I've been selling this record again in Europe through Discogs,
so hey maybe it's time has finally arrived.
I miraculously still had the digital masters on a backup disk, mastered
them digitally, and uploaded them to BandCamp. As far as I can detect, no
one ever digitized and uploa
Maybe this is old news but I just noticed Hardwax has finally started
putting up digital downloads for sale of many releases. hardwax.com
Yo,
Soul Desire EP by Rondenion with remixes by Rick Wilhite, Baaz and yours truly:
https://itunes.apple.com/us/album/soul-desire-e.p./id668275773
Thanks,
Joe
Sent from my iPhone
e : soundcloud.com/bleupulp
> From: Dimitri Piechel
> To: 313@hyperreal.org
> Sent: Wednesday, October 10, 2012 3:12:42 AM
> Subject: (313) DTM Digital 05 - Dimitri Pike - Russell EP
>
> The Story about the EP :
>
> Back in 2005, I was in Detroit, playing for Detroit T
good electro/tech ep
thanks for sharing the story that goes with it...
keep it up!
net label : pertin-nce.ca
me : soundcloud.com/bleupulp
From: Dimitri Piechel
To: 313@hyperreal.org
Sent: Wednesday, October 10, 2012 3:12:42 AM
Subject: (313) DTM Digital 05
The Story about the EP :
Back in 2005, I was in Detroit, playing for Detroit Techno Militia and Electric
Avenue for a long weekend I'm not near to forget about.
The Electric Avenue event took place on the East Side of Detroit, just in front
of the Eastern Market.
After my performance there, I w
Our guy Wibo Lammerts has been getting attention from high profile DJs
like Dave Clarke, and just sent me an announcement of a new download
release that's pretty sweet:
Gravitas -- moody slow burner
Anxious -- banging track with a hint of that UR Acid Style
http://www.digital-tunes.net/releases/kn
On Wed, Oct 14, 2009 at 7:20 AM, Aidan O'Doherty
wrote:
> i simply loathe the term 'IDM' - pompous.
This is rather a widely held attitude, going back basically to the
beginning of the IDM list.
Honestly, there might be a better thing to call music fitting that
description, but it has persisted,
yeah the signal-to-noise ratio was extremely high at IDM. I tried
subscribing there a couple of times but unsubbed within weeks.
On 12 okt 2009, at 21:14, kuszyn...@gmail.com wrote:
IDM was getting quite out of hand for a v long time.
I could only bear so much of "what is IDM" posts.
On Su
IDM was getting quite out of hand for a v long time.
I could only bear so much of "what is IDM" posts.
On Sun, Oct 11, 2009 at 8:05 AM, kent williams wrote:
> Juho posted about this on IDM but it bears mentioning here. The
> "Exosphere" release this year is in fact very musical, tough techno,
>
Hey Kent,
Thanks for posting this, 3 tracks in and it's pretty darn good.
m
On 11 Oct 2009, at 13:05, kent williams wrote:
Juho posted about this on IDM but it bears mentioning here. The
"Exosphere" release this year is in fact very musical, tough techno,
probably more appropriate fodder for
Juho posted about this on IDM but it bears mentioning here. The
"Exosphere" release this year is in fact very musical, tough techno,
probably more appropriate fodder for the 313 list than the IDM list.
http://blamstrain.bandcamp.com/
As a side note -- if you stayed on 313 but ditched IDM, it's m
catalog on Boomkat digital
For those who have moved to buying music mostly by digital download
... Boomkat.com has picked AW Recordings' whole catalog and made it
available for download as MP3 or FLAC.
This includes great music from Arne himself, The Moderator (aka KJ
Jongsma, OG Technoto
For those who have moved to buying music mostly by digital download
... Boomkat.com has picked AW Recordings' whole catalog and made it
available for download as MP3 or FLAC.
This includes great music from Arne himself, The Moderator (aka KJ
Jongsma, OG Technotourist), Convextion et al. Cr
Great tracks Kent!
On Thu, May 28, 2009 at 3:20 PM, kent williams wrote:
> Two tracks by me, with remixes from Sean Deason, Chris O'Grady, Mike
> Perkowitz, Dave Powers, and Andrew Duke. Released under Creative
> Commons license.
