Lower yes. Min 7
On May 6, 2011 3:18 PM, "Dean M. Estabrook" wrote:
> Ok, Horn players I'm confused (not a new thing). I'm
> transcribing a Mendelsshon overture for Wind Ensemble the
> orchestra score lists the Horns as "Cor. in D". What is the concert
> pitch for a given note in that p
Min 3rd down go F horn, that is
On May 6, 2011 4:37 PM, "Raymond Horton" wrote:
> Lower yes. Min 7
> On May 6, 2011 3:18 PM, "Dean M. Estabrook" wrote:
>> Ok, Horn players I'm confused (not a new thing). I'm
>> transcribing a Mendelsshon
Read it in alto clef
On Sat, May 7, 2011 at 12:02 AM, Dean M. Estabrook wrote:
> You got it .
>
>
> On May 6, 2011, at 7:17 PM, John Howell wrote:
>
> At 5:58 PM -0400 5/6/11, Dennis Bathory-Kitsz wrote:
>>
>>>
>>> That's how I learned to transpose back in 1967. I was copyist for Rutge
guess that makes me
"Internationally acclaimed."
Forgive the croos-post. Rare for me (the success, that is, not the breach
of email etiquette).
Raymond Horton
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I have noticed this in opera, where the tenor's full-voiced high C is
a more rare commodity than is the soprano's. I think Mark's estimate
of a ninth difference is about right, on average.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (I
s direct a match with euphonium. Euph/Tuba
would be logical combo, although tuba is stronger than CBssn.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Wed, May 18, 2011 at 5:24 PM, Dean M. Estabr
John R. Howell writes:
> Contrafagotto was very likely an instrument sounding an octave below pitch,
> although it would take a bassoon history specialist to know for sure. (Are
> you there, ContraReed?!!!)
Not a history project at all, John, the contrabassoon is very much
still with us - presen
On Wed, May 18, 2011 at 10:17 PM, John Howell wrote:
> Sorry I wasn't clear. I was talking about Mendelssohn's orchestra, whether
> in Leipzig or other places he might have been writing for. I know Mozart
> used contra, and I think Beethoven as well, but I don't know how widespread
> their use w
xpressions themselves
should work. They are tricky, though.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Tue, May 24, 2011 at 12:13 PM, Noel Stoutenburg wrote:
> Michael,
>
> After some furth
Buy "Music Makes a City" on DVD and benefit Public Radio at the same time:
<http://publicradiomarket.publicradio.org/email/?B004VETNAY>
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT ra
don't clear anything you want
to keep; then select "midi data" and "articulations," then "OK." That
will likely clear any playback problems, but you will have to re-enter
the breath marks.
If you want, Marcello, send me the problem file - tell me in what
measures the problem occurs, and I will take a look at it.
Raymond Horton
Minister of Music, Edwardsville (IN) UMC
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I suggest you send me one of the problem scores to check out.
Raymond Horton
On Fri, Jun 17, 2011 at 2:47 AM, Marcello Noia wrote:
> Thanks a lot for your suggestions Raymond, I will do as you wrote and
> see what happens.
> Anyway, this "kind of fermata" problem got ou
tion
Army vibrato with no attack but that tasteful British playing - you
know - what _I_ like), many American brass bands now get a sound
pretty much identical to a brass choir with trumpets and French horns.
Not a bad thing, just, not so different any more.
Raymond Horton
Bass Trombonist, Louisvi
f) and maybe euphs (I'm not really sure about the
baritones - check the stores which sell brass band music and see,
maybe they include BC baritones also). I suppose a sensible option
would be to sell a separate "TC pack." If only arranging for one band
- ask the conductor, or, bett
many of them do.
I heard the Brass Band of Columbus (OH) years ago, and they had a very
fine tuba section, very focused sound - but I do not recall what
instruments they were playing, if I tell from where I was sitting. I
know they were regarded as one of the the best in the US at the time.
Raymond
lutely top notch Schiller (Jin Bao - Chinese) compensating British
baritone for well under $600. A copy of the $5K Besson. I love it - true
baritone sound, stellar intonation. Jim Laabs in Wisconsin sells them.
