Re: (313) Do you know anything about Techno?
On 17/01/2013 17:50, log...@cox.net wrote: http://www.youtube.com/watch?feature=player_embeddedv=kt3Oj-Dq-MM I was appalled, insulted, and amused all at the same time. That is really quite magical ...
Re: (313) newish shiz
Speaking of Conforce, I really enjoyed this mix of his from a couple of months back: http://soundcloud.com/smokemachinetaipei/smoke-machine-podcast-061 On Thu, Nov 29, 2012 at 10:00 AM, Ronny Pries r...@rohformat.de wrote: I'm still hammering the Silent Harbour album on Echocord by Conforce all day long. Doesn't wear off. Techno-wise: Nihad Tule Bauri on Random Island (new-ish label by a friend). There's a really dope IDM-ish remix coming along with two dark and muffly bangers. Terrence Dixon's Population One on Harbor City Sorrow - uh! Further cool releases: MPIA3 on RS, Karenn on Sheworks so what's been floating everyone's boat recently, detroit or otherwise? i been outta the loop but i've enjoyed flying lotus (tho not the newie so much) and redshape, also dig the king midas sound remix album 'without you'. keen to hear anything deep, fonky, unusual, original, creative. answers on a postcard etc
Re: (313) newish shiz
Got to agree with that, I love Shed's work and the albums stand up to repeated listening. It sounds like I need to check Actress out - which album to start with? :-) On Thu, Nov 29, 2012 at 10:59 AM, Marsel van der Wielen mar...@nomorewords.net wrote: maybe obvious, but album-wise I'm still digging (all three) albums by Shed and Actress Op 29-11-2012 10:33, Philip McGarva schreef: so what's been floating everyone's boat recently, detroit or otherwise? i been outta the loop but i've enjoyed flying lotus (tho not the newie so much) and redshape, also dig the king midas sound remix album 'without you'. keen to hear anything deep, fonky, unusual, original, creative. answers on a postcard etc
Re: (313) roll call?
Been (mostly) lurking since the mid '90s, based in Hertfordshire (UK). Still buying plenty of music :-)
Re: (313) roll call?
Still here. Originally subbed in '94 or so. On and off since then. In Sydney now and indulging in a fair bit of music every day but not getting enough time to seriously write any. Simon On 28/11/2012 10:57 PM, maxphi...@gmail.com wrote: I'm still here - writing from a train on the way from Hamburg to Berlin. Anyone else? m50 At 2012.11.28 11:47, Marsel van der Wielen wrote: how many subscribers are left anyway? and will there be a 20 years anniversary party? Op 28-11-2012 11:46, Philip McGarva schreef: btw i haven't been lurking for like 5 years - i just resubbed. it's good to be back! -- Simon Swain +61 418 30 20 20
Re: (313) lawrence's top ten theo list
I'd have to fit Overyohead in there somewhere too ... http://www.youtube.com/watch?v=RWfsDdQ6cwg Simon On Thu, Aug 30, 2012 at 3:32 PM, Frank Glazer cpe1704...@gmail.com wrote: http://www.dummymag.com/lists/2012/08/24/the-10-best-theo-parrish-touched-tracks-according-to-lawrence/ thoughts? my personal theo top 10: chemistry dan ryan dusty cabinets goin downstairs i can take it solitary flight something about detroit soul control took me all the way back rotating ten spot: losoul - behind closed doors theo parrish remix
(313) CRC vs. Myon
Just received the CRC vs. Myon Strings Harmonies E.P from Juno. I recommend giving this one a listen all 3 tracks have a deep vibe. Simon
Re: (313) 'soulful techno'
Very nice, I love this sound. I'd missed Sketches Of My Life just putting an order in for it now - thanks. I loved the Journeys To The Deep 12 it builds the mood so well. I used it in a mix I did recently http://soundcloud.com/smp-2/simon-pascoe-spectra (it's not all soulful techno though I'm afraid). On Mar 9, 2012 1:09 PM, Matt Chester chesterm...@gmail.com wrote: Have you got this one? Highly recommended, it's got a lovely electro track on it. http://www.discogs.com/Nick-Dunton-Sketches-Of-My-Life/release/2623862 On Thu, Mar 1, 2012 at 2:33 PM, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: here's the latest 'soulful' techno favourite i've discovered: http://www.youtube.com/watch?v=TtgTSC18C6sfeature=related and one that i've rediscovered: http://www.youtube.com/watch?v=BNgzYQbqCqk
Re: (313) 'soulful techno'
Hi Andy, Sorry I think I may have cleaned Juno out of their last copy - blame the 313 list ;-) Boomkat have got it though, best be quick :-) http://boomkat.com/vinyl/373858-ever-vivid-sketches-of-my-life Always looking out for more sounds like this. Simon On Mon, Mar 12, 2012 at 4:48 PM, Andy Green mr.verd...@gmail.com wrote: hi Simon, Funnily enough I also jumped on these after the tip off last week. it's curious how these managed to evade my periscope so thanks everyone for the find. I got both journeys for a measly 5 quid as flac. Looking for a sketches vinyl now. May the mind sweeping continue, and yes simon your mix sounded great earlier today.u should post a link here! Andy On 12 Mar 2012, at 16:16, Simon Pascoe contact.simon.pas...@gmail.com wrote: Very nice, I love this sound. I'd missed Sketches Of My Life just putting an order in for it now - thanks. I loved the Journeys To The Deep 12 it builds the mood so well. I used it in a mix I did recently http://soundcloud.com/smp-2/simon-pascoe-spectra (it's not all soulful techno though I'm afraid). On Mar 9, 2012 1:09 PM, Matt Chester chesterm...@gmail.com wrote: Have you got this one? Highly recommended, it's got a lovely electro track on it. http://www.discogs.com/Nick-Dunton-Sketches-Of-My-Life/release/2623862 On Thu, Mar 1, 2012 at 2:33 PM, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: here's the latest 'soulful' techno favourite i've discovered: http://www.youtube.com/watch?v=TtgTSC18C6sfeature=related and one that i've rediscovered: http://www.youtube.com/watch?v=BNgzYQbqCqk
Re: (313) 'soulful techno'
Hi Andy, Sorry I think I may have cleaned Juno out of their last copy - blame the 313 list ;-) Boomkat have got it though, best be quick http://boomkat.com/vinyl/373858-ever-vivid-sketches-of-my-life Thanks for the positive feedback. Simon On 12/03/2012 16:48, Andy Green wrote: hi Simon, Funnily enough I also jumped on these after the tip off last week. it's curious how these managed to evade my periscope so thanks everyone for the find. I got both journeys for a measly 5 quid as flac. Looking for a sketches vinyl now. May the mind sweeping continue, and yes simon your mix sounded great earlier today.u should post a link here! Andy On 12 Mar 2012, at 16:16, Simon Pascoe contact.simon.pas...@gmail.com wrote: Very nice, I love this sound. I'd missed Sketches Of My Life just putting an order in for it now - thanks. I loved the Journeys To The Deep 12 it builds the mood so well. I used it in a mix I did recently http://soundcloud.com/smp-2/simon-pascoe-spectra (it's not all soulful techno though I'm afraid). On Mar 9, 2012 1:09 PM, Matt Chester chesterm...@gmail.com wrote: Have you got this one? Highly recommended, it's got a lovely electro track on it. http://www.discogs.com/Nick-Dunton-Sketches-Of-My-Life/release/2623862 On Thu, Mar 1, 2012 at 2:33 PM, Aidan O'Doherty aidan.b.odohe...@gmail.com wrote: here's the latest 'soulful' techno favourite i've discovered: http://www.youtube.com/watch?v=TtgTSC18C6sfeature=related and one that i've rediscovered: http://www.youtube.com/watch?v=BNgzYQbqCqk
Re: (313) NPR on Chicago Footwork music
Even more fascinating, I can't think of any analogous dance culture amongst white people. Well, there's the Melbourne shuffle, but the moves aren't a patch on the Chicago stuff, and it's best to watch with the sound off. http://www.youtube.com/watch?v=YGAatCB4KCwfeature=related
(313) 313 Podcast
Hi I've written a script to read 313, take links to mp3s and make it in to a podcast. http://feeds.feedburner.com/313 Slap it in to itunes to save yourself manually downloading all those mixes. Mainly did this for my own use but I hope it's useful to everyone on the list. Thanks Simon -- Simon Swain m +61 418 30 20 20 Psurkit Netabel www.psurkit.net Obscure - Dance Music in New Zealand www.obscure.co.nz
Re: (313) new dj mix on ISM
http://feeds.feedburner.com/313 Thanks :) It'll take feedburner a little while to catch up but it's showing on the master feed now, so I don't think it'll be long before it's there. S On 24/09/2010 11:30 AM, Frank Glazer wrote: this has frak all to do with detroit, but i posted a new mix on infinite state machine that has some detroit-ish textures to it at least http://infinitestatemachine.com/2010/09/20/about-an-hour-with-live-jam-records/ http://files.deejaycountzer0.com/deejaycountzero_-_about_an_hour_with_live_jam.mp3 (besides, i am kind of curious to see if simon's feed script works ;) -- Simon Swain Obscure - Dance Music in New Zealand www.obscure.co.nz www.psurkit.net m +61 418 30 20 20
(313) Conforce (a Long time lurker writes).
Hi, I'm ashamed to say that I have lurked on the list and not posted for years, but felt I just had to post about this one: Conforce - Machine Conspiracy on Meanwhile Very impressed with the quality and diversity across these tracks, and would recommend a listen. Will try and email more over the next few years ;-) Simon
(313) Underground Resistance New Zealand Tour 2008.
Obscure is proud to announce The Underground Resistance New Zealand Tour 2008. Wellington, New Zealand Friday 5 September @ Curve Bar DJ Skurge - Underground Resistance With Recloose, Navigator Zero and Sebastian Coda Underground Resistance have been and still are instrumental in defining the sound at the root of all modern dance-floor music. DJ Skurge and founder of UR, Mad Mike, are currently visiting New Zealand - A once in a lifetime opportunity for you to catch Detroit techno legend in Aotearoa. Skurge will be behind the decks playing the gamut of modern and historic Detroit Electro and Techno. In addition to playing two gigs, Underground Resistance will be participating in a mentoring programme for at-risk teenagers in the Wellington region. These gigs are to fund UR travelling to NZ to participate in this program, with any profit generated being directed back in to the community. We humbly request your support of this cause by attending the club events. For full event details, see the listing on Obscure: http://obscure.co.nz/events/ur_nz Additional Resources: An in-depth interview with Mad Mike Banks via The Wire: http://www.thewire.co.uk/articles/271/print An extensive audio interview and musical retrospective: http://angie.datavibe.net/madmikeWDET/ DJ Skurge mixing on Dave Clarke's White Noise show: http://s-ence.net/02-dj_skurge_-_white_noise-cable-03-15-2008-talion.mp3 http://obscure.co.nz/ -- Simon Swain Obscure - Dance Music in New Zealand www.obscure.co.nz www.psurkit.net m +61 418 30 20 20
(313) Reference track
Hi I know this isn't a production list, but I was wondering what 313'ers would pick as a reference track for tuning a sound system, studio, and comparing their own mix balance against? What do you think the ideal techno reference track is? S Simon Swain http://Obscure.co.nz +61 418 30 20 20
Re: (313) Reference track
Yeah I was going to try to make say an 8 track cd to use. Wanted to get some different inputs What you say is the idea though, that and to A/B my own tracks with. S Simon Swain http://Obscure.co.nz +61 418 30 20 20 -Original Message- From: [EMAIL PROTECTED] Date: Fri, 02 May 2008 20:55:20 To:[EMAIL PROTECTED] Subject: Re: (313) Reference track That's a really interesting question. My answer is that it would differ from person to person, I'd say pick a few different tracks that sound different from each other and with which you are quite familiar, then make them all sound their best on the system and you should be golden. No? m At 20:06 2008.05.02, you wrote: Hi I know this isn't a production list, but I was wondering what 313'ers would pick as a reference track for tuning a sound system, studio, and comparing their own mix balance against? What do you think the ideal techno reference track is? S Simon Swain http://Obscure.co.nz +61 418 30 20 20
(313) Cisco's Demise
Word on the street from Tokyo: I know... its not good.. well, Cisco in Osaka is closing down, but they are combining all the stores in Tokyo into 1 store. So, therell be techno, house, trance, reggae in one store. Shame, I have some special memories of Cisco Techno in Shibuya. S -- Simon Swain Obscure - Dance Culture in New Zealand www.obscure.co.nz p +61 2 9460 3311 m +61 418 30 20 20
RE: (313) votes
Doesn't the 32 have the gains on the back so you literally have to blindly reach behind the mixer? Completely impractical. For fast and aggressive EQing and x/channel fading the Pioneer is far more sturdy than AH I find. For smooth, delicate mixing the 62 wins hands down. This is comparing a 600 with a 62. -Original Message- From: Benoît Pueyo [mailto:[EMAIL PROTECTED] Sent: Wednesday, 24 October 2007 6:25 AM To: list 313 Subject: Re: (313) votes I have AH XONE 32. Except the fact it has 3 channels, it already beats every pionner I got in hands (300,500,600) though i've never tried the 800. Anyways I dont think Pioneer have changed thier stupid EQs cutting everything when you low too much the bass. AH are soft, precise, and still have punchy efft. Hooray for the filters aswell. So forget Pioneer... Now between 62 and 92 I would say 62 becasue its cheaper, and for the extra $$$ 92 doesnt bring much more technically talking (except if youre fan of all these hawtinesque concetual effects and stuff). -- Benoît. [EMAIL PROTECTED] a écrit : can I have your votes pls..? Allen Heath 62 Allen Heath 92 Pioneer DJM 800 ?
