I have to admit, I've gone a little bit rustic in the last few weeks
and have been sucked back into the world of "Every Man And Woman Is A
Star" by Ultramarine, sleazing it up with "I Want You" by Marvin Gaye
and gazing at my shoes to the sounds of "Loveless" by My Bloody
Valentine... I even di
> -Original Message-
> From: Matt MacQueen [mailto:[EMAIL PROTECTED]
> Sent: 23 June 2004 17:24
>
> On Jun 23, 2004, at 11:14 AM, Neil Wiernik wrote:
> > like I said Im not the biggest fan of acid any thing...
>
> fair enough... but rather I do see the merit in exposing new
> generations
It might be that sound guys/girls hear the Basic Channel
tracks and think "hmmm, that's a bit muddy", thus completely
missing the point? It's an unusual and distinctive sound, and
familiar enough to a lot of us, but I can imagine a lot of
sound engineers hearing it and thinking "hmmm, I need to
> -Original Message-
> From: [EMAIL PROTECTED]
>
> And then to have KDJ "EXPECT" - meaning to consider
> reasonable or due...
A bit of a semantic sidepoint here, but to expect something
is going to happen isn't the same as accepting that the coming
event is reasonable or justifiable.
F
> -Original Message-
> From: David Beattie [mailto:[EMAIL PROTECTED]
> Sent: 08 June 2004 12:47
> To: 313@hyperreal.org
> Subject: Re: (313) Non Stop DJs (was RE: (313) two ghetto tech id's)
>
>
> I picked up a copy from Rub A Dub a couple of weeks
> ago and also noticed that it was numbe
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 08 June 2004 12:31
>
>
> It's pretty phat - nice design on the label too, Brendan
Cheers! We can't take the credit for the label design though -
we had been planning on doing it ourselves but our attempts
wer
> -Original Message-
> From: Phonopsia [mailto:[EMAIL PROTECTED]
> Sent: 07 June 2004 19:58
>
> On this note I must take this chance to big up our own
> Brelson and DJ Guy as Non-Stop DJs. Their (debut??? not
> sure as it's marked 002) EP is stellar. Lots of pure
> detroit techno chords
> -Original Message-
> From: Dan Bean [mailto:[EMAIL PROTECTED]
> Sent: 28 May 2004 10:26
>
> Not having the knowledge myself, does anyone on the list know
> if the cultural boycott of South Africa had an effect on the
> fall of apartheid?
It probably didn't, but any artist or business
de of the road...
Brendan
-Original Message-
From: Melody Ng [mailto:[EMAIL PROTECTED]
Sent: 25 May 2004 13:07
To: Brendan Nelson
Cc: 313@hyperreal.org
Subject: RE: (313) Re: Koobla / Vinyl Junkies
Crikes, I am out of touch.
In relation to service - I never had an issue with them, they
Koobla has shut down and a lot of the staff are now at Phonica around the
corner, on Poland Street IIRC...
-Original Message-
From: Melody Ng [mailto:[EMAIL PROTECTED]
Sent: 25 May 2004 12:58
To: 313@hyperreal.org
Subject: (313) Re: Koobla / Vinyl Junkies
Glad to hear that vinyl junkie
EMAIL PROTECTED]
Sent: 21 May 2004 16:39
To: Brendan Nelson
Cc: 313@hyperreal.org
Subject: RE: (313) Friday Transmat question
Could be Neil Ollivierra?
I'm pretty sure it wasn't him - Abdul Haqq did the Third Earth graphics (like
the Relics cover, the Model 500 Classics cover, etc) but it was another person
who did the artwork for these postcards that Transmat put out. They had some of
the originals on show in Fat Cat for a while and I always w
Does anyone remember the set of paintings that Transmat issued on those
postcards a few years back? Who was the artist that produced them? My mind has
gone completely blank...
