There will be a heavy 313 presence at Slices next weekend - it's
Saturday 21st December, and is happening at Public Life which is just
near Liverpool Street. I think there are three or four 313ers playing,
and there will be many more than that on the dancefloor!
Brendan
| -Original Message---
It turns out that WIDE is in this month's Sleaze Nation, with pictures
of all the DJs - including me and Guy - which were taken in my flat,
oddly enough! I'm the one smoking a dodgy roll-up, but as I haven't seen
the magazine yet I can't really tell you what page it's on. But if you
get the magazin
I use Wavelab Lite - not so many features that it loads slowly or is
difficult to use, not so crap that you can't do things like "save
selection as". I have other wav editors but the simplicity of Wavelab
Lite means that it suits me down to the ground for recording mixes. If I
want to go and do any
lto:[EMAIL PROTECTED]
| Sent: 12 December 2002 11:55
| To: Brendan Nelson; Lee Herrington IV; 313
| Subject: RE: (313) [313] mixtape of a different media.
|
|
| I just put my mixes direct to MD. (And there they stay - thankfully.)
| k
|
| >-Original Message-----
| >From: Brendan Nelso
I record directly to my hard drive these days, and it's definitely made
me a lot more productive. You don't end up having to reuse media if you
get the levels wrong or cock up the first mix, you don't have to
scrabble around to find a blank tape if you've suddenly "got the urge"
to do a mix at 2am
My number one "end of the night" track is Drexciya's "The Journey Home",
but there's also:
UR - Amazon
808 State - Pacific 707
Planet Patrol - Play At Your Own Risk
Dick Hyman - Topless Dancers of Corfu
Obviously it all depends on your set and the general tone of the night,
but "The Journey Home"
Dave Clarke's top ten:
1) Dijital V's Autobot 1000 "Bass Programme" (Twilight 76)
2) Kirk Degiorgio "B1 Distraction" (Regal)
3) D.J. P.J. "Like it Wild" (Databass)
4) Psylocity "Pump it" (Psi Net)
5) D.J. Rush "Spaceman" (Projex)
6) Umek "ConRec 6" (White Label)
7) D.J. Bam Bam "Bumpin" (Jach Star
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: 11 December 2002 12:32
|
| > And that's why so many people like trance, I reckon.
|
| not entirely sure that's true cos the same could be said of "looped
| banger" style techno...
I think that the "looped banger"
| -Original Message-
| From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
| Sent: 11 December 2002 11:07
|
| if trance so crap, why do so many millions of people like it?
Because if you had a research budget of a billion dollars, and
commissioned a huge team of world-renowned biologists, musicol
ve a crash cymbal every four bars!
Brendan
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: 11 December 2002 11:02
| To: Brendan Nelson
| Cc: fabrice Lig; 313@hyperreal.org
| Subject: RE: (313) Los hermanos/trancey/Detroit techno...
|
|
|
|
| It's
| -Original Message-
| From: fabrice Lig [mailto:[EMAIL PROTECTED]
| Sent: 10 December 2002 22:31
|
| I know what is trance music...It was huge here.
| Could we try to find a list of differences...
| On the paper, finaly there is common points...
| Melodies, chords, ...
| But in the reality
Basically, "glitch" is music where the rhythms occasionally spaz out
completely, sometimes in very unsubtle ways and sometimes only slightly.
If you go into Smallfish and say "play me some glitch!", they'll throw
so many records at you you'll be spitting vinyl shards for months.
I guess glitch ref
| -Original Message-
| From: Tristan Watkins [mailto:[EMAIL PROTECTED]
| Sent: 10 December 2002 16:00
|
| His Black Label record and the Drax - Tales from the Mental
| Plane records were excellent, I thought.
I've got a few of those Drax records, and haven't listened to them for
years -
What was that Chain Reaction record that was a balls-out trance
extravaganza? I remember the controversy when that one came out, but I
never bothered listening to it.