All relative economy discussions aside, a tremendous deal for a very good
instrument
This performer hates them
On Aug 8, 2011 1:52 PM, "Adam Taylor" wrote:
> I'm wondering what a performer's opinion is on non-standard key
> signatures, for example, one containing B-flat, E-flat, F-sharp and
> C-sharp. The first movement of my second string quartet uses these four
> accidentals an
scanned, and
put out new digitized versions quickly.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
> > On 18 Aug 2011, at 18:30, Greg Scheer wrote:
> >
> >> One of my jobs is with
Vibes and motor, all true, but in serious music vibes are assumed to have
the motor off unless specified on.
Raymond Horton
On 3 Sep 2011, at 19:14, John Howell wrote:
>
> > At 10:43 AM -0700 9/3/11, Blake Richardson wrote:
> >>
> >> I didn't even know the in
I use 2011 with XP
On Sep 4, 2011 3:18 PM, "Johannes Gebauer"
wrote:
> Can someone confirm that Finale 2k1 works with WinXP?
>
> Thanks,
> Johannes
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notational conventions, of
which there are many. (Try reading the 2nd trombone part in
most Shostakovitch symphonies symphonies - low tessitura, alto clef = leger
lines below the staff.) No logic sometimes, just strange traditions, but
the performer has to deal with it.
Raymond Horton
Bass Trombonist
e clef, said that he found it
distracting to try to write in it and said he would have to write the tenor
part initially in the traditional tenor clef and change it later. (I am
paraphrasing after reading this in 1975, but I think I have it for the most
part).
Raymond Horton
Bass Trombonist, Louisvill
clefs you
want, sell to whomever buys, have a grand old time. If you sell more than
the big publishers, then maybe they will change, and then others can start
complaining.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US A
tenor section made up of
real tenors and a couple of women who never came to terms with their
head voice.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Fri, Sep 16, 2011 at 1:16 PM, Steve Parker
er serious works) and trouble will
ensue.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Fri, Sep 16, 2011 at 1:20 PM, Dean M. Estabrook wrote:
> I agree with you Raymond we ought to be able t
On Fri, Sep 16, 2011 at 1:38 PM, John Howell wrote:
> Bagpipes? Well, there's a place for them and
> their music, preferably not too close by!
>
It's a classic:
Q. Why do bagpipers walk when they play?
A. They're trying to get away from the noise.
Raymond Horton (who
ponding
contrabass instruments in woodwinds and strings) both sound 8ba, but
no one ever said life would be consistent.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
Mine do - on windows
On Sep 25, 2011 7:53 AM, "Frank Prain" wrote:
> I've noticed on my setup that I need to use the separate number pad for
note
> lengths in Speedy - the numbers on the main part of the keyboard don't
work
> in this context.
>
> And, as mentioned above, remember the NumLock.
>
>
Thanks, Jari!
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Fri, Oct 7, 2011 at 8:52 PM, Jari Williamsson <
jari.williams...@mailbox.swipnet.se> wrote:
> Hello!
>
> My Finale 20
Hop on over to List Trombone <[EMAIL PROTECTED]> and you
will get plenty of advice on quartets there, Keith.
Gearhart, Cassel, And Hornibrook, _Bass Clef Sessions_ Shawnee (pub)
is still available. I have a copy - it's great fun.
There are many quartets available at cimarronmusic.com
she was doing to me. D. C. is a
different place, for a different kind of people.
Raymond Horton
Bass Trombonist
Louisville Orchestra
David W. Fenton wrote:
...
You've made the choice to work for someone who allows no flexibility. ...
__
Randolph Peters wrote:
Raymond Horton wrote:
[snip]
I have a sister who has worked, high up, for the government in the
D.C area for many years. She wouldn't have seen OR heard Josh Bell.
I tried to play a recording of a piece of mine for her, and after 3
minutes she was talking to so
d performance, any time.
It was a bad time for Bell to play, but again, at least some of those
people had the time to listen. It's only logical.
Raymond Horton
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aying that there are good explanations why a great
many people ignored him. We think it is quite odd that virtually _all_
the people ignored him.
Raymond Horton
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dhbailey wrote:
Didn't you say that you refuse to buy and iPod because you don't want
music to be a passive listening experience?
For people who don't want to hear it, music is indeed as much an
obnoxious assault as those squeegee kids (or their older counterparts).
