Yes. Agreed. Bare Jr. play rock and I like rock.
-Original Message-
From: Steve Gardner [EMAIL PROTECTED]
To: passenger side [EMAIL PROTECTED]
Date: Friday, April 23, 1999 4:49 PM
Subject: re: v-roys/bare jr.
Chad said that he was reminded that the V-Roys were the best live band
in
Tony - who once upon a time lived on a steady diet of the Germs,
Void, Discharge, Venom, Throbbing Gristle, SPK, James Chance and
the Contortions, Half Japanese, and a boatload of other noise.
Hurrah!
Oops, I meant to say: Tony, you male chauvinist pig you.
so my advice to you is to
avoid eating Malaysian food at that terrible place I've heard about, though I
wouldn't counsel you to avoid that kind of food altogether. g
I'll keep that in mind, Bill, and stick with pizza. Have a great weekend
everybody...and Jon, make sure to crack the whip tonight
Greg, a/k/a "Mr. Onus," says:
Jon, would you say then that if a 'bad' bluegrass band gets booked at a
festival, the potential bad impression that could be loosed upon an
unexpecting audience is the fault of the promoter? Or does the onus fall
upon the band itself?
Mostly the promoter, no
At 4:11 PM -0400 on 4/23/99, Jon Weisberger wrote:
Ummm, who are these bands that are getting on the radio and
turning newbies off of "altcountry"?
I could name some pretty rotten Southern Ohio bluegrass bands
That doesn't answer the question, which was about alt country... g
Bob
WRONG. Read Nelson George's new book HIP HOP AMERICA and get yourself
schooled...Def Jam records/russell simmons/rick rubin/NYC b-boying/breaking
ground ZERO...while you're at it read BOMB THE SUBURBS by William Upski
Wimsatt...
See you at the Eminem show is Austin next week! xojns
--
In today's digest:
Well, I'll stand in front of Rob Miller's fantastic
jukebox there in his
living room, in my best pair of overalls, with a
haybale, and a feather
boa drinking RC Cola, munching on a moon pie, and tell
him Jr's right,
and a whole bunch of references in the last couple of
Was this dicussed already? Marie, this is particularly for you...
Captain Beefheart His Magic Band
Grow Fins: Rarities 1965-1992
5 CD Box set, 112-page hardcover book and Enhanced CD-Rom with rare concert
performance footage
or
1st of 3 double LPS on virgin vinyl, 24 page libretto in
At 08:04 AM 4/23/99 -0700, you wrote:
[EMAIL PROTECTED] wrote:
*6/15: RELS: Cheap Trick (live)
I read somewhere (ICE, maybe) that this will be available exclusively
through Amazon.com for like two months before its general release.
Something about Amazon wanting to flex its muscles by
At 01:22 PM 4/23/99 EDT, you wrote:
In a message dated 4/23/99 10:19:37 AM EST, [EMAIL PROTECTED] writes:
I read in the Dallas paper yesterday that Dwight's version of "Crazy
Little
Thing Called Love" (from that Gap commercial) will appear on his new best of
collection.
Funny isn't it, that
Can anyone fwd label/contact info on the recent Tom T
tribute to me at [EMAIL PROTECTED]
Thanks, it's needed for TwangCast
Mike Hayshttp://www.TwangCast.com TM
RealCountry 24 X 7 Please Visit Then let us know what you
think!
Mike Hays www.MikeHays.RealCountry.netFor
the best country artist
Okay, here's the one I sorta proofed before sending...
Was this discussed already? Marie, this is particularly for you...
Captain Beefheart His Magic Band
Grow Fins: Rarities 1965-1982
5 CD Box set, 112-page hardcover book and Enhanced CD-Rom with rare concert
performance footage
or
1st of
The "P" word has been spoken. No more will I be silent.
Pumpskully is not the ressurection of Southern Rock, though, for what it's worth, they
may have authored a new genre. Call it snuffcountry.
Roy Kasten
[EMAIL PROTECTED]
Message: RE: pumpskully
Read By: Roy Kasten
Date: Fri, Apr 23, 1999 5:29 PM
Wow, The Legend Returns... Now, where'd that Gary Wilson get to?
Jon Weisberger, Kenton County, KY [EMAIL PROTECTED]
http://home.fuse.net/jonweisberger
well, what the hell is alt country then?
