.
David H. Bailey
Richard Yates wrote:
Can someone try this:
Download http://www.yatesguitar.com/misc/TimeBug.MUS
Open in Finale 2004b.
Time Signature Tool
Select All
Double-click and change the time signature.
(When I do this the change does not stick. Am I missing something obvious
version can do as a TIFF (can't it?)
David H. Bailey
Randolph Peters wrote:
I can understand why people are upset that the ability to make eps files
from within Finale Mac 2004(b) is a missing feature. I don't understand
why people feel they have no options. Here is something that I wrote
I can't even begin to understand why you would publish your User Code
and Authorization code -- did you have a question about this or
something? I do hope you aren't trying to publicize them so that people
who have unauthorized copies can try to use them.
David H. Bailey
Tom Bowles wrote
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what it would be used for. It's not quite a triplet, and not
quite a fermata. Good for taking up valuable rehearsal time while
people discuss what it's supposed to mean, though.
David H. Bailey
[EMAIL PROTECTED] wrote:
Greetings Everyone!
I hope I don't show my ignorance here, but I am
and read what they are asking to be able to do and
it's all I can do not to reply to each one get Finale and learn how to
use it.)
Let's just hope that the old Coda spirit that kept up such an incredibly
long line of wonderful improvements can be rekindled.
David H. Bailey
Aaron Sherber wrote
(i.e. 1 for the first region, 2 for the second region, etc.)
5) UNcheck Show Numbers At Start Of System.
It will require you to do the same actions for each region, since the
measure number dialog doesn't have a DUPLICATE button as the Expressions
and other dialogs do.
David H. Bailey
David W
.
So I'd say that it would be perfectly fine to use just a single time
signature. If you have any doubts you could add a text box at the
beginning explaining that the metrical groupings would change from bar
to bar but each bar would contain the same number of such groupings.
David H. Bailey
to working properly.
These are just a few of the possibilities I can think of that might at
least shed some light on the problem.
Good luck,
David H. Bailey
d. collins wrote:
Here's a really strange problem with an articulation I've been using for
years in many files (t.). All of a sudden
There are two ways this is shown, both are used about equally:
1) [graphic of the note]=[metronome number]
example: quarter=120
2) M.M.[metronome number] (I was taught that the M.M. stands for
Maelzel's Metronome)
example: M.M.120
David H. Bailey
Giovanni Andreani wrote:
Hello,
what sign
). The license is available online at:
Michael:
Does two systems mean that you can use it with Sibelius AND multiple
versions of Finale on two different machines? Or maybe two systems means
that you can use it with both Finale and Sib on one machine...
-Stymied in San Diego, aka
--
David H. Bailey
notate it in F#,
maintaining the proper relationship to the concert key. 6 flats, 6
sharps, there will be problems either way with amateurs and pros won't
have any problem in either key.
David H. Bailey
Ryan Beard wrote:
To David Bailey:
As a totally unasked aside -- the key signatures
as F# rather than Gb for a concert key of E.
David H. Bailey
John Bell wrote:
At 5:23 pm -0400 05.04.2004, David H. Bailey wrote:
As a totally unasked aside -- the key signatures of transposed parts
(in my opinion as a player of a transposing instrument AND as a
conductor) should
I did as you said and with Fin2003, it didn't crash my machine, neither
did it crash my machine with Fin2004. I'm running Win98se with 1GBram.
David H. Bailey
David W. Fenton wrote:
Finale is driving me crazy these days, what with blank notation and
layer 2 spacing problems, and now I've
of transposed parts (in
my opinion as a player of a transposing instrument AND as a conductor)
should be in relationship to the key of the whole work, and not in an
enharmonic key for ease of playing.
But it is possible to do what you want, as I have outlined above.
David H. Bailey
[EMAIL
before the key signature and then drag
them into place in the new tiny empty measure before the key of F.
It's a bother but you could end up with just what you want visually.
