music policy, everything from RB to Aril Brikha! Also, I would love to
know
how the Hipnotech stuff sounds? Any feedback on this?
I quite enjoy the Hipnotech stuff. Nice laid back hip hop beats with a
minimal tech flavour. I'm sure you'd dig it Cyclone.
http://www.hipnotech.com
Wow!
Nice lookin party. I would really love to see Seiji!
Also a friend of mine is contemplating booking Mr. Clark, but he hasn't
heard much about him. Could you guys please post a few blistering
reviews of his performance so i can forward them to this guy? I would
really like to see Agent X
Does anybody know of any other releases for him?
I have his Mystic ep on Track Mode, and by jove I like his form.
Scott M
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
Is that Virgin UK only, or is Virgin US going to release this as well? I
think it would be interesting to check out. I seem to really be digging the
Techno Pop/Electro Pop recently.
Has anyone heard the new Adult 7?? I ordered 3 copies from Record Time,
but they havn't shown up yet.
later
t-funkshun
serious house and techno with a smile on it's face
@ lemon lounge (above Brewery), Liverpool,
Friday 22nd March, 10-2, £4
Residents:
Mark Forshaw,
Dave Lawton,
Scott 'nocturne' McGill
Special guest: Jonny McIntosh
If you haven't heard what Jonny can do then go to
hi folks. i just got my mits on the moodymann... telephone blue EP.
[pfg018]
can anyone tell me what track is playing in the background during the
vocal break before the logo track?
regards,
lrh
-
To unsubscribe,
I'm currently
discovering there is more to the genre than Abba and Boney M, so I'd
appreciate recommendations for comps, albums... especially stuff like
Salsoul Orchestra
On disco and how it's affected electronic music, Patrick Adams from NY had
incorporated a lot of electronics and moog
Hello,
This week I did a one hour feature on Tom Churchill's label, Emoticon
Records. Emoticon is a Glasgow based label that features an electic blend of
electronic music from Minimal Techno, Ambient Electro, West London Breaks,
and everything in between. For more information on the label:
Norma Jean Bell, Theo, new Luke Slater, ADNY, Octave One, Himawari, more.
No reserves. Thanks.
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems[EMAIL
PROTECTED]completed=0sort=0since=-1
seller id = [EMAIL PROTECTED]
Another 'interesting' fact: If u enter 'Direct Me' into Google, the first
entry is on the Reese track! ... You'll eventually find a complete discog
which includes all the mixes to date. If you're not aware of them all, you
may be surprised.
k
-Original Message-
From: Mad'R [mailto:[EMAIL
i can't call it bandwagon since it still really sounds like slater.
he just took the twisted sounds of wireless and shaped them into a more
traditional verse-chorus-verse structure.
... still recognizably 'techno'?
-
To
all exhale (fc kahuna remix) is one-third of the holy techno
trilogy (ie:
the three greatest techno tracks of all time)
Just curious : what are the other two for you ?
Gwendal
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For
He's
got the former
singer from The Aloof doing vocals on most of the tracks and
really ? I love this guy's voice and their first two albums ... what are the
two ex-Sabres of Paradise guys from this group up to these days ? getting
back to techno material or still in their pop quagmire ?
Gwendal
Hello,
This month we are having an Electromonth at TechnoTourist.org. We will focus
out attention electro this month. Every week we will upload an interview
with some of the best electro artists. John Osselaer worked his ass of the
get this ready, so please enjoy the interview he did with
...i have been heavily listening to the future beat alliance lp disconnected
(21dsr) and i must say it is a beautiful piece of music...
Agreed - and this gives me a great chance to plug the next Emoticon release,
Future Beat Alliance's 'Head Ways' EP, which is released through Rush Hour
next
Has anyone heard the new Adult 7?? I ordered 3 copies from Record Time,
but they havn't shown up yet.
Mine turned up yesterday; only got a chance for a quick listen last night -
it may start a new craze for electro line-dancing! I liked it, but its not
their best by a stretch.