I'd say it depends on where you are coming from personally. I get many
albums I feel are pure AAA but are promoted as Americana/alt.country.
When I point out the lack of any resemblance to country music as I know it I
get various responses. After
WRONG. Read Nelson George's new book HIP HOP AMERICA and get yourself
schooled...Def Jam records/russell simmons/rick rubin/NYC b-boying/breaking
ground ZERO...while you're at it read BOMB THE SUBURBS by William Upski
Wimsatt...
See you at the Eminem show is Austin next week! xojns
--
On Fri, 23 Apr 1999, Jon Weisberger wrote:
Wow, The Legend Returns... Now, where'd that Gary Wilson get to?
We can only wish! Jeez, first the leather-clad Norse God pokes his nose
in here today for the first time in months, and now the Original
Singer-Songwriter's Friend. Are Roy and Jon
Jon Weisberger writes:
BTW, Erin, that "compete for the jobs" clause is the fly in the ointment of
your more-is-better argument. Half-assed musicians who figure that they can
overcome the deficiency of being half as good by charging a quarter as much
(an approach that promoters are all too
A little take on Rolling Stone's parlour game, for the Globe and Mail
in Toronto.
* * *
THE ESSENTIAL RECORDINGS OF THE '90s
by Greil Marcus et al
Rolling Stone, May 13
Reviewed by Carl Wilson
... In which Rolling Stone rushes to
The Boudin Barndance - 4/22/99
Dan Ferguson
WRIU-FM, 90.3 Kingston, RI
Thursdays 6-9 pm
A little of this, a little of that on the Barndance tonight. Among the
flavors: crunch, tonk, mex, and crescent. New stuff gettin' first-time
Boudin Barndance spins this evening included the latest from
In a message dated 4/23/99 3:27:27 PM Central Daylight Time,
[EMAIL PROTECTED] writes:
You know, I really don't have a damned thing to add as I've yet to see or
hear Pumpskully, but I did want to welcome "meggs", is it (?) to the list,
and congratulate her on having maybe the most badass
The New American Roots Music Show is heard Fridays from 9 to 10 AM on KOOP,
Austin, Texas 91.7FM. It focuses on new releases and recent re-issues in
country, bluegrass,folk, blues, cajun, zydeco and whatever else fits. Lots
of bad alt.country, bad bluegrass, out of tune f*lk and simply awful
At 04:51 PM 4/23/99 -0400, you wrote:
I've finally gotten around to listening to the Rykodisc reissue
of the first Meat Puppets album - with 18 (!) bonus tracks - and
I'm really digging it but I forgot how brutal it is at times.
For those on the list who find Freakwater unlistenable - I'd be
Boy. Ya go away for a week to the rural pleasures of Las Vegas, Nevada and
you come back and there's this long give and take Update thread about
what's alt.country or not and what lousy bands do if they come from Chicago
and some long-absent voices reappear and it looks like things in this
Jeff Weiss:
That album is in the collection for completion purposes only. For me,
they
hit their stride with Up on The Sun.
Yup, and I'd suggest further that from the second album (MP2) onwards
they never really released a clunker until that horrible No Joke record.
They were a hell of a band.
OK folks. This turns out to be too easy!
"Don't Forget to Cry" was a May '64 single recorded for WB by those
obscure singers of Bryants' songs, the Everly Brothers. It's readily
available on the 2-disc Walk Right Back Warner Brothers Best of... Glad to
be of assistance.
Barry M.
Matt B writes:
The only more painful show I've sat thru in recent memory was the
Blacks, who couldn't mumble their way out of the cloud of inarticulate
hipsterism (and no, I don't know what that means, but it sounds good!).
What people see or hear in this act, I don't get. Oh, wait, they have
That wacky BoudinDan writes:
Kelly Willis - The Heart That Love Forgot / Bang Bang (MCA)
yes...and the lovely Mrs. Robison sang a wonderful version of this song
during her great show at JD's on Wednesday night! More comments about Mas
with a bit a Kostas thrown in for good measure.
Kate
OK folks. This turns out to be too easy!
"Don't Forget to Cry" was a May '64 single recorded for WB by those
obscure singers of Bryants' songs, the Everly Brothers. It's readily
available on the 2-disc Walk Right Back Warner Brothers Best of... Glad to
be of assistance.
Barry M.
