demonstrating the problem is at:
http://www.yatesguitar.com/misc/Transpose Bug.MUS .
Richard Yates
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statement- I must be thick!
> Help, as ever, greatly appreciated, regards, Keith in OZ
>
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the repeat
>>tool.
>>
>>- Darcy
>>
>>-
>>[EMAIL PROTECTED]
>>Boston MA
>>
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tion (I just copied and pasted the line that
is at the bottom of all the current messages from the Finale list, the
one which starts http:)
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oes, it converts the whole thing
> to slash or regular. How do I make it only convert part of the staff?
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t; Lawrence
>
> http://lawrenceyates.co.uk
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t;
> Regards
> Urs Liska
>
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t; Andrew Homzy - Department of Music
> Concordia University
> Montreal, Quebec
> CANADA H4B 1R6
>
>
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angle.
can anyone confirm this?
with best regards
Abel Korzeniowski
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, or should I write in treble clef and
apply an Eb transposition?
Thanks.
Larry
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Faith Hill - Exclusive Performances, Videos & More
http://faith.yahoo.com
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level of transposition.
But from a practical point of view, working mostly with amateurs, I
prefer the score and the parts to match perfectly. That way, when they
don't, it is easy to sort out the discrepancies.
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David H. Bailey
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prefer.
Is there a particular reason why the use of bass clef should be surprising?
Regards,
Michael Edwards.
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out a list is
> that this guy can deliver this scam to a lot of people at one time. The
> good thing about a list is that a lot of people can be warned about the
> scam at once. Delete this thing and warn others.
>
> Joel Sears
[snip]
--
Davi
She was asking about version 3.7.
Robert Patterson wrote:
> On Thu, 10 Oct 2002, "David H. Bailey" wrote:
>
>
>>I would have thought when you purchased the program you got the manuals
>>in the box -- I know I did.
>
>
> Eh? Which version? So f
; mail2web - Check your email from the web at
> http://mail2web.com/ .
>
>
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the file.
> David McKay
> [EMAIL PROTECTED]
> http://members.ozemail.com.au/~musicke
>
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I think)
>>>
>>>But guess what - no OSX (only classic).
>>>
>>>Who brings out a new version at this point with no OSX? Its been sitting
>>>on v.8 for a couple of years now - why didn't they just wait?
>>>
>>
>
>
nks,
>
> Liudas Motekaitis
> www.balticsun.com
>
>
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f OSX.
Rocky Road wrote:
> They finally updated it to version eleven (from ver. eight I think)
>
> But guess what - no OSX (only classic).
>
> Who brings out a new version at this point with no OSX? Its been sitting
> on v.8 for a couple of years now - why didn't they just wa
ent the mail
> directly to Crystal, in order to send it to the list, I needed to select "reply
> to sender and all recipients", and remember to remove Crystal's email, so she
> didn't receive two copies.
>
> YMMV
>
> ns
>
> _
happening several years ago with Finale 3.7 or thereabouts,
> but can't remember the answer!
> David McKay
> [EMAIL PROTECTED]
> http://members.ozemail.com.au/~musicke
>
>
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ack in and change each one.
>
> Crystal Premo
> [EMAIL PROTECTED][EMAIL PROTECTED]
>
>
> _
> Join the worlds largest e-mail service with MSN Hotmail.
> http://www.hotmail.com
>
> _______
> Fin
d did about a 17 page printout for 90-odd
> measures! Ouch!
> On WinFin 2001d, regards, Keith in OZ
>
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ction "divisi/1.2,/3."
>>
>> In Italian, "a due" means "for [the] two" or "for both," and as long
>> as what the music is doing makes sense in light of such an
>> instruction, then I think its use is appropriate.
>>
>> And BTW, apropos of another thread please note the "standard" quote
>> identifier at the top of this. Looks like I'm replying to my own
>> message, doesn't it? Very clear and useful--not. Pardon me if I refrain.
>>
>> --
>> Andrew Stiller
>> Kallisti Music Press
>>
>> http://www.kallistimusic.com
>
>
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bvious?
>
> Crystal Premo
> [EMAIL PROTECTED][EMAIL PROTECTED]
>
>
> _
> Chat with friends online, try MSN Messenger: http://messenger.msn.com
>
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David W. Fenton wrote:
> On 2 Oct 2002 at 21:53, David H. Bailey wrote:
>
>
>>Heck, Mozart had to be the soloist to earn most of his
>>commissions! . . .
>
>
> ???
>
> He ran his own concerts as soloist and made money in his first few
> seasons a
_
> Post your free ad now! http://personals.yahoo.ca
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one is interested.
>
> - Darcy
>
> -
> [EMAIL PROTECTED]
> Boston MA
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0
> Vox (540) 231-8411 Fax (540) 231-5034
> (mailto:[EMAIL PROTECTED])
> http://www.music.vt.edu/faculty/howell/howell.html
>
>
> ___________
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>
just wasn't moving the end of the hairpin back far enough.