(313) Ping
Pls ignore (thanks Kent!) S -- Simon Swain Obscure www.obscure.co.nz m +61 418 30 20 20
(313) Global Wierding
So they're doing 3 things I think It goes beyond that -- they have a lot of reach and hopefully by setting a good example they can hopefully encourage others to follow suit, which is way more effective than any measures they could take alone, and imho great use of that reach and deserves some respect. S -- Simon Swain Obscure www.obscure.co.nz m +61 418 30 20 20
(313) What's happening with 'Miranda'?
Y'know, the forthcoming convextion 2x12 on matrix... I've had this bad boy (or girl) on preorder for ages, and the release date keeps slipping... it seems that a few people on here are probably more in the know on what's happening with this than my record store is, so I wonder if somebody would be able to fill in any blanks? Not angry or anything, I'll wait as long as it takes (on Sunday I finally received some deepchord records about 14 months after I ordered them, they'd been collecting dust at my neighbour's house until they started packing to move!) but if there's any firm info it'd be appreciated! Thanks! Si
Re: (313) Your favorite CD only compilations/mixes
Another vote here for the Dan Bell mixes; both really good. I also loved Akufen's Fabric mix, don't mind the new Cassy mix at all and I heard one of the Sound Signature mix CDs which is amazing. An older mix I really like is the Bentley Rhythm Ace edition of the FSUK series. Crazy stuff, totally all over the place! theREALmxyzptlk [EMAIL PROTECTED] 9/03/2007 6:55 am The new Riley Reinhold romp through Trapez territory isn't half bad, either. (Selection 5, mixed by Triple R) YMMV depending on how you define 'minimal', but he does a good job with what he's using; for the most part he keeps it flowing. jeff [EMAIL PROTECTED] wrote: Peter Grummich - Club Maria Berlin: Dirty Floor http://www.discogs.com/release/622969 Cassy - Panorama Bar 01 http://www.discogs.com/release/772763 m50
Re: (313) Jeff Mills - One Man Spaceship
Amazon.co.uk are quoting this cd as being released on 12th February for £15.99, so maybe it's getting a wider release everywhere.
Re: (313) Carl Craig Remix Of X-Press 2
Yes. I haven't heard it on anything but my headphones, it sounds OK. Sort of ravey. I quite like the vocal but some people can't stand it. It's alright, it has some nice sounds in it but I don't think it's that special. Has anybody heard it out? Is it actually mind-melting? Cyclone Wehner [EMAIL PROTECTED] 12/11/2006 10:32 pm Anyone heard his mix of X-Press 2's Kill 100?
(313) Red Bull Music Academy
Hello folk I'm at the Academy now, it's bloody brilliant. There are daily updates to http://www.redbullmusicacademy.com/ and I'm also keeping a blog at http://blogs.inthemix.com.au/simonfromuk - photos will come soon. On a 313 note, we have Todd Osborne and Mark Pritchard here for the full time to teach us stuff. I strongly suggest you all check out the academy website where the lectures will be posted. Also check out the academy's radio station on http://www.rbmaradio.com/ - plenty good stuff on there, a Theo mix coming on soon and we'll all be making mixes to go on there. Peace Si
Re: (313) NYC in the next fortnight?
If I was in NYC I'd be heading to Deep Space. Check out the website http://www.deepspacenyc.com/ Cielo looks like the most beautiful-looking club in the world! Has anyone actually been there? Their weekend nights seem a little arduous and I'm sure the crowd is probably quite chi-chi, but boy it's a good looking joint. Benoît Pueyo [EMAIL PROTECTED] 19/09/2006 6:13:46 am When i was in NYC i really enjoyed the Depp Space party @ Cielo. Sounded as if it was the only place in meat packing with open minded people and not only posh girls. Of course the best part was the music ! -- Benoît. Melody Ng a écrit : Hi all Long time no write! I'll be in NYC from Wed 20 for about 2 weeks. Anyone who's got any recommendations or any parties that are coming up, let me know. I only just realised technotourist boards are down and I'd planned to pull out some info... sigh.. I do have soem recs, and I've been keeping an eye out for parties etc but there doesn't seem to be anything much on? cheers mel
Re: (313) The joy of ordering from Submerge?!
Seconded. I also like all the extra goodies they throw in the box - flyers, stickers, scrunched up pages from detroit newspapers for packing. Very nice touches. Fred Heutte [EMAIL PROTECTED] 14/09/2006 11:04 am Yes, I've heard that Submerge has a direct connection with Mars :) This is a good moment to express my own appreciation to Submerge, UR and everyone involved. This is a major anchor to the techno and independent music community worldwide, and the dedication to strong customer service is a big part of it. To borrow a phrase from someone I know: That sh!t is t!ght! fh - If you lived on Mars or in an alternate dimention we would still try to find a way to ship it to you. Russia shouldn't be a problem. I know we've shipped there before. :) Bridgette will take care of you good. --- [EMAIL PROTECTED] wrote: From: Vasya [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: (313) The joy of ordering from Submerge?! Date: Thu, 14 Sep 2006 01:27:28 +0400 I wish to order some things @ Submerge but I wonder if they ship their stuff to Russia and how long will it take. Thay have some great records for sure. vasya kent williams wrote: Maybe this is too obvious to mention, but mail-ordering from Submerge is great! Bridgette Banks held some records for me ever since DEMF, and e-mailed me to ask if I still wanted them -- 13 weeks later. I called in with my credit card number, and they went out the same day. And they have pretty much everything you'd ever want in the way of Detroit electronic music, including things that can't be found anywhere else. So I'm anxiously awaiting what may be the last copies anywhere of SID 1-3, and DJ 3000's new CD...
RE: (313) Convextion @ Samurai FM
What's all the fuss about playing this thing? Scroll down til you see Bleep 43 Presents Convexion, Plant 43 + Toby Firth and click that link. Make sure you allow popups as the player appears in a new window. Too easy. -Original Message- From: Stoddard, Kamal [mailto:[EMAIL PROTECTED] Sent: 12 September 2006 18:30 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Convextion @ Samurai FM A fxck1 I haven't listened to any mixes in like months (burnt out) but I've been waiting for this one like a rabid dog I can't hear anything on the site though...I know it's a bad word some places, but is it possible to get the file? I'll even take the wmv at this point. I realy need to hear this. Gerard is one of the only cats nowadays I can listen to, not to mention actually feel inspired by. I want this. Help. K mwnb -Original Message- From: Jamil Ali [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 12, 2006 1:30 PM To: 313@hyperreal.org Subject: Re: (313) Convextion @ Samurai FM Is it possible to download this? Jamil Toby Frith wrote: Hi peeps, Long time no 313 activity. Just thought I'd advise that Gerard's live set from his gig with Bleep43 in April in London is now online at www.samurai.fm with a live set by Plant43 and a mix by myself. They've also got the Scape and Deadbeat set at Mutek earlier this year which I've just listened to and it rocks. Cheers Toby www.bleep43.com Search over 12,000 used cars and read the latest expert reviews telegraph.co.uk/motoring This e-mail is from Telegraph Group Limited - 1 Canada Square, Canary Wharf, London E14 5DT, registered in England under No 451593 (we, our or us). This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. -- Jamil Ali (416) 364-9227 ext. 31 www.orcsoftware.com
RE: (313) Convextion @ Samurai FM
I'm using Firefox - it works fine. Maybe you need Realplayer or even Flash installed as well? -Original Message- From: J.T. [mailto:[EMAIL PROTECTED] Sent: 12 September 2006 18:46 To: Simon; 'Stoddard,Kamal'; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Convextion @ Samurai FM it doesnt work in firefox (and i'm guessing anything but IE)...you get the popup window but the player and controls don't appear. works in IE but...b IE. -Original Message- From: Simon [EMAIL PROTECTED] Sent: Sep 12, 2006 1:33 PM To: 'Stoddard, Kamal' [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: (313) Convextion @ Samurai FM What's all the fuss about playing this thing? Scroll down til you see Bleep 43 Presents Convexion, Plant 43 + Toby Firth and click that link. Make sure you allow popups as the player appears in a new window. Too easy. -Original Message- From: Stoddard, Kamal [mailto:[EMAIL PROTECTED] Sent: 12 September 2006 18:30 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) Convextion @ Samurai FM A fxck1 I haven't listened to any mixes in like months (burnt out) but I've been waiting for this one like a rabid dog I can't hear anything on the site though...I know it's a bad word some places, but is it possible to get the file? I'll even take the wmv at this point. I realy need to hear this. Gerard is one of the only cats nowadays I can listen to, not to mention actually feel inspired by. I want this. Help. K mwnb -Original Message- From: Jamil Ali [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 12, 2006 1:30 PM To: 313@hyperreal.org Subject: Re: (313) Convextion @ Samurai FM Is it possible to download this? Jamil Toby Frith wrote: Hi peeps, Long time no 313 activity. Just thought I'd advise that Gerard's live set from his gig with Bleep43 in April in London is now online at www.samurai.fm with a live set by Plant43 and a mix by myself. They've also got the Scape and Deadbeat set at Mutek earlier this year which I've just listened to and it rocks. Cheers Toby www.bleep43.com Search over 12,000 used cars and read the latest expert reviews telegraph.co.uk/motoring This e-mail is from Telegraph Group Limited - 1 Canada Square, Canary Wharf, London E14 5DT, registered in England under No 451593 (we, our or us). This message, its contents and any attachments to it are private and confidential. Any unauthorised disclosure, use or dissemination of the whole or part of this message (without our prior written consent) is prohibited. If you are not the intended recipient, please notify us immediately. Neither we nor the sender accepts any responsibility for viruses and it is your responsibility to scan attachments (if any). The content of this email does not necessarily reflect our views or those of our officers and we take no responsibility for the views of the author. Emails sent and received may be read by people other than the intended recipient and may be monitored to ensure efficient operation of our email systems. -- Jamil Ali (416) 364-9227 ext. 31 www.orcsoftware.com
(313) Blade Runner sampling
So I've just ordered a bunch of stuff from the sound signature represses and blow me away if Solitary Flight doesn't sample the Blade Runner soundtrack (actually I think it might be the New American Orchestra version). Excuse me if I'm very late on the boat (or spinner) on this one, which I think I am! Anyway, are there any other tracks which sample from the soundtrack? Are any of them any good?
Re: (313) Blade Runner sampling
http://www.discogs.com/release/488248 So when blade runner came out (so the story goes), Vangelis was as disappointed with the edit as Ridley Scott was, and refused to release his soundtrack. So they got the New American Orchestra (whoever they might be) to do their own interpretation of the soundtrack and released that, and it was the only legit version of the soundtrack you could get for years. When the director's cut of Blade Runner came out, Vangelis finally allowed his original version of the soundtrack to be released. That's the story I heard anyway, the truth probably involves a little less artistic integrity ;-) Both are great releases in their own rights though. Client Services CCSU-ISTAR Level 27, Governor Macquarie Tower, Sydney, email [EMAIL PROTECTED] Telephone: 61 2 9228 5501 Facsimile: 61 2 9228 4435 __ This email message, including any attached files, is confidential and intended solely for the use of the individual or entity to whom it is addressed. The NSW Department of Commerce prohibits the right to publish, copy, distribute or disclose any information contained in this email, or its attachments, by any party other than the intended recipient. If you have received this email in error please notify the sender and delete it from your system. No employee or agent is authorised to conclude any binding agreement on behalf of the NSW Department of Commerce by email. The views or opinions presented in this email are solely those of the author and do not necessarily represent those of the Department, except where the sender expressly, and with authority, states them to be the views of NSW Department of Commerce. The NSW Department of Commerce accepts no liability for any loss or damage arising from the use of this email and recommends that the recipient check this email and any attached files for the presence of viruses. __ Cyclone Wehner [EMAIL PROTECTED] 08/25/06 6:11 PM Wow, I want to know this too. What is the New American Orchestra one? On 25/08/2006, at 4:42 PM, Simon Hindle wrote: So I've just ordered a bunch of stuff from the sound signature represses and blow me away if Solitary Flight doesn't sample the Blade Runner soundtrack (actually I think it might be the New American Orchestra version). Excuse me if I'm very late on the boat (or spinner) on this one, which I think I am! Anyway, are there any other tracks which sample from the soundtrack? Are any of them any good?
(313) Martin Buttrich (was: new planet e)
He is also Timo Mass' production partner (responsible for that mix of Azzido Da Bass' Dooms night a few years ago that blew the f*ck up), and is also Production partner for all the current super hits on M_nus etc that bear Locodice's name. Does anyone else think that there is something a bit odd about this production partner moniker? I'm sure if I had a decent enough DJ profile and made some label contacts and had enough benjamins I could probably get in the studio with this dude as my production partner and get a few tracks out as well... Not sour grapes or anything, but I think it's an interesting situation. I wonder how many of these co-productions are actually that.
