Dead on, MEK.
I got dragged out to a dancehall/soca/dubstep/whatever night the other week by
an out of town guest, and it was a ton of fun, and there were some cool sounds
going down, for sure. and i have to say that i wrote off dancehall years ago.
I'm actually pretty excited by music these
on the 313 tip is Kevin Saunderson at Temple on Friday.
the scene there was pretty Las Vegas the one time I went (to see Stacey Pullen
and Derrick May a couple weeks back), but the main room sound is pretty
impressive.
- Original Message
From: Detroit Techno Militia [EMAIL PROTECTED]
It's not strictly speaking a band or track name, but there was a (great)
compilation on Sabrettes called
101 + 303 + 808 = Now Form A Band
just tracked down a copy of this. it's fantastic.
can't wait for the LP.
- Original Message
From: /0 [EMAIL PROTECTED]
To: Antonio Alves [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Monday, April 30, 2007 1:45:23 PM
Subject: Re: (313) new xtrak release
forgot to mention this after I got
anyone catch that dj pinch set on mary anne hobbs?
(if not, it's up on themixingbowl)
interesting sound, and i like the mixed up rhythms. i'd certainly love to hear
someone play this style on a proper rig.
seems like there's something going on in this little area right now, with the
yeah, and funnily enough aquarius have never really
stocked much in the way of detroit techno (or really
anything else you can actually dance to).
their techno stock has always been a bit more in the
sahko and basic channel veins.
--- Patrick Wacher [EMAIL PROTECTED]
wrote:
haha, that's
he and Dirtybird definitely have a following here in
San Francisco with the whole Kontrol scene.
in fact i got in a little discussion with some kid at
a party who was saying that he was the future of
techno, to which i responded (in typical axxhole fogey
fashion) you mean tech house?
but i do
in a kind of kompakt flavored minimal tech jazz style, i'd recommend:
dell flugel - superstructure
(on laboratory instincts)
and if you feel like chasing down something rare-ish, there's the jimi tenor,
mika vaino collaboration:
kosmos - kosmos
(on sahko or puu)
this one is a raw blend of
in the multiple studies i've read, they're typically
compared by phase inverting one of the tracks and
mixing them. in every case that i've read about,
they've summed to silence, which means the tracks are
identical.
i actually feel like i can hear what Martin's talking
about, so I keep looking
ok, i'll bite.
i totally love non-four-on-the-floor techno. per MEK's comments, it's what i
love about the more stripped down side of brokenbeat.
what are folks' favorite records in this vein?
off the top of my head, there's Si Begg's Opus EP (Tresor) and some of Inigo
Kennedy's gear like
The new Amp Fiddler joint is cool. Kinda more of the same, but beautiful
nonetheless.
and it's over a year old, but i just found myself a copy of In the Dark on
Still Music (featuring M. Pittman, Rick Wilhite, Raybone Jones, Delano Smith,
Sharard Ingram...). I love the title track. It's a
hot shxt.
thanks for sharing.
i just listened twice straight through. this must have been amazing live.
do i remember correctly that all of this music was written specifically for
this show? wow...
- Original Message
From: J.T. [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent:
yeah. burial is awesome. for those not clocking this,
it's slowed-down two step with some basic channel-type
crackle and hiss (though the producer claims not to be
aware of BC). a couple of the tracks have some nice
vocal elements reminiscent of the early (i.e. good)
days of dnb.
but as much as
gilles asks c2 about this on the recent c2 worldwide show, which btw is totally
worth listening to for some pretty entertaining patter between those two
- Original Message
From: Dan Bean [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Friday, May 19, 2006 6:50:59 AM
Subject: Re: (313) old
here's a little something i threw together in ableton
to mark the end of the rains in SF (I hope). deeper
stuff, from house to brokenbeat and some in between.
nothing terribly new to you lot, but some of my fave
records from last year and beyond...
me a
happy man. regis going minimal sounds right up my
alley. (he's actually already right up my alley, in
certain moods, anyhow.)
cheers,
d
--- Martin Dust [EMAIL PROTECTED] wrote:
On 6 Apr 2006, at 16:13, dave cronin wrote:
just picked up that ia bericochea on rojo, the
alex
under
i saw it in the bin and took a listen somewhere in
london. it's a white and iirc, one side is a bad
remix, and the other is got to be starting
something, credited to villalobos and luciano.
