Re: [313] Roland MS-1 sampler question

2000-11-09 Thread Kent williams
On Wed, 8 Nov 2000, kenneth taylor wrote:

 Hi everyone,
 I just bought a Roland MS-1 digital sampler but it has no manual.  It came 
 with what looks to be a blank memory card.  Does anyone have a manual that 
 they can photocopy or perhaps lead me to a place where I can procure one?  
 What does a regular full memory card look like?  Any help is welcome.
 
Those are 'smart memory' cards -- check with the Roland website.
They might have a manual PDF on line, or at least you can order a reprint.

The smart cards are used in things like digital cameras and mp3 players
too, but since the MS-1 is an older design it might be picky about the
cards it accepts.

I was underwhelmed by the MS-1's capabilities -- I had a chance to buy
one cheap and didn't.



RE: [313] Ford and Atkins

2000-11-09 Thread Patrick Wacher
What about having the Metroplex logo on the side of the car and a Planet E
air freshener hanging off the rear vision mirror!

Peace,
Patrick.

-Original Message-
From: sean deason [mailto:[EMAIL PROTECTED]
Sent: Thursday, 9 November 2000 9:54 AM
To: Dan Sicko; keleigh casper
Cc: 313@hyperreal.org
Subject: Re: [313] Ford and Atkins


Also from Ford look for the upcoming Made In Detroit Ford Focus which will
be a limited edition Focus decked out with the famous Stanzler/Arnett logo
on the sides. no I'm not kidding this time.
--
sean deason
matrix records
p.o. box 343
dearborn, mi 48121-0343
ph/fax: 313.582.3410
cell: 313.522.3550
email: [EMAIL PROTECTED]
profile: seandeason.metrotimes.com

 From: Dan Sicko [EMAIL PROTECTED]
 Date: Wed, 8 Nov 2000 14:46:35 -0500
 To: keleigh casper [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Subject: Re: [313] Ford and Atkins

 Wow.

 I was *just* going to post about the new print ad I saw for Focus
 with the headline Detroit Techno.  I just thought some clever
 copywriter at JWT snuck one past his or her superiors, but this is
 bigger than I thought!

 -d

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Re: [313] Ford and Atkins

2000-11-09 Thread Fiveorange
what does everyone think about this?


Re: [313] Ford and Atkins

2000-11-09 Thread debonair
i think it is very kool!

educate!
as long as the music involved is not
watered down, and juan get's paid,
what's wrong with that?

people must open themselves to others
just a little, but still live by they principles.


the view from the summit is always great,
but it can be much better when you can share it.

criticism n envy will make you depressed.


bond.jamesbond.
- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Thursday, November 09, 2000 11:26 AM
Subject: Re: [313] Ford and Atkins


 what does everyone think about this?
 
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Re: [313] Ford and Atkins

2000-11-09 Thread dick richards
I hate cars, but I love Juan Atkins. Such a dilemma!
Glad he's making some bucks. He deserves it.

--dick richards

Nathan John de Yonker wrote:

 I approve

 On Wed, 8 Nov 2000 [EMAIL PROTECTED] wrote:

  what does everyone think about this?
 

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--
To listen to my latest songs go to: http://www.mp3.com/dickrichards

Also check out my station orgone accumulator for minimal techno and
ambient pieces.
http://www.mp3.com/stations/orgone_accumulator




Re: [313] Opinions..

2000-11-09 Thread ataxia
sims would be a drawcard to a few in adelaide too but unfortunately the
numbers here means if the promotors put on a party it's only a few hundred
dedicated adelaideans that are there, so they just can't afford to do the
parties it's a sad truth that a party with umek, valentino, common
factor, recloose, and wet musik can't pull a big enuff crowd to break
even...

i also heard that sydney doesn't get that many tech acts -  and that was
from techione aka damc a sydney-sider

i don't know about a national mag, i always cringe when i see the word
dance specially in tech related discussions our local street press
seems to only devote 1 page to tech, and maybe 2 record reviews...




[cw]

ps cyclone: r u affiliated with onion in adelaide at all

From: Cyclone Wehner [EMAIL PROTECTED]

There is talk of a national dance mag starting in Australia - based in
Sydney and run by UK publishers - and I fear this will
 mean that our diversity will be compromised. It's very hard to convince
 English industry types (esp those aligned with large clubs) that each
 country has its own unique make-up and that other scenes are not merely
 small, backward models of theirs. They just come here and see what they
want
 to see. Very few industry types in Sydney have a clue about techno (it is
 very subcultural there, I think other Sydney guys on this list would
agree,
 this is why we should send Christmas cards to Southern Outpost, Fuzzy,
etc,
 for keeping it real!!) so if a magazine came out of there you could bet
that
 people we care about in Melbourne or Adelaide or Perth or Sydney's
 underground would have to conform. Thank God also that the Sydney street
 press still covers techno and at least gives people the option of finding
 out about it, a Sydney glossy won't do the same. Any one see that letter
 written by Sydney's Ministry of Sound boys in 7 in which they refuted
that
 Ben Sims was popular in Australia with the rather embarassing who the
hell
 is Ben Sims? Nice guys who just have to do their homework. Like they
didn't
 have an inkling that Sims was a drawcard in cities like Melbourne. It was
 really funny to us but was more Sydney-centricism/UK-centricism than
 ignorance. 


==

in the raw red dusk we said good-by, 
on a bridge over a superhighway...
   kerouac - OTR, 1958

==


_
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Re: [313] Ford and Atkins

2000-11-09 Thread Lester Kenyatta Spence
On Wed, 8 Nov 2000, Nathan John de Yonker wrote:

 
 I approve
 

Me too.

I remember the first time I heard techno appropriated by traditional
institutions in Detroit--the NBC affiliate (channel 4 wdiv) would use some
of May's work for their breaking news soundtrack.  And for their news
commercials too.  

I guess it can be argued that this was straight up cooptationbut the
cultural (detroit) nationalist in me thought that it was more of a case of
our own finally being recognized.  I loved it.

And given that I don't hear NO UFO's all that often--my cd player is down
and my brother has my 12'--it'll be cool as hell to hear it.  Damn cool.

As a sidenote, I'm really suprised that May, Atkins, etc. haven't done
more commercial stuff.  As in stuff for commercials.  Movie soundtracks
too

Take THE MATRIX for instance.  Can you imagine how dope it would've been
to hear STRINGS OF LIFE for example, during the scene where Neo rescues
Morpheus?


peace
lks



Re: [313] Ford and Atkins

2000-11-09 Thread sean deason
ditto
-- 
sean deason


 From: Nathan John de Yonker [EMAIL PROTECTED]
 Date: Wed, 8 Nov 2000 20:22:03 -0500 (EST)
 To: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Subject: Re: [313] Ford and Atkins
 
 
 I approve
 
 On Wed, 8 Nov 2000 [EMAIL PROTECTED] wrote:
 
 what does everyone think about this?
 
 
 
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more new items added to auction on http://techno.ca/cognition

2000-11-09 Thread Andrew Duke
added today to the Fundraising Auction
on Cognition: http://techno.ca/cognition

prize packages and/or label subscriptions from:

Interdimensional Transmissions (Ann Arbor MI)
Sprout (Hydrant sublabel)
Daniel Lui's Chair Recordings (Toronto)
Morgan Geist's Environ
David Duriez' Brique Rouge (Paris)
Public Transit Recordings (Toronto) [with Nick Holder remix]
V/Vm Test Records (UK)
--
Cognition/Andrew Duke's In The Mix
3rd annual Fundraising Auction for CKDU
is now underway: http://techno.ca/cognition
auction ends Wednesday November 29 at 12noon AST




Re: [313] Ford and Atkins

2000-11-09 Thread [EMAIL PROTECTED]
on 11/8/00 8:52 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote:

 As a sidenote, I'm really suprised that May, Atkins, etc. haven't done
 more commercial stuff.  As in stuff for commercials.  Movie soundtracks
 too

Same old, same old.  It took Moby licensing all the tracks on Play for
advertisers like Ford to decide there might be something behind this
instrumental. technical, music... .

Then the gates were open for jwt's hipster writers and AD's to propose some
old school.  Good for them.  Too bad it took over 10 years.
--
There4IM



Re: [313] Ford and Atkins

2000-11-09 Thread Dave Clark
When I saw that movie I thought some kicking detroit
stuff would be IDEAL. Strings of life, maybe, but
imagine something like T1000, Denham, Young, etc etc
etc.

Ass-kickin stuff.
Dave

--- Lester Kenyatta Spence [EMAIL PROTECTED] wrote:
 Take THE MATRIX for instance.  Can you imagine how
 dope it would've been
 to hear STRINGS OF LIFE for example, during the
 scene where Neo rescues
 Morpheus?
 



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Re: Ford And Atkins

2000-11-09 Thread The [Quad]
... but... but... wha..?

I just bought the KONA Mountain Bike Edition focus ZX3 w/ rack and KONA BLAST 
2001 mountain bike...

damn,
J. E. v.F-B. B. 
   
   


Groovetech website

2000-11-09 Thread FRED MCMURRY

Hey, anyone else think that the new Groovetech website is a complete mess?
At first I thought it was cool but then I tried to navigate it and all these 
stupid windows open up and searching for things (which used to be very 
simple) is now very complicated and items that I know they have don't 
appear. I know they have them because I checked earlier today when the old 
site was still in existance. Now some stuff has to be cross referenced to 
find it. Terrible.

Check it out and let me know what you think...
https://groovetech.com/GTWS/Home

Fred
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Re: [313] Ford and Atkins

2000-11-09 Thread styles dr
10 years to late

--- [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 on 11/8/00 8:52 PM, Lester Kenyatta Spence at
 [EMAIL PROTECTED] wrote:
 
  As a sidenote, I'm really suprised that May,
 Atkins, etc. haven't done
  more commercial stuff.  As in stuff for
 commercials.  Movie soundtracks
  too
 
 Same old, same old.  It took Moby licensing all the
 tracks on Play for
 advertisers like Ford to decide there might be
 something behind this
 instrumental. technical, music... .
 
 Then the gates were open for jwt's hipster writers
 and AD's to propose some
 old school.  Good for them.  Too bad it took over 10
 years.
 --
 There4IM
 
 

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RE: [313] Groovetech website

2000-11-09 Thread John W Fisher II
I'll second this one. Graphically, this site is absolutely beautiful, I
really like what I see. However, from a usability standpoint, it is in some
serious need of help. Like a porcupine in a balloon factory.

less is more.

Fish

] -Original Message-
] From: FRED MCMURRY [mailto:[EMAIL PROTECTED]
] Sent: Wednesday, November 08, 2000 10:37 PM
] To: 313@hyperreal.org
] Subject: [313] Groovetech website
]
]
] Hey, anyone else think that the new Groovetech website is a complete mess?
] At first I thought it was cool but then I tried to navigate it
] and all these
] stupid windows open up and searching for things (which used to be very
] simple) is now very complicated and items that I know they have don't
] appear. I know they have them because I checked earlier today
] when the old
] site was still in existance. Now some stuff has to be cross referenced to
] find it. Terrible.
] Check it out and let me know what you think...
] https://groovetech.com/GTWS/Home
]
] Fred
] _
] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
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Re: [313] deep chord cd

2000-11-09 Thread Phonopsia
I agree 100%. The more I hear Deep Chord 9 (the only one I have), the more I
can appreciate the nuances. Any time you're talking about the difference
between separate M releases you're talking about a matter of a few degrees.
They're *very* simliar tracks - but unique. The Deep Chord sound definitely
distills the main BC/CR ingredients into a slightly housier format, so I can
see why Gilles is and has been so crazy about them. It's very subtle stuff -
dare I say, more subtle than BC/CR in that what distinguishes it will not be
apparent on one or even five listens. Of course it's not innovative on the
same level as BC/CR was, but they really haven't innovated much lately
either. We wouldn't be where we are today without them, they continue to
make amazing tracks, but they're not pushing the sound in a new direction as
much as say Kit Clayton, Vladislav Delay, or Jacek Siegnewicz. Obviously
innovation is not the only yard stick, which is why I like Deep Chord - and
I like it a lot. The differences are there, just give them a chance to
settle in. I felt exactly the same way the first few times I heard it. I
think Gilles said it best, even if they don't appear that way at first.

Even if you disagree with all that, you could always consider them BC/CR
tools, if that makes any sense.