David H. Bailey
Ryan Beard wrote:
Hey folks,
The way Finale treats key sigs seems off to me. Maybe
it's following
pitches chromatically) to get the visual
printout you want.
Good luck,
David H. Bailey
Klaas de Jong wrote:
Hi,
One shouldn't overlook the effect of 'cancel outgoing key signature' in
the options...
Hope this helps,
Klaas.
Op 4-apr-04 om 10:14 heeft Michael Cook het volgende geschreven:
To get
-time and tell the time signature
tool not to rebar the music.
David H. Bailey
Bob Florence wrote:
Hi All:
How can I take a section of music (24 bars) in 4/4 and change it to cut
time (2/2). It will become 48 bars.
Is there a Finale way or do I have to do it the old fashioned way and re
do
No, you don't need to do each instrument separately, you need to
highlight the entire score at one time and follow the process, so that
ALL notes/rests are acted upon at once.
David H. Bailey
Bob Florence wrote:
This section is for 4 trombones. Trombone 1 plays 6 bars. He repeats his
phrase
Brad has given you one response -- probably the best/quickest.
Another way would be simply to use the mass mover tool on every other
measure and Rebeam to Time Signature and select 6/8 as the time
signature to rebeam to.
David H. Bailey
Ken Parsons wrote:
How do you enter two time
spacing libraries and space just a problem area
or two, while using a different library for all the non-trouble spots?
I don't know, I'm just asking if anybody has tried different spacing
libraries and get the same spacing errors with all of them.
--
David H. Bailey
[EMAIL PROTECTED
at yahoogroup and read all the it used to work
this way on the Acorn version, why doesn't it work in version 2? and
it didn't work in version 2, why doesn't it work yet in version 3?
messages and realize that Sibelius is way behind Finale in terms of
program maturity.
David H. Bailey
Christopher BJ
on what we want most -- elimination of bugs!
David H. Bailey
d. collins wrote:
Christopher BJ Smith écrit:
There's an option I would have killed for in several versions of Finale!
Be careful, because Michael Good (Recordare) might take you up on this.
I agree that this would be a very nice
I thought word extensions were supposed to show that the word lasted
until it stopped, sustained note or moving notes doesn't matter.
I don't know what's right but I do recall having seen word extensions
under long tied notes in published scores.
David H. Bailey
Randolph Peters wrote:
I'm
since he could make edits and send the file back and his
son could open that file on his Mac.
David H. Bailey
Brad Beyenhof wrote:
On Monday, March 22, 2004 5:10 PM, James Cooper wrote:
My son sent me a file which is Finale 2000b for Mac. Is
there any way I can
open it on my PC? I have 2004b
enhancements but once they were made to the program, probably just as
many who couldn't see any use for them before now couldn't live without
them.
Go ahead and submit your feature request.
David H. Bailey
David W. Fenton wrote:
On 23 Mar 2004 at 11:53, Wiz-of-Oz wrote:
Yet another problem
window. Sorry I can't help you more.
David H. Bailey
Angela Turner wrote:
Dear all,
Since installing the 2004 b update, I've not been able to bring up the
instrument list dialog box (under the window menu).
Have 2003a installed on the same machine and that displays as expected.
The same
follow this link and subscribe:
http://lists.shsu.edu/mailman/listinfo/finale
David H. Bailey
Swisher, Benjamin I. wrote:
I would like to be a part of your listserv.
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layout mode.
In scroll view (Win98se) things worked as they should.
David H. Bailey
K. Kastning wrote:
greetings.
I had asked others earlier in the week if anyone had seen a bug in
Speedy wherein bars were left blank. The problem is in speedy, (Win XP)
using MIDI kbd. input. Make entries
Must be your configuration again.
Using WinFin2004b, Win98se, the articulation metatools work as they should.