Like it or hate it, you have to take your hat off to trance. If the mass
popularisation of electronic music could be summed up in o
I am still a total sucker for Claude Young's remixes of Jacob's Optical
Stairway's "Solar Feelings" too - I'm not sure if I can remember a more
successful experiment in fusing jungle-type drum programming with
Detroit melody/sound design aesthetics.
Ultimately, though, I think that the purist in
in. But
the new Electrofunks are definitelty worth a listen, and I'll be
scouting around for those bootlegs too (Jucy Titties / Bass Jams etc)...
Brendan
| -Original Message-
| From: Langsman, Marc [mailto:[EMAIL PROTECTED]
| Sent: 06 December 2002 14:47
| To: 'Odeluga, Ken'; Bre
I think people will have these discussions in the awareness that they
are off-topic, but as long as no-one says anything people will try to
get away with it! But if there are protests then people will drop the
topic. I guess 313 has always had a bit of a tendency to do this sort of
thing though - i
I'm going to go on a bit of a record-buying spree tomorrow - the first
in several months in fact. I was wondering if anyone had any particular
recommendations for essential records that have come out over
summer/autumn this year? Aside from the obvious, of course, such as:
- all the new UR/Los He
You also need to consider the dimensions and acoustics of the room in
which you do your mix-downs. For example, a smaller room might not have
the space for the low-frequency waveforms to properly unfold, meaning
that you might want monitors that do emphasise bass somewhat. If you're
in a large room
I heard that 95 North did a remix of Brandy's recent glitch-R&B track
"What About Us" - is that any good? A house DJ was ranting on to me
about it last night, and I do have a soft spot for the original, but...
| -Original Message-
| From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
| Sent: 04
| -Original Message-
| From: Langsman, Marc [mailto:[EMAIL PROTECTED]
| Sent: 04 December 2002 16:38
|
| http://www.vestax.com/products/pmc37pro.htm
|
| not sure how much it is though, knowing vestax top of the
| range stuff its probably approximately $3648264.99 ;(
It'll set you back £
I just remembered a track I used to like around ten years ago - god
knows who it was by, but it got played a lot on pirate radio around
London in 1991/92. It featured the chords from E2-E4 (although with a
subtle gate effect on them), the vocal and bassline from Final Cut's
"Take Me Away", and a pa
I'm just looking at these Allen & Heath mixers now - I'm not sure why
they don't just go the whole hog and stick a Juno 106 onto them! And
it's cheaper than the Pioneer DJM-600 as well (which is my favourite out
of all the mixers I've used).
While it's tempting to splash out on a serious kick-ars
| -Original Message-
| From: Toby Frith [mailto:[EMAIL PROTECTED]
| Sent: 04 December 2002 11:06
|
| There's nothing worse than playing at a club and facing a
| mixer you know absolutely nothing about.
I don't know, I kind of prefer the voyage of discovery that entails to
the nightmare of
As a Scotsman I'm not genetically inclined to go and spend over £300 on
a mixer, especially when it wouldn't enhance my actual club performances
one bit (unless I was willing to bring the mixer along every time I
played out, which I'm not!) and the last mixer I bought, a crappy Gemini
one, actually
And don't forget "Essence Of A Dream"...
| -Original Message-
| From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
| Sent: 03 December 2002 14:14
| To: '[EMAIL PROTECTED]'; 313@hyperreal.org
| Subject: RE: (313) k alexi
|
|
| Wasn't this also the name of that Club track he did for
| Undergr
The story with Sueno Latino was that they wanted to release it as a
straight-up remix of E2-E4, and had Goettsching's full consent. However,
his label didn't like the idea and prevented them from using the name
E2-E4, which is what led to the track being titled Sueno Latino. Derrick
May turned out
| -Original Message-
| From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
| Sent: 02 December 2002 17:47
|
| > Even producers like Oliver Ho have mercilessly
| > plundered that track for samples!
|
| uh, yikes?