>
> Sounds like? I don't f*cking know. There's big kicks, promine
Two tracks by me, with remixes from Sean Deason, Chris O'Grady, Mike
Perkowitz, Dave Powers, and Andrew Duke. Released under Creative
Commons license.
Sounds like? I don't f*cking know. There's big kicks, prominent
basslines, and floaty Detroit-esque chords. You be the judge. The
remixes are al
Me too.
I only mention it because BPI shut 'a friend' down for providing mixes
once.
robin...
On 29 Sep 2008, at 18:12, Frank Glazer wrote:
I can assure you that as long as I am breathing I will be making
unauthorized freely shared promotional DJ mixes with media that I have
paid for.
Wh
at is a reason why the RIAA and MPAA
>>> are using scare tactic lawsuits. But they're late, and it amounts to
>>> punishing essentially innocent people for their own lateness. It's
>>> just a total mess, but I imagine that digital theft will be
>
; punishing essentially innocent people for their own lateness. It's
>> just a total mess, but I imagine that digital theft will be
>> increasingly policed, and increasingly more ably policed, and the idea
>> of digital theft will be a much more broadly understood crime by the
Changed the subject line.
That is a reason why the RIAA and MPAA
are using scare tactic lawsuits. But they're late, and it amounts to
punishing essentially innocent people for their own lateness. It's
just a total mess, but I imagine that digital theft will be
increasingly po
He is a master salesman
m
On Thu, Jun 19, 2008 at 9:56 AM, robin <[EMAIL PROTECTED]> wrote:
>
> A little off topic but Tony talks about digital music here:
>
> http://www.digital60.org/media/interview_tony_wilson/
>
> (I make no comment on how true his assertio
A little off topic but Tony talks about digital music here:
http://www.digital60.org/media/interview_tony_wilson/
(I make no comment on how true his assertions are, it's Tony Wilson
right)
robin...
Stumbled upon this. Some cool digital play, check especially the work
done for Warp Records' LFO back in 2000. Shockwave plug-in required.
Hopefully this hasn't been shared before. So if it has, apologies.
http://play-create.com
> -Original Message-
> From: Jari Tolkkinen [mailto:[EMAIL PROTECTED]
> Sent: 25 January 2008 12:29
> To: kent williams
> Cc: Thor Teague; list 313
> Subject: Re: (313) Digital Djing - Organization
>
> On Fri, 4 Jan 2008, kent williams wrote:
>
> > T
On Fri, 4 Jan 2008, kent williams wrote:
The best strategy is to use the OS Search function to find all the
loose MP3s on your machine, and marshal them into one place, where you
can use a tool like 'Tag and Rename' to get the tags right. Then let
iTunes (or some other librarian program) organiz
Like I'm going to take time to do that from a tropical beach paradise.
No tellings off for anyone who says club PAs need sorting anyway. Or in
the UK anyway (if you're coming to the B I think you might like the ones
there :-)
Original Message:
-
From: robin [EMAIL PROTECTED]
On Fri, Jan 04, 2008 at 10:20:51AM -0600, [EMAIL PROTECTED] wrote:
> I'm not really up my on physics, but if you zoom in far enough into an analog
> recording at a subatomic level aren't there discrete steps (or does it just
> keep going?)
The Quantum Mechanics of Recording. Anyone?
Sounds like a
Ik know. I started using that plugin since someone from this list
mentioned it. But that probably was you. Keep up the good work! It`s
been a great help to me.
Peter
On 1/4/08, Michael Pujos <[EMAIL PROTECTED]> wrote:
>
> > Personally however I, prefer foobar2000, especially in combination
> > wi
the difference is like comparing a strobe like to a fluorescent light.
- Original Message -
From: <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Friday, January 04, 2008 11:20 AM
Subject: Re: [Fwd: Re: (313) Digital Djing]
I'm not really up my on physics, but i
contextual/background information than
nebulous digital files, which contain virtually none.
music is immaterial. it does not, however, exist in a vacuum, and your
understanding and appreciation of music and all forms of art is
enhanced by understanding the context in which it existed/exists.
it is one
JT Stewart a écrit :
the access to music that digital files allow and all that is great
when viewed narrowly -- valuing the music only and disregarding
context. but it is inarguably a deeper experience which allows deeper
understanding to hold a record/tape/cd in your hands than to have a
Personally however I, prefer foobar2000, especially in combination
with the foodiscogs plugin for tagging. :-D
Pete
Thanks for the mention as I wrote this plugin :)
discussion/download/screenshots of foo_discogs:
http://www.hydrogenaudio.org/forums/index.php?showtopic=50523
> If the new Winamp has a similar built-in Organization function, I may
> ditch iTunes, though, since I don't have an iPod anymore. I've always
> considered Winamp's sound fidelity to be superior.
