Hello Kendall,
I received two inquiries about my horns from Indonesia another from
another exotic country. I answered them politely as you did, told them
my prices terms of delivery terms for pre payment, but have never
heard from them again.
Just playing the game politely will stop them. But
Emil Anton Titl (1809-82), Kapellmeister at the Burgtheater in Vienna
(stage band). He probably composed the Serenade for the later blind horn
player singer Louis Sawart (Savart) in Vienna. The Serenade is best
known in the version for horn, flute piano. There is a very first
recording on
I strongly think, the horn list has gon wormy or doomy. Why ? Too
many people being too curious about unknown mail by unknown senders.
My email ID had been abused also, . nothing easier than to steal any ID
-, and sent a suspect message to a prominent horn player in Canada, who
did not open the
It is a matter of length AND fort he longer slides, the curved ones, to
avoid sharp bendings where possible, which cannot be avoided with thzese
short slides fort he 2nd valve.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
The IHS Website
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of John Putnam
Sent: Monday, February 02, 2004 9:35 PM
To: The Horn List
Subject: [Hornlist] Famous People
Hi all,
Is there
Have you ever thought about the difference of black clouds like in a
tornado or hurrican or typhoon and black smoke like from a fire in a
rubber plant or fire in a power station ?
If so, you might understands my previous message about solemn powerful
low range (dark march !) and mere farting
It was David Arthur Krehbiel (so the correct spelling). But, with Shosta
no.5, and with other pieces, people think too much about politics
Stalin. Recently, people started to question artists, scientists,
teachers, professors, actors, bishops, why they could make a career in
nazi Germany ?.
: Sunday, February 01, 2004 10:27 PM
To: The Horn List
Subject: Re: [Hornlist] to the Shosta.No.5 enthusiasts
On Sun, 1 Feb 2004, Hans Pizka wrote:
Have you ever thought about the difference of black clouds like in a
tornado or hurrican or typhoon and black smoke like from a fire in a
rubber plant
Obviously, you are using the publication prepared by Edmond Leloir, as
the original tonality is in E. We all know, that for most
Bb-horn-players the tonality E is a finger breaker, so Edmond Leloir got
the Sonata published as dowm transposed for a half step. It does not
matter much, but E sounds
The Birdalone publication is a reprint not a transcription. Yes, you are
correct with your assumption. The Krufft the Beethoven Sonatas are
rather piano sonatas with an obligato horn part. That was the usual way
then. And the piano parts are rather challenging as both composers were
extremely
Hallelujah, perhaps playing Shosta no.5 with the chamber orchestra
But right this passage comes often as a mass fart not as a dark
march as it is thought for. And the conductors contribute to this mass
fart as it the passage cannot be loud enough for them =
misunderstandings after
How should the sound of a low horn be in principal ?
Listen to the double bass or to the violoncello and you get the right
picture about sound quality. Try to copy that sound.
Well, there are some extremes as the forte or fortissimo in the bass
region. Get some sound orientation from the basso
Bill, I am the only one in my entire section of ten horn players who
uses not only a different make (8 of the section play Alex 103 but our
youngest member plays a Yamaha but will get his Alex 103 soon) - my own
horn-, but also the only silver gold plated horn. It is a nice
contrast, but also it
Well, hurry up get your plane ticket. There are still some few tickets
available for Siegfried coming Tuesday Feb.2nd Feb.7th (next Saturday)
at Bayerische Staatsoper in Munich, Zubin Mehta will conduct. You could
hear my no.154 no.155 Long Call then. 2nd act rehearsal with singers
decoration
You should know, that I work with world class conductors singers since
40 years, conductors as Keilberth, von Karajan, Maazel, Muti, Carlos
Kleiber, Karl Boehm, Wolfgang Sawallisch, Daniel Barenboim, Zubin Mehta,
G. Patane, N.Santi, Rossi, Slatkin, Masur, Haitink, Ozawa many others
singers like
, Hans Pizka wrote:
(re: farting)
PS: By the way, we had this discussion before.
And a related subject that came up long ago: there are some musical
works
in which an instrument is called upon to simulate a fart. Therefore,
serious hornists ought to practice the nuances so as to produce a high
Does the term pfarting need any explanation ? Try to pronounce it
with a low voice you get the perfect answer.