It's true! I was listening to one of his releases on Cosmic a few months
ago an
Indeed it is! Often listed on Gemm and ebay as "let no man put us
under"... what's most fun about hearing that track for the first time is
the way that almost every percussive fill, every vocal hook, and every
"oh-yeah" or "wooaah", sparks a memory of some other, more contemporary,
house or techno
Has anyone ever seen that amazing footage of Marvin Gaye singing the US
national anthem over an 808 before some big basketball game in the early
1980s? He was wearing a pair of mirror shades, and it's quite a
tear-jerking experience when the 808 comes in under his singing -
cowbells, toms and every
Sorry to all non-Londoners for the irrelevant spam!
There's yet another WIDE night tomorrow at Herbal on Kingsland Road
(just off Old Street), which features the debut of me and Guy's double
act as the Non Stop DJs! It'll be a night of Dance Mania booty-style
stuff, classic electro and accelerated
I personally like the notion that no human can claim credit for the
noise, but that, as a self-aware machine entity, the 303 deliberately
set out to propagate itself like a virus throughout the musical spheres
of biological life forms...
| -Original Message-
| From: Data General [mailto:[E
| -Original Message-
| From: marc christensen [mailto:[EMAIL PROTECTED]
| Sent: 25 November 2002 22:01
|
| And his attitude, which might not be great for hangin' out with, is
| perfect for approaching Sun-Ra, and the Martian, or the pre-revealed
| Drexciya. Who else besides Dan S. went
I agree - I think Gigantic Days gets the balance between jazziness and
electronic-ness exactly right. Desert Scores is an amazing album but
isn't an _album_ in the sense that Gigantic Days is, while History...,
in a lot of ways, concentrates on complex jazzy arrangements and uses a
lot of live inst
| So, anyone got any interesting stuff to tell us or what?!
Err...
"The Artcyclopedia (http://www.artcyclopedia.com) describes minimalism
as 'a style of art in which objects are stripped down to their
elemental, geometric form, and presented in an impersonal manner'.
Robert Hood's Minimal Nation
What style is he playing? I know he's a world-class turntablist these
days but I remember way back when him and Daddy Riff (as 12 Tech Mob)
were the booty/ghetto dream team! I still think their 1996 "Bounce dat
Azzz Vol 1" is the best mix in that style I've ever heard, and nothing
I've heard from D
| -Original Message-
| From: Fred Heutte [mailto:[EMAIL PROTECTED]
| Sent: 18 November 2002 19:33
|
| Anyway, nowadays we get more spam than real email, and Jon Drukman is
| still making great music, now with his live electro-pop version of
| Bass Kittens.
That's good to hear that he's s
I'd also like to say how much I enjoyed Saturday night and how good it
is to see UK-313ers turn the party out in such an assured and
professional way! I personally enjoyed the music much more than at the
first Slices - being more of a housey/techno-y person than a modern
electro-y person, I guess t
| -Original Message-
| From: Forrest L Norvell [mailto:[EMAIL PROTECTED]
| Sent: 18 November 2002 10:35
| >
| > Sorry to be pedantic, but those postings were actually from the
| > UK-Dance list, I believe...
|
| It's quite possible you're right, although I was on UK-Dance at about
| that
On Sunday, October 27, 2002 10:05 AM, sean deason
[SMTP:[EMAIL PROTECTED] wrote:
> Does Kenny Larkin's fake American Indian chanting on "Raindance" count?
He
> also did that spoken word track "Without" on the Exhibits compilation.
Didnt
> Eddie Fowlkes do the rappping on Model 500's "yeah yeah y
There's a booty/electro night happening in Hackney tonight with the Non
Stop DJs (myself and Guy), Cutlass Supreme, Debasser and special guest Ed
DMX! Entry is free before 10pm, and only a couple of quid afterwards (in
fact they don't usually bother charging).
The party starts at 9pm and goes o
Oops - yeah, it was a Novamute special with a 30-minute booty mix from
Cutlass Supreme and Debasser. It was recorded quite a while back (it was
going to be broadcast in early September originally) but I'd completely
forgotten it was being broadcast last night! *slaps head*
I can find out about
I've got a new track called "Surface Tension" up on mp3.com - it's a
pleasant Detroit-style techno track with a mellow atmosphere (it also has
drum noises, chords, synthesisers, and those sorts of things) and so far
it's doing OK in the mp3.com "charts".
