x27;d find the errant paper
without needing a professional to disassemble it.
--Bill
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On July 12, 2016 at 1:16:37 PM, Johannes Gebauer ([1]li...@musikmanufaktur.com)
wrote:
I am wondering whether I should upgrade my ancient version of Finale
(2k9) to the current. Can someone outline in some brief words what I
will gain apart from retina support (which may well be worth it just by
Pardon me, but what about using Microsoft Word, or any other word
processing program for this? If the title page has no music on it,
that's how I would do it, rather than trying to force Finale to do
something it wasn't designed to do. The right tool for the right job,
and all. As long as it loo
OK, I followed your instructions exactly, and the same thing happened.
Then I followed your instructions on a new document with a single staff
line and it worked perfectly. I then created a whole new score, pasted
the other parts from the old score to the new score (except for the
snare drum line
OK, I tried that, but when I enter a D below the bass clef staff, then
turn on percussion style playback and select my map, it goes to the
space below the 10th ledger line below the staff. If I use the D on the
bass clef staff, it shows up where I want it to, but no sound comes
out. When I turn o
I am using speedy entry, but the only thing that shows up in the upper
left hand corner of the edit box is V1. If I use the up and down
arrows, it just moves to a different line or space.
On June 1, 2014, at 12:41 AM, Ryan Beard ry.squa...@gmail.com wrote:
> How do you enter notes and rests? Do
How do I enter MIDI note 38 in speedy entry? I don't have a synthesizer
keyboard, only a regular qwerty computer keyboard.
On 05/31/2014 11:48 PM, Ryan Beard ry.squa...@gmail.com wrote:
> Ah, you're not defining which notes you play to get the sound you want,
> you're defining where the snare d
I think I'm on the right path here, but I'm not sure what to do next. I
found the Percussion Map Designer in the Staff Tools. I made my own map
and chose playback note 37 (side stick) to play at staff position 6 and
playback note 38 (snare drum) to play at staff position 7. I selected
my percuss
I assume you're talking about this?
[1]https://commons.wikimedia.org/wiki/File:GMStandardDrumMap.gif
I would love to have that upper drum map, but it looks like I'm stuck on the
lower one.
Also, I don't know how to make the different size bass drums, like in a
marching band.
On 05/31/2014 06:06 PM, Peter Taylor pe...@euphonium.plus.com wrote:
> Bill, if you're using Finale 2001 then you're probably using a MIDI synth
> rather than Garritan samples, am I right? Finale just sends MIDI data and
> it's the synth the generates the sou
a rim shot and clicking
sticks together. No luck there yet. Anyone have any ideas?
On 05/31/2014 02:03 PM, dershem [1] wrote:
On 5/31/2014 10:46 AM, Bill Baker wrote:
> I'm a casual user of Finale and I haven't upgraded since 2001, but I'm
> trying to figure out how to
Sorry, I meant to reply to this one.
That sounds like a whistle to me.
On 05/31/2014 01:00 PM, dershem <[1]dershem at cox.net> wrote:
On 5/31/2014 10:46 AM, Bill Baker wrote:
> I'm a casual user of Finale and I haven't upgraded since 2001, but I'm
> trying
That sounds like a whistle to me.
On 05/31/2014 01:00 PM, dershem [1] wrote:
On 5/31/2014 10:46 AM, Bill Baker wrote:
> I'm a casual user of Finale and I haven't upgraded since 2001, but I'm
> trying to figure out how to enter percussion parts so that they'll pl
I'm a casual user of Finale and I haven't upgraded since 2001, but I'm
trying to figure out how to enter percussion parts so that they'll play
back correctly. What I've done so far is to enter a note on a staff and
test its playback. If what I get isn't the correct sound, I'll drag it
to a differ
They have been having server or connectivity problems intermittently for
the last several days. FWIW I just connected a minute ago...