Prof.Hans Pizka, Pf.1136
D-85541 Kirchheim - Germany
Fax: 49 89 903-9414 Phone: 903-9548
home: www.pizka.de
email: [EMAIL PROTECTED]
If you commit a Reine (de) Fart (mixed European language term or
language muddle: queen of fart) during a real Rheinfahrt in any
performance, when playing the backstage solo or in the orchestra, the
orchestra management will fart you away sooner or later, at least from
first chair. That´s your
Jon, are you joking ? The second horn has to work harder to keep his
embouchure intact, while the first horns embouchure is kept intact by
all the challenges.
What´s the matter with the low notes or even jumps higher than an octave
? Where is the problem ?
If one has studied Josef Schantls Great
William, why should it be a very rare ability to play very loud in the
low register and I've only known a handful of people that can do it ?
There are many good low horn players in the professional field, many,
but they don't fart around.
If you are not sure, what I meant with this term farting,
Bass drum is a multimix of sounds, so it carries. Basso tuba or
Sousaphone are very long instruments. The longer the instrument
producing a sound wave, the more over tones come to co-sound. So it
carries.
And symphonies K.130, K132 K183
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Theodore Rautenberg
Sent: Saturday, January 24, 2004 10:41 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Re. horn quartets
Dave et al:
There is some difference regarding the approach to a new horn between
amateur players real professionals.
The amateur is trying a new horn with his or her imperfect many times
out of shape or not properly trained embouchure. So he or she needs to
bend up notes or lip them down, to correct her
And the Sonata by Giovanni Punto (Hr. Vc.), three sonatas by Adolphe
Blanc (Hr. Vc.), Mozart K.292 arr.for horn Vc. Or bassoon, Leye:
short pieces for 2 horns Vc., Reicha: 10 Trios for 2 horns Vc.
Hans Pizka
=
-Original Message
What Berlioz whole 1st horn part ? What piece ??
The Fairy´s Kiss by Stravinsky is nothing technical with this solo. It
is slow but just very delicate. It starts with b-nat.2 (dotted
1/4)(top) - e2 (1/8), again dotted 1/4 b-nat.2 - 1/4-e2, 1/2 b-nat.2,
all 1/4 a2-g2- f#2 - e2-d2 (1/2), 1/2
I correct this message;
And about the spelling: is it so difficult too remember that the German
umlaut is to be spelled (in foreign writings) as the main vowel with
an attached letter e only.
Got it ?
Gotta go toilet. (Goetterdaemmerung is after next week, at least in
Munich).
Yes, you are right, it is just fun to mention it, but playing for a
community orchestra, - well this two pairs of shoes might be just a
bit too large.
The Huebler Concerto for four horns should fit any well set ambitious
horn section from amateur to professional.
And about the spelling: is it so
(triofor2clarinets and horn.)
In a message dated 1/19/2004 5:43:00 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
I prefer a live orchestra, even it would not be that perfect in tune
or
committing mistakes here there, but full of expression
enthusiasm,
just human not a machine !
Hans Pizka
Again
Sorry, to disappoint you: Hotel Ekelhaft is the main prison in Vienna
just surpassed by the Big Haefn and Stoahof in the suburbs, where
the worst subjects are closed away. There is a similar hotel in Cologne
named Klingelpuetz. It is best known in the city. If you arrive there,
every kid including
Some questions for our super computers:
Do these computer orchestras vibrate unison (I mean the string vibrato)
? Do the winds make feel the breath ? How about following the human
nature of the singers ? Or how to adjust to a certain soloist
personality ?
Forte is not to be measured in decibel
years I will create mankind !
Do we have that long time to wait ?
Should everything be available for money ?
I prefer a live orchestra, even it would not be that perfect in tune or
committing mistakes here there, but full of expression enthusiasm,
just human not a machine !
Hans Pizka
From the article: Today many suspect the armonica's leaded glass and
paint to be the real culprit, perhaps even contributing to Beethoven's
likely lead poisoning.
(by the way, there are other stories about the cause for Beethovens
death: e.g. venerous disease as syphilis, quite a normal death
Who measured that ?
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Friday, January 16, 2004 8:46 AM
To: [EMAIL PROTECTED]
Subject: Re: [Hornlist] Glass Harmonica Revival
Any greater use fort he glass harmonica ? By important composers ?