--- Carlos de Brito [EMAIL PROTECTED] wrote:
and all i can tell you is that i asked luciano
during his
http://www.discogs.com/release/321370
--- Carlos de Brito [EMAIL PROTECTED] wrote:
btw: does anyone have the link to that record on
discogs? been looking
for it, too.
just picked up that ia bericochea on rojo, the alex
under on plus 8, and the sleeparchive 2x12 all of
which have really gotten me in the mood for the deep
minimal stuff.
anything new like this coming out of detroit these
days?
i'm pretty much over the glitch take on this stuff,
but am totally
cheerio london 313ers. i'm in town for 10 days for
work. wondering what's going on.
any clubs, parties, shows, (art?) worth checking?
doesnt even have to be techno.
saw that there's a soundslike werk on sat, may check
that. anyone in the know on the lineup?
thanks in advance for any tips. (or
he can be pretty sick with it, akshully.
my faves are his Interstellar Space Funk series. see:
http://www.11-hour.com/features/features.asp
--- [EMAIL PROTECTED] wrote:
Anyone point me in a direction? Does he DJ at all
actually?
MEK
i mean Interstellar Groove series...
but it is space funk, fo' shu'
--- dave cronin [EMAIL PROTECTED] wrote:
he can be pretty sick with it, akshully.
my faves are his Interstellar Space Funk series.
see:
http://www.11-hour.com/features/features.asp
--- [EMAIL PROTECTED] wrote
i think i remember hearing that he moved to New York,
though I may be confusing him with someone else. iirc,
i heard this in an interview on gp worldwide. you can
probably find it on the bbc archives.
--- [EMAIL PROTECTED] wrote:
I was reading a back issue of XLR8R this weekend
that
ok, i'll bite. who would you book instead of these
guys?
and i don't think it's not that you're not entitled to
have critical opinions, it's just that you could
probably put them in a more positive manner. even if
you didn't mean it as a personal attack, it kinda
sounded like it.
maybe think
hey now. no one says you have to love the music, but
that's a bit out of order. no reason to take potshots
at the kontrol peeps just for following a couple
techno conventions/cliches.
these guys put the on night out of a love of the music
at a time when no one else in SF would touch the more
Just to set the record straight, it's Konono #1.
Sorry for the i-live-really-far-from-Africa
misspelling.
-d
It seems like L.A. actually has some pretty heavy jazz
shxt going on right now. From the whole Build An Ark
thing, to the jazz side of Stones Throw (DJ Rels,
Malik Flavors, YNQ), to Ammon Contact and Daedalus.
I think Steve Spacek lives there now, and Ubiquity is
partially based out of there and
check Nubian Mindz Black Science EP on Archive.
i don't have the record in front of me, but iirc a
couple of the tracks start with electro moods and then
work in the edited breaks.
--- Antonio Alves Felizardo [EMAIL PROTECTED] wrote:
'lo list,
I'm doing this mixed compilation for some
i have to say that i'm generally in the grumpy old man
camp: i've heard this before-- can't you kids play
something new?
but one positive side effect of the New Old Music
phenomena right now is the reintroduction of grit into
some of the music. even though most of the neo-acid
and neo-punk funk
Since it's a little quiet round here today, here's
what's new my uptempo crate:
Henrik Schwarz - Leave My Head Alone Brain
This cool little groover features some dubby sounds (a
la deepchord), yummy organ, funk bassline and bluesy
soul vox. A variety of mixes range from pretty rootsy
to a bit
outside of the
basement
works records.
From: dave cronin [EMAIL PROTECTED]
Kid Sublime - Bassment Works Vol. 4
More lowlands minimal deep house with prominent KDJ
influences. For me the real winner is the Side B.
Totally grrooovy with good builds and changes,
featuring a nice little vocal
Ken said:
Now of course besides Cybotron, can anyone else
name some artists who were producing music in such
a vein in the US at the time?
Start with these:
(links to All Music Guide pages w/ clips)
Mantronix - Bassline
http://tinyurl.com/cf8x9
(this clip only has a second or two of the
Ken wrote:
techno is an offshoot of chicago house?
Ok, I didn't read the article and am prepared to
accept from you lot
that it's duff, but the above is at least partly
correct, non?
Yes. As has been amply demonstrated here in the past
day, there is undeniably a strong connection.
I was
jeez. where did they find that guy? that's like the
worst music journalism i've ever read.
the article is pretty much pointless, and basically
only good to point out how misinformed the author is
(techno ranges in bpm from 120-125 bpm? techno is an
offshoot of chicago house?)
