Re: Pentax digital news

2002-11-21 Thread Shaun Canning
The following is the translation of the web page using Babel Fish...

The .. with the goal of 2 years later, increases the research and 
development member of camera business in 300 - 450 people of current 1.5 
times. When the management resource is shifted to the digital camera, it 
judged reinforcement of the staff who takes charge of the development 
related to software is needed. With increase and the like, besides the 
fact that new product throwing interval of the digital camera, from 1 
year of present condition is shortened in approximately 6 months, to 
optical lens development and the like for the portable telephone the 
thought of making the business territory expand.

As for digital camera of the same company, other than compact camera  
.  series 3 type, total 4 type of  equipped binoculars    
1 type.

In the future, with the goal of next spring to the lens exchange type 
digital single-lens reflex camera the new entry and total 5 types 
efficient research and development is advanced to the base.

Development of the  although labor cost and development cost 
increase, raises profitability with business enlargement e.g., software 
development related to circuit and the electricity which are complicated 
becomes necessary.

On one hand, the CCD (the charge-coupled device) and the complementary 
metal oxide semiconductor (the CMOS) the policy of not adhering to the 
respective company development e.g., sort it purchases until recently.

As for sale ratio of the  which is occupied business in the whole 
camera approximately 60%. The same company sees, it expands to 85% even 
in next year, the APS which discontinues development (the new photograph 
system) from the camera and the film camera, shifts the management 
resource at  business, aims toward share enlargement.

Iren  Henry Chu wrote:
Dear all,

News from the Japan Industrial Journal Homepage on 22 November 2002:

http://www.jij.co.jp/news/car/art-20021028222428-NFNKSJDDPP.nwc

The major points are:
1. The RD staff for digital camera of Pentax will increase 150% to 
about 300-450 personnel.
2. The Pentax digital camera line-up will consist of 5 items: 3 optios, 
1 digibino and 1 d-slr
3. The life-cycle period for each digital cameras model will be reduced 
to 6 months from the current 1 year
4. The revenue ratio from digital cameras related sales will be 
increased from 60% to 85% of the total company revenue.

Due to my limited Japanese, I don't quite understand about the fifth 
paragraph related to the development of CCD and CMOS.  Any body here can 
help?

Regards,

Henry Chu
22 Nov 2002

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Phone: 0414-967644
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Re: Pentax digital news

2002-11-21 Thread Rob Studdert
On 22 Nov 2002 at 12:01, Iren  Henry Chu wrote:

 Due to my limited Japanese, I don't quite understand about the fifth 
 paragraph related to the development of CCD and CMOS.  Any body here can 
 help?

The translator seems to make little sense of it, hopefully it alludes to the 
fact that Pentax doesn't align its production with certain manufacturers (or 
technologies?) then they may adopt CMOS imaging technology.

This would be a great move as from what I have read of CMOS imager 
specification sheets they don't suffer light fall off at the edges so badly.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html




Re: Pentax digital news

2002-11-21 Thread Shaun Canning
yeah, this is what I sort of thought the article was alluding too. 
Basically, that Pentax would shop around for the right bits, rather than 
get tied up in a supplier deal.

.02

Cheers

Shaun

Rob Studdert wrote:
On 22 Nov 2002 at 12:01, Iren  Henry Chu wrote:



Due to my limited Japanese, I don't quite understand about the fifth 
paragraph related to the development of CCD and CMOS.  Any body here can 
help?


The translator seems to make little sense of it, hopefully it alludes to the 
fact that Pentax doesn't align its production with certain manufacturers (or 
technologies?) then they may adopt CMOS imaging technology.

This would be a great move as from what I have read of CMOS imager 
specification sheets they don't suffer light fall off at the edges so badly.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html




--
Shaun Canning
Cultural Heritage Services
High Street, Broadford,
Victoria, 3658.

Phone: 0414-967644
e-mail: [EMAIL PROTECTED]




Re: Pentax Digital NEWS! Part one

2001-10-27 Thread Michael Perham

IMHO for a high end digital SLR camera to sell in sufficient quantities 
to be viable, you have to crack the PJ market.  This is where this type 
of camera is most used and useful.  And, this is where Nikon and Canon rule.

As digital SLR camera's become more mainstream and start to replace 35 
mm, the market might be right for Pentax to enter...  but at this time I 
think they should concentrate on the PS market where Pentax does 
extremely well.  Their present Optio 330 and upcoming Optio 430 are good 
examples.

Cheers,  Mike.


Chaso DeChaso wrote:

Wasn't there a time when Pentax actually cared about
being a leader?  Are they now content with always
following (more and more distantly), at best offering
products close to the others and cheaper?  This would
be sad.  If they simply don't have the might to
compete against N and C* anymore, at least
they could do one thing really well - in the digital
realm, this could have been the full-frame CCD SLR.

Is Pentax to become the next Contax, who was fifteen
(or however many) years late with autofocus?  Maybe
Pentax will release a fantastic digital SLR in 2016
when almost nobody remembers who Pentax is. 
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RE: DOF and format size (was: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.)

2001-10-26 Thread Kent Gittings

I totally agree with your assessment of DOF.
In addition I think the perceived DOF of digital prints is as good as it is
possibly because as long as the DPI of the blowup is less than the eye can
perceive and lower than the pixel count of the original image the DOF
doesn't appear to shrink as the print gets larger. This maybe the reason 3-4
MP images looks so good in 8x10 blowups and why digital doesn't really have
to match the theoretical 32 MP performance of fine grain film. Something to
consider in the overall equation.
Be interesting to try this with a digitally scanned negative or positive
image and see if it holds as you get larger blowups compared to using an
enlarger on the original negative. Anybody want to do a report on this?
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Anthony Farr
Sent: Friday, October 26, 2001 1:10 AM
To: [EMAIL PROTECTED]
Subject: OT: DOF and format size (was: Re: Pentax Digital NEWS - FULL
STORY from AP 27th OCT.)


- Original Message -
From: dave o'brien [EMAIL PROTECTED]

(snip)

 DOF has to do with the focal length and the f-stop. Print
 magnification has nothing whatsoever to do with it.
 -

But print magnification has EVERYTHING to do with it.

Until now I have kept my silence WRT this subject but no more. Too
frequently anecdote and intuition have been been offered as
informed knowledge.  The facts follow.

The DOF concept  is based on the circles of confusion (COC) of the out
of focus part of a photograph being either smaller than the unaided eye
can appreciate, in which case the subject matter will seem acceptably
focussed, or large enough for the same unaided eye to see the
unsharpness of it.  Quite simply, when the enlargement factor of a print
is increased then the COC of nearly focussed areas will become larger
and will cross the threshold between small enough to pass as sharp and
large enough to be deemed unsharp.

Photographers who either criticise or praise different sized formats for
their DOF characteristics are correct only as long as the developed film
or a contact print (or 1:1 enlargement) is being viewed unmagnified.
Otherwise, a 22mm standard lens on a 110 camera will produce the same
DOF as will a 43mm lens on 35mm (the statistical standard lens), or a
75mm lens on 6x4.5cm, a 90mm lens on 6x7cm, or even a 320mm lens on
8x10in, as long as the shooting aperture is always the same and the
prints being judged are always the same size, and regardless of
differences in DOF of the unenlarged negatives.

WARNING: ANECDOTE AND SUPPOSITION FOLLOWS.

Digital cameras seem to bend theses rules somewhat because the imaging
chips have optical characteristics of their own to confuse the equation.
CCD pixels prefer to look straight ahead unlike film which easily
accepts exposing light from oblique angles (the apparently fatal
flaw of the full frame Philips chip proposed for the MZ-D).  That narrow
acceptance angle may lend CCD produced images more apparent DOF (my
guess anyway) the same way as the CCD array in a scanner has great DOF
even without a lens.  That's my ~theory~ anyway for the long DOF that
some list members have reported from their digicams.

BTW the DOF scale on lenses for 35mm cameras are more suited to viewing
as projections rather than as prints, and even when they're printed the
overwhelming majority are 4x6in minilab prints. PS 35mm and smaller or
low end digicams most often have small aperture wide angle lenses so
have greater inherent DOF to begin with.  Medium and large format
photographs almost always end up as prints for sale or for serious
scrutiny by serious amateurs.  It's no wonder that their DOF of  is more
critically judged.

Regards,
Anthony Farr
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RE: Pentax Digital NEWS! Part one

2001-10-26 Thread Kent Gittings

Actually except in the 60's they never had the might to challenge C or
N. Only their loyal momentum kept them up near the top. As it is they
are the leader still usually in PS so the Optio line looks like they have
begun to switch over to digital. In high end cameras they don't have the
infrastructure to compete with the top 2 who usually lose money on the pro
stuff and make it back on the rest by convincing people the quality is the
same as the pro stuff (which it is not). Being the smallest company and
without the resources of conglomerates behind them like the other 3 they
can't afford to pop up with pro cameras at will without knowing in advance
they can sell enough to make money. Remember the prime job of the camera is
something to hold the media up so the lens can form an image. And while both
Pentax and Minolta have excellent pro lenses neither makes enough models to
suit any of the pros I know personally. And the ones they do generally
require a long lead time because they are special order, or you have to find
them used. And the top 3rd party pro lines are made in Pentax (not as much
as Minolta however), but just try finding, for example, a used last
generation 500/4.5 Sigma in Pentax AF mount. Good luck with that.
So who is going to buy a high end 6MP Pentax 35mm lens digital camera for
around $7000? Certainly not the Pentax user who is using a PZ-1p/MZ-3/ZX-5n
as his primary camera. He'd have to sell everything including his lenses to
afford it.
It just happens in marketing that a company making a good product that
doesn't sell is in lots worse shape than one that doesn't make the product
at all. Besides I'm sure one of the secret marketing criteria was how many
MZ-S bodies they sold initially. If they can't sell their target with a
$1400 body how can they justify a $7000 body? Just coming out with a great
product like that is a sure way to go into the red and go under when you
can't sell enough and you don't have big pockets behind you. The others know
they have a ready market because of the investment in their pro glass most
high end users have, which Pentax and Minolta can't say. I applaud Minolta
for bringing out the Maxxum 9 and keeping at least one pro caliber body at
the top of their line. I'm also sure they aren't making that much on them
overall, especially with the Maxxum 7 out.
I think Pentax probably made the correct, although possibly less popular
decision in this case.
A cheaper body with less resolution that possibly costs only a few hundred
over an MZ-S is more likely to attract the Pentax loyalist to actually buy
one, instead of screaming about not paying $7000 for the other one. Nothing
Pentax and to a lesser extent Minolta brings out is going to convince a high
end Canon or Nikon shooter to switch to Pentax or Minolta unless their is
only one lens they use.
Unless Pentax decided to bring a body out that used Nikon or Canon lenses.
Unfortunately that would most likely sell better than one using their own
line simply because the potential buyer list is much larger.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Chaso DeChaso
Sent: Monday, October 22, 2001 4:00 PM
To: [EMAIL PROTECTED]
Subject: Pentax Digital NEWS! Part one


Wasn't there a time when Pentax actually cared about
being a leader?  Are they now content with always
following (more and more distantly), at best offering
products close to the others and cheaper?  This would
be sad.  If they simply don't have the might to
compete against N and C* anymore, at least
they could do one thing really well - in the digital
realm, this could have been the full-frame CCD SLR.

