Re: [Finale] Enharmonic spelling and parts

John Howell wrote: At 12:48 PM -0400 8/16/06, Raymond Horton wrote: Yes, but all of those should be enharmonically changed in both the score and the parts. I would ordinarily agree, but I'm not sure it's true in this case. (Or that it isn't!!) In the case of parts, y

Re: [Finale] Enharmonic spelling and parts

John Howell wrote: I really appreciate the comments on this question, and I am learning from them, but I just realized something. Every one of us, even those of us who know better, are assuming that 20th century bane, equal temperament. In any other tuning or temperament, G# and Ab are NOT

Re: [Finale] Printing problem - garbage for noteheads!

Some of us offered some suggestions to Brad. RBH Christopher Smith wrote: MakeMusic doesn't run this list. There are just a bunch of interested users here. If you didn't get an answer, it's most likely that nobody knew what to tell you. For a problem of this magnitude, I would get on the

Re: [Finale] Expression bug?

Richard, in FinWin 2006c I was able to grab the bottom one with the Selection tool (arrow) and then delete all three. Same with 2005. Sometimes it takes several attempts, though. I haven't installed 2007 yet. RBH Richard Yates wrote: I have a file with a text expression assigned to a

Re: [Finale] OT: The or not The?

-) It may be the time to change subject.Are there any of the users of the Finale here? (Just the joke on my part. Hope the understanding is present in reader ) Actually, we used to have an Executive Director who used to try hard to get us listed and announced all the time as "_T

Re: [Finale] WinFin 2007 Printing strangeness

eantime I'm going back to 2006. Raymond Horton Bass Trombonist, occasional arranger and composer, Louisville Orchestra ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

Re: [Finale] WinFin 2007 Printing strangeness

Yes, I should have supplied this: Ricoh Laser AP2610. Updating the driver in the middle of the problem did not change anything. Also, printing to CutePDF produced a PDF with the same result! Exporting a TIF was the only solution. RBH Noel Stoutenburg wrote: Raymond Horton wrote: I

Re: [Finale] TAN: Large-format laser

uite well. Raymond Horton Darcy James Argue wrote: Hi all, I'm basically fed up with my Ricoh AP2610 and I'm looking for a possible replacement. The major problem is that on my heavyweight parts paper (100# offset -- the equivalent of 40 lb. bond), the duplexer jams at least 50% of

Re: [Finale] WinFin 2007 Printing strangeness

on't print right no matter what I do, but I'm probably done with that anyway - we recorded it from the TIFs the day after I wrote it. Sigh... Thanks for all who offered advice. RBH dhbailey wrote: Raymond Horton wrote: I requested help for this WinFin 2007 printing strangeness las

Re: [Finale] TAN: Large-format laser

on those sizes is to use the bypass tray. Cheers, - Darcy - [EMAIL PROTECTED] Brooklyn, NY On 29 Nov 2006, at 12:44 AM, Raymond Horton wrote: I like my Ricoh AP2610 very much. I don't own the duplexer, and I don't use the bypass tray for large paper, or even for letter-size

Re: [Finale] Mp3 Files

The Full GPO player can record to WAV, and then it can be easily converted to MP3 using Audacity or any other utility. Works beautifully. I don't have experience with the reduced Finale-GPO - much too limited. Raymond Horton Dean M. Estabrook wrote: So, as Darcy said, you can

Re: [Finale] hard disk now OT - Compact Flash

a 4 GB gig for about 80 bucks and an 8 GB for about $120, so I went for the latter. My jaw dropped open when I put the sucker in and saw over 7,000 pictures available! I did manage to take 1100 in a week, counting many duplicates to make up for my shaky hands. Many were great!

[Finale] Creative Prodikeys DM keyboard

copying the files from my old computer and that does not work, either. Thanks for any help offered. Raymond Horton rayhorton (at) insightbb (dot) com ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

Re: [Finale] Mp3 Files

to MP3, and upload that to my web page, will it play back with GPO quality (Full GPO or FinGPO)? Dean On Nov 29, 2006, at 7:47 PM, Raymond Horton wrote: The Full GPO player can record to WAV, and then it can be easily converted to MP3 using Audacity or any other utility. Works beautif

Re: [Finale] Mp3 Files

[EMAIL PROTECTED] wrote: In a message dated 30/11/2006 17:10:27 GMT Standard Time, [EMAIL PROTECTED] writes: So, as I just asked Darcy privately, if I convert the WAV file to MP3, and upload that to my web page, will it play back with GPO quality It should do, yes, within the limi