--- Fred Heutte
it would be to
make no distinction between Chicago and Detroit
records. I hear house
DJs play techno and vice versa every time I go
out.
On 7/5/05, dave cronin [EMAIL PROTECTED]
wrote:
jeez. where did they find that guy? that's like
the
worst music journalism i've ever read
in some ways, you're totally right (and for the
record, i'm not in any way doubting that you know what
you're talking about)-- the boundaries of genre,
especially for the prototypes, are pretty hazy and
tend to be post-facto critical handles rather than
distinctions intended by the artists
ammon contact - new birth
thanks to tristan for the recommendation. this is
awesome-- been on repeat all day. nice techy
down-tempo gear with a dose of the afro-black 70's
jazz vibe. perfect.
yeah, i was really suprised that Kontrol was such a
rockin party-- went down because i was intruiged by
all the Mutek reviews for Galoppierende Zuversicht,
fully expecting a bunch of non-dancing chin-strokers,
and lo and behold it was packed (to capacity) with
attractive people up for a good time.
1. Domu - Return of the Rogue
2. Jneiro Jarel - Three Piece Puzzle
3. Recloose - Hiatus on the Horizon
4. Travis Biggs - Challenge
5. The Books - Lemon of Pink
That'd be the new Recloose LP...
It's pretty cool, but after my initial listens, Dust
is by far the best track.
--- Thomas D. Cox, Jr. [EMAIL PROTECTED]
wrote:
From: dave cronin [EMAIL PROTECTED]
3. Recloose - Hiatus on the Horizon
uhhh, whats that?
tom
]
wrote:
-- Original Message
--
From: dave cronin [EMAIL PROTECTED]
That'd be the new Recloose LP...
It's pretty cool, but after my initial listens,
Dust
is by far the best track.
ive liked the 2 other cuts from it ive heard, but
not as much
Name: David Cronin
Age: 32
Live: San Francisco
Born: Albequerque
Grew up: Minneapolis
First techno record: Waveform Transmission Vol. 3
Fave live set: (3 way tie) Scion Tikiman in SF 2002,
Ayro in SF 2004, Whoever played before Rolando at the
UR party at DEMF 2001
I really dig some of the earlier stuff that has an
almost broken tech-house vibe. There's definitely some
similarities to Theo (eg Dusty Cabs, etc)- both
rhythmically, in the voicings and even in the ways
that tracks build energy in a really minimalistic
way.
See:
Michael Mayer - 174 (KOM 4)
thanks all,
good tips. i heart (313)
-d
--- mike! [EMAIL PROTECTED] wrote:
i grab my shows weekly from
http://www.themixingbowl.org
On May 18, 2005, at 2:49 PM, Michael Greenleaf
wrote:
it's also a good idea to make friends with some of
the opz in the GP
Worldwide chat room in
ok, i know it's a bit OT (though GP def has shown some
serious support for Detroit artists), and outs me as a
bit of an acid jazz wanker (i'm actually pretty much
every kind of wanker), but I'm looking for a better
way to listen to some of these GPWW shows without
dealing with the total crxp BBC
cool. i was sad to be out of town for that.
which file is the jeremy ellis set in? that site is
slooow...
(incidently, i was djing a friend's wedding that night
and played take your time off the new jeremey ellis
album amidst some non-electronic funk and soul and the
place totally blew up...
Back before the dollar dropped to 50p, I used to order
from Picadilly all the time and have found their
service to be pretty much impeccable.
Great selection, too. Generally, their in stock is
accurate for everything but the hot limited stuff,
which you really have to move on if you want.
(Kind
yeah, that's pretty much the call.
go to the haight, get a shirt and then lose it (by
spending 4 hours and $400 at Amoeba). If you want
313ish mix CD's, Amoeba's pretty much the only place
you'll find a decent selection. If you want local
house mixes, you should check out Tweakin (in the
lower
yeah, i notice the conspicuous lack of any pitch
faders, which might even be uber-ubercoolische since
you wouldn't have to worry about the banality of
beatmatching while your head's done in on erm...
poststructuralism...
--- lisa [EMAIL PROTECTED] wrote:
Those are cool, so cool they might even
interesting observation...
i think the only dj i've heard play Angola is C2
hisself and i honestly don't remember how he played
it.
what's your prescription for how to mix into it?
inquiring minds want to know.