Is Pentax to become the next Contax, who was fifteen
(or however many) years late with autofocus?  Maybe
Pentax will release a fantastic digital SLR in 2016
when almost nobody remembers who Pentax is.

In any case, they really have to release something
serious soon or they'll be wiped off the map.  (I
don't care about digital products too much, I just
want them to stay in business so that they can make
lenses and film cameras for a while longer.)

Olympus seems to be a model of a company managing
their resources well and focusing on certain distinct
areas very wisely.

Pentax brand loyalty goes pretty far - the next couple
years may be a test of just how far.


Good point but if Pentax does We're no worse than
the
rest but it costs less ( we hope ).  [Brendan]
Make a great connection at Yahoo! Personals.
http://personals.yahoo.com
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-26 Thread aimcompute

I guess what I'm thinking is, there's a difference between interpolation and
a raw pixel.  Interpolation is still a *guesstimate* and in the end does not
really fill in *what* was missing.   It fills in *something*.  I don't think
their can be any substitute for raw pixel count.

Tom C.


- Original Message -
From: Isaac Crawford [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 8:55 PM
Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


 Patrick White wrote:
 
  aimcompute writes:
  I guess it makes sense.  Up to now. digital photography has never
really
  been about quality.
  I find the Fuji Super CCD technology somewhat of a joke.  You can't end
up
  with more raw material than you start with.

 The Nikon D1x uses interpolation in one direction (the width I believe)
 without any obvious problems.

 Isaac
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Re: Pentax Digital NEWS! Part one

2001-10-26 Thread PAUL STENQUIST

Chaso DeChaso wrote in regard to our favorite brand:
 
 I just
 want them to stay in business so that they can make
 lenses and film cameras for a while longer.)
 
Pentax has already made quite enough cameras and lenses to service my
needs until the day I die. And some very fine ones at that. I guess I
don't really give a hoot whether or not they continue to make new ones.
Paul
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RE: RE: Pentax Digital NEWS! Part one

2001-10-25 Thread Matamoros, Cesar A.

Thanks,

About a minute after I sent the message I decided to take my time
and check.

Thanks for your time,

César Matamoros II
Panama City, Florida


 -Original Message-
 From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED]]
 Sent: Wednesday, October 24, 2001 9:17 PM
 To:   [EMAIL PROTECTED]
 Subject:  Re: RE: Pentax Digital NEWS! Part one
 
 It's the very first 35mm SLR digital camera listed, right before the D30.
 
 The lenses that are compatable with it and accessories are followed on the
 
 pages in between, including the very pricey Contax AF 645 lenses.
 -
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RE: Pentax Digital NEWS! Part one

2001-10-25 Thread Matamoros, Cesar A.

 -Original Message-
 From: Juan J. Buhler [SMTP:[EMAIL PROTECTED]]
 Sent: Wednesday, October 24, 2001 1:56 PM
 To:   '[EMAIL PROTECTED]'
 Subject:  RE: Pentax Digital NEWS! Part one
 
 On Wed, 24 Oct 2001, Matamoros, Cesar A. wrote:
 
  Looking at the specifications - 
  
  Magnification  0.8x with 50-mm  lens set to infinity
  and -1.0 m(-1)
 
 So that *does* mean a tiny viewfinder. Keep in mind that not all the
 24x36 original frame is shown, so you start with a small image. Add
 that .8x magnification, and you get what, about 1/3 to 1/4 of the size
 of the MX viewfinder?
 
 Or am I still missing something?
 
 j
 
 --
 --
 -
  Juan J. Buhler | Sr. FX Animator @ PDI | Photos at http://www.jbuhler.com
 
 
Juan,

I just compared the viewfinder of the D1X with the one of an
F3HP.  The D1X makes you feel like you are looking into a tunnel.  The
viewfinder appears about 2/3 the size of the F3 if not smaller.

Switching around the different cameras that I do I guess I
would not notice as much.  Though now that I look at the D1X it is as if you
had the panorama switch set on a camera ;-)

César Matamoros II
Panama City, Florida
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-25 Thread Tom Rittenhouse

Actually, DOF has to do with nothing but magnification and the diameter of
the aperture. Everything else is just another way of expressing those
values.
--graywolf


- Original Message -
From: dave o'brien [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, October 25, 2001 11:29 AM
Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


 A scroll of mail from Francis Tang [EMAIL PROTECTED] on Tue,
 23 Oct 2001 14:15:08 +0100
 Read it? y
 I am curious about your comment about increased DOF with a smaller
 format.  I was always under the impression that we get more DOF with
 35mm over MF because the typical print magnification is less.  Am I
 missing something more subtle here?

 DOF has to do with the focal length and the f-stop. Print
 magnification has nothing whatsoever to do with it.
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OT: DOF and format size (was: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.)

2001-10-25 Thread Anthony Farr

- Original Message -
From: dave o'brien [EMAIL PROTECTED]

(snip)

 DOF has to do with the focal length and the f-stop. Print
 magnification has nothing whatsoever to do with it.
 -

But print magnification has EVERYTHING to do with it.

Until now I have kept my silence WRT this subject but no more. Too
frequently anecdote and intuition have been been offered as
informed knowledge.  The facts follow.

The DOF concept  is based on the circles of confusion (COC) of the out
of focus part of a photograph being either smaller than the unaided eye
can appreciate, in which case the subject matter will seem acceptably
focussed, or large enough for the same unaided eye to see the
unsharpness of it.  Quite simply, when the enlargement factor of a print
is increased then the COC of nearly focussed areas will become larger
and will cross the threshold between small enough to pass as sharp and
large enough to be deemed unsharp.

Photographers who either criticise or praise different sized formats for
their DOF characteristics are correct only as long as the developed film
or a contact print (or 1:1 enlargement) is being viewed unmagnified.
Otherwise, a 22mm standard lens on a 110 camera will produce the same
DOF as will a 43mm lens on 35mm (the statistical standard lens), or a
75mm lens on 6x4.5cm, a 90mm lens on 6x7cm, or even a 320mm lens on
8x10in, as long as the shooting aperture is always the same and the
prints being judged are always the same size, and regardless of
differences in DOF of the unenlarged negatives.

WARNING: ANECDOTE AND SUPPOSITION FOLLOWS.

Digital cameras seem to bend theses rules somewhat because the imaging
chips have optical characteristics of their own to confuse the equation.
CCD pixels prefer to look straight ahead unlike film which easily
accepts exposing light from oblique angles (the apparently fatal
flaw of the full frame Philips chip proposed for the MZ-D).  That narrow
acceptance angle may lend CCD produced images more apparent DOF (my
guess anyway) the same way as the CCD array in a scanner has great DOF
even without a lens.  That's my ~theory~ anyway for the long DOF that
some list members have reported from their digicams.

BTW the DOF scale on lenses for 35mm cameras are more suited to viewing
as projections rather than as prints, and even when they're printed the
overwhelming majority are 4x6in minilab prints. PS 35mm and smaller or
low end digicams most often have small aperture wide angle lenses so
have greater inherent DOF to begin with.  Medium and large format
photographs almost always end up as prints for sale or for serious
scrutiny by serious amateurs.  It's no wonder that their DOF of  is more
critically judged.

Regards,
Anthony Farr
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RE: Pentax Digital NEWS! Part one

2001-10-24 Thread Jan van Wijk

On Tue, 23 Oct 2001 15:12:58 -0700 (PDT), Juan J. Buhler wrote:


Ouch. That means a *really* tiny viewfinder then...

No, not really, that depends on magnification factor in the viewfinder 
optical system just as much as the actual covered area itself.

Regards, Jan van Wijk


-
Jan van Wijk;   www.fsys.demon.nl
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RE: Pentax Digital NEWS! Part one

2001-10-24 Thread Matamoros, Cesar A.

 -Original Message-
 From: Mark Roberts [SMTP:[EMAIL PROTECTED]]
 Sent: Tuesday, October 23, 2001 7:27 PM
 To:   [EMAIL PROTECTED]
 Subject:  Re: Pentax Digital NEWS! Part one
 
 Juan J. Buhler [EMAIL PROTECTED] wrote:
 
 On Tue, 23 Oct 2001, Matamoros, Cesar A. wrote:
 
 We received our Nikon D1H and D1X yesterday afternoon.  I
  will begin playing with them today.
  
 The manual states that the viewfinder shows 96% of the frame
  recorded. 
 
 Ouch. That means a *really* tiny viewfinder then...
 
 No, I think perhaps you're confusing image coverage with image
 magnification.
 96% coverage (which is what's being discussed here) just means that 4% of
 what's
 recorded by the CCD will be cropped from the view in the viewfinder. The
 remaining 96% can be *magnified* (or reduced or presented life size).
 
 
 -- 
 Mark Roberts
 www.robertstech.com
 
Looking at the specifications - 

Magnification  0.8x with 50-mm  lens set to infinity
and -1.0 m(-1)

César Matamoros II
Panama City, Florida
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RE: Pentax Digital NEWS! Part one

2001-10-24 Thread Juan J. Buhler

On Wed, 24 Oct 2001, Matamoros, Cesar A. wrote:

   Looking at the specifications - 
 
   Magnification  0.8x with 50-mm  lens set to infinity
 and -1.0 m(-1)

So that *does* mean a tiny viewfinder. Keep in mind that not all the
24x36 original frame is shown, so you start with a small image. Add
that .8x magnification, and you get what, about 1/3 to 1/4 of the size
of the MX viewfinder?

