on 7/31/03 12:39 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
that song reminds me of 'music sounds better with you' and
eeew.
my little sister who's a bit feminist asked me the other day if
she could wear an old UR Punisher T-shirt I have in the
closet which is size XL.
most of the Detroit techno T-shirts I buy shrink in the wash,
100% cotton should be the standard.
on 7/30/03 11:27 PM, Cyclone Wehner at [EMAIL
on 7/29/03 7:44 AM, robin pinning at [EMAIL PROTECTED] wrote:
see steve, now i know for certain you're trolling.
as ken says, it'd be nice to see what music you really enjoy. to see where
you're coming from when you post all your criticism of us 30something 80's
obssessed trend following
/29/03 7:15 PM, Phonopsia at [EMAIL PROTECTED] wrote:
- Original Message -
on 7/29/03 7:44 AM, robin pinning at [EMAIL PROTECTED] wrote:
see steve, now i know for certain you're trolling.
I've come to the conclusion that spw is Luke Monteiro in disguise,
revisiting the scene
on 7/28/03 8:44 PM, Kent williams at [EMAIL PROTECTED] wrote:
Mike Huckaby, 2 weeks ago: See in the beginning we didn't see no
separation
between house and techno, it was all the same music.
yeah, Chicago house. (oooh that was a good one)
after 1990 you started to see a separation I'm sure
Pitching up records has always been a part of Detroit techno.
As a general practice a techno label like UR (when it was a techno label)
would release a record a little slower then the
actual DJ speed.
on 7/27/03 9:48 PM, lisa at [EMAIL PROTECTED] wrote:
Sakari Karipuro wrote:
not to diss
To be fair, this is a statement that it's trendy now to play records at
normal
tempo and house music is more trendy than techno at least on this mailing
list.
People here seem to feed off the vibes of the deephousemusicpage but from
what I read even dj's like Ron Hardy had a reputation of
As funny and ridiculous as my statement must seem, people would have not
made statements like you must play records at normal tempo back in the early
to mid '90s when minimal techno was all the rage.
Now even Jeff Mills is mellowed out and mid tempo, trends change and a lot
of times people here
on 7/28/03 3:58 PM, Sakari Karipuro at [EMAIL PROTECTED] wrote:
spw wrote on Mon, 28 Jul 2003 about following:
To be fair, this is a statement that it's trendy now to play records at
normal tempo
i've tried to follow my rule, (if i may say so) for the past 10
years i've played records
on 7/28/03 4:38 PM, Matthew MacQueen at
[EMAIL PROTECTED] wrote:
Irrelevant to my point. What I observed is your trend vigilance and I
perceive it as a waste of time and has nothing to do with most people
like or play. I think the only person so concerned with the trends is
music is you, so
Music is human social expression through sound.
People intemperate music with trend in culture, for example electro/ '80s
music is considered socially acceptable especially on this mailing list in
comparison to old school techno.
Both are 80's dance music genre's that use the same concept is
--- Matthew MacQueen [EMAIL PROTECTED] wrote:
To you. So that is an excuse for LFO to keep making the same tracks over
and over? I don't buy it. While diehard fans might want an artist to
stay in their personal favorite period (to your ears 'the best' period)
forever, the vanguard artists
the main flaw in your reasoning which is a bit idol worshiping in my opinion is
why didn't we hear
more of that sound when they played live in the late 80's, early 90's, or eve
mid 90's?
They are obviously influenced by todays dance trends, I don't see their music
as being really that
original,
make that + synthesizers.
That's the premise of all electro and techno music: look I can make futuristic
sci-fi sounding
music with this mechanical sounding drum machine and electronic sounding on
synthesizer which does
a poor job imitating acoustic sounds
--- spw [EMAIL PROTECTED] wrote
--- Bleep43 [EMAIL PROTECTED] wrote:
I don't see their music as being really that
original?
er. so who else sounds like them then? And who did they copy? Or is
this another classic spw wind-up?
I can see what you are saying about them being around at the same time as
electronic
But LFO is no longer a duo, and hasn't been for ages. It's rediculous to
expect him to rehash what he was doing over a decade ago.
because it sounds better that a lot of contemporary dance music.
How about using some of the same concepts bleep and bassline sound instead of
'rehashing' with out
with Basic Channel it's just that sound has been imitated so
many times with
tech-house.
--- MM [EMAIL PROTECTED] wrote:
yea sure...thats all they are trying to do is sound like basic channelonce
again you have made me laugh
michael
www.renegaderhythms.com
spw wrote
Their trying to sound like Basic Channel how disappointing.
