile

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Richard
Evans
Sent: Friday, November 18, 2011 4:42 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Police reopen Natalie Wood enquiry

 

http://www.bbc.co.uk/news/world-us-canada-15786944

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Re: [MOPO] Lame return reasons

2011-10-27 Thread Doug Taylor
I just bought a Forbidden Planet OS from 1956 and had to pay a lot more than
$18.99.  Wish I'd called you first.

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Susan
Heim
Sent: Thursday, October 27, 2011 2:02 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Lame return reasons

 

I offer a line of 11x17 custom framed movie poster reprints for $18.99
complete. Every once in awhile I get a person who thought it was an original
movie poster, size 27x40 or 41 when they ordered, even though I have the
text 11x17 everywhere on the website and my ebay auctions. The last person
ordered an 11x17 Forbidden Planet and was upset that it wasn't the original
from 1956. I tried to explain that an original was several thousand dollars
and they didn't want to hear any of it and threatened to contact Ebay that I
had duped them.  I offered a full refund upon the return of the item.  Not
sure what happened, but I never heard from the guy again and went on to
block him from bidding on my auctions. Ive had a few other doozies, but
that was the freshest one in my mind! 
 
Sue
www.hollywoodposterframes.com 
 

  _  

Date: Thu, 27 Oct 2011 09:44:20 -0700
From: shil...@sbcglobal.net
Subject: [MOPO] Lame return reasons
To: MoPo-L@LISTSERV.AMERICAN.EDU

I'm curious to hear some stories from poster dealers regarding the reasons
some people come up with when they want to return an item they have bought.
For example, do people return an Australian daybill saying I thought it was
an insert? And I'm sure you've all had I thought I was buying a DVD. :)
Tell some stories!

 

--
Steven Warren Hill shil...@sbcglobal.net shil...@yahoo.com 

 

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[MOPO] Guinness: Samuel L. Jackson highest grossing actor of all time

2011-10-27 Thread Doug Taylor
If you'd asked me to guess, I never would have guessed him in a million
years.

 

Guinness: Samuel L. Jackson highest grossing actor of all time

  

Samuel L. Jackson's movies have made more than $7.4 billion -- making him
the highest-grossing actor of all time, according to the Guinness Book of
World Records.

 

Jackson's Jurassic Park ($914 million), Pulp Fiction ($212 million) and the
Star Wars prequels ($2.4 billion) are among his top earners.

 

He averages four films a year. He made six in 2010, four in 2011 and will
have three in 2012.

 

Copyright C 2011, Chicago Tribune

 

Regards,

 

DBT

 


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Re: [MOPO] Frames for Posters

2011-10-05 Thread Doug Taylor
Not really following this email chain but saw Susan's name and the subject
and felt compelled to say that her framing, and understanding of the
specific needs of poster framing, is simply outstanding.

 

There is no better place to frame, IMHO.

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Susan
Heim
Sent: Wednesday, October 05, 2011 3:34 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Frames for Posters

 

Hey Cory,
  Thank you for asking. My toll free number is (800) 463-2994. My website is
www.hollywoodposterframes.com. Your client is free to call me anytime for
information. Thank you. 
Sue Heim
 

  _  

Date: Wed, 5 Oct 2011 14:37:25 -0400
From: cglaber...@aol.com
Subject: [MOPO] Frames for Posters
To: MoPo-L@LISTSERV.AMERICAN.EDU

Could Sue Heim give me her information . I need to pass it onto a client. 

Thanks

Cory Glaberson

cglaber...@aol.com

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Re: [MOPO] Frames for Posters

2011-10-05 Thread Doug Taylor
Curing baldness?  Glad to hear it.

 

Ghastly mess, baldness.

 

I'm totally against it.

 

Regards,

 

DBT

 

From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Andrea
Kanter
Sent: Wednesday, October 05, 2011 9:09 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Frames for Posters

 

There's much to be said for that...

 

On Oct 5, 2011, at 8:05 PM, Richard Evans wrote:





Can't have everything.

At least someone's figured out huge organs.

 

On 6 Oct 2011, at 01:01, Susan Heim wrote:





Well, I haven't figured out baldness yet, sorry!!
 

  _  

Date: Wed, 5 Oct 2011 17:49:46 -0400
From: p...@aol.com
Subject: Re: [MOPO] Frames for Posters
To: MoPo-L@LISTSERV.AMERICAN.EDU

I also understand that Sue is also on the verge of curing cancer and
baldness, as well as world peace.

-Original Message-
From: Toochis Morin fly...@pacbell.net
To: MoPo-L MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wed, Oct 5, 2011 5:01 pm
Subject: Re: [MOPO] Frames for Posters

Agreed.  Sue is the best!

 

  _  

From: Richard Halegua Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wed, October 5, 2011 1:35:35 PM
Subject: Re: [MOPO] Frames for Posters

and she is a genuinely nice person too
: - )

At 01:04 PM 10/5/2011, Doug Taylor wrote:

Not really following this email chain but saw Susan's name and the subject
and felt compelled to say that her framing, and understanding of the
specific needs of poster framing, is simply outstanding.
 
There is no better place to frame, IMHO.
 
Regards,
 
DBT
 
From: MoPo List [ mailto:mopo-l@LISTSERV.AMERICAN.EDU
mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Susan Heim
Sent: Wednesday, October 05, 2011 3:34 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Frames for Posters
 
Hey Cory,
  Thank you for asking. My toll free number is (800) 463-2994. My website
iswww.hollywoodposterframes.com http://www.hollywoodposterframes.com/ .
Your client is free to call me anytime for information. Thank you. 
Sue Heim
 

  _  

Date: Wed, 5 Oct 2011 14:37:25 -0400
From: cglaber...@aol.com
Subject: [MOPO] Frames for Posters
To: MoPo-L@LISTSERV.AMERICAN.EDU

Could Sue Heim give me her information . I need to pass it onto a client. 
Thanks
Cory Glaberson
cglaber...@aol.com

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How

Re: [MOPO] Joe

2011-09-04 Thread Doug Taylor
I never knew, only his rep, but he did do outstanding work.
Regards

DBT

Sent via mobile device

-Original Message-
From: channinglylethomson channinglylethom...@att.net
Date: Sun, 4 Sep 2011 17:59:04 
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Joe

Diane --

I'm sorry to hear of his passing.  In spite of all his flaws and  
problems, he had a lovable quality and his work was really  
exceptional.  He was also a very funny man with a terrific sense of  
humor.  RIP.

Channing Thomson

On Sep 4, 2011, at 10:30 AM, Diane Jeffrey wrote:

 Hi All -

 Joe Hernandez passed away last evening.  I certainly know there are  
 very mixed feelings about him, but felt it was worth reporting.   
 Also, it is hard to believe, but I know some had given him work in  
 the past years.  I can not imagine that there had been anything in  
 this past year, but if there are any open issues, contact me, and I  
 will do my best to help sort it out for you.

 Diane
 Studio C
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