Or am I still missing something?

j

--
---
 Juan J. Buhler | Sr. FX Animator @ PDI | Photos at http://www.jbuhler.com
---
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread aimcompute

- Original Message -
From: Rob Studdert [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 4:13 PM
Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


 On 22 Oct 2001, at 14:07, aimcompute wrote:

  When we
  get down to it, it's not the size of the 35mm frame that renders a high
quality
  photo or not (stating the obvious... sorry).  It's the overall quality
of the
  lenses and recording device, regardless of the dimensions of the frame
size.
  Certainly a CCD of higher density is overall more important than it's
  dimensions.

Rob wrote:

  Certainly is not, what do you reckon the quality of a 6MP CCD of 2mm x
 3mm dimension would be?

Tom Says:

Well I'm sure you're correct and I was technically vague.  I was speaking
more to the desire that a CCD be particular x dimension by y dimenson, than
I was small vs. large.
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread aimcompute

Hey... now that's the spirit!

Tom C.
 
- Original Message - 
From: Aaron Reynolds [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 7:17 PM
Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


 Bah, I'll never buy it until they make a full size 6x7 sensor on a body 
 that takes my 67 lenses! ;)
 
 If the price were right, I'd consider a smaller-than-35mm sensor body 
 that took my existing lenses, provided that it was as 
 backwards-compatible as the MZ-S -- I want to be able to use my 67 
 lenses on it with an adaptor.
 
 -Aaron
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Re: Pentax Digital news

2001-10-23 Thread Camdir

In a message dated 22/10/01 19:35:56 GMT Daylight Time, 
[EMAIL PROTECTED] writes:

 Does anyone think that someone from Pentax reads this list!!!???
 
 Can I place my order right now?
  
 As I recall, when the list was hosted by the Pentax site, someone from 
Pentax did keep an ear to the ground.

Kind regards

Peter
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread Mark Roberts

Mike Johnston [EMAIL PROTECTED] wrote:

Mark wrote:

 This sudden change, whatever the rationale, is inexcusable. Yes, digital
 technology is advancing at a tremendous rate and the market for it isn't
 stable. But in October of 2001 they can't really expect me to believe that
 this is NEWS to them and that it's taken them by surprise.

While I sympathize with you, Mark, I don't think I agree...if you're getting
a complex cutting-edge electronic product from a subcontractor, and the
subcontractor runs into unexpected problems and delays, what are you going
to do? You can't very well will a product to market that you can't bring
to market. 

Ah, you're assuming it's delays in availability of parts from the subcontractors
driving this. I was assuming that they were telling the truth and had *decided*
to halt or push back development of the digital SLR because the market's moving
too fast.

I believe you may be right.

-- 
Mark Roberts
www.robertstech.com
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Re: Pentax Digital news

2001-10-23 Thread lbparis

Yeah, they used to read the list then.  They kicked us out
because they were afraid that the things we were saying might be
mistaken as official Pentax views.  They probably didn't want
to spend money in the courts, either, trying to defend the
indefensible.

Len
---

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, October 23, 2001 5:23 AM
Subject: Re: Pentax Digital news


 In a message dated 22/10/01 19:35:56 GMT Daylight Time,
 [EMAIL PROTECTED] writes:

  Does anyone think that someone from Pentax reads this
list!!!???

  Can I place my order right now?
   
  As I recall, when the list was hosted by the Pentax site,
someone from
 Pentax did keep an ear to the ground.

 Kind regards

 Peter
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread John Coyle

The Acer Scanwit ain't bad if you ensure the particular one you get does focus 
accurately (I had to return the first example I had).  The included software 
(Mira, in Australia) is reasonably competent and fast, and the only problem 
scans I have had so far have been with very old and thin colour slides.  The 
software attempted to correct the density and cocked it up completely.
No problems installing and running, and it does both 24-bit and 36-bit colour 
density.

HTH

John Coyle
Brisbane, Australia


On Tuesday, October 23, 2001 2:41 PM, Doug Franklin 
[SMTP:[EMAIL PROTECTED]] wrote:
 On Tue, 23 Oct 2001 12:49:30 +1000, Rob Studdert wrote:
SNIP

 PS. My latest field experience has pushed me over the edge.  I'm going
 to get a film scanner and give up getting prints of my film.  I've
 looked at the HP Photo Smart, the Canon CanoScan 2720, the Acer ScanWit
 2700, and the Polaroid SprintScan 4000.  With the rebate that
 Polaroid's running, they're about the same total cost.  Can any of you
 give a thumbs up or down on any of these?  Or others?
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Matamoros, Cesar A.

 -Original Message-
 From: Juan J. Buhler [SMTP:[EMAIL PROTECTED]]
 Sent: Monday, October 22, 2001 5:23 PM
 Subject:  RE: Pentax Digital NEWS! Part one
 
 On Mon, 22 Oct 2001, John Francis wrote:
 
  Longer, effectively.  The lens produces an image of exactly
  the same size, but only the central portion of that image
  falls on the digital sensor.  The effect is exactly the same
  as taking the central portion of a 35mm negative and using that
  to produce a standard print.
 
 One interesting possibility would be to still have a full viewfinder,
 with framelines, so you can see outside of the frame, as in a
 rangefinder. Anyone know if this is the way the Canon and Nikon bodies
 are designed?
 
 j
 
 --
 --
 -
  Juan J. Buhler | Sr. FX Animator @ PDI | Photos at http://www.jbuhler.com
 --
 -
 -
 Juan,

We received our Nikon D1H and D1X yesterday afternoon.  I
will begin playing with them today.

The manual states that the viewfinder shows 96% of the frame
recorded. 

César Matamoros II
Panama City, Florida
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Kent Gittings

Well one problem is that, at least right now, a 6MP camera in a 35mm capable
body will be perceived as a professional camera with all the pros and cons
that means for the company bringing it out. Not to mention that the top of
the market is going to be very fluid when it comes to pixel counts and
features. And to be honest Pentax has aimed more for the top of the amateur
or semi-pro market for several years because you have to provide logistic
support for your cameras if you want to compete and sell at the top of the
heap. By aiming a digital more at the PZ-1p/MX-S level you can produce a
camera with the kind of advance features you want without having to get into
the pixel count race and without having to provide professional services
which you don't currently have.
Minolta has found out the pitfalls of this when they brought out the Maxxum
9. They can't afford to have mobile support services like Canon and Nikon so
they provide the kind of 2nd tier service that gets you fast turnaround when
you have a problem. But that's it.
Just remember that a digital body as an add-on to a 35mm system camera could
get by with 3-4 MP easily at a price that would compete with cameras like
the E-10 and Dimage 7. Frankly I'd take a 35mm lens capable body with 3.5 MP
over a permanent lens camera with over 5 MP. In fact most of the higher end
Minolta users feel the same way. We'd all like a camera with a full size CCD
array but if it's going to cost $5K-$7k I'd take something less that fit my
lenses in the 3-4 MP range. Doesn't seem to bother the Canon/Nikon guys
because the important thing is you get to use the lenses you want. You'd
have about the same pixel count as a D30 or D1, but you could make it in the
price range of your target consumer, somewhere in the range of the MZ-S. In
fact a 3 MP with interpolation to 6MP would be good, like the Fuji, while
saving a significant cost over a full 6 MP camera.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of aimcompute
Sent: Monday, October 22, 2001 2:03 PM
To: [EMAIL PROTECTED]
Subject: Re: Pentax Digital NEWS! Part one


Bruce wrote:

 My concern is if you are going to do no better than the competition, and
 they are more entrenched, how are you going to compete.  The motto We're
no
 worse than the rest comes to mind.

Agreed.  I guess all they want to do is have some offering, no matter what.


 A full frame CCD was, IMHO, one of the big differences between the Pentax
 and a D30 or D1.  Pentax may be able to sell a lesser model to some of us,
 but it will *not* lure Canon and Nikon users away.  You don't really gain
 any market share.  At best, you may hang on to what you have.  But it
seems
 that you are sending the same old signal, we will not compete.


Probably a dumb question, but I'll ask it anyway.

I think I understand that a perceived advantage to using a full frame CCD
was that the CCD captures the entire scene entering the camera thru the
lens.  Is this correct?

It seems to me that the real issue is, do I like the results I get... does
the captured scene match my vision through the viewfinder.  Does the frame
size really matter that much?

Tom C.
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Re: Pentax Digital news

2001-10-23 Thread Aaron Reynolds

On Tuesday, October 23, 2001, at 06:48  AM, lbparis wrote:

 Yeah, they used to read the list then.  They kicked us out
 because they were afraid that the things we were saying might be
 mistaken as official Pentax views.

I believe, at the time, we were also in the midst of a Kirkland/Mafud 
(or maybe it was Gregory/the who)  flameup that had become pretty 
nasty.  I don't blame 'em.

I'm certain that certain Pentax people still monitor the list.  Why 
wouldn't they?  It's a free source of perfectly-targeted demographic 
research material.  They'd be insane not to.

-Aaron
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Re: Pentax Digital NEWS! Part one

2001-10-23 Thread Aaron Reynolds

On Tuesday, October 23, 2001, at 02:23  AM, Rob Studdert wrote:
 Can't say that I'm too fussed on the mechanical build and function of 
 the
 SS4000, also the Polaroid software is just pathetic, I would really be 
 looking
 at the new Nikons if I were you. Pssst want to buy a SS4000 cheap :-)

I never had any issues with my SS4000...of course, I only used it for 
about a year before I  took the plunge and bought an SS120.  Yes, the 
Polacolor Insight software is clunky, and yes, sometimes the poor thing 
can't figure out what carrier you have loaded, but the SS4000 does make 
a great scan.  Thank God the SS120 came with SilverFast, though.

What are the resolutions and d-maxes of the others?  4000 dpi is a joy 
to work with, especially for bigger prints.

By the way, if anyone in the Toronto/Oakville/Mississauga area wants to 
see what a 20x30 inch print from a 4000dpi scan (from the SprintScan 
120) of a 6x7 Provia 100F transparency looks like, there's one up on the 
wall now at the store.  The detail is just phenomenal...not that I 
needed the assurance, but this print shows me that I really did make the 
right decision when I bought this stuff. ;)

When I think about it, the $4000 CDN that the SprintScan 120 cost was 
really a bargain compared to the estimated $10,000 CDN that the 6mp 
full-frame CCD Pentax digital would have cost.  I can process a lot of 
film for $6000, and the final result, when printed big, is most 
certainly superior.

