er can contain
multiple streams, including multiple FLAC
streams. Note that there is no standard to
define what channels go in which FLAC
stream; you will need to roll your own.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.co
This reduces the airspeed, and
so helps the pilot escape from a spiral.
Sigmund Gudvangen wrote:
> Subject: Re: [Sursound] Death Spiral
>
> What has this aviation stuff to do with surround sound?
Well, nothing; boy, is my face red. Please
ignore this post.
Regards,
Martin
--
Martin J Lee
nd.
You really need an acoustically live studio so
that there is some surround to record.
Recordings by Nimbus Records are an
extreme example of this.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.c
Sampo Syreeni wrote:
...
> Nota bene, we've talked about this dependency on rig diameter on-list
> before. Under the topic of Martin Leese's "Big Geese".
Not mine; try:
From: Peter Lennox
Subject: [Sursound] Distance & Ambisonics
Date: Tue Jul 10 1
On 5/23/21, Martin Leese wrote:
> Extending FLAC to more than eight channels
> has been discussed in the past.For
> example, look in the sursound archives for this
> long post by me:
> Subject: Re: [Sursound] octofile release
> Date: Mon Jul 30 22:30:42 EDT 20
ple, look in the sursound archives for this
long post by me:
Subject: Re: [Sursound] octofile release
Date: Mon Jul 30 22:30:42 EDT 2018
It is not possible, except by using multiple
FLAC streams in a single container.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordal
MrUnmenge wrote:
> Thanks a bunch to everyone for their answers!
>
> @J?rgen and Martin: I am confused, if I click the link to the attachment, i
> only get plaintext (google chrome) and unfortunately i'm not in the aes?
> i've send you, j?rgen, a PM for that.
Hi Juergen
You can then view the five page
PDF file.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
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Attachment scrubbed, here it is as a link instead:
https://www.dropbox.com/s/ua74tvsp3bwa8lp/Rode-To-Fancy_template.RPP.zip?dl=0
From: Sursound on behalf of PARKER Martin
Sent: 24 June 2020 10:17
To: Surround Sound discussion group
Subject: Re: [Sursound] Rode
hown https://plugins.iem.at/.
You can simply bounce the bformatAmbix track to perform the conversion from a-
to- bformatAmbix.
Best
Martin~
---
Dr Martin Parker
Programme Director MSc Sound Design
Reid School of Music
Edinburgh College of Art
University of Edinburgh
+44(0)7813 217092
+44(0)131 650 2
es/2020/02/more-personal-stereo-with-soundid/
https://support.sonarworks.com/hc/en-us/categories/360002410539-SoundID
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
Sursound ma
n the other reports. In your attic, did
you happen to find an index page listing the
reports and their titles?
Many thanks,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
Sursou
he
USA for repair is very dated, but it used to be
that you could complete a form and, *providing
the serial number of the item was the same on
return*, there were no added charges,
> Of course, this will only get worse following Brexit,
You have no idea how good it feels to have
emigrated to Can
;,
Preprint 3308 of the 92nd Audio Engineering
Society Convention, Vienna (1992 Mar.)
(Simulating distance effects in directional
reproduction.)
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.trip
s, you only need a
single-band "velocity" decoder.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
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Thank you. Much appreciated.
- martin
On Tue, 26 Mar 2019 at 22:36, Fons Adriaensen wrote:
> On Tue, Mar 26, 2019 at 09:59:45PM +0000, Martin Dupras wrote:
>
> > However, no one has answered my question. I will ask again.
> >
> > Can someone point me to any publishe
resources for 1st order but not for 2nd
order.
Thank you.
- martin
On Tue, 26 Mar 2019 at 21:54, Fons Adriaensen wrote:
> On Wed, Mar 27, 2019 at 04:50:06AM +0800, Stephen McArdle wrote:
>
> > I think the question might be more simpler than this.
> > For 1st order (with 4 microphones
Hi,
Could anyone point me in the direction of a resource that shows the
equations for converting a 2nd order A-format recording into B-format? I
would like to convert in realtime from a Core Octomic in software (e.g. PD,
Max, SuperCollider) without the use of a plugin.
Thanks,
- martin
> sending data back to the individual binaural decoder, and then each user
> receiving their own modified stream from this.
Maybe I am being silly, but would a much
simpler solution not be to use speakers?
The video is canned and projected. The
soundfield is fixed relative to the video. Why
t's not a good idea.
This appears to be part of a long thread with
the Subject "Formal A-format". Eero asked his
question on July 27, 2006.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
_
nt to get as transparent a sound field as possible.
