>This is way too complex to talk about on 313 though.
I can well understand where you're coming from in saying this David,
given the behaviour of a special few people around here, but I don't
agree that anything's out of bounds for discussion because it's too
complex. I think we're all well capabl
Shut it Rob. This situation is self-correcting. ;-)
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 12 January 2008 08:31
To: Thomas D. Cox, Jr.; 313@hyperreal.org
Subject: RE: (313) C2 at Carnegie Hall, well sort of
Get a room you ninnies
Rob Taylor
VT
I liked this place better when Brogan and Uberbalisubramanian used to
duke it out.
On Jan 11, 2008 8:45 PM, JT Stewart <[EMAIL PROTECTED]> wrote:
> there's no sense arguing nonsensical points, we got suckered
>
>
> On Jan 11, 2008 8:34 PM, Thomas D. Cox, Jr. <[EMAIL PROTECTED]> wrote:
> > On J
Get a room you ninnies
Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
VT Library Users' Guide
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: 12 January 2008 01:34
To: 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, well sort of
On Jan 11,
there's no sense arguing nonsensical points, we got suckered
On Jan 11, 2008 8:34 PM, Thomas D. Cox, Jr. <[EMAIL PROTECTED]> wrote:
> On Jan 11, 2008 6:58 PM, /0 <[EMAIL PROTECTED]> wrote:
> > good one Tom, I hope you win
>
> it would be one more win than you've had in your entire life.
>
> to
On Jan 11, 2008 6:58 PM, /0 <[EMAIL PROTECTED]> wrote:
> good one Tom, I hope you win
it would be one more win than you've had in your entire life.
tommm
good one Tom, I hope you win
- Original Message -
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Friday, January 11, 2008 5:55 PM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
On Jan 11, 2008 5:30 PM, /0 <[EMAIL PROTE
On Jan 11, 2008 5:30 PM, /0 <[EMAIL PROTECTED]> wrote:
> aphex twin doesnt count, his music is worthy of orchestra reworks.
you cant stop saying stupid things. you just cant help yourself.
tom
, 2008 4:53 PM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
Wow! I didn't know my little post about a Classical
pianist interpreting one of C2's "Landcruising" tracks
at Carnegie Hall would cause a tempest in a teapot ;)
As for "Techno music transposed for Class
I think this is a bit unfair. Adorno's thinking is far too complex to
be merely "discredited." I disagree with many of Adorno's positions
(his take on jazz verges on racism), but I still have to say the guy
was a complete genius, so that even when he was wrong, he could at the
same time be incredib
Wow! I didn't know my little post about a Classical
pianist interpreting one of C2's "Landcruising" tracks
at Carnegie Hall would cause a tempest in a teapot ;)
As for "Techno music transposed for Classical", what
about the Aphex/Glass version of "Icct Hedral"? I thought
that worked rather wel
For me the tracks I liked the most are
Imagine
See The Light
Sonic Destroyer
-Original Message-
From: Michael Pujos [mailto:[EMAIL PROTECTED]
Sent: 11 January 2008 20:38
Cc: 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, well sort of
Toby Frith a écrit :
> I enjoyed
Toby Frith a écrit :
I enjoyed the Blue Potential. It carried an air of ridiculousness that accompanies
anything highbrow Mills does - the idea of an orchestra playing some of his harder
records was faintly surreal, and there is something a bit daft in the idea that classical
musicians interpr
Switched on Bach is the obvious example here.
Ceephax has done some classical lines (Beethoven or Mozart can't remember)
plugged into the 303. Kind of interesting from the sheer novelty of actually
programming detailed notation into the sequencer as opposed to the more or less
random approach a l
cal music, because I guess
it was the first time that it could be done.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Sent: 11 January 2008 16:05
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org; JT Stewart
Subject: Re: (313) C2 at Carnegie Hall, well sort of
well, screw it then ;-)
MEK
"Matt Kane's Brain" <[EMAIL PROTECTED]> wrote on 01/11/2008
10:10:53 AM:
> On Jan 11, 2008, at 11:04 AM, [EMAIL PROTECTED] wrote:
>
> > I can't think of specific examples at the moment but I know there are
> > classical pieces that have been interpreted by electronic
On Jan 11, 2008, at 11:04 AM, [EMAIL PROTECTED] wrote:
I can't think of specific examples at the moment but I know there are
classical pieces that have been interpreted by electronic/techno
artists
using the tools of their trade.
William Orbit did that and failed miserably.
--
matt kane's
g off to frankfurt for party.
> ciao
>
> f.