Re: (313) deep lables
FXHE Mule Ai Logistic (sometimes) Echocord And also the netlabel Thinner (www.thinner.cc) The new Styrax Leaves by redshape is great! Loving it. J.T. [EMAIL PROTECTED] 27/07/2006 12:41:02 pm also down low music. hi. convextion 2x12 album will be out around november -Original Message- From: sqrrt [EMAIL PROTECTED] Sent: Jul 26, 2006 9:15 PM To: henrique casanova [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: (313) deep lables Styrax Leaves, New Religion, Narita, Creme Eclipse... Your description is pretty wide so we could go on and on, but starting with the labels you've already mentioned, these are what pop up to my mind right afterwards. Francis. At 07:14 PM 7/26/2006, henrique casanova wrote: hi there. my name is henrique, I been in the list before but now I was away for years. I would apreciate some help here. Im making a list of lables releasing deep stuff, detroit techno oriented but also near deep house and electro, musicaly. so I mean lables like Delsin, Headspace. can you brothers grow this list for me? Delsin, Digital Soul, Rush Hour, Headscape and what about detroit lables? it seems many of them had stop pressing records. I still canot beliave Transmat is stoped but I'll make a new topic on this. _ Acompanhe os desfiles do evento S�o Paulo Fashion Week. !
Re: (313) Congrats to Simon Hindle
Thank you guys, it's pretty crazy news. I haven't really gotten my head round it at all! they don't let you know who the guest teachers/speakers are going to be until you get there (it is in Melbourne this year), but there are a few clues - it seems like Cut Chemist, Marco Passarani and Mark Pritchard will be amongst the tutors and apparently there's a post on deephousepages where David Mancuso says he's going. () I'm definitely going to keep some sort of blog while I'm there, and the academy website is a phenomenal resource that everyone on this list ought to check out - nearly all the lectures from previous academies are available to view (a notable exception is when UR/Galaxy 2 Galaxy went in and made them turn the cameras off!) Many are so 313 it's unbelievable so check it out. Thanks again, I promise to do my best! [EMAIL PROTECTED] 25/07/2006 11:45:29 pm Congratulations Simon! Any clue as to who the guest teachers/speakers are going to be? MEK Joost P [EMAIL PROTECTED] wrote on 07/25/2006 04:18:27 AM: List member Simon got into the Red Bull Music Academy that's being held in Melbourne this year. A fantastic opportunity! I didn't get in myself. Again. So I'm jealous as hell. But nevertheless I hope Simon will have a great time there. It would be great if you could keep us updated a bit on what's going on when you're there, if you even get the time. But that's up to you of course. For those who don't know what the RBMA is, check this: http:// www.redbullmusicacademy.com/ and check out the lectures. Way to go Simon! Joost
Re: (313) Richie Hawtin now Jeff Mills
He recently put out a 12 on Klang under the alias Raudive. The A-side is bloody brilliant stuff. Discogs tells me there's a new Raudive out as well. Hurrah! Cyclone Wehner [EMAIL PROTECTED] 03/07/2006 13:30 What happened to Oliver Ho? I personally prefer his work to Surgeon's... an original. It's hard to get Ho's music, really hard! On 01/07/2006, at 11:23 PM, /0 wrote: surgeon seems a little more into industrial techno and rephlex-ish stuff that mills. surgeon sets sound too clean and precise to me. part of the fun with mills is you can hear that he's going so fast, he's just on the verge of trainwrecking everything. - Original Message - From: kent williams [EMAIL PROTECTED] To: list 313 313@hyperreal.org Sent: Friday, June 30, 2006 8:52 PM Subject: Re: (313) Richie Hawtin now Jeff Mills I dimly remember people saying Surgeon bit Mills' style, but if I remember correctly, once Jeff started playing Surgeon records, people shut up. If anyone took the time to listen to his music, they were always records in the same general style as Mills, but completely his own thing. And Surgeon has indeed gone on to do amazing things that have nothing to do with 2 beat loop bangers. On 6/30/06, Wes Prince [EMAIL PROTECTED] wrote: It's never initially clear, as you say -- only time tells. I remember back in the mid-90s a lot of people came hard downwards on Surgeon for (badger) biting Mills and his style -- some of the more outraged even printed up I Hate Surgeon tees to advertise their dismay at his growing popularity.
Re: (313) Isomer Transition - Shadowlands
It's RJ Valeo who made this. If you go to his website you can download the ep in MP3 format. It's pretty good stuff. theREALmxyzptlk [EMAIL PROTECTED] 8/06/2006 7:08 am Nice, dub-edged techno here. Not sure from which corner this emerged, but I'm game for more. Supposedly this is from some 'mystery producer'... It has a basic sound you'd expect from a certain channel - or I could just be experiencing some kind of chain reaction. jeff
(313) See Mi Yah remixes 4
Phowar... talk about saving the best till last! C2 and Basic Channel on duties this time - only heard the clips on the basic channel website but it seems like they might have saved the series... of course, does this mean that they're going to do the whole series? There are a couple left to go yet...
RE: (313) techno live acts
We just had Modeselektor play for us here in Sydney and they were really bloody good. They've been playing live for AGES now and are really tight. They put on a great show, and their sound is just so fkin HUGE! It's not straight-up tech, more along that electronic dancehall/junglist sound that's coming out of the states a fair bit at the moment (think Shockout/Mashit, Kid606-style stuff) but it definitely references the detroit sound, which they're both big fans of; I had a good chat with the guys and they were wistfully reminiscing about seeing UR back in the day when it was Mills, Hood and Banks. They're playing a bunch of dates in the states at the moment, including an afterparty at DEMF and then they're off to Mutek. Definitely check these guys out. One of the best live acts I've ever seen. And also props to Lidell, Andy Vaz and Monolake as well, all of whom I've seen this year and really rated. Tristan Watkins [EMAIL PROTECTED] 23/05/2006 10:00 am -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 22 May 2006 21:54 To: 313 Subject: (313) techno live acts and you're allowed to add a short line why Jeremy Ellis and John Arnold -simply the best live performance I've ever seen. Two people making 98% of the sounds that come out of the speakers on the fly. Live moog, singing, 2xMPC, guitar and whatever else they decide to throw in. Music so good it makes me goofy Jamie Lidell -ditto, except I'm only slightly less enthused But maybe you mean proper techno??? Shawn Rudiman -More traditional techno/electro, but also doing it mostly on the fly, with a preference for MACHINES Sendex -ditto Carl Craig -Be it Innerzone, Detroit Experiment, his best-of thing he did last year or whatever the incarnation, it's good ...and a fair share of pretty damn good laptop PAists. I dunno man, there are a lot to chose from these days, and a lot of poo. But I've seen far too much good music in the last few months to worry about that. I need a break. Live highlights of the last month would have to be Henrik Schwarz and Convexion. Can't ask for much more than that... Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.392 / Virus Database: 268.6.1/344 - Release Date: 19/05/2006
Re: AW: (313) berlin, berlin wir fahren nach berlin :)
Yup, this weekend seems to be the bomb time to be in Berlin - a friend is over there at the moment. Theo on Friday, Weatherall on Saturday and Rhythm Sound + Tikiman live on Sunday. Damn! [EMAIL PROTECTED] 19/05/2006 6:45 am hey B... you can get Theo Parrish there this weekend in Berlin. here's the data: 20. Mai 2006 ab 23 Uhr Weekend, Alexanderplatz 5, Berlin-Mitte have fun ! cheers dUb Hi list, i'm for some days in Berlin (this Saturday 20 - 23 May) and would like to know if somebody could give some hints where to find good discs (new + 2nd hand), restaurants/bars, shoping etc... I was already in Hardwax, WMF and Tresor (a bit too late now hehe) and that's all. Also parties would be cool ! I heard about the one in berghain... looks good. Any info welcome ! Please hit me back in private Cheers, B Can be in English, German, French or Dutch
Re: (313) CC on DFA
PS a 'friend' told me that an mp3 of the cc mix of revilee has been leaked and is making its way round soulseek, whatever that is. (minus Tim Sweeney getting all orgasmic at the breakdown as well) :P
Re: (313) CC on DFA
But you see this is what's so good about the death of vinyl... these days when purchasing MP3s you just buy the mixes/tracks you like. It's great! Records are lame anyway. *ducks* Thomas D. Cox, Jr. [EMAIL PROTECTED] 12/05/2006 07:59 On 5/11/06, /0 [EMAIL PROTECTED] wrote: yeah and of course, they all sit around in dim, smoke fill rooms, conspiring to release records with a song that tom cox likes, along with a bunch he doesn't because you're the center of the universe tom, OKAY PEOPLE WHO CANT UNDERSTAND A SIMPLE IDEA AND READ OTHER THINGS INTO IT. WHAT MAKES ME MAD IS WHEN A TRACK COMES OUT ON A DOUBLE PACK OF REMIXES, NOT ALLOWING ME TO CHOOSE THE ONES I WANT. UNLIKE FOR EXAMPLE THE INNERZONE ORCHESTRA REMIXES OF PEOPLE MAKE THE WORLD GO ROUND. I ONLY WANTED THE KDJ MIX SO I ONLY BOUGHT ONE OF THE 12S. ITS AS SIMPLE AS THAT. WITH THIS SET I HAVE NO CHOICE BUT TO PAY FOR CRAPOLA THAT I DONT WANT AND THAT IS WACK. UNDERSTAND NOW? tom
(313) AUS Spam - Modeselektor this weekend
Hello everyone - a bit of spam for you all. MODESELEKTOR are playing in Australia this weekend as part of their world tour which will see them jet off to North America next for DEMF and Mutek amongst others. But before then they're playing in Melbourne tonight at the Mercat, details at http://www.inthemix.com.au/whatson/show/28587/ and then tomorrow we've got them in Sydney - details at http://www.snarl.org/modeselektor Tix on the door for both parties will be in the $30 mark. Don't sleep on this, it's gonna be fkin wicked - the guys are amazing live! Apols to the 99.99% of people this doesn't apply to.