There is a list of mics on Wikipedia at:
https://en.wikipedia.org/wiki/List_of_Ambisonic_hardware#Microphone_Arrays
If the list is incomplete then will people please
add to it.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese st
Audio/StereoMix_chunk.html
This can be used not only in Ambisonic files
(see Example 3 on the Stereo Mix chunk page),
but also in non-Ambisonic multi-channel files.
This makes it more likely to be adopted.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
So the maximum of eight channels is really
embedded into the FLAC standard. To change
this would require a whole new standard (or
the use of multiple grouped FLAC streams in
an Ogg container).
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members
Is this LP Ambisonic?
The LP is on offer here:
https://www.ebay.ca/i/153041669368
The UHJ Discography is available here:
http://www.surrounddiscography.com/
Many thanks,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tri
he bottom where it says "Unsubscribe or edit
options". After entering your password, on
the next screen complete "Your name
(optional):" and hit "Change My Address And
Name". Simple really :-)
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni
On 5/2/17, Martin Leese wrote:
> Hi All,
>
> This is yet another version of the draft standard
> for Ambisonics using Ogg Opus by some guys,
> one of whom is still at Google. It was
> discussed on this list last year (in May and
> November):
>
> https://tools.iet
m gunk over the capsules or there is not.
Leaving the mic closed will not change the
result when you finally do so. Also,the longer
you leave gunk in there (if any) then the more
time is has to glue itself onto the capsules.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumn
e limit is 1.5 kHz or thereabouts.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
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and Unity?
The project is still pending funding so I am interested to hear both
low-budget and more expensive approaches.
Thank you all for reading.
Martin
-- next part --
An HTML attachment was scrubbed...
URL:
<https://mail.music.vt.edu/mailman/private/sursound/at
Hi,
41 Ambisonic Sound Effects (2.9 GB / 68+
minutes) for free; visit:
https://www.asoundeffect.com/ambisonic-sound-effects-giveaway/
I have no connection, blah, blah, blah.
Regatds,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese
-application-format/profiles-under-considerations-isoiec-23000
The VR Industry Forum has published draft
guidelines; available at:
http://www.vr-if.org/wp-content/uploads/VRIF_Draft_Guidelines-v0.0draft10-2017-09-12.pdf
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http
2) Souk / food market
3) Children playing (speaking Arabic)
https://www.upwork.com/job/Spatial-Ambisonic-360-soundscapes-Middle-East_~01f7ccf7e773d1ee4c/
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese
Hi,
Google's Songbird is a JavaScript library that
can render HOA to stereo and the Web; visit:
https://opensource.googleblog.com/2017/08/bringing-real-time-spatial-audio-to-web-with-songbird.html
https://google.github.io/songbird/
Regards,
Martin
--
Martin J Leese
E-mail: martin.
view?usp=sharing
More punted off to the side than removed. I
successfully downloaded the attachment from
the sursound website.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
of signals.
But this is useful, thank you. I wouldn't be surprised to find that
I've overlooked something, so any more things to check are welcome!
- martin
On 5 July 2017 at 23:48, Steven Boardman wrote:
> Ok.
>
> Just to rule out, only use the ambeo plugin for the ambeo. If
he Ambeo plugin expects the capsules to be FLU, FRD, BLD and BRU,
which I believe to be the same on both the TetraMic and the Sennheiser
Ambeo.
- martin
On 5 July 2017 at 23:24, Steven Boardman wrote:
> When you are converting from A to B-format are you going to FuMa or Ambix
> convention?
&
mixed-order scheme = HV
// input channel order: W Y Z X V T R S U Q O M K L N P
// output speaker order: S01 S02 S03 S04 S05 S06 S07 S08 S09 S10 S11
S12 S13 S14 S15 S16 S17 S18 S19 S20 S21
I'll welcome any suggestion or advice!
Thanks,
- martin
___
Hi All,
This is yet another version of the draft standard
for Ambisonics using Ogg Opus by some guys,
one of whom is still at Google. It was
discussed on this list last year (in May and
November):
https://tools.ietf.org/html/draft-ietf-codec-ambisonics-03
Regards,
Martin
--
Martin J Leese
E
ssue 1), and possibly earlier.
(GMail does not display an "Oldest ››" button,
so it is difficult for me to get back to the
beginning.) Unfortunately, I don't have an
easy way to turn these into a *publicly*
searchable archive.
Regards,
Martin
--
Martin J Leese
E-mail: martin
Hi All,
This is an updated version of the draft
standard for Ambisonics using Ogg Opus by
some guys at Google. It was discussed on
this list last year (in May and November):
https://tools.ietf.org/html/draft-ietf-codec-ambisonics-02.html
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese
rver. As there
is no money swishing around, I suggest you
just ignore it.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
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Sursound@music.vt.