Bill
On Fri, Nov 15, 2013 at 4:39 PM, Darcy James Argue wrote:
> Hi gang,
>
> Anyone know whether this is just a temporary outage? Or is the IMSLP
&
I am using the Simple ENTRY tool, and T for forward tie, or Shift T for
backward tie.
Maybe whatever tool you use does not create the problem ?
bill sinclair
billsi...@aol.com
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This seems to occur more often when one is EDITING the score and places tie
marks across bar lines.
It treats the notes as sepaarate entities.
Just wondering why no one wants to fix this.
bill sinclair
billsi...@aol.com
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ion" apparently has been moved somewhere where
I can't find it.
bill sinclair
billsi...@aol.com
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cal.
In other words, the composer/arranger does not say "by the way this is G minor,
not Bb major" or vica versa.
bill sinclair
billsi...@aol.com
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t use the natural minor,
and put accidentals where appropriate.
In the last 20 years I have not seen a non-standard key signature like we
are talking about here. Modern classical composers are more likely to do that.
bill sinclair
billsi...@ao
ter NOT to give it a name.
bill sinclair
billsi...@aol.com
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handle it would be another box saying "major" or
"minor."
bill sinclair
billsi...@aol.com
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They have a really awkward feature that I wish would be fixed - - -
When you request a key signature, it makes a distinction between a
major key and a minor key with the exact same pattern of sharps and
flats. For example, they call C minor a DIFFERENT key signature than E
flat major.
Why even gi
Up until recently, my AOL text messages went through OK.
Now I get "Ignoring non-mime" or it doesn't think they are straight text any
more.
It doesn't like "=20"
How can I make them go through?
bill sinclair
billsi...@aol.com
There are too many ledger lines for the parts where it is in the treble clef.
Otherwise I would put everything in the bass clef.
Does that merge music utility work?
-Original Message-
From: David H. Bailey
To: finale
Cc: bill sinclair
Sent: Fri, Nov 4, 2011 12:17 pm
Subject
est a shortcut to MERGE the two staffs.
Any ideas, other than having to re-enter everything for the middle voice?
The middle voice is a tenor sax, which transposes up a ninth, and his key is
always treble clef.
Thanks; Bill S.
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F
I have consulted with several professional arrangers and copyists about this.
You don't have tied notes between pitches that aren't HEARD the same,
for example G to B natural. A tie mark in that setting is a SLUR.
You can, however, have a tied note between G sharp and A flat, provided
there is a
ut really, you're probably best served by
trying both demos. But I will grow a backbone long enough to strongly
urge you to demo SharpEye...
Bill
Ken Parsons wrote:
I'm thinking about purchasing the SmartScore Pro software for use with Finale,
but wondered if there's a
All I can tell you is that a few years ago I attempted to install Finale
2001 on a Linux machine using Wine and was unsuccessful. It installed
fine, but I couldn't get the fonts to work. Just now I attempted to
install 2001 again on a machine running Ubuntu 8.10 and it runs
perfectly, the fonts s
comfortable with the task.
Tonight I will try to find the previous FF3 installers and see what I find.
If there is another fix I'd be very interested in hearing about it!
Bill
dc wrote:
Since I upgraded to Firefox 3, the search function no longer works in
the Help file (2008) ... Anyone else come
than before. It was quite a hurdle to get used to it though!
So, am I doing something wrong or have I stumbled across a bug?
Thanks,
Bill
--
Bill Thompson
Owner
Audio Enterprise
--
Pure mathematics is, in its way,
the poetry of logical ideas.
~Albert Einstein
--
show up in the speedy window).
Then, close the window. Staff lines will be hidden, and the pitches will
display as rhythmic notation.
Additional Staff Styles, such as repeats or slashes, can be applied as
usual.
Bill Duncan
Hello Group,
I'm using FinMac 2007 and Bill Dunca
rpins"
font was the best solution for me, particularly for short combinations,
until that happens.
At the risk of sounding overly commercial, here is the URL to check it out:
http://www.gwmp.com/MusicFontsFrameset.htm
I would be happy to forward a complete EPS key map if anyone is interested
And this has to be a bit embarrassing... their web site is not
working... at least the last five times I tried...