(313) Techno on the otherside .. NZ
This post is for everyone having a cry baby about DEMF .. Stacey Pullen came to play in Wellington NZ the other week. By some sheer accident I ended up making a one way 16 hour road trip to see him play, and a flight home at 8am. A good friend also flew in from Sydney for the occasion so it was really cool to be connected by Techno. Mostly I just wanted to say to the list that in some places in the world we rarely get to hear Techno. New Zealand has had three US producers visit in the last two years. You may recall me writing in about Carl Craig last year. I go bug for Techno especially Detroit styles. It is the only music that makes me dance like Sven hugs or no hugs. It's the only music that motivates me to dance at all these days. Stacey was just brilliant, and I don't care for the politics. He got on the decks at 2am and was still playing when I had to get to the airport at 7am. It was a sonic inspiration for me .. and was twice as cool cause the dance floor was full .. unlike Carl Craig. wah. While I can understand the frustrations of the DEMF line up .. I think you need to look at the greater context of what the scene is able to support. New Zealand has small population, and so a very small Techno scene. Our ability to foster our own scene, let alone have events or festivals that feature Techno artists is very very limited. On a global scale Techno is still a very underground sound. Over here where I am sitting . the DEMF does heaps to put Techno on the Map. Locally .. I would probably be upset as well. However the opportunity still remains to use the focus on the DEMF to raise the awareness of the 313 sound .. and it's affiliations. I think the Line up is that evil balance between commercial and true. However on any given day it's a line up I would very much like to see, and from a global perspective I think its a very interesting representation of how far the influences of Detroit music have traveled. I think Detroit heads have a lot of heritage to be proud of, and while there is obviously a strong local scene that is looking for representation. I think you have to appreciate that due to the musical foundations of Detroit many people from around the world now share in the positive influence. Somehow in the face of all the commercial dance scenes around the world Techno has managed to hold onto it's integrity. The artists listed are by no means heavy hitters in the commercial dance scene. They are a fairly gritty bunch of left field innovators of electronic sounds. For all the people that stand in Hart Plaza .. there are as many people all around the world who bring their attention to the goings on in Detroit. Promotion is the evil brother of Appreciation, and by all accounts the DEMF has been a constant battle from day one. I just want to send love and respect to the Festival and remind everyone having issues with the event, that some of us are still struggling to hear any sort of Techno once a year. DEMF does bring global attention. We are listening out here on the edge. .simon
Re: (313) new carl craig mixes/beauty room
Delia Gavin mix is great! I think the reason sweeney talks across it is so that people can't edit it and play it out ahead of its release. And I was always under the impression that tres demented used a 606, not an 808. Those toms are a bit of a giveaway. Carlos de Brito [EMAIL PROTECTED] 19/04/2006 2:07:36 am you can listen that remix for delia and gavin on this beats in space show: http://www.beatsinspace.net/audio/2006/jan31/bis013106part2.mp3 Part 2: ... 17. Lindstrom - Another Station (Todd Terje Remix) - Feedelity 18. Theo Parrish - Ugly Edit 7 19. Delia gavin - Revelee (Carl Craig remix) - DFA 20. Syclops - The Fly - Tirk ... sadly, tim sweeney talks massively over that track, but hey, you get an idea how killer that track must sound on a big system. c* [EMAIL PROTECTED] schrieb: Delia galvin from DFA??? It just can NOT be the new CC style... whaddya mean? I meant I think their music sounds like his new style music. or it reminds me of him anyway. do you not think? its probs just me then. just an opinion. I always thought they sounded pretty similar. darkness etc? 5 pound says both parties have been listening to alot of krautrock v.recently. p.s. hope its sunny in brazil. its fecking raining here. I blame you. ; ) but anyway. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Daniele Baldelli mixes
The totally wicked http://www.discopia.com/ has some good stuff about cosmic: Daniele Baldelli interviewed by Danny Wang: http://www.discopia.com/portal/issues/issue3/baldelli Story about Cosmic and the sound: http://www.discopia.com/portal/issues/issue7/cosmic Get on to Discopia if you haven't already - there's some really good stuff on there. The story about the audio system at the Loft is crazy! Carlos de Brito [EMAIL PROTECTED] 12/04/2006 02:41 wasn't aware that it's members only now. found this emailadresses ([EMAIL PROTECTED] and [EMAIL PROTECTED]) on the site, maybe that helps. btw: their archives seem to be huge. start your search here: http://www.mixarchives.net/Afrodiscofunky.htm c* Jamil Ali schrieb: How do you download from there? The links are all to an ftp server, and it asks for user/pass. But I dont' even see any way of joining this site... thanks, Jamil Carlos de Brito wrote: looks like this site is cosmic heaven, it has a lot of cosmic tapes mixes: http://web.tiscali.it/mix_archives/No.1-50.htm these two threads on djhistory.com-forum have good infos on those cosmic guys (though, most of those yousendit links posted there might not work anymore): http://www.djhistory.com/forum/showthread.php?t=11972 http://www.djhistory.com/forum/showthread.php?t=13823page=4 c* Peteri, Jochem schrieb: Mixarchives.net isnt working, any chance to get a hold of these mixes or wake these guys up? Man that is one nice archive.. Try here, some are still online I hope: http://www.mixarchives.net (afrocosmicfunky) http://www.gomma.de/content.html (mixtapes) The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
(313) Deep Space
All this talk about radio shows .. and Techno mixes .. got me thinking about Deep Space .. I used to have a bunch of the shows .. and I was sure I found a vault of them on-line recently anyone ' got any pointers .. .. On the RIAA . thing .. why doesn't the Techno community form its own group ' and set its own precedent for publishing on line. Probably fits nicely in the to hard basket .. But how else is niche scene like Techno suppose to make it in a digital environment thats melting down the majors and leaving new wake of independent to start the mole fight again. I'm not in the music business . but it seems to me all bets are off and the last one left standing will be downloading. .simon
Re: (313) New Mix Podcast . legal infos
You can also DL the mp3, you don't have to subscribe to podcast if you don't want to. And the crucial tracklist: Hey . all . (Adam this is not about your mix . .. just the whole area of net casts) Just wanted to ask the opinion of the list ' regarding the net casting of copyright (techno) musics ? I know that technically it is illegal ' in that you need the permissions of the artists to publish their music .. etc. However the DJ Mix has always been this promotional gray area for publishing copyright music. Now that we have entered the net-casting ' pod-casting era .. it changes the dimensions a bit, from a DJ handing out a Mix tape/CD to promoters and friends to the broadband access of many. So I suppose it comes down to a peer review again. Since as far as I know no one has ever been prosecuted for handing out Mix tapes. So does anyone mind the publishing of Techno mixes online ' Are the rules for making this okay ' that you publish a Tracklist and Links to artists pages where applicable? What if the site you are doing it through is making revenue from advertising on the hosting page? Obviously in the world of the net you can just do things, and get away with it. However here in NZ . our longest running Techno radio show the Stereo Nasties just got axed. So we are considering net casting the show instead and would hate to upset people or step on toes by publishing copyright music online in a DJ mix format, while making some revenue in return for hosting the show. Are there any legal standards for this? Are there any community thoughts about this ? Are there any label or Artists on the list who have views about this ? In one sense its no different from music played on a Radio Station ' except the Internet is different and highly undefined Is it streaming vs downloading ?! Any input appreciated .. .simon http://obscure.co.nz/profiles/steronasties
Re: (313) minimal sounds
Hell yeah! I love that raudive release. There's another oliver ho out at the moment that's really good as well. Ryan Crosson is from detroit and has had a couple of promising releases. Check out the new galoppierende zuversicht on bruchstuecke as well! fab. [EMAIL PROTECTED] 7/04/2006 1:26 am me too.im especially digging what i call post-minimal techno, often wierd and f**ked up, like the louderbach material and the new oliver ho 12 on klang, under the raudive moniker
Re: (313) CD Mixers
Of course, for me, the idea of paying hundreds of dollars for something that REQUIRES you to have turntables in order to mix is kind of crazy. That only makes sense in Ubercoolische world, where the DJ equipment is something you specify in a rider, not something you haul up and down stairs. Once you learn to beat match in one medium it shouldn't be that hard to transfer the skills to a new one. IMHO. I disagree slightly with your view on the Serato / FS systems .. I have mixed on nearly every system available to beat match and pitch mix. I like all of them and would agree with the recommendation of the Pioneer CDJ series. Pioneer for all their little audio deficiencies, make very reliable gear that survives everything short of a Vodka Orange left to corrode circuits. The looping options are always quick and easy to use, with some of the models providing on the fly loop adjustment, loop memory .. etc etc. In regards to the Serato / FS systems .. I don't think you should underrate the tactile nature of a Turntable. One of the biggest issues with driving software ' or any digital system is the 'interface'. While the Pioneer CDJ1000 is pretty good for giving you hands on control of music tracks .. I find a Turntable is still one of the most physically rewarding mediums of control. The bonus of linking a Turntable into software is that you can access all the additional functions that digital provides :: Looping, FX 'cue memory. Obviously you can learn the feel and intuition of any system, but the biggest problem I see facing most digital musicians is the interface. The physical nature of playing a real instrument allows the artist to add all sorts of flavor into their performance. While I love digital and the extra dimension of 'tweak' the access to the 'tweak' is still a little clumsy or not as fluent as with familiar devices. To feel the weight of a Direct Drive Turntable under fingers is not really a comparison to the weight of a CDJ jog dial. I think DJ's are lucky that digital has been brought to our old medium of control in such a quick and seamless fashion. However all things are learned ' and all systems have potentials that others do not .. and spending time with equipment is the best way to get the most out of it. Ideally I like to have Turntables CDJ's and use everything ' hot starts loops ' and the run run crackle pop of vinyl ' its all toys ' its all good. .. Common failures I have seen on CDJ gear is the buttons. Primarily the Cue button which gets hit the most. Another less common issue is the jog wheels getting jammed with dirt / grit / ash .. Beyond that I have bounced them on the road, poured liquid through them with out much of an issue ' other than cleaning and gaffer tape. And at the end of the day ' all you want it to do is work when you need it. .simon
RE: (313) how Richie does it -- how do most do it?
I saw Stewart Walker a couple of months ago and he was basically using ableton and one of those doepfer pocket faderboxes running into a DJM600, nothing else. Seeing Monolake live using ableton was quite impressive - after all he basically designed the software for himself to use. He played a set of really good, deep, chain reaction-type stuff, and all he used was the ableton instruments and effects, no plug-ins. All sounds were generated by operator and he was just tweaking stuff and writing clips on the fly. And again, all he was using to control everything was a doepfer pocket fader and the laptop touchpad/keyboard; the much-vaunted monodeck was nowhere in sight. Mindblowing stuff. Sure, if you recorded the output the sound quality might not be so amazing that you could release it as a track, but in the context of a live show it was wicked. First time I've ever seen ableton used as an instrument, if you know what I mean. For 'proper' live, though, I think you'd have to go a long way to beat Jamie Lidell. He makes pretty much every sound using his mouth and has a custom max/msp program that samples and loops his beatboxing/wailing/silly banter, and then runs that through a mixing desk with some delay and reverb sends, together with an MPC1000 with some beats on it and a minimoog for extra phat crunch. And he puts on a proper show. And it's dripping with soul. You MUST see him if he's playing within 100 miles of you. (further if you have means of transport beyond walking). I'd like to see galoppierende zuversicht live as well - they show up with a bunch of hardware (NO laptops), a fair bit of it home-made, and just jam away for an hour or so. Tristan Watkins [EMAIL PROTECTED] 5/04/2006 10:09 am There are a few different types of live PAing. You've got an Ableton live arrangement/dub, or something like Stewart Walker where he uses an MPC + his other kit where he will have most of the patterns sequenced in advance, but he'll play some of them live on the MPC pads, and then trigger the sequences from the MPC as well (although I vaguely recall hearing he's using a laptop now)? Herbert will have most things pre-sequenced, and then he'll sample the sounds live. Then there's an entirely different level of liveness where almost all of the music is created on the fly a la Ayro and John Arnold, or Shawn Rudiman, where they play multiple instruments or machines in real time, have the seuencer take over for some of those parts, then move on to something else, only relying on a few bits of pre-arranged material. I'd say this last type has the most bang for the buck for sure. That Sendex show I was talking about on Sunday was sort of a cross between Stewart Walker and Shawn Rudiman styles maybe. Oh, and I was corrected after my last post that he actually had an 808 as well if anyone cares. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED] -- No virus found in this outgoing message. Checked by AVG Free Edition. Version: 7.1.385 / Virus Database: 268.3.4/299 - Release Date: 31/03/2006
Re: (313) CD Mixers