If you like winamp you`ll love this guide:
http://www.techspot.com/tweaks/winamp/. It has a section o
by "vibe" but way
> > > too many
> > > mp3s strewn all over the place in different folders due to often
> > > restoring my pc
> > > from a backup image. I'm curious as to how you guys are organizing all
> > > your
> > > digital music?
> > >
> > > -Jim
> > >
> >
>
there are, but they have infinitely varying shapes, intervals, etc, as
opposed to digital, which is made of identical little blocks, if you
will.
On Jan 4, 2008 11:20 AM, <[EMAIL PROTECTED]> wrote:
> I'm not really up my on physics, but if you zoom in far enough into an analog
&g
ED]> wrote:
> > I've got a pretty small record collection that I sort by "vibe" but way too
> > many
> > mp3s strewn all over the place in different folders due to often restoring
> > my pc
> > from a backup image. I'm curious as to how you guys are organizing all your
> > digital music?
> >
> > -Jim
> >
>
A needle wiggling in a groove is a continuous function of the original
signal. A digital recording is a a digital piecewise approximation.
In the end it doesn't really matter -- to my ears it all sounds good
when the music itself is good.
On Jan 4, 2008 10:20 AM, <[EMAIL PROTECTED
s strewn all over the place in different folders due to often restoring my
> pc
> from a backup image. I'm curious as to how you guys are organizing all your
> digital music?
>
> -Jim
>
I'm not really up my on physics, but if you zoom in far enough into an analog
recording at a subatomic level aren't there discrete steps (or does it just
keep going?)
-Jim
Quoting JT Stewart <[EMAIL PROTECTED]>:
> if you recorded at a super high bitrate, it would be pretty dang
> close. but still
I've got a pretty small record collection that I sort by "vibe" but way too many
mp3s strewn all over the place in different folders due to often restoring my pc
from a backup image. I'm curious as to how you guys are organizing all your
digital music?
-Jim
totally right benoit, excellent point...although i do personally know
some people who lay it down in the studio onto tape with little to no
digital in the mix, but that's besides the point. the important
question is whether the difference is significant, which comes down to
psychoacou
ly altered
during the analog-to-digital conversion. visualize it as you would a
digital picture -- similarly, with a digital recording, when you zoom
in far enough you can see that it is made of countless identically
sized "pixels". with an analog recording, there is no neat
configuration o
@robin yes yes of course, that's your preference. trust me, your
resignation to the disappearance of vinyl from your life does not
represent the world.
Absolutely. There's plenty of room for misinterpretation here - I'm
just presenting a point of view that's common. As it happens I hold
two
> 0's and 1's. at the micro scale, all the soft edges in an analog
> record
recording, doh
if you recorded at a super high bitrate, it would be pretty dang
close. but still, what you would have is a snapshot, translated into
0's and 1's. at the micro scale, all the soft edges in an analog
record get turned into jagged edges..the sound is necessarily altered
during the analog-
You know, like there's so much silence comes
from an mp3/laptop that you can't hear the music...
Brilliant, reminds me of this:
"Beans, in cans, how handy is that."
Bez
m
and night, not too intrusive and you can get used to it, then it stops,
and it's like something uncomfortable has suddenly been turned on. Silence
being deafening and all that...You can definately feel a record beyond
it's audible inscriptions...
> Yeah, but an mp3 of vinyl crackle wo
fferent to that coming from the deck sat next to it when playing at
a club.
I digitise my own vinyl and mostly use wavs/aiffs and if I use MP3s
then they are high bitrate. I was worried when making the move from
vinyl to digital that sound quality would suffer so I paid attention
to it.