By the way, anyone looking at an SS120, please note that if you have 
anything less than 500 megs of RAM, you'll scream and tear your hair out 
trying to manipulate a full-sized 48-bit scan (for reasons too complex 
to get into, I was down to 384 megs of RAM for about a week, and lemme 
tell you, it sucked.  Good news is that RAM is cheap -- the computer 
store next door has 256 sticks for $55 CDN -- and now I'm running north 
of 700 megs, which is much nicer).

-Aaron
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread Francis Tang

Dear Mike,

On Mon, Oct 22, 2001 at 02:37:11PM -0500, Mike Johnston wrote:
 P.S. I have to say that I'm totally NOT sold on the idea that a full-size
 sensor (meaning 35mm size, 24mm x 36mm) is a good idea. I'm really not sure
 it is. A smaller sensor size is really a great advantage: it means lenses
 can be significantly smaller and lighter and significantly faster, and depth
 of field can be greater for a given angle of view. All these are true
 advantages. I suspect that 24 x 36mm sensors will prove to be an
 evolutionary dead end in the long run. Right now we think we want this
 because it conforms to the old standards. But once digital shakes free of
 35mm conventions, the smaller CCD size will seem like just one more natural
 advantage of digital.

I am curious about your comment about increased DOF with a smaller
format.  I was always under the impression that we get more DOF with
35mm over MF because the typical print magnification is less.  Am I
missing something more subtle here?

Yours sincrely,

Frank.

-- 
Francis Tang, Postgraduate Research Student.
LFCS, Div. of Informatics, Uni. of Edinburgh, EH9 3JZ, UK.
Tel: +44 131 6505185.  Fax: +44 131 6677209.  Office: 1603, JCMB, KB.
Email: [EMAIL PROTECTED] WWW: http://www.dcs.ed.ac.uk/home/fhlt/
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Mick Maguire

Here's a thought:

surely the only reason that the 3MP camera would not be full frame is the
distance of the sensor array from the lens. If when designing the 3MP camera
the array were place closer to the lens then surely full frame would be
achieved. Wouldn't this solve the lens issue, (if not the resolution). I
accept that this could mean major design issues such as mirror positioning
and a different distance to the focusing screen, but if you are designing
the camera from scratch, this may not be such a problem. As I said just a
thought and perhaps I haven't thought it through enough...


Regards,
/\/\ick...

++
||
 __/)   Mick Maguire |
|   Email: [EMAIL PROTECTED]  |
(_/)  ICQ: 48609010  |
 \/  |
  \  /---+
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RE: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread Rob Brigham

MF print magnification is less than 35mm, so that cant be the reason...

 -Original Message-
 From: Francis Tang [mailto:[EMAIL PROTECTED]]
 Sent: 23 October 2001 14:15
 To: [EMAIL PROTECTED]
 Subject: Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.
 
 
 Dear Mike,
 
 On Mon, Oct 22, 2001 at 02:37:11PM -0500, Mike Johnston wrote:
  P.S. I have to say that I'm totally NOT sold on the idea 
 that a full-size
  sensor (meaning 35mm size, 24mm x 36mm) is a good idea. I'm 
 really not sure
  it is. A smaller sensor size is really a great advantage: 
 it means lenses
  can be significantly smaller and lighter and significantly 
 faster, and depth
  of field can be greater for a given angle of view. All 
 these are true
  advantages. I suspect that 24 x 36mm sensors will prove to be an
  evolutionary dead end in the long run. Right now we think 
 we want this
  because it conforms to the old standards. But once digital 
 shakes free of
  35mm conventions, the smaller CCD size will seem like just 
 one more natural
  advantage of digital.
 
 I am curious about your comment about increased DOF with a smaller
 format.  I was always under the impression that we get more DOF with
 35mm over MF because the typical print magnification is less.  Am I
 missing something more subtle here?
 
 Yours sincrely,
 
 Frank.
 
 -- 
 Francis Tang, Postgraduate Research Student.
 LFCS, Div. of Informatics, Uni. of Edinburgh, EH9 3JZ, UK.
 Tel: +44 131 6505185.  Fax: +44 131 6677209.  Office: 1603, JCMB, KB.
 Email: [EMAIL PROTECTED] WWW: 
http://www.dcs.ed.ac.uk/home/fhlt/
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Re: Pentax Digital NEWS! Part one

2001-10-23 Thread Eric Lawton

I believe that (some of?)the Fuji cameras use a non-rectangular array of 
sensors (heaxagonal/honeycomb pattern maybe?).  This requires them to re-map 
(interpolate) the data from the sensors to a rectangular pixel pattern.

Eric

From: Doug Franklin [EMAIL PROTECTED]

On Mon, 22 Oct 2001 11:43:01 -0700, Shel Belinkoff wrote:


  Also, how does Fuji (?) get 6mp from a CCD that is only rated at 3mp?
  Doesn't that screw with quality, especially with larger prints?

Interpolation. The same low-budget method used by a flatbed scanner
with 600 dpi optical resolution to get 9600 dpi resolution in software.
  It takes the 600 dpi image (or 3mp image) and figures out what ought
to be between the large pixels it has to get the small pixels it
wants.

For example, say you're interpolating from 100 dpi to 200 dpi. That
means that for each pixel you have, you need to create three more, for
a total of four, because four 200 dpi pixels fit underneath each 100
dpi pixel.



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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Rob Brigham

Trouble is - you would lose either infinity focus or close focus, as
your sensor is no longer mounted on the normal plane of focus.

 -Original Message-
 From: Mick Maguire [mailto:[EMAIL PROTECTED]]
 Sent: 23 October 2001 14:26
 To: [EMAIL PROTECTED]
 Subject: RE: Pentax Digital NEWS! Part one
 
 
 Here's a thought:
 
 surely the only reason that the 3MP camera would not be full 
 frame is the
 distance of the sensor array from the lens. If when designing 
 the 3MP camera
 the array were place closer to the lens then surely full 
 frame would be
 achieved. Wouldn't this solve the lens issue, (if not the 
 resolution). I
 accept that this could mean major design issues such as 
 mirror positioning
 and a different distance to the focusing screen, but if you 
 are designing
 the camera from scratch, this may not be such a problem. As I 
 said just a
 thought and perhaps I haven't thought it through enough...
 
 
 Regards,
 /\/\ick...
 
 ++
 ||
  __/)   Mick Maguire |
 |   Email: [EMAIL PROTECTED]  |
 (_/)  ICQ: 48609010  |
  \/  |
   \  /---+
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Kent Gittings

You have to remember that with the smaller CCD array you basically cut out
any edge distortion the lens may have. This is a bonus especially with wide
angle lenses. I think this was the reason Sigma brought out the 15-30 EX
zoom. However the multiplication ratio of these cameras vary some because
some ,like the Nikon D1 series, comes in bodies with 2 different arrays with
different sizes and therefore different multiplication ratios. Most fall in
the 1.2-1.5 range.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Matamoros, Cesar A.
Sent: Monday, October 22, 2001 3:09 PM
To: '[EMAIL PROTECTED]'
Subject: RE: Pentax Digital NEWS! Part one


The 'magnification' factor is one of the reasons I have not truly
looked at a digital SLR.  I have started to enjoy wide angle shooting and
would not relish having to get a 17mm to get a 25mm.  And I have heard of
the problems with distortion with the 17mms.  People have corrected this
with photo s/w but again something I do not relish doing.

Another aspect of the 'magnification' factor is that with only the
central part of the lens being used people have been finding they have to
really watch the shutter speed as any motion is more noticeable since the
image is enlarged more to get the same size image as with a non-digital SLR.
Though people point out that you are using the 'sweet spot' of lenses if you
are not using toward the edges.

By the end of next month I should have the possibility to begin
spending some time with a Nikon D1x and D1H here at work.  I am still
looking at Pentax since most of my lenses are in that system and I love the
glass I have.

César Matamoros II
Panama City, Florida


 -Original Message-
 From: Bruce Dayton [SMTP:[EMAIL PROTECTED]]
 Sent: Monday, October 22, 2001 2:54 PM
 To:   [EMAIL PROTECTED]
 Subject:  Re: Pentax Digital NEWS! Part one

 Currently, no SLR on the shelf from Nikon or Canon has a full frame CCD.
 Telephoto lenses are also multiplied.  If you shoot lots of telephoto,
 this
 could be an advantage.  The point I was making was that part of the reason
 to use Pentax is that I already have the lenses.  But if the CCD isn't
 full
 frame, then I will have to do some changes on the wide end.  If I am going
 to make changes, it gives me more reason to look seriously at the
 competition.

 Bruce Dayton

 - Original Message -
 From: Shel Belinkoff [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 11:43 AM
 Subject: Re: Pentax Digital NEWS! Part one


  Do other quality digital cameras offer FF CCD that can be used with the
  lenses from their SLRs?  What happens with a telephoto lens - is, for
  example, a 300mm lens longer or shorter when used with a less than FF
  CCD?
 
  Also, how does Fuji (?) get 6mp from a CCD that is only rated at 3mp?
  Doesn't that screw with quality, especially with larger prints?
 
  Bruce Dayton wrote:
  
   The big advantage to a full frame CCD is that our existing wide angle
 lenses
   will remain as such.  Nothing quite so exciting as having your 20mm
 behave
   like it was a 35mm.  So, if I have to buy some new lenses (I like
 wides),
   then why buy Pentax.  It seems to me, that lens compatibility with my
   *existing* lenses is a big reason to consider a digital Pentax.
  
   So now I look at a company who appears not to want to compete in this
 arena
   coupled with me having to revamp part of my system.  Sure pushes me to
 want
   to look at competitors who are competing and providing equipment at a
 much
   faster rate.
 
  --
  Shel Belinkoff
  mailto:[EMAIL PROTECTED]
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Rob Brigham

You know the real people who seem to be benefitting from this digital
whatnot are Sigma.  This is all due to the smaller sensors.  Apparently
none of the camera manufacturers make any money out of the bodies, but
Sigma sell s**tloads of wide angle lenses now.

I keep reading user reviews which say they couldnt afford the OEM
version, but the Sigma is great.  They dont have the development costs
for doing anything digitalwise, they just make cheap wide angles and
super wide angles which people need.  The OEM versions are soo expensive
that the manufacturers MUST be losing lens business as well as not
making enough money on the bodies to cover the development costs.