Tristan
==
PHONOPSIA[EMAIL PROTECTED]
http://www.geocities.com/SunsetStrip/Lounge/5102
FrogboyMCI on AOL Instant Messenger

Most people have the cataract.
They do not see what they look at.
Dum Dee Dum Dee Dum Dee Dum... - Stereolab

-Original Message-
From: Giles Dickerson [EMAIL PROTECTED]
To: William VanLoo [EMAIL PROTECTED]
Cc: 313 313@hyperreal.org
Date: Wednesday, November 08, 2000 10:21 AM
Subject: Re: [313] deep chord cd


Bill + 313,

I love you man, but, and I knpow this may create some FP dissent, but I
think they've really taken that sound to a new level, The CR rcirds are all
starting to sound too similar to me, although, like yourself, I still buy
them lovingly. Especially the Scion / Tikiman / Burial Mix / Round ...
stuff. But, the early basic channel records to me were sophisticated in
their sounds, but the Deep Chord records have really tightened up the FUNK
in those tracks. In a really mellow HOUSEY way. I have the CD and yes we
all agree it rocks, and sure it sounds a lot like that sound, but I think
they've brought it closer toa less abstract sound a me like sthat, they mix
really well with my other records, like Blue Six, and a lot of the other
housier deep stuff I like to play.

Just my 2 cents.

ps. are those K2000's they're using?

// GILES

William VanLoo wrote:

  Call down to recordtime roseville, there might still be a few copies
  hanging around, 7,8, and 9 are the only ones available on vinyl.
  Definitely a label worth checking out, I like their stuff better than
  most Chain Reaction.

 I listened to a friend's copy of the Deep Chord CD today, and I have
 entirely mixed feeling.

 On one hand - the sounds are classic Basic Channel, from the synths used
 to the reverb to the grit and noise. It bangs, no doubt. If it were
 playing in a club, I'd run up to the DJ booth to see what it was.

 On the other hand - it sounds so much like records on the Basic Channel
 / Chain Reaction family of labels that it almost hurts. I was debating
 this with the friend who loaned me the disc, and mentioned this opinion.

 He said, half the records you own sound like Basic Channel. My
 thinking is, yes, I own lots of records whose producers were heavily
 influenced by Basic Channel. My own music is certainly influenced by
 BC/CR, and I'd never deny that influence. But the records I own that are
 influenced have some sort of uniqueness that show that BC/CR is *only*
 an influence, and not the exact blueprint for the release.

 I feel bad criticizing, since Deep Chord are some of the only artists
 doing BC/CR styled techno in Detroit. They are doing very well with
 their tracks, too - I think their stuff is selling well, judging by what
 I've seen when I've been at Record Time. I'm not trying to player hate,
 but I do feel that I'd like their music a lot better if they took the
 skill it requires to make their tracks, and apply more of their own
 creativity to the sounds and composition than they have on the tracks
 making up the CD.

 I'm going to chalk this one up as an impressive first effort by artists
 whose later work I'll buy if it progresses. I'll probably pick up
 number 9 on 12 eventually, as that (and track 10) were my favorites
 that I heard.

  shake it fass,
  mt

 Show me what you're working with.

 BVL
 --
 http://www.chromedecay.org

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RE: [313] Groovetech website

2000-11-09 Thread FRED MCMURRY
I just dropped Groovetech a line about the site. I hope they get it 
straightened out because I loved their old site, but I will go to another 
online shop to buy records. Let's hope they get this fixed before DEMF 2001!


Fred



From: John W Fisher II [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: RE: [313] Groovetech website
Date: Wed, 8 Nov 2000 22:53:31 -0500

I'll second this one. Graphically, this site is absolutely beautiful, I
really like what I see. However, from a usability standpoint, it is in some
serious need of help. Like a porcupine in a balloon factory.

less is more.

Fish

] -Original Message-
] From: FRED MCMURRY [mailto:[EMAIL PROTECTED]
] Sent: Wednesday, November 08, 2000 10:37 PM
] To: 313@hyperreal.org
] Subject: [313] Groovetech website
]
]
] Hey, anyone else think that the new Groovetech website is a complete 
mess?

] At first I thought it was cool but then I tried to navigate it
] and all these
] stupid windows open up and searching for things (which used to be very
] simple) is now very complicated and items that I know they have don't
] appear. I know they have them because I checked earlier today
] when the old
] site was still in existance. Now some stuff has to be cross referenced to
] find it. Terrible.
] Check it out and let me know what you think...
] https://groovetech.com/GTWS/Home
]
] Fred
] _
] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
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RE: [313] Groovetech website

2000-11-09 Thread Warrington, Ben
I'll third this site it is really good looking 
but ???none of the links work and I don't know maybe

we need a ford badge on it or somethin

it took ages to down load it ..to many graphics

as i said just like a ford looks good but doesn't go anywhere...

Cheers,

Bw
p.s anyone know when Detroit Dj's are coming to sydney??? any tours
planned???

-Original Message-
From: John W Fisher II [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 09, 2000 2:54 PM
To: 313@hyperreal.org
Subject: RE: [313] Groovetech website


I'll second this one. Graphically, this site is absolutely beautiful, I
really like what I see. However, from a usability standpoint, it is in some
serious need of help. Like a porcupine in a balloon factory.

less is more.

Fish

] -Original Message-
] From: FRED MCMURRY [mailto:[EMAIL PROTECTED]
] Sent: Wednesday, November 08, 2000 10:37 PM
] To: 313@hyperreal.org
] Subject: [313] Groovetech website
]
]
] Hey, anyone else think that the new Groovetech website is a complete mess?
] At first I thought it was cool but then I tried to navigate it
] and all these
] stupid windows open up and searching for things (which used to be very
] simple) is now very complicated and items that I know they have don't
] appear. I know they have them because I checked earlier today
] when the old
] site was still in existance. Now some stuff has to be cross referenced to
] find it. Terrible.
] Check it out and let me know what you think...
] https://groovetech.com/GTWS/Home
]
] Fred
] _
] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
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RE: [313] Groovetech website

2000-11-09 Thread Braden J. King
I don't know what they're going to do. Like John said, the site is one
of the most visually pleasing sites I have ever seen, but functionality
goes right out the window. Maybe their vision would be more fully
realized with software that is actually stored on the users computer
rather than this sluggish Java/ActiveX/etc. thing they got going here.
Either way, I'm sure they spent A LOT of money on that design and may
not have a choice. Very unfortunate because Groovetech is an excellent
online record store.

Braden.

-Original Message-
From: FRED MCMURRY [mailto:[EMAIL PROTECTED]
Sent: Wednesday, November 08, 2000 8:01 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: RE: [313] Groovetech website


I just dropped Groovetech a line about the site. I hope they get it 
straightened out because I loved their old site, but I will go to
another 
online shop to buy records. Let's hope they get this fixed before DEMF
2001!

Fred


From: John W Fisher II [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: RE: [313] Groovetech website
Date: Wed, 8 Nov 2000 22:53:31 -0500

I'll second this one. Graphically, this site is absolutely beautiful, I
really like what I see. However, from a usability standpoint, it is in
some
serious need of help. Like a porcupine in a balloon factory.

less is more.

Fish

] -Original Message-
] From: FRED MCMURRY [mailto:[EMAIL PROTECTED]
] Sent: Wednesday, November 08, 2000 10:37 PM
] To: 313@hyperreal.org
] Subject: [313] Groovetech website
]
]
] Hey, anyone else think that the new Groovetech website is a complete 
mess?
] At first I thought it was cool but then I tried to navigate it
] and all these
] stupid windows open up and searching for things (which used to be
very
] simple) is now very complicated and items that I know they have don't
] appear. I know they have them because I checked earlier today
] when the old
] site was still in existance. Now some stuff has to be cross
referenced to
] find it. Terrible.
] Check it out and let me know what you think...
] https://groovetech.com/GTWS/Home
]
] Fred
]

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RE: [313] Groovetech website

2000-11-09 Thread FRED MCMURRY
The log in thing is a waste of time for the user. They must be trying to 
track how often each person logs in vs. how often they purchase.
I did get an automatic response back from them and I'm sitting on the edge 
of my seat in expectation of a real answer to my email I sent them. I'll 
post it to 313 as soon as I get it.


Fred

If it ain't broke...take it apart, lose a couple of pieces and then it will 
be




From: [EMAIL PROTECTED]
To: FRED MCMURRY [EMAIL PROTECTED], [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: RE: [313] Groovetech website
Date: Wed, 8 Nov 2000 20:10:24 -0800

yep, that REALLY sucks.  i have a dsl connection and it's still
virtually unusable.  this thing is a design catastrophe, unless you
only plan on using it for wallpaper.

and requiring people to log in order to do anything is a major mistake.

At 4:00 AM + 11/9/00, FRED MCMURRY wrote:

I just dropped Groovetech a line about the site. I hope they get it
straightened out because I loved their old site, but I will go to
another online shop to buy records. Let's hope they get this fixed
before DEMF 2001!

Fred


From: John W Fisher II [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: RE: [313] Groovetech website
Date: Wed, 8 Nov 2000 22:53:31 -0500

I'll second this one. Graphically, this site is absolutely beautiful, I
really like what I see. However, from a usability standpoint, it is in 
some

serious need of help. Like a porcupine in a balloon factory.

less is more.

Fish

] -Original Message-
] From: FRED MCMURRY [mailto:[EMAIL PROTECTED]
] Sent: Wednesday, November 08, 2000 10:37 PM
] To: 313@hyperreal.org
] Subject: [313] Groovetech website
]
]
] Hey, anyone else think that the new Groovetech website is a complete 
mess?

] At first I thought it was cool but then I tried to navigate it
] and all these
] stupid windows open up and searching for things (which used to be very
] simple) is now very complicated and items that I know they have don't
] appear. I know they have them because I checked earlier today
] when the old
] site was still in existance. Now some stuff has to be cross referenced 
to

] find it. Terrible.
] Check it out and let me know what you think...
] https://groovetech.com/GTWS/Home
]
] Fred
] 
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] Share information about yourself, create your own public profile at
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Re: [313] Ford and Atkins

2000-11-09 Thread FRED MCMURRY

Maybe Ford can include a copy of the track with each car purchase?

Fred



From: sean deason [EMAIL PROTECTED]
To: Nathan John de Yonker [EMAIL PROTECTED], [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Ford and Atkins
Date: Wed, 08 Nov 2000 20:55:16 -0500

ditto
--
sean deason


 From: Nathan John de Yonker [EMAIL PROTECTED]
 Date: Wed, 8 Nov 2000 20:22:03 -0500 (EST)
 To: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Subject: Re: [313] Ford and Atkins


 I approve

 On Wed, 8 Nov 2000 [EMAIL PROTECTED] wrote:

 what does everyone think about this?



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Re: [313] Ford and Atkins

2000-11-09 Thread FRED MCMURRY

lol

however, I was thinking more like a CD single...but vinyl would be 
hilarious.


Fred



From: Nathan John de Yonker [EMAIL PROTECTED]
To: FRED MCMURRY [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Ford and Atkins
Date: Wed, 8 Nov 2000 23:47:35 -0500 (EST)

I think the expression on my dad's or insert another conservative
car-buyer face if the Ford dealership handed him her a piece of vinyl
with a shiny new auto.

uhh.. what the hell's this?...
Well, let's just say it's much better than the music you hear on Dodge
commercials during Tigers' games
:)
n8

On Thu, 9 Nov 2000, FRED MCMURRY wrote:

 Maybe Ford can include a copy of the track with each car purchase?

 Fred


 From: sean deason [EMAIL PROTECTED]
 To: Nathan John de Yonker [EMAIL PROTECTED], [EMAIL PROTECTED]
 CC: 313@hyperreal.org
 Subject: Re: [313] Ford and Atkins
 Date: Wed, 08 Nov 2000 20:55:16 -0500
 
 ditto
 --
 sean deason
 
 
   From: Nathan John de Yonker [EMAIL PROTECTED]
   Date: Wed, 8 Nov 2000 20:22:03 -0500 (EST)
   To: [EMAIL PROTECTED]
   Cc: 313@hyperreal.org
   Subject: Re: [313] Ford and Atkins
  
  
   I approve
  
   On Wed, 8 Nov 2000 [EMAIL PROTECTED] wrote:
  
   what does everyone think about this?
  
  
  
   
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Alternatives...was GrooveTech.