Re: [Finale] Mp3 Files

Darcy James Argue wrote: On 30 Nov 2006, at 12:38 PM, Raymond Horton wrote: Use the GPO Studio "Record" function. The Finale "save special" does not record GPO. Yes, it does. It has since Finale 2006a. Cheers, - Darcy - How do I get it to do that on my computer

Re: [Finale] OT Gubaidulina

Which symphony by Sofia Gubaidulina? Is it the one written for the Louisville Orchestra? I could tell you a story about that work. Raymond Horton Bass Trombonist Louisville Orchestra Will Denayer wrote: Dear All, Thank you very much for helping me out. I will buy more memory if possible

Re: [Finale] OT Gubaidulina

I'll have to look up which symphony it was first, so I don't reflect on the wrong work. It's not that dramatic a story, just mildly interesting. RBH Daniel Wolf wrote: Raymond Horton wrote: Which symphony by Sofia Gubaidulina? Is it the one written for the Louisville Orch

Re: [Finale] Gubaidulina

with my highest recommendation! Louisville Orchestra LCD006 Raymond Horton Bass Trombonist, Louisville Orchestra Will Denayer wrote: Aaron, thank you very much, you are a big help. These little things help me so much. I really appreciate. Raymond, no. The symphony I am talking about is Stimmen ..

Re: [Finale] TAN: Garritan Group buy

fave works. I basically learned to play on that piece, as a beginning euphonium player.) Raymond Horton Bass Trombonist, Louisville Orchestra Williams, Jim wrote: Dean... This was done with GPO, Finale GPO (for a couple extra clarinets) and JABB for saxes... http://www.esnips.com/doc/4e9

Re: [Finale] Buggy Finale 2007 printing problem

ed in Win2007 print correctly. Thanks for any suggestions (beyond my solution, which is stick to 2006...) Raymond Horton ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

Re: [Finale] Off topic - Pachelbel rant

Hilarious! Thanks! RBH Christopher Smith wrote: Sorry for this, but it was too funny, especially for those with some pop/folk sensibilities. Christopher http://www.youtube.com/watch?v=JdxkVQy7QLM ___ Finale mailing list Finale@shsu.edu http://l

Re: [Finale] mozart (OT)

about smaller choirs, perhaps, but the one-on-a part B Minor Mass is just silly. Raymond Horton David W. Fenton wrote: On 16 Jan 2007 at 19:23, Johannes Gebauer wrote: On 16.01.2007 Kim Patrick Clow wrote: Payroll records weren't the only way to figure out how many musicians p

Re: [Finale] mozart (OT)

So McCreesh's "instinctive feeling" trumps the evidence of Bach's 12 voice choir, plus his preference for a larger one? RBH Kim Patrick Clow wrote: On 1/16/07, Raymond Horton <[EMAIL PROTECTED]> wrote: Rifkin got some attention with his project, and got the musi

Re: [Finale] mozart (OT)

I just remember an article after the first Rifkin recording that settled the issue as far as I was concerned. If I am wrong, I'm wrong. My "instinctive feeling" is that I am not! RBH Kim Patrick Clow wrote: On 1/16/07, Raymond Horton <[EMAIL PROTECTED]> wrote: So Mc

Re: [Finale] mozart (OT)

ignored by those who still claim Joshua was wrong. This is certainly obvious in my case. I read the original exchange and thought it was over. I defer. I'll try to get time to look at some of the recent research before I open my mouth again. R

Re: [Finale] From your friendly listowner

How do you want this phrased, Henry? As a thank you, or what? Ray Horton Henry E. Howey wrote: Friends, As an American academic I must once again prove to people who administer my activities that I remain a worthy recipient for their largesse. To that end I solicit your input OFFLIST as to t

Re: [Finale] Large blue triangles

g another, but that is rather tedious. Thank you for any help offered. Raymond Horton Bass Trombonist, occasional composer, arranger Louisville Orchestra ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

Re: [Finale] Large blue triangles

Not Vista - whatever comes right before - Windows ME, I think? (Is Vistaa out yet?) RBH Fisher, Allen wrote: Do you happen to be running Vista? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Raymond Horton Sent: Tuesday, January 23, 2007