--- Thomas D. Cox, Jr. [EMAIL PROTECTED]
wrote:
-- Original
i have a friend whose husband used to play pretty
bangin stuff (sabrettes kinda gear) and she used to
stop in to catch his sets on big party systems while
she was pregnant...
after the baby was born it was absolutely verifiable
that boomin kix would calm the little one down when he
was crying
Come on.
You can't be serious. Not to ride anyone's jock too
hard, but I have to say that I really look forward to
Mr. Bond's commentary in what can be a sea of
otherwise self-serious prattle.
When Alex took a break from (313), things got real
boring around here, not to mention the most
holy crxp. this set is the real deal. don't sleep!
-d
--- Gerald [EMAIL PROTECTED] wrote:
Hey Folks,
I had the pleasure of hosting an exclusive session
on Equinox yesterday -
brought to you by TraXX (Int'l Gigolo)
Sorry - no tracklisting for this 2-1/2hr edition of
Equinox. Although
A bit off topic, but whatever happened with the
First-Ave-is-closing drama?
(And not really thaat off topic, what with the Prince
connection, and then the famous Prince / Amazing Mojo
interview all the way back to 313... )
--- [EMAIL PROTECTED] wrote:
Saturday June 11th 2005. Aural
don't know what to credit the silence to, but it's
certainly not to a dislike or lack of interest. i
guess there's recently been a bit of slagging of the
stars release, but i think alex is prepared to wrestle
anyone in re: sandstorms (which i still haven't heard
as it wasn't released when i was
randomly passing through with nothing on the agenda
(or really much idea what to expect).
anything techno-related? or not, but good/fun/crazy?
danke,
dave
dang. i'd really like to see this.
totally loving the being's recent output. how friggin
great is the dirty criminals?
i didn't even realize that mr. moss had his own label.
anyone heard these mathematics releases? comments?
where can i get me some?
--- Matt MacQueen [EMAIL PROTECTED]
kao-tic harmony
though at les is up there in the spine-tingling
department for me as well...
--- [EMAIL PROTECTED] wrote:
hi folks. just curious about which detroit-produced
ambient trax you would
consider your favorites. right now I'm hooked on
gathering light, by
detroit escalator
i feel you there, ja'maul.
i saw that shtick-- he played a one bar plastikman
loop for like 15 minutes. didn't even feel the need to
throw a little autofilter or something on there. very
minimal, i guess.
and not to start another diss rich thread (i usually
enjoy his dj sets), but i've never
Derek Carr?
--- [EMAIL PROTECTED] wrote:
Fizzling memory - trying to remember the name of an
Irish techno artist
that has been mentioned on the list every once in a
while.
I think he runs his own label too.
pffttt go the braincells
MEK
yeah, the two full lengths both hit the nail on the
head with the moody but rockin electro styles.
adding brace yourself, which is a total
classic(imho), really rounds things out for a strong
nomination.
has anyone caught dj k-1 / keith tucker live? i've not
even been able to dig up a recorded
Derek Carr
Dimension 5 (Keith Tucker)
DJ Shufflemaster
wrote:
I thought Dimension 5 was John Harvey?
(although I see he's now D5)
-Original Message-
From: dave cronin [mailto:[EMAIL PROTECTED]
Sent: Friday, October 01, 2004 2:39 PM
To: 313
Subject: Re: (313) Underated Producers
Derek Carr
Dimension 5 (Keith Tucker
-Greg (who's wondering what, if any, buzz there is
on this Parade)
i'm all for people partying in the streets of sf, but
looking at the lineups, it's a lot of the usual
suspects who play here every week, with a few notable
exceptions (stewart walker!!!)
Thanks for passing along the info.
I'm going to be in Melbourne for work off and on for
the next several months and was wondering if any of
y'all had any tips for parties/clubs/nights/record
stores worth checking out.
Also, any good event listings? I like all kinds of
sounds and look forward to
erm yeah, probably got a bit carried away. i know the
new dance sound was important in introducing loads of
folks to techno, i shouldn't have been dismissive...
i guess the point i was trying to make is that there
are lots of other ways the vibe/sound spread.
something that isn't talked about as
Probably a common story, but from the everyday-punter
perspective, Sheffield was certainly the most
instrumental in introducing me to (detroit) techno.