On 1/5/17, Martin Leese wrote:
> "Alan Varty" wrote:
>> Hello Eero.
>>
>> I cannot remember which issues contained the schematics for the Matrix-H
>> only variomatrix decoder, sorry.
>
> This looks like the following Wireless World
> two-pag
were some simple mods to change from H to HJ.
I remember this article, but cannot find it in my
heap of stuff.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
Sursound mailing l
by Opus). Visit:
https://wiki.xiph.org/MIME_Types_and_File_Extensions
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
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https://mail.musi
/2016/07/25/googles-omnitone-surround-sound-project-brings-us-closer-to-web-based-vr/
The article contains a link to a Google Blog
post:
http://google-opensource.blogspot.ca/2016/07/omnitone-spatial-audio-on-web.html
As you can see, Google has made Omnitone
open source.
Regards,
Martin
--
Mar
7;t remember the mic
configuration though. Could this good result be because the soundfield is
stable and head movements are used as would be the case for head-tracked
headphones? But then why front localisation still poor? Be interested to know
what people think.
Martin
From: Richard Lee
To: &qu
RFC 7845.
The draft has been discussed on the Xiph
Opus mailing list. Unfortunately, I am not
subscribed to that list, so only became aware
of the draft today via a Google Alert. To
subscribe to the Xiph Opus list, visit:
http://lists.xiph.org/mailman/listinfo/opus
Regards,
Martin
--
Martin
Martin Leese wrote:
> Hi,
>
> There is a CD on eBay which is not in the UHJ Discography. However,
> the details state:
>
> Leyf?u Lj?sinu (Icelandic for "Allow the light"), was recorded live at
> the Music Research Centre, University of York, in January [2012?] by
&
s CD is UHJ-encoded?
Many thanks,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
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Thank you all for the very helpful tips. I will try those things tomorrow.
- martin
On 22 March 2016 at 18:49, Martin Dupras wrote:
> Today I tried playback sources in third order Ambisonics on a 8+6+1
> hemispheric speaker array using Reaper. It didn't quite work as
> intended
ositions went practically silent.
Any advice on where to go next?
Many thanks,
- martin
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https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit
account or options, view archives and so on.
Sasso - first impressions
Date: Mon, 18 Feb 2013
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
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not work, I went to
groups.google.com and searched for:
"spherical room" audio
with the double quotes.)
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
Sursound mailing lis
Martin Leese wrote:
> Peter Lennox wrote:
>> Following on from discussions of decoder solutions: Forgive me if I've
>> missed this (I've been watching sursound for about 20 years, or so - but
>> I
>> just may have missed the odd discussion!)
>&g
nyone can shed some light, I'd be very, very grateful.
Many thanks,
- martin
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account or options, view archives and so on.
leted. I still have the files, but am not
sure of the best way for making them available.
...
> (and I haven't even mentioned the possible
> variety of speaker dispersion characteristics!)
Dermot also looked at this.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumn
he patents have expired).
This makes it a lot more difficult to make
money from Ambisonics.
Please note that I do not condone such
attitudes; I am merely pointing out that they
exist.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.c
Thank you to all who replied to my post. Special thanks to Fons, Jörn
and Fernando who have suggested practical starting points.
I will make some calculations and decide on what will be most
practical for my experiment. I will report with my successes (or
failures).
Many thanks!
- martin
On
principle using commercial software that decodes something
that is an open format; I do have issue being locked into a format or
protocol that is not in the hands of the public.
- martin
On 9 February 2016 at 23:04, Augustine Leudar wrote:
> I understand - most of my stuff is site specific so
sic experiments with Distance-Based
Amplitude Panning with reasonably good results, I just haven't gone
much further. I've used it in some site-specific installation work to
good effect, but again it didn't strike me as being particularly
scalable or portable, hence why Ambisonics is st
really see which techniques seriously compete with Ambisonics,
but I'll very happily check them out if you point me to them.
- martin
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Thanks Archontis, that is very useful. I'll try that, it seems to
corroborate what I had in mind initially. What's the worse that can
happen, right? :)
Thanks for the help!
- martin
On 9 February 2016 at 22:34, Politis Archontis
wrote:
> Hi Martin,
>
> HOA are not limited to
p digging for a hemispherical layout though. Still not found a
single example yet.
Thanks for all the help!