>
> - Original Message -
> Da : "JT Stewart" <[EMAIL PROTECTED]>
> A : "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
> Cc: 313@hyperreal.org
> Oggetto : Re: (313) C2 at Carnegie Hall, well sort
> i don't see it as cross-pollination, but rather classical
> dudes playing contemporary music, possibly to get in touch
> with the younger masses, to show that you can be hip even
> for a classical dude, or something along those lines...
i can understand that cynicism, but give the music a chance
eorge
michael said) will "listen without prejudice"
have a nice weekend, i'm flying off to frankfurt for party.
ciao
f.
- Original Message -
Da : "JT Stewart" <[EMAIL PROTECTED]>
A : "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
Cc: 313@hyperreal.org
O
yeah of course, and at that time particular time, I feel that it was very much
Old World vs New World.
-Original Message-
From: JT Stewart [mailto:[EMAIL PROTECTED]
Sent: 11 January 2008 15:44
To: robin
Cc: 313 313
Subject: Re: (313) C2 at Carnegie Hall, well sort of
essentially i
- Original Message -
Da : "JT Stewart" <[EMAIL PROTECTED]>
A : "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
Cc: "Martin Dust" <[EMAIL PROTECTED]>, "313 313"
<313@hyperreal.org>
Oggetto : Re: (313) C2 at Carnegie Hall, well sort o
essentially i agree, although i don't think it had anything to do with
technology in particular, but the modernization of culture and
communication..which was partially the result of technology, but also
just the direction of popular taste and social/cultural identity
etc...
i spent wayyy too much
but a lot of it seems to be the writings of a man desparately
trying to cling onto something that was fast disappearing whilst
technology washed over him like a huge wave.
That sounds familiar for some reason :)
robin...
i studied his text books in
> highschool history of art class
>
> i guess wikipedia is my friend though
>
>
> - Original Message -
> Da : Martin Dust <[EMAIL PROTECTED]>
> A : 313 313 <313@hyperreal.org>
> Oggetto : Re: (313) C2 at Carnegie Hal
> i was referring to a techno-classical crossover, and not
> cross-pollination in general. and that would have been quite
> foolish since techno is not a "pure" genre in anycase.
eh? if you recognize cross-pollination is good, then why not a
techno-classical crossover?
> i'm sorry but i dont get
chool history of art class
>
> i guess wikipedia is my friend though
>
>
> - Original Message -
> Da : Martin Dust <[EMAIL PROTECTED]>
> A : 313 313 <313@hyperreal.org>
> Oggetto : Re: (313) C2 at Carnegie Hall, well sort of
>
> Data : Fri, 11 Jan
>
> > please help me dispel my pre-conceived notions by
> > suggesting some techno-classical cross-over stuff that
> > you find good and not "gimmicky". in other words, please
> school me.
>
> ffs, i have no idea, i don't even know of anything besides
> the jeff mills thing and the c2 thing and
i don't.
all i know about adorno is that i studied his text books in
highschool history of art class
i guess wikipedia is my friend though
- Original Message -
Da : Martin Dust <[EMAIL PROTECTED]>
A : 313 313 <313@hyperreal.org>
Oggetto : Re: (313) C2 at Ca
On 11 Jan 2008, at 15:06, JT Stewart wrote:
adorno and horkheimer published most of their stuff in the 40's.
Got ya...
m
> sorry JT, i didn't mean it as an insult...
i realize that, but you definitely did not understand what i said or
something...
> please help me dispel my pre-conceived notions by suggesting
> some techno-classical cross-over stuff that you find good
> and not "gimmicky". in other words, please sc
adorno and horkheimer published most of their stuff in the 40's.
On Jan 11, 2008 9:19 AM, Martin Dust <[EMAIL PROTECTED]> wrote:
> > 3. he's mirroring the cultural elitism of widely discredited
> > and criticized prejudiced white guys from the 40's.
> >
>
> I don't understand this reference, 40s,
3. he's mirroring the cultural elitism of widely discredited
and criticized prejudiced white guys from the 40's.