My copy of
I have the CD edition of that Warner/Giant release. It's been a long time since
I played that. I recall there being a deep kind of Reese version of Direct me,
very minimal that builds along the way. Really good! Don't know whether that's
on either Edition 1 or 2. I'll look up the CD and post the
Ooops, just noticed that you were talking about a 7, which i presume is a
different release from the new Ersatz 12 I just got. Any more details on
this?
Has anyone heard the new Adult 7?? I ordered 3 copies from Record
Time,
but they havn't shown up yet.
Mine turned up yesterday;
I know it's all about supporting your local independent, but just wanted to
point out that www.juno.co.uk are selling this for only 15.99 ukp... which
is the cheapest place I've seen it so far.
Cheers,
Tom
-
To unsubscribe,
there are 3 different releases of that Innovator double CD. You have the one on
TRansmat, RS (also on vinyl 5 LP box) and Sony Japan.
I think I have both mixes, but as far as I can recall they are not on the same
CD.
W
Matthew Kan wrote:
Takkyu Ishino did this fantastic track for the Ghost
This talk about Edition 1 and 2 made me grab for my copies last night.
The first time I heard Just Another Chance was on the RetroTechno
Compilation(?), anyway same track, but without vocals.
On Edition 2 you have Just another change. Remixed by Morales and with vocals.
But musically the tracks
That Sasha remix does not come even close to the UR/ Negro / Reese mixes.
But I recall there being two records with Sasha mixes: a red one and a green
one.
W
-Original Message-
From: Mad'R [EMAIL PROTECTED] at INET-1
Sent: Thursday, March 14, 2002 7:55 PM
To: Fred Heutte [EMAIL
[EMAIL PROTECTED] wrote on Fri, 15 Mar 2002 about following:
that BUMP mix of So Deep That one is sooo intense! Anyone know who Bump are?
Is this remix representative for the rest of their work?
I haven't heard that remix.
There was a group called Bump who used to do sort of clubby house
morning all,
after much to'ing and fro'ing and a smidgeon of effort, particularly from
Nic Larson, we at last have a proposed date and venue for a list party.
the venue is Public Life, 82a Commercial Street London E1 6LY.
the date is Saturday 18th May 2002.
so, who's interesting in coming?
You mean Just Want Another Chance? If so, I'm pretty sure it was
originally released on Incognito. There are several mixes (no info given,
just track times), all of which contain the vocals to differing degrees. I
would be interested to hear the instrumental mix you speak of... ??
Although,
[EMAIL PROTECTED] wrote:
there are 3 different releases of that Innovator double CD. You have the one
on
TRansmat, RS (also on vinyl 5 LP box) and Sony Japan.
I think I have both mixes, but as far as I can recall they are not on the same
CD.
The Ghost in the Shell CD I have has To Be
awesome! very well done, informative interview. I
always appreciate the way john phrases his questions
and how he asks them.
thank you!
diana
--- Jongsma, K.J. [EMAIL PROTECTED] wrote:
Hello,
This month we are having an Electromonth at
TechnoTourist.org. We will focus
out attention electro
Right you are my friend:
Disco Nouveau Record Release Party : Ann Arbor
Morgan Geist
Danny Wang
BMG
Charles Manier
Jan D
=]
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, March 14, 2002 6:43 PM
To: [EMAIL PROTECTED]
Cc: Jonny McIntosh;
I found the new 7 a bit disappointing. One of the tracks, modern
romantics, is an (imo) inferior mix of a plasma co. song and the other
one just didn't catch me.
But then I also heard a 12, which i think is also new (i don't own it,
someone played it for me) and it was outstanding! It had a
Right you are my friend:
Disco Nouveau Record Release Party : Ann Arbor
Morgan Geist
Danny Wang
BMG
Charles Manier
Jan
talking about Disco Nouveau : any feedback on this one ? the tracklist looks
incredible, the artwork is fabulous but the whole thing is quite expensive
here in France,
After about year of checking it, something has happened on the dormant
planet e website. What next, some new releases???