Brendan
If you don't have them already, hunt down the four releases to date
on Iridite Productions - all are crucial. Also, try to get hold of
Rei Loci's "Faction" release on Seventh Sign, which is another EP
of extremely high quality techno music.
Brendan
-Original Message-
From: RAW2019 [mai
About a year ago I was going through lots of old records I'd dug out of a
cupboard, and came across the Interface EP with "The Other Side Of Life" on it.
The bizarre thing is, I had that track on mp3 and had been trying to buy it on
vinyl for ages - imagine my surprise when it turned out I'd had
I like "Disco's Revenge" as well! (although I prefer it heavily
pitched up... :)
Kenny Larkin, despite playing a very good set overall, dropped one or
tracks in Liverpool a few months back that were so bad I had to
walk off the dancefloor. The problem is, I don't remember what they
were...
---
Apologies for the lack of relevance to non-UK 313ers, but here's
a little update about what's happening on the 313 party front. Some
of you might remember the series of 313 nights we had at Public Life
last year - and this year we're hoping to move up to bigger and better
things.
In conjunction
I'd definitely agree with Paul that it was one of the best
sets I've seen him play, especially in the last few years.
It beat his appearance at Plastic People hands down, IMHO.
You could probably sum up his set by saying it was harder
and more "techno" than he typically plays these days, but
a
In a way, their sound is what "techno" would have turned out
to sound like if Techno Kut had had the impact that Metroplex,
Transmat etc ended up having. I'm quite interested in that
parallel 'path' of post-electro stuff and the way that it started
out calling itself "techno" before being super
> -Original Message-
> From: quest pond [mailto:[EMAIL PROTECTED]
> Sent: 27 April 2004 16:51
>
> Wow give the guy a break, i mean i can understand a French Dj
> is not going to find to much favour in the UK, after centuries
> of disputes and all that but this is going to far.
For what
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 27 April 2004 16:17
>
> ... don't f*cking crucify the
> guy just because he tries something different than what you
> are expecting...
I don't really want to get involved in this debate, but just wanted
to
Well, if *I* was in there with a few dozen doughnuts and several
hundred records to play, I'd have nothing to complain about. :)
Brendan
> -Original Message-
> From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
> Sent: 22 April 2004 16:37
> To: Brendan Nelson; [EMAI
Bloody hell, that is a seriously nice DJ booth! All clubs should
have DJ booths like that...
Brendan
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 22 April 2004 11:00
>
> Check that Dj booth out, now THAT is cosmic
> http://www.discotecheafrofunky.i
> -Original Message-
> From: Greg Earle [mailto:[EMAIL PROTECTED]
> Sent: 21 April 2004 17:22
>
> - Greg (who has seen every Moon Landing, and thought
> we'd all be in Jetsons-mobiles by now - or at least Ford
> GT90's - and is very pissed off that we aren't)
I can't remember who
> -Original Message-
> From: robin [mailto:[EMAIL PROTECTED]
> Sent: 21 April 2004 16:25
>
> secondly techno, whilst undeniably based on earlier music, is an 80s
> phenomena. up until the 80s most science fiction (especially
> that shown in film) perpetuated the 50s style of optimistic fu
> -Original Message-
> From: ha [mailto:[EMAIL PROTECTED]
> Sent: 21 April 2004 11:39
>
> > Personally, I could care less about originality. I'm only
> interested in
> > quality. Give me a 4 chord pop song. As long as it's GOOD, I'm
> satisfied.
>
> problem is that while criterias for
> -Original Message-
> From: Marsel // Nomorewords.net [mailto:[EMAIL PROTECTED]
> Sent: 21 April 2004 10:47
>
> i guess, a part of it could be because the year 2000 has passed?
In the run-up to the year 2000, the idea of the "future" was already
fading in popularity as far as I could te
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 21 April 2004 09:50
>
> even techno isn't futuristic any more...
>
> so why? is it too scary to contemplate any more?
For a lot of people, definitely. Arguably, any form of truly
"futuristic" music being mad
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 21 April 2004 09:50
>
> even techno isn't futuristic any more...