2000-11-09 Thread Mark S Flintoft
Dance Tracks just had their site redone by some mates of mine and it is
miles better than the new GT site...give it a try,  The search engine is
great.  They don't stock a lot of Techno,  but what they do have is
top-notch.

http://www.dancetracks.com/

Peace,

Mark*
_

Mark S. Krüx   Cel - 917.817.3989
DJ / Photographer   Fax - 877.485.3477
[EMAIL PROTECTED]
_


Re: [313] deep chord cd

2000-11-09 Thread Dale Lawrence

Giles + Bill + 313,

I have been bouncing the Deepchord cd in my car
over the last two days and I've come to a similar
conclusion as BVL.  The tracks are great and I'm
really into them-- and they sound great loud
when cruising, but I can't help but think that
these records were done by someone trying very
hard to do BC/CR and on top of that really don't
*yet* have the production quality to pull of the
complete forge.  I'd like to be polite and say
the 'funkier' unproduced sound of the percussion
elements was intentional, but it really sounds
to me like they aren't completely *there* yet
on studio techniques.  Now I'm not talking about
'big production' studio techniques--we know the
BC/CR camp has some of the most raw techniques we've
heard--BUT it *is* fully refined.  The Deepchord
sounds raw-- but *not* fully refined.  The kind
of 'raw' you get for trying-- but not completely
getting there at first.  Maybe I'm too critical
--the guy I voted for isn't going to the whitehouse
and I'm edgy--so just as Bill said these guys are
just getting started so I'm sure as they progress
they will experiment and come into their own sound
and production aesthetic just as most artists do.
I'm eager to see where they take it, and I am
enjoying listening to the tracks on the cd.
A good listen.

Dale

At 10:17 AM 11/8/00 -0700, you wrote:
Bill + 313,

I love you man, but, and I knpow this may create some FP dissent, but I
think they've really taken that sound to a new level, The CR rcirds are all
starting to sound too similar to me, although, like yourself, I still buy
them lovingly. Especially the Scion / Tikiman / Burial Mix / Round ...
stuff. But, the early basic channel records to me were sophisticated in
their sounds, but the Deep Chord records have really tightened up the FUNK
in those tracks. In a really mellow HOUSEY way. I have the CD and yes we
all agree it rocks, and sure it sounds a lot like that sound, but I think
they've brought it closer toa less abstract sound a me like sthat, they mix
really well with my other records, like Blue Six, and a lot of the other
housier deep stuff I like to play.

Just my 2 cents.

ps. are those K2000's they're using?

// GILES




[sea][evt] BLUR - techno - electro - thursdays - aristocrats

2000-11-09 Thread Phil Chan
just a friendly reminder that every thursday, seattle gets a little bit of
techno and electro.

::
:: BLUR ::
:: techno :: electro ::
:: kris moon :: phil chan :: guests ::
:: $3 :: 10pm :: thursday nights ::
:: aristocrats :: 4th and main :: downtown seattle ::
::



Re: [313] Ford and Atkins

2000-11-09 Thread styles dr
Pontiac had the best music for cars. It was some
industrial number. Pretty neat

--- FRED MCMURRY [EMAIL PROTECTED] wrote:
 lol
 
 however, I was thinking more like a CD single...but
 vinyl would be 
 hilarious.
 
 Fred
 
 
 From: Nathan John de Yonker [EMAIL PROTECTED]
 To: FRED MCMURRY [EMAIL PROTECTED]
 CC: 313@hyperreal.org
 Subject: Re: [313] Ford and Atkins
 Date: Wed, 8 Nov 2000 23:47:35 -0500 (EST)
 
 I think the expression on my dad's or insert
 another conservative
 car-buyer face if the Ford dealership handed him
 her a piece of vinyl
 with a shiny new auto.
 
 uhh.. what the hell's this?...
 Well, let's just say it's much better than the
 music you hear on Dodge
 commercials during Tigers' games
 :)
 n8
 
 On Thu, 9 Nov 2000, FRED MCMURRY wrote:
 
   Maybe Ford can include a copy of the track with
 each car purchase?
  
   Fred
  
  
   From: sean deason [EMAIL PROTECTED]
   To: Nathan John de Yonker [EMAIL PROTECTED],
 [EMAIL PROTECTED]
   CC: 313@hyperreal.org
   Subject: Re: [313] Ford and Atkins
   Date: Wed, 08 Nov 2000 20:55:16 -0500
   
   ditto
   --
   sean deason
   
   
 From: Nathan John de Yonker
 [EMAIL PROTECTED]
 Date: Wed, 8 Nov 2000 20:22:03 -0500 (EST)
 To: [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Subject: Re: [313] Ford and Atkins


 I approve

 On Wed, 8 Nov 2000 [EMAIL PROTECTED] wrote:

 what does everyone think about this?



 

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Diehard Technoheads

2000-11-09 Thread styles dr
Who are the die hard techno artists out there?
The one's that love techno and despise house. There
must be a few. I know there's still some die hards out
there who never liked house. Come on speak up.

 

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Kevin S.

2000-11-09 Thread styles dr
Maybe one of the better detroiters out there because
he actually went harder then the rest. 

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Re: [313] Kevin S.

2000-11-09 Thread DrumCode00
In a message dated 00-11-09 01:42:28 EST, you write:

 Maybe one of the better detroiters out there because
 he actually went harder then the rest. 


And your point is?


-Patrick


Re: [313] Kevin S.

2000-11-09 Thread styles dr
the point is to see what people have to say.
and must you post 3 times? It's a bit obnoxious.

--- [EMAIL PROTECTED] wrote:
 In a message dated 00-11-09 01:42:28 EST, you write:
 
  Maybe one of the better detroiters out there
 because
  he actually went harder then the rest.  
 
 And your point is...?
 
 
 Patrick


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test

2000-11-09 Thread styles dr
ttboy

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RE: [313] Ford and Atkins

2000-11-09 Thread Sam Karmel
 
I hear the new model (500) is fitted out with inbuilt
909,808,303 and sampler.

sam

--- Patrick Wacher [EMAIL PROTECTED] wrote:
 What about having the Metroplex logo on the side of
 the car and a Planet E
 air freshener hanging off the rear vision mirror!
 
 Peace,
 Patrick.
 
 -Original Message-
 From: sean deason [mailto:[EMAIL PROTECTED]
 Sent: Thursday, 9 November 2000 9:54 AM
 To: Dan Sicko; keleigh casper
 Cc: 313@hyperreal.org
 Subject: Re: [313] Ford and Atkins
 
 
 Also from Ford look for the upcoming Made In
 Detroit Ford Focus which will
 be a limited edition Focus decked out with the
 famous Stanzler/Arnett logo
 on the sides. no I'm not kidding this time.
 --
 sean deason
 matrix records
 p.o. box 343
 dearborn, mi 48121-0343
 ph/fax: 313.582.3410
 cell: 313.522.3550
 email: [EMAIL PROTECTED]
 profile: seandeason.metrotimes.com
 
  From: Dan Sicko [EMAIL PROTECTED]
  Date: Wed, 8 Nov 2000 14:46:35 -0500
  To: keleigh casper [EMAIL PROTECTED]
  Cc: 313@hyperreal.org
  Subject: Re: [313] Ford and Atkins
 
  Wow.
 
  I was *just* going to post about the new print ad
 I saw for Focus
  with the headline Detroit Techno.  I just
 thought some clever
  copywriter at JWT snuck one past his or her
 superiors, but this is
  bigger than I thought!
 
  -d
 
 

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RE: [313] Groovetech website

2000-11-09 Thread Scott Stone
I found the search pretty easily.  You can get around the login by 
clicking
your continent.  I agree this doesn't seem incredibly intuitive.  It's
actually pretty annoying.  I didn't bother to register, but it doesn't look
like you get the option to avoid this login screen even if you do.
I do think the buttons are fairly easy to spot. Once I got past the 
login,
it was fairly intuitive. (It's just windows, tabs, and buttons)  I also like
the new ability to continue searching while looking at the details of an
item, or checking real audio.  (the separate windows make this possible)
When searching, I used to have the option to view more items per page, 
by
choosing Text.  (I'm sure this is invaluable to people w/56k connections).
It doesn't seem to exist on the new site.

Other major complaints --

1. It's easy to break.  It crashed my browser on the first try -- IE 5.5 on
Windows 2000.  (It's usually pretty stable)  I also managed to get a few
javascript errors.

2. It's slow.  (cable modem - avg 90-130 kilobytes/sec)  I'm curious about
how it comes across on a phone line connection.  Anyone out there with a 56k
and a stopwatch?

3. Every time I go to the site, I get a popup saying the page is trying to
display non-secure items.  There's got to be a way to prevent that.

4. My normal browsing tools are useless.  (Back button, wheel on my mouse,
bookmarks)

5. What is the control panel all about?  It looks like a way to minimize and
close windows, but the windows have buttons to do that.  I'd expect it to
allow me to change settings of some sort.

6. It's very difficult to browse.  All listings are retrieved by searches.

I hope to hear other opinions on this, I think it's overall more intuitive
than the old one.  (Listening Lab never really shouted STORE to me)

Scott
[EMAIL PROTECTED]



Re: [313] Groovetech website

2000-11-09 Thread Christian Bloch
it's WAY too slow, even for my cable connection :(

Christian Bloch
www.mp3.com/bloch

Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials/Set.Go

- Original Message -
From: FRED MCMURRY [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, November 09, 2000 4:37 AM
Subject: [313] Groovetech website


 Hey, anyone else think that the new Groovetech website is a complete mess?
 At first I thought it was cool but then I tried to navigate it and all
these
 stupid windows open up and searching for things (which used to be very
 simple) is now very complicated and items that I know they have don't
 appear. I know they have them because I checked earlier today when the old
 site was still in existance. Now some stuff has to be cross referenced to
 find it. Terrible.
 Check it out and let me know what you think...
 https://groovetech.com/GTWS/Home

 Fred
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Re: [313] Ford and Atkins

2000-11-09 Thread Christian Bloch
You can dis the car all you like, but why do you have to critisize a classic
like No UFOs. Even if you don't like the track yourself, you must be able to
appreciate what it's done for techno music... At the very least, don't call
the track dead!


np: No UFOs

Christian Bloch
www.mp3.com/bloch

Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials/Set.Go

- Original Message -
From: styles dr [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, November 08, 2000 11:40 PM
Subject: RE: [313] Ford and Atkins


 Ford, quite possibly some of the worst cars on the
 road. ford has nothing on Pontiac. Too bad they
 couldn't find a real futuristic track for this, but
 what do you expect. You get what is equalk to the car,
 a dead track and a dead car with no power.
 However it might be a fun commercial. I'll take a
 look.
 A good track would be dj dione's-darkness brightness.
 Now that's futurism.






Re: [313] Groovetech website

2000-11-09 Thread Sakari Karipuro
On Thu, 9 Nov 2000, Christian Bloch wrote:

 it's WAY too slow, even for my cable connection :(

first time:
it's horrible. i stopped waiting after 3 minutes, it was coming to me
something like 200 bytes/sec. and we have decent connection. 

retry:
browser notified me few times about https (isn't one time enough..) and
crashed the browser 

sakke
 
 
  Hey, anyone else think that the new Groovetech website is a complete mess?
  At first I thought it was cool but then I tried to navigate it and all
 these
  stupid windows open up and searching for things (which used to be very
  simple) is now very complicated and items that I know they have don't
  appear. I know they have them because I checked earlier today when the old
  site was still in existance. Now some stuff has to be cross referenced to
  find it. Terrible.
  Check it out and let me know what you think...
  https://groovetech.com/GTWS/Home
 
  Fred
  _
  Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
 
  Share information about yourself, create your own public profile at
  http://profiles.msn.com.
 
 
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RE: [313] Groovetech website

2000-11-09 Thread Joshua Stephen Landau
 2. It's slow.  (cable modem - avg 90-130 kilobytes/sec)  I'm curious about
 how it comes across on a phone line connection.  Anyone out there with a 56k
 and a stopwatch?

A 14.4 here, til Friday.  (Cable modem, finally.)  And you really, really
don't want to know the time. I don't.  I gave up.

Josh



real audio techno

2000-11-09 Thread tek noid
Does anyone have a good ra site for listening and then
buying? 

Any help would be appreciated.

tek

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New music format

2000-11-09 Thread tek noid
Has anyone heard of it. i think it's called ear?

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Re: [313] Ford and Atkins

2000-11-09 Thread mee-thod

 what does everyone think about this?

i think it is amusing and sad.
highlights the contradictions in culture i see when i look at the
usa. (plank own eye yeah yeah)

ford- the corporation that systemised worker exploitation. a founder who
was a facist. an organisation that deskilled it's workers. and had no
qualms in laying people off between model runs. 

would we have techno without this? i don't think so..
detroit wouldn't be detroit (now that's stating the obvious)

maybe i burden the music with unreasonable expectation.
maybe music is music after all and there is no message.

maybe the sonic revolution is silent,

 emma
 mee-thod
-it's in the way that you groove it-



R: [313] Diehard Technoheads

2000-11-09 Thread fab137
Ai lav teknov!!!