While i was certainly familiar with both house and
more 'ardcore stuff (courtesy of communique and DBN--
i was living in mpls at the time), it
good infos. thanks.
speaking of madlib and azymuth, there's something
floating around on slsk called madlib vs. azymuth.
that appears to be unreleased.. does anyone know
anything about it?
there is mention of something like this on the madlib
mix for gp's worldwide, which is a pretty hot mix
i'm with y'all on paul mac-- i love the stolen moments
ep and one of em on ongaku.
but i always thought he was aussie... but i guess
you lot would know.
--- [EMAIL PROTECTED] wrote:
I think and this may get a load of emails back but I
think Mac is one of the best UK producers out there
and
so now i'm listening to the Broken Soul full-length
thanks to slsk (but no worries-- I'm buying this one
as soon as it hits on vinyl).
freakin' awesome beats-- i think a good progression
from the Diggin in Brownswood EP. maybe it's just me,
but with some bnb stuff, i can't really feel the
groove
thanks for the tip. listening right now... cool songs
but not incredible mixing so far.
and not terribly OT.
His dj Rels stuff is pretty tasty brokenbeat. I can't
wait to hear the new full-length. And is anyone else
feeling the Monk Hughes The Outer Realm release?
Funky free jazz bizness. Not
i think jeff mills, final scratch, richie hawtin, macintoshes, 909 sounds
and soul music (including Amp Fiddler) are all DEAD and/or
OVER/UNDER-RATED! and shxt, don't get me started on women in techno
;)
-d
-Original Message-
From: Rebekah Farrugia [mailto:[EMAIL PROTECTED]
i don't know about the famous disco digging spot (though i'd love to), but
WAX (on melrose) is doc martin's shop and is certainly staffed by proper
house-heads who could prolly point him in the right direction.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent:
just to pile on here for a sec (not that this topic really *needs* another
post), but Dave makes a good point...
There was a Ghostly night here in San Francisco a year or two back that was
filled with indie kids that one normally only sees not dancing with their
arms crossed at obscure rock
into marketing do.
From: Dave Cronin [EMAIL PROTECTED]
So, maybe it's not even just about *marketing*, but actually
about people's taste in music?!
did with Live on that Keep
Diggin' mix.
-d
-Original Message-
From: James Hurlbut [mailto:[EMAIL PROTECTED]
Sent: Saturday, January 17, 2004 12:19 PM
To: Dave Cronin; 313@hyperreal.org
Subject: RE: (313) electro.techno.bbeat.house mix
I'll record the whole track into the computer
A question about how you did the mix in Live (I've been playing around with
this a bit lately.)
Did you pitch-shift the records as you recorded them into Live or did you do
this inside of Live?
The reason I ask is that my attempts to do the pitchshifting in Live have
all sounded like total
anybody know what kind of duties one should expect to pay ordering from the
UK to be shipped to the States?
thanks,
d
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: Thursday, January 15, 2004 3:44 PM
To: 313@hyperreal.org
Subject: (313) Peacefrog on sale
yeah, even though i feel like i keep on saying it, starfighterz and yotoko
are freakin' awesome. and in a similar vein, alex cortex on ann aimee.
on a related note, i'm totally loving this detroit/techno hip-hop that's
been about the past couple years. the yotoko full length has a couple
band [OT]
-- Original Message --
From: Dave Cronin [EMAIL PROTECTED]
i see your point, but if it turns out that this paid downloading
thing
really catches on, wouldn't it be nice if some indie labels could
make some
bucks, too (with the exact same
it looks like there is no upload to iTunes Music Store feature.
Mostly looks like a souped-up Soundtrack with built-in Virtual
Instruments, and the ability to record. It isn't even clear if you can
import your own loops.
not for me, but looks like a nice entry level multi-tracker.
where can i find this one?
(i heart delsin.)
-Original Message-
From: john harvey [mailto:[EMAIL PROTECTED]
Sent: Monday, December 29, 2003 5:28 AM
To: 313
Subject: Re: (313) best downloaded mix 2003 ???
the peel seamus delsin mix won for me
i see your point, but if it turns out that this paid downloading thing
really catches on, wouldn't it be nice if some indie labels could make some
bucks, too (with the exact same access to distribution as the majors)?
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
you mean i too can be a
prepare to drop some $$$.
three not to miss:
amoeba: one of the biggest independent record stores anywhere. strong
selection of most genres including one of the best jazz sections i've ever
seen. electronic music-wise, it's great for picking up used cd compilations,
etc. they've also got some
'Broken Techno' record would sound like
before i heard it.)