If pentax brings out a 'non-full-frame' digital SLR, how many people
will be buying the Sigma 15mm, or the 17-35mm, or the 15.30mm?  PEntax
is either too expensive or they dont have a wide enough competitor, so
they will lose lens sales.  For this reason I think they should have
waited until they could do full frame.  I want an FA24/2, but I am not
spending that much for what will be a 35mm equivalent!!

Never mind the number of pixels (to a degree), BUT GIVE US FULL FRAME!!!
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RE: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-23 Thread Kent Gittings

Correct. The chip technology itself is always changing which generally
requires totally different technology around it to make it work. For
sharpness CCD chips are going from front illumination to rear illumination
because it eliminates the illumination hardware in front of the CCD pixel
which the light has to filter through. However rear illumination has its own
physical difficulties because to reach the same light recording levels the
separation of the light has to be as little as possible, meaning the CCD
array needs to be only around 10 microns thick.
The only upgrades I've seen for CCD hardware is in the design and
manufacture of a new version of the same chip array with some new
performance like increased sensitivity to various light levels and reduced
noise. Like going from the regular to the Kodak E CCD chips.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mike Johnston
Sent: Tuesday, October 23, 2001 1:40 AM
To: [EMAIL PROTECTED]
Subject: RE: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


Frits wrote:

 If the one that we already saw is upgradable, would it be possible it
would
 hit the market with a smaller CCD to begin with? That might be an
 interesting upgrade path.

The possibility of an earlier camera being upgradeable is very close to
zero.

--Mike
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Kent Gittings

Also the focus ability of the lens depends on the registration distance to
the film plane. All the lenses would no longer focus at the normal ranges.
Kent Gittings
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Mick Maguire
Sent: Tuesday, October 23, 2001 9:26 AM
To: [EMAIL PROTECTED]
Subject: RE: Pentax Digital NEWS! Part one


Here's a thought:

surely the only reason that the 3MP camera would not be full frame is the
distance of the sensor array from the lens. If when designing the 3MP camera
the array were place closer to the lens then surely full frame would be
achieved. Wouldn't this solve the lens issue, (if not the resolution). I
accept that this could mean major design issues such as mirror positioning
and a different distance to the focusing screen, but if you are designing
the camera from scratch, this may not be such a problem. As I said just a
thought and perhaps I haven't thought it through enough...


Regards,
/\/\ick...

++
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 __/)   Mick Maguire |
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 \/  |
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RE: Pentax Digital NEWS! Part one

2001-10-23 Thread Juan J. Buhler

On Tue, 23 Oct 2001, Matamoros, Cesar A. wrote:

   We received our Nikon D1H and D1X yesterday afternoon.  I
 will begin playing with them today.
 
   The manual states that the viewfinder shows 96% of the frame
 recorded. 

Ouch. That means a *really* tiny viewfinder then...

j

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Re: Pentax Digital NEWS! Part one

2001-10-23 Thread Tom Rittenhouse

You forgot the small matter of focus. :)
--graywolf


- Original Message -
From: Mick Maguire [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, October 23, 2001 9:25 AM
Subject: RE: Pentax Digital NEWS! Part one


 Here's a thought:

 surely the only reason that the 3MP camera would not be full frame is
the
 distance of the sensor array from the lens. If when designing the 3MP
camera
 the array were place closer to the lens then surely full frame would be
 achieved. Wouldn't this solve the lens issue, (if not the resolution). I
 accept that this could mean major design issues such as mirror positioning
 and a different distance to the focusing screen, but if you are designing
 the camera from scratch, this may not be such a problem. As I said just a
 thought and perhaps I haven't thought it through enough...


 Regards,
 /\/\ick...

 ++
 ||
  __/)   Mick Maguire |
 |   Email: [EMAIL PROTECTED]  |
 (_/)  ICQ: 48609010  |
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Re: Pentax Digital NEWS! Part one

2001-10-23 Thread Mark Roberts

Juan J. Buhler [EMAIL PROTECTED] wrote:

On Tue, 23 Oct 2001, Matamoros, Cesar A. wrote:

  We received our Nikon D1H and D1X yesterday afternoon.  I
 will begin playing with them today.
 
  The manual states that the viewfinder shows 96% of the frame
 recorded. 

Ouch. That means a *really* tiny viewfinder then...

No, I think perhaps you're confusing image coverage with image magnification.
96% coverage (which is what's being discussed here) just means that 4% of what's
recorded by the CCD will be cropped from the view in the viewfinder. The
remaining 96% can be *magnified* (or reduced or presented life size).


-- 
Mark Roberts
www.robertstech.com
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-22 Thread Cotty

Does anyone think that someone from Pentax reads this list!!!???

Can I place my order right now?

Cotty

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RE: Pentax Digital NEWS! Part one

2001-10-22 Thread Rob Brigham

So we go from 6MP release this year to 3MP first glimpse next year (and
probably released 2003!).  This is not good Pentax!!

 -Original Message-
 From: Cotty [mailto:[EMAIL PROTECTED]]
 Sent: 22 October 2001 16:52
 To: Pentax List
 Subject: Pentax Digital NEWS! Part one
 
 
 News in AP regarding the Pentax Digital. Scrapping launch of 
 Pentax 6 MP 
 digital slr in favour of lower-end digital k mount slr more along the 
 lines of the Canon D30 and Fuji S1. First appearance will probably be 
 next year's PMA. Full story soon - It'll take me a few 
 minutes to type it 
 all in...
 
 Cotty
 
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-22 Thread aimcompute

Interesting

I guess it makes sense.  Up to now. digital photography has never really
been about quality.

I find the Fuji Super CCD technology somewhat of a joke.  You can't end up
with more raw material than you start with.

Tom C.

- Original Message -
From: Cotty [EMAIL PROTECTED]
To: Pentax List [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 10:11 AM
Subject: Pentax Digital NEWS - FULL STORY from AP 27th OCT.


 From Amateur Photographer (27 Oct):

 'Pentax set to scrap plan for flagship digital launch'

 'Pentax is likely to shelve plans to launch a 6 MP flagship digital
 camera in favour of a 'lower-end' SLR to be unveiled next year.

 'Pentax UK's John Dickins admitted that Pentax wants to move away from
 the 'cost no object, best quality possible' area of the digital arena
 because, he said, 'things change so fast we have to change direction'. He
 claimed: 'What seems to be happening is that cameras like the Canon D30
 and the Fuji S1 Pro are creating much more consumer interest than cameras
 at the higher end of the scale'. The Fuji S1 Pro uses the company's Super
 CCD technology to increase the image file size to 6.1 megapixels. The
 camera itself uses a 3.34 million pixel CCD.

 'Commenting on the expected launch of a new 'consumer' SLR next year, he
 added: 'I don't know the exact details but what we are talking about is
 something interesting like the Fuji S1 Pro or the Canon D30.

 'The announcement comes a week after [Amateur Photographer] reported on
 delays in launching the high-end camera, codenamed MR-52, which had been
 due to appear in UK stores last month.

 'When it was first announced at last year's Photokina trade show in
 Germany the camera was billed by Pentax as a 'high-spec' model based on
 the company's 35mm SLRs.  It was to be compatible with Pentax K-mount
 lenses and to use a digital chip jointly developed with Philips.

 'However, Dickins denied that Pentax was lowering it's target market. 'We
 are just broadening it,' he insisted.

 'Though he did not know when the camera will be out in the UK, Dickins
 confirmed it would probably make it's first appearance at next year's PMA
 show in the US.

 'Pentax also recently ditched plans to launch a 3.43 MP SLR to be called
 the El-3000, a camera it developed with Hewlett-Packard. Instead, as
 [Amateur Photographer] reported last week, Pentax wanted to concentrate
 on launching the Optio 330 digital compact because it felt that the 'ease
 of use' and small size of the Optio would more fully meet customer needs.'

 **

 Amateur Photographer is a really great magazine and I subscribe and I
 love it to bits, so please don't sue me for reproducing that report!!!
 Honest!!!
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread tom

Rob Brigham wrote:
 
 So we go from 6MP release this year to 3MP first glimpse next year (and
 probably released 2003!).  This is not good Pentax!!

Plus the ccd is probably not full-frame.

tv
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Brendan

This might be a good thing!! a decent d30 class
digital SLR may get more K-mount development going.

--- tom [EMAIL PROTECTED] wrote:
 Rob Brigham wrote:
  
  So we go from 6MP release this year to 3MP first
 glimpse next year (and
  probably released 2003!).  This is not good
 Pentax!!
 
 Plus the ccd is probably not full-frame.
 
 tv
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Bruce Dayton

My concern is if you are going to do no better than the competition, and
they are more entrenched, how are you going to compete.  The motto We're no
worse than the rest comes to mind.

A full frame CCD was, IMHO, one of the big differences between the Pentax
and a D30 or D1.  Pentax may be able to sell a lesser model to some of us,
but it will *not* lure Canon and Nikon users away.  You don't really gain
any market share.  At best, you may hang on to what you have.  But it seems
that you are sending the same old signal, we will not compete.

Gives all of use considering digital more reason to examine Nikon and Canon
offerings.

Bruce Dayton


- Original Message -
From: Brendan [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 10:18 AM
Subject: Re: Pentax Digital NEWS! Part one


 This might be a good thing!! a decent d30 class
 digital SLR may get more K-mount development going.

 --- tom [EMAIL PROTECTED] wrote:
  Rob Brigham wrote:
  
   So we go from 6MP release this year to 3MP first
  glimpse next year (and
   probably released 2003!).  This is not good
  Pentax!!
 
  Plus the ccd is probably not full-frame.
 
  tv
  -
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread aimcompute

Bruce wrote:

 My concern is if you are going to do no better than the competition, and
 they are more entrenched, how are you going to compete.  The motto We're
no
 worse than the rest comes to mind.

Agreed.  I guess all they want to do is have some offering, no matter what.


 A full frame CCD was, IMHO, one of the big differences between the Pentax
 and a D30 or D1.  Pentax may be able to sell a lesser model to some of us,
 but it will *not* lure Canon and Nikon users away.  You don't really gain
 any market share.  At best, you may hang on to what you have.  But it
seems
 that you are sending the same old signal, we will not compete.


Probably a dumb question, but I'll ask it anyway.

I think I understand that a perceived advantage to using a full frame CCD
was that the CCD captures the entire scene entering the camera thru the
lens.  Is this correct?

It seems to me that the real issue is, do I like the results I get... does
the captured scene match my vision through the viewfinder.  Does the frame
size really matter that much?