- Original Message - 
From: styles dr [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, November 09, 2000 7:39 AM
Subject: [313] Diehard Technoheads


 Who are the die hard techno artists out there?
 The one's that love techno and despise house. There
 must be a few. I know there's still some die hards out
 there who never liked house. Come on speak up.
 
  
 
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New Track

2000-11-09 Thread KonTroll
New track at www.mp3.com/kontroll
Intense Dreams..

Your feedback woud be appreciated.

KonTroll

Intelectrical Recordings
http://www.intelectricalrecords.com
http://www.mp3.com/kontroll
ICQ 27749804

4 Leni Road
Windham, NH  03087
(603) 553-5054




Re: [313] R: [313] Diehard Technoheads

2000-11-09 Thread BACKGROUN0
if you like good techno, you have to like good house. 

IT`S THE SAME THING! that`s why.


RE: [313] Groovetech website

2000-11-09 Thread Diana Potts
Alex H., of Groovetech, used to be on 313...perhaps he still is. So I'm sure 
all this feedback is listened to...otherwise, I think it be best to feed the 
observations of the new site straight to GT, where it will serve better 
purpose.


d
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Re: [313] New music format

2000-11-09 Thread Phonopsia
E.A.R. (Expierimental Audio Research) was a strange ambient project from
Kevin Shield of My Blood Valentine once upon a time. Kinda spotty stuff.
Could this be related to hiim?

Tristan
==
PHONOPSIA[EMAIL PROTECTED]
http://www.geocities.com/SunsetStrip/Lounge/5102
FrogboyMCI on AOL Instant Messenger

Most people have the cataract.
They do not see what they look at.
Dum Dee Dum Dee Dum Dee Dum... - Stereolab

-Original Message-
From: tek noid [EMAIL PROTECTED]
To: 313@hyperreal.org 313@hyperreal.org
Date: Thursday, November 09, 2000 4:30 AM
Subject: [313] New music format


Has anyone heard of it. i think it's called ear?

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Re: [313] Ford and Atkins

2000-11-09 Thread Phonopsia
It seems clear to me this person is trying to stir things up around here. I
wouldn't give it the time of day.

Tristan
==
PHONOPSIA[EMAIL PROTECTED]
http://www.geocities.com/SunsetStrip/Lounge/5102
FrogboyMCI on AOL Instant Messenger

Most people have the cataract.
They do not see what they look at.
Dum Dee Dum Dee Dum Dee Dum... - Stereolab

-Original Message-
From: Christian Bloch [EMAIL PROTECTED]
To: 313@hyperreal.org 313@hyperreal.org
Date: Thursday, November 09, 2000 2:57 AM
Subject: Re: [313] Ford and Atkins


You can dis the car all you like, but why do you have to critisize a
classic
like No UFOs. Even if you don't like the track yourself, you must be able
to
appreciate what it's done for techno music... At the very least, don't call
the track dead!


np: No UFOs

Christian Bloch
www.mp3.com/bloch

Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials/Set.Go

- Original Message -
From: styles dr [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, November 08, 2000 11:40 PM
Subject: RE: [313] Ford and Atkins


 Ford, quite possibly some of the worst cars on the
 road. ford has nothing on Pontiac. Too bad they
 couldn't find a real futuristic track for this, but
 what do you expect. You get what is equalk to the car,
 a dead track and a dead car with no power.
 However it might be a fun commercial. I'll take a
 look.
 A good track would be dj dione's-darkness brightness.
 Now that's futurism.





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R: [313] Ford and Atkins

2000-11-09 Thread fab137
I can't believe that there is actually a troll on this list! :-))
Personally I think its a good thing that Ford decided to use such a track
for one of their ads. Like the Pirelli ad with a track by Aphex. It kinda
helps to spread the *word* no?

fab
- Original Message -
From: Phonopsia [EMAIL PROTECTED]
To: Christian Bloch [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, November 09, 2000 2:38 PM
Subject: Re: [313] Ford and Atkins


 It seems clear to me this person is trying to stir things up around here.
I
 wouldn't give it the time of day.

 Tristan
 ==
 PHONOPSIA[EMAIL PROTECTED]
 http://www.geocities.com/SunsetStrip/Lounge/5102
 FrogboyMCI on AOL Instant Messenger

 Most people have the cataract.
 They do not see what they look at.
 Dum Dee Dum Dee Dum Dee Dum... - Stereolab

 -Original Message-
 From: Christian Bloch [EMAIL PROTECTED]
 To: 313@hyperreal.org 313@hyperreal.org
 Date: Thursday, November 09, 2000 2:57 AM
 Subject: Re: [313] Ford and Atkins


 You can dis the car all you like, but why do you have to critisize a
 classic
 like No UFOs. Even if you don't like the track yourself, you must be able
 to
 appreciate what it's done for techno music... At the very least, don't
call
 the track dead!
 
 
 np: No UFOs
 
 Christian Bloch
 www.mp3.com/bloch
 
 Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials/Set.Go
 
 - Original Message -
 From: styles dr [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Wednesday, November 08, 2000 11:40 PM
 Subject: RE: [313] Ford and Atkins
 
 
  Ford, quite possibly some of the worst cars on the
  road. ford has nothing on Pontiac. Too bad they
  couldn't find a real futuristic track for this, but
  what do you expect. You get what is equalk to the car,
  a dead track and a dead car with no power.
  However it might be a fun commercial. I'll take a
  look.
  A good track would be dj dione's-darkness brightness.
  Now that's futurism.
 
 
 
 
 
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RE: [313] Ford and Atkins

2000-11-09 Thread Topping, Micah
 I can't believe that there is actually a troll on this list! :-))
 Personally I think its a good thing that Ford decided to use 
 such a track
 for one of their ads. Like the Pirelli ad with a track by 
 Aphex. It kinda
 helps to spread the *word* no?
i too think this is a wonderful thing.
does anyone know if ford is going to state in the ad anywhere
who the track is by or what the track is?
I'm not sure if someone saw the ad, and liked the tune that they
would know where to look to get more.


RE: [313] Ford and Atkins

2000-11-09 Thread John Shipman
i'm having a hard time swallowing this i guess, just can't really see it as
a good thing. don't get me wrong i think it's wonderful for atkins himself,
he deserves everything he gets and from what i've heard it's not a hack job
on the tune but, at the same time it's a horrible shame that the man was not
compensated for the importance of his music in the first place. to me it's
just another example of a big corporation jumping on something way after the
fact, stomping on something beautiful like a giant baby hewy and milking it
for financial gain. maybe it will expose some people to the music that will
be enriched by it and go on to learning more about it but, for every one of
those people there are 100 mindless sheep that could care less about the
tune or anything that is good art in general and why waste good a art on
sheep? i believe the people who would appreciate it would have found it
eventually anyway without the help of ford motor company. but what do i
know?

 -Original Message-
 From: Topping, Micah [SMTP:[EMAIL PROTECTED]
 Sent: Thursday, November 09, 2000 9:04 AM
 To:   313@hyperreal.org
 Subject:  RE: [313] Ford and Atkins
 
  I can't believe that there is actually a troll on this list! :-))
  Personally I think its a good thing that Ford decided to use 
  such a track
  for one of their ads. Like the Pirelli ad with a track by 
  Aphex. It kinda
  helps to spread the *word* no?
 i too think this is a wonderful thing.
 does anyone know if ford is going to state in the ad anywhere
 who the track is by or what the track is?
 I'm not sure if someone saw the ad, and liked the tune that they
 would know where to look to get more.
 
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Re: [313] Ford and Atkins

2000-11-09 Thread Dan Sicko


the contradictions are quite interesting, esp. given the misquote 
usually attributed to Juan saying he was more interested in Ford's 
robots than his cars.


But rather than an uncomfortable connection with Ford's past, 
wouldn't this be a great place from which to move forward?  Or are 
the sins of the father too much to bear?


-d


  what does everyone think about this?

i think it is amusing and sad.
highlights the contradictions in culture i see when i look at the
usa. (plank own eye yeah yeah)

ford- the corporation that systemised worker exploitation. a founder who
was a facist. an organisation that deskilled it's workers. and had no
qualms in laying people off between model runs.

would we have techno without this? i don't think so..
detroit wouldn't be detroit (now that's stating the obvious)

maybe i burden the music with unreasonable expectation.
maybe music is music after all and there is no message.

maybe the sonic revolution is silent,

 emma
 mee-thod
-it's in the way that you groove it-


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Re: [313] Kevin S.

2000-11-09 Thread darw_n
your post is a tad obnoxious in that 1.) saunderson is quite housey, 2.)
your views are narrow musically speaking...

Saunderson is one of my heroes in a way in that he showed me you don't need
to play just one type...

darw_n

create, demonstrate, toneshift...
http://www.mp3.com/stations/clevelandunderground
http://www.mp3.com/darw_n
http://www.sphereproductions.com/topic/Darwin.html
http://www.mannequinodd.com

- Original Message -
From: styles dr [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, November 08, 2000 11:06 PM
Subject: Re: [313] Kevin S.


 the point is to see what people have to say.
 and must you post 3 times? It's a bit obnoxious.

 --- [EMAIL PROTECTED] wrote:
  In a message dated 00-11-09 01:42:28 EST, you write:
 
   Maybe one of the better detroiters out there
  because
   he actually went harder then the rest.  
 
  And your point is...?
 
 
  Patrick


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Re: [Re: [313] Ford and Atkins]

2000-11-09 Thread Wv909
Actually , I do recall reading in the News that Derrick May
'scored'  sound track stuff for the Ford website and they
actually have a bio as well.
Would this be related to Genral Motors booking Dj Bone  to 
'dj' their Detroit auto show 2000 In which the  new Hummer
concept was brought out while Jaugar was playing.
Much to the enjoyment of the UK/Euro press and leaving the
locals not knowing whats going on
 
[EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
on 11/8/00 8:52 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote:

 As a sidenote, I'm really suprised that May, Atkins, etc. haven't done
 more commercial stuff.  As in stuff for commercials.  Movie soundtracks
 too

Same old, same old.  It took Moby licensing all the tracks on Play for
advertisers like Ford to decide there might be something behind this
instrumental. technical, music... .

Then the gates were open for jwt's hipster writers and AD's to propose some
old school.  Good for them.  Too bad it took over 10 years.
--
There4IM


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Re: [Re: [313] R: [313] Diehard Technoheads]

2000-11-09 Thread Wv909
Exactly ...and why not let music open up  your mind with its 
limitless possibilities...i.e. Do we have to hate one thing to enjoy 
another???
[EMAIL PROTECTED] wrote:
if you like good techno, you have to like good house. 

IT`S THE SAME THING! that`s why.

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RE: [313] Ford and Atkins

2000-11-09 Thread Topping, Micah
 i'm having a hard time swallowing this i guess, just can't 
 really see it as
 a good thing. don't get me wrong i think it's wonderful for 
 atkins himself,
 he deserves everything he gets and from what i've heard it's 
 not a hack job
 on the tune but, at the same time it's a horrible shame that 
 the man was not
 compensated for the importance of his music in the first 
 place. to me it's
 just another example of a big corporation jumping on 
 something way after the
 fact, stomping on something beautiful like a giant baby hewy 
 and milking it
 for financial gain. maybe it will expose some people to the 
 music that will
 be enriched by it and go on to learning more about it but, 
 for every one of
 those people there are 100 mindless sheep that could care 
 less about the
 tune or anything that is good art in general and why waste 
 good a art on
 sheep? i believe the people who would appreciate it would 
 have found it
 eventually anyway without the help of ford motor company. but 
 what do i
 know?
I can agree it's a shame Juan wasn't getting acclaim back in the day, 
but I don't think a 1 to 100 person ratio is that bad.
I am not sure what determines somethings art quotient or not, but I am sure
its either, what the artist puts into it or the appreciation of the product.
but if those 100 people don't get it, its not going to hurt anything, I
can't 
see anyone reacting violently to the use of the song, but this is america...
I don't think art can be wasted. 
Go to the Metropolitan Art Museum in NYC and I bet only one out of every one
hundred
people there think the Rodin sculptures are art, or appreciate them as art.
That doesn't make it less important in my book, by any means.
Based solely on the fact they may be mindless sheep, I don't care if they
like or notice
the tune.