>
> so why? is it too scary to contemplate any more?
For a lot of people, definitely. Arguably, any form of truly
"futuristic" music being mad
I've got two copies of that - one on Paragon and the other on Network. Neither
are credited to the Pin-Up Girls though, they're both credited to Final Cut
with True Faith.
On the offchance... do any of these Pin-Up Girls mixes have the chords from
E2-E4 on them?
Brendan
> -Original Messa
> -Original Message-
> From: Ken Odeluga [mailto:[EMAIL PROTECTED]
> Sent: 13 April 2004 10:08
>
> Ryan Burns:
> >is the recent repress of the climax remastered??? because
> all the mixes i
> >have heard of the track sound awfull because he recorded it
> on a cassete
> >tape.
>
> Was t
Scion were breathtaking. Despite a less-than-perfect sound
rig which didn't emphasise the extreme bottom- and top-end as
much as I'd have liked, they sounded amazing. They were like
electronic chefs creating a Basic Channel soup using such
tasty ingredients as Infinition, Phylyps Track, Octagon
There's a pub called the Hobgoblin about five minutes' walk to
the north of the Rocket, where we met up before the last Lost
party. As far as I know there are no official plans to have a
pre-Scion meetup there, but if such plans develop this is the
most likely venue I guess.
Some info on the p
That's true, there's a lot of re-issuing and a lot of old artists
popping back onto the scene, so it's a good time for techno
nostalgia! But I'd much prefer to see a similar amount of excitement
being caused by new artists, new music and new approaches to techno
music. I feel kind of guilty whe
I'm sat here listening to a heavy dub remake of the theme tune from
"Sorry!", so I'm clearly having a great day too :)
Brendan
> -Original Message-
> From: Martin Dust [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, March 24, 2004 8:59 AM
> To: [EMAIL PROTECTED]; 313
> Subject: Re: (313) wha
Yeah, but don't you accept that the "huge range of opinions" you mention is,
at the end of the day, an amalgamation of the opinions of a whole range of
individuals? And that some of these individuals might sometimes dare to
voice the specific opinions they have on the subject of techno? And that
th
That's just me using typically clumsy shorthand for "stuff that I
think is good techno", which certainly isn't always 313-derived... :)
> -Original Message-
> From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
> Sent: 23 March 2004 13:46
> To: B
n
> -Original Message-
> From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
> Sent: 23 March 2004 13:37
> To: Brendan Nelson; Andrew; 313@hyperreal.org
> Subject: RE: (313) what is Detroit techno ...
>
>
> "I'd quite like it if one day all the loope
> -Original Message-
> From: Andrew [mailto:[EMAIL PROTECTED]
> Sent: 22 March 2004 17:36
>
> ... I never even use the term 'Detroit Techno', I just say
> 'Techno'...
I'd quite like it if one day all the looped-banger stuff was just
known as "schranz", and the word "techno" became widely
> -Original Message-
> From: lisa [mailto:[EMAIL PROTECTED]
> Sent: 19 March 2004 20:40
>
> [advance length and possible use of brain warning]
>
> ...[do] people here think it's possible to convey "what is Detroit
> techno" to another person *without* actually having them
> listen to so
A full range of opinions, pictures and so on can be found
at:
http://www.littledetroit.net/forums/viewtopic.php?t=1709&start=75
A good night was had by all, as you can see!
Kenny Larkin spun a really accomplished and varied set, but
at times definitely went a bit too much into looped banger/
t
I know what you mean about the sort of Drexciyan underwater dance party and how
hard it would be to capture that sort of thing on video!
I read somewhere that when Parliament made the "Motor Booty Affair" album, the
original plan was that it would be a soundtrack to a film Clinton was hoping to
Yep! It's on the B-side of Blackout... and another good "phone call"
track is "Why (Don't You Answer)" by Cisco Ferrera, the first release
on Fragile.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 10 March 2004 15:53
To: Bre
It's called "I Called You"...