That sound is almost becoming a bad cliche.
--- Hans Veneman [EMAIL PROTECTED] wrote:
Hi,
The video of Kraftwerk's Tour de France 03 is no online at kraftwerk.com:
http://www.kraftwerk.com/video/TDF03_real.html
Enjoy,
Hans
don't be ridiculous, LFO Frequencies was the best album by the duo.
--- Phonopsia [EMAIL PROTECTED] wrote:
- Original Message -
From: spw [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, July 07, 2003 1:41 AM
Subject: Re: (313) LFO are back!
It doesn't. He already did
' is released on
22nd September 2003, preceded by a single in August that will make you
'Freak'.
The tracks that he played off of this @ ATP were bloody brilliant. I've
never agreed with SPW more. Wicked! Warp and LFO both getting back to what
they do best. Or atleast, I wanted to run around naked
Hey that's gay, I'm great news!
It's about time.
--- Rob Webb [EMAIL PROTECTED] wrote:
morning all,
some v.good news, straight from the horse's mouth:
http://www.warprecords.com.
The long awaited new album from LFO is here. 'Sheath' is released on
22nd September 2003, preceded by a
I really like his stuff from the Mid 90's on DJAX, less acward/ abrasive/
annoying and is just
plain weird.
Like Herbie Hancock's Perfect Machine.
--- Max Duley / ARCart [EMAIL PROTECTED] wrote:
Cheers. Like A Tim has done some excellent music over the years. Any idea
how old he is? He looks
--- [EMAIL PROTECTED] wrote:
Ok - so I looked I did a search on Derrick May at the Rolling Stone website
- this is what it says:
http://www.rollingstone.com/artists/bio.asp?oid=3620cf=3620
A well-known DJ and producer who has worked with the likes of Fine Young
Cannibals and Depeche Mode,
) then he/she isn't
being recognized.
MEK
spw
[EMAIL
the term soul had a resergance in trend with the music industry starting
around the mid to late
90's
Soul is only a figment of the hu-man imagination which can not be
scientifically proven, a
primitive concept based in tradition.
Ignoring for a second statements from the artists about how the
It's not only with dance music culture but with more mainstream music like
rock, country (artist
going back to blue grass, folk music roots) genres like neo-soul (coke classic
commercials)electronica Pop artsit like Moby.
Pick up and read magazines like Rolling Stone, Vibe, I'm sure youll have no
I think he has, artist like Jay-Z and Herbbie Hancock are well aware of who
Derrick May is, I
think Carl Craig is more popular though.
Someone told they saw highlights of the DEMF on MTV which is about as
mainstream as it gets.
Carl Craig has been featured in mainstream American magazines like
How ironic I was playing Christian Morgenstern Death Before Disko (Falko
Brocksieper Mix) just the
other day.
That's about the only track I like off the remix LP.
--- Jussi Lehtonen [EMAIL PROTECTED] wrote:
http://www.side-line.com/indexnew.htm
Yesterday morning we learned the very sad
--- Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
i bet if you try REALLY REALLY HARD, you could say something even
more stupid than this. id tell you to soul search to really get
into it, but that would be futile.
No it isn't if you think about it and observe the evidence.
There's a great
The R.I.P. Christian Morgenstern part was accidentally edited out during a
spell check since
people are complaining about my spelling.
I never saw my email make it to the list only your reply.
At least he died of natural causes doing what he enjoys instead of being
murderd or something like
dont give a.
what you people
think I'm glad I'm not some conformist too afarid to say what he really thinks.
--- Benn Glazier [EMAIL PROTECTED] wrote:
On Tue, 17 Jun 2003 11:12:10 -0700 (PDT), spw [EMAIL PROTECTED]
said:
Seriously, if you don't like my opinion kiss my ass and continue
Record label design is important for the very same reasons a good
company
logo design is important to a company.
this was my point with KMS (the aesthetic value of Kevin Saunderson's
initials) and a great logo design like Transmat.
I can easily spot a Transmat record a mile away without
sarcasm aside, I agree.
--- Rob Theakston [EMAIL PROTECTED] wrote:
we like your content and the direction you were going...but the
graphic design on the front could be a lot better
=
Seriously, if you don't like my opinion kiss my ass and continue to discuss
313 record label design, it's on topic.