Al
--
Warning : The information contained in this message may be privileged and
confidential and
From what I hear, possibly new releases are in Planet-E's future!!! Keep an
eye out!
TJ
The future was yesterday...
www.mp313.com ~~go here
TJ
The future was yesterday...
www.mp313.com ~~go here
PeoplePC: It's for people. And it's just
talking about Disco Nouveau : any feedback on this one ? the tracklist looks
incredible, the artwork is fabulous but the whole thing is quite expensive
here in France, I'd like to have some opinions before I step into the
shop...
can't help with what it sounds like but can anyone tell me if
Chicago Thursday March 28th, 2002
Subterranean 2011 W. North Ave (at Damen)
21+ doors @ 9:30pm $8
An Exciting Evening of Warm Data.
PERFORMING LIVE:
CiM - London
(deFocus, Delsin, Headspace, Emoticon)
DJs:
Clair Focus
- Original Message -
From: Georgia
To: [EMAIL PROTECTED]
Sent: Thursday, March 14, 2002 7:51 PM
Subject: Sonar 2002 Programme Preview
SONAR, 9th Festival of Advanced Music and Multimedia Art of Barcelona
JUNE 13.14.15. 2002
SONAR 2002 PROGRAMME PREVIEW
For the ninth consecutive year,
hey 313
The D Wang interview jonny posted up got me thinking : there has been an
interesting trend away from the radical late 80's forward thinking 'machine
music' production/cultural ethic whereby sampling was seen as a radical
step forward and the rise of digital was seen as an empowering
guys, m-plant is my favorite lable and i just cant find some of its
records. tell me, how hard it is for me to find 301, 303 and 304??
it cant be impossible..
henrique casanova
S.O.M.
-
To unsubscribe, e-mail: [EMAIL
interesting trend away from the radical late 80's forward thinking 'machine
music' production/cultural ethic whereby sampling was seen as a radical
step forward and the rise of digital was seen as an empowering force
Nowadays, there is a whole host of backlash against such methods with the
'only
My copy says it's a April release. That's the CD version. It's Luke Slater
in Rock Star mode. Fun but nothing memorable. What's kind of sad about all
the 80s electronic pop stuff (except for the first batch of releases in
this vein and Felix and Miss Kittin's) is that after the fad has thoroughly
I was just looking at the www.radiomagnetic.com website that I sent the
other day and noticed that they have our Glasgow resident, Detroit master
Claude Young lined up for something - it just says details to follow.
Wouldnt it be nice if he was going to do a weekly show :-)
Or even if they
JT:
i think music that is created from
scratch is more valuable because it is more personal and arguably takes a
little more imagination. or at least a certain form of imagination. i guess
some people have a really broad imagination of how to cut up samples and
shit, but it's just not the
Apologies list members.
Could Ian Cheshire drop me a mail please.
Cheers.
_
Join the worlds largest e-mail service with MSN Hotmail.
http://www.hotmail.com
| -Original Message-
| From: Williams, Howard [mailto:[EMAIL PROTECTED]
| Sent: 15 March 2002 16:01
|
| hey 313
|
| The D Wang interview jonny posted up got me thinking : there
| has been an interesting trend away from the radical late 80's
| forward thinking 'machine music'
What's kind of sad about all
the 80s electronic pop stuff (except for the first batch of releases in
this vein and Felix and Miss Kittin's) is that after the fad has
thoroughly been explore will anyone want to hear this stuff or will it
sound very dated - like oh that is so 80s revival from
There's obviously a lot of lazy records around that do rely on sampling an
entire hook. And there's also some really inspired sampling that isn't
obvious at all. A couple of days ago I was playing Carl Bean's I Was Born
This Way to a guy at work, and saying just check this tiny little snippet
that
There's obviously a lot of lazy records around that do rely on sampling an
entire hook. And there's also some really inspired sampling that isn't
obvious at all
THE best song i've ever heard that uses sampling is on tigerbeat 6 records.