That vocal always cracks me up! I especially like the "I followed you..." bit :)
-Original Message-
From: Paul Kendrick [mailto:[EMAIL PROTECTED]
Sent: 10 March 2004 15:39
To: DelCimmuto; [EMAIL PROTECTED]; 313@hyperreal.org
Subject: RE: (313) Techno's Voice
Just wondering, are people unhappy with the amount of
equipment chat on here today? A separate list exists for
that sort of thing, doesn't it?
*I'm* not against it by any stretch of the imagination,
but after the complaints of yesterday I'm extra-wary of
the fact that many people may be scowli
> -Original Message-
> From: J. T. [mailto:[EMAIL PROTECTED]
> Sent: 09 March 2004 15:04
>
> sendex has recently been making tracks that hark back to this
> sound too,
> reallly nice. he posted one on the c-b-s forum
> http://www.smeyer.cistron.nl/~smeyer/music/sendex_temp01.mp3
Yeah,
> -Original Message-
> From: robin [mailto:[EMAIL PROTECTED]
> Sent: 09 March 2004 13:25
>
> so has "Do You Know Who You Are" been repressed recently or summink?
Not as far as I know - I managed to get hold of it a few months
ago though, and have been giving it some heavy listens lately.
Here's another track that I love right now - Virgo, "Do
You Know Who You Are".
It's not from Detroit so I get a slap for mentioning it;
however, to me it's a very good example of late-80s Chicago
music that almost could have been made in Detroit during
that period. I remember a discussion on h
OTECTED]
> Sent: 09 March 2004 10:28
> To: Brendan Nelson; synthetic tom; 313@hyperreal.org
> Subject: RE: (313) what's your favorite track/album right now?
>
>
> I heard the faith cut on Matt McQueen's show - it's excellent
> - who are Deep Chord? I heard about
Jonas Berring's "Emballages" EP on Kompakt is a nice variation on Deepchord
sort of stuff; also worth picking up in that vein are releases on Force Tracks
and a fair few on Gadgets as well.
An EP that came out a couple of months ago that's worth chasing down is Paul St
Hilaire (aka Tikiman) ft
It seems to me that, as a self-moderated list, what the 313 list is supposed
to do is - this may seem a little radical - moderate itself. By this I don't
mean converting the 313 list into a web forum or installing some vengeful
and pedantic autocrat as arbiter of what should or should not be discus
Just wanted to check if there were any other UK 313ers heading
to Liverpool on Friday? I'm coming up with Tristan and a bunch
of people from the LD forum and should be getting there shortly
before doors open - so if anyone fancies a few pre-match drinks
with some southern jessies, hit me back!
Remember, if it's got electronic noises but no 4/4 kick drum then it's not
techno - it's breaks!
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 05 March 2004 15:07
> To: [EMAIL PROTECTED]; Mann, Ravinder [CCS]; 313@hyperreal.org
> Subject: RE: (313) first tec
I was in America in around 1991 with my 808 State t-shirt
on - some girl noticed it when I was in a shopping mall,
and started chatting to me; she even asked me out to an 808
State gig that was going to be happening in about a month's
time!
I was pretty shocked that anyone in the US would have
Mine would probably be "Hit Me With Your Rhythm Stick" by Ian Dury and the
Blockheads, and that would seriously dent my "techno cred"... (if Rat Rappin'
hasn't destroyed it completely!)
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 04 March 2004 19:23
> To:
What movie is this promoting? Have they made a film of "I Robot" or something?
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 04 March 2004 18:50
> To: 313@hyperreal.org
> Subject: (313) can't wait to get mine
>
>
>
>
>
>
> http://www.irobotnow.com
Roland Rat - "Rat Rappin" (1984)
> -Original Message-
> From: Martin [mailto:[EMAIL PROTECTED]
> Sent: 04 March 2004 16:32
> To: placid; 313
> Subject: Re: (313) first techno record
>
>
>
> Clockwork Orange OST 1972
> Kraftwerk Autobahn August 25th 1978
> Cabs - Extended Play 1978
>
>
But then I'd probably suggest that the person who says "techno without 4/4
beats is just breaks" is as definition-obsessed as anyone...