Tom C.
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Brendan

Good point but if Pentax does We're no worse than the
rest but it costs less ( we hope ).

--- Bruce Dayton [EMAIL PROTECTED] wrote:
 My concern is if you are going to do no better than
 the competition, and
 they are more entrenched, how are you going to
 compete.  The motto We're no
 worse than the rest comes to mind.
 
 A full frame CCD was, IMHO, one of the big
 differences between the Pentax
 and a D30 or D1.  Pentax may be able to sell a
 lesser model to some of us,
 but it will *not* lure Canon and Nikon users away. 
 You don't really gain
 any market share.  At best, you may hang on to what
 you have.  But it seems
 that you are sending the same old signal, we will
 not compete.
 
 Gives all of use considering digital more reason to
 examine Nikon and Canon
 offerings.
 
 Bruce Dayton
 
 
 - Original Message -
 From: Brendan [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 10:18 AM
 Subject: Re: Pentax Digital NEWS! Part one
 
 
  This might be a good thing!! a decent d30 class
  digital SLR may get more K-mount development
 going.
 
  --- tom [EMAIL PROTECTED] wrote:
   Rob Brigham wrote:
   
So we go from 6MP release this year to 3MP
 first
   glimpse next year (and
probably released 2003!).  This is not good
   Pentax!!
  
   Plus the ccd is probably not full-frame.
  
   tv
   -
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 http://mail.yahoo.ca
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Bruce Dayton

The big advantage to a full frame CCD is that our existing wide angle lenses
will remain as such.  Nothing quite so exciting as having your 20mm behave
like it was a 35mm.  So, if I have to buy some new lenses (I like wides),
then why buy Pentax.  It seems to me, that lens compatibility with my
*existing* lenses is a big reason to consider a digital Pentax.

So now I look at a company who appears not to want to compete in this arena
coupled with me having to revamp part of my system.  Sure pushes me to want
to look at competitors who are competing and providing equipment at a much
faster rate.

Bruce Dayton


- Original Message -
From: aimcompute [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 11:03 AM
Subject: Re: Pentax Digital NEWS! Part one

snip

 Probably a dumb question, but I'll ask it anyway.

 I think I understand that a perceived advantage to using a full frame CCD
 was that the CCD captures the entire scene entering the camera thru the
 lens.  Is this correct?

 It seems to me that the real issue is, do I like the results I get... does
 the captured scene match my vision through the viewfinder.  Does the frame
 size really matter that much?

 Tom C.
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Alexandre Suaide

aimcompute wrote:
 
 Bruce wrote:
 Probably a dumb question, but I'll ask it anyway.
 
 I think I understand that a perceived advantage to using a full frame CCD
 was that the CCD captures the entire scene entering the camera thru the
 lens.  Is this correct?
 

Nope, The full CCD means that your 28-70 mm lens is still 28-70 mm. If
CCD is smaller than 35 mm frame that means your 28 mm lens is longer than
that. There is a multiplication factor to get the 35 mm equivalent focal
distance. The main disadvantage of that is, if you want a 28 mm equivalent
you probably needs a 17 mm lens.

Alex

-- 
---
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STAR/EMC group  Phone: (WSU) (313) 577-5419
Wayne State University (BNL) (631) 344-7635
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RE: Pentax Digital NEWS! Part one

2001-10-22 Thread Matamoros, Cesar A.

The 'magnification' factor is one of the reasons I have not truly
looked at a digital SLR.  I have started to enjoy wide angle shooting and
would not relish having to get a 17mm to get a 25mm.  And I have heard of
the problems with distortion with the 17mms.  People have corrected this
with photo s/w but again something I do not relish doing.

Another aspect of the 'magnification' factor is that with only the
central part of the lens being used people have been finding they have to
really watch the shutter speed as any motion is more noticeable since the
image is enlarged more to get the same size image as with a non-digital SLR.
Though people point out that you are using the 'sweet spot' of lenses if you
are not using toward the edges.

By the end of next month I should have the possibility to begin
spending some time with a Nikon D1x and D1H here at work.  I am still
looking at Pentax since most of my lenses are in that system and I love the
glass I have.

César Matamoros II
Panama City, Florida


 -Original Message-
 From: Bruce Dayton [SMTP:[EMAIL PROTECTED]]
 Sent: Monday, October 22, 2001 2:54 PM
 To:   [EMAIL PROTECTED]
 Subject:  Re: Pentax Digital NEWS! Part one
 
 Currently, no SLR on the shelf from Nikon or Canon has a full frame CCD.
 Telephoto lenses are also multiplied.  If you shoot lots of telephoto,
 this
 could be an advantage.  The point I was making was that part of the reason
 to use Pentax is that I already have the lenses.  But if the CCD isn't
 full
 frame, then I will have to do some changes on the wide end.  If I am going
 to make changes, it gives me more reason to look seriously at the
 competition.
 
 Bruce Dayton
 
 - Original Message -
 From: Shel Belinkoff [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 11:43 AM
 Subject: Re: Pentax Digital NEWS! Part one
 
 
  Do other quality digital cameras offer FF CCD that can be used with the
  lenses from their SLRs?  What happens with a telephoto lens - is, for
  example, a 300mm lens longer or shorter when used with a less than FF
  CCD?
 
  Also, how does Fuji (?) get 6mp from a CCD that is only rated at 3mp?
  Doesn't that screw with quality, especially with larger prints?
 
  Bruce Dayton wrote:
  
   The big advantage to a full frame CCD is that our existing wide angle
 lenses
   will remain as such.  Nothing quite so exciting as having your 20mm
 behave
   like it was a 35mm.  So, if I have to buy some new lenses (I like
 wides),
   then why buy Pentax.  It seems to me, that lens compatibility with my
   *existing* lenses is a big reason to consider a digital Pentax.
  
   So now I look at a company who appears not to want to compete in this
 arena
   coupled with me having to revamp part of my system.  Sure pushes me to
 want
   to look at competitors who are competing and providing equipment at a
 much
   faster rate.
 
  --
  Shel Belinkoff
  mailto:[EMAIL PROTECTED]
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RE: Pentax Digital NEWS! Part one

2001-10-22 Thread John Francis

Shel Belinkoff asked:
 
 Do other quality digital cameras offer FF CCD that can be 
 used with the lenses from their SLRs? 

No - all current digital SLRs built around 35mm bodies have
sensors smaller than full frame.  This gives a focal length
multiplier for all lenses - somewhere between 1.3 and 1.5 is
typical for the most recent modles (more on earlier models).

 What happens with a telephoto lens - is, for example, a 300mm
 lens longer or shorter when used with a less than FF CCD?

Longer, effectively.  The lens produces an image of exactly
the same size, but only the central portion of that image
falls on the digital sensor.  The effect is exactly the same
as taking the central portion of a 35mm negative and using that
to produce a standard print.

The one good thing is that the f-stop remains the same; that
300mm/f2.8, used on the latest bodies, acts like a 400mm/2.8.
(Caveat:  on some digital bodies there was an absolute maximum
aperture limit from the internal camera design, so some lenses
can not be used at their full aperture.  I don't believe any of
the recent bodies suffer from this problem).

 Also, how does Fuji (?) get 6mp from a CCD that is only rated at 3mp? 

By interpolation  (a less charitable answer would be 'by lying').

 Doesn't that screw with quality, especially with larger prints?

Yes (according to reviews posted on the digital camera review sites).

-- 
John Francis  .   .   .   .   .   .   .   .   .   .  (650) 565-4427
MyWay.com  1070 Arastradero Rd, Palo Alto,CA  94306

Hello.  My name is Darth Vader.  I am your Father.  Prepare to die.
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-22 Thread Mike Johnston

Cotty wrote:

 News in AP regarding the Pentax Digital. Scrapping launch of Pentax 6 MP
 digital slr in favour of lower-end digital k mount slr more along the
 lines of the Canon D30 and Fuji S1. First appearance will probably be
 next year's PMA.


And then in another post:
 
 Does anyone think that someone from Pentax reads this list!!!???

Of course. They're smart folks.

I have reason to believe that Pentax is not SCRAPPING the 6-mp 1:1 size SLR,
but rather delaying it. If I'm right in my supposition that PART of the
reason for developing the MZ-S was to have a new modern body on which to
base digital SLRs, then the RD expended certainly represents a major
investment even for a company the size of Pentax, and a higher risk than the
typical introduction of a new 35mm SLR (even a high-end one). Pentax is
certainly researching the market and attempting to adapt to the market as
carefully and intelligently as possible.

What Pentax is telling us with this latest news is that it's seeing that
ultimate digital SLRs in a fast-changing market are not repaying
development costs, and most consumer have a greater interest in more
affordable equipment.

Also, I suspect there are frustrating delays in the perfecting of the 6-mp
chip. Pentax has both a well-designed SLR camera base AND a good 3- and 4-mp
sensors NOW (and may 5 mp, who knows?), so there's really no reason for it
to sit on its hands and wait, wait, wait, for the vaporware 6-mp version to
be ready. It can build and offer for sale a very good medium-level digital
system SLR soon, and so it's going to do so.

All this smacks of great good sense to me. What they're going to do is
release a smaller-CCD-size, LOWER COST, 3-5-mp digital SLR ASAP, and put off
MR-42 until both the market and the technology are more stable.

I like the idea. What it means for the Pentax loyalist is that we will have
a potentially MUCH more affordable digital SLR to cut our teeth on,
technology we buy now will be more reliable and more tried-and-true, and we
will still be able to use all our existing lenses and system accessories.

All of this represents an educated guess on my part.

--Mike J.

P.S. I have to say that I'm totally NOT sold on the idea that a full-size
sensor (meaning 35mm size, 24mm x 36mm) is a good idea. I'm really not sure
it is. A smaller sensor size is really a great advantage: it means lenses
can be significantly smaller and lighter and significantly faster, and depth
of field can be greater for a given angle of view. All these are true
advantages. I suspect that 24 x 36mm sensors will prove to be an
evolutionary dead end in the long run. Right now we think we want this
because it conforms to the old standards. But once digital shakes free of
35mm conventions, the smaller CCD size will seem like just one more natural
advantage of digital.

P.P.S. I've requested a sample Optio 330/430 from Pentax for a review
(through a friend who works for Pentax), and if I end up getting one I'll
post ongoing updates of my findings here in advance of the published review.