Bet a bunch of folks are hitting it...
Bill
Mariposa Symphony Orchestra wrote:
> Well, Gang-
>
> It's now out; the most widely-advance-discussed upgrade seems
tinuation text for
multi-system 1st endings. I also like to put a right-arrow head at the end
of the 2nd ending line...not traditional, but REALLY clear.
Bill Duncan
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On Sat, 2006-05-13 at 11:44 -0400, "A-NO-NE Music" <[EMAIL PROTECTED]>
wrote:
> Sorry for OT post. There are many Win experts on list, and hoping
> someone knows the answer.
>
> My wife wants to use my old Thinkpad 240 sitting in my closet. It has
> IBM USB external CDROM drive, which won't boot
I am staying out of this argument. I try to document everything I sell or
send. If the page #s are different, I suggest you review the content as it
is context and content relevent.
Bill
- Original Message -
From: "themark" <[EMAIL PROTECTED]>
To:
Sent: Monday, M
eadable for any conductor as old as I am).
I can divulge my settings if anyone wants.
Bill Duncan
Of course, this assumes he has Bill's Finale Productivity fonts...
Karen wrote:
Hi Owain,
Here are the settings I use for this. You can make adjustments to your
liking of course
current version and not
worry about Classic at all, but since I am currently unemployed I would much
rather not spend that kind of money.
Thanks in advance!
Bill Spencer in NH
B&W G3/400mhz/rev.2/896mb/12G + 14G dual HDs/LaCie 52x burner/Panther (10
Bill wrote:
I am trying to delete extraneous shapes (sometimes in the 100's) from the
Shapes Library and can't figure out how to delete those that are
apparently "in use" I get the message, "This Library Element cannot be
deleted. It is in use in the piece.&qu
an it be in use when there are no entries in the
template? Any ideas?
Bill Duncan
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You know, there might be an apostrophe that would work as well in some stock
text fonts, but I haven't looked yet.
Bill
- Original Message -
From: "Johannes Gebauer" <[EMAIL PROTECTED]>
To:
Sent: Friday, April 14, 2006 11:50 AM
Subject: Re: [Finale] Sta
Hi Pierre,
I have something close...like a small wedge in my Articulations font.
http://www.gwmp.com/MusicFontsFrameset.htm
If that's not exactly what you're looking for, I could be persuaded to make
one if I could see an example of exactly what you're talking about
OOOPS!sorry
- Original Message -
From: "bill" <[EMAIL PROTECTED]>
To:
Sent: Thursday, March 30, 2006 7:42 PM
Subject: [Finale] Font Annotation
Hi Chuck,
Here's the revised annotation file will all characters tweaked.
I have some more testing to do, bu
Hi Chuck,
Here's the revised annotation file will all characters tweaked.
I have some more testing to do, but this might save you some time.
Bill
Articulations.fan
Description: Binary data
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roperly, add arrows, as well as use the
same procedure for brackets.
Bill
If you enter it as a metatool (hold R, click bottom note of chord) then it
will auto-size to the height of the chord. If you don't attach it to the
bottom note, it won't auto size, and you will have to drag the
pace to avoid collisions with
a previous barline or other notes. This would be something that Finale
should be able to do natively in future versions.
Bill Duncan
Your help is greatly appreciated.
Ken Fowler
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http://
ere are no questions about what you mean. Several people here have said before that rhythm is paramount. I would include structural clarity to that. That is, to me, the only hard and fast rule to notation. The rest depends on the situation: The "right" way is NOT to generate questio
ssible to misunderstand,
irregardless of "tradition". That's the whole point of notation, isn't it?
What's wrong with, "tenor solo"?? Seems clear to me. And, when thing get
complicated, then split the parts out. Do I dectect some laziness here?
sorry to
can, however,
tweak positioning issues with the Font Annotation settings, once you get
beyond the innane design of that tool.