Think of the assault on
David W. Fenton wrote:
Unfortunately, I was late for rehearsal and couldn't stop and enjoy!
Gotcha!
RH
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The web page say "acid-free."
RBH
Aaron Sherber wrote:
At 02:44 PM 4/22/2007, Christopher Smith wrote:
>Is the acid-free white paper tape that makes an excellent hinge and
>doesn't yellow or fall off with age?
I don't think this tape is acid-free, but it does make an excellent
hinge and hasn
Oh.
Well, then, forget I said anything.
[Sulk mode ON.]
RBH
Aaron Sherber wrote:
At 04:46 PM 4/22/2007, Raymond Horton wrote:
>The web page say "acid-free."
Now we're talking in circles.
We were originally talking about 3M #256 tape, which I recommended and
which Ni
printing etter size Finale files two-up on 11 x 17 paper on
Vista on this printer? Anything you can tell me?
Thanks,
Raymond Horton
Bass Trombonist, occasional arranger and composer
Louisville Orchestra
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http://li
5/4 and 7/4 giving pros problems in the US?
Man, in the LO we drink the 5/8s and 7/16s like mother's milk - we've
been playing that stuff since our first day in the band.
You've just got a grouchy bunch of pros!
Ray Horton
Bass Trombone,
Louisville Orchestra
Aaron Rabushka wrote:
Sout
ormer in an orchestra that has played a ton
of new music written under all the different rules.)
Raymond Horton
Bass Trombonist,
Louisville Orchestra
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same room
alternating with live musicians, _who are playing with no electronic
amplification_. That is the only test would mean anything.
Raymond Horton
Christopher Smith wrote:
On 6-May-07, at 6:51 PM, shirling & neueweise wrote:
the differences would be even more evident at
dhbailey wrote:
Raymond Horton wrote:
I don't see the fuss. A guy is trying to prove he can replace _live_
musicians, but does so by posting _recordings_, some of which are so
badly reproduced they could never be mistaken for live players, even
though the recordings were once made from
phony job. You just put up a bunch
of mics, turn 'em on, and it sounds like a symphony!"
How can you argue with logic like that?
Raymond Horton
Bass Trombonist
Louisville Orchestra
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Christopher Smith wrote:
On May 9, 2007, at 10:02 PM, Raymond Horton wrote:
Once, many years ago, a rock sound guy (perhaps not the tightest
cable tie in the bunch, if you get my drift) was setting up mics for
a pops concert of ours. I mentioned to him how we had a problem at
the
st in high school. It's
much less effective with only piano).
Raymond Horton
Bass Trombonist
Louisville Orchestra
dhbailey wrote:
Is that really *entirely* in octaves or unisons? The orchestra is
only playing octaves/unisons?
David H. Bailey
Aaron Rabushka wrote:
One of the basso ar
g any others as sparse as this one - I would
imagine most have some other texture going on, even if the voice is
doubling the bass.
Just my 1 cent worth.
RBH
Raymond Horton wrote:
The Aria is "The People the Walked in Darkness," in part one of
_Messiah_. It is mostly octaves, wit
"Blank Page" is good enough, IMHO. Quicker to read. The arrow is good,
also. Or the obvious - plan the pages so you don't need the blank page,
but the blank is much better than a bad turn.
I use graphics sometimes. Don't know the solution to this problem, so I
hadn't weighed in. I have a
th all that she did that year, she was so successful that our MD at
the time got jealous, gave her very little to do the next year, so in
frustration she got another gig. And of course, we never played Ives
for high school kids again, because nobody in charge was paying attention.
Raym
Guy Hayden wrote:
My kilt is made of just about 7 years of fabric.
We all admire your dedication, Guy!
RBH
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I felt like saying nearly the same words to Andrew, also, but I
appreciated reading his post, because he makes such good arguments -
including that excellent Louvre guard line which I had not heard before.
RBH
Darcy James Argue wrote:
Andrew,
Why are you wasting your time? Of course Phil
I got the humor, if it's any consolation, Randolph.
RBH
Randolph Peters wrote:
> Mariposa Symphony Orchestra wrote:
Sure, I like Bach; I marvel especially at his contrapuntal
creativity; I enjoy the sound of his music.