David H. Bailey
Barbara Touburg wrote:
Maybe it's my configuration again, but in the Articulations tool,
pressing a metatool key and dragging over notes does not apply
Don't know about a plug-in for it, but you can edit that measure in
speedy and hit the * key to force the second Eb to show, no matter which
staff it's on.
David H. Bailey
Rob Deemer wrote:
Finalefolk,
I have a friend who has an interesting dilemma. He's got a piano part which has
cross
I read it but I have no answer for you.
No, you haven't done anything to deserve shunning.
David H. Bailey
David W. Fenton wrote:
I posted yesterday about my problems with spacing when using blank
notation, and have received no answers.
Does no one really have no ideas or suggestions
don't really see what the
difference would be, either.
But the only people who can answer that question definitely would be the
folks at MakeMusic, so ask them.
David H. Bailey
Mr. Liudas Motekaitis wrote:
What makes you say it's illegal if you can download a demo directly from the
CODA website
Upgrade to WinXP if anything, but if this is the only problem you are
having with Win98, hold on until you get a new machine built around the
specs of WinXP.
David H. Bailey
Brad Beyenhof wrote:
On Friday, March 12, 2004, at 03:16 PM, Barbara Touburg wrote:
Should I consider updrading
Using WinFin2k4b (Win98se) I don't see such behavior. As the frame
moves to the next measure, the just-entered measure shows just as it should.
David H. Bailey
K. Kastning wrote:
Greetings, Finaleists.
I'm seeing a truly annoying new bug in WinFin 2k4b (Win XP). In Speedy,
using a MIDI
Are you on Mac or Windows? On my windows machine (Win98se) I see no
slowdown from previous versions. Are there extra unnecessary processes
running in the background while you are working with Finale?
David H. Bailey
[EMAIL PROTECTED] wrote:
When entering a simple melody (eight notes
There was human playback in the original release of WinFin2004, as well
as in 2004a. I got the impression by latest Windows update he meant 2004b.
David H. Bailey
Johannes Gebauer wrote:
On 09.03.2004 20:28 Uhr, Raymond Horton wrote
I find the latest 2004 Windows update to be considerably
Or simply assign the accent to be inside slurs.
David H. Bailey
Brad Beyenhof wrote:
On Monday, March 8, 2004, at 01:51 PM, Rob Deemer wrote:
It seems that slurs in 2004 do not collide with staccato and tenuto
markings, but when I have accents, they collide. I wasn't sure
Create expressions and place them wherever you want.
David H. Bailey
MDM wrote:
Hi all.
I want to create some examples for my jazz students, and I need to enter
pitches into a measure without regard to rhythm. In other works, whole note,
whole note, quarter note head, whole note, etc
hear about phenomenon and phenomenons.
David H. Bailey
Andrew Stiller wrote:
Like all things in language, it's entirely a matter of convention at
what point the regular plural becomes correct and the irregular,
foreign-language derived plural is dropped.
- Darcy
So wave goodbye to phenomenon
Most of the whitelist messages I get come from
[EMAIL PROTECTED], since they are trying to hide their e-mail
address.
So the message would simply get bounced back and refused since that
@whitelistservice.com address isn't subscribed.
So we'd NEVER see the stupid things.
David H. Bailey
their new works. o-list also
maintains a list of new works. There are publishers on the list as
well, so you may find a publisher for your orchestral music.
In any event, congratulations on a wonderful honor.
David H. Bailey
Dennis Bathory-Kitsz wrote:
...as of this afternoon, so I can
.
David H. Bailey
David Froom wrote:
Thanks to those who responded to the MIDI percussion mapping question.
Another MIDI question. What is the best workaround for the playback
problem, in a string section, of having the whole section go back and forth
from pizz to arco when only one of the sections
... This shows you the contents in a manner which
is easy to edit.
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David H. Bailey
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anybody except Henry Howey, as list-owner, can do about it.
Unfortunately.