I don't understand this reference, 40s, prejudice isn't exclusive, is
it? Care to explain?
m
- Original Message -
Da : "JT Stewart" <[EMAIL PROTECTED]>
A : "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
Cc: 313@hyperreal.org
Oggetto : Re: (313) C2 at Carnegie Hall, well sort of
Data : Fri, 11 Jan 2008 09:00:44 -0500
> > seems you agree with /0
I'll give it a whirl Rob :)
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 11 January 2008 12:47
To: Odeluga, Ken; kent williams; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: RE: (313) C2 at Carnegie Hall, well sort of
How about a filter where yo
> seems you agree with /0 then.
wtf? he's saying techno music is far too simple to interest classical
musicians, i just pointed out that 1. a modern day mozart provides
proof otherwise and 2. techno is more rhythmically complex than
classical 3. he's mirroring the cultural elitism of widely di
8 12:38
To: kent williams; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: RE: (313) C2 at Carnegie Hall, well sort of
It's just a waste of time for the rest of us as some people in this
thread are actually writing about music.
Maybe I could set up some sort of filter, but I'm relucta
;.
I think you should be more pro-active Kent! :)
-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED]
Sent: 11 January 2008 00:19
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, well sort of
Well the archives are in kind of a parlous stat
sical instruments and musicians.
(this is obviously just my opinion so i'm not trying to push
it as fact)
my 2 eurocent
fab
- Original Message -
Da : "JT Stewart" <[EMAIL PROTECTED]>
A : [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Oggetto : Re: (313) C2 at Carnegie Hall, well
the "heartfelt" rationale is utter dinosaur bs, pretty much exactly
mirroring the elitist anti-pop music pseudo-intellectual music
criticism of adorno and horkheimer during the 1940's.
anybody heard of jay greenberg? he's a child prodigy who entered
Juilliard at age 11, and if you haven't heard of
ing thread.
- Original Message -
From: "kent williams" <[EMAIL PROTECTED]>
To: "Dennis DeSantis" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Thursday, January 10, 2008 11:06 AM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
> 1. /0 as per usual, wa
It seems that resynthesize is back up anyway.
http://pics.livejournal.com/oh_chris/pic/0002c564
On Jan 10, 2008, at 7:19 PM, kent williams wrote:
Well the archives are in kind of a parlous state. I set up archiving
to mail-archive.com, but they didn't end up pulling in the archives
before som
that or elist.resynthesize
was just on there today.
m.
On Thu, January 10, 2008 6:19 pm, kent williams wrote:
> Well the archives are in kind of a parlous state. I set up archiving
> to mail-archive.com, but they didn't end up pulling in the archives
> before sometime mid-2006, so if you want to
Well the archives are in kind of a parlous state. I set up archiving
to mail-archive.com, but they didn't end up pulling in the archives
before sometime mid-2006, so if you want to search prior to that, you
have to go to the raw mbox files on hyperreal.org
I'd normally be concerned about ad homin
http://www.youtube.com/watch?v=YO_5mp4Ghmg&feature=related
it's 2008 now right? prize the first one who can find in the archives when
this playpen fight started
MEK
"Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote on 01/10/2008 05:32:35
PM:
"/0" <[EMAIL PROTECTED]> wrote on 01/10/2008 05:30:4
On Jan 10, 2008 6:30 PM, /0 <[EMAIL PROTECTED]> wrote:
> what do you know of humanity?
>
> when you and I interact, I'm often reminded of a quote by albert einstein
> (google him if you don't know who he is, Tom)
>
> "The difference between genius and stupidity is that genius has its limits"
>
> I
K you're on, sweetie.
- Original Message -
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Thursday, January 10, 2008 6:22 PM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
On Jan 10, 2008 6:17 PM, /0 <[EMAIL PROTECTED]>
On Jan 10, 2008 6:17 PM, /0 <[EMAIL PROTECTED]> wrote:
> of course I was trolling, but the meat of my troll was heartfelt, in that I
> think its an insult to even ask a classical musician to cover something as
> simplistic as 4/4 16-step quantized techno.
your existance is an insult to humanity.
t;kent williams" <[EMAIL PROTECTED]>
To: "Dennis DeSantis" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Thursday, January 10, 2008 11:06 AM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
1. /0 as per usual, was trolling. Acquiring the Urine, as it wer
1. /0 as per usual, was trolling. Acquiring the Urine, as it were.
2. The Alarms WIll Sound CD had some awesome moments. It transmuted
the patience Richard James put into hours and hours of step
programming into real-time instrumental virtuosity. It isn't better
or worse than the original, it's
Toby Frith wrote:
there is something a bit daft in the idea that classical musicians interpreting techno
music sort of "validates" it which I often feel is the hidden agenda behind
these sorts of exercises, because ultimately classical music and orchestras are seen as
the high end of the spect
2008 04:49
To: Frank Glazer
Cc: /0; 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, well sort of
not exactly a twist was it? :P
i think c2 translated to orchestra would be tremendous. the string
arrangements would translate easily, and imagining the simple
basslines and rhythmic melodic
Isn't it kind of the reverse of Tomita?