- martin
On 9 February 2016 at 22:18, Michael Chapman wrote:
>
> Firstly, I've never got beyond twelve (two stacked hexagons), so
> ignore my comments at your _non_-peril ;-)>
ration" so
I (wrongly, perhaps) assumed that there were capable decoders, and
there would likely be already available "templates" or "typical
scenarios" to use as a starting point.
Thanks,
- martin
- martin
On 9 February 2016 at 22:02, Augustine Leudar wrote:
> I kn
re two stacked rings (stacked
octagons) or a hemisphere. I would have thought that the hemisphere
would be the better choice, and in my scenario, a full lighting rig
allows me theoretically speaking to have speakers at the required
positions.
Again, thank you for all the responses.
- martin
On 8
Martin Dupras wrote:
> Hi,
>
> I'm intending to try setting up a 16-speaker Ambisonics array next
> week in a small TV studio. I'm trying to figure out the practical
> arrangements for setting up the speakers. I was wondering if anyone
> with experience might be able t
That's very useful. Thanks, Dave.
- martin
On 8 February 2016 at 17:40, Dave Hunt wrote:
> Hi,
>
>> The other thing I would welcome is advice on how to mount the speakers
>> to lighting rigs in a manner that is practical enough to offer some
>> good compromise
cal enough to offer some
good compromise between precision and ease of setup. I believe the
speakers we'll be using for the upper tiers will be Genelec 8060s.
Many thanks. Any advice will be greatly appreciated!
Cheers,
- martin
___
Surs
onics#Complete_mixed-order_sets_.28.23H.23V.29
However, I don't know of anybody who has
experience with decoding such sets.
The most general solution, and the one I would
promote, is to combine both schemes and
specify three numbers, #H, #P, and #V.
Regards,
Martin
--
Martin J Leese
E-mail:
nt mix.
Steven Dive wrote:
> Hi Martin,
>
> The Discogs site has the DKP 9001 version. Is this of any use?
Discogs.com lists four versions:
1. DKP 9001
2. DKP 9001
3. SV-95002
4. SV-95002 D (should be "SV-95002(D)")
I assume 1 and 2 are duplicates. I own 4,
which states on t
his
series, so he probably was for this one as well.
The Ambisonic UHJ Discography lists only the
UK release DKP 9001; visit:
http://www.surrounddiscography.com/uhjdisc/ambindex.htm
Many thanks,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/ma
mode did not use
shelf filters). Also the W' signal appears to be
the W signal after removal of the Sqrt(2)
weighting. Anyone interested in implementing
this decoder will need to read the refs, which
will be somewhere in the Ambisonic
Motherlode.
Regards,
Martin
Michael Gerzon, "Multi
Charles Veasey wrote:
> Martin -
>
> To clarify the use of the subs within a tetrahedral array, it would require
> the subs to be elevated off the floor?
At least one, as described by Michael.
> Given the weight of most subs, this
> seems a bit difficult in practice. Thought
-band Ambisonic decoder, which
also handles higher frequencies, you need
more speakers than three/four.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
Sursound maili
Sent from my iPhone
> On 14 Oct 2015, at 18:31, Augustine Leudar wrote:
>
> Maybe out of your budget - but check out the Genelec 8351 a - they also
> have a room correction system that will work on arrays of up to 32 speakers.
> For those that do not have gear acquisition syndrome here is some
Add me as another voice in favour of AU!
- martin
On 7 October 2015 at 14:34, Steven Boardman
wrote:
> Consider me a tester too!
>
> I use all plugin formats in many different apps, over windows and mac osx.
>
> All the best
>
> Steve
>
>
>
>
> On 7 Oct 2
d/or experience please send details ...
Install a temporary hearing loop. That way
you don't have to bother recording.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
he results as have the
artists recorded (all non-commercial for professional musician friends as a
hobby for me). I mix to FO8 but also plan to try some binaural processing
soon.Regards,Martin
From: Rafael Hidalgo
To: sursound@music.vt.edu
Sent: Friday, 26 June 2015, 10:37
Subject:
Dear Rafael,I have the same set-up with Coresound and Tascam and am curious
about the Busman Mod - what improvement do you notice and do you consider it
worthwhile. I'm UK based so less convenient to ship for a mod.Best Regards,
Martin Richards
From: Rafael Hidalgo
To: sur
tion frequency is decreased to 400 Hz to
better accommodate off-center listeners.)
I don't offhand know the distance between the
ears of a mouse.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
_
Many thanks - look forward to trying at the weekend. Martin
Sent from my iPhone
> On 27 May 2015, at 21:49, James Anthony Enda Bates wrote:
>
> Hi Jake/Martin, here are those videos I mentioned.