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 04 March 2004 15:36
> To: [EMAIL PROTECTED
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 04 March 2004 15:25
>
> >>It is funny, but then they probably laugh at us for being a bunch of
> definition obsessed trainspotters.
>
> I wouldn't exactly say that we are definition obsessed...
This obviou
Unfortunately the flux capacitor in my modified Delorean is out of order at
the moment (going to cost me an arm and a leg to fix!) so I only really know
about gigs that have actually happened. If I could zip forward in time to
April 2nd and catch Scion now, I definitely would! But as it is I'm goin
CiM is ex-313 member Simon Walley...
www.warmdata.net
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 02 March 2004 18:51
> To: Tom Churchill
> Cc: 313
> Subject: Re: (313) New mix
>
>
> > CiM - Dance Party (Ann Aimee)
>
> can someone tell me who or wha
This was the original release date for Kenny's new album,
"Kaleidoscope" - it's been delayed, though, so there are
a few weeks left to wait...
> -Original Message-
> From: Jari Tolkkinen [mailto:[EMAIL PROTECTED]
> Sent: 01 March 2004 12:12
> To: 313@hyperreal.org
> Subject: (313) Kenny
f
more DJs released DVDs like that; the gimmick of using it at the
start of the set is going to wear off pretty quickly though.
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 01 March 2004 12:13
> To: Brendan Nelson; Ken Odeluga; 313
> Subjec
really notice it being "soundtracked" in any
particular way... was nice to look at though!
Brendan
> -Original Message-
> From: Ken Odeluga [mailto:[EMAIL PROTECTED]
> Sent: 01 March 2004 11:56
> To: Brendan Nelson; 313
> Subject: RE: (313) Mills
>
>
>
Yeah, it was a pretty surreal moment on Saturday when I saw that in the
magazine! I was on the lookout for a bunch of Absolutely Fabulous-style fashion
journos looking out of their depth at Lost, but without success...
> -Original Message-
> From: Tom Churchill [mailto:[EMAIL PROTECTED]
I'm not feeling stunningly articulate at the moment, but I had a very
similar impression after seeing his set last night... probably about 20 cups
of tea away from being able to provide a substantive review of the night
though :)
> -Original Message-
> From: Jason Brunton [mailto:[EMAIL PR
I'm getting a bit of deja vu here, back to the time when London and Glasgow
both had those UR parties - and guess who got the full Mad Mike PA treatment???
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 26 February 2004 17:18
> To: [EMAIL PROTECTED]; 313@hype
Although technically speaking that's last season's look, I don't reckon you'll
stand out too much among the Lost crowd... you should blend in nicely!
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 26 February 2004 15:54
> To: 313@hyperreal.org
> Subject:
I think there'll be quite a major force moving northwards
from London for this one (with a small exploratory unit
heading up this weekend of course!)
Brendan
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 16 February 2004 16:32
> To: 313@hyperreal.org
>
I'm going to big it up for the Robert Hood and Roy Davis Jnr
remixes of Ian Pooley's "My Anthem" - been in my box ever since
it came out and it's not leaving anytime soon!
Honourable mentions also to K-Led's LP of last year, and to
Reinhard Voigt's furious "Energie" 12...
Best of luck to Force
> -Original Message-
> From: Tosh Cooey [mailto:[EMAIL PROTECTED]
> Sent: 10 February 2004 16:10
>
> I would be very interested to hear any ideas to work around
> this problem.
What I'd suggest is that the cost of downloading a track (one cent
per megabyte) is very much subject to varia
> We're way off topic now (i'll be on topic by the end of this mail so
> bear with me). The losses the companies attribute to
> piracy/p2p internet downloads are way off target anyway, this
> (19billion) is probably a RIAA figure.