I can't remember who did the track (it possibly was
i would probably agree that music created from scratch is more valuable (to
wit Fatboy Slim), however i think there may be room in this definition
haha!
to
include sampling artists (i think you would agree with me here JT?, perhaps
with someone like MMann...) who construct interesting new
Personally, I've never sampled more than a single tone/note from
anybody else's production.
For me, its a learning thing . . . too many producers will just sample
something complicated instead of learning how to make it themselves. I
don't know that those musicians are cheating their audience
i don't understand why all the new-school electro-pop gets so much criticism
but so much new-school jazz/house/breaks, broken-beat-type stuff passes the
quality test. i know it all comes down to individual tastes, but it just
leaves me thinking. are we really so ashamed of electronic music's
Personally, I've never sampled more than a single tone/note from
anybody else's production.
For me, its a learning thing . . . too many producers will just sample
something complicated instead of learning how to make it themselves. I
don't know that those musicians are cheating their audience
Hi there,
Just a quick note to mention what a great time we all had that night. It was a
pleasure to both play and hear some classic tunes with Juan, and to see him get
such a great reception throughout the night. Hopefully we can experience more
nights like that up here!
Sorry if there has
i don't understand why all the new-school electro-pop gets so much
criticism
but so much new-school jazz/house/breaks, broken-beat-type stuff passes the
quality test. i know it all comes down to individual tastes, but it just
yeah, it's more mature so it must be better, right? ppp
What I find annoying about the electro-pop stuff is that much of it has
little to do with electro. It's more in line with Moroder/Cowley's Hi-NRG
proto-trance. All the undulating 303 basslines n'stuff. If they are calling
it electro short for electronic pop that's one thing but I think it's
Picked this off the Submerge website:
March 5, 2002
Sounds of the Metropolis Jeff Mills to Moderate Detroit Screening
DETROIT Metropolis, director Fritz Lang¹s iconoclastic vision of the
future, is a paragon of science fiction cinema. Originally released in 1927,
the film has a found a
i agree totally. The thing that bothers me about all this electro just
blowing up right now is that it *is* just a fad. *sigh* i just don't know.
I don't mind dj's bringing in some of the older stuff into their sets, but
now everybody and their brother is moving to produce electro tracks. In
can someone reply only to me if the list gets this? seems
like about 40 percent of my posts actually make it to the
list.
Thanks
-Joe
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL
ok Thanks all, it got through...
-Joe
can someone reply only to me if the list gets this? seems
like about 40 percent of my posts actually make it to the
list.
Thanks
-Joe
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
when:
march 22, 12-3am eastern time
what:
negative-saucer 3 hour live PA on WCBN radio ann arbor.
expect hard darkish techno in vein of mills, hawtin or
speedy J
we'll be using some new technology and some new techniques
so tune in and hear our live set unravel.
this will be the first time
Re: luke slater and electro pop.
Tom, don't be so intelligent on this list, people don't appreciate it,
please discuss the latest Detroit promoter drama instead.
Tosh
--
Twelve Hundred Group
http://www.1200group.com/
-
To
Actually, and I know you were joking around but, I thought what Tom said is
true and I appreciated him saying it. Electro-pop isn't really electro -
it's just electronic pop and has more to do with Hi-NRG as far as I'm
concerned than any true electro funk/breaks sound. That is what gets my
goat
Did someone say that luke slater has wound up planetary assault systems?
i'm sure i read it here this week on this thread.
today i received...
christian smith + john selway - weather - planetary assault systems remixes
on primate
rel date 22.4.02
paul
www.innercity.gemm.com
www.innercity.co.uk
I have a question. Why don't people who do live techno performances get
the same respect that DJs get? I ask this for a couple of reasons -- first,
I do live performances myself, and second because I've seen people recently --
The Kooky Scientist, Shawn Rudiman, and Stewart Walker -- who all put
On Fri, 15 Mar 2002 [EMAIL PROTECTED] wrote:
Actually, and I know you were joking around but, I thought what Tom said is
true and I appreciated him saying it. Electro-pop isn't really electro -
it's just electronic pop and has more to do with Hi-NRG as far as I'm
concerned than any true
I have a question. Why don't people who do live techno performances get
the same respect that DJs get?
i think this question is answered pretty easily: dj's can choose records
that are, well, cream of the crop. Live pa's however, have a more
challenging task of WRITING over an hours
i don't understand why all the new-school electro-pop gets so much criticism
but so much new-school jazz/house/breaks, broken-beat-type stuff passes the
quality test. i know it all comes down to individual tastes, but it just
I thought this was because new-school electro pop is crossing over
From Skruff-E news:
301 - The Protein valve I saw at Hardwax recently, I myself picked it up
less than a year ago, so I guess it's not too hard to find.