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Thursday, January 15, 2004 5:10 PM
To: [EMAIL PROTECTED]
Butt his lead poisoning did surely not come from their glass harmonica
playing. There are not that many gigs. And they do touch the glass
cylinders with the wet finger (exactly right hand more than left hand,
pointing middle finger only). I could watch the player from very close
as he was
Celebrities, playing the horn ? This time seriously:
Yes, George Szell Joseph Keilberth, both world famous great
conductors, both played the horn. Leopold Hager from Salzburg, reknown
conductor, confessed to me 40 years ago, that he gave up studying the
horn when he had to play Freischuetz
For all interested on the New Year Concert from Vienna:
Ronald Janezic play first, assisted by Sebastian Mayr (sitting left to
him, seen from the camera), his father Willibald Janezic playing 2nd
horn (sitting at Ronalds right side), Guenther Hoegner played 3rd
(second row at left) Volker
Nutcrackers ois not the worst ballet music, but it is - as usual - over
marked regarding dynamics. There is so often f ff, where it should be
p or mf instead. This is also with the strings the other wind
instruments. Where do they use 16 first violins ? We use 12 first
violins for most ballets,
As always, assumptions do not count, just knowledge Bob Gibson.
con sord. = with mute or just muted
via sord. = away with the mute or open
senza sord. = without the mute or open.
These are two ways to express the same action, but the first expression
is for the action right after the end of the
Nutcrackers is not the worst ballet music, but it is - as usual - over
marked regarding dynamics. There is so often f ff, where it should be
p or mf instead. This is also with the strings the other wind
instruments. Where do they use 16 first violins ? We use 12 first
violins for most ballets,
Dear young colleagues to be (perhaps), dear amateur horn players.
Just a word for the New Year. If the hard working battle proved
professionals here on this list or on another list critizise your
questions, your approach to horn playing, your sloppiness in your
letters (sometimes), your views of
Hello Matt, the lightning fast attack of the single note is more
important than the fast repetitive attack. How to get a fast action of
the tongue, well, not only a fast action but also a clean action ? Think
about the European pronounciation of the consonant t as in tack,
similar to the English
Hello Amy,
there is a 13th 14th Solo by Gallay, but I am missing the piano parts.
Solo no.13: plate number 19334 HL
Solo in Fa, beginning with an Allegro moderato introduction of 20
measures, the solo for 28 mes., followed by 14 measures tutti, followed
by 28 meas. Solo, 2 mes. Tutti, 7 meas.
Michael, Michael,
please, please, you are just at the beginning of horn playing, please do
not comment on such matter.
Instead of this, continue to prepare learning scales, but in a
systematic way, one after the other, major minor, so your fingers can
work alone with not much brain involved. It
My deepest sympathy or condolences for 47 Nutcrackers plus two to go. We
are in the same boat, but a bit different as I have just one Nutcracker
to come Jan.2nd but 3 behind me before Christmas. It ruins the
embouchure forces the first horn (positively) to leave out all the
passages doubled by
If we read it the European way, Si # alto would be Si diesis alto or
equal to C, not C #. Si is not C.
Remember: Do - Re - Mi - Fa - Sol - La - Si - Do as the Italian scale.
G # alto would consequently be Sol # alto, but sorry, this does NOT
exist, as it would be a descant part, 9 1/2 steps
Blah-blah-blah, dear Graeme, but tell me, why so many horn players,
amateurs professionals, do complain so often about their fingering
problems ?? Any answer except they should practice more ?
Hammering in the fingerings, what a waste of time ? Wouldn´t it be much
better, to have prepared
Dear John, tell this ??conductor??, he should go back to school make
his homework before answering that STUPID.
If such kind of transpositions are asked for, the piece in question
should not be from the Classic Period, as there is no piece asking for
horns in g# or B# alto. There was no B# alto
Sorry, Michael, there is NO piece in H-alto (German) or B-nat.-alto, not
in baroque period, nor in the Classic or in the Romantic, but there are
a few pieces requiring B-nat. (H) (basso). I have explained recently,
that the term basso is confusing anyway, as all transposition is
relative to
PROTECTED]
- Original Message -
From: Hans Pizka [EMAIL PROTECTED]
To: 'The Horn List' [EMAIL PROTECTED]
Sent: Tuesday, December 30, 2003 12:31 AM
Subject: RE: [Hornlist] horn in C#
Blah-blah-blah, dear Graeme, but tell me, why so many horn players,
amateurs professionals, do complain so
As-basso crooks, respectively Bb-basso-crooks with a large full step
coupler between horn crook were never in use. I have seen As-basso
parts with Verdi only, but that´s much later, and I think with Massenet.