RE: [313] New music format

2000-11-09 Thread Jongsma, K.J.
I also have some kind of ambient like project from Thomas Krone under the
same name. Weird en strange ongoing soundscape kinda stuff

[EMAIL PROTECTED]



  -Oorspronkelijk bericht-
  Van: Phonopsia [mailto:[EMAIL PROTECTED]
  Verzonden: Thursday, November 09, 2000 2:34 PM
  Aan: tek noid; 313@hyperreal.org
  Onderwerp: Re: [313] New music format
  
  
  E.A.R. (Expierimental Audio Research) was a strange ambient 
  project from
  Kevin Shield of My Blood Valentine once upon a time. Kinda 
  spotty stuff.
  Could this be related to hiim?
  
  Tristan
  ==
  PHONOPSIA[EMAIL PROTECTED]
  http://www.geocities.com/SunsetStrip/Lounge/5102
  FrogboyMCI on AOL Instant Messenger
  
  Most people have the cataract.
  They do not see what they look at.
  Dum Dee Dum Dee Dum Dee Dum... - Stereolab
  
  -Original Message-
  From: tek noid [EMAIL PROTECTED]
  To: 313@hyperreal.org 313@hyperreal.org
  Date: Thursday, November 09, 2000 4:30 AM
  Subject: [313] New music format
  
  
  Has anyone heard of it. i think it's called ear?
  
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Re: [[313] Re: Ford And Atkins]

2000-11-09 Thread Wv909
Jeez I think this might warrant a remix?... the kona  blast redux?

The [Quad] [EMAIL PROTECTED] wrote:
... but... but... wha..?

I just bought the KONA Mountain Bike Edition focus ZX3 w/ rack and KONA BLAST
2001 mountain bike...

damn,
J. E. v.F-B. B. 
   
   

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Re: [313] Ford and Atkins

2000-11-09 Thread Phonopsia
I agree the Pirelli ad was cool. At the time I think it gave techno some
credibility in the US mainstream. I think that's a good thing.

One thing that troubles me is that I can't think of any thirty seconds of No
UFOs or pretty much any techno song that does justice to the whole thing.
The Pirelli track was an original composition for the commercial if I'm not
mistaken. If anyone ever wanted to release my music in a commercial I would
want the option to remix the track for thirty seconds (good luck, I know),
or talk with them about submitting alternate thirty-second compositions. I
would prefer the latter, and I'm confident I could come up with something
better once I knew what it looked like, than trying to fit one of my songs
to the commercial.

As a TV viewer, I like the VW ad with the Stereolab track, I like good music
in commercials, and in general I'm much happier with the state of
advertising in the US than I was 5 years ago. It's become much more
European. Much riskier. As an artist, I wouldn't want someone to hear one of
my songs for the first time on TV, through a crappy little speaker, totally
out of context, probably with no bass, and probably with talking on top of
it.

Bottom line is, it's Juan's decision - who are we to judge? If he's trying
to get more involved in music for films, I'm sure this would be an excellent
opportunity for him to gain exposure in Hollywood.

Tristan
==
PHONOPSIA[EMAIL PROTECTED]
http://www.geocities.com/SunsetStrip/Lounge/5102
FrogboyMCI on AOL Instant Messenger

Most people have the cataract.
They do not see what they look at.
Dum Dee Dum Dee Dum Dee Dum... - Stereolab

-Original Message-
From: fab137 [EMAIL PROTECTED]
To: Phonopsia [EMAIL PROTECTED]
Cc: 313@hyperreal.org 313@hyperreal.org
Date: Thursday, November 09, 2000 9:06 AM
Subject: R: [313] Ford and Atkins


I can't believe that there is actually a troll on this list! :-))
Personally I think its a good thing that Ford decided to use such a track
for one of their ads. Like the Pirelli ad with a track by Aphex. It kinda
helps to spread the *word* no?

fab
- Original Message -
From: Phonopsia [EMAIL PROTECTED]
To: Christian Bloch [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, November 09, 2000 2:38 PM
Subject: Re: [313] Ford and Atkins


 It seems clear to me this person is trying to stir things up around here.
I
 wouldn't give it the time of day.

 Tristan
 ==
 PHONOPSIA[EMAIL PROTECTED]
 http://www.geocities.com/SunsetStrip/Lounge/5102
 FrogboyMCI on AOL Instant Messenger

 Most people have the cataract.
 They do not see what they look at.
 Dum Dee Dum Dee Dum Dee Dum... - Stereolab

 -Original Message-
 From: Christian Bloch [EMAIL PROTECTED]
 To: 313@hyperreal.org 313@hyperreal.org
 Date: Thursday, November 09, 2000 2:57 AM
 Subject: Re: [313] Ford and Atkins


 You can dis the car all you like, but why do you have to critisize a
 classic
 like No UFOs. Even if you don't like the track yourself, you must be
able
 to
 appreciate what it's done for techno music... At the very least, don't
call
 the track dead!
 
 
 np: No UFOs
 
 Christian Bloch
 www.mp3.com/bloch
 
 Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials/Set.Go
 
 - Original Message -
 From: styles dr [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Wednesday, November 08, 2000 11:40 PM
 Subject: RE: [313] Ford and Atkins
 
 
  Ford, quite possibly some of the worst cars on the
  road. ford has nothing on Pontiac. Too bad they
  couldn't find a real futuristic track for this, but
  what do you expect. You get what is equalk to the car,
  a dead track and a dead car with no power.
  However it might be a fun commercial. I'll take a
  look.
  A good track would be dj dione's-darkness brightness.
  Now that's futurism.
 
 
 
 
 
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Re: [313] New music format

2000-11-09 Thread rob webb

Tristan wrote:


E.A.R. (Expierimental Audio Research) was a strange ambient project from
Kevin Shield of My Blood Valentine once upon a time. Kinda spotty stuff.
Could this be related to hiim?


i think E.A.R was the handywork of Pete Kember (aka Sonic Boom), and not 
Kevin Shields.  oops, not all that Detroit related... never mind eh.




rob

ps:  also non-313 - the Blue Jam cd on Warp is hilarious.  insanely dark 
humour... buy buy buy.


_
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Re: [313] New music format

2000-11-09 Thread Jorge Velez



E.A.R. *is* Sonic Boom's project, but Mr. Shields has assisted
him - on the first album , at least - along with Kevin Martin.

I saw Sonic do a performance here in NYC a couple of years back where
all he used were about six Speak - N - Spells, all hotwired to create 
different tones and vocal sounds, along with an effects processor. The wall 
of sound he created was awesome.


There are photos from this performance at www.djphotos.com , if
anyone's innerested.

peace,

Jorge





Tristan wrote:


E.A.R. (Expierimental Audio Research) was a strange ambient project from
Kevin Shield of My Blood Valentine once upon a time. Kinda spotty stuff.
Could this be related to hiim?


i think E.A.R was the handywork of Pete Kember (aka Sonic Boom), and not
Kevin Shields.  oops, not all that Detroit related... never mind eh.



rob

ps:  also non-313 - the Blue Jam cd on Warp is hilarious.  insanely dark
humour... buy buy buy.

_
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Subject: Re: [313] Ford and Atkins

2000-11-09 Thread Jim Grindle
Maybe Ford can include a copy of the track with each car purchase?

Fred
That is actually a very good idea...some semi-unrecognized D.J. needs to get
on that ...yesterday!!
A mix with no ufo's included obviously. A lot of classic Detroit stuff
...the Rob Hood track ...
this is an idea that can work to everyones benefit.
  If it is to late to get a mix cd with all of the Focus's sold with a cd
player then take the idea to the  Made In Detroit folks and have that as a
part of their limited edition a cd player with ALL Detroit Techno ...made in
Detroit!!!
  Hell I own all of the great classic and most of the new stuff I would love
to get on that but I don't live and was not made in Detroit which should be
the deciding factor in this campaign...anyone work for Ford readingget
on it and make it happen




RE: [313] Ford and Atkins

2000-11-09 Thread John Shipman
i agree with you, i could really care less what people who don't get it
think, they are insignificant. and i definitely don't think that having the
song in a commercial lessens the original importance' at all. the only
problem i have with the whole thing is that it's being used to sell a car.
if i went down to the M.A.M. in nyc and saw a Rodin sculpture with a ford
sign on the frame it would piss me off no matter how many people understand
it..  


 -Original Message-
 From: Topping, Micah [SMTP:[EMAIL PROTECTED]
 Sent: Thursday, November 09, 2000 9:33 AM
 To:   313@hyperreal.org
 Subject:  RE: [313] Ford and Atkins
 
  i'm having a hard time swallowing this i guess, just can't 
  really see it as
  a good thing. don't get me wrong i think it's wonderful for 
  atkins himself,
  he deserves everything he gets and from what i've heard it's 
  not a hack job
  on the tune but, at the same time it's a horrible shame that 
  the man was not
  compensated for the importance of his music in the first 
  place. to me it's
  just another example of a big corporation jumping on 
  something way after the
  fact, stomping on something beautiful like a giant baby hewy 
  and milking it
  for financial gain. maybe it will expose some people to the 
  music that will
  be enriched by it and go on to learning more about it but, 
  for every one of
  those people there are 100 mindless sheep that could care 
  less about the
  tune or anything that is good art in general and why waste 
  good a art on
  sheep? i believe the people who would appreciate it would 
  have found it
  eventually anyway without the help of ford motor company. but 
  what do i
  know?
 I can agree it's a shame Juan wasn't getting acclaim back in the day, 
 but I don't think a 1 to 100 person ratio is that bad.
 I am not sure what determines somethings art quotient or not, but I am
 sure
 its either, what the artist puts into it or the appreciation of the
 product.
 but if those 100 people don't get it, its not going to hurt anything, I
 can't 
 see anyone reacting violently to the use of the song, but this is
 america...
 I don't think art can be wasted. 
 Go to the Metropolitan Art Museum in NYC and I bet only one out of every
 one
 hundred
 people there think the Rodin sculptures are art, or appreciate them as
 art.
 That doesn't make it less important in my book, by any means.
 Based solely on the fact they may be mindless sheep, I don't care if they
 like or notice
 the tune.
 
 
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Plus 8 Classics

2000-11-09 Thread Gwendal Cobert
I hope I won't sound like someone completely stupid on this one, but...
as far as I know, the Plus 8 comp exists in two formats :
- double CD, through Novamute, 22 tracks
- triple CD, minus 8, with more tracks and extra stuff including Oldham's
comic
I'd like to purchase the second, but only find the first... could anyone
point me to an online record shop with it ?
Thanks in advance
Gwendal



info wanted!

2000-11-09 Thread Martijn de Blaauw
Hi,
Anyone on this list who knows a bit more on dj Rok?? I know he´s from
Germany
and spinning @Tresor from time to time..did a mix album on the tresor
compilation 4 i believe?
thanx in advance!
Martijn

Searchline IIC
Van Breestraat 154
P.O. Box 9292
1006 AG Amsterdam
The Netherlands
Tel: +31 (0)20 578 86 86
Fax: +31 (0)20 662 92 81
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info wanted part 2

2000-11-09 Thread Martijn de Blaauw
did a mix album on the tresor compilation 4 i believe?
correction on my first question..it was dj jonzon who did this mix..who´s
he?

Martijn
Searchline IIC
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P.O. Box 9292
1006 AG Amsterdam
The Netherlands
Tel: +31 (0)20 578 86 86
Fax: +31 (0)20 662 92 81
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Re: [313] Mistress Barbra

2000-11-09 Thread Dennis Donohue


Sorry if someone else has answered this by the time you all get this

there is a recent release by Glenn Wilson that would fit that descrition 
also...  perhaps a similar or the same sample   I don't own it, but 
remember hearing it at the record store...  It was a release on a newer 
label (definitely not PR).  I found the words to distract too much from the 
music


Dennis


From: FC3 Richards [EMAIL PROTECTED]
To: '313@hyperreal.org' 313@hyperreal.org
Subject: [313] Mistress Barbra
Date: Tue, 7 Nov 2000 15:16:16 -0800

I am looking for a track that i was told was done by Mistress Barbra.
Basically it is a track with a vocal of a female dominatrix talking about
what she is doing to a you and how good it feels and all that other dirty
nasty stuff.  you know, the kind of track that would make everyone horney.
OK, maybe just Vidal.  anyways i want this record and any info on it i can
get.  i know it had a UK release, but not what label.  and i don't know if
it was released in the states.  thanks ahead of time.
jeff

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Re: [313] New music format

2000-11-09 Thread Jorge Velez


hmmm... so Kevin didn't spend the whole of the last decade building a 
studio then - he did work on some released music at some point! ;)





He mixed a track on the latest Primal Scream record . It's nothing special. 
He also played guitar on the album and toured with them to support it. The 
sad thing is he seems to have become so caught up in listening to drum n' 
bass (read this in an interview) that he was trying to move MBV in more of a 
d n' b direction, most of the band members split for other pastures, and it 
just became a case of misguided genius. Kind of like Prince.