Andrew Stiller wrote:
Me, I like his grinding dissonances!
dhbai
Mariposa Symphony Orchestra wrote:
...a very intriguing claim of an 1818 (!) "first official resident
symphony orchestra," founded by the Society of St Cecilia in
Louisville, KY (Ray Horton - any knowledge of that group?)
Just how old do you think I am?
I'll be here all week, folks. Don'
t, on occasion. Of course, they call the Eb horn the
"tenor" and Americans call it an "alto horn." Any reasonable look at
the range would say the Brits are closer.
Raymond Horton
Bass Trombone (the difference here is timbre more so than range)
Louisville Orchestra
John
We have a real collector in our orchestra. Only guy I know to have a D
clarinet, a C clarinet, a basset horn, a great bass clarinet with a low
C, etc., etc..
He wants to be able to play anything on the instrument for which it was
written. I forget if he said he has a clarinet in every key,
Marilyn,
Uhh, I believe I've done this by accident before.
Sometimes in the middle of a heavy GPO project I'll need to do some
quick print-only project. I'll switch the first "device" under "Midi
Setup" to softsynth, since that is easier to work with on a quick
project in which playback is
Turkish music.
See http://en.wikipedia.org/wiki/Schrammelmusik and associated links...
Cheers
Jim
Raymond Horton:
He wants to be able to play anything on the instrument for which it was
written. I forget if he said he has a clarinet in every key, or is
lacking something in G. (Is there
What's the question, Aaron? That the instrument is called bass
trumpet? Yes the low Bb and C instrument is always called bass. I and
many others have merely observed that it would more logically be called
tenor.
The Janacek Sinfonietta bass trumpet part (2 in unison) is unusually
low.
OK... the subject line said GPO.
Darcy James Argue wrote:
This only works if you are using Garritan Studio, instead of using
AU/VST playback.
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 06 Jun 2007, at 11:17 PM, Raymond Horton wrote:
Marilyn,
Uhh, I believe I've done
Andrew Stiller wrote:
In addition to the ones you mentioned (by "great bass" I assume you
meant the contra-alto)
No, I meant he had an excellent bass clarinet with a low C. Sorry for
the confusing choice of a word.
I don't mean to say he has every clarinet ever made. I think he has
tri
So we need to send for the calvary when the Rite comes up?
Interesting theory. I remember the low F's in Agon. I assumed Strav
just kept all the parts in C for simplicity, but knew the third player
would play the part on a Bb, which is what happens in performance.
Ravel (I remember the lick
John Howell wrote:
>Better? [alto clarinet vs basset horn] Or just different? And of
course the matter of low range, although the extension to low C >would
take care of that. I suspect that very few band directors assign their
best players to alto clarinets, and like every member >of the
John Howell wrote:
What makes things interesting is that instruments have evolved since a
century ago, let alone a century and a half. Verdi wrote for a bass
brass instrument, knowing that his orchestras would use an
Ophicleide. Today those parts would be played on a tuba, but I seem
to r
ere is more to assigning these voice part names than just key.
Otherwise Urbie Green and I play the same instrument.
Hey, I've got it! This low F trombone is about an octave below an alto
trombone:
Let's call it a "CONTRA-ALTO TROMBONE!"
Raymond Horton
Bass Tromboni
Andrew Stiller wrote:
Thank you, Ray for straightening this out so accurately. I had thrown
up my hands at any attempt to clear the air on this one, but you have
done so admirably. My one quibble:
Before valves, in Germany a low F trombone was a "bass trombone" and
was similar bore size to to
I
can't use 2007 at all. At any given time, at printing time, my full
pages print as only a postage stamp size. Only solution at that point
was to print as PDFs. It happened too often, with no warning.
Once the stamps showed up, they printed on di
Johannes Gebauer wrote:
On 12.06.2007 [EMAIL PROTECTED] wrote:
If more than one note is involved before the rest you can slur to the
last
note, click on the slur, and re-shape it to reach to the rest.
Yes, I know that is also possible, but such slurs behave differently
when the layout is cha
I ask for. Single copies print OK.
I've restarted Finale and restarted the computer, same problem. This
does not happen in any other application program.
Thanks for any advice.