--- Brian 'balistic' Prince [EMAIL PROTECTED] wrote:
j man that mc hammer remix they put out is da bomb!
j U CANT TOUCH DIS
Seriously guys, this thread needs to stop*
) Richie Hawtin k
-- Original Message --
From: spw [EMAIL PROTECTED]
label design and music are equally important.
this is the dumbest thing ive read on this list.
tom
I was talking about techno names but if you want to get philosophical the
human race is doomed and will become obsolete like the Neanderthal
man.
The Borg is a primitive science fiction concept since you will be dealing
with more advance technology in the not to distant future such as nano
--- Thomas D. Cox, Jr. [EMAIL PROTECTED] wrote:
youre such an idiot.
it really hurts my head to read your posts.
haha.. what? and you keep reading and responding to my email.
And your calling me an idiot.
i
know having no soul must suck but you dont have to keep trying to
let us know what
label design and music are equally important.
Some labels have a minimal approach to design or at least they try even
though it doesn't look right.
--- Benn Glazier [EMAIL PROTECTED] wrote:
On Sat, 14 Jun 2003 03:50:19 -0500, spw [EMAIL PROTECTED] said:
What do you mean for no other reason
What do you mean for no other reason?
How a name looks and sounds is pretty important when designing a techno
label.
One reason KMS works is because K is at the beginning and M makes a good
foundation giving K and S balance.
I can see why Richie Hawtin used the letter K in Plastikman, because it
What do you mean for no other reason?
How a name looks and sounds is pretty important when designing a techno
label.
on 6/13/03 6:07 PM, Matthew Mangold at [EMAIL PROTECTED] wrote:
In your original post, you write:
The label name KMS works well using the letter k especially in caps, it's a
Yeah Ableton is great software I notice a lot of people using it these days.
using digital audio software applications to throw mega mixes together is
nothing
really new or revolutionary I geuss the talent is in the Digital J's track
selection.
Shit, try riding an old warped Chicago or Bleep
And remember the electro revival of the mid-90s?
Yep,
The new acid rivival has already been hyped up but thankfully never took
off.
People who are onbsessed with Acid House are real wankers, It's time to put
the ye olde' TB-303 to rest, yeah I know the Chicago classics were great but
you
I deleted my inbox but I remember someone implying Jeff Mills copied Richie
Hawtin's use of the letter k for his new label.
Alan Oldman also uses the letter k with his label Pure Sonik records.
I understand why Richie Hawtin likes the letter k as described in the book
Techno Rebels but for design
on 6/13/03 1:06 PM, Matthew Mangold at [EMAIL PROTECTED]
wrote:
KMS stands for, Kevin Master (Reese) Saunderson
Matthew
I know KMS stands for his enittials that's why I wrote abbreviated word
on 6/13/03 1:13 PM, Garrett McGrath at [EMAIL PROTECTED] wrote:
the name of Mills' new label is
the sample on the axis shop web page sounds promosing
(313) elektrabel-6277 mission one-axis
on 6/12/03 11:39 AM, Pryor, Ryan N at [EMAIL PROTECTED] wrote:
Geez, let me think. I don't know, maybe directly from Axis?
www.axisrecords.com
it's with a k
http://www.axisrecords.com/store/axis_shop.html
on 6/12/03 1:07 PM, John Osselaer at [EMAIL PROTECTED] wrote:
That's EleCtrabel, with a 'C' Maarten.
You say 'Doh' now! :)
John
-Original Message-
From: Maarten Baute [mailto:[EMAIL PROTECTED]
Sent: donderdag 12
I see what your saying, I notice a lot of good names for techno labels going
through industrial/ warehouse districts reading some of the company names/
logos.
on 6/12/03 1:24 PM, Maarten Baute at [EMAIL PROTECTED] wrote:
it's with a k
http://www.axisrecords.com/store/axis_shop.html
on
it's probably just a nice change of pace, there's conformity to trend even
in techno artist like Jeff Mills.
on 6/9/03 4:47 PM, [EMAIL PROTECTED] at
[EMAIL PROTECTED] wrote:
As a side note: I just read the Jeff Mills interview in the Spring 2003
Straight No Chaser and he said he enjoys or
how about acid rain and baseball sized hail with old school UR playing in
the background.
on 6/9/03 11:42 PM, lisa at [EMAIL PROTECTED] wrote:
I think frogs hail might have been a nice touch, particularly if
concentrated in the area of the body surfers. People would have left
thinking 'wow,
haha... don't be silly I'm sure in his lifetime he's had access to or owned
10's of
thousands of records.
Let's see no one could track id. the first part of the John Peel session and
Jeff
Mills has had numerous releases so far this year on various labels.