J

-
SUN RUNNERS compilation on *ism records*
Out November 21.
Tracks by yours truly as DUERMO, Twilight Circus,
DJ Spinna, Swingsett/JWarrin and others. Check It.
-


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T E C H N O I R presents....

2000-11-09 Thread marsel


It's impossible to imagine a world without musicthere's so much to 
learn from it, how to communicate, how to touch, how to feel, how to rebel, 
how to listen, how to be young, how to grow up, how to grow old. We all 
search for answers to our complex questions and so often music has been a 
sanctuary or blanket offering solutions to our lives. M-Plant spreads in 
your mind like a rumour and teaches that the further back we look, the 
hotter the chemistry of life.


Learn To Think For Yourself



Ekko  Technoir presents:

10 November 2000  23:00

The first and only performance in the Netherlands by

the Minimal Nation maestro



R O B E R T   H O O D
(M-Plant, Detroit)



Steve Rachmad (M-Plant / Tresor)

Zero One (Djax-Up-Beats / Technoir)



Electronic Lounge - Hosted by Delsin Records:
Peel Seamus, The Newworldaquarian, Aroy Dee


Tickets: 25,- (ex. fee)
info  reservation: http://www.ekko.nl

presale at:
Verlaine, Utrecht / Plato, Utrecht /
Rushhour, Amsterdam / Clone, Rotterdam / Triple Vision, Rotterdam /
Rare Records, Eindhoven / Waaghals, Nijmegen

Only 350 tickets. So be wise, be early...


Ekko, Bemuurde Weerd wz 3, Utrecht NL



records for sale

2000-11-09 Thread Triet Nguyen

Sorry for the spam, but I have a list of records for sale. Mostly old
techno from 95-98.

http://vurt.20m.com/records.html 

Thanks!

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Re: [313] Ford and Atkins

2000-11-09 Thread Mark Freitas


Don't forget that the Ford web site was using Derrick May last year
in their Flash.

Anyhow I'd rather have No UFO's doing its magic to promote an
economy car like the Focus than say some monster Cayonero-type SUV.
And the three door Focus does kinda look like a spaceship...

At any rate it is hardly as ironic as other auto industry ad music choices:
- The Smiths used in a commercial that had text bragging about
how much leather was used in the seats (Morrissey is vegetarian).
- The Minutemen used in a commercial for some car I can't remember
(The irony being that D.Boon, the tune's co-author died when his tour
bus crashed).

mark




Re: [313] Opinions..

2000-11-09 Thread Cyclone Wehner

i also heard that sydney doesn't get that many tech acts -  and that was
from techione aka damc a sydney-sider

It's not just Sydney-siders, it's internationals as well. It may change in
time. Jeff Mills' gig in April was a sell-out on a Wednesday and one of the
best nights I have ever attended! It could be that he has transcended the
techno scene somehow. I think in Sydney there are cool pockets for house -
the Mad Racket parties are legendary - and it has some excellent DJs, too.
The techno scene in Melbourne is splintering along the neo-rave (younger,
more European-influenced) and neo-Detroit (US-influenced,
cross-generational, more club-based) crowd. I wonder if this has happened
elsewhere?

i don't know about a national mag, i always cringe when i see the word
dance specially in tech related discussions our local street press
seems to only devote 1 page to tech, and maybe 2 record reviews...

Actually there is quite a lot of techno in Adelaide's Onion considering that
it is bi-weekly? A lot more than you find comparatively in some UK
publications. The magazine put out a mix-CD with exclusive (I think) cuts
from HMC who it's always supported. The main thing is diversity.





Re: [313] New music format/EAR/Kevin Shields

2000-11-09 Thread Kao Jyan
Sonic Boom (aka Pete Kember from Spacemen3 and Spectrum) was the EAR
mastermind.
I believe Kevin participated in a few releases only.

Millenium Music is highly recommended.
And if you haven't checked out My Bloody Valentine, it is more ahead of it's
time than most (if not ALL) techno IMHO and i don't think anyone will ever
match it.

Please reply if you think anything else (especially techno) compares to MBV


E.A.R. (Expierimental Audio Research) was a strange ambient project from
Kevin Shield of My Blood Valentine once upon a time. Kinda spotty stuff.
Could this be related to hiim?

Tristan





RE: [313] Groovetech website

2000-11-09 Thread joe

I imagine it will get better eventually, but it will probably take a 
little while.  They've been working on this version for a really long time and
the launch was delayed several times.

The people involved are all really smart and creative, but like most
other e-projects it seems a bit understaffed and disorganized over there.

Interesting factoid: the lead buyer for Groovetech is Masa Tauchi,
DJ Masa who runs the minimal techno label 1200.  That's why their stock is so
good.

Groovetech resident,
J



Re: [313] New music format/EAR/Kevin Shields

2000-11-09 Thread Jorge Velez


And if you haven't checked out My Bloody Valentine, it is more ahead of 
it's

time than most (if not ALL) techno IMHO and i don't think anyone will ever
match it.




If you mean by match it that no one will ever be able to emulate the 
classic MBV sound - well, what would be the point? Any attempt to emulate a 
wholly unique work will just look/sound silly in the long run. Being 
influenced is a completely different matter, though.



Please reply if you think anything else (especially techno) compares to MBV



What's the criteria? Timelessness? Sonic adventurousness?
It could be many :  Derrick May's classic work , Autechre, Brian Wilson's 
work up to Smiley Smile, Sun Ra, Ar Kane's 69 ? Hell,

even Kid A comes close at times...




--+++---
SUN RUNNERS compilation on *ism records*
Out November 21.
Tracks by yours truly as DUERMO, Twilight Circus,
DJ Spinna, Swingsett/JWarrin and others. Check It.
-

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later...

2000-11-09 Thread Holly.C.MacDonald-Korth
well guys... this is my last day at work, and since i'm subbed with my work
account, i will be unsubbing until i am well ensconced in my new utah
home... so i will be off the normal airwaves for about 2 1/2 weeks...

for those of you who care, i can be reached at:

Holly C. MacDonald-Korth
3267 E 3300 So. #314
Salt Lake City, UT 84109-2246

[EMAIL PROTECTED]
(202) 270-8758 ... This is my cell that i plan to keep with a Washington
number.

peace,
h



Re: [313] Diehard Technoheads

2000-11-09 Thread FRED MCMURRY

They are one in the same...don't cut up the tree.

Fred



From: styles dr [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] Diehard Technoheads
Date: Wed, 8 Nov 2000 22:39:32 -0800 (PST)

Who are the die hard techno artists out there?
The one's that love techno and despise house. There
must be a few. I know there's still some die hards out
there who never liked house. Come on speak up.



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Re: [313] New music format

2000-11-09 Thread Kao Jyan
I forgot to mention  The Koner Experiment by EAR feat. Thomas Koner from
Porter Ricks.
This is also GREAT stuff.



I also have some kind of ambient like project from Thomas Krone under the
same name. Weird en strange ongoing soundscape kinda stuff

[EMAIL PROTECTED]




Re: [313] New music format/EAR/Kevin Shields

2000-11-09 Thread Kao Jyan
If you mean by match it that no one will ever be able to emulate the
classic MBV sound - well, what would be the point? Any attempt to emulate a
wholly unique work will just look/sound silly in the long run. Being
influenced is a completely different matter, though.

emulation does not really push music forward, but i would not complain if
another band released stuff that could be mistaken for MBV cause MBV
certainly aren't releasing anything and i think there is still a lot of
exploration to be done in that vein.
the deep chord stuff is a good example of some great music that isn't a
total replica, but it does continue and expand on the original (Basic
Channel) tradition.


Please reply if you think anything else (especially techno) compares to
MBV


What's the criteria? Timelessness? Sonic adventurousness?
It could be many :  Derrick May's classic work , Autechre, Brian Wilson's
work up to Smiley Smile, Sun Ra, Ar Kane's 69 ? Hell,
even Kid A comes close at times...


MBV hold a special place in my heart and no one (maybe not even MBV) can
live up to the pedestal i have put them on.

I should have said - Can anyone recommend some beautiful, ethereal techno in
the spirit of MBV

thanks
kao jyan









Re: [313] Diehard Technoheads

2000-11-09 Thread Nick Walsh
hmmm, I don't want to do a Darw_n and overanalyse this
but I don't think its right to split music into
genres... I dunno if anyone remembers the global scale
flame war that went on concerning what defines techno.
I think pretty much everyone on this list has a pretty
wide range of tastes... I know for sure that detroit
is just a word that I associate with music I like.
Peacefrog and Red Seal are two hugely contrasting
labels but they both put out techno... Don't pick on
house... I like house, okay? House is good... What did
house ever do to you?

bye,
Nick (Dj Pacific:)  
---FRED MCMURRY [EMAIL PROTECTED] wrote:  They
are one in the same...don't cut up the tree.
 
 Fred
 
 
 From: styles dr [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Subject: [313] Diehard Technoheads
 Date: Wed, 8 Nov 2000 22:39:32 -0800 (PST)
 
 Who are the die hard techno artists out there?
 The one's that love techno and despise house. There
 must be a few. I know there's still some die hards
 out
 there who never liked house. Come on speak up.
 
 
 
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Plus 8

2000-11-09 Thread rob webb

for anyone interested - Hawtin/Aquaviva video interview on NME's website.

http://www.nme.com/NME/External/Features/Features_Interview/0,1420,8923,00.html

ta



rob

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Re: [313] Ford and Atkins

2000-11-09 Thread lil' robbie
..atleast it probably wont be as europoppy or trancey as some of those 
oldsmobile alero commercials and some other poorly done attempts at using 
dance music to sell a car..
..i also think that its cool that they are using an older track by Atkins.. 
even though they are advertising a new product..

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RE: [313] Ford and Atkins

2000-11-09 Thread Peter B Leidy
hear where youre comin from - but i think with that sort of utopian
expectation from a heartless capitalist economy - you're bound for
disappointment.

this is pretty standard fare, the media not giving you the time of day
until you prove that people like you and youre not a huge risk for them.
in the long run i think it will help spread interest and knowledge in the
scene, but on the flip side,  will probably be another step in media
overexposure until the general public is sick of techno (or what they
percieve as techno as interpreted by capitalist media).

basically what happened when america ruined disco. BUT.. I have a little
more faith in todays advertising industry to at least use better music to
exploit (juan atkins- case in point). although the youth of today (the
advertising target) may not be entirely knowledgeable in electronic music,
i think they can tell the difference between a good song and a crap song.
look at all the recent commercials - volkswagen, ford, and some other car
place got the rights to incredible bongo band's apache. so hopefully
after the media does ruin techno, the stuff that people recognize will be
a step up from the village people.

ps - not saying that the media overkill of techno will be a bad thing- i
think the core of the techno industry will remain the same. basically a
self supporting industry that doesn't have much to do with the capitalist
economy at large. i think this was also the case with disco- there was
still great disco after america killed it, but it was just back in the
underground.

-p

On Thu, 9 Nov 2000, John Shipman wrote:

 i'm having a hard time swallowing this i guess, just can't really see it 
as
 a good thing. don't get me wrong i think it's wonderful for atkins himself,
 he deserves everything he gets and from what i've heard it's not a hack job
 on the tune but, at the same time it's a horrible shame that the man was not
 compensated for the importance of his music in the first place. to me it's
 just another example of a big corporation jumping on something way after the
 fact, stomping on something beautiful like a giant baby hewy and milking it
 for financial gain. maybe it will expose some people to the music that will
 be enriched by it and go on to learning more about it but, for every one of
 those people there are 100 mindless sheep that could care less about the
 tune or anything that is good art in general and why waste good a art on
 sheep? i believe the people who would appreciate it would have found it
 eventually anyway without the help of ford motor company. but what do i
 know?
 