P.P.S. In issue #3 of The 37th Frame newsletter (www.37thframe.com), I'm
going to be presenting a review of the Canon S800 photo printer (an expanded
review will also appear on photo.net), and if I can afford to I'll be
including an original S800 inkjet print in the newsletter so subscribers can
see with their own eyes. If I can get the necessary permissions, I hope to
make the sample a Pentax Optio 330 or 430 picture, and thus kill two birds,
you might say, with one stone, since the sample picture could then act to
augment a future Optio review. We'll see if this all works out.
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread tom

Bruce Dayton wrote:
 
 The big advantage to a full frame CCD is that our existing wide angle lenses
 will remain as such.  Nothing quite so exciting as having your 20mm behave
 like it was a 35mm.  So, if I have to buy some new lenses (I like wides),
 then why buy Pentax.  It seems to me, that lens compatibility with my
 *existing* lenses is a big reason to consider a digital Pentax.

This is all true...however, Canon and Nikon user have been happy to buy
up D30's and D1's, so I guess Pentax believes the same of Pentax users.
Apparently the smaller frame size sells ok, and I guess Pentax thinks
they can make some cash.

 So now I look at a company who appears not to want to compete in this arena
 coupled with me having to revamp part of my system.  Sure pushes me to want
 to look at competitors who are competing and providing equipment at a much
 faster rate.

I can see your point. I too am disappointed that the full frame ccd will
not be made available when they said it would. 

Just out of curiousity, would you have paid $7000 for the full frame
version? I don't think I would have unless it had good sensitivity down
around EI 800 or 1600. 

BTW, as I understand it, the full frame version hasn't been scrapped,
it's been delayed.

tv
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Bruce Dayton

The price tag would be high.  Could I afford one?  Good question.  I, too,
would be somewhat concerned with low light performance.  The real
disappointment is not just that it is delayed, but I keep seeing a pattern.
Rather than driving the market, Pentax is only responding to market changes.
Response takes time.  So they are always a day late and a dollar short as
they say.  While I really like my MZ-S, I could of had an F100 quite a while
ago or an N80  more recently or a D1 or D1 follow ons, etc.  In the
meantime, I can read about what Pentax might do.  To start and stop and
start and stop, doesn't get much product to market.

Sorry for the rant.  I just worked for the last 10 years for a company that
was always a day late and a dollar short on their product.  It was
frustrating to never be ahead of the curve and to always explain why being
behind was a *good* thing.  There is a difference between just surviving and
actually thriving.

Bruce Dayton


- Original Message -
From: tom [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, October 22, 2001 3:43 PM
Subject: Re: Pentax Digital NEWS! Part one


 Snip
Bruce wrote:
  So now I look at a company who appears not to want to compete in this
arena
  coupled with me having to revamp part of my system.  Sure pushes me to
want
  to look at competitors who are competing and providing equipment at a
much
  faster rate.

Tom wrote:
 I can see your point. I too am disappointed that the full frame ccd will
 not be made available when they said it would.

 Just out of curiousity, would you have paid $7000 for the full frame
 version? I don't think I would have unless it had good sensitivity down
 around EI 800 or 1600.

 BTW, as I understand it, the full frame version hasn't been scrapped,
 it's been delayed.

 tv
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-22 Thread aimcompute

Mike wrote...

snip


 P.S. I have to say that I'm totally NOT sold on the idea that a
full-size
 sensor (meaning 35mm size, 24mm x 36mm) is a good idea. I'm really not
sure
 it is. A smaller sensor size is really a great advantage: it means lenses
 can be significantly smaller and lighter and significantly faster, and
depth
 of field can be greater for a given angle of view. All these are true
 advantages. I suspect that 24 x 36mm sensors will prove to be an
 evolutionary dead end in the long run. Right now we think we want this
 because it conforms to the old standards. But once digital shakes free of
 35mm conventions, the smaller CCD size will seem like just one more
natural
 advantage of digital.


snip

That was, in part, where I was coming from with my earlier ignorant post.
The only real reason for wanting a full frame CCD is so that the resulting
image size matches 1-to-1 with film (and as explained to me, that lenses
render the image the same as film with the same focal length lenses).  When
we get down to it, it's not the size of the 35mm frame that renders a high
quality photo or not (stating the obvious... sorry).  It's the overall
quality of the lenses and recording device, regardless of the dimensions of
the frame size.  Certainly a CCD of higher density is overall more important
than it's dimensions.

I can certainly understand the desirability of a digital body that performs
like it's 35mm counterpart using the same lenses.  In the end though, the
resulting image matters more than anything else.  When I pick up a digital
camera, I'm not paying attention to focal length really. I'm paying
attention to what I see in the viewfinder.

Tom C.
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread aimcompute

Ah... that's what I thought.

 
 only the central portion of that image
 falls on the digital sensor.  The effect is exactly the same
 as taking the central portion of a 35mm negative and using that
 to produce a standard print.
 

Tom C.
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Jan van Wijk

On Mon, 22 Oct 2001 15:43:35 -0700, tom wrote:


This is all true...however, Canon and Nikon user have been happy to buy
up D30's and D1's, so I guess Pentax believes the same of Pentax users.
Apparently the smaller frame size sells ok, and I guess Pentax thinks
they can make some cash.

I like the idea too, I'd rather have a 4MP K-mount digital SLR for $2000
to $3000 in a few months then the 6MP full-frame for maybe $7000 now ...

(and a factor of 1.3 in focal-length would suit me, using more tele than wide :-)

Build quality and speed (frame-rate, shutter-delay etc) DO matter though ...

Regards, Jan van Wijk


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Re: Pentax Digital NEWS - FULL S TORY from AP 27th OCT.

2001-10-22 Thread Mark Roberts

Mike wrote:

All this smacks of great good sense to me. What they're going to do is
release a smaller-CCD-size, LOWER COST, 3-5-mp digital SLR ASAP, and put
off MR-42 until both the market and the technology are more stable.

I like the idea. What it means for the Pentax loyalist is that we will
have a potentially MUCH more affordable digital SLR to cut our teeth on,
technology we buy now will be more reliable and more tried-and-true, and
we will still be able to use all our existing lenses and system accessories.

I certainly hope you're correct. Right now I'm still *furious* at this latest
development. I spent several thousand dollars on equipment this year, largely
based on the confidence that the digital SLR was coming and what I bought
would be compatible.

This sudden change, whatever the rationale, is inexcusable. Yes, digital
technology is advancing at a tremendous rate and the market for it isn't
stable. But in October of 2001 they can't really expect me to believe that
this is NEWS to them and that it's taken them by surprise.

P.S. I have to say that I'm totally NOT sold on the idea that a full-size
sensor (meaning 35mm size, 24mm x 36mm) is a good idea.

I am. At least if your statement that we will still be able to use all
our existing lenses is important. It is to me and I love wide angles, so
I'd be totally screwed by a smaller CCD. Hell, I'm totally pissed off just
*thinking* about my recently acquired Pentax 80-200/2.8 becoming a 90-260
(I almost bought the Sigma because it went down to 70mm rather than 80).

I'm really not sure it is. A smaller sensor size is really a great advantage:
it means lenses can be significantly smaller and lighter and significantly
faster, and depth of field can be greater for a given angle of view. All
these are true advantages. I suspect that 24 x 36mm sensors will prove
to
be an evolutionary dead end in the long run. Right now we think we want
this because it conforms to the old standards.

No, I want it because it makes all my lenses (an investment of several
thousand dollars) compatible: my 20mm will still give me the angle of view
of a 20mm.

But once digital shakes free of 35mm conventions, the smaller CCD size
will seem like just one more natural advantage of digital.

Having the *option* of using a smaller size CCD would certainly be an advantage.
But one of the natural advantages of Pentax is backwards and forwards lens
compatibility and I don't think having a 15mm lens act like a 22mm really
qualifies.

That said, if Pentax doesn't have *some* kind of digital SLR on the market
by spring I think they'll have missed the boat for good.





-- 
Mark Roberts
www.robertstech.com
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RE: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-22 Thread Frits J. Wüthrich

Your order for the ditched 6MB or for the new one with the smaller CCD?

I am not sure how to take this news. Perhaps it means the camera is more
affordable?
If the one that we already saw is upgradable, would it be possible it would
hit the market with a smaller CCD to begin with? That might be an
interesting upgrade path. However, before someone wants to buy the camera
with the smaller CCD with this upgrade path in mind, he needs to be sure
Pentax will have the upgrade available sometime in the future, and not ditch
it.

Is this all the information we have? No one with inside knowledge from
Pentax? Where is Pål now we need him?

Frits Wüthrich


Cotty wonders:

 Does anyone think that someone from Pentax reads this list!!!???

 Can I place my order right now?

 Cotty
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread tom

Bruce Dayton wrote:
 
 The price tag would be high.  Could I afford one?  Good question.  I, too,
 would be somewhat concerned with low light performance.  The real
 disappointment is not just that it is delayed, but I keep seeing a pattern.
 Rather than driving the market, Pentax is only responding to market changes.
 Response takes time.  So they are always a day late and a dollar short as
 they say.  

I see your point, but I kind of look at their product line as a whole.
If you factor in the medium format stuff, they're actually pretty
active. 

Plus I'd say the limited line is sort ahead of the market. At least
they're not reacting to anything I know of...

Anyway, Pentax is a pretty small company, as I understand it.

tv
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread tom

Jan van Wijk wrote:
 
 On Mon, 22 Oct 2001 15:43:35 -0700, tom wrote:
 
 
 This is all true...however, Canon and Nikon user have been happy to buy
 up D30's and D1's, so I guess Pentax believes the same of Pentax users.
 Apparently the smaller frame size sells ok, and I guess Pentax thinks
 they can make some cash.
 
 I like the idea too, I'd rather have a 4MP K-mount digital SLR for $2000
 to $3000 in a few months then the 6MP full-frame for maybe $7000 now ...

I didn't say I liked it, I just suspect there's probably a reason for
their decision. I can't believe Pentax could stay in business this long
making dumb decisions.

 
 (and a factor of 1.3 in focal-length would suit me, using more tele than wide :-)

I'm a wide guy, but I'd be happy to see a FA 14mm to match the thing. ;)

Of course they need to release the FA 645 25mm fisheye and 66
Rangefinder first.

tv
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RE: Pentax Digital NEWS! Part one

2001-10-22 Thread John Francis

Jan van Wijk remarked:
 
 I like the idea too, I'd rather have a 4MP K-mount digital 
 SLR for $2000 to $3000 in a few months

(or, more realistically, in probably around a year)

 than the 6MP full-frame for maybe $7000 now ...