Re: [Finale] Large blue triangles

XP, that's it! I new ME didn't sound right. RBH David W. Fenton wrote: On 24 Jan 2007 at 17:08, Raymond Horton wrote: Not Vista - whatever comes right before - Windows ME, I think? Windows ME is not "whatever comes right before" Vista. The immediate pre

Re: [Finale] Finale 2007c is available

This reminds me. Once when I emailed Gary, he asked about sampling me, but I never got back to him. Can this happen, hundreds of miles away? Ray Horton Bass Trombonist Louisville Orchestra Darcy James Argue wrote: Hi Chuck, I hadn't thought of replacing the low E string with a low B strin

Re: [Finale] bug?

ave) is to stop using the accursed 2007 and go back to 2006. It works. Raymond Horton Bass Trombonist, arranger, composer Louisville Orchestra dhbailey wrote: Oliver Pospiech wrote: Please, who can help me? Does anybody know this behaviour of finale (2006c WinXP): http://www.oliver-p

[Finale] How much can I quote?

This sounds to me, already, like a dumb question, but here goes anyway: Is there any guideline established as to how much I can quote of a copyrighted piece of music without getting into trouble? I know that there are guidelines for broadcast, but are there any for compositional plagiarism

Re: [Finale] How much can I quote?

ut possibly close to one. Raymond Horton Louisville Orchestra Christopher Smith wrote: On Mar 4, 2007, at 1:00 AM, Raymond Horton wrote: This sounds to me, already, like a dumb question, but here goes anyway: Is there any guideline established as to how much I can quote of a copyrighted pi

Re: [Finale] Rights for recorded tunes and arrangements?

ikely make much, if any money, from this work, so I can't really offer any cash. I could offer them like 5% or 10% of the profits, telling them (a) there might not be any, and (b) they will have to trust me. Thanks greatly for any advice offered. Raymond Horton Louisville Orchestra

Re: [Finale] malapropism alert!

I got sick. Andrew Stiller wrote: I protracted an extended illness. Contracted. "I contracted an extended illness." Or maybe "I contracted a protracted illness" :-> Andrew Stiller Kallisti Music Press http://www.kallistimusic.com/kallisti.html ___

Re: [Finale] malapropism alert!

Thanks! Very kind of you. I am long recovered, and trying to finish this work for a June deadline. Kim Patrick Clow wrote: On 3/5/07, Raymond Horton <[EMAIL PROTECTED]> wrote: Rather than correct your spelling, let me wish you speedy recovery. Take care, Kim Patric

Re: [Finale] Rights for recorded tunes and arrangements?

rland in the 1800s at the latest. ) Thanks, RBH dhbailey wrote: Raymond Horton wrote: [snip] Do I need her permission to use her versions of these old, traditional tunes? Two of her homemade CDs which she sells are labeled: "copywrite (sic) 19xx" (no circle c). A third CD is

Re: [Finale] Rights for recorded tunes and arrangements?

No, no. No use of the recordings themselves. Sorry for the confusion. I am writing an instrumental composition, using these old tunes. These are tunes that have been sung by virtually ALL of the Amish in Adams County, Indiana, since they came over from Switzerland around 1815. I only have

Re: [Finale] Rights for recorded tunes and arrangements?

Another thought: For another way of thinking of these yodels, compare them to theme and variations, like "Carnival of Venice." For each of these tunes, everybody (Amish) in Adams County sings the tune, then does variations (the yodels). Everybody knows "Carnival of Venice, " nobody owns it

Re: [Finale] Rights for recorded tunes and arrangements?

e any profits I would ever make form this thing... RBH dhbailey wrote: Raymond Horton wrote: Another thought: For another way of thinking of these yodels, compare them to theme and variations, like "Carnival of Venice." For each of these tunes, everybody (Amish) in Adams County

Re: [Finale] How much can I quote?

iths -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of dhbailey Sent: 05 March 2007 20:17 To: finale@shsu.edu Subject: Re: [Finale] How much can I quote? Raymond Horton wrote: Thanks, Christopher, for that link, and to everyone else for the excellent an

Re: [Finale] Rights for recorded tunes and arrangements?

l embellishments and you should be fine. If you can find a book of Swiss folk songs which includes the original tunes, you'll be able to sort out her ornaments. David H. Bailey Raymond Horton wrote: But what if there are NO copyrights of the music itself? None of these tunes were

Re: [Finale] Rights for recorded tunes and arrangements?