  -Original Message-
  From:   Topping, Micah [SMTP:[EMAIL PROTECTED]
  Sent:   Thursday, November 09, 2000 9:04 AM
  To: 313@hyperreal.org
  Subject:RE: [313] Ford and Atkins
  
   I can't believe that there is actually a troll on this list! :-))
   Personally I think its a good thing that Ford decided to use 
   such a track
   for one of their ads. Like the Pirelli ad with a track by 
   Aphex. It kinda
   helps to spread the *word* no?
  i too think this is a wonderful thing.
  does anyone know if ford is going to state in the ad anywhere
  who the track is by or what the track is?
  I'm not sure if someone saw the ad, and liked the tune that they
  would know where to look to get more.
  
  -
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Re: [313] New music format

2000-11-09 Thread sk-1
Hi.

I'll second the Koner experiment (Andy Melwig also had a hand in the
project I believe)- Also a fascinating album is Data Rape- (Sonic Boom's
masterpiece as well.. done with the use of Speak and Spell toys)- This EAR
album blew my mind! Every sound seems to crawl all over you... tumbling
from within the body it forms... Man... Apparently he played at the Opera
House (TO) for this tour a few years back... I would love to hear a
reminiscent review if some lucky individual actually caught the show

Sarah

At 11:43 AM 11/9/2000 -0500, you wrote:
I forgot to mention  The Koner Experiment by EAR feat. Thomas Koner from
Porter Ricks.
This is also GREAT stuff.



I also have some kind of ambient like project from Thomas Krone under the
same name. Weird en strange ongoing soundscape kinda stuff

[EMAIL PROTECTED]



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.avoid clutter.appreciate techno.


Re: [313] New music format/EAR/Kevin Shields

2000-11-09 Thread tristan watkins
Let me apologize for getting this thread going. It is
not on-topic, and may have never been. 

Tristan 

--- Jorge Velez [EMAIL PROTECTED] wrote:
 
 And if you haven't checked out My Bloody Valentine,
 it is more ahead of 
 it's
 time than most (if not ALL) techno IMHO and i don't
 think anyone will ever
 match it.
 
 
 
 If you mean by match it that no one will ever be
 able to emulate the 
 classic MBV sound - well, what would be the point?
 Any attempt to emulate a 
 wholly unique work will just look/sound silly in the
 long run. Being 
 influenced is a completely different matter, though.
 
 Please reply if you think anything else (especially
 techno) compares to MBV
 
 
 What's the criteria? Timelessness? Sonic
 adventurousness?
 It could be many :  Derrick May's classic work ,
 Autechre, Brian Wilson's 
 work up to Smiley Smile, Sun Ra, Ar Kane's 69 ?
 Hell,
 even Kid A comes close at times...
 
 
 
 

--+++---
 SUN RUNNERS compilation on *ism records*
 Out November 21.
 Tracks by yours truly as DUERMO, Twilight Circus,
 DJ Spinna, Swingsett/JWarrin and others. Check It.
 -
 

_
 Get Your Private, Free E-mail from MSN Hotmail at
 http://www.hotmail.com.
 
 Share information about yourself, create your own
 public profile at 
 http://profiles.msn.com.
 
 

-
 To unsubscribe, e-mail:
 [EMAIL PROTECTED]
 For additional commands, e-mail:
 [EMAIL PROTECTED]
 


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Re: [313] Diehard Technoheads

2000-11-09 Thread darw_n
I am glad I have become an descriptive term!!!

;-]

darw_n

create, demonstrate, toneshift...
http://www.mp3.com/stations/clevelandunderground
http://www.mp3.com/darw_n
http://www.sphereproductions.com/topic/Darwin.html
http://www.mannequinodd.com

- Original Message - 
From: Nick Walsh [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, November 09, 2000 10:01 AM
Subject: Re: [313] Diehard Technoheads


 hmmm, I don't want to do a Darw_n and overanalyse this
 but I don't think its right to split music into
 genres... I dunno if anyone remembers the global scale
 flame war that went on concerning what defines techno.
 I think pretty much everyone on this list has a pretty
 wide range of tastes... I know for sure that detroit
 is just a word that I associate with music I like.
 Peacefrog and Red Seal are two hugely contrasting
 labels but they both put out techno... Don't pick on
 house... I like house, okay? House is good... What did
 house ever do to you?
 
 bye,
 Nick (Dj Pacific:)  
 ---FRED MCMURRY [EMAIL PROTECTED] wrote:  They
 are one in the same...don't cut up the tree.
  
  Fred
  
  
  From: styles dr [EMAIL PROTECTED]
  To: 313@hyperreal.org
  Subject: [313] Diehard Technoheads
  Date: Wed, 8 Nov 2000 22:39:32 -0800 (PST)
  
  Who are the die hard techno artists out there?
  The one's that love techno and despise house. There
  must be a few. I know there's still some die hards
  out
  there who never liked house. Come on speak up.
  
  
  
  __
  Do You Yahoo!?
  Thousands of Stores.  Millions of Products.  All in
  one Place.
  http://shopping.yahoo.com/
  
 
 -
  To unsubscribe, e-mail:
  [EMAIL PROTECTED]
  For additional commands, e-mail:
  [EMAIL PROTECTED]
  
  
 
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  Share information about yourself, create your own
  public profile at 
  http://profiles.msn.com.
  
  
 
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RE: [313] Ford and Atkins

2000-11-09 Thread John Shipman
hear where you're comin from - but i think with that sort of
utopian
expectation from a heartless capitalist economy - you're bound for
disappointment.
without a doubt your right, this is what you get in this society and
it won't end anytime soon. that's one of the reasons why it so upsetting to
me in the first place. i've always thought of the people involved in the
music to be intelligent enough to circumvent this whole entire system. who
needs them? with the technology and communication that is at eveyones
disposal, the big money has no power or at least not as much power as it had
back in the day. back when jazz got sold out, disco got sold out, punk got
sold out. i have too much respect for the artists now to think that this
will happen to them. they have learned from these lessons! the underground
will remain, temporary autonomous zone. never dies, just constantly morphs
to fight against evil  
 -Original Message-
 From: Peter B Leidy [SMTP:[EMAIL PROTECTED]
 Sent: Thursday, November 09, 2000 1:10 PM
 To:   John Shipman
 Cc:   'Topping, Micah'; 313@hyperreal.org
 Subject:  RE: [313] Ford and Atkins
 
 hear where youre comin from - but i think with that sort of utopian
 expectation from a heartless capitalist economy - you're bound for
 disappointment.
 
 this is pretty standard fare, the media not giving you the time of day
 until you prove that people like you and youre not a huge risk for them.
 in the long run i think it will help spread interest and knowledge in the
 scene, but on the flip side,  will probably be another step in media
 overexposure until the general public is sick of techno (or what they
 percieve as techno as interpreted by capitalist media).
 
 basically what happened when america ruined disco. BUT.. I have a little
 more faith in todays advertising industry to at least use better music to
 exploit (juan atkins- case in point). although the youth of today (the
 advertising target) may not be entirely knowledgeable in electronic music,
 i think they can tell the difference between a good song and a crap song.
 look at all the recent commercials - volkswagen, ford, and some other car
 place got the rights to incredible bongo band's apache. so hopefully
 after the media does ruin techno, the stuff that people recognize will be
 a step up from the village people.
 
 ps - not saying that the media overkill of techno will be a bad thing- i
 think the core of the techno industry will remain the same. basically a
 self supporting industry that doesn't have much to do with the capitalist
 economy at large. i think this was also the case with disco- there was
 still great disco after america killed it, but it was just back in the
 underground.
 
 -p
 
 On Thu, 9 Nov 2000, John Shipman wrote:
 
  i'm having a hard time swallowing this i guess, just can't really see it
 
 as
  a good thing. don't get me wrong i think it's wonderful for atkins
 himself,
  he deserves everything he gets and from what i've heard it's not a hack
 job
  on the tune but, at the same time it's a horrible shame that the man was
 not
  compensated for the importance of his music in the first place. to me
 it's
  just another example of a big corporation jumping on something way after
 the
  fact, stomping on something beautiful like a giant baby hewy and milking
 it
  for financial gain. maybe it will expose some people to the music that
 will
  be enriched by it and go on to learning more about it but, for every one
 of
  those people there are 100 mindless sheep that could care less about the
  tune or anything that is good art in general and why waste good a art on
  sheep? i believe the people who would appreciate it would have found it
  eventually anyway without the help of ford motor company. but what do i
  know?
  
   -Original Message-
   From: Topping, Micah [SMTP:[EMAIL PROTECTED]
   Sent: Thursday, November 09, 2000 9:04 AM
   To:   313@hyperreal.org
   Subject:  RE: [313] Ford and Atkins
   
I can't believe that there is actually a troll on this list! :-))
Personally I think its a good thing that Ford decided to use 
such a track
for one of their ads. Like the Pirelli ad with a track by 
Aphex. It kinda
helps to spread the *word* no?
   i too think this is a wonderful thing.
   does anyone know if ford is going to state in the ad anywhere
   who the track is by or what the track is?
   I'm not sure if someone saw the ad, and liked the tune that they
   would know where to look to get more.
   
   -
   To unsubscribe, e-mail: [EMAIL PROTECTED]
   For additional commands, e-mail: [EMAIL PROTECTED]
  
  -
  To unsubscribe, e-mail: [EMAIL PROTECTED]
  For additional commands, e-mail: [EMAIL PROTECTED]
  
  


RE: [313] Re: [Re: [313] Ford and Atkins]

2000-11-09 Thread FC3 Richards
i don't think it is related in any way other then the fact the music is
finally getting  respect in the city where it was created.  and i think what
makes both completely related is DEMF.  the city let something big like that
get pulled off and now the rest of Detroit is taking notice.  Thank
goodness.  just as long as radio doesn't overplay everything and completely
ruin it like it has in the past...
jeff

 -Original Message-
 From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED]
 Sent: Thursday, November 09, 2000 6:29 AM
 To:   313@hyperreal.org
 Subject:  [313] Re: [Re: [313] Ford and Atkins]
 
 Actually , I do recall reading in the News that Derrick May
 'scored'  sound track stuff for the Ford website and they
 actually have a bio as well.
 Would this be related to Genral Motors booking Dj Bone  to 
 'dj' their Detroit auto show 2000 In which the  new Hummer
 concept was brought out while Jaugar was playing.
 Much to the enjoyment of the UK/Euro press and leaving the
 locals not knowing whats going on
  
 [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 on 11/8/00 8:52 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote:
 
  As a sidenote, I'm really suprised that May, Atkins, etc. haven't done
  more commercial stuff.  As in stuff for commercials.  Movie
 soundtracks
  too
 
 Same old, same old.  It took Moby licensing all the tracks on Play for
 advertisers like Ford to decide there might be something behind this
 instrumental. technical, music... .
 
 Then the gates were open for jwt's hipster writers and AD's to propose
 some
 old school.  Good for them.  Too bad it took over 10 years.
 --
 There4IM
 
 
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RE: [313] Ford and Atkins

2000-11-09 Thread Peter B Leidy

 me in the first place. i've always thought of the people involved in the
 music to be intelligent enough to circumvent this whole entire system.
who
 needs them? with the technology and communication that is at eveyones
 disposal, the big money has no power or at least not as much power as it 
had


a lot of people can rationalize actions for money - i dont see juans track
in the ford commercial as selling out per se, but as more and more people
take similar deals, i'm sure a bit of the scene will cross-over into
mainstream culture. its hard to maintain a scene like this entirely
independant of the capitalist mainstream at large when youre still living
in that capitalist society. I dont want to be rich and famous, but I'd at
least like a reliable car, a decent pad, and some nice furniture, and i
know i'm not gonna get that from djing for free or selling 500 records.
thats why i have a day job. but for those that dedicate their entire life
to the scene- you either have to be willing to sacrifice a helluva lot
(i remember TP mentioning living in his car for a year or something), or
be willing to take the occasional deal from the mainstream industry.

i think the people at the heart of this scene are aware and discerning
enough that these sorts of decisions to be made will be made in the
interest of keeping the scene self-supported. it seems that most people
either have day jobs- or are very hard workers, and only give in to
mainstream publicity on fairly rare occurances. hooray for techno :)

ps- i know my views are very slanted to american culture- i've never even
been to europe- and theres a whole new can o' worms as mainstream and
dance culture are already intertwined over there, but i'm sure theres
still the 'real' underground that will stay true to itself w/in any
society thats heavily reliant on capitalism.. 

pps- sorry to those getting sick of this thread - but this is something i
think about a lot - the whole mainstream/underground dichotomy and how it
works - how they can get the most out of each other w/out the 
uncontrolable mainstream crushing the fragile underground scene. its a
rather complex matter and inevitably controls the much of the future for
the scene's existence as we know it. and i dont even make/sell records
(yet), i'm sure all you producers/store-owners/etc. are thinking about
this a lot more than i am (or at least you should be).

p



from Groovetech

2000-11-09 Thread Alex Hillinger
To the ladies and gentlemen of 313:

This is Alex at Groovetech. I've been up for about 40 hours straight now
so please bear with me, I'm not exactly thinking coherently.