If the parts are marked in As or La-b, it is meant alto seen from
the F, but it is
The reason is in the music, as it is a piece of the outgoing baroque
époque and the still existing Pre Classic, when embellishment was the
usual way up to the soloists abilities. Funny enough, some thirty years
ago, I played the Michael Haydn many times did very similar
embellishments as did
I do neither use Ions mute nor John´s mute, so I cannot comment.
But I might mention here, that the perfect mute does not exist, but many
good mutes. To adapt the mute to ones needs to satisfy (?) the
conductors sound imaginations (the do have clear imaginations rarely
!!), it might be necessary
Exaggerated. A thousandth of an inch is just 0,025 mms. Admit, it is a
bit more.
Happy Holidays to everybody on the list.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent:
Yes, it is much better this way than to ruin the wholething. The best
way is, not to get it become dirty there inside.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Carlberg Jones
Sent: Sunday,
] On Behalf Of
Hans
Pizka
Sent: Sunday, December 14, 2003 3:25 PM
To: 'The Horn List'
Subject: RE: [Hornlist] I need a mouthpiece copied fast
Ask the nearest technique museum about their model makers. They might
have
the technical apparatus plus the skill to copy most things. Or a dental
technician could do
A screw driver with a stem a bit thicker than the axle going through the
springs, would be the right tool plus a good pair of flat nose pliers
(see Paul Navarros letter). Investment ? Nothing extra, as these tools
should be in every household.
Things are very simple often do not need special
private email ID as below. The silver plated mouthpieces are also
available still.
Merry Christmas , Happy Holidays a Happy, Healthy Peaceful New Year
2004 to all of you
Hans Pizka Edition
PS: Has anyone of you ever played Paul Dukas Ouverture to Polyeucte ?
Wonderful post Parsifalean music
Perfection comes rather from the acquired technique than from tools.
That´s why apprenticeship is necessary to learn the trade.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Ask the nearest technique museum about their model makers. They might
have the technical apparatus plus the skill to copy most things. Or a
dental technician could do it also. He should have an automatic or semi
automatic lathe or CNC machine. It is just a matter of costs.
Dumb = dumm, O.K.
Happy Holidays to you !
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Friday, December 12, 2003 8:10 AM
To: [EMAIL PROTECTED]
Subject: [Hornlist] missing address
Hans was
Here from Germany, we had some contacts with the members the orchestra
as a body, but as far as I know, some colleagues from Seattle went there
got also contact with the musicians. This was before the 2nd Iraq War.
Interesting might be, that the even played a program with Mendelssohns
music few
Still no address to ship the Rosetti No.5 parts to. ... Sorry William,
you did what you could do in this case, but the orchester director is
really somewhat special. Ordering things urgently, but without
address.. Kick him into his ass or wherever you can hit him, but hit
hard to wake him up
Can you imagine a music director ordering a set of parts for the Rosetti
No.5 Concerto URGENTRLY by two email letters, but not providing any
shipment address In what a mind less time do we live now ???
But this is not the only customer. I receive orders without shipment
address quite often.
I remember, that they mixed antifreeze with cheap wines to sweeten it.
It could work. But care about corrosion.
Be careful with the lips. If the temp is too low, the lips touching the
mpiece might be frozen on. Not a fun yet.
Anyway, keep the mpiece in your pocket when not playing. So it
Yes, Japan is different, also China. But the methods are different too.
The illiteracy in these countries is very, very low. Music education is
very popular, but expensive (Japan). It seems, that it is part of the
curriculum in grammar middle schools, so the youth receives basic
music education
There is a beautiful home page for Peter Damm at
www.hornistpeterdamm.de
It is in German in English. Just click the symbol (horn) at the right
side to get all in English. Enjoy.