Thanks for all your thoughts, extremely helpful. John Howell wrote: (What I'm REALLY curious about is how you're going to represent the register break that's at the heart of yodeling instrumentally!!) You and me both, Fella! Ray ___ Finale

Re: [Finale] Rights for recorded tunes and arrangements?

John Howell wrote: At 2:29 PM -0500 3/6/07, Raymond Horton wrote: I understand that the TUNE of "Happy Birthday," that is "Good Morning To You" - is PD. It's when it's coupled with the words of "Happy Birthday" that the copyright comes into play, corr

Re: [Finale] Rights for recorded tunes and arrangements?

raham in a private message last night. that this makes me realize that this woman's singing should be brought to the attention of whomever is doing Alan Lomax's work these days, if anyone. Thanks Ray Mark D Lew wrote: On Mar 6, 2007, at 11:24 AM, Raymond Horton wrote: I had m

Re: [Finale] Preferred Keys for Viola & Trombone

Violists don't mind a few flats. F and Bb are certainly safe, maybe not past Eb for ease. (String sections grown at Eb minor, I know that much.) Ray Horton Christopher Smith wrote: Trombonists don't really care, as there are no real technical difficulties from one key to the next (unless y

Re: [Finale] Changing time signature, tempo and note durations

. Raymond Horton Bass Trombonist, occasional composer and arranger, Louisville Orchestra Brennon Bortz wrote: That's exactly it--I don't want it to sound any differently. In this slow tempo, rhythms between instruments tend to not be as tight as I'd like--they're not "loc

Re: [Finale] Glass Armonica

Seems to me "armonica" without the modifier may work on paper but not when heard. RBH Andrew Stiller wrote: On Mar 15, 2007, at 10:09 PM, Francis Fitzpatrick wrote: I'm very much interested in the glass armonica - [also the glass harmonica although the splinters can be tough on the tongue

Re: [Finale] OT: International Music Score Library Project

xt movement, but now I can't recall just where. When I was in high school I used to check out from the public library constantly the miniature full score with the piano original at the bottom - that is a textbook all on it's own.

Re: [Finale] O.T.: 2 Vivaldi movies slated to be released

As soon as the Stamitz movie is released, you're all set. RBH Johannes Gebauer wrote: Well, how about celebrating Johann Stamitz's 250th anniversary of his death, and getting this: http://www.cdbaby.com/all/johannesg ___ Finale mailing list Fin

RE: [Finale] Re: Inaccurate PDFs

Thanks for pointing this out. I just ran in to a very annoying problem in which manual adjustments to multi measure rests vanished every time I returned to them. That certainly sounds like the culprit. Away from computer now, can't wait to try it. "Williams, Jim" wrote: >If a recent version

Re: [Finale] 24" Screen in portrait mode for Finale

Very nice! Your composition takes minimalism a bit too far, though, IMHO. Seriously, I've been using a Dell pivot widescreen, not _that_ big, I think it's 21", for four years now and love it. Ray On Mon, Oct 18, 2010 at 11:40 PM, David Stonestreet wrote: > Borrowed a 24" Dell monitor recently

Re: [Finale] {Spam} OT: Historical Horn Notation Question

unlikely. Raymond Horton Composer, Arranger Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC VISIT US at rayhortonmusic.com On Thu, Oct 28, 2010 at 12:43 PM, David W. Fenton wrote: > I'm researching an edition of a Mozart Mass from 1843 that includes > an

Re: {Spam} Re: {Spam} Re: [Finale] {Spam} OT: Historical Horn Notation Question

Pro horn players prefer the original parts, yes, but that flute part is a whole different ball o' worms. Slip a transposed part in there, goodness! Raymond Horton Composer, Arranger Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC VISIT US at rayhortonmusi

Re: {Spam} Re: {Spam} Re: {Spam} Re: [Finale] {Spam} OT: Historical Horn Notation Question

ce or any other instrument, etc. etc. One can get old just waiting around for that occasional euphonium gig. Raymond Horton Composer, Arranger Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC VISIT US at rayhortonmusic.com On Sat, Oct 30, 2010 at 1:00 PM, John H

Re: [Finale] {Spam} RE: OT: Historical Horn Notation Question (long!)