I've read most of your feedbacks and you're coming in loud and clear.
I'm not going to try and answer each point, but please please please try
to be a little bit patient. We're experiencing a ton more traffic than
our servers are designed to handle, hence a lot of the slowness right
now. We're working on adding servers at this very minute but hardware
installation is not an instant process.

From a usability standpoint the site is very different than the old site
and does take some getting used to. When the speed issue is resolved I
think you'll find it a lot more powerful and usable than the old site
was. If things need to be tweaked, we will be on it - just give it a
chance to do what it's been designed to do. And keep the feedbacks
coming - it's the only way we know what you're thinking.

In regards to the log-in screen - if you don't want to register all you
have to do is click on the map. This tells us whether to present you
with inventory from the US warehouse or the UK warehouse - that is all.
Any other info is entirely voluntary and your decision to give.

As a final word - we changed the site because we had to. The old site
was beyond maxed out. We tried to make it as simple and intuitive to use
as possible. I know you want it to work perfectly, we do too.

Thanks,
Alex


Alex Hillinger
.
Groovetech





RE: [313] Ford and Atkins

2000-11-09 Thread John Shipman
agreednice pointsthis kind of reminds me of this quote from stewart
walker that i think hits the nail right on the head.

Maybe I'm bitter because I'm generationally stuck between the baby-boomers
and the N-sync having Gen-Y teens who have all the marketing power and
attention, and everybody my age basically just smokes weed and works an IT
job, and William Burroughs and Timothy Leary are dead, and nobody is really
qualified to be the countercultural visionary for the next 20 years. 



 -Original Message-
 From: Peter B Leidy [SMTP:[EMAIL PROTECTED]
 Sent: Thursday, November 09, 2000 2:36 PM
 To:   John Shipman
 Cc:   'Topping, Micah'; 313@hyperreal.org
 Subject:  RE: [313] Ford and Atkins
 
 
  me in the first place. i've always thought of the people involved in the
  music to be intelligent enough to circumvent this whole entire system.
 who
  needs them? with the technology and communication that is at eveyones
  disposal, the big money has no power or at least not as much power as it
 
 had
 
 
 a lot of people can rationalize actions for money - i dont see juans track
 in the ford commercial as selling out per se, but as more and more people
 take similar deals, i'm sure a bit of the scene will cross-over into
 mainstream culture. its hard to maintain a scene like this entirely
 independant of the capitalist mainstream at large when youre still living
 in that capitalist society. I dont want to be rich and famous, but I'd at
 least like a reliable car, a decent pad, and some nice furniture, and i
 know i'm not gonna get that from djing for free or selling 500 records.
 thats why i have a day job. but for those that dedicate their entire life
 to the scene- you either have to be willing to sacrifice a helluva lot
 (i remember TP mentioning living in his car for a year or something), or
 be willing to take the occasional deal from the mainstream industry.
 
 i think the people at the heart of this scene are aware and discerning
 enough that these sorts of decisions to be made will be made in the
 interest of keeping the scene self-supported. it seems that most people
 either have day jobs- or are very hard workers, and only give in to
 mainstream publicity on fairly rare occurances. hooray for techno :)
 
 ps- i know my views are very slanted to american culture- i've never even
 been to europe- and theres a whole new can o' worms as mainstream and
 dance culture are already intertwined over there, but i'm sure theres
 still the 'real' underground that will stay true to itself w/in any
 society thats heavily reliant on capitalism.. 
 
 pps- sorry to those getting sick of this thread - but this is something i
 think about a lot - the whole mainstream/underground dichotomy and how it
 works - how they can get the most out of each other w/out the 
 uncontrolable mainstream crushing the fragile underground scene. its a
 rather complex matter and inevitably controls the much of the future for
 the scene's existence as we know it. and i dont even make/sell records
 (yet), i'm sure all you producers/store-owners/etc. are thinking about
 this a lot more than i am (or at least you should be).
 
 p


That Pirelli ad track (was: Re: Ford and Atkins)

2000-11-09 Thread Greg Earle
Phonopsia wrote:
 I agree the Pirelli ad was cool.  At the time I think it gave Techno some
 credibility in the US mainstream.  I think that's a good thing.
 
 One thing that troubles me is that I can't think of any thirty seconds of No
 UFOs or pretty much any techno song that does justice to the whole thing.
 The Pirelli track was an original composition for the commercial if I'm not
 mistaken.

Newp.

It was taken from the Caustic Window (a.k.a. Aphex Twin) Joyrex J9ii 12 and it
reappears on the Caustic Window compilation CD (RePHLeX CAT 009 CD), which is
something I hope everyone on this list owns, since it contains some of the most
brutal, mind-blowing, life-changing Techno music ever released by mankind.

The track name is The Garden Of Linmiri.

- Greg (Who can't understand how anyone could object to wider exposure
for amazing tracks like No UFOs)




Re: [313] Ford and Atkins

2000-11-09 Thread Michael Kim

hey, now, race shouldn't play a part in this...

i think the real answer to that question is that Moby's music is the most 
accessible in comparison to others.  Bodyrock will appeal to a lot more 
people than, say, Strings of Life or something like that.  granted, Strings 
of Life is a million times better, but popular appeal is more important to 
them than true quality.




From: laura gavoor [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] Ford and Atkins
Date: Thu, 09 Nov 2000 15:55:50 GMT

Whyever would they choose a black musical innovator when there always a
white imitator like Moby??



From: [EMAIL PROTECTED] [EMAIL PROTECTED]
To: Lester Kenyatta Spence [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Ford and Atkins
Date: Wed, 08 Nov 2000 21:34:57 -0500

on 11/8/00 8:52 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote:

 As a sidenote, I'm really suprised that May, Atkins, etc. haven't done
 more commercial stuff.  As in stuff for commercials.  Movie
soundtracks
 too

Same old, same old.  It took Moby licensing all the tracks on Play for
advertisers like Ford to decide there might be something behind this
instrumental. technical, music... .

Then the gates were open for jwt's hipster writers and AD's to propose 
some

old school.  Good for them.  Too bad it took over 10 years.
--
There4IM


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Re: [313] Ford and Atkins

2000-11-09 Thread Michael Kim
kinda symbolic, i think.  symbolizes that techno is so far ahead of its 
time...


take care,
Mike



From: lil' robbie [EMAIL PROTECTED]
To: [EMAIL PROTECTED], [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Ford and Atkins
Date: Thu, 09 Nov 2000 13:06:52 EST

..atleast it probably wont be as europoppy or trancey as some of those
oldsmobile alero commercials and some other poorly done attempts at using
dance music to sell a car..
..i also think that its cool that they are using an older track by Atkins..
even though they are advertising a new product..
_
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Re: [313] Ford and Atkins

2000-11-09 Thread Cyclone Wehner
It shouldn't, but unfortunately it does. That is just the bleak reality of
the situation.

hey, now, race shouldn't play a part in this...


Re: [313] That Pirelli ad track (was: Re: Ford and Atkins)

2000-11-09 Thread Chrome3
 - Greg (Who can't understand how anyone could object to wider exposure
 for amazing tracks like No UFOs)

I like the Beach Boys, when I hear Good Vibrations I think of Orange
Crush.

I like David Bowie, when I hear Heroes I think of Microsoft. 

I like Galaxie 500, when I hear Instrumental I think of Japanese cars.

I like the Stooges, when I hear Search and Destroy I think of Nike
Air. 

I don't want to be hear Strings of Life and have a mental image of that
horrible little pepsi girl dancing at the club with Albert Einstein. :)

take care,
Mike


RE: [313] That Pirelli ad track (was: Re: Ford and Atkins)

2000-11-09 Thread John Shipman
greg, i think wider exposure good / wider exposure with ford logo bad. just
my opinion

 -Original Message-
 From: Greg Earle [SMTP:[EMAIL PROTECTED]
 Sent: Thursday, November 09, 2000 4:24 PM
 To:   313@hyperreal.org
 Cc:   [EMAIL PROTECTED]
 Subject:  [313] That Pirelli ad track (was: Re: Ford and Atkins)
 
 Phonopsia wrote:
  I agree the Pirelli ad was cool.  At the time I think it gave Techno
 some
  credibility in the US mainstream.  I think that's a good thing.
  
  One thing that troubles me is that I can't think of any thirty seconds
 of No
  UFOs or pretty much any techno song that does justice to the whole
 thing.
  The Pirelli track was an original composition for the commercial if I'm
 not
  mistaken.
 
 Newp.
 
 It was taken from the Caustic Window (a.k.a. Aphex Twin) Joyrex J9ii 12
 and it
 reappears on the Caustic Window compilation CD (RePHLeX CAT 009 CD), which
 is
 something I hope everyone on this list owns, since it contains some of the
 most
 brutal, mind-blowing, life-changing Techno music ever released by mankind.
 
 The track name is The Garden Of Linmiri.
 
   - Greg (Who can't understand how anyone could object to wider
 exposure
   for amazing tracks like No UFOs)
 
 
 
 -
 To unsubscribe, e-mail: [EMAIL PROTECTED]
 For additional commands, e-mail: [EMAIL PROTECTED]


RE: [313] Re: [Re: [313] Ford and Atkins]

2000-11-09 Thread Michael Kim
it might be a blessing in disguise, if current techno/house gets played out. 
 we might see a whole new bunch of underground styles from the true 
innovators if techno gets flooded with a bunch of media hyupe.


Mike



From: FC3 Richards [EMAIL PROTECTED]
To: '[EMAIL PROTECTED]' [EMAIL PROTECTED]
CC: '313@hyperreal.org' 313@hyperreal.org
Subject: RE: [313] Re: [Re: [313] Ford and Atkins]
Date: Thu, 9 Nov 2000 19:20:22 -0800

i don't think it is related in any way other then the fact the music is
finally getting  respect in the city where it was created.  and i think 
what
makes both completely related is DEMF.  the city let something big like 
that

get pulled off and now the rest of Detroit is taking notice.  Thank
goodness.  just as long as radio doesn't overplay everything and completely
ruin it like it has in the past...
jeff

 -Original Message-
 From:  [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED]
 Sent:  Thursday, November 09, 2000 6:29 AM
 To:313@hyperreal.org
 Subject:   [313] Re: [Re: [313] Ford and Atkins]

 Actually , I do recall reading in the News that Derrick May
 'scored'  sound track stuff for the Ford website and they
 actually have a bio as well.
 Would this be related to Genral Motors booking Dj Bone  to
 'dj' their Detroit auto show 2000 In which the  new Hummer
 concept was brought out while Jaugar was playing.
 Much to the enjoyment of the UK/Euro press and leaving the
 locals not knowing whats going on

 [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
 on 11/8/00 8:52 PM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote:

  As a sidenote, I'm really suprised that May, Atkins, etc. haven't done
  more commercial stuff.  As in stuff for commercials.  Movie
 soundtracks
  too

 Same old, same old.  It took Moby licensing all the tracks on Play for
 advertisers like Ford to decide there might be something behind this
 instrumental. technical, music... .

 Then the gates were open for jwt's hipster writers and AD's to propose
 some
 old school.  Good for them.  Too bad it took over 10 years.
 --
 There4IM


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Re: [313] Ford and Atkins

2000-11-09 Thread Cyclone Wehner

To my knowledge, most Planet E 12s are
not distributed outside the US, but some European
labels are stable enough to do this.

They are quite well distributed through Siren in Australia who have tried to
raise its profile and done very well - I wish other labels were this well
distributed. The market is small yet growing. A night with Common Factor and
Recloose sold out in advance on Tuesday night in Melb and the guys are
playing again this weekend, so that says something of its profile. In the US
it's quite political distributing records - there is so much politics and
expense involved. The chain stores make all kinds of demands of labels -
it's probably endemic throughout the world to an extent. This is why small
retailers are so important, they just need to get over their elitist
attitudes which put off girls and non-DJs and new listeners.




www.axisrecords.com

2000-11-09 Thread john sokolowski
FYI...

Mr. Mills has put up a 2.5 mix for our listening pleasure from his recent
Japan tour.

Cheers.