Bill Duncan
> From: Dragos Oltean <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Mon, 27 Feb 2006 09:27:03 +0200
> To: finale@shsu.edu
> Sub
w.gwmp.com/MusicFontsFrameset.htm
Almost everything is entered and positioned without any tweaking at all, as
if it was mass-applied.
Bill Duncan
>
> Does anyone have, and would you be willing to share settings for 1) stem
> length and 2) positioning of the 3 slash tremelo art
etimes advertise my stuff because I
think it might help everyone on here. Personally, I hate ads, so this is
not all that easy for me.
Thanks for listening.
Bill
>
>
> On Feb 12, 2006, at 9:43 PM, Andrew Stiller wrote:
>
>> Every so often one of my postings disappears between
le as
a font makes for much more flexibility.
Bill
>
> David,
>
> This is helpful, but how does one resize this Shape Expression. I need
> something smaller. If I try to stretch this shape it becomes very
> distorted.
>
> Lee Dengler
>
> - Original Messa
Title: Re: [Finale] Swing expressiom
I sell a font called "TempoTime" which handles that and just about any tempo transition you can think of without having to deal with "Shapes". I also use this as my Time Signature font as well. http://www.gwmp.com/MusicFontsFramese
Christopher, I hope you are not offfended by that. Being an ex-lead
trombone player, I always envied the bass. So much cool plumbing! I could
never afford it, but I always loved the sound.
Sorry to be sophomoric, but bass trombones rule...and violists
Bill
>
> bill wrote:
>
>&g
I think bass trombonists are cool.
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Composers can be total idiots. Don't rely on their example as they have
other issues on their mind besides notation.
Bill
> From: Andrew Stiller <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Mon, 23 Jan 2006 12:05:00 -0500
> To: finale@shsu.edu
> Subject: R
Hi all,
Has anyone discovered that underlining something in a text block will make a
big rectangular blob where the underlined text is. I am still using 10.3.9.
I've tried this with several fonts and it is the same thing.
Bill
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pretty bad. The
PDF option in OS X is quite an improvement from what I had available in OS
9, and quite satisfying to me. (I'm too cheap to get the full version of
Acrobat!). It also makes a difference to have the settings correct...as in
embedding fonts enabled. I don't really have any experience with the
Windows PDF generation issue, however...sorry.
Bill
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have all characters
available. I am continuing to try to solve this problem, and I welcome any
input from anyone who knows.
Bill Duncan
>
> Hello,
> I use Finale 2005, and just upgraded to Mac OS 10.4.4 from 10.3.9. I
> deleted that apple.com.ATS folder, as instructed. Most of my fonts s
sible.
Bill Duncan
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staccato) if no .fan file
exists. Font Annotation is DEFINITELY worth getting to know, as once you
know that you're doing, you can do some pretty sneaky things with it.
I hope this helps. I will get some of my settings up here in a bit. I am
finalizing my Articulations font now, so I'
>
> God, I can just imagine it. A treble clef-shaped annoying looking thing
> that would say things like:
>
> "It looks like you're about to type an anacrusis. Would you like some help
> with that?"
>
> "Cleffy has noticed some parallel 5ths or octaves in your score. Would you
> like him to c
Quark is incredibly useful for many different things, and rock-solid. I
think it's about $700 new, but I wouldn't use anything else. Just my
opinion...
Bill
> From: Chuck Israels <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Mon, 26 Dec 2005 20:01:07 -0
This will also work in situations like "cresc - - - a - - - poco - - a - - - poco - - -", as the Smart Line origin and ending remain anchored, and the interior text (being opaque) will always interrupt (block out) the line no matter where it is.
Bill
From: Chuck Israels <[EMAIL
ickey), email me at: [EMAIL PROTECTED] and
I'll forward it to you for your perusal.