Hmmm, it's a funny one really. My flatmate bought a final scratch recently and I must say that while beforehand I was quite ambivalent towards a 'scratch' solution that now I'm seriously considering buying a FS unit. There is something quite nice about being able to use turntables as the control surface, and this really has nothing to do with whether or not 'records is the only way to play tunes' - I play ableton sets every now and then, and use CDs quite happily with no sense of stigma. I guess it might have something to do with records being what I'm the most used to, and therefore comfortable with, but I really do enjoy using FS to play digital files more than any other method. That being said, Traktor DJ Studio 3 is bloody amazing software. You can use it with FS2 but even in standalone mode it's wicked. It has some really cool effects (that are tons better than DJ-mixer effects boxes) and brilliant looping features and you can run 4 decks at once with it. So I guess that even though my heart loves final scratch, if anyone was looking for a solution for playing digital files I would recommend Traktor DJ Studio 3 above them all - above CD decks, above final scratch, above ableton even. It's less than US$300 as well so it's easily the most affordable. And you don't even need a mixer. Couple it with the Behringer BCR2000 controller for lots of hands-on knob-twiddling and you're laughing. Kowalsky [EMAIL PROTECTED] 5/04/2006 1:14 pm I agree with you. I hate people trying to reproduce the perfect saxofone sound in a synth. God damn it, call a saxofone player. Why use serato or final scratch? If your music is in a digital format, you can use a large range of softwares to do virtualy everything when it comes to mixing, beat matching or whatever. Why stay tied to the limited possibilities of a turntable? If you want to do what turntables do, damn, put a real vinyl record on and do your thing, Finally, let me say: i'm a turntable dj. I like turntables, i do the turntable style thing. But if i go digital, like songs in a hard disk, i'll not limit myself to a turntable. CDJ is usefull for me to make some loops, play things that require great amount of pitch up or down (like +/- 16) with master tempo. There a lot of DJs using final scratch and serato just to show up in a glamour vinyl style without giving up the confort of carrying just a laptop. That makes no sense to me. I like music more than i like equipment. Kw On 04/04/2006, at 10:36, Kent Williams wrote: Given what these things cost, I'm not sure why one wouldn't just get Traktor on a laptop -- it's a much more flexible, easier to way to mix. That being said, I love mixing on the old Denon DN 2000s, because they were really simple. Find your cue point once, instead of over and over like with records, then drop the track in and tweak tempo. I also liked picking up the controller in one arm and tweaking with the other hand. People would ask me what instrument I was playing. Both Final Scratch and the fancy CD players with platters seem to me to be trying to preserve a paradigm for mixing and beat matching that's inappropriate to the technology. Traktor is really easy to beat match in, even if you ignore the 'automatic' beat matching. And if you can't give up the wikki-wikki you can get Traktor with Final Scratch. Of course, for me, the idea of paying hundreds of dollars for something that REQUIRES you to have turntables in order to mix is kind of crazy. That only makes sense in Ubercoolische world, where the DJ equipment is something you specify in a rider, not something you haul up and down stairs. Once you learn to beat match in one medium it shouldn't be that hard to transfer the skills to a new one. IMHO. On 4/3/06, Adam Smith [EMAIL PROTECTED] wrote: Sup List, anyone own a cd mixer that they enjoy playing 313 music related CDs on? Or dislike a CD mixer that you own? I'm considering buying one and saw a couple models in my price range. The Pioneer CDJ-200 Mixer and the Denon DN-S1000, both around $400 US each. Wondering if there are any thoughts on either of these and if they're decent, or if I should hold out for the Pioneer CDJ-800 (around $600US) (can't bring myself to spend $1000 US on the CDJ-1000). Thanks for any tips or info, Adam
(313) is this podcast speakeasy
wordy up . 313 its kind of that time again . new show on Psurkit.net this month I visit some of the regular CC haunts like Thinner .. Autoplate .. but farther in .. Kyoto-sounds are still dealing to my head ' with cotton brush dub ' sweeping dusty reverbs around the room Unfoundsound Records ' basically just go visit and have a listen . its good its worthy ' dry and clicks as rusty joint On the more glitch tone .. People on the list must know who AGF is ? .. well she has teamed up with Zavaloka ' to create a very unique and rich project combining their distinct skills into some of the best you can get your ears on .. Otherwise I encourage folk to not ignore whats going on in the net label world . it may be considered the illegitimate child of real music producers and lover .. But hey . some people think that about Techno Its good ' it free .. and its breathing new life into the stuffy anorak worlds of electronic music. Show notes, Web links and track list below. Aroha .simon Original Message Speakeasy 0X3 http://psurkit.net/show/speakeasy_0X3.php Consider ' the collaboration between two of our favorite artists ' as they collide nature and rhythm into this absolute pleasure. Further ' contained with a brief embrace of words in the certain sound of this performance. Turnstyle Suln ' once again adventure sweet into the depth of digital disorder. The hopes of this future reflective in the longevity of integrity. We build towards an evolution from this digital heartland. :: Visit www.zavoloka-agf.com www.thinner.cc www.flumo.com www.quietamerican.org www.unfoundsoundrecords.com www.audiofoundation.org.nz/remix.php www.kyoto-sound.com www.instabil.org www.one.dot9.ca www.nzepc.auckland.ac.nz/authors/hyde www.ropeswingcities.com www.pentagonik.de :: Tracklist KOHAJU -Zavoloka+agf / nature never produce the same beat twice Traces - Nulleins / Seven Spaces - [THN084] 491- Slick / Urban 90 - [FLM001] One-minute vacation for August 29, 2005 Greg Weddig ochentas hojas secas - barem / unhappy anniversary - [unfound13] Intermission - Nulleins / Seven Spaces - [THN084] filtrate - r d / Audio Foundation Remix Project Vague Times - Mr.Cloudy / Mr. Cloudy - [KY_D010] rennes le chateaux [stefanik edit] - Marko Fuerstenberg / instabil ep [instabil_07] gnossienne no. 1 - makunouchi bento / trcutu - [one020] Zone Red - Move D / 10/11 - Live At Johanneskirche [APL035] Cool and certain - Robin Hyde / Houses by the Sea : The Beaches - [Poem] ktx-1- milieu / songs we found in the sand - [rsc002] The Recurrence - Kairos / Coded Modulations - [pntg005] void - seph / aires buenos - [unfound 15] More Jingles - Sectorchestra / No Morchestra - [THN081] No More Bubbles Please - Randomajestiq / UnclassifiEP - [APL011] ___ Psecret mailing list [EMAIL PROTECTED] http://lists.psecret.org/mailman/listinfo/psecret
(313) more from speakeasy
wordy up . 313 its kind of that time again . new show on Psurkit.net this month I visit some of the regular CC haunts like Thinner .. Autoplate .. but farther in .. Kyoto-sounds are still dealing to my head ' with cotton brush dub ' sweeping dusty reverbs around the room Unfoundsound Records ' basically just go visit and have a listen . its good its worthy ' dry and clicks as rusty joint On the more glitch tone .. People on the list must know who AGF is ? .. well she has teamed up with Zavaloka ' to create a very unique and rich project combining their distinct skills into some of the best you can get your ears on .. Otherwise I encourage folk to not ignore whats going on in the net label world . it may be considered the illegitimate child of real music producers and lover .. But hey . some people think that about Techno Its good ' it free .. and its breathing new life into the stuffy anorak worlds of electronic music. Show notes, Web links and track list below. Aroha .simon Original Message Speakeasy 0X3 http://psurkit.net/show/speakeasy_0X3.php Consider ' the collaboration between two of our favorite artists ' as they collide nature and rhythm into this absolute pleasure. Further ' contained with a brief embrace of words in the certain sound of this performance. Turnstyle Suln ' once again adventure sweet into the depth of digital disorder. The hopes of this future reflective in the longevity of integrity. We build towards an evolution from this digital heartland. :: Visit www.zavoloka-agf.com www.thinner.cc www.flumo.com www.quietamerican.org www.unfoundsoundrecords.com www.audiofoundation.org.nz/remix.php www.kyoto-sound.com www.instabil.org www.one.dot9.ca www.nzepc.auckland.ac.nz/authors/hyde www.ropeswingcities.com www.pentagonik.de :: Tracklist KOHAJU -Zavoloka+agf / nature never produce the same beat twice Traces - Nulleins / Seven Spaces - [THN084] 491- Slick / Urban 90 - [FLM001] One-minute vacation for August 29, 2005 Greg Weddig ochentas hojas secas - barem / unhappy anniversary - [unfound13] Intermission - Nulleins / Seven Spaces - [THN084] filtrate - r d / Audio Foundation Remix Project Vague Times - Mr.Cloudy / Mr. Cloudy - [KY_D010] rennes le chateaux [stefanik edit] - Marko Fuerstenberg / instabil ep [instabil_07] gnossienne no. 1 - makunouchi bento / trcutu - [one020] Zone Red - Move D / 10/11 - Live At Johanneskirche [APL035] Cool and certain - Robin Hyde / Houses by the Sea : The Beaches - [Poem] ktx-1- milieu / songs we found in the sand - [rsc002] The Recurrence - Kairos / Coded Modulations - [pntg005] void - seph / aires buenos - [unfound 15] More Jingles - Sectorchestra / No Morchestra - [THN081] No More Bubbles Please - Randomajestiq / UnclassifiEP - [APL011] ___ Psecret mailing list [EMAIL PROTECTED] http://lists.psecret.org/mailman/listinfo/psecret
Re: (313) 31-03-06 Süd Electronic Present Traum / Trapez / Mbf With Alex Under , Triple R /Riley Rei
Here are my faves: http://www.discogs.com/release/101347 Pleite - Pleite (this is Donnacha Costello) http://www.discogs.com/release/158405 Jeff Samuel - Knob (Remixes) (Steve Bug mix is lovely) http://www.discogs.com/release/249792 Riley Reinhold Steve Barnes - Mondrian http://www.discogs.com/release/188792 Akufen - Psychometry III (Remixes) http://www.discogs.com/release/494011 Oliver Hacke - Subject Carrier (Remixes) http://www.discogs.com/release/518755 Alex Under - Dispositivos De Mi Granja LP http://www.discogs.com/release/481989 Swat-Squad - Gecko I find Trapez can be a bit hit and miss, and they seem to be going in quite a proggy direction. Also definitely worth checking out is the sub-label, Trapez Ltd. Tends to have darker stuff on it. Check out the Coccopuffs EP by Und, bloody wicked stuff... http://www.discogs.com/release/344574 Matt Chester (313) [EMAIL PROTECTED] 16/03/2006 4:53 am This one's wicked: http://www.discogs.com/release/17409 - Original Message - From: /0 [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, March 15, 2006 5:39 PM Subject: Re: (313) 31-03-06 Süd Electronic Present Traum / Trapez / Mbf With Alex Under , Triple R /Riley Reinhold , Portable + Anyone make some suggestions on good Trapez releases? I've been told (despite the fact that I dont release my music) that I would fit in well there, which to me, means I'd probably like the music they put out. I'm always up for more good tunes, and if someone is making the stuff I make, I dont need to. suggestions appreciated, -Joe [EMAIL PROTECTED] wrote: Hi all ! A quick reminder ! Not too long to go before our first outing for 2006 . We Still Have Some Spaces Left on Our 8 Pounds Concession List . It's Filling Up Fast though !. I would advise that you submit your names to us via email , if you've not done so already . Remember , this concession List is only Open to Our Mailinglist subscribers ; is valid between 11pm 12 am On The the actual Nite . Submit , (or subscribe ) your names on the concession list via [EMAIL PROTECTED] Berlin;s Minlove , a resource for all things Minimal , has put a night piece toghether about this event , Go to : www.minlove.net click on news , and then click on our flyer away you go :) Here are the details for the Event ! Süd Electronic Present Traum / Trapez / Mbf In London Süd Electronic Presents Traum/Trapez/Mbf Germany's Super Heavy Weight Label , Traum It's Sublabels , Trapez Mbf will be in london shortly ! Traum was founded in 1998 by Jacqueline Klein/ DJ Anima and Riley Reinhold/Triple R . Out of Traum came , Trapez , Then Trapez Limited ; Then MBF most recent , Mbf Limited. Traum has since seen 54 vinyl releases 16 cds , from an internatinal roster of artists . Trapez has released 47 records plus 27 Trapez Ltd records and 3 CD*s ; whilst 14 records have been released on Mbf Mbf Limited . Traum it's sublabels have become a huge force in techno in the last few years have been rightly so ; voted as Germany's 2nd biggest label , by the highly influential , Groove Mag . Live Alex Under ( Trapez , Cymk , Apnea , Plus8) Portable (Süd , Spectral , Background , Karat , Context ) Dj's Triple R / Riley Reinhold ( Trapez , Traum , Mbf ) Lakuti ( Süd ) Marco Shuttle ( Guerilla Lime Soda Visuals by Brittski Squint Date : 31st March 2006 Venue : Venue : The Departure 2 Crutched Friars, Aldgate, London, EC3N 2HT ( 2 minutes from Aldgate Tube ) click on the link below for a map www.multimap.com/map/browse.cgi?lat=51.5114lon=-0.0781scale=5000icon=x browse.cgi?lat=51.5114lon=-0.0781scale=5000icon=x The Departure is a great basement space with a great soundsystem a 24 hour license . Times : 11 pm - 6 am Door Charge : £8 - £ 10 ( Limited Early Bird Tickets available from 11 pm - Midnight . They are priced @ £8 These early bird tickets are for those of you on our Mailing list . Email You can Subscribe to the mailinglist by emailing : [EMAIL PROTECTED] infoline 07865 339 311 More On The Artists Alex Under After 2 very successfull 12s on Trapez and several eps on his own label in Madrid , CMYK, Alex Under has become the most sought after Techno artist , in Spain . His been running the Cmyk label and record shop since 2001. He has also launched Net 28 a discographic platform including a distribution network for artists in Spain . His productions are based on construction/deconstruction, hypnotic melodies, over blunt electronic rhythms and fine basslines.Dispositivos De Mi Granja is his debut Lp on Trapez and includes a explosive version of his hit Las Bicicletas son para el Verano from his first ep on Trapez plus the biggest variety so far on one format.. contrasting minimal techno with playful techno house.. ranging from deep Techno to the most psychedelic track he has done and one of the biggest hits he has done so far: El Establo Queado.
Re: (313) 313 southern tattoos?
since spring is just around the corner here damn ' down here the light is fading . Ski Season Passes are selling out .. we are a breath away from winter ' snows dusting the hills . Anyone else 313 south of the 42 parallel . // and yea no tattoos ' or piercings ' or jewelry just gaffer tape stuck to my shoes .simon
(313) Mills - Blue Potential interviews
Hey . Does anyone have the expired clips of the Mills interviews from the Uncivilized World . site .. Or know where to get them .. ?! Also ' if they are around in a format other than WMA ' cheers .simon
(313) I love Psurkit !
Yea ' times up for another Speakeasy netcast on Psurkit.net infact ' everyone is doing mixes these days . so I would just flip to the links and surf some cool net labels. Recent finds that I like . are phoniq.net .. with a variety of sounds ' but a fair few chunky numbers for late night train jobs. Also minlove.net .. is feeding out some fine glitch driven house types sounds .. makes me feel like early Gemini stuff with the chug chug wallop ' From recent discussion around ' minimal ' scene killing reverb dubs check .. kyoto-sound.com matching this pace space . similar cuts from instabil.org Oh . and . oh . and .. I guess just listen to the sounds ' pick up the vibe you like and follow the links .. It's not so lonely on the net ' really .. .simon .. Speakeasy OX2 http://psurkit.net/show/speakeasy_0X2.php :: Visit www.kyoto-sound.com www.instabil.org www.uran97.com www.acediamusic.org www.thinner.cc www.minlove.net www.quietamerican.org www.drumbuddy.com www.phoniq.net www.heavy-industries.net www.earlabs.org :: Tracklist Night Dub - Mr.Cloudy / Mr. Cloudy - [KY_D010] friction dub [daniel stefanik edit] - hieronymus / kyoto digital [instabil_08] Musikstueck - K.Fog / Winterproof Tones - [uran97_030] digitalkamerad - Florian Filsinger / King of Verlieren [am038] Uhoidokalo - Randomajestiq / UnclassifiEP - [APL011] Err9r-Prone - Dafluke / Sushitech Err9r - [mnlv 04] One-minute vacation for October 17, 2005 - Tim Cabassi / [Field Recording] Extended Scratch - Quintron / Drum Buddy 487 - Coax / Solaris - [am037] One-minute vacation for August 1, 2005 - Fluffy Pennyfeather [Field Recording] Cancin De Cuna (Receptor Mix) - Alta Infidelidad / Cactus Y Volcanes - [THN083] Forseen Movement - Anton / 1 - [PHQ010] Muted - Ryan Jones / phase02 - [hi010] Lava - urban force / input/output - [instabil_02] Sig Tango - Livelectro vs Elena Nikitaeva / More Dots of a Certain Sound - [es10]
Re: (313) space disco
Check out 12AM Maternal at http://12ammaternal.blogspot.com/ - good collection of cosmic stuff there, lots of weird vintage stuff as well. Slight segue - does anybody else have any mp3 blogs that they enjoy? I have to admit to taking some guilty pleasure in recent Lindstrom and co tracks: they're always over-the-top, but have the right spirit. Any other recommendations?
(313) Classic beatdown tracks?