Yeah, but an mp3 of vinyl crackle would be a compressed, digital approximation
of the analogue
source, so (assuming this argument holds water) would still sound less 'warm'
than a slab of vinyl
with nothing but, err, hiss and crackle on it. Like some uber-mnml m-nus
release ;)
But an
2008 13:35
To: 313@hyperreal.org
Subject: [Fwd: Re: (313) Digital Djing]
Just reading this
http://www.cybernetic-broadcasting.net/forum/viewtopic.php?id=12749&p=3
It got me to thinking about laptop preformances sounding so sterile and
thin, especially over a club PA where you need to feel par
nt of view come up here.
>
> From a consumer's point of view I'd say that vinyl is not the only
> area of life where we are facing a transition from physical to digital
> objects. The same problems come up with things like books.
> I have two opinions on the whole thing. I buy qui
Some interesting views from the artist-label point of view come up here.
From a consumer's point of view I'd say that vinyl is not the only
area of life where we are facing a transition from physical to digital
objects. The same problems come up with things like books.
I have tw
oblivious as we are to how the present will
be appreciated in the future. i am confronted with obvious examples of
this every day, dealing with ancient records as my business. sure,
vernon dalhart sucks (trust me, he do), but still, you can sense some
sort of cultural/archaeological value in his re
kly look through them. I've kept it up and it isn't a
> > >> big deal to do - just a few words every week or two when I've been
> > >> to the shop a couple of times (there's no way I could start it
> > >> from scratch now, it would be too
I already feel kinda sick spending half of this morning defending
digital music for DJs.. but, anyway...
In regard to memory and recognition of objects - I would imagine
that the
more factors you have to help with recall the better.
You don't have time for auditory so we pretty much
3/4 of the records i bought). At
> that point the memory trick is just impossible anymor,e though i still
> know at least the artist name and the label of what i have.
>
> Sorry for these long words, but I think my personnal situation shows
> something more general : electronic music h
do - just a few words every week or two when I've been
> >> to the shop a couple of times (there's no way I could start it
> >> from scratch now, it would be too big a job, I'd like to switch to a
> >> database with more details on but it would take winni
ough i still
know at least the artist name and the label of what i have.
Sorry for these long words, but I think my personnal situation shows
something more general : electronic music has completely bursted in
term
of quantity of good labels and producers. And digital download + file
sharing m
ught). At
> that point the memory trick is just impossible anymor,e though i still
> know at least the artist name and the label of what i have.
>
> Sorry for these long words, but I think my personnal situation shows
> something more general : electronic music has completely bursted
though i still
know at least the artist name and the label of what i have.
Sorry for these long words, but I think my personnal situation shows
something more general : electronic music has completely bursted in term
of quantity of good labels and producers. And digital download + file
sharing
as an avid vinyl collector for the last 20+ years, [who also made the
mistake of buying entire catalogues of some labels on cassette, sadly]..
I originally thought I'd hate to use a digital imitation of the real
thing.
Especially from the packaging perspective [which led me into be
esn't sink in and your eyes slip over a title
without really taking in what it means. I still end up on my hands
and knees crawling around my record shelves actually looking at
them because only then do I really see (=hear?) them.
So although I agree it's partly about making new digit
f all the records
I have and being able to quickly skim down to select a boxful to take out. It
just doesn't sink in and your eyes slip over a title
without really taking in what it means. I still end up on my hands and knees
crawling around my record shelves actually looking at
them
interesting...i think this has more to do with music
appreciation/collecting than dj'ing (although relevant to many dj's),
turning digital music into a digital "object" closer to what we
experience with actual objects. we had like a 30 page argument
touching on that on c-b-s
[EMAIL PROTECTED] a écrit :
But that's not the point - what you're saying is fine if you already know what
track you're going to play next. For someone like me
who for years has been used to flicking through his records to decide what to
play next Coverflow would be ideal. Things seem to
leap
But that's not the point - what you're saying is fine if you already know what
track you're going to play next. For someone like me
who for years has been used to flicking through his records to decide what to
play next Coverflow would be ideal. Things seem to
leap out more to us simple minded
Benoît Pueyo a écrit :
Intersting article, in French. Maybe someone can translate? (PS : if u
have an add, you can skip it)
http://www.lemonde.fr/web/article/0,[EMAIL PROTECTED],36-994999,0.html
TO ADD SOMETHING, I ask WHY digital DJ softwares do not have
integrated somethiong like COVER
ket
does. For audio files, maybe it's seeing the collection of metadata on one
line, or navigating to the file location that recalls the most about a track,
without actually hearing it.