That's pretty much what I've been saying for the last six months, too.

Let's face it - a digital camera becomes obsolete extremely quickly.
It's bad enough if a $2000 camera turns into a $2000 paperweight in
a few years, but how many of us can write off $7000 in that same time?

Perhaps, once the digital camera market matures, we'll see cameras
that last a while (perhaps not the 25+ years some of us are getting
from out old manual bodies, but at least something in the 5-10 year
range).  But at present the digital camera bodies aren't quite good
enough for that.  They're getting good enough to be used for quite
a few purposes, but with a digital body you are at best stuck with
the level of technology current when the camera was built (and, to
be realistic, liable to find things deteriorating as the sensor ages;
pixels will fail, and the sensitivity will probably decrease).
While some things on manual cameras are limiting (the 1/1000 top end
speed of my MX occasionally causes me a few problems) not all of the
technology is embedded in the camera;  I'm getting better pictures
today than I was back in 1976 because I'm able to take advantage of
improvements in film emulsions.  A digital camera won't be able to
take advantage of improvements in sensor technology (and before any
one suggests it:  user-upgradable digital camera bodies aren't going
to be cost effective - by the time you've changed all the expensive
stuff like the sensor, memory, processors  data paths, you might as
well get a whole brand new box to put the pieces in).  So until the
sensor technology ceases to be the limiting factor in the quality of
digital images we can expect to see the cameras continuing to become
obsolete at around the current rate.

-- 
John Francis  .   .   .   .   .   .   .   .   .   .  (650) 565-4427
MyWay.com  1070 Arastradero Rd, Palo Alto,CA  94306

Hello.  My name is Darth Vader.  I am your Father.  Prepare to die.
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Re: Pentax Digital NEWS

2001-10-22 Thread Dave Weiss

P.P.S. I've requested a sample Optio 330/430 from Pentax for a review
(through a friend who works for Pentax), and if I end up getting one I'll
post ongoing updates of my findings here in advance of the published
review. 

My brother bought one and he let me play with it last Friday for about 30
minutes.  It is pretty impressive in size and quality feel.  Very tiny and
seems very sturdy.  It does get a little warm along the front side in one
area.  I have nothing to compare it to, but it certainly is no stinker.  I
was fairly impressed with the quality of the zoom lens.  I found it strange
how I had no desire to put my eye up to the viewfinder and just looked at
the LCD on the back to frame the shot.  It was very easy to get the picture
onto a tv screen.



P.P.S. In issue #3 of The 37th Frame newsletter (www.37thframe.com), I'm
going to 

What happened to the second issue?  Did that already get sent out?  

dave







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RE: Pentax Digital NEWS! Part one

2001-10-22 Thread Juan J. Buhler

On Mon, 22 Oct 2001, John Francis wrote:

 Longer, effectively.  The lens produces an image of exactly
 the same size, but only the central portion of that image
 falls on the digital sensor.  The effect is exactly the same
 as taking the central portion of a 35mm negative and using that
 to produce a standard print.

One interesting possibility would be to still have a full viewfinder,
with framelines, so you can see outside of the frame, as in a
rangefinder. Anyone know if this is the way the Canon and Nikon bodies
are designed?

j

--
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RE: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-22 Thread John Francis

Mark Roberts fumed:
 
 I certainly hope you're correct. Right now I'm still 
 *furious* at this latest development. I spent several
 thousand dollars on equipment this year, largely based
 on the confidence that the digital SLR was coming and 
 what I bought would be compatible.

Gambling on just when the cutting edge of the technology curve
will produce real products in the marketplace is a risky business.
And it's not just Pentax that have slipped the product schedule
(which was never an official Pentax schedule, anyway); Contax are
said to be having similar problems with their full-frame sensor.

We, the Pentax users, feel this pain more deeply than Canon/Nikon
users because we don't have any alternative K-mount digital body
to tide us over until the eventual high-end bodies become reality.

-- 
John Francis  .   .   .   .   .   .   .   .   .   .  (650) 565-4427
MyWay.com  1070 Arastradero Rd, Palo Alto,CA  94306

Hello.  My name is Darth Vader.  I am your Father.  Prepare to die.
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread lbparis

No, I don't think so.  It'll be at least a 4MP, and probably a
5MP camera.
It's really too late already for anything as small as 3MP.

Len
---


 Oh, this is very bad news. Pentax is again playing catch-up on
last
 year's technology. They could have been ahead of the pack with
the
 digital MZ-S. Instead (in two years or so) we'll get something
about 3
 megapixels that will turn all of our lenses into telephotos.
Well, it'll
 be good for sports photographers.

 Joe
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Juan J. Buhler

On Tue, 23 Oct 2001, Rob Studdert wrote:

 But at least a flat-bed or film scanner scans the three primary
 colours for each absolute pixel whereas in a digital camera the
 CCD is masked by a matrix of colour filters ie for every cluster
 of four pixels there are a red, blue and two green sensitive CCD
 pixels. 

I would totally go for a digital camera that can only do BW, and
doesn't have to use this kind of filters. I guess there won't be a
market for such a thing, though...

j


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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Doug Franklin

On Tue, 23 Oct 2001 10:37:57 +1000, Rob Studdert wrote:

 [...] in a digital camera the CCD is masked by a matrix of colour
 filters ie for every cluster of four pixels there are a red, blue 
 and two green sensitive CCD pixels. These sensors and the surrounding 
 ones are used to interpolate the actual colour of the pixels in the
 output file [...]

I wasn't even going to get into that.  The questions in my mind are 

1) Can I rely on color fidelity with this sort of undersampling?

2) How does the absolute resolution of the captured image compare
between this undersampling and the full sampling performed by, e.g.,
a flatbed or film scanner.

TTYL, DougF
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Rob Studdert

On 22 Oct 2001, at 21:13, Doug Franklin wrote:

 On Tue, 23 Oct 2001 10:37:57 +1000, Rob Studdert wrote:

 2) How does the absolute resolution of the captured image compare
 between this undersampling and the full sampling performed by, e.g.,
 a flatbed or film scanner.

Well we can only postulate if we aren't in the business but I would bet that 
there ain't much chance of seeing 48bit (or 12/14 bits per colour plus 
padding) too soon. This means that for the mean time, there will be a 
broadening gap between the quality of a good film scan vs the output of a 
digital camera most notably in the areas of subtle gradation such as cloudy 
skies.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Isaac Crawford

Bruce Dayton wrote:
 
 My concern is if you are going to do no better than the competition, and
 they are more entrenched, how are you going to compete.  The motto We're no
 worse than the rest comes to mind.
 
 A full frame CCD was, IMHO, one of the big differences between the Pentax
 and a D30 or D1.  Pentax may be able to sell a lesser model to some of us,
 but it will *not* lure Canon and Nikon users away.  You don't really gain
 any market share.  At best, you may hang on to what you have.  But it seems
 that you are sending the same old signal, we will not compete.
 
 Gives all of use considering digital more reason to examine Nikon and Canon
 offerings.

It's sad to say, but I cannot imagine a company the size of Pentax
being able to one-up companies like Nikon and Canon. I have always
looked at Pentax as a manufacturer that learns a lot from their
competition and improves upon them... eventually...

Isaac
 
 Bruce Dayton
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread Isaac Crawford

Chaso DeChaso wrote:
 
 Wasn't there a time when Pentax actually cared about
 being a leader?  Are they now content with always
 following (more and more distantly), at best offering
 products close to the others and cheaper?  This would
 be sad.  If they simply don't have the might to
 compete against N and C* anymore, at least
 they could do one thing really well - in the digital
 realm, this could have been the full-frame CCD SLR.

If this could have been done, Nikon, Canon, or Kodak would have already
released it. Pentax is at a huge disadvantage in the fact that they are
almost completely reliant on other manufacturers to supply chips. Kodak
and Canon can make their own and Nikon has dedicated enough money to
stay ahead of the curve. I for one saw the writing on the wall after the
zillionth delay of the Pentax and Contax cameras...

Isaac
 
 Is Pentax to become the next Contax, who was fifteen
 (or however many) years late with autofocus?  Maybe
 Pentax will release a fantastic digital SLR in 2016
 when almost nobody remembers who Pentax is.
 
 In any case, they really have to release something
 serious soon or they'll be wiped off the map.  (I
 don't care about digital products too much, I just
 want them to stay in business so that they can make
 lenses and film cameras for a while longer.)

That is what this announcement is all about... To show Pentax users
that we will have a digital body to use. How many D1 (X.h), D30, and S1
cameras do you think have been sold? I'm willing to bet that the
combined sales (in units) of those cameras wouldn't equal a tenth of the
ZX-M sales. It was important for Nikon to release the D1 so that they
could (re)capture the PJ market, and Canon will try and strike back. But
what do companies like Pentax, Minolta, and Olympus have to gain? What
they need are strong sales in the mid level markets. The release of a
high end and expensive digital body would do nothing but hurt the bottom
line of Pentax. 

Isaac
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Re: Pentax Digital NEWS - FULL STORY from AP 27th OCT.

2001-10-22 Thread Isaac Crawford

Patrick White wrote:
 
 aimcompute writes:
 I guess it makes sense.  Up to now. digital photography has never really
 been about quality.
 I find the Fuji Super CCD technology somewhat of a joke.  You can't end up
 with more raw material than you start with.

The Nikon D1x uses interpolation in one direction (the width I believe)
without any obvious problems. 

Isaac
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Re: Pentax Digital NEWS! Part one

2001-10-22 Thread JTodd19261

BH's new digital catalog lists the new Contax N1 which is a 6MP camera and 
uses new AF lenses (50f1.4 lists for $595).  So the 6 MP is here.  Canon 
suprised me by coming out with a 4 MP EOS1D for @ $6,500 list.  I use the D30 
at work and enjoy using it, especially when my 80-200 f/2.8 becomes a 320 
f/2.8, but hate the 20mm now a 32mm.  The 1D will have firewire and only a 
1.3 lens magnification, but for a street price of $5,000 you still only get a 
5.5 x7.5 photo-quality image.  The D30 when it first came out sold for $3,000 
a year ago.  The price has only come down $500 (with a free 1 gig Micro-drive 
and extra battery), so it is definitly holding its value.  I hope Pentax 
comes out ahead of the pack with a 5 MP SLR since Minolta, Olympus and Sony 
already have fixed lens cameras available now in this size, and the Sony is 
less than $1,000.

Jay
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