Carl's remix of Theo has all of Berlin going crazy. I read an interview with Andy Vaz of background records saying that Beatdown was all the rage over there now. So what are the best beatdown tracks? And does anyone else like the stuff that's been coming out on Philpot records? Does that count as beatdown, even though it's made by Germans?
Re: (313) Classic beatdown tracks?
I guess my understanding of beatdown is similar - slower (ie no faster than mid-120 bpm), deep as hell, soulful with detroit stylings. http://www.beatdownsounds.net/ has a good description, though I wonder if it's simply a micro-genre. I just mention it because I've found a good amount of slower deep stuff recently (eg philpot records' releases) and wondered if there was perhaps more of this stuff that I was unaware of (beyond early house etc which is often slower), and so I thought 313 would be the best folk to ask about it. Please excuse my ignorance and bandying around of a buzzword I read in an interview :-) Client Services CCSU-ISTAR Level 27, Governor Macquarie Tower, Sydney, email [EMAIL PROTECTED] Telephone: 61 2 9228 5501 Facsimile: 61 2 9228 4435 __ This email message, including any attached files, is confidential and intended solely for the use of the individual or entity to whom it is addressed. The NSW Department of Commerce prohibits the right to publish, copy, distribute or disclose any information contained in this email, or its attachments, by any party other than the intended recipient. If you have received this email in error please notify the sender and delete it from your system. No employee or agent is authorised to conclude any binding agreement on behalf of the NSW Department of Commerce by email. The views or opinions presented in this email are solely those of the author and do not necessarily represent those of the Department, except where the sender expressly, and with authority, states them to be the views of NSW Department of Commerce. The NSW Department of Commerce accepts no liability for any loss or damage arising from the use of this email and recommends that the recipient check this email and any attached files for the presence of viruses. __ Carlos de Brito [EMAIL PROTECTED] 02/06/06 6:59 PM not that i could define beatdown, although i have a certain dirty, 110bpm kinda housesound in mind, as featured on the mentioned 3rd ear-compilation... my question is another: is there a word for that (actually quite popular) style of house, discribed with too many one-finger chords? cc remix of theo's falling up or ame's rej and there are some more tracks for sure that i can't recall now. like, beatdown trance? ;) c* p.s.: simon, i don't know if it's beatdown what philpot are releasing, but if you mean that it has a similar vibe to some of theo parrish's or kdj's stuff: definitely yes! the german label running back and the stuff from dan electro (from france, i guess) go into that direction, too. Peteri, Jochem schrieb: wtf is a beatdown track? didnt like the rework btw, too many one-finger chords... terry brookes is the C2 version of choice(the dub, that is) groet, Jochem, Servicedesk ICT -Original Message- From: v12 [mailto:[EMAIL PROTECTED] Sent: maandag 6 februari 2006 3:09 To: 313@hyperreal.org Subject: Re: (313) Classic beatdown tracks? the CC remix is good,if not better than that - but i must say that when i hear beatdown the first thing that comes to mind is the CD on 3rd ear,especially the opening tracks by Alston and Miller. +the original 'falling up' or backbone waltz by 3 chairs. isnt carl's rework a bit too floor-friendly for a beatdown track btw? - Original Message - From: Simon Hindle [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 06, 2006 2:36 AM Subject: (313) Classic beatdown tracks? Carl's remix of Theo has all of Berlin going crazy. I read an interview with Andy Vaz of background records saying that Beatdown was all the rage over there now. So what are the best beatdown tracks? And does anyone else like the stuff that's been coming out on Philpot records? Does that count as beatdown, even though it's made by Germans? The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
Re: (313) New Rhythm Sound forthcoming...
It's interesting .. but this sound .. the minimal dub'esqu vibe .. was accused of killing the NZ Techno scene recently. We have been trying to revive the sound of techno here for a while. Since around 96 - 98 ' there has been little to negative action on the Techno front .. and in recent discussions on a local list .. it was mooted that the shift from long play hard bangers to more reverb shifting dub scape's .. killed the floor . and subsequently the scene. On the flip .. it's as if the vibe purposely went below the filter line to hide in the rusty clicks ' and tingling echoes .. waiting while the storm of utter crap to blew over .. Can we expect ' some point soon where the inverse will occur .. Where emerging from the timber of space hollow chambers ' the soul shifting damage of relentless rhythm lines unleash a new focus on this techno belief. .. da . it's an awful lot that you expect from one record these days .. but ' i never accepted the word seminal until I grew up .. .. break out the love ' and let the bass shine through .simon
Re: (313) Rhythm (or) Sound
break out the love ' and let the bass shine through .simon My take would be that these downtempo dubby songs are the perfect warmup for moving into uptempo warm dubby things, detroit techno, etc. Many people associate techno with bang-bang-bang-bang, but this would be a perfect juxtaposition to show them the difference with the maurizio/rhythm and sound/basic channel/ chain reaction/juan atkins/infiniti/terrence dixon/robert hood/ redplanet et al that have a meditative dubby quality and yet are great for dancing to. We did arrive at similar conclusions .. that the success of presenting Techno in its width and scope was in how you programmed the evening .. A common factor with nearly everyone I speak to is the bang bang bang bang misunderstanding of the sound .. VS. the penchant for old school techno Dj's to play something interesting (melodic/clangy) instead of dance floor orientated .. I suggest it goes further to the fact that Dj'ing is a skill being constantly underestimated. Especially in regards to presenting techno .. which in truth requires a true understanding of pitch, tone and rhythm .. For the fact that most Dj's i know never quite understood in a musical technical sense what someone like Jeff Mills is doing when he plays .. I think even outside selection .. much needs to be explained and expressed about the methods of playing the music .. in order for new generations to appreciate it. In NZ in particular .. a whole generation of dance heads have missed the particulars finesse of properly presented techno. Infact ' nearly all Dj's I hear today adhere to strict beat matching policies .. working the 32 16 to perfection .. instead of reaching deeper into sonic conditions to find the harmonics shifting point. Wild Pitch ' Pitch Mix ' the drop ' the cut ' Are people experiencing this out there ? Have we gotten over the sloppy attitude of I don't care about the mix .. I just play the music I can appreciate the approach of the collector ' valuing each tune for its content context .. but are we going to see a rebirth of the musical DJ ' someone in tune with the records ' the sound system and the technology. as per usual . I feel the music is brilliant .. where as the culture and understanding of the music as a condition mind is lacking. Classical music is strict and precise in its interpretation and representation of the music .. while techno contains complexity and depth to equal comparison .. we continue to digress our knowledge into 'bang bang bang How does the future evolve ? .simon
(313) NZ techno ' . kind of .. .
Um .. nah . different Salmonella Tiki is different I live in Queenstown .. which is right down south .. which does not have a techno scene at all .. apart from my lounge . heh as for the nationwide scene .. we have had several visits in the past years .. um .. Carl Craig, Sutek, Superpitcher, monoake, Micheal Mayer Andy Vaz .. . and a few others . most of which I have missed .. but i did get to play with Carl last Feb. https://www.obscure.co.nz/gallery/one_city_with_carl_craig https://www.obscure.co.nz/gallery/superpitcher Of course .. Recloose is almost local now .. living up in Wellington and Fat Freddys Drop . could almost be considered Techno having played in Detroit two festivals ago .. on the production front .. Simon Flower from Nurture Recordings is keeping things alive .. Most of the scene is based around Auckland .. with some regular nights and occasional parties .. but attendance is low and motivation wavering alot of the time .. Otherwise on a more electronica level .. the impeccable Pitch Black and global runners Antix .. Probably the most enduring artist is Son Sine aka. Rotor +, Epsilon Blue And Alpharythm from feral party roots. The NZ sound becomes infused very fast with other styles .. which I think is well represented through current Recloose sounds .. and the works of Pitch Black which are heavily dub influenced .. while Antix dissolve into breakbeat trance areas .. There is a growing laptop scene .. with the usual bleeps and glitch. Also several young producers on the cusp .. many are absorbed into Loop recordings .. which have a very broad musical profile. I guess the most appropriate term from NZ is electronica . and not Techno ... while we love the synth wash .. we can't avoid our island roots and return sweetly to the dub infusion .. Also our experimental history is strongly based on indy guitar rock and industrial noise .. so the resulting fringe of banging techno never quite makes it into popular divide. The most defining and seminal techno artist from the NZ scene Mechanism / Micromnism .. has become a Hari Krishna Otherwise in the pure Techno sense .. you must visit LRS creator of Obscure.co.nz and the Fun Poison party brand. https://www.obscure.co.nz/profiles/lrs http://funpoison.com/ Have look through the FP site .. as it provides a really good history to the Wellington Techno scene from all the way back in 1993. Special love must be given to the Stereonasties .. https://www.obscure.co.nz/profiles/steronasties Who are the most continual committed and passionate girls for the most grinding hair raising techno performances .. playing four deck carnage to make the hardest player weep in submission. hmm .. when I write it all up there is an awful lot on our cards .. its just currently we don't have an audience ' that is connected enough to provide support. Action . taken has been to start a NZ specific techno mailing list called 909 .. and attempt to connect all the NZ producers, promoters Dj's and supporters in one space .. This action is supported through Obscure .. which is also driving a mailing list of a similar nature in Australia. Touring internationals always share dates with Australia .. so we are trying to create a more cohesive network to better facilitate visiting artist reaching all centers .. Further to this .. FP connections run deep into the Japanese scene keeping the channel open form Asian scene to interact. We are also working on direct detriot connections .. and some infiltration into deepest Europe. The individual passions are very high in NZ .. with many past and current players working all over .. Halogen Girl one of the original Techno DJs from early 90's now works with the Red Bull Academy. Flic . one of the perveyors of detriot chicago sounds in welly, is now a mover in the London hip breaks record scene. .. and the list continues .. my connections are varied and sporadic . with a terrible ability for memory so do not consider this definitive . but more a random thought flow about our scene .. blah .. simon Andrew Jackson wrote: Is that Tiki, ala Salmonella Dub ? if so that would be interesting :) btw. to Simon Kong, which part of NZ are you talking about ? am interested in the scene over there atm. peace. On Thu, 2006-02-02 at 10:47 -0500, [EMAIL PROTECTED] wrote: Just noticed these minimal details from the Basic Channel website. Anybody have promos of this one? I'm eager to hear it! Rhythm Sound: SMY Remixes #1 12 (BMX-1) 2006 Tracks: - Let We Go (Villalobos Remix) - Truly (Vladislav Delay Remix) - Boss Man (Tiki’s Pure Blue Remix) release date Feb 06, 2006 info taken from: http://www.basicchannel.com/item/BMX-1 Lance @ Inaudible 6099 Creekside Lane North Ridgeville, OH 44039 United States
Re: (313) Hawtin at the Winter Games
How's about this Richie Hawtin: http://img4.imageshack.us/img4/2449/282lk4iw.jpg and Wheels from Degrassi http://www.tvsizzle.com/degrassi_files/wheels_main.jpg seek [EMAIL PROTECTED] 2/02/2006 8:08:42 am - Original Message - From: Matt Kane's Brain richie hawtin http://www.mutelibtech.com/mute/novamute/hawtin/images/richie.jpg and http://www.deaconlight.com/music/recordcovers/1979/garynuman_replicasx10.jpg adam x http://www.djadamx.com/Photo2.jpg and http://www.martialinfo.com/contacts/images/13835.gif ricardo villalobos http://www.tdktimewarp.de/e46/e48/e83/RicardoVillalobos_ger.jpg and http://www.urbanaddiction.com/ab/AdrianBrody.jpg troy pierce http://www.electricity-festival.de/upload/bilder/Troy_Pierce1_1126360070_150x150.jpg and http://www1.plala.or.jp/yoshiteru/rmenu/photo/peter/peter_sunglasses.jpg seek
Re: (313) What are you digging right now ?
Anyways, always glad to see a netlabel going out of the shadow world of nerds hahha net label = nerd .. ?!? got to confess all i listen to is netlables .. here are some of the release that I'm stuck on artist / album - release Leif / Moonlight Dub EP - [txtn011] Various / darkfarmer - [txtn009] Various / concept ep - [am018] Marko Fürstenberg / Classics - [THN078] Tristan Polar / Boobcube E.P. - [EPS03] la place au soleil / White Rabbit - [SN023] Vincent Casanova /Cosmic Bikini Ep - [EPS15] urban force / input output - [instabil 02] .. I could mention a whole lot of singles .. but these are whole EPs or albums that I really enjoy. Net labels are moving pretty fast in terms of providing excellent sounds and depth. I have been tracking them for almost two years now .. and its some real strong labels are starting to emerge .. If you haven't taken the time to checked some out I would highly recommend it .. your bandwidth doesn't suffer to badly if you start in the right places. South America seems to be quite a hotbed of electronic ideas, catching up fast to the German ethics of minimal col! .simon
Re: (313) The return of yet another oldie....