Raymond Horton
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dhbailey wrote:
[EMAIL PROTECTED] wrote:
It's a way of emphasizing carrying a phrase into the ensuing silence, as
at the end of my bass trombone sonata.
I've seen this notated with a tie from a note to the following rest,
never as a slur which continues onto the rest following the final note
Seems like I'd start by adding a blank staff under each staff and
exploding each staff onto two. Then you might be able to copy parts
around to playable locations - you might want to use "scratch" staves,
(temporary staves just for copying) also.
Raymond Horton
Leig
dhbailey wrote:
Raymond Horton wrote:
This is a new one.
FinWin 2006c. It has never showed up before.
When I start Finale and print more than one copy of a file, lets say
two copies, the first time Finale prints two copies. The next time I
print two copies, it prints four copies, and
is a nearly full score (sometimes three trumpets on one line, explode
them later, etc.).
Raymond Horton
Andrew Stiller wrote:
I think that Beethoven and Mozart would have used Finale if it were
available back in their day.
This is definitely a generational issue. When I started using Final
file.
Raymond Horton
Dennis Bathory-Kitsz wrote:
David,
Good sequence of questions...
At 06:51 AM 7/2/2007 -0400, dhbailey wrote:
In your clip it sounds like an extra note is being played -- you don't
have any hidden notes which might be there for spacing issues but not
for displ
reate with
FinWin 2007 prints at postage stamp size, on either my laser or inkjet
printer. My _solution_ (temporary) was to use CutePDF Writer to print
to PDFs. My _solution_ (permanent) is to use Finale 2006.
Finale 2007c did not correct the problem.
Raym
I'm the "someone," btw.
You know, Aaron, today I checked those three places, didn't change
anything as they were all letter size, and then printed a couple of
Win2007c files: One from scratch (identical to one that printed tiny
yesterday) and one medium-big project I did months ago that alway
nd have both done excellent
work. I heard Ken give an excellent lecture several years ago
summarizing much of this - he has done his homework.
Raymond Horton
Bass Trombonist
Louisville Orchestra
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irst part for
these works.
RBH
Andrew Stiller wrote:
On Jul 4, 2007, at 10:49 PM, Raymond Horton wrote:
Andrew Stiller, a few weeks back I said some recent scholarship was
heading toward alto, tenor and bass trombones all being in Bb in the
18th and 19th centuries. I intended to send y
- without
looking: What kind of trombones did Dvorak write for?
RBH
Andrew Stiller wrote:
On Jul 5, 2007, at 5:09 PM, Raymond Horton wrote:
I was never aware of such 80's belief. Up until this recent
scholarship, all I ever "knew" was that a trio of trombones: alto in
Eb,
John Howell wrote:
I think that may depend heavily on who, exactly, you're talking about
in the '80s. Symphony trombonists, and those training them, may
indeed have thought in those terms, but it's a cinch that people in
early music were not, since most of us are looking at baroque and
clas
dhbailey wrote:
John Howell wrote:
[snip]
I think that may depend heavily on who, exactly, you're talking about
in the '80s. Symphony trombonists, and those training them, may
indeed have thought in those terms, but it's a cinch that people in
early music were not, since most of us are lookin
Christopher Smith wrote:
On Jul 6, 2007, at 11:39 PM, Raymond Horton wrote:
The other interesting standard rep composer is Dvorak - quick -
without looking: What kind of trombones did Dvorak write for?
Didn't he write quite a bit for valve trombone? Or some kind of weird
hybrid p
Given the amount of research Shifrin has done, together with the music
of the Dvorak 8th symphony (quite nonidomatic for slide trombone) and
other Dvorak excerpts, I'll accept it, at least until your paper comes
out.
(BTW, is the "slide trombone specialist ... named a permanent
instructor"
otation program.
Raymond Horton
dhbailey wrote:
David W. Fenton wrote:
On 18 Jul 2007 at 12:01, Dennis Bathory-Kitsz wrote:
The spacing on mine is still in draft mode, but yes, it is spaced by
hand. All automatic features are turned off, and the work is being
done in page mode with the measures pre-
Kim Patrick Clow wrote:
On 7/18/07, Raymond Horton <[EMAIL PROTECTED]> wrote:
I'm with David. If the Sibelius guy is trying to show that Sibelius can
do it as well, then he should have done the whole page, and made it look
as good. But he didn't. Not really close.