313 list members really cant criticize
I would like to see Detroit techno go back to the stark, aggressive Chicago
jack sensibilities of the late 80's - early 90's like with Funky Funk Funk
or
X-101.
The whole soulful techno sound is soft and lacking, the drum machine is what
gave the older Detroit classics that sound, so you can lay
That would be the difference between the wizard and Jeff Mills = techno.
on 5/27/03 9:49 PM, lisa at [EMAIL PROTECTED] wrote:
My memory's sketchy on the set (sorry), however I'm wondering why he
chose to play that Bucketheads track?! Seemed odd that he picked such a
commercial, over-played
by the way, I agree with you sentiments about the techno Jeff Mills.
I'll take good techno purist comprising of mostly new tracks over nostalgic
eclecticism.
on 5/28/03 6:44 AM, spw at [EMAIL PROTECTED] wrote:
That would be the difference between the wizard and Jeff Mills = techno.
on 5/27
great suggestion, I'm not so much into the tech-house/ micro-house genre
anymore but compilations are more bang for your buck.
on 5/19/03 6:38 PM, Benn Glazier at [EMAIL PROTECTED] wrote:
On Mon, 19 May 2003 10:28:46 -0500, spw [EMAIL PROTECTED] said:
What your inquiring about seems pretty
First of all the original quote was not unfinished tracks that's someone
else's
interpretation.
A finished track is what sounds complete to you, whether it be DJ Tools
oriented music, minimalism, or more traditional song structure music.
on 5/20/03 9:19 AM, Odeluga, Ken at [EMAIL PROTECTED]
Screw the newer stuff I'll buy it solely for the old stuff.
Speaking of old Suburbane Knight I recently ripped some of the tracks he did
with Santonio Echlos from a Paragon/ Techno City Records compilation to
CDR.
Technicians Of The Underground Vortex Vehicle is pretty funny.
on 5/19/03 7:49 AM,
What your inquiring about seems pretty subjective and broad, sounds like
your into the German tech house/ micro house sound like on
Playhouse (check out Rework)/ Klang/ Ladomat, ect... go to the Hardwax
record store web site
http://www.hardwax.com/ and browse through their catalog.
Speaking of
from the SG web site:
Tracks:
*Sexuality (Ben Sims Hardgroove Remix)
*Sexuality (Ben Sims Ingoma Remix)
*Sexuality (Original 89 Mix)
*Sexuality (Frankie Bones Remix)
Description: Finally after a long wait, We deliver to you Blake Baxters
classic Sexuality! The original is
Armando The New World Order #2 Trax TX 5082 vinyl
2x12
just re-released on Trax
form Sonic Groove: http://www.sonicgroove.com
Label: Peacefrog Gold (UK)
PFG025CD
Title: My Sol Dark Direction
Artist: Suburban Knight
USA
Produced by: James Pennington
Released: 2003
Configuration: vinyl
CD
Tracks:
*Shape Shifter
*Collaboration Alpha
Okay several points here:
in response to you:
That's a tired old stereotype, why continue to generalize Swedish techno?
It's not too much to ask for people to be a little more specific with names
(more current names and labels) instead of Swedish techno sucks, it's too
monotonous and same
David Powers [EMAIL PROTECTED] raises a valid observation, why
so much hatred directed towards
Swedish techno?
If you think about it what percentage of techno from Sweden really fit's
under
definition #2?
As for the sound becoming more formulaic maybe you could be more specific
listing artist and
well it depends on a your brain type, most people are units who are here to
reproduce and populate generally go through a rebellious/ liberal phase
during
adolescence and then conform to the system of populous as they mature.
The hard techno sound was actually a product of +8 records, (faster =
I disagree with the following views expressed, the more tracks the merrier
especially when your dealing with techno and the DJ tools factor.
When I shop for techno i keep two things in mind when determining if a
record is worthy of purchase:
#1. how it sounds
#2. utilization and incomparability
It is my observation there is favoritism towards song based format techno
over track based techno form regular mailing list contributors.
This would explain the interest in pop music, deep house, pre-techno retro
music and a dislike of techno genres such as Swedish techno.
on 5/9/03 10:05 AM,
I was just stating an observation.
To answer your question my only objection to the criticism of Swedish
techno for example, is the generalization of a country's techno movement
without being specific about an artist or label.
on 5/9/03 11:43 AM, Robert Taylor at [EMAIL PROTECTED] wrote:
No
on 5/9/03 10:24 AM, spw at [EMAIL PROTECTED] wrote:
I was just stating an observation.