Just listened to the MOS 2006 annual .. lets just say .. going back to the oldschool takes on a new meaning Heaven 17 is all good .. when a really don't mind remembering how long this has all been going on for .. but keeping with whats really going on .. managed to put together a new speakeasy podcast .. so check it if you are interested in net labels .. and sounds from the ether .. did I mention . Marko Furstenberg . still feeling all about Peter F. Spiess want to get icky in minamil . see: Pellarin Speakeasy 0X1 http://psurkit.net/show/speakeasy_0X1.php :: Visit www.acediamusic.org www.nzepc.auckland.ac.nz www.stadtgruenlabel.net www.instabil.org www.thinner.cc www.bevlarmusic.com www.ideology.de www.textone.org www.yukiyaki.org :: Tracklist Track 38NN q perfect manchurian candidate - lonny lord / concept ep no.4 - [am018] War ' Childhood - Riemke Ensing / Aotearoa Sound Archive Cellar - Gate Zero / 6 Rooms [gruen013] Track 40 -NN / q untitled #2 - urban force / beyond the forces - [instabil05] Reactor3 - Marko Furstenberg/ Classics- [THN078] Porn Infection (Remix) - Marko Furstenberg / Classics - [THN078] ailo - coax / solaris - [am037] Lamb's Bread - Nattvaktaren / [BEVLAR S12] And that's that... - Cuebism / Gifts from the Gifted - [id005] Video Key - Peter F. Spiess / Rheinpark Liebe EP - [txtn006] Dependency 5 Cigarette - Pellarin / Dependency 1-6 - [ykyk001] like caustic lights bending backwards - Off The Sky / Caustic Light [APL033] Blaauw, Martijn de wrote: Here's some news...next to Propaganda, Nitzer Ebb and Heaven 17 another act back on track, i kinda liked them back in the dayzzz...dunno if a reformis needed though:-)...did/do some of u on this list like them???
Re: (313) Detroit / Insomnia
To much .. I remember finding this site years ago as well .. and it pretty much hooked me on to 313 .. etc . What really excited me was people writing about Techno .. not just music and names .. and parties .. but someone writing about ideas behind the music .. and culture of Techno .. Even today no one really talks about Techno culture .. we talk about records and labels and dj .. and producers .. etc .. which makes the culture this site got me really interested because ' here was someone on the other side of the world .. drawing similar conclusions to me after getting involved in the music .. either it was some fluke of freak .. or the music really can communicate complex ideas .. rhythmic coded tonal knowledge I guess its all a bit hippy ravey to consider these concepts .. however if you look into where current research is taking us in terms of understanding the human brain .. and social communication .. etc .. blah .. I for one still have a very strong relationship with the ideas that dancing and rhythm are really good ways for establishing community .. and beyond this practicing or experiencing .. ways of existing together .. . I used to be involved in large scale out door events .. for upward of 10'000 people .. in hind site these were real interesting experiments into micro societies .. We tried to establish self sustaining fully recycling social environments .. and failed in rather spectacular ways .. however these were safe places to experiment with new ideas .. city developers everyday try and push society in civilizations ' and fail but in rather unsafe ways .. getho dreams .. its interesting to note in my life .. that many of the people I used to party with `10 years ago .. are out in the community generally leading or working on a day to day basis to improve life, society, culture .. while we do get hooked on the music . etc . etc .. I think the merits to techno always remain in the thinking commentary it provided .. it is always more than the party, or the weekend .. its about a way of life, or process of exploration into your environment .. its living in the future . with hope .. not dispare .. // bah . so thanks .. wildteck . for pulling that out .. waking up my brain .. making connections into the past to save our future .. .simon I Wildtek Concept / DJ Dimitri Pike wrote: My insomnia is not bad at all... Browsing web and found one of the first websites that generated my passion for Detroit... Not visited it since too much time. All is there. Are the guys behind still on this list ? http://music.hyperreal.org/d.part/ -- Dimitri Pike http://wildtek.free.fr http://wildtek.blogspot.com http://313tm.blogspot.com
Re: (313) DE9 Transitions
I don't mind it really - I like the concept, and the total package is great given the price. My actual favourite bit is the DVD footage of him playing at the festival in germany at stupid o'clock in the morning. The visuals are mind-meltingly good and the music is lots of fun. The main mix itself is pretty nifty from a cerebral point of view, and is nice to listen to. I haven't checked it out in 5:1 yet which I'm keen to do. It's the first piece of non-vinyl music I've bought in a lng time, and I don't regret making the purchase. On the vinyl tip btw, has anyone else gotten into the new claro intelecto? I've ordered it and it sounds great. Picadilly have it listed in their picks this week. Really good deep tech. Martin Dust [EMAIL PROTECTED] 12/03/05 2:47 AM I'm going to have to disagree, the album has plenty of cold machine soul and he does keep it interesting, it may not be a giant leap but it fits well with his work. It's a great package for 9.99 and I really like the 12 as well, so there :) m On 2 Dec 2005, at 15:36, Stoddard, Kamal wrote: Only marginally interesting in concept. Aurally it sucks. No soul. Just an abundance of ponderance with a dash of psychedelics and a heaping helping of ego. That sounds suspiciously like the recipe for a steaming pile of shxt too. Imagine that. KKS
(313) Hawtin party in a trash compactor?
I was talking to a friend recently who told me that back in the day, Richie Hawtin threw/played at a party that was held in a giant trash compactor a la Star Wars, and that as the night progressed the walls got closer and closer. Is there any truth to this story? Does anyone know any more about this?
(313) Maurice Fulton
Hey hey anybody got contact details for Maurice Fulton? Ta Si
Re: (313) Carl Craig
You guys also should know that the latest episode of Beats In Space (www.beatsinspace.net) has a mix from the man himself on it. And last week's show has a mix from Darshan Jesrani! Thomas D. Cox, Jr. [EMAIL PROTECTED] 11/17/05 11:05 am On Wed, November 16, 2005 8:58 pm, Gamall Backspin Promotions 718.399.1632 wrote: * CARL CRAIG - new album - summer 2006 NOW we're talking!!! tom
(313) which good live acts are there?
Before ya'll start throwing names at me, let me first minimalize the possible answers. I'm not really asking for those strictly-techno-people-has-to-dance-to-this kinda live sets. I'm actually thinking about Kirk Degiorgio for example. Does he do live acts??? Or Carl Craig (besides Tres Demented), can you book him for a Carl Craig or Innerzone Orchestra live??? With these names in mind, maybe you can help me out. You know... people with a large and diverse catalogue... able to bring a good live act... not really for da clubs... more concert-like. THANX GREETS from Belgium.
(313) Sunrise Mix - Deep tech and more besides
Hey all I made a mix the other week, I though I'd share it with you seeing as how 313 list turned me on to quite a few of the tracks on it. It's pretty deep $hit. http://www.highjinks.com.au/sunrise.htm Tracklisting: 1: Plastikman - Digital/Divide 2: Carl Craig - Sandstorms 3: Memo - Silverspoon (Silverspooner Remix By Luciano) 4: U-Roy François K - Rootsman 5: Dub Archanoid Trim - Children 2005 6: The Deep Space Rhythm Section - Roots Dub 7: Donnacha Costello - Pistachio 8: Sleeparchive - Track 4 (Recycled) 9: Ricardo Villalobos - Waiworinao 10: DJ Bone - Cause Of Action 11: Beat Pharmacy - Cape Town 12: Brennan Green - Plutos Retreat all feedback most welcome!
Re: (313) The more things change
i think techno lost it's ability to innovate or influence.. perhaps because we're all too critical.. Hm .. I think the criticism is keeping techno alive. Every time someone plays me new dance music all I can hear is the influences or lack of .. from Techno. The more I listen to the sound and listen to the ethos develop the more I realize that Techno is the Jazz of dance music. This is obvious for so many reason, but I think the positive note is that because of this the music will survive, it will grow and change and evolve. I think criticism implies passion. I don't like listening to crap, and tend to voice my opinions, especially in clubs and to Dj! While in the moment I have gotten many dirty looks and jaded treatment .. ... time rolls around .. and a year later ..I am making the same comment to the same Dj in the same club . but pointing out to them how their sound has changed and or not .. because of XYZ .. .. slowly .. in my life .. friends and associates are staring to hear what I am listening too .. start to understand their own musical histories and begin to realize where the roots of sound really are. I have noticed in my dance world that while many people don't quite understand the music I play or talk about .. there is a developing level of respect for the approach I take to the music . to the sound .. This is not something about me .. but about Techno and the mindset you develop as you start to love the music. I mindset towards innovation, history, legacy and culture. In the simplest way you grow up from being just a dancer into a dancing music lover. Jazz is a sound unique, that has a culture of its own in the music world. Everyone knows what jazz is, but many people don't like it .. in many similar ways to that people don't like techno .. But Jazz has a legacy of artists and fans with a uncompromising approach to the music .. a deep set passion to the essence that makes the music. You experience this externally as attitude, or criticism, jaded behavior. This is what keeps the music honest though, keeps it fresh, keeps it alive. It keeps the music from becoming everything else .. Eventually people seek the music out, they come in search of the honesty of the passion, of true music lovers. People seek out a richer connection to the music to the dancing .. I am involved with many different sounds in the dance scene, and for me it is the discussion the critical appraisal, the defensive behavior that keeps it interesting keeps it real .. keeps it connected to the music. Frankly I'm not really interested in collecting the records, playing the records or even making them. I am interested in listening to the music, learning from the music, and expressing myself to the music. And I have always been willing to protect the integrity of this process by being critical of music that is not suitable for this practice. If the music is fraudulent, trite, chart filling crap I have no problems indicating to those present the thin veneer of its substance. However if the music is good, if its true, you'll just find me dancing !! Don't even get me started on innovation and influence .. haven't you figured out that when any other style of dance music gets lost .. they listen to Techno .. .. cut a loop and run with that for the next sixth months .. ahahaha .simon
(313) Paging Quest Pond
Hey Quest Your email address ain't working for me! Hit me up!
Re: (313) Who do you like that is under 25?
Luciano. It's amazing the stuff he makes given his tender age.
(313) Daniel Bell is a legend
So we had Dan Bell come play in Sydney on Saturday night. It was f**kin awsome. What was even more awesome was this though: the party had to close at 3:30, just as Bell was kicking into top gear - I told the promoter about a friend's birthday party that was still going on and would Dan (hereafter referred to as God) like to come along and finish off his set there? Sure enough, God hopped a cab across town and played for another two hours, for free, for a birthday party (that was also boosted by about half the crowd from his gig) as the sun rose. It was certainly one of the most memorable nights of my clubbing career! That's all I gotta say - I just had to share it with you guys.
(313) Daniel Bell is a Legend
grrr... 313 don't fail me this time! So we had Dan Bell come play in Sydney on Saturday night. It was f**kin awsome. What was even more awesome was this though: the party had to close at 3:30, just as Bell was kicking into top gear - I told the promoter about a friend's birthday party that was still going on and would Dan (hereafter referred to as God) like to come along and finish off his set there? Sure enough, God hopped a cab across town and played for another two hours, for free, for a birthday party (that was also boosted by about half the crowd from his gig) as the sun rose. It was certainly one of the most memorable nights of my clubbing career! That's all I gotta say - I just had to share it with you guys.
(313) Track ID Terrence - Carl
I just listened to Play-ah Hate-ah by Terrence Parker (on Detroit After Dark) and I think the same sounds/samples are used by Carl Craig on the More Songs album. I don't have it near me (CC's album) so maybe someone could tell me which track I'm thinking about... Greetz from Brussels.
Re: (313) Simon Reynolds Rip It Up And Start Again
Excuse me, but I didn't understand what this book is about. I'm a bit slow, y'know. Is it a book about music? And is it the same Simon Reynolds who wrote Energy Flash in which he keeps going on and on and on and on and on about drugs and drugs and hardcore and other bad music and drugs and... :s Greets
(313) re:RE: (313) Simon Reynolds Rip It Up And Start Again
It's his take on post-punk - PIL, Gang Of Four, Devo, Talking Heads etc - much better than Energy Flash, less pretentious and much more thoughtful. Mind you, I thought Reynolds was spot on about drugs and hardcore I wouldn't say 'spot on'. He had a view and that view was open for discussion. In the beginning of the book his remarks on drugs made sense, but were more prominent then needed. But near the end it became too much. All that talk about hardcore and whatever came after... it became boring... and made me stop reading it. There are very good parts in the book and he made sense most of the time, but it's just too long and too much.
(313) re:I Love Techno lineup announced
Don't let this line-up fool you. I Love Techno is one of the biggest, but also the worst techno fetivals around. It's looks like there's much to hear but it all sounds the same once you're there. Too many people, bad sound, no creativity whatsoever,... It used to be good, but not any more... By the way, you can hear most of these jocks play in smaller venues and you'll get higher quality sets and more atmosphere. Cheers The (313) content (Derrick, Rich, Matt Dear, Rob Hood, Magda, Bone, Troy Pierce) is pretty good this year: UNDERWORLD (LIVE) DAVE CLARKE TIGA SUPER DISCOUNT 2 (LIVE) RICHIE HAWTIN SVEN VATH MISS KITTIN DERRICK MAY VITALIC (LIVE) COLLABS FEATURING CHRIS LIEBING SPEEDY J (LIVE) ADAM BEYER T. RAUMSCHMIERE (LIVE) MATTHEW DEAR (LIVE) MARCO BAILEY NATHAN FAKE (LIVE) ROBERT HOOD MAGDA THE GLIMMERS TOBI NEUMANN T-QUEST FIXMER/MCCARTHY (LIVE) ANDRÉ GALLUZZI DR. LEKTROLUV DJ BONE CHRISTIAN SMITH TROY PIERCE (LIVE) DEG TONY ROHR (LIVE) PIERRE DJ NAUGHTY TOM HADES (LIVE) JAN VAN BIESEN SPACID FRANCO CANGELLI - Greg
(313) re:(313) Compost Black Label
#1 is definitely worth checking out. Gilles Peterson opened one of his shows with this a couple months ago and it blew me away. It starts out slow and after a break there are these beats that are kinda leftfield. And near the end some nice D-strings. Here a short sample: http://www.nuloop.com/Details_e.php?arti=35749 (the first track) Cheers. This is the only one of these that I've heard...anyone have/familiar with the other releases? Worth hunting down? Adam
(313) discogs
Does everyone get the same page as me when they go to www.discogs.com??? GoDaddy.com??? Expired domain??? I'm scared.