David H. Bailey
Johannes Gebauer wrote:
I got this about ten times now, and I am really p%$§ssed off!
Whoever is responsible for this nonsense, stop it immediately.
Johannes
--
Von: [EMAIL PROTECTED]
Datum: Sat
I don't recall EVER seeing a post from that address on this list, so
perhaps it is simply a spamming attack.
I am quite surprised these are getting through the shsu spam filters!
David H. Bailey
Aaron Sherber wrote:
At 02:47 PM 2/28/2004, Johannes Gebauer wrote:
Whoever is responsible
manually.
Just include it in your trash filter.
David H. Bailey
gj.berg wrote:
Say I received this message -- is this serious?
What on earth does it mean?
Jerry Berg
IMPORTANT INFORMATION!
This is an automated message.
YOU HAVE 144 HOURS LEFT to reply to this message.
If you fail
receiving more (and worse) spam.
I think it best that Henry Howey simply unsubscribe the individual in
question.
David H. Bailey
[EMAIL PROTECTED] wrote:
Could not someone respond to the offending e-mail then, having made it
to the whitelist send a private email to the offender telling him
Have you tried Show Active Layer Only and then applied your mass edit
duration command to each layer in turn?
Maybe if you change the time signature BEFORE doing the duration change,
but be certain NOT to check the Rebar Music option.
David H. Bailey
Jamin Hoffman wrote:
Dear all -
I am
to
white, indicating that expressions won't play.
One step to turn them off, then you can turn them back on if you wish.
You have to do it for each instrument in your score.
David H. Bailey
Aaron Sherber wrote:
At 04:31 PM 2/23/2004, David W. Fenton wrote:
Why not just turn off playback
that beautiful horn tone.
If you've NEVER heard a mellophone, well, it's nothing to lose any sleep
over -- your musical life is certainly not deficient for the lack. :-)
David H. Bailey
Mr. Liudas Motekaitis wrote:
The narrow, cookie-cutter rim on a horn mouthpiece doesn't help
feel
best fits the situation.
David H. Bailey
Harold Owen wrote:
Dear folks,
Knowing that many will disagree with me, but IMHO I think it's time for
horn players to get used to reading key signatures in their parts.
Younger players are more likely to find signatures often enough
is currently active. Also a downgrade in performance as compared
to earlier versions.
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it that I can see.
David H. Bailey
Mr. Liudas Motekaitis wrote:
- Original Message -
From: David H. Bailey [EMAIL PROTECTED]
On Win98se, Fin2004a, ties entered onto notes at the end of a measure in
speedy still head off into space to the right waiting for the next note.
I notice
David Fenton gave you one suggestion which might solve your problem. If
it doesn't, then go into the Quantization settings dialogue and check
the Soften Syncopations box.
David H. Bailey
[EMAIL PROTECTED] wrote:
Many thanks to all those who responded so quickly to my question about
changing
I believe if you optimize your score (you don't actually have to remove
any staves) you are then free to edit individual staff names for
individual systems.
I don't know as it's any easier way than with staff styles, though.
David H. Bailey
Brad Beyenhof wrote:
Can I tag certain systems
with measure numbers, though.
David H. Bailey
Darcy James Argue wrote:
Hi all,
Is there any way to show or hide courtesy time signatures on a
staff-by-staff basis?
Here's the situation -- I'm working on a piece with multiple independent
-- and frequently changing -- time signatures
is supposed to last even longer, and costs
appropriately more.
David H. Bailey
Eden - Lawrence D. wrote:
Please explain: why is acid free paper better?
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Yes, read the bit that gets added to each message beneath your signature
and then follow the links and unsubscribe yourself.
It's really not hard, but only YOU can do it.
David H. Bailey
Editions New Rochelle wrote:
Does anyone know the address to be removed from this list? If this gets
edit the expression that was placed over the first measure, changing the
playback definition.
David H. Bailey
[EMAIL PROTECTED] wrote:
I made an error in judgement when I set up a document using the Wizard.