-d
--- Phonopsia [EMAIL PROTECTED] wrote:
- Original Message -
From: Hans Veneman [EMAIL PROTECTED]
To: dave cronin [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Tuesday, December 09, 2003 10:23 PM
Subject: Re: (313
i'm sitting here at work wearing out the delsin
sectors of my iPod, and was wondering if anybody has
any suggestions for some quality futuristic listening
stuff online (in the vein of delsin, emoticon, etc.)
please..
thx, d
So I've just pulled into Paris and notice that Cabanne is playing a liveset
tonight (at Club Madeleine), and was wondering if any of you Paris 313ers
(or Londoners) could give me a tip as to when this is likely to start.
I'm not really familiar with the way things work here and don't want to miss
.
detroit/techno related shtuff has always been a bit thin in these parts
...does Staple still book a lot of detroit artists? ...used to..
-Original Message-
From: dave cronin [mailto:[EMAIL PROTECTED]
Sent: Wednesday, June 25, 2003 6:11 PM
To: [EMAIL PROTECTED]
Cc: 313
Subject: (313
unfortunately you just missed titonton duvante *kill* it at the top (though
played more brokenbeat than detroit techno). kirk degiorgio is djing at milk
in the haight (formerly galaxy club, the boomerang) on friday.
detroit/techno related shtuff has always been a bit thin in these parts.
keep
I'm not sure if this is what they're talking about (but I imagine it is with
richie's involvement), but you can use an iPod as an external drive with
Traktor, which has now merged with Final Scratch. The upshot of all this is
that if you're going to play a show where they've got a Traktor FS
and don't forget about the Uptown Bowl, on the current site of Calhoun
Square, which was the Mos Eisley Cantina of South Mpls in the 80's (You'll
never find a more wretched hive of scum and villany...)
Yeah - Uptown. I live in Uptown - it's southwest of downtown Minneapolis
and the two main
yeah, speaking of coming-down brits, I'm pretty sure I've heard alex
patterson drop E2-E4.
also, I'm not sure if this has been mentioned, but the track is like 45
minutes long, with mostly only subtle modulations to keep it moving. almost
like a precursor to consumed-era plastikman. sound-wise,
I pretty much agree that the book is a fair amount of wanking, but at it's
root it does a fairly good job expressing some of the (more freaked-out)
aspects of techno, jazz fusion, hip-hop and funk that rarely get properly
addressed by writers coming from either a more academic or pop-journalistic
absolutely crucial is Kodwo Eshun's More Brilliant Than the Sun: Adventures
In Sonic Fiction, a freaked-out exploration of the mutations and forms of
Black Atlantic Futurism from Miles to Drexcya. the book reads like how
Kool Keith might lecture if he were a professor in late 20th century
African
so, begging your pardon for my ignorance, could someone please fill me in on
what exactly is meant by hotmix mixing style?
thanks.
d
I more meant his hotmix mixing style rather than when and where he
played.tape loops, doubles, acapellas.all that kind of cool stuff
alot of the
the main problem here is that while there is a linear relationship between
pitch (tone) and speed (tempo) for a single frequency (e.g. the fundamental
tone), it isn't quite so well-mannered when you pitch shift an entire voice
because of the harmonics (esp. with crazy detroit strings, etc).
if
the global darkness mixes are still there:
http://www.globaldarkness.com/mix/mixes.htm
Argghh! The mixes aren't there though, just the links.
Actually, the sites seem to be working beyond the front pages. I was
looking
for the I-f mixes, which are still up at
interestingly enough, the music that spawned the term (such as black dog's
bytes and aphex's polygon window) has a *very* detroit sound.
but yeah. this label makes me LIVID every time I hear it. and as far as
stoopid dance music goes, yeah, we got that too... it's called happy
hardcore.
I'm not sure whether I'd call it heady (because it's still pretty
dancefloor-oriented), but I really dig the Barada full-length/2x12
Strategies for a Deeper Design on Definitive. It's pretty
detroit-influenced with a bit of a funky disco/house feel to some of the
tracks.
and the man can turn
yeah, it's a DC track, and in typical DC form, there is one *really* sick
and kinda psycho tek mix (that's way too short ;) and a longer more stock
deephouse mix. if you have a hard time finding it, check tweakin records
(online and in sf)-- they're pretty good about restocking Classic.
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