Peter Steidle has also a nice home page in German at
www.pethorn.de
Prof.Hans Pizka, Pf.1136
D-85541 Kirchheim
Titanium can be processed on a CNC only if ceramic tools are used. These
tools are extremely expensive: about 700.- to 900.- EURO per piece. But
there are several tools necessary.
I got my (single) set of double horn valves made on a semi automatic
lathe using diamond-steel tools. But the machine
His name was Gottfried von Freiberg not Freiburg. Yes I know this recording
also could find out who played that recording. I will listen to it once
again tell you, who played first horn, later, as I can distinguish Velebas
tone from Freibergs tone.
The Dvorak New Worls with R.Berger is on
With titanium valves, the weight is not the important thing, but the
hardness smoothness of the surface the fact, that it does not
corrode.
If you state, that your horn valves do not need to be lightning-fast,
just faster than your fingers, what´s about reading the music ? Is that
even slower
I cannot see much reason to use an assistant for an orchestra of this
size, but there are some pieces:
R.Strauss Tone Poems as Don Juan, Dox Quixotte, Beethovens No.9
Symphony, some other demanding pieces. The criteria might be the
requested endurance. Sometimes it would be wise to divide a
There are some strange figures operating out of hotel rooms now in
Italy. A lot of them are coming from recently opened up former communist
Balkan countries plus Bulgaria Rumania. They do all kind of criminal
actions, special internet fraud. We received a TV story about that
recently here in
The Vienna Phil horn players play Beethoven no.7 on single F Pumpen
Horns. They sound rich .believe me. This is THE HORN SOUND, not
for all and everything, but for all the classic romantic stuff.
-Original Message-
From:
What´s the matter with 6 fingers ? The sixth one is just there to show
YOU THE DIRTY FINGER !
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of jdelarosa
Sent: Monday, December 08, 2003 8:10 PM
To:
though?
you know the one I speak of...same vintage as the mahler laser disc set
Hans Pizka [EMAIL PROTECTED] wrote:
The Vienna Phil horn players play Beethoven no.7 on single F Pumpen
Horns. They sound rich .believe me. This is THE HORN SOUND, not
for all and everything, but for all the classic
Hello Paul, he was just curious, because R.Berger played an high F descant
sometimes (on video), but this is a long time ago. Berger retired from first
horn twenty years ago.
Merry Christmas
Hans
Sorry but I fail to get what this is about.
Paul Mansur
On Monday, December 8, 2003, at
Yes, Rosetti no.5 is some challenge, as it is in E. Using a lot of
F-side might help much, as all arpeggios go on 2, and the valve 2 is the
most engaged there. Using the Bb-side (2nd valve switches it to A-horn)
for some top notes or when fingering might be easier even in the low
range, a great
Lapping in titanium valves - I wish you much Spass ...
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Sunday, December 07, 2003 5:04 PM
To: [EMAIL PROTECTED]
Subject:
Even the Weber is much easier if you use the F-side for the greater part
except the very high notes or some notes at the bottom of the staff, to
hit them stronger on the Bb-side. While in Vienna, we studied the Weber
on a Pumpenhorn, using the A-crook the corresponding shorter slides.
Very easy,
Thee ist he story about the plane crash surviving chimpanzee, as the
only survivor. A fine famous scientist has been called to start any
possible communication with this hominide (?), asking what did the
captain do - chucka-chucka-chucka - what did the stewardess do ? -
chucka-chucka-chucka ! -
No, you are wrong, William. The titanium is that hard, that it will lap
into the nickel silver or yellow brass casings, but one has to know how
to do it right.
Well, if I were really rich, I would not fuss around with four five
horns different sets of valves, I would proceed the same way as I
MY 25-year-old GANTER DOUBLE HORN. A descant Bb/high-F does not help
much. Just for the high d3 e3 ? No, if you don't have these notes on
the Bb-side, better not to try to play this piece. If one plays a lot on
the F-side, even in op.86, - and it is possible, then the Bb-side (the
trigger) will
Same observation with these composite valves !!
Happy Holidays to you, Ken.
Greetings from Munich.
Hans
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Monday, December 08, 2003 12:19 AM
To:
It is Rheinfahrt not Rhinefart. If you see the original title as is
Rheinfahrt, it comes from fahren not furzen. Das Schiff (Nachen)
faehrt auf dem Rhein.