Just wanted Roy to feel at home. Welcome back, buster. -- Terry Smith
Also Where The Pyramid Meets The Eye (Rokey Erickson tribute), The World
Is A Wonderful Place (is that what the English Richard Thompson tribute
was called? Much better than the major label Beat The Retreat), and do
the Ralph Stanley things count as tributes? There was also a pretty
good
But when the hidden track's as good as Lee Remick! The Go-Betweens were
strong contenders for band of the '80s where I live (the house ... not,
unfortunately, the whole town.)
-Original Message-
From: Jeff Weiss [mailto:[EMAIL PROTECTED]]
Sent: Friday, April 23, 1999 3:17 AM
To:
What was it the man said? When a million people say a stupid thing, it
remains a stupid thing. Of course it was a marketing guy who came up
with the title 50,000,000 Elvis Fans Can't Be Wrong. Odd thing was, the
album was worth getting in that particular instance.
Richard
-Original
Thanks for the tip, everyone. I persuaded an advance copy (we're a
little slow down here in South Africa) out of the local Sony office and
the first listen suggests there'll be a whole lot more.
-Original Message-
From: Jerry Curry [mailto:[EMAIL PROTECTED]]
Sent: Thursday, April 22,
...do the Ralph Stanley things count as tributes?
I'd say not, but there are two excellent tributes to the Stanley
Brothers/Ralph Stanley: The Stanley Tradition and Songs About Our Savior
(a/k/a The Stanley Gospel Tradition), both on the Doobie Shea label.
Actually, there are a number of
...I was curious about that tune,
"Trademark," again on the Mandy Barnett record. Jon identified it with
some country artist, I can't recall who, but the co-writer is listed as
Porter Wagoner (sp?). Did Porter write it, and someone else make a hit out
of it?
Yup. "Trademark" was a #2 for
I said:
BTW, Erin, that "compete for the jobs" clause is the fly in the
ointment of
your more-is-better argument. Half-assed musicians who figure
that they can
overcome the deficiency of being half as good by charging a
quarter as much
(an approach that promoters are all too often
I had to stop the other day to find out what song was playing on a local
station cos it sounded almost "alt.country." Turned out to be the latest
Dixie Chicks single. Anyone else heard that one?
Jim, smilin'
Tonight the Heartache's on Me, cut by numerous artists in the last few
years
John Friedman writes:
Jon Johnson:
*One* guitar player?!?!?! Hell, John, why don't you just tell us
they were recruiting for the Socialist Worker's Party while you're at
it?
Hm, if that's a sarcastic remark, which is cool, my guess is that
you're not familiar w/Molly Hatchet.
I want insight into why the only people I meet wh0 hope for a resurgence of
"Southern Rock" are all from north of Virginia ( a state still quite
suspect)
John Friedman writes:
Jon Johnson:
*One* guitar player?!?!?! Hell, John, why don't you just tell us
they were recruiting for the
Pushing aside the arbitrary (and silly) nature of this shellgame, tell me
why it shouldn't be:
Perry Farrell (who commercialized the most interesting aspects of Nirvana's
"revolution")
Dr. Dre (who made rap safe for white people; God bless Eminem)
U2 (who legitimized dance music for young
On Thu, 22 Apr 1999 04:57:09 -0500 JP Riedie
[EMAIL PROTECTED] wrote:
I want insight into why the only people I meet wh0 hope for a resurgence of
"Southern Rock" are all from north of Virginia ( a state still quite
suspect)
JP, you're kidding, right? Man, Virginia *is* the South and
I'll
On Thu, 22 Apr 1999 02:18:42 -0400 vgs399
[EMAIL PROTECTED] wrote:
Uh, I think that was "eight octane" range g
Actually, Van Vliet's stuff always went right over my head, sorry to say.
My husband loves "Trout Mask Replica" to this day; still goes over my head
though.
I just put "Moonlight
On Wed, 21 Apr 1999 21:24:00 PDT Greg Harness
[EMAIL PROTECTED] wrote:
I thought your candidate had already won and been declared AOTD months ago.
This new little thread is nothing more than a post-mortem on a de facto
decision, right? AOTD will retain his title.
Umm, I musta missed that
Saw Marshall Crenshaw open a show at the Paradise in '92 with a
bitchin' cover of "Flirtin' With Disaster," by the way.