Now the display and playback tempi are much too fast and I don't know how to
change
been that I've been making
barlines invisible to get repeat signs to be the right thickness.
David H. Bailey
Giovanni Andreani wrote:
Hello, this looks strange; what do you think about it:
In Options Document Options Repeats, I've set the heavy line thickness
to a different value than
in advance for your replies on this Topic!
Arkady
http://www.arkady.com
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For half measures I would suggest sticking to 3 dotted-quarter-rests,
since that will show the beats clearly.
For whole measures I agree the double-whole-rest would work fine.
David H. Bailey
Johannes Gebauer wrote:
This is one I am really unsure about:
18/8 meter (with 6 equal beats, ie 6
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The professional standards whereby only those who have mastered SCORE
are able to be employed. ;-)
David H. Bailey
d. collins wrote:
David H. Bailey écrit:
You can also visit www.npcimaging.com and follow the link to the
directory of engravers and go to their home-pages and find out how
In our ongoing discussion of Sibelius vs. Finale, this feature isn't
supported in Sibelius, either. The reason given on the Sibelius list is
that it would require a complete rewrite of the program from the bottom
up and they aren't prepared to do that now.
David H. Bailey
Darcy James Argue
marketing as
completely honest either. That's all.
David H. Bailey
Fisher, Allen wrote:
You guys need to also remember that the version of SmartScore we ship is
SmartScore *LITE*, which we simply licence from the company who makes
it. SmartScore Pro will import more than 16 staves at a time
based on my thinking I would be able to scan
in a lot of older music and have an easy time editing it for whatever
uses I wanted I would have felt I had been screwed.
David H. Bailey
Johannes Gebauer wrote:
On 10.02.2004 17:14 Uhr, David H. Bailey wrote
It doesn't really seem like fair
allow
installation on two machines simultaneously without violating the
license agreement.
David H. Bailey
Darcy James Argue wrote:
On 08 Feb 2004, at 05:27 AM, William Roberts wrote:
If some of us on this list seem a little bit bitter about
Sibelius, it is because when they burst on the scene
I would put 4 16th-rests so the rhythm of the quintuplet is readily
apparent.
David H. Bailey
Darcy James Argue wrote:
What is the standard way to notate a sixteenth quintuplet when only the
final note is played? What do you put under the bracket:
A quarter rest followed by the sixteenth
jumped in to defend Micnotator at all. :)
David H. Bailey
Johannes Gebauer wrote:
On 09.02.2004 13:28 Uhr, David H. Bailey wrote
Scanning, for instance -- Yes, it is possible to scan a perfectly
printed version of Mary Had a Little Lamb (as melody only) into Finale,
using its built
not to reply.
Thanks!
David H. Bailey
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There's a way to do pickups, under the Options menu, Pickup Measure but
the much superior way is what you describe, using a different meter and
hiding it so the real meter for the movement shows.
David H. Bailey
Mark D Lew wrote:
On Feb 6, 2004, at 11:30 AM, David W. Fenton wrote:
Finale's
(not
with a chip on your shoulder) about the program.
David H. Bailey
Hi all,
69 reasons not to buy Sibelius over Finale
This list is *so* inaccurate that I wish Jonathan would stop posting it. Obviously
he's entitled to his opinions, and I'm no great lover of Sibelius myself (though I use
is definitely NOT the way
Sibelius thinks.
David H. Bailey
Mark D Lew wrote:
On Feb 5, 2004, at 2:58 AM, David H. Bailey wrote:
As a matter of fact, on the Sibelius list there was recently a
question concerning how one could tell at a glance if a score were
engraved with Sibelius or Finale
needs.
Tell her to buy Finale.
Kari Kääriäinen wrote:
David H. Bailey wrote:
Better to have your friend download demos of both programs and try
them both (be sure to have him do the tutorials).
and
Until your friend tries both, he/she won't know which working style
will be best.