In English, the title is translated to Rhine Journey, again no fart
implemented.
But visit my www.pizka.de/LongCall1.htm scroll down until
Did ever break a string just ten minutes before Bruckner no.4 ? If this
happen to you once, you would never trust any string action.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL
I think remembering, that they got some horns made in former East
Germany but labelled Boosey Hawkes. The engineer was a certain
Mr.Schneider then. The Alexander patent had expired anyway.
=
-Original Message-
From: [EMAIL
When do mini-balls break ??? Normal (average) use, NEVER. I have
mini-balls even on my oldest Ganter horn in use. No wear, no
maintenance, never had any problem. Valve action super smooth super
fast light. The horn is in use since 1978.
Yeah, yeah, I know why problems come up:
Fingers
Have you ever played Bruckner no.4 on first chair ? Your concentration
is anywhere else than on your strings, specially if you are a very
young player without the later acquired concert routine (no matter,
having the set of strings ready in the horn case, the screwdriver, etc.
You will sweat
Michael, why upset so much about the director ? You sgould be upset
about YOURSELF first instead. Whole nights on the computer, how can you
improve things ? Just because some said you are a great player
Why did you not fix the trigger problem since you asked for help have
received a lot of
Very interesting project, but keep in mind that e.g. Mozart did not
exceed the 12th partial in the highest pitch (Bb-alto) then.
Interesting might be, that the shorter the horn the less side
frequencies or harmony tones are sounding together with the main
pitch. The more harmony tones sound
: Friday, December 05, 2003 3:49 PM
To: The Horn List
Subject: [Hornlist] Fundamentally Speaking
At 3:09 PM +0100 12/5/03, Hans Pizka wrote:
Yes, indeed, it was (and is) possible to reach for the 24rth+ partial
on
the longer (thus lower) horns, while the fundamental will be more
difficult to reach
Interesting to note, that except two letters, nobody took up the
discussion about singing on the horn. Not so positive for many on the
list, sorry.
Also, quite nobody felt flamed with horn tone verse body escape
noises, which are also called fart. Or my comment, many players would
sound like
The word in question is to be spelt as Ausfahrt, the h after the
vowel prolonging the vowel, so sorry, William: Nix is mit fhart ! Nix
mit Wortspass (pun) !
And I have never heard anything similar to (if at all if corrected)
Ausfahrt Technik. And fart converts to furz in German. If you
pronounce
,correct?Confused
- Original Message -
From: Hans Pizka [EMAIL PROTECTED]
To: 'The Horn List' [EMAIL PROTECTED]
Sent: Friday, December 05, 2003 12:43 PM
Subject: [Hornlist] singing etc. horn tone
Interesting to note, that except two letters, nobody took up the
discussion about singing
Perfurz, sorry, perfect. I have to listen to a lot of Furztechnik.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of [EMAIL PROTECTED]
Sent: Friday, December 05, 2003 10:15 PM
To: [EMAIL PROTECTED]
Steve, it was the school horn, which has not been oiled since August,
not the horn he plays most of the time. But even not oiling a horn for
several months will not create that much corrosion for that (well
described) procedure. Washing through the horn carefully re-oil it,
will help for sure.
Misspelled. It is Wimpassing not Windpassing.
But there is also Windhaag twice; but Bavaria has better: Tuntenhausen,
Busendorf or just accross the Czech Border : As or Asch. The inhabitants
are lucky that the letter r is missing. - Just a discussion during the
first years of the 12 years Reich.
This all confirms, that you are really missing a lot of instructions,
Michael. Why, the heck, are you doing the wash process now and not
before yesterday or even when you got the recommendation to do so
You are the ignorant or the lazy boy. Do things immediately when
recommended, the SAME
You mean South ?
==
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of John Kowalchuk
Sent: Saturday, December 06, 2003 2:10 AM
To: The Horn List
Subject: Re: [Hornlist] singing etc. horn tone
At 05:28 PM 12/5/03 -0600, John Baumgart
Very good advice, indeed, but some super cleaner people will ask for
sure, if you use a British size tea spoon or a Russian tea spoon
? And people might ask you where to buy all the stuff from
hydrocarbon based auto degreaser to lamp oil (who uses oil lamps today
:) :) :))
Some might ask,
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