>
> It would be nice if there were some way to do this in page view, or,
> better still, if system breaks could be indicated in scroll view, one
> would then know where it was a problem already.
>
--
David H. Bailey
icon to
>> get
>> those choices.
>
>
> Dear folks,
>
> What is this "speaker icon"? Is it only to be found in Finale for
> Windows? I can't find it in the Mac version.
>
> Hal
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> can simultaneously hold open pages 3 and 25, comparing them, which I
> can't do in Finale.
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nnonite Church
> Assistant Professor of Music - Goshen College
> Director - Goshen Community Chorale
> Composer
> [EMAIL PROTECTED]
> Work 574-535-7262
>
>
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>
to be a ratio, not a fraction.)
>
> - Darcy
>
> --
> [EMAIL PROTECTED]
> Boston, MA
>
>
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CTED]
> Boston, MA
>
>
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ry
> [EMAIL PROTECTED]
>
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ribe. I can set volume level in the "Enable MicNotator"
> window with no problems, and, yes, I checked the "Enable MicNotator" box.
>
> What, pray tell, am I not doing that I should be doing (or doing that I
> shouldn't be doing)?
>
>
ou do need
to set those tempo indications to playback at the proper speed.
Bob Florence wrote:
> I tried Finale's timing calculator on a piece that I knew the timing.
> It was way off.
>
> BF
>
> Original Message
> Subject: Re: [Finale] timing
> Dat
t;> What is the formula for timing music without a stopwatch?
>> Something about number of bars or beats and measures and rate of spped.
>>
>> Thanks;
>>
>> BF
>>
>
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;
>
> No need to put the paper through the printer twice!
>
> Best wishes,
>
> Michael Cook
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> please send reply to [EMAIL PROTECTED]
> <mailto:[EMAIL PROTECTED]>
>
>
>
>
>
> Do you Yahoo!?
> New DSL Internet Access
> <
gt; and sit next to me...
>
>
> Philip Aker
> http://www.aker.ca
>
>
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ago today. [29th September, 1959]
> David McKay
> [EMAIL PROTECTED]
> http://members.ozemail.com.au/~musicke
>
>
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il.com
>
> _______
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the default assumes that the vast majority of Finale users are
classically oriented while I would bet that a true polling of ALL Finale
user would find the balance more towards the pop/rock/jazz world where
leaving the chords visible while hiding the notation is a preferred
default behavior.
//mail.shsu.edu/mailman/listinfo/finale
>
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or advice.
>
> Thanks,
> BC
>
>
> Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
>
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ries". The only articulations
> that will reside in a specific document are those will most likely be
> used only in that document, of which the best exemplar that comes to
> mind is the stems of note trees.
>
> Any other suggestions you'd make in this regard?
>
>
RCPT To:<[EMAIL PROTECTED]>
> <<< 550 <[EMAIL PROTECTED]>... User unknown
> 550 [EMAIL PROTECTED]
> ... User unknown
> ===
>
>
> Thanks,
>
> Philip Aker
> http://www.aker.ca
>
>
t appreciated.
>
> TIA Ken Fowler
>
>
> "Fortune only favors the prepared mind."
>
> - Louis Pasteur, in his inaugural
> address at the University of Lille
> _______
> Finale mailing
flexible?
David W. Fenton wrote:
> On 27 Sep 2002 at 14:15, David H. Bailey wrote:
>
>
>>Okay, you're right, David, Finale sucks big-time. Why are you using it
>>then?
>
>
> Thank you, David Bailey, for providing a perfect example of exactly
> what I w
to work in page view?
>
> I now have an "old" G4 400 MHz (the first generation in 1999) and it is
> still more than enough to work 100% of the time in page view.
>
> Eric
>
> ___
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>
am, very much
> consistent with all the things we've complained about for years. This
> seems to me to suggest that the problems with Finale are not so much
> legacy issues as they are failure of imagination on Coda's part.
>
> If that's so, Sibelius will win after
---
>
>
>
> Phil Daley < AutoDesk >
> http://www.conknet.com/~p_daley
>
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ty busy througout, but what about using saxes to
> cover strings?
>
>
> Larry
> [EMAIL PROTECTED]
>
>
>
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>
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But I would certainly have no problem with what you are asking for being
a program option so you could use it as you think suits you best. Why
would you not want to accord me (and the others who have no problem with
it) the same privilege?
--
David
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D]
>
>
> _
> Join the worlds largest e-mail service with MSN Hotmail.
> http://www.hotmail.com
>
> ___________
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though the
> measure numbers do display entirely correctly?