Those of you who give me constructive input will get a free copy of the font
when it's done. I'm hoping that, with your help, this could be "the
definitive" articulations font, if that&
FWIW, the "ensembles.txt" and "instruments.txt" files can be customized to
make the Setup Wizard behave more to your liking. Just mimmick the
formatting and revise at will in a simple text editor. Not having Fin2006
yet (it's coming), I am not familiar with GPO yet, but
applicable) to visually flag the section. Again, it depends on the
situation.
Bill
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se?
It depends on where the upbeat to the next measure is and what is going on
with that upbeat. Always allow some clear representation of what the upbeat
is (and what's going on with it) with either a note or a rest.
Bill Duncan
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> From: Eric Dannewitz <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Tue, 13 Dec 2005 19:37:20 -0800
> To: finale@shsu.edu
> Subject: Re: [Finale] Finale 2006b is Available.
>
> I think we need more articulations in Maestro for Jazz. I think Bill
> Duncan
Chuck,
That's a tall order to accomplish on here. Maybe give me a call and
I'll walk you through it. It's not difficult, but there's a lot of
stuff to consider.
Thanks again for your kind words!
Bill Duncan
On Oct 27, 2005, at 9:06 PM, Chuck Israels wrote:
Hi Fo
ces as to where the box
can be.
FWIW...
Bill Duncan
> From: Christopher Smith <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Thu, 27 Oct 2005 15:32:27 -0400
> To: finale@shsu.edu
> Subject: Re: [Finale] JazzFont, etc.
>
>
> On Oct 27, 2005, at 3:23 PM,
can of worms.
I would like to be a part whatever is going on and to help make things better for all of us. And, I am looking forward to getting to know you all better, as I have not had the privilege of being with my peers for some time. Thanks for this.
Bill Duncan
I agree with what Chuck is
I can't resist:
the Bb version of the word, "the" is "vjg". Does anyone else find that a
bit silly?
Bill
> From: John Howell <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Tue, 25 Oct 2005 21:46:00 -0400
> To: finale@shsu.edu
> Cc: An
>>
>> What I say is: either use proper computer fonts for music, or
>> switch off and take to pen and ink again.
>
> I fall in to this camp, but I am curious about the things that Mark
> describes. I am not at all unhappy with the engraved look of my
> musi
any more input is always welcome.
Bill Duncan
[EMAIL PROTECTED]
206-780-2875
> From: Chuck Israels <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Mon, 24 Oct 2005 11:58:34 -0700
> To: finale@shsu.edu
> Subject: Re: [Finale] Possible new fonts (jazz chords and ar
e time (one more thing to
forget to do when you're under the gun). Just a comment...
Bill Duncan
> From: Mark D Lew <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Sun, 23 Oct 2005 22:27:05 -0700
> To: finale@shsu.edu
> Subject: Re: [Finale] trill notation qu
rom Sher Music Co's "The
Standards Real Book"? If it's not for sale, I'm not really in a position to
get it. Also, if anyone has anything else that they feel particularly
strongly about, I'd love to see them too.
All the best! I'm getting excited about this
put would be
appreciated, as I think that font as well would be useful to all.
I will be able to start work on one or both at the end of November, and
any/all input is welcome.
Bill Duncan
On Oct 22, 2005, at 5:34 PM, Darcy James Argue wrote:
Hi Bill,
I don't think Chris meant that h
interested parties could
"petition" MM to allow me to do it, as I seem to carry little weight with
them on my own.
Bill Duncan
[EMAIL PROTECTED]
> From: Christopher Smith <[EMAIL PROTECTED]>
> Reply-To: finale@shsu.edu
> Date: Sat, 22 Oct 2005 09:40:15 -0400
> To: finale
On Oct 21, 2005, at 7:52 PM, David W. Fenton wrote:
On 21 Oct 2005 at 18:09, bill wrote:
I'm
still on 2k5 and the Update Layout issue should not be an issue since
it was never a problem since Fin 98 (ish) up until recently. This is
only one of many that MM doesn't seem to want
ncentrated on
in the past few versions. I'm getting really frustrated with MM, as
I'm sure most of you are too. Would it make any sense to compile a
"master wish list" and present it to MM as a group? Sorry to vent...