, I do believe. Good question, though - I'll ask one of the horn players at my gig who should know. Raymond Horton Composer, Arranger Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC VISIT US at rayhortonmusic.com ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

Re: [Finale] RE: OT: Historical Horn Notation Question (long!)

have been more in the public trenches - my friend didn't mention him but all the parts on IMSLP (not that many) are F horn. Perhaps the waltz king gets the award for helping establish the principle of writing for the F horn specifically, and going against the (written later) advice of Rich

Re: [Finale] RE: OT: Historical Horn Notation Question (long!)

OK, I'll take your word and reference for that. My evidently incorrect statement didn't come from my hornist friend, it actually came from another horn player, one (now retired) who was somewhat less academic, about ten or fifteen years ago. As I said, I am promised an article on Brahms and horn,

Re: [Finale] RE: OT: Historical Horn Notation Question (long!)

I'll still nominate Mahler symphonies as an excellent example until of consistent writing for F horn. Raymond Horton On Fri, Nov 5, 2010 at 4:25 PM, David W. Fenton wrote: > On 5 Nov 2010 at 12:46, Raymond Horton wrote: > > > a quick look through all the Mahler horn parts on

Re: [Finale] RE: OT: Historical Horn Notation Question (long!)

Raymond Horton Composer, Arranger Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC VISIT US at rayhortonmusic.com On Sat, Nov 6, 2010 at 12:31 AM, David W. Fenton wrote: > On 5 Nov 2010 at 23:57, Raymond Horton wrote: > > > Third, of _course_ the PD edi

Fwd: [Finale] RE: OT: Historical Horn Notation Question (long!)

Raymond Horton Composer, Arranger Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC VISIT US at rayhortonmusic.com -- Forwarded message -- From: Raymond Horton Date: Sat, Nov 6, 2010 at 11:04 AM Subject: Re: [Finale] RE: OT: Historical Horn Notation

Re: [Finale] RE: OT: Historical Horn Notation Question (long!)

the great article on Brahms and horn I was promised - I'll send that (better) source a message right now. Raymond Horton On Sat, Nov 6, 2010 at 2:26 PM, Steve Larsen wrote: > Ray Horton wrote: > > > I asked a knowledgeable horn-playing friend about your later question &

Re: [Finale] OT: historical use of C clefs for voice parts

those who only read one or two clefs, but still had that link to the tenor clef for the more literate. But it didn't catch on. Raymond Horton ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

Re: [Finale] Never mind Bach

Next time - remember standard midi files on the web. A whole ton of pieces out there, and a lot of them line up quite neatly. Even when they don't save a lot of time, it's interesting to see what others have done, and gives some variety to note entry. Raymond Horton On Wed, Nov 1

Re: [Finale] Topline notation question

eft to the performer. Raymond Horton Bass Trombonist, Louisville Orchestra On Thu, Nov 25, 2010 at 10:19 PM, David W. Fenton wrote: > On 25 Nov 2010 at 21:06, John Howell wrote: > >> At 4:34 PM -0500 11/25/10, David W. Fenton wrote: >> >On 25 Nov 2010 at 8:01, Jari Williamsson w

Re: [Finale] Topline notation question

On Thu, Nov 25, 2010 at 10:41 PM, Nigel Hanley wrote: > Topline notation is one step beyond rhythmic notation, which is one step > beyond slash notation. Oh!  Like this? RBH ___ Finale

Re: [Finale] Respell Rhythms

Steve, try this: Highlight the passage you want to rebar. Under the midi/audio menu click on "retranscribe." Raymond Horton Bass Trombonist, Louisville Orchestra On Wed, Dec 1, 2010 at 8:33 AM, Christopher Smith wrote: > Then you'll have to be more specific. In a bar o

Re: [Finale] iPad as electronic music stand

also used it during an opera rehearsal (an opera with a lot of rests) to call up IMSLP.org and get some cues out of the score. YMMV Raymond Horton Bass Trombonist, Louisville Orchestra? - On Sun, Dec 19, 2010 at 11:45 AM, Allen Fisher wrote: > You know, I thought about that, but m

Re: [Finale] Merging several layers in one

top staff. Then "implode" all the notes into the top staff. If you need clarification of the location of these commands, write again. I don't have Finale open right now. Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC Composer, Arranger

[Finale] Judge throws out Louisville Orchestra Board's Chapter 11 request, says 'honor the contract'

< http://www.bizjournals.com/louisville/news/2010/12/29/orchestra-musicians-await-judges.html > < http://www.fox41.com/story/13755239/judge-louisville-orchestra-must-stick-to-contract > Raymond Horton Bass Trombonist, Louisville Orchestra