It'd be great to get some feedback from peo
It'd be interesting to see if Chuck D has come across UR, actually - I
wonder what his opinion of their work would be?
| -Original Message-
| From: Otto [mailto:[EMAIL PROTECTED]
| Sent: Tuesday, October 15, 2002 1:10 PM
| To: 313@hyperreal.org
| Subject: RE: (313) Fingers
|
|
| At 12:36 1
Ah, but tracks like "blue room" and "perpetual dawn" have only a tenuous
link with techno music - they're more like ambient dub. (I used to work in
London's only specialist ambient record shop, so I can be a bit of a
trainspotter when it comes to the UK ambient scene of the late 80s/early
90s!)
So
t;To: 313@hyperreal.org
| >Subject: RE: (313) what was the first dub-techno record ever?
| >
| >
| >Memo from Alex Bond of PricewaterhouseCoopers
| >
| > Start of message text
| >
| >Alright, I'll bite
| >
| >Dub - techno? Never heard of i
Good question! I always view the starting point of that strand of music as
being Quadrant's "Infinition" on Planet E, but for reasons I would find hard
to back up in an argument R-Tyme's "Illusion" often sounds like a dub-techno
record to me.
Why? Well, practically every early techno record was pr
| -Original Message-
| From: rob webb [mailto:[EMAIL PROTECTED]
| Sent: Thursday, October 10, 2002 5:19 PM
|
| Marc:
|
| >cool - I reckon if we could get district that would be cool as its
| >substantiially bigger than pubic lice and also has phat sofas :]
|
| pubic lice? i assume that's n
We could easily get District - I'll find out about it. We should find out
about Public Life too though, to be on the safe side!
| -Original Message-
| From: Langsman, Marc [mailto:[EMAIL PROTECTED]
| Sent: Thursday, October 10, 2002 4:45 PM
| To: 'rob webb'; 313@hyperreal.org
| Subject: RE
Hah! Yes, I let the domain expire and thought it would just 404 to the
world... but instead some porn barons bought it up on the same day and now
it's a pretty dodgy site!
I have a web page with tracks and mixes at
http://www.sharesite.org/music.html, but no Igloo 313 party sets are up
there right
Just to let 313'ers know that there's yet another booty/electro night
happening in Hackney soon!
Ed DMX is headlining the affair, with support from Cutlass Supreme, myself,
and DJ Guy, so there's a chance to see someone you've *actually heard of* as
well as some 313 members behind the decks...
Th
I think it's just because you said you disliked "some people's...
deferential attitudes toward... the players", which might translate, in a
jokey way, as you saying that you dislike player-haters. That probably made
the lyrics to that song come into Marc's head. I doubt it's serious! :)
Brendan
|
PROTECTED]; 313@hyperreal.org
| Subject: Re: (313) Rolando in London tomorrow
|
|
| can anyone remind me of the details for this one? time, place, price, etc.
| Cheers
| Neki
| -Original Message-
| From : Brendan Nelson <[EMAIL PROTECTED]>
| To : [EMAIL PROTECTED] <313@hyperreal.org>
So are any 313'ers planning on heading down to this? I was just wondering if
it might be worth trying to organise a pre-Rouge pub meetup...!
Brendan
That's an amazing mix - I love his cheeky insertion of choice sounds from
the records he's about to play, and he seems to be doubling up on a lot of
the tracks too!