>
> https://www.youtube.com/watch?v=FZ5sdldXo-Y
> https://www.youtube.com/w
Thanks (and also others for their helpful comments). That video would be most
useful. Maybe it should find it's way onto ambisonia...Regards,Martin
From: James Anthony Enda Bates
To: sursound@music.vt.edu
Sent: Tuesday, 26 May 2015, 17:04
Subject: Re: [Sursound] ambisoni
u making a tool available
to convert B to binaural as shown in your demo?Thanks,Martin
From: Marc Lavallée
To: sursound@music.vt.edu
Sent: Monday, 25 May 2015, 12:17
Subject: Re: [Sursound] ambisonic.xyz
On Mon, 25 May 2015 08:43:25 +0000 (UTC), Martin Richards wrote:
> I make a l
on to the stereo
version. Is there a freeware version out there for windows (don't have mac)? I
may be able to make some of the recording available to ambisonic.xyz and will
look into this depending on their willingness.Thanks,Martin Richards
From: Bo-Erik Sandholm
To: Surr
page you cited:
http://kokkinizita.linuxaudio.org/ambisonics/uhjtest/
is pretty much it.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
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It seems to be traditional (ie, nobody knows
who was the original author).
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
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Hi All,
I fell across this Kickstarter campaign. I have
no connection, blah, blah, blah. Does anybody
know more? Below are some extracts.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
ENVELOP - 3D Sound
https
AES 57th International Conference's Future Of Audio Entertainment Technology
http://livedesignonline.com/aes-57th-international-conferences-future-audio-entertainment-technology
http://www.aes.org/conferences/57/
— As the AES hosts its 57th International Conference next month on the
“Future of Au
se there actually
> might not even *be* such a thing "due below".
It might help if you think of this as "from the
direction of your feet" as opposed to "due
below". This is normal when you are lying flat
on your back in bed.
Regards,
Martin
--
Martin
on in gallery spaces on the 15th December. Would be great to
meet some of you at this.
Best wishes
Martin~
martin.par...@ed.ac.uk
Programme Director, MSc Sound Design
http://soundeducation.net
Sound Lab Edinburgh:
http://sites.ace.ed.ac.uk/sdresearch/
Tel. +44(0)131 650 2333
Mob. +44(0)7813 21
ber 6.
>
> Am I the only one?
Nope, I am in the same boat. Also, this is a
pest for me because Google Mail then
truncates the overly long e-mail messages.
I have passed the problem onto the list owner,
who is working on it.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanford
On 10/21/14, Martin Leese wrote:
...
> Here is a link to the entire (brief) article:
> http://eandt.theiet.org/news/2014/oct/3d-sound-development.cfm
Here are a couple more links:
http://www.hud.ac.uk/news/2014/october/100kprojecttounderstandhowthebrainhears3dsound.php
http://gow.epsrc
n of
sound.
Here is a link to the entire (brief) article:
http://eandt.theiet.org/news/2014/oct/3d-sound-development.cfm
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
Surs
Eero Aro wrote:
...
> It's a command line program. Very fast. Needs lotsa careful typing.
Or sloppy typing into a text editor to create a
BAT file. Then execute the BAT file.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/mart
help that there is no actual
HTML5 standard, as yet. That is to say, there
is no *ratified* standard. The last time I looked,
a ratified standard was scheduled for late 2014.
Hopefully, when this happens, browsers will
make an extra effort to adhere to it.
Regards,
Martin
--
Martin J Lees
refore
appear to be recommended such that
strong specular reflections are avoided but
significant liveness is maintained."
Dermot's post is preserved at:
http://www.ambisonia.com/Members/mleese/dermot/
Regards,
Martin
--
Martin J Leese
E-mail: martin.lee
was
working properly... but this remains a consistent
observation... for all reconstruction formats!"
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
___
Sursound maili
Apologies all, please disregard that message, it was meant for Anders only. I
hit send in haste and failed to rip out my ethernet cable in time...
Best wishes
Martin~
On 24 Jun 2014, at 11:33, Martin Parker wrote:
> Dear Anders, please forgive this unsolicited email, but I noticed y
/fluteCount-version3.mp3
This kind of thing could perhaps spatialise very well across a wide rig like
the one you describe.
Let me know if you’re interested in talking further.
Meanwhile, I wish you all the best for your concert later this week.
Martin~
On 24 Jun 2014, at 10:27, anders.vin
rrently takes place using
ear-buds plugged into players or phones. This
doesn't look like it is going to change anytime
soon. Binaural with personalized HRTFs would
improve this listening experience.
Regards,
Martin
--
Martin J Leese
E-mail: martin.leese stanfordalumni.org
Web: http://m
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