303 - Monobox's made in Vienna I have no clue about represses or
availability...??
304 - Moveable parts Chapter 1 I have seen in Toronto at Play de Record
http://www.tranzfusion.net/shownews.asp?newsid=923
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
Looks cool...although Alson Goldfrapp sucks big time!
M.
- Original Message -
From: Tom Robbins/Tom Magic Feet [EMAIL PROTECTED]
To: 313 mailing list 313@hyperreal.org
Sent: Friday, March 15, 2002 4:53 PM
Subject: [313] Fw: Sonar 2002 Programme Preview
- Original Message -
outside forces
?
Peter Leidy schrieb:
i don't understand why all the new-school electro-pop gets so much criticism
but so much new-school jazz/house/breaks, broken-beat-type stuff passes the
quality test. i know it all comes down to individual tastes, but it just
I thought this was
1 First of all, I'd like to say that live PAs can include improvisation, I
have been playing totally live keyboards with my live PAs for quite a while
now, and since my background is in jazz i really DO improvise and I'm NOT a
band. Of course performing live (especially when your setup is as
from fans and peers, I have received as much or even more respect than
d.j.'s. I only do live p.a.'s
Now from critics or the mass media culture,,,um,,, I really don't care.
Respect from there is based on way too many factors other than the talent of
either a d.j. or live performer.
I do agree
On Fri, 15 Mar 2002, Jayson B. wrote:
I do live performances myself, and second because I've seen people
recently -- The Kooky Scientist, Shawn Rudiman, and Stewart Walker --
who all put on performances that were improvisational, raw, emotional
and immediate.
well, although i admire and
outside forces
?
there are a lot of kids who think Orgy wrote the song Blue Monday, and
while some might say - so what, music will speak for itself- this sort of
misrepresentation to new audiences affects the growth potential of musical
genres. this is a bit of an extreme example, and
Anyone heard (of) him? Records for Over Exposed ( a subdivision of
Overdrive) wondering what it's like.
MEK
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
On Fri, 15 Mar 2002, Kent williams wrote:
On Fri, 15 Mar 2002, Jayson B. wrote:
I do live performances myself, and second because I've seen people
recently -- The Kooky Scientist, Shawn Rudiman, and Stewart Walker --
who all put on performances that were improvisational, raw, emotional
same sound pallette as much of slater's techno.
On Fri, 15 Mar 2002, Odeluga, Ken wrote:
i can't call it bandwagon since it still really sounds like slater.
he just took the twisted sounds of wireless and shaped them into a more
traditional verse-chorus-verse structure.
... still
hehehe!!!
thank you for asking.
my other two are:
teste- the wipe
purpose maker- casa
On Fri, 15 Mar 2002, Gwendal Cobert wrote:
all exhale (fc kahuna remix) is one-third of the holy techno
trilogy (ie:
the three greatest techno tracks of all time)
Just curious : what are the other
the entire disc is worth any price for the I-f cut alone.
BUY IT!!!
On Fri, 15 Mar 2002, Gwendal Cobert wrote:
Right you are my friend:
Disco Nouveau Record Release Party : Ann Arbor
Morgan Geist
Danny Wang
BMG
Charles Manier
Jan
talking about Disco Nouveau : any feedback on
The Recloose album will be out in May.
On Fri, 15 Mar 2002 [EMAIL PROTECTED] wrote:
After about year of checking it, something has happened on the dormant
planet e website. What next, some new releases???
Al
--
80 matches
Mail list logo