-Gil
- Original Message
From: Benoît Pueyo <[EMAIL PROTECTED]>
TO ADD SOMETHING, I
A side note of a side note: it looks like it doesn't it Robin?
Still, a friend of mine showed me a recent (maybe the latest? Not
sure) build of Ableton yesterday and even though yes, Ableton now
does everything that the average DAW does and perhaps more, it is
still much more performance
*Coverflow*
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: 02 January 2008 14:19
To: robin; Benoît Pueyo
Cc: list 313
Subject: RE: (313) Digital Djing
>As a side note. I wouldn't expect this to come from the Ableton folk.
They seem to have gone down the D
recent (maybe the latest? Not sure) build of Ableton
yesterday and even though yes, Ableton now does everything that the average DAW
does and perhaps more, it is still much more performance orientated than most
DAWs - Digital Performer strikes me as another performance-orientated DAW
although I
Easy, because noboby's written it yet. Let's face it, the second anyone saw
that they instantly thought "now that would be nice
with Ableton"!
> -Original Message-
> From: Benoît Pueyo [mailto:[EMAIL PROTECTED]
> Sent: 02 January 2008 08:25
>
> TO
TO ADD SOMETHING, I ask WHY digital DJ softwares do not have
integrated somethiong like COVER FLOW you can find on Itunes / Ipod?
Even more, this feature should be completed by the same interface
you have on Ipod Touch / Iphone, displaying the tracklisting of the
album on the "back&qu
Intersting article, in French. Maybe someone can translate? (PS : if u
have an add, you can skip it)
http://www.lemonde.fr/web/article/0,[EMAIL PROTECTED],36-994999,0.html
TO ADD SOMETHING, I ask WHY digital DJ softwares do not have integrated
somethiong like COVER FLOW you can find on Itunes
ECTED]> wrote:
> >>
> >> I like the sound of those clips. I guess similar
> in approach, if
> >> not sound, to the Footwork label and Loius
> Digital et al. (a much
> >> missed label in my house).
> >>
> > anyone up on what louis
I like the sound of those clips. I guess similar in approach, if
not sound, to the Footwork label and Loius Digital et al. (a much
missed label in my house).
anyone up on what louis digital is up to these days?
The last thing he did was on the Warp offshoot Arcola. It's gone
robin wrote:
I like the sound of those clips. I guess similar in approach, if not
sound, to the Footwork label and Loius Digital et al. (a much missed label
in my house).
anyone up on what louis digital is up to these days?
also, does anyone have any of his dj-sets they could upload or
-New digital release out now! "For Detroit" by K-HAND on Acacia
Exclusive, preview and buy now.
-New digital release Jan. 29, 2007 "Bing Bop" K-HAND (Aaron Carl remix)
on Acacia Exclusive, preview and buy now.
check-->http://www.detroit-history.com/digitalstore.htm
vergel email joe at noise factory records tell him that I sent you and ask
your question there was a similar thread recently on the vaguediscuss list
I admin for vague terrain and joe posted some really good info about that
...
On Tue, 17 Oct 2006, Vergel Evans wrote:
Hi guys,
I mostly lu
Vergel Evans wrote:
Hi guys,
I mostly lurk on here but I've got a label question that I'm hoping
someone could help me with. So before you guys suggest the obvious
"Get a lawyer" which is definitely on the agenda. I was hoping to find
out some experiences or pitfalls that other ppl have had i
Hi guys,
I mostly lurk on here but I've got a label question that I'm hoping
someone could help me with. So before you guys suggest the obvious
"Get a lawyer" which is definitely on the agenda. I was hoping to find
out some experiences or pitfalls that other ppl have had in getting
their
vague terrain 04: the body digital is now live
The Fourth issue of the Toronto based digital arts quarterly is dedicated to
surveying contemporary conceptions of the body in light of digital technology.
This issue features work from: Andrea Polli, Andrew Bucksbarg, Chris Twomey,
Ellen
On 9/5/06, /0 <[EMAIL PROTECTED]> wrote:
...that sound you hear is neil breaking his foot off in tom cox's tomcox
it sounded to me like more blatant self promotion. but then again i
guess its all subjective, right? suckers.
tom
LMAO
On Tue, 5 Sep 2006, /0 wrote:
...that sound you hear is neil breaking his foot off in tom cox's tomcox
Neil Wiernik <[EMAIL PROTECTED]> wrote:
tom
thanks for the "kind" words but NO THANKS!!!