Re: [Finale] Playback in transposed scores while entering notes

The answer seems simple enough - make it an option. I've used Finale for 14 years, and it still drives me nuts. I entered some notes wrong today because of it. Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC Composer, Arranger On Fri, Jan 7,

Re: [Finale] Playback in transposed scores while entering notes

On Sat, Jan 8, 2011 at 5:01 AM, Steve Parker wrote: > I can't argue with the fact that people seem to want it the way it is! > > No one on this list wants to use it the way it is. Some argue that others may. All of us want a new option. Raymond Horton Bass Trombonist, Louisv

Re: [Finale] Playback in transposed scores while entering notes

option to "Always start playback" at the beginning, a set place, or at the leftmost bar showing on screen. I always want the latter, but I have to check it separately on every file. Is there a way to do that? If not, I wish there were. Raymond Horton Bass Trombonist, Louisville Orchest

Re: [Finale] "whole" notes in 5/4

ittle notes. Raymond Horton On Thu, Jan 13, 2011 at 4:02 PM, Dennis Bathory-Kitsz < bath...@maltedmedia.com> wrote: > On Thu, January 13, 2011 3:27 pm, Ryan wrote: > > What is your preferred method of writing a note that sounds for the > duration > > of a 5/4 bar? >

Re: [Finale] "whole" notes in 5/4

Yes, the rule about needing more than a whole rest in larger meters is archaic. I keep my critical edition of the Rite next to other notation manuals. Most situations are encountered in it. Raymond Horton On Fri, Jan 14, 2011 at 12:49 PM, Robert Patterson < rob...@robertgpatterson.com>

Re: [Finale] "whole" notes in 5/4

bols as notes, along with other confusion. But, go ahead, if you like them. And I feel quite comfortable with the position I am in to state all of this, actually! Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC Composer, Arranger On Fri, Jan 14, 2011 at 4

Re: [Finale] "whole" notes in 5/4

Planets score is at IMSLP.ORG On Jan 15, 2011 12:27 AM, "John Howell" wrote: > At 12:27 PM -0800 1/13/11, Ryan wrote: >>Opinion poll: >> >>What is your preferred method of writing a note that sounds for the duration >>of a 5/4 bar? >> >>1) Using Whole tied to Quarter, regardless of wether the divi

Re: [Finale] FinWin 2011

I agree, David. I like all of the improvements over the last several versions. It took me a little while to get used to the staff re-spacing changes, but once I did I see that it is much improved. Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC

Re: [Finale] MuseScore vs. Finale

s at a time. If anyone is still reading, have you figured out what I occasionally do wrong to cause this dreadful mass score change into a tenor sax band? I finally did - it happens when I type ctrl-A, 4 while the STAFF Tool is selected instead of the Mass Mover tool. So, context is indee

Re: [Finale] MuseScore vs. Finale

Jari is absolutely right, of course. I am using Finale Windows 2011(b or c, whatever, I am on a smartphone right now). The new-improved massmover is now called something else, and the respacing command is, I believe, alt-4. As I said, it's routine for me. As I was typing the first post I realiz

Re: [Finale] MuseScore vs. Finale

Raymond mentioned that, also. Raymond Horton On Wed, Feb 2, 2011 at 11:58 AM, David W. Fenton wrote: > On 2 Feb 2011 at 7:40, dc wrote: > >> Raymond Horton écrit: >> >If anyone is still reading, have you figured out what I occasionally >> >do wrong to cause this d

Re: [Finale] MuseScore vs. Finale

My point was, it was a one or two keystroke screw-up, so it seems obvious, at first, that one or two Ctrl-Z's should undo it. Raymond Horton On Wed, Feb 2, 2011 at 11:58 AM, David W. Fenton wrote: > On 2 Feb 2011 at 7:40, dc wrote: > >> Raymond Horton écrit: >> >

[Finale] Horton compositions - upcoming performances (cross-post)

iders survived that first attack - I do hope all of us involved survive the fiftieth anniversary.) Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

[Finale] Re: Horton compositions - upcoming performances (cross-post)

working mp3 samples, dang it) will still be found on: rayhortonmusic.com Upcoming Performance of Music by Raymond Horton: *Make Gentle the Life of This World* *"A Celebration of Symphonic Music in America"* Joint concert by "Keep Louisville Symphonic" (the professional symphony