(313) Re: radio slave re-edits carl craig
Carl released it... on Just Another Day - http://www.discogs.com/release/332450 ;-) On Tue, Aug 30, 2005 at 07:01:56PM +0100, [EMAIL PROTECTED] wrote: radio slave re-edit of 'darkness' available at piccadilly! so is this a bootleg? if so, the bootlegger is actually releasing his thing before the real artist did so! hahaha... This should go to the hall of fame. G
(313) RE: radio slave re-edits carl craig
Info doesn't look 100% correct, as from that scan of the label it doesn't look like it's a whitelabel ;) I checked out the clips of this yesterday but didn't go for it as it didn't grab me too much. How are you liking it? Well, I like it a lot. Great stuff for the dancefloor. You don't hear many remixes of a Carl Craig record now do you.
(313) re:radio slave re-edits carl craig
radio slave re-edit of 'darkness' available at piccadilly! oh, naughty naughty. I already have a copy. Sounds good to me. Nice one that will jumpstart any upper class dancefloor ;-) Already added it to discogs, but not sure if info is correct. Check it outtt - http://www.discogs.com/release/509722
Re: (313) Mathew Jonson
Yeah, Canadian, very much flavour du jour at the moment. His music is electro-inspired and quite sparse, his big 'hit' is Decompression on Minus. I'm not really into much of his stuff; the only ones I really like are Followed By Angels and Marionette, and an early release he had on Perlon (Alpine Rocket). His sound is really clean, and his beats are seldom straight 4/4 jobs. He doesn't DJ as far as I know, it's all live from him. There's a really recent liveset of his for download at http://www.zeracon.net/snd/mcs/MovingCity05_Mathew_Jonson.mp3 In a previous life, he remixed Nelly Furtado (of I'm like a bird fame). He also has a side project called Cobblestone Jazz, which seems to be where his junglist penchant has taken him. Cyclone Wehner [EMAIL PROTECTED] 08/29/05 2:45 am I'm curious to get some info on this dude, seeing he's been getting major props for a while and his records are hot and he is rated by Richie Hawtin. I think everyone misspells his name, too. I was also under the impression that he had a UK connection, but it seems with his label being called Vancouver, he's Canadian... He's booked to play live in Oz, but does he DJ much also and what is it like?
Re: (313) Mathew Jonson
Nup, that was Michael Mayer. You are gloriously confused. Jonson's coming out in November/December. Anybody here know anything else about Dan Bell coming to Aus in October? [EMAIL PROTECTED] 08/29/05 4:47 pm didn't he dj at club 77 about 6 months ago - i thought you went simon. or was that a live set. or am i totally confused? i james Simon Hindle [EMAIL PROTECTED] u.nsw.gov.au To 313@hyperreal.org, 29/08/05 04:13 PM [EMAIL PROTECTED] cc Subject Re: (313) Mathew Jonson Yeah, Canadian, very much flavour du jour at the moment. His music is electro-inspired and quite sparse, his big 'hit' is Decompression on Minus. I'm not really into much of his stuff; the only ones I really like are Followed By Angels and Marionette, and an early release he had on Perlon (Alpine Rocket). His sound is really clean, and his beats are seldom straight 4/4 jobs. He doesn't DJ as far as I know, it's all live from him. There's a really recent liveset of his for download at http://www.zeracon.net/snd/mcs/MovingCity05_Mathew_Jonson.mp3 In a previous life, he remixed Nelly Furtado (of I'm like a bird fame). He also has a side project called Cobblestone Jazz, which seems to be where his junglist penchant has taken him. Cyclone Wehner [EMAIL PROTECTED] 08/29/05 2:45 am I'm curious to get some info on this dude, seeing he's been getting major props for a while and his records are hot and he is rated by Richie Hawtin. I think everyone misspells his name, too. I was also under the impression that he had a UK connection, but it seems with his label being called Vancouver, he's Canadian... He's booked to play live in Oz, but does he DJ much also and what is it like? ForwardSourceID:NT00022422
(313) Carl Craig in Belgium (track ID)
Carl Craig played an absolute impressive set at the 'Pukkelpop' festival in Belgium a week ago. I haven't heard a set like that in years! (you really don't hear Detroit techno in Belgium - people are more into hard loops which is really sad). Anyway, he played Jaguar by Rolando like he did before. It's the beatless version and lasts maybe ten minutes (I presume). Which one is it? Is it out on vinyl or is it CC's private CDR? P.S.: Derrick May also played at the same festival, but he dissapointed me big time - too much loops, ordinary techno. I couldn't care less.
Re: SV: (313) Carl Craig in Belgium (track ID)
It's pretty easy to extract a beatless loop of the melody line from the original mix of jaguar; a small amount of slicing is required but I managed to do it (and therefore anybody with basic motor skills can). It's handy for ableton sets. It keymatches with charlie webster's mix of 'Cafe de flore' by herbert. Always gets the heads smiling, does that one. Given that CC's using fs2 these days it's not inconceivable that he did something like this (although he probably just got himself a hold of the masters and made his own deluxe dub). Güclüer, Hansi [EMAIL PROTECTED] 08/29/05 8:30 PM Hello! I know Mad Mike's version and that's not what C2 played in Uppsala, Sweden, a couple of years ago. I think it's Carl´s own version -the beat never starts and the riff is doubled by some sort of bass sound, and the melody repeats forever, right? -Ursprungligt meddelande- Från: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] Skickat: må 2005-08-29 11:10 Till: Simon Vrebos Kopia: 313@hyperreal.org Ämne: Re: (313) Carl Craig in Belgium (track ID) On Monday, August 29, 2005, at 11:06AM, Simon Vrebos [EMAIL PROTECTED] wrote: Carl Craig played an absolute impressive set at the 'Pukkelpop' festival in Belgium a week ago. I haven't heard a set like that in years! (you really don't hear Detroit techno in Belgium - people are more into hard loops which is really sad). Anyway, he played Jaguar by Rolando like he did before. It's the beatless version and lasts maybe ten minutes (I presume). Which one is it? Is it out on vinyl or is it CC's private CDR? Sounds like the Reprise version from Mad Mike. It is on the 430West remix EP KJ
Re: (313) Dutch Music
Alden Tyrell's latest on Clone is deadly. Winter in Polarius on Creme is a v.cruisy release, though I dunno if Polarius is dutch or not Is this the next Petrol records release? I'd be pushing to get Random XS' Give Your Body on there as well if it is - get the word out to the latte masses... Cyclone Wehner [EMAIL PROTECTED] 07/20/05 12:30 pm Can anyone think of any cruisy Dutch music at the moment? I know an Australian label putting together a compilation and they want some names.
(313) ID in set DJ 3000 for Fuse-In please
I'm listening to The Breezeblock show on BBC Radio 1 and I was wondering if someone recognises this track around 02:16:30/03:00:01 played by DJ 3000. http://www.bbc.co.uk/radio1/dance/breezeblock/index.shtml?dp_rhn_block_pic Greetz.
Re: (313) South American Hip Hop
This is perhaps the best-known resource - heaps of mp3s. http://evil-wire.org/~ampere/mp3/funky/ Enjoy! Ian Malbon [EMAIL PROTECTED] 07/08/05 2:09 pm At some point (I think on this list) there was a link to some great samples of hip hop coming out of the hills in Brazil. Electro- tinged, DIY stuff that was full of energy. My searches of the archives have proved fruitless. Can anyone remind me? -- Ian
Re: (313) discogs?
From a weblog belonging to a discogs.com subscriber, dated 2 July: Dear Discogs User, As you will have noticed, Discogs has been offline now since yesterday. We experienced a cascade of problems with the servers yesterday that ended with the whole site inaccessible to everyone including the system admin's. Since then, we have been working hard on a solution to getting us up and running again. Thankfully, this server that hosts the help.discogs.com site has been revived, and this may allow us to get the whole site running again. However, this is an extremely technical job, and may take some time to complete. As sod's law dictates, we have four brand new servers already ordered and will be installing them by the middle of July. These should ensure we don't experience an outage such as this again. We apologize, and ask you all the be patent while we try and figure out a solution. In the meantime, if you need to contact me or another Discogs user with an urgent matter, please use the form below, and I will try and help. Yours Sincerely Nik | Discogs Community Manager Tristan Watkins [EMAIL PROTECTED] 07/01/05 9:43 pm - Original Message - From: robin [EMAIL PROTECTED] To: 313 Org 313@hyperreal.org Sent: Thursday, June 30, 2005 7:02 PM Subject: Re: (313) discogs? i've seen it mentioned somewhere that the main guy is on holiday and the server's gone down. could be mis-information tho. That would make sense to me. www.discogs.com is still responding to pings, so the problem is most likely with the application or server rather than anything more sinister. Truth be told, I hacked them because they haven't taken me up on my discogs toolbar idea yet. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
(313) UR live @ Fuse-In ID
Hello, I found this set of UR live at Fuse-In here - http://www.hypnotyza.com/files/fuse-in2005/ While they were playing Millenium 2 Millenium, they start to freestyle on the keyboard at about 30:45 and play a melody I recognize but don't know. Maybe you? P.S.: Between 30:45 and 31:15 Thanx
Re: (313) the orb on kompakt??
There's been some hot tips on the good Kompakt gear so far - here are some other Kompakt releases I like: Thomas Fehlmann - Whistle (lovely floaty goodness that's just a masterpiece of production) Ferenc - Yes Sir, I can Hardcore (m.mayer remix is proper cheese-rave-tech) Magnet - Rising Sun (definitive nu-trance track - really hypnotic) Speicher 14 on Kompakt Extra has M.Mayer turning in proper cerebral tech on one side with Schaffel silliness courtesy of The Orb on the flip The Total 5 collection is pretty good, again there's a killer Fehlmann track on there - 'Radeln' that's pure beauty. Lots of people go crazy for the Rex The Dog stuff and there's no denying that they are huge tracks but I don't quite dig them myself. The latest rumour is that Rex The Dog is none other than JX who did that 'Son Of A Gun' track ages ago. Kompakt Pop is wicked as well! Check the latest release for a great heroin-house version of Kylie's 'Slow'. I think the thing with Kompakt is that they release heaps of stuff and most of it isn't really that great (I don't think that much of most of their ambient stuff) and so they get a bad rap. The other thing is that there's quite a high camp element in most of their releases, and not everybody likes camp. /0 [EMAIL PROTECTED] 06/09/05 8:58 am hahahahah little fluffy clouds! :) - Original Message - From: z66 [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, June 08, 2005 6:50 PM Subject: Re: (313) the orb on kompakt?? .. rite, but it took me years to discover Kompakt is actually not all that bad;) everytime i was in Germany, been checking some of their records [german record shops always seemed to have lots of Kompakt backstock, not to mention their own shop in Cologne], yet nothing caught my attention [was it wrong release, wrong time, wrong place or wrong me?] until recently, and then thanks to MP3 piracy. i really dig their two Mikkel Metal's rels, and i also find some of Closer Musik and SCSI9 rather enjoyable. havn't heard anything from the Orb since the famous cloud-song, i guess! ///Z FRED giannelli wrote: on 6/8/05 11:03 AM, J.T. at [EMAIL PROTECTED] wrote: Yeah, that record is only OK. I have never bought a kompakt 12 that was worth the 12$, be it on kompakt proper or pop or extra. well i only know of one i like! KAITO well maybe there's several kaito's, but i really like kaito, yes. You guys are crazy. There are lots of great Kompakt releases over the years. Perhaps you just don't like the recent ones. telepathic regards, the kooky scientist
(313) Re: virtual sex lp repressed! ACTUALLY IT'S BEEN BOOTLEGGED, BURN THE BOOTLEGGERS
Ok, I understand what y'all are saying. And I have to conclude that bootlegging is not ok. But still, I don't regret buying the Virtual Sex bootleg. Because, as I said: Carl Craig, Kenny Larkin, Stacey Pullen, Kirk Degiorgio and Derrick May received money from me in the past and will receive money from me in the future. I spend A LOT OF MONEY on these guys. So I don't have to feel sorry for buying a bootleg now and then. Because there are 3 options: 1) Buying a legit copy of Virtual Sex on eBay - the artists don't get paid 2) Downloading it or putting in on tape - the artists don't get paid 3) Leave it - the artists... well... they don't get paid Bootlegging is a reality and downloading is a reality... I did bought a bootleg and yes I DO download. But every freakin' cent that enters my pocket will sure go to their new and legal records... I'm not making up an excuse.
(313) virtual sex lp repressed!
After Relics, The Beginning / Nite Da, Panic In Detroit and a few others, 'they' repressed the absolute classic Virtual Sex feat. Carl Craig, Kenny Larkin, Stacey Pullen and Kirk Degriorgio among others. A good thing? For me it is.