> i may agree or disagree, but that doesn't matter.
>
> that is an awfully closed minded thing to say, and I
> do believe that alot of what techno and creative music
> is about is having an open mind. If a director has an
> open enough mind to try Techno, t
i may agree or disagree, but that doesn't matter.
that is an awfully closed minded thing to say, and I
do believe that alot of what techno and creative music
is about is having an open mind. If a director has an
open enough mind to try Techno, then good for him.
I remember people cringing at orc
rg>
Sent: Wednesday, January 09, 2008 7:39 PM
Subject: RE: (313) C2 at Carnegie Hall, well sort of
What about the Blue Potential with Mills?
-Original Message-
From: /0 [mailto:[EMAIL PROTECTED]
Sent: 10 January 2008 00:30
To: 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, w
Aren't most classical musicians just playing covers anyhow? :P
Oh, hi... long time reader, first time poster...
;)
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
Sent: Thursday, 10 January 2008 4:08 p.m.
To: 313@hyperreal.org
Subject: Re: (313) C2 at Car
not exactly a twist was it? :P
i think c2 translated to orchestra would be tremendous. the string
arrangements would translate easily, and imagining the simple
basslines and rhythmic melodic bits played by viola and french horn or
whatever, hot dang. i never heard jeff mills' orchestra experiment,
t;/0" <[EMAIL PROTECTED]>
>
> Cc: <313@hyperreal.org>
> Sent: Wednesday, January 09, 2008 8:16 PM
> Subject: Re: (313) C2 at Carnegie Hall, well sort of
>
>
> >i guess steve reich and philip glass are a similar insult?
> >
> > On Jan 9, 2008 7:29 PM
swallow the hook, Tom. Worms be damned.
- Original Message -
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 09, 2008 10:05 PM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
On Jan 9, 2008 9:55 PM, /0 <
exactly, monkey boy
- Original Message -
From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 09, 2008 10:08 PM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
On Jan 9, 2008 10:05 PM, /0 <[EMAIL PROTE
steve reich =/= techno
- Original Message -
From: "Frank Glazer" <[EMAIL PROTECTED]>
To: "/0" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Wednesday, January 09, 2008 8:16 PM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
i guess stev
On Jan 9, 2008 10:05 PM, /0 <[EMAIL PROTECTED]> wrote:
> orchestral musicians have to eat too
there's no possibility that someone so highbrow could possibly like
something so lowbrow as techno music.
tom
orchestral musicians have to eat too
- Original Message -
From: "DB" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 09, 2008 8:18 PM
Subject: Re: (313) C2 at Carnegie Hall, well sort of
Seeing UR (Mike Banks, Gerald Mitchell, & Santiago
On Jan 9, 2008 9:55 PM, /0 <[EMAIL PROTECTED]> wrote:
> I bet the people in the orchestra dont admit to that one while out with
> their musician friends
>
> I wouldnt
and you are, of course, the arbiter of taste in the classical world.
tom
, January 09, 2008 7:39 PM
Subject: RE: (313) C2 at Carnegie Hall, well sort of
What about the Blue Potential with Mills?
-Original Message-
From: /0 [mailto:[EMAIL PROTECTED]
Sent: 10 January 2008 00:30
To: 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, well sort of
classical
i guess steve reich and philip glass are a similar insult?
On Jan 9, 2008 7:29 PM, /0 <[EMAIL PROTECTED]> wrote:
> classical musicians covering techno music is an insult to the art of music.
> if you disagree, you're wrong.
>
> - Original Message -
> From: "Greg Earle" <[EMAIL PROTECTED]>
ith Mills?
-Original Message-
From: /0 [mailto:[EMAIL PROTECTED]
Sent: 10 January 2008 00:30
To: 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, well sort of
classical musicians covering techno music is an insult to the art of music.
if you disagree, you're wrong.
- Or
What about the Blue Potential with Mills?
-Original Message-
From: /0 [mailto:[EMAIL PROTECTED]
Sent: 10 January 2008 00:30
To: 313@hyperreal.org
Subject: Re: (313) C2 at Carnegie Hall, well sort of
classical musicians covering techno music is an insult to the art of music.
if you
classical musicians covering techno music is an insult to the art of music.
if you disagree, you're wrong.
- Original Message -
From: "Greg Earle" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Wednesday, January 09, 2008 5:09 PM
Subject: (313) C2 at Carnegie Hall, well sort of
At
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