Anyway, the track in question is Flash by Fix - an Orlando Voorn production
on KMS which is built around a sample from The P-Funk All
Further to the recent thread about websites with mp3 mixes, and the interest
in the Wide booty mixes, I've put up a new page at:
http://www.sharesite.org/music.html
This features some booty mixes, and some that are more predominantly techno
or house, and will be updated regularly. It's also got s
| -Original Message-
| From: Langsman, Marc [mailto:[EMAIL PROTECTED]
| Sent: Monday, September 30, 2002 3:30 PM
|
| 04:55 into Cutlass Supreme's Booty Bass Mix on the Wide site...
|
| http://www.wideadventure.com/radio.htm
|
| The bassline number - I totally recognise it and think it mi
I don't think anyone has hit the motherlode quite yet though:
www.deephousepage.com
An immense and lovingly-maintained collection of mixes dating back to the
1970s, through the days of Larry Levan and the Hotmix 5 up to more recent
sets from Theo Parrish, Stacey Pullen, Derrick May, Larry Heard a
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: Friday, September 27, 2002 10:54 AM
|
| oh yeah for a bit of booty/electro uk style try the WIDE site
|
| http://www.wideadventure.com/radio.htm
|
| quality!
Cheers! :)
If anyone wants any of those mixes in m
| -Original Message-
| From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED]
| Sent: Monday, September 23, 2002 6:08 PM
|
| Drexciyan DJ Stingray still on the bill for Dedbeat - see below.
|
| PS: it's completely un-313, but anyone else heard the Pitman records?
| Genius.
Indeed they are!
"First 313 mails started arriving in my normal inbox, and then in my spam
folder, and before too long they were everywhere! The next thing I knew, MTV
was playing "Minimal Nation" and the old lady next door was chased into her
garden by a holographic Blake Baxter! That was the day I knew it had all
check out are:
http://www.wideadventure.com/djs.asp (Friday)
https://bleep43.com (Saturday)
| -Original Message-
| From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
| Sent: Wednesday, September 18, 2002 2:32 PM
| To: [EMAIL PROTECTED]; [EMAIL PROTECTED] Org
| Subject: RE: [313] 313 Party Live set
|
|
| Br
The strict definition of a 313 night is that there's no off-topic
conversation, no spam, and at least one vitriolic argument about Richie
Hawtin before the last record is played :)
No, seriously, the last one was more like a pseudo-313 night what with the
short notice and the large numbers of "nor
As well as the bleep43 night at Public Life on Saturday, there is another
opportunity to catch 313 subscribers on the ones and twos this weekend!
I'm playing at WIDE - London's only true booty/ghetto-tech/electro night -
at District this Friday 20th September. Joining me will be another London
313
Robert Hood is a Baptist (I think), and plays the organ at his local church
on Sundays. I always imagine him belting out the chords from "Rhythm"...
| -Original Message-
| From: Christian Bloch [mailto:[EMAIL PROTECTED]
| Sent: Friday, September 13, 2002 3:21 PM
| To: 313
| Subject: [313]
To see a staunch atheist getting all mushy to Marvin Gaye's "God is Love" or
"Wholly Holy", you'd simply have to pop round to my flat... :)
| -Original Message-
| From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
| Sent: Friday, September 13, 2002 2:52 PM
| To: 'Robert Taylor'; '313@hyperreal
| -Original Message-
| From: Sakari Karipuro [mailto:[EMAIL PROTECTED]
| Sent: Thursday, September 05, 2002 3:27 PM
|
| Langsman, Marc wrote on Thu, 5 Sep 2002 about following:
|
| > as ever to dive in and check some tunes out - can any recommend
| their top
| > dreciya tunes ?
|
| you don'
North London will be reverberating to the sound of Drexciya tonight as those
records get played in tribute - forget I-F shutting down his sites, electro
just lost its most original mind and it's an unspeakable tragedy... my
respects.
| -Original Message-
| From: ryan burns [mailto:[EMAIL P
The non-303 tracks that I'd count as acid house are very rare, and I think
it's only very skilled producers who turned out tracks that still somehow
sound "acid" even though there's no 303 in there. A lot of the time, though,
you do find that a 303 is present in an almost subliminal way - maybe it'
I think there's a bit of a temptation to think that "acid house", like
hip-house, was a sub-style of house that only lasted so long, and that
subsequent records by UR, Damon Wild, Affie Yusuf et al were essentially
techno tracks with an acid sound.