I find
, this should give you what you want.
David H. Bailey
Rich Caldwell wrote:
[snip]
P.S. On to the next hurdle: How to change the overall dynamic of a
particular instrument (especially making the Piano - that thing w/ black
white keys - quieter in an orchestral piece) while also wanting to use
Human
to set the volume for an instrument so that nothing
comes out of the speaker louder than you want, but you will still get
the timber changes as well as the relative volume changes that velocity
gives.
David H. Bailey
[EMAIL PROTECTED] wrote:
In a message dated 02/02/2004 13:39:03 GMT Standard
level works. You'll have to experiment to find which setting
provides the volume you want.
This way the dynamics can stay as they are supposed to be and your
playback should be just as you want. So you won't have to change
dynamics back for printing.
David H. Bailey
Rich Caldwell wrote
.
David H. Bailey
David W. Fenton wrote:
Maybe everyone else already knew this, but I just discovered that
with the articulation tool you can click-drag to enclose a group of
notes and apply an articulation to the group. It also works with
metatools (e.g., hold the S key and click drag a group
). On other devices it has no effect.
David H. Bailey
Rich Caldwell wrote:
Thanks to Harold Owen David Bailey, I get it now. Controller #7:
Volume. Now why didn't I look there before?
Again, thanks! Seems to work fairly well, except I still can't get the
trumpet loud enough. Quadruple
a feel for what
gets discussed and the sorts of problems each program might have.
David H. Bailey
Ron McGee wrote:
hi all! a friend asked me for some opinions on differences/advantages
of finale and sibelius. i looked on tobias' page and saw his comparison
had been removed. does anyone else
cartridges for it.
So I wouldn't panic yet about replacement cartridges.
David H. Bailey
Raymond Horton wrote:
As I mentioned a few weeks back, I just bought one a few weeks ago and am
very happy with it. But what do I do now that it is discontinued?
I have never owned a laser printer before, so
frustrating it can be when something you have grown accustomed to
using doesn't work as you expect!
David H. Bailey
Eric Dannewitz wrote:
So, I received my Finale 2004 update the other day. And, I notice that
my nice looking Swing Font that I have been using from
www.jazzfonts.com, doesn't
Using my logitech wheel-mouse, I just tried your ctrl-alt-shft-wheel and
Finale didn't crash at all -- it simply scrolled horizontally, as the
ctrl-shft-wheel does.
David H. Bailey
Lee Actor wrote:
I have no explanation for the following.
With a Logitech wheel mouse on WinXP, vertical
Fin2K4a I have vertical and
horizontal scrolling.
I have the action that clicking the wheel initiates set to double-click.
David H. Bailey
Mike Cholewa wrote:
What version number is the old driver?
Mike
[snip]
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something new for today!
David H. Bailey
Richard Yates wrote:
That doesn't work on my computer (win98se, fin2004) usign a logitech
wheel-mouse.
I have been around the block with tech support about wheel mice. My wheel
does not work at all with Finale but does with all other applications. I get
Logitech model M-BA47, ps2 mouse.
d. collins wrote:
David H. Bailey écrit:
My wheel mouse will scroll vertically in Finale but it won't scroll
horizontally, as someone had suggested.
What kind of a mouse is it?
Mine's a Logitech, and it won't scroll either way.
Dennis
The MakeMusic people only listen when you send a message to
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employees of MakeMusic who are on this list do so unofficially.
David H. Bailey
d. collins wrote:
Johannes Gebauer écrit:
3) a new setting for the distance before between
and he frees me to edit as well as engrave.
--Richard
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instrumentalists prefer to read leger lines, si I thought I'd see if anyone
here knew.
Cheers,
Colin.
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David H. Bailey
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the ad lib section
with reduced noteheads, but isn't there some term which I can use as
well? Is the answer simply 'Play'?
Thanks,
Aaron.
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