Im giving relivent information to the coversation that is relivent to MY
life that j
...that sound you hear is neil breaking his foot off in tom cox's tomcox
Neil Wiernik <[EMAIL PROTECTED]> wrote:
>
>
> tom
>
> thanks for the "kind" words but NO THANKS!!!
> Im giving relivent information to the coversation that is relivent to MY
> life that just HAPPENS to relate to th
tom
thanks for the "kind" words but NO THANKS!!!
Im giving relivent information to the coversation that is relivent to MY
life that just HAPPENS to relate to this thread
like dale said this is a SECURITY issue its some thing I have seen
10s of times on lists and foru
thanks dale you took the words right out of my mouth!!!
:)
On Sun, 3 Sep 2006, Dale Lawrence wrote:
At 01:31 PM 9/3/2006, you wrote:
On 9/3/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
...but its really just irrelevant nonsense.
when did we start talking about your music?
tmo
I speak
On 9/3/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
Do I intimidate you?
not a chance.
Neil is having dinner with Jan Jelinek... and he can ask a question
pertinent to a discussion about him personally. Should he pretend
he'll never meet the guy and that he himself works at McDonalds?...
St
At 01:31 PM 9/3/2006, you wrote:
On 9/3/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
...but its really just irrelevant nonsense.
when did we start talking about your music?
tmo
I speak from my own experience.
Should I pretend I don't make music? Would that make my opinions
more valid?
At 10:25 PM 9/2/2006, you wrote:
I don't presume to know how people live their lives; the most one can
address is what people actually write to the list.
It sure must be a slow month for new releases.
On 9/2/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
"You live your life based on oversimplif
I don't presume to know how people live their lives; the most one can
address is what people actually write to the list.
It sure must be a slow month for new releases.
On 9/2/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
"You live your life based on oversimplified stereotypes."
At 05:25 PM 9/2/2006, you wrote:
On 9/2/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
>^guess what - if a post is longer than say 15-20 lines i do print it.
>unless it's some pointless nonsense by someone i know he couldnt come up
>with anything relevant)
I hate that. Just delete that sewage.
On 9/2/06, Dale Lawrence <[EMAIL PROTECTED]> wrote:
>^guess what - if a post is longer than say 15-20 lines i do print it.
>unless it's some pointless nonsense by someone i know he couldnt come up
>with anything relevant)
I hate that. Just delete that sewage.
i think he might have been refer
^guess what - if a post is longer than say 15-20 lines i do print it.
unless it's some pointless nonsense by someone i know he couldnt come up
with anything relevant)
I hate that. Just delete that sewage.
"You should print the thread and read it on paper, that will add some
> warmth to it :) or even transcribe it down to paper and than read it :))"
^guess what - if a post is longer than say 15-20 lines i do print it.
unless it's some pointless nonsense by someone i know he couldnt come up
with an
September 2006 17:30
To: 313@hyperreal.org
Subject: Re: (313) The Laptop Debate/other digital devices.
and i dont say "digital is bad" - not at all - i.e. look at
convextion..much of his stuff sounds really good.
i dont know about his whole audio signal circuitry but i remember he
This laptop debate is very boring - it's too cold and emotionless - it
doesn't have enough warmth and crackle :P
-Original Message-
From: v12 [mailto:[EMAIL PROTECTED]
Sent: 02 September 2006 17:30
To: 313@hyperreal.org
Subject: Re: (313) The Laptop Debate/other digital devic
and i dont say "digital is bad" - not at all - i.e. look at
convextion..much of his stuff sounds really good.
i dont know about his whole audio signal circuitry but i remember he was
using a digital jd800 as sound source for many of his track..
it aint deepchord,but still much more ea
For the digital downloaders, I just found this database of labels whose
releases are available online. pretty useful for me and maybe you too.
http://www.beatmatcher.net
Selon [EMAIL PROTECTED]:
> Cool idea with the video mixes. Kind of like Mill's exhibitionist.
> Enjoyingit.
> You should put them up on youtube.com
>
Thanks James ! I already put one video on YouTube and will post the other one
soon.
http://www.youtube.com/profile?user=wildtek
Between, I update
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