I'm a big fan of continuity in music though and s
| -Original Message-
| From: Sakari Karipuro [mailto:[EMAIL PROTECTED]
| Sent: Friday, August 30, 2002 8:39 AM
|
| Brendan Nelson wrote on Fri, 30 Aug 2002 about following:
|
| > Lidell Townsell "Feel The Mood"
|
| this was actually by maurice joshua :)
By gum you're
I'll go for some old Chicago tracks that aren't *amazingly* obvious, but
leave aside modern stuff (I do think that Jeff Mills and Mad Mike are the
John Coltrane and Pharoah Sanders of the TB303 though, as evidenced on
Seawolf and the Acid Rain series :) :
Six Brown Brothers "City Hall"
Dr Derelict
I remember the endless debates on IDM about who made those records - "Aphex
did the red one, Kosmik Kommando did the blue one", etc etc...
The red one was probably my favourite - the hi-hats sounded like screaming
metallic beasts incarcerated in their fiery, acidic hell!
| -Original Message--
So the UK art establishment has gotten over the shock of seeing Jeff Mills
fans invading the stage at the Royal Festival Hall? :)
It definitely sounds like a good night out though!
| -Original Message-
| From: Ian Cheshire [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 29, 2002 4:37 P
Now there is a guy who just went to buy the new Keith Tucker record but
found himself short of cash at the store... :)
|
| -Original Message-
| From: Jason Donnelly [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 29, 2002 3:12 PM
| To: 313@hyperreal.org
| Subject: [313] Fwd: (tech-house
-Original Message-
From: David Powers [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 22, 2002 6:16 PM
To: [EMAIL PROTECTED]
Cc: Brendan Nelson; 313@hyperreal.org
Subject: Re: [313] Mo' Ghetto Tek
Would this have anything to do with the typically more reserved nature that
the Br
| -Original Message-
| From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 5:37 PM
|
| these parts. However, I feel that ghetto tek may be selling more in
| Australia than previously because, as with hip-hop and electro and some
| two-step, it fits into the 'nu
| -Original Message-
| From: Otto [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 5:32 PM
|
| You'd think that "Ocean To Ocean" would convince anybody that it
| can be done.
Or "The Other Side Of Life" - a criminally underrated track.
Brendan
| -Original Message-
| From: Otto [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 5:32 PM
|
| Otto
| (*1) apart from our friends Technotronic and 2 Unlimited of course :)
| Techno, techno, techno!
In a parallel universe, Technotronic might have become the Drexciya of the
hip-ho
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:46 PM
|
| > or booty DJs who mix like DJ Godfather.
|
| i've never seen a booty dj in the uk, how do uk booty djs mix?
I'm one, and I'd describe myself as "conventional"... Guy Thackera
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:43 PM
|
| and that's why there aren't any British techno DJs who mix
| like Claude Young
|
| *cough* Dave Clarke
|
| ;O)
That was quite a bad typo - I meant "many" rather than "any"
| -Original Message-
| From: robin pinning [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:40 PM
|
| in the uk most of the people who go to parties (from my experience) tend
| to be either mainstream (won't get ghetto tek _ever_, in the same way
| they wouldn't get jeff mills)
| -Original Message-
| From: Simon Walley [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:31 PM
|
| >From: "Brendan Nelson" <[EMAIL PROTECTED]>
| >Subject: RE: [313] Kevin Saunderson
| >
| >Well techno hadn't up until then been considered a p
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:16 PM
|
| Its emphasis on DJing skills: outside the US there's less of a culture of
| respect for a DJ's skills on the turntables.
|
| I don't understand why people think this...
|
ly demonstrated
to the general public that techno had its roots in soul.
| -Original Message-
| From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
| Sent: Thursday, August 22, 2002 4:10 PM
| To: 313@hyperreal.org
| Subject: Re: [313] Kevin Saunderson
|
|
| Brendan Nelson wrote:
| > I gu
There are a few reasons Ghetto Tech hasn't crossed over as well as techno:
- Its emphasis on DJing skills: outside the US there's less of a culture of
respect for a DJ's skills on the turntables. A ghetto tech promoter I work
with booked Disco D to play in Brixton, and while the set was technical
I guess if you expand beyond Detroit you also have the likes of Splack Pack,
Clay D, Disco Rick etc etc etc - the true innovators of booty!