It'
only system is very clear on the page. Sometimes
those systems get skipped in rehearsal (or even worse, performance!)
Raymond Horton
Minister of Music
Edwardsville (IN) United Methodist Church
(Sorry if part of this message repeats. Finale bounced back an earlier
reply from a different e
ation to Daniel Boone? I have some relation on my
mother's side to Rebecca Bryan Boone.)
Raymond Bryan Horton
(an old Kentucky boy)
Dalvin Boone wrote:
Raymond Horton wrote:
Subject: Re: [Finale] printer frustration - Ricoh AP2610
Speaking of printer frustration, I'm having trou
one please explain to me how this linked parts stuff works?
Raymond Horton
Bass Trombonist
Occasional composer, arranger
Louisville Orchestra
dc wrote:
Johannes Gebauer écrit:
Well, it is partly the completely absurd situation Makemusic have put
themselves into in the last few years. Every year
Williams, Jim wrote:
Anyone for Laser Music Processor
Right here!
Actually, I was using Personal Composer at the time, but my
entrepreneur/brother-in-law looked at that for 30 seconds, decided it
was too complicated, then came across LMP and became a dealer of it. I
think I have 3 c
Thanks Harold. That works, although my IE won't let me bookmark it,
saying "This URL is unsuitable for bookmarking..."
But it is nice to see the F'ing Manual, I mean the Finale Manual, for
all the new changes.
RBH
Harold Owen wrote:
Dear Chuck,
MakeMusic has owned up to the fact that t
What is your point?
Paul Davies wrote:
It's rabbits that get myxomatosis!
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Will Denayer
Sent: 07 August 2007 16:53
To: finale@shsu.edu
Subject: [Finale] Fenton
"What is your point?"
What is it that I s
tion. In a half a week it could all be forgotten.This is not
a list for personal grudges, or many of us could be still waging them.
Raymond Horton
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Thanks.
I'm hoping we're done with this.
RBH
Bob Morabito wrote:
Tue Aug 7 13:41:36 Raymond Horton wrote:
Gee, Will. Please don't act like that, and don't go away. The rest of
us were all on your side, but it was time to drop it. We put up with
David, because h
spicious opportunity to be at least an
unofficial member (unbeknownst to me) of the select group of chosen
ones (the "all"), of which there are so far, officially, three.
The rest of us were all on your side
Raymond Horton
Let's drop it
___
parts into one score,
but I haven't tried that yet.
Raymond Horton
(speaking only for himself, and watching his language)
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
ze for suggesting that we drop this. I think it will be
much better if we keep this ridiculous thread going for a month or two.
This is not sincere.
Everybody happy now?
RBH
David W. Fenton wrote:
On 7 Aug 2007 at 20:45, Raymond Horton wrote:
Let's drop it
Funny how when
suppose staff names might be a consideration there, also.
RBH
Christopher Smith wrote:
On Aug 7, 2007, at 8:58 PM, Raymond Horton wrote:
Has anyone tried the new Merge function in 2008? I've been playing
with it a bit with mixed success. I tried it one a large work
Horace Brock wrote:
I was privileged this week to participate in what is planned as the
first in a series of regional Finale workshops, run by MakeMusic.
...
While I can certainly see the value of such an intensive workshop,
and applaud MM for getting out among its customers, one questio
David Fenton wrote:
And in exactly how many posts did I use profanity or masked
profanity?
The only one I remember is "Brahms is full of shit," but that was a
couple of years ago, and directed at me.
(Just trying to help!)
Ray Horton
___
Final
Bob posted that excellent guide to importing midi files last week, just
after joining the list, actually. I found it quite helpful, although I
can't speak for anyone else .
Raymond Horton
Eric Dannewitz wrote:
God, what a twit. You HAVE to get the last word in. I haven't att
. Great time saver. Thanks for the help with the new feature.
RBH
Christopher Smith wrote:
On Aug 7, 2007, at 8:58 PM, Raymond Horton wrote:
Has anyone tried the new Merge function in 2008? I've been playing
with it a bit with mixed success. I tried it one a large work with
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