It is as far as I'm aware - I think it's based on an estimate for
> -Original Message-
> From: Martin [mailto:[EMAIL PROTECTED]
> Sent: 10 February 2004 12:55
> >
> > there is something to be said for the intuitive interface
> > of a pair of decks with vinyl on them don't you think?
>
> Not in my case, just seems pointless as I hate backspins and only
I'm really annoyed that I didn't make it down on Saturday,
considering what I've heard about Surgeon's set that night!
But what I've still not gathered is whether he was using
Ableton Live or if he was just spinning on decks - kind of
sounds as though he was using Ableton, from what people
hav
Yeah, that new Dimension 5 12" is something I'm keenly
waiting for too... also, the next 11th Hour release is not
too far off now, and from what I've heard of it I can
say it's going to be one you won't want to sleep on...
> -Original Message-
> From: J. T. [mailto:[EMAIL PROTECTED]
> S
CTED]
> Sent: 05 February 2004 12:28
> To: Brendan Nelson; 313@hyperreal.org
> Subject: RE: (313) OT Coachella festival
>
>
> The future is not as good as it used to be
>
> -----Original Message-
> From: Brendan Nelson [mailto:[EMAIL PROTECTED]
> Sent:
> -Original Message-
> From: jonathan morse [mailto:[EMAIL PROTECTED]
> Sent: 05 February 2004 11:36
>
> anyone besides me foresee the 2004 techno trend being a
> return too/embracing of our non-techno roots?
To be honest I had seen that as being the techno trend
of 2003! I was kind of
t he is today
3) He is a baby eater
*tut tut*
> -Original Message-
> From: Ryan Snowden [mailto:[EMAIL PROTECTED]
> Sent: 04 February 2004 17:05
> To: Brendan Nelson; 313@hyperreal.org
> Subject: RE: (313) Derrick May
>
>
> He IS shifty, isn't he...
>
I was about to mention that shifty Kube72 character actually! :)
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> Sent: 04 February 2004 16:54
> To: Martin; Blackman, Ryan (UKEKT); Brendan Nelson;
> [EMAIL PROTECTED]; [EMAIL PROTECTED]
>
I think that would be a bit drastic! The 313 list isn't
*all* vitriol and player-hating after all... :)
It's a funny thing about the internet that it seems to
bring out some serious bitterness and bile in a lot of
people, and that applies to forums and mailing lists
everywhere, not just 313. I
> -Original Message-
> From: robin [mailto:[EMAIL PROTECTED]
> Sent: 03 February 2004 15:09
>
> i think there is a lot of looking back to previous musical movements
> happening at the moment... it does make me wonder where things can
> go in the future
>
> which is the whole point
I remember Derrick May had a "my radio station" page on mp3.com
featuring tracks by amateur producers on that site - he obviously
spent a bit of time listening to the tracks that people uploaded
there, and had one or two from former listmember Scott Vallance
as well (who was of course pretty fl
Ah, but I'd say there's an extent to which a lot of these males are kind of
forced into a situation like that - you could spend *years* looking around for
someone whose mindset and interests are very compatible with your own, but
because most people fall more into the "ornament" category, that's
No, Interdimensional Transmissions is run by Brendan Gillen aka Ectomorph as
far as I'm aware...
> -Original Message-
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 28 January 2004 12:06
> To: Odeluga, Ken; Cobert, Gwendal; 313@hyperreal.org
> Subject: RE: (313) what you listening
I am listening to $tinkworx - Los Gatos Lloros ("the crying cats"?) EP. And
very nice it is too!