My two cents is that the ghetto tech scene is currently in a similar phase
to drum'n'bass circa 1996/1997 - the "old school" sound (ie proper booty
bass) was
I guess that in fusing vocal soul with techno in Inner City he was
explicitly displaying a connection back through time to Motown. Probably
more than Juan or Derrick's work, Inner City showed the wider world that
machine music could be infused with genuine soul. I'd say he was the guy out
of the Be
Stasis is a London guy, now works in the R&B/hip-hop field where his drum
programming skills are proving quite a valuable asset. He's still 'in touch'
with the electronic scene and recently gave Smallfish an unreleased old
track which they put out on 7".
Now sure about Cameo though!
| -Origin
They're the most well known ones, definitely. 12 Tech Mob are not well-known
at all but are an underground crew who seriously know what they're doing; it
was a mix-tape of theirs sent to me by a 313er in 1996 that turned me onto
that whole sound.
| -Original Message-
| From: Southern Outpo
Pepe Bradock - "Deep Burnt"
| -Original Message-
| From: ::) [mailto:[EMAIL PROTECTED]
| Sent: Wednesday, August 21, 2002 9:28 PM
| To: 313@hyperreal.org
| Subject: [313] track ID
|
|
| http://www.emmrecords.com/~fux/trackID.mp3
|
|
| thanks
|
| -Joe
|
|
|
| ---
We ran a few nights of electro/booty/bass there back in March and April -
you're right, it's very poncey. One night their downstairs DJ (downstairs is
the poncey bit where they play Hed Kandi compilations all night) had a
migraine and went home early, which meant that I had to go downstairs and
pla
| -Original Message-
| From: Maarten Baute [mailto:[EMAIL PROTECTED]
| Sent: Friday, August 09, 2002 2:20 PM
|
| > from an old p funk all stars record i think: hydraulic pump? not so sure
| > about the title. Theo Parris used to play it... The beside
| (Dope Computer)
| > samples George Cli
| -Original Message-
| From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
| Sent: Friday, August 09, 2002 2:03 PM
|
| from an old p funk all stars record i think: hydraulic pump? not so sure
| about the title. Theo Parris used to play it... The beside (Dope Computer)
| samples George Clinton's A
| -Original Message-
| From: Maarten Baute [mailto:[EMAIL PROTECTED]
| Sent: Friday, August 09, 2002 1:44 PM
|
| > i guess fix 'flash' and strings of life are in the 10% then...
|
| strings of life?
| james got his credits.. so...
|
| flash?
| from wich song is this samples?
"Hydraulic Pum
I guess it doesn't make you like the track any less, but knowing that that
sound doesn't come directly from Bradock's mind subtracts slightly from the
awe one feels upon hearing it... when I hear tracks that have amazing sounds
in them a part of the appeal is that they came from the mind of the
pro
That's by Quadrant Six - that track is sampled pretty frequently by bass
producers down in Miami. There are other Quadrant Six tracks about but that
one is the killer - for more of that sort of sound I'd recommend Freestyle,
Pretty Tony, Debbie Deb, D*Train, Captain Rapp and Garrett's Crew...
Bren
I've produced two tracks in the last couple of days, and thought I'd offer
them up here for ritual sacrifice and hopefully some constructive feedback!
The track I'm most fond of, myself, is "Networking in a Busy Solar System",
and the other new one is called "Hiatus". They're both quite summery tra
Andrea Parker is playing at a Wide booty/electro night at District, near
Hackney Central, on Friday night... there are one or two 313ers going to
that one (including myself). Entry is free before 10pm, but Hackney Central
is hardly the best location...
- Original Message -
From: <[EMAIL P
Reckless is still on Upper Street (just around the corner from my house),
but Fat Cat is no more. I'm not too sure about Atlas though - the last I
heard was that it was still going, but that was quite a while ago.
As for second hand shops, there are a few around Islington - most of them
are on Ess
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