To answer your question my only objection to the criticism of Swedish
techno for example, is the generalization of a country's techno movement
without being specific about an artist or label.
I just
in general terms here. there is a definite song structure there
that other types of techno just dont have. this leads to the appreciation of
the types of music that spw is singling out.
these are some of my opinions on the subject - please excuse any perceived
superficiality in my post, im at work
CD quality isn't that bad, in fact I have a lot of CD's that sound great o I
can
make
on 5/6/03 3:03 PM, Rev. Jeffrey Paul at [EMAIL PROTECTED] wrote:
in the grand scheme of things, high-bitrate mp3 (192+kbps) and cd quality
both suck ass pretty badly.
No they don't, the audio is
on 5/5/03 4:42 PM, Cyclone Wehner at [EMAIL PROTECTED] wrote:
I was talking pure US house/garage, not trance or offshoots. A lot of people
lament the lack of a US audience for that. I even read it in a Frankie
Knuckles interview. It's very consistently stated. Of course I realise
there was Collin Dale, Abstrakt Dance?
But I geuss that was ages ago.
on 5/6/03 9:07 AM, ian cheshire at [EMAIL PROTECTED] wrote:
calling fergie a techno dj (as radio1 do) is taking the mick
is that a double joke cos he's irish :)
but yeah I have to agree. There was a time when Dave
Too bad MP3 quality sucks, do they store CD quality
audio? they do look like nifty little units.
on 5/6/03 7:37 AM, Roberto Ty at [EMAIL PROTECTED] wrote:
I don't think iPods will replace the traditional setup, but I guess it'd be
all right for
novices. It's like mixing with two CD players
Dance music is already mainstream in America, the problem with techno is it
had it's 15 minutes of fame in the early 90's.
This is how artist like Moby established a name for himself with major label
support.
Jaguar had a chance to blow up in the late 90's but DJ Rolando chose to stay
underground.
What ever gave people the impression that techno has even the slightest
chance
of becoming the next hip hop?
I must not be in an alternate dimension.
on 5/5/03 10:24 AM, Lester Kenyatta Spence at [EMAIL PROTECTED] wrote:
On Mon, 5 May 2003, Darren Longton (Marketing) wrote:
odon't
h... this is coming form someone who does not live in America and
probably has never been to America.
I hear house and trance being played on hispanic/ latino, pop, and
alternative
radio mix programs all the time and pretty much dominates the club scene
which attacks all types of people.
You
If memory serves me correctly a major label did offer to sign jaguar with
the
possibility of remixes but UR and DJ Rolando declined.
That track could have easily climbed the Billboard dance charts giving
Detroit techno more exposure in America but some people choose to stay
underground.
on
Dance music is already pop culture in America, look at Dirty Vegas for
example.
Detroit techno is not.
on 5/5/03 2:53 PM, Cyclone Wehner at [EMAIL PROTECTED] wrote:
I think they mean in terms of impacting on pop culture in the US in the same
way.
No, it's not played on Urban/ Hip-Hop radio, that's dominated by the same 15
RnB/ Hip-Hop tracks played in rotation.
American radio is segregated into different genres, you have country, Top 40
which plays a combination of rap, dance, the popular rock tunes, alternative
rock, classic rock,
As far as classic techno albums are concerned I'll take LFO Frequencies over
Innovator any day.
on 4/25/03 5:51 AM, Placid at [EMAIL PROTECTED] wrote:
Rhythim is rhythim - kaos
On 25/4/03 12:39 pm, Martin [EMAIL PROTECTED] wrote:
There's a top Techno night on in your town, but all your
If you like the Hood sounding track off the new Alter Ego
hunt down the Absolute EP on Harthouse which came out in
96 or 97.
Minimal techno masterpiece, also all the Roman Flugel
Tracks On Delivery.
on 4/24/03 4:22 PM, Phonopsia at [EMAIL PROTECTED] wrote:
ALTER EGO THE FRIDGE EU12 KLANG 1 EUR
One thing I respect about Juan Atkins is theres always a futuristic aspect
to his music even though he plays mostly house.
on 4/25/03 6:48 AM, m a t t [d] at [EMAIL PROTECTED] wrote:
Good question! I find that however many great tunes you may play them, they
won't 'get it' until they hear it
I would say in America aside from trance, house is the most
popular dance genre in America.
Disco has had a resurgence in popularity with the
mainstream for the last half decade.
Play some filtered disco and watch the raver/ club kids go
wild as you saw with the DEMF.