[Finale] Re: Horton compositions - upcoming performances (cross-post)

uisville, KY 40202 Friday, February 18, 2011, 5:30 PM Aaron Copland: "Fanfare for the Common Man" Leonard Bernstein: "Overture" to *Candide* Samuel Barber: *Violin **Concerto*, Mvt 1 "Allegro" Aaron Copland: "Hoedown" from *Rodeo* Raymond Horton: &qu

[Finale] vanishing graphics (Sigh)

solution? Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

Re: [Finale] New plug-in: JW Drop 2nds

g for horn is, top to bottom: 1 3 2 4 but with 1&2 on top staff, 3&4 on lower staff. Right now this takes several steps, dummy staves, etc. to do. (Even a plugin that put the 2nd and 4th notes [top to bottom] in another layer of the same staff would be very helpful.) What do you think? R

Re: [Finale] test

Did not receive a previous message, Ryan. Raymond Horton On Mon, Mar 7, 2011 at 12:29 PM, Ryan Beard wrote: > Just a test. I sent a message to the list, but no one answered. It's > happened before so I'm wondering if it's a problem with my emails not > getting throug

Re: [Finale] Re: Unwanted Update Layout

g again, I haven't had much > luck.  Even Speedy Entry on the measure won't reset things. > > Michael Wittenburg Ooh, ooh! I know, I know! Pick me! Highlight the bar(s) in question, go to "Document / Document Options / Music Spacing / Manua

Re: [Finale] multimeasure rest spacing

. Seems like Finale could be made to allow for this automatically. Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC Composer, Arranger On Mon, Mar 21, 2011 at 4:29 PM, dc wrote: > I have parts where the composed time signature (slashed C3/2) is partly

Re: [Finale] [OT] plural of rubato = rubati?

about the word coming from the Spanish roDEo. etc., etc. Raymond Horton On Sat, Mar 26, 2011 at 1:25 PM, Chuck Israels wrote: > Yeah, but I have learned to refrain from correcting the checkout clerks at > the grocery store when they call the stuff I buy En-dive, when I know > pe

Re: [Finale] [OT] plural of rubato = rubati?

Being a Hoosier, I will have to say that I have always heard the towns of Peru and Brazil pronounced by Hoosiers just the same as most Americans pronounce the country names. I do not recall hearing Russiaville mentioned, so I can't speak to that. Now, Loogootee is another story... Ra

Re: [Finale] Trombone mute holders - advice

players turn their noses up at them, but I don't at all, finding them a lot of fun. Raymond Horton Bass Trombonist, Louisville Orchestra On Tue, Apr 5, 2011 at 9:22 PM, John Howell wrote: > At 6:39 PM -0400 4/5/11, Christopher Smith wrote: > >> On Tue Apr 5, at TuesdayApr 5

Re: [Finale] VOCAL PART on top

Yeah, that won't do it! "Manage parts" is for working on individual parts. Click the staff tool, then "reorder staves." Move them around there. Once you get used to 2011, it's better, such as this command - much easier than dragging it up the screen in sever

Re: [Finale] pasting a composer's name in

parency" mean, in this case? Thanks, Raymond Horton ___ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale

Re: [Finale] Double Coda standard practice and availability of Dbl Coda in Repeat Tool

So repeats have great value, but that D.S.S, above, blows. Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com On Fri, Apr 15, 2011 at 12:06 AM, David W. Fenton wrote: > On 14 Apr 2011 at 20:52, mu

Re: [Finale] Contrabass Cl.

I believe Brass Band tuba has it? Otherwise, use the octave transposition and the treble clef with an 8 below. You can change it graphically. Raymond Horton On Fri, Apr 15, 2011 at 12:21 PM, Dean M. Estabrook wrote: > In setting up a Band Score, I wish to use a B-flat Contrabass Cl.

Re: [Finale] Playback of Cues

or brass players. I realize that the meaning of the word came before its use with brass, but the latter came long before the word's use with these electronic applications. Raymond Horton Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville (IN) UMC Composer, Arranger VISIT US A

Re: [Finale] Metronome markings

I sometimes give both. (Q. = 120, Q = 180.) On Apr 28, 2011 11:36 AM, "Aaron Sherber" wrote: > On 4/28/2011 10:36 AM, Eric Dentremont wrote: >> quarter-note=x. How would one add a metronome marking for a meter that >> is asymmetric, such as 9/8 grouped as 3+2+2+2/8? > > I would probably show the t

<    1   2   3   4   5   6   7   8   9   10   >