Where did you get that Brendan Gillen Ableton mix btw? Is it online? I've
never got a chance to hear any of his Ableton sets, and I'm always keen to
find out what other Brendans are doing with modern t
One saying deserves another, though... "Familiarity breeds contempt" :)
> -Original Message-
> From: Ryan Snowden [mailto:[EMAIL PROTECTED]
> Sent: 27 January 2004 15:16
> To: [EMAIL PROTECTED]
> Cc: 313@hyperreal.org; 'Maxim Sullivan'
> Subject: RE: (313) Los Hermanos
>
>
> Well there i
Yeah, there's definitely something strangely flat and unfinished to it - kind
of sounds as though it could have been made on one of those handheld Yamaha
synth/sequencer things. Everything is just too raw and plain in the mix,
really, to provoke any excitement or draw the listener into it.
That
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 27 January 2004 04:25
> >
> > Morton Subotnick - Silver Apples of the Moon
> (Nonesuch)
> >
> > MEK
>
> That Subotnick is a classic.
Completely agreed - in a lot of ways it's probably one of
the most "tec
So in an attempt to get the 313 list to break its vow of
silence, here are a couple of record reviews I did for
www.littledetroit.net - a bit of Speedy J on Novamute and
a bit of classic-style acid madness from Sendex on Bunker:
Sendex - Exposure EP (Bunker Records)
Using only equipment from t
Alex Bond wrote:
> so maybe digital dj'ing allows someone to think more about
> programming than actual mixing (as it's virtually 'automatic')
> and I think that has to be a good thing. I think?
I'd actually say that digital dj'ing gives DJs the flexibility to choose how
much "automation" the
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 23 January 2004 11:06
>
> represses are good in some instances...
I was going to say this was the understatement of the year (represses are
*always* good!), but then checked myself when I remembered my brief
Isn't trainspotting ultimately descended from philately,
the mother of all bizarrely obsessive hobbies for nerdy
blokes?
I've heard that Asperger's argument before, and it does
make a bit of sense to me to be honest; the whole idea
of data being more fascinating to certain people than
other h
That Thinnerism site is quite a nice one - I haven't seen that before but it's
definitely one that I'd say is an example of a label site I like.
A lot of techno labels have sites that annoy me for several reasons: the main
ones being overly dependent on style over content (ie, you arrive at the
> -Original Message-
> From: Matt Chester [mailto:[EMAIL PROTECTED]
> Sent: 15 January 2004 13:16
>
> Don't mean to nit-pick, but you can get a co-hosting option
> or a decent, large scale (though perhaps not enterpise scale,
> which is maybe a little over the top for a label) remote
>
OK, after a bit of guesswork I've managed to work out the correct URL and am
downloading the mix now!
It's at:
http://www.hurlbotics.com/mp3/mixitup.mp3
Cheers,
Brendan
I'm getting a 404 on this URL - is it just me? I'm pretty intrigued by the
tracklist so am keen to give it a listen!
> -Original Message-
> From: James Hurlbut [mailto:[EMAIL PROTECTED]
> Sent: 15 January 2004 06:54
> To: [EMAIL PROTECTED] Org
> Subject: (313) electro.techno.bbeat.house m
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 15 January 2004 12:22
>
> Hey - any heads on the list know if it really does cost alot?
> Being a dullard, I can't see where extra costs would come
> from if you're already running the site.
It would definit
iTunes is a lot cheaper than the Warp store, I think - it's 99 cents for a
track on iTunes, and 99 pence on Warp, so at the current exchange rate it's
almost twice as expensive. Not sure if iTunes has a "per EP" pricing deal,
though; what I've seen of it seems to be heavily structured around alb
> -Original Message-
> From: Tom Churchill [mailto:[EMAIL PROTECTED]
> Sent: 15 January 2004 11:58
>
> While we're on the subject - would people on the list pay to
> download (for example) Headspace and Emoticon tracks as
> high-quality MP3s? Trying to work out whether it's worth
> expl
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 15 January 2004 10:36
>
> Was just wondering if anyone had used this service of warp's?
> (the one where you can download a track for 99p or whatever)
>
> I was just wondering why anyone would?
>
> I mean it
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