As far as hard techno, I
great interview.
on 4/25/03 3:31 PM, [EMAIL PROTECTED] at
[EMAIL PROTECTED] wrote:
http://www.trustthedj.com/news_article.php?news_id=1600
I have the blue text and silver label.
Alan Oldham older artwork looks better in my opinion, he should go back to
that raw folk art style.
on 4/23/03 7:54 AM, Jonny McIntosh at [EMAIL PROTECTED] wrote:
Hmm, I have a silver label with black writing with no artwork which is what
we treat as 1st
I never really was a big fan of that design or the current
design Plus 8 uses for it's label.
My favorite Plus 8 label design would be the second one
with + 8 at an angle and the list of cities
encircled.
A more technical/ industrial design approach works better
for a techno label in my opinion.
A fine illustration of 313 geek culture.
Speaking of industrail any opinions on the new Steve Poindexter?
on 4/17/03 5:34 AM, robin pinning at [EMAIL PROTECTED] wrote:
I think we're off topic, i think spw is more on a historical/ referential
tip, and this release database and his motivation
UR Acid Rain
What you don't see in the picture is that new 313 list member intern making
small talk about the
weather.
on 4/18/03 4:57 AM, Robert Taylor at [EMAIL PROTECTED] wrote:
http://www.templeofblood.com/~ncc386/ubb_images/stfu4.jpg
Joe, that's what I call shamless self promotion at a all time low.
I was just joshing around that's why I used the words:
Detroit artist whom will stay anonymous
I noticed some samples of your work have gotten positive responses on the
Microsound and
Analogue heaven list, best of luck with
for task for one person..
not really, in fact it probably wouldnt take a lot of time
out of anyones busy scheduale.
on 3/23/98 2:15 AM, kathleen harris at [EMAIL PROTECTED] wrote:
spw:
People subscribing to the 313 list know their conveniently
getting informed about what is being released from
Speaking of SG I saw this on: Sonic Groove New Stock Week Of April 14, 2003
Rhythm Is Rhythm / Strings Of Life Breaks
(Slamming mash up record combining the seminal detroit classic
Strings Of Life with a sick new school breakbeat.)
JJ 12
on 4/15/03 10:11 PM, Matthew MacQueen at [EMAIL PROTECTED]
wrote:
not really, in fact it probably wouldnt take a lot of time
out of anyones busy scheduale.
great idea steve, you doing this will really help out list and keep the rest
of us informed. we'll be looking for you to have a rough
on 4/16/03 2:54 PM, ::) at [EMAIL PROTECTED] wrote:
you really want to make this complex, dont you.
you're making listening and talking about music sound more complex than
making it :P
-Joe
What if your making a track about listening and talking about music and your
describing how
I wasn't trying to be funny, Matt asked a question and that was my honest
opinion.
If you don't like this thread or my advice press the delete button, stop
replying to my e-mail.
--- Phonopsia [EMAIL PROTECTED] wrote:
- Original Message -
From: Ralf Gill [EMAIL PROTECTED]
To: '::)'
Then why keep replying?
You have nothing constructive to add, only smart ass comments.
on 4/16/03 2:43 PM, Ralf Gill at [EMAIL PROTECTED] wrote:
can't believe this is still going
Well I guess your prime candidate. for troll of the month.
Can I hear a TR-707 drum roll and crash cymbal?
on 4/16/03 4:10 PM, Ralf Gill at [EMAIL PROTECTED] wrote:
I feel compelled to reply... it's a habit of my good
organizational and
writing skills, which has now become my curse...
In all seriousness the reason why I said good writhing skills is because to
be honest I'm not very good
at it and you would have to be quick at compiling and editing down
information so the process isn't
time consuming.
I think it would be a great service to the list, if you think it's a great
I guess it will be one of those 10 second interlude tracks on your new
album.
Let see, it takes me a couple seconds to read an email, especially those
clever one liners and a
fraction of a second to press the delete button.
To answer your original email:
It's not a complex process.
Your just
on 4/13/03 4:31 PM, jurren baars at [EMAIL PROTECTED] wrote:
erm, what i'm getting from your answer is that you don't find a lot of the
new 313 and related music good enough to discuss it yourself, but you do
expect others to discuss it for you?
The concept I have in mind is a neutral party
make that: don't buy.
on 4/13/03 5:24 PM, spw at [EMAIL PROTECTED] wrote:
I choose not to review music I buy or preview on the internet because that
wouldn't be fair to
the artist.
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