Bill Duncan
[EMAIL PROTECTED]
www.gwmp.com
On Oct 21, 2005,
On Wed, 3 Aug 2005 02:40:17 -0400, Jonathan Smith
<[EMAIL PROTECTED]> wrote:
> Keeping up the 'Beautiful sound' I'm sure!
>
> I know Tyler Turner plays Euph and Peter Wilson who used to post to
> the list a while back.
>
> Just for interest, any other Euphonium players out there?
>
> And whil
for me is samplers like GigaStudio and sample playback tools like
GPO. In fact, while the quality of sample available for Gigastudio is
superior to GPO, I find that lately I use GPO almost exclusively for the
instruments it provides, and only turn to GigaStudio for
it really isn't all bad!
And especially after seeing that list!!!
In addition to me (which is really pretty arrogant when you think about
the list) I've run across a bunch of Bill Thompsons in the
Pro-Audio/MI/Music field. Some that I remember include the founder of
Ashley Audio, on
Rafael Velasco wrote:
He was born in Melbourne, Australia in 1941.
At least that is what I read at http://www.griot.de/biojohnwilliams.html
Thanks... I stand corrected!
Cool site too!!
Bill
--
Bill Thompson
Audio Enterprise
KB3KJF
--
"Most of us think of mathmatics as those chicken tracks-l
itish, but that particular brain cell could be damaged!
I'll do some homework...
Bill
--
Bill Thompson
Audio Enterprise
KB3KJF
--
"Most of us think of mathmatics as those chicken tracks-little wiggle signs.
That isn't math!
That's the fossil remnants of a thought... Math is
u are referring to "Johnny Williams" the jazz pianist around in the
early 50's they are one and the same.
Could you be referring to John Williams the British classical guitarist
and founder of Sky??
Bill
--
Bill Thompson
Audio Enterprise
KB3KJF
--
"All truths are easy to unders
direction!!!
I'll get to the off-topic topic shortly...
Bill
--
Bill Thompson
Audio Enterprise
KB3KJF
--
"All truths are easy to understand once they are discovered; the point is to
discover them."
Galileo Galilei.
--
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stuff.
So, can any person learn to appreciate any musical form? Is that limited
to "serious" music?
Heck if I know!
Have a great weekend...
Bill
--
Bill Thompson
Audio Enterprise
KB3KJF
--
"All truths are easy to understand once they are discovered; the point is to discover
them."
Galileo Galilei.
--
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and cheap enough to
be using FinMac2000c on OS9.1, FYI.
Bill Spencer in somewhat autumnal NH
If you don't go to other men's funerals, they won't go to yours.
--Clarence Day
_
strictly
at the academic/amateur level, and we ALWAYS compiled a list of errata,
which we sent to rental company when we returned the materials. I don't
recall ever seeing one, which was probably why we created it! Odd that
this information isn't shared!!!
Bill
--
Bill Thompson
Audio E
it isn't completely undeserved)... take a moment, and then
lets work together to get all of our requests and complaints heard. It
is almost as important as the sharing of knowledge that goes on here.
Thanks, by the way, for all the knowledge I've gleaned from this group
since I became
x27;s an
accidental tied across the barline, Finale seems to forget about the
accidental and returns to the "natural" pitch in the new measure, which
makes for some very interesting harmonic effects, as you can imagine. What's
going on?
--
Bill Spencer in NH
Red meat is NOT bad for
x27;t
it? I am using 2000c for Mac with 9.1 on a B&W G3. Sorry to be dense and
thanks for your help.
--
Bill Spencer in SPRING-LIKE New Hampshire
Red meat is NOT bad for you. Now blue-green meat, THAT'S bad for you!
--
task, but
the rewards (i.e. object oriented control) could be significant.
Hi John,
I am reasonably conversant in both Perl and Finale 2004, if I can lend a
hand I'd be happy to.
Bill
(who sadly can't quite envision why Finale and Perl should talk to each
other, but that never stopped him
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