>
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PROTECTED][EMAIL PROTECTED]
>
>
> _
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>
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> http:
gt;
> Philip Aker
> http://www.aker.ca
>
>
> ___________
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L PROTECTED]
> http://mail.shsu.edu/mailman/listinfo/finale
>
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> of other posts I had made on the "Lyrics freakout" thread, dealing with
> specifics of items I had mentioned but which I did not mention in the post
> to which he was immediately responding.
>
> ns
>
>
> ___________
> Fi
eave all the other bowings off the page, since they will be changed
anyway. Having to cross out the printed ones to put the new ones in
makes the music that much harder to read and wastes time.
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relates to the technology and if
> there are any books or websites that might explain this.
>
> Michael Lawlor
>
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>
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David
ng
> that explains the technology from the musical point of view.
>
> Michael Lawlor
> Cornetts & Shawms
>
> Director of Concerto San Giacomo, Tempest & Isorhythmics
>
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>
window, zoom capability, and search and replace capability.
>
> ns
>
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___
to use a slash across the stem, instead of
> writing out in full", or "what are the advantages of using one version
> of quartertone accidentals over using another version."
>
> ns
>
> ___
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> [EMAIL
r than monochrome Finale scores.
> Speaking of which, when *are* we going to get color scoring in Finale?
>
> Dennis
>
>
>
>
>
> ___
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>
yield different
> results, but how is it with the same manufacturer?
>
> Liudas
>
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t; Eric
>
> ___
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>
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> Robert Patterson
>
> http://RobertGPatterson.com
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Rodney
> Melboune, Australia
>
> _______
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document x", you just (using Forza!) transfer all the
> document settings from that document to the document that reflect the
> current editing state.
>
>
> Best regards,
>
> Jari Williamsson
> ICQ #: 78036563
>
> _________
and mappings. This is discussed in Inside
> Macintosh: Text (mostly in Appendix C). Available online at:
>
> <http://developer.apple.com/techpubs/mac/Text/Text-2.html>
>
>
>
> Philip
>
> ___________
&g
eally hate learning to
use computer programs, so if they only have to learn to use one rather
than two to get the desired result, they will learn the one) so that
Finale's user base will grow and more development dollars will be spent
to improve those items on YOUR wish list.
--
David
t as
> changing the system break, not moving the measure.
>
> Yes, I experience the bug also.
>
> mdl
>
>
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David H
There is not, to my knowledge.
Johannes Gebauer wrote:
> Is there a way to change the position setting of all measure number regions
> in a file?
>
> Johannes
>
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ithin the bar should default to the F#.
>>
>
> This came up yesterday or the day before in another discussion.
>
> Isn't it the case that Ctrl + the accidental does this already? I've used
> that forever, and it works fi
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>>
>
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mailto:[EMAIL PROTECTED])
>>http://www.music.vt.edu/faculty/howell/howell.html
>>
>>
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ayback. Forgive me if I
> sound arrogant. I am in complete agreement with Harold Stienhardt.
>
> Bob Florence
>
> Harold Steinhardt wrote:
>
>
>>On Tuesday, July 16, 2002 12:43 PM, David H. Bailey
>><[EMAIL PROTECTED]> wrote:
>>
>>
>
I realized after I sent the post that there is a wider world than the
band world. Sorry.
Bruce Hunter wrote:
> From: "David H. Bailey" <[EMAIL PROTECTED]>
> To: "Christopher Zello" <[EMAIL PROTECTED]>
>
>
>>You've gotten a couple
treble clef automatically. Whenever I try
> to insert a change to the printed bass clef, it doesn't show the clef.
>
> Any ideas?
>
> Chris
>
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&g
ime to start concentrating on improving its playback
>>facilities.
>>
>>Regards
>>John
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o appear on said staff.
>
> Thanks in advance.
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; sent an e-mail to Coda, but they didn't get around to answering. In the
> Index there isn't even a listing for "Inserting Notes or rests",
> although you can insert other things.
>
>
>
> My problems with Print Music are endless. After 2 years and hundreds of
> hours I am still stuck on the most basic problems.
>
>
>
> Thanks.
>
>
>
> Skippy Mardon
>
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re used for marcato, so that it appears like an
> inverted "V"? Or do I have to create it as a score expression?
>
> Thanks!
>
> Linda Worsley
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> Finale mailing list
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>
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David W. Fenton wrote:
> On 14 Jul 2002, at 7:16, David H. Bailey wrote:
>
>
>>Here is a situation that might throw a monkey-wrench into the concept of
>>parts-anchored-to-score-file -- What would happen to the parts if you
>>write out a full score only to ge
it in the background.
David W. Fenton wrote:
> On 14 Jul 2002, at 7:38, David H. Bailey wrote:
>
>
>>For some reason (which I don't understand, since it isn't saved as part
>>of the file), when you change any of the default settings in the Print
>>window, Finale
to get the
> functionality necessary to have parts connected back to the score.
>
> And as I've said repeatedly, as long as you could still save out the part
> into a separate file, the people who prefer it that way would still be
> able to work the way they've al
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