[Matt Benz] He opened his Columbus, probably same tour, with
that song. Didn't Holsapple Stamey open up for this tour? And Mitch
Easter was playing, I
You thought Vince Gill, right?
And still do.
Jon Weisberger, Kenton County, KY [EMAIL PROTECTED]
http://home.fuse.net/jonweisberger
Jon Johnson wrote:
keep expecting to see a southern rock revival at some point,
though despite noble attempts by the likes of
Raging Slab and Pride and Glory, I don't think it's
gonna happen.
Pumpskully is proudly and nobly carrying the torch.
I think they're based in KY, but they play
Iin response to Linda's query, I contrasted Chesney's new album, Everywhere
I Go, with what I thought was the album before that, I Will Stand (the one
with "That's Why I'm Here"). There's another one, though, in between,
1998's You And Me, that's pretty good, though I still haven't decided
Hi folks,
Here's what you missed if you weren't at JD's! Both were excellent, but,
Bruce's songwriting and singing is killer. "Desperately" still being my
favorite on "Wrapped." Kelly dipped back into her repertoire for "River of
Love" (shout from moi!) which she said they hadn't been doing
JP Riedie queries:
I want insight into why the only people I meet wh0 hope for a resurgence of
"Southern Rock" are all from north of Virginia ( a state still quite
suspect)
Never thought about it, but maybe it's the sameway mallrats from utah
dig gangsta rap. Is southern rock yet another
the Bob Log record is more fun than seeing him live. Its on that cool Fat
Possum label (RL Burnside, T Model Ford, etc) - thru Epitaph nowadays I
believe...xojns
--
From: [EMAIL PROTECTED]
To: "passenger side" [EMAIL PROTECTED]
Subject: Re: Doo Rag
Date: Wed, Apr 21, 1999, 5:25 PM
It's a bit long to post here, but there's a nice piece on Tom Waits
that can be found in this week's "LA Weekly" at
http://www.laweekly.com/ink/99/22/music-lloyd.shtml.
--Jon Johnson
[EMAIL PROTECTED]
Kurt Cobain by a country mile. There are very few things Rolling Stone gets
right but this is one of them.
--
From: [EMAIL PROTECTED]
To: "passenger side" [EMAIL PROTECTED]
Subject: Re: Artist of the Decade?
Date: Wed, Apr 21, 1999, 6:48 PM
In a message dated 4/21/99 3:00:28 PM Pacific
[EMAIL PROTECTED] wrote:
My husband loves Trout Mask Replica to this
day; still goes over my head though.
William Cocke wrote:
I just put Moonlight on Vermont on a mixed tape and damn if
it didn't work perfectly. Some of the most whacked out skronky shit ever
recorded. I still can't listen
At 10:28 PM 4/21/99 -0700, Jerry wrote:
I found Nirvana to be way to raw and underproduced for my liking
Jerry, Jerry, Jerry. As someone who also appreciates big production, let
this fellow traveler just reassure you that Nevermind, despite the culty
punk expectations it carries, was...PRODUCED
For you New England types...
-Original Message-
From: Bluegrass music discussion. [mailto:[EMAIL PROTECTED]] On
Behalf Of Kevin Lynch
Sent: Thursday, April 22, 1999 10:40 AM
To: [EMAIL PROTECTED]
Subject: Podunk Fest "email flyer"
Here's an email flyer for those of you recently
Sorry for the off-topic post, but
I need to decode some email attachments. I know there's
FreeWare out there
for this purpose. Anyone know where I can
find it? I use a PC.
Off-list replies, please!
Thanks,
marie
[EMAIL PROTECTED]
On Wed, 21 Apr 1999, Terry A. Smith wrote:
pps it's been a great week; discovered via the library, Solomon Burke and
Lloyd Price. How'd I ripen into my 40s without having heard these guys?
Mysteries of life.
Yeah, right -- it's 'cuz you live in that cultural backwater known as the
American
On Wed, 21 Apr 1999 [EMAIL PROTECTED] wrote:
I want to add that I hope Mike is right with his observation that some
country stations are leaning towards actually playing country music again.
I had to stop the other day to find out what song was playing on a local
station cos it sounded
I just heard an advance of the CD and it rocks.
--
From: Kim Jensen [EMAIL PROTECTED]
To: passenger side [EMAIL PROTECTED]
Subject: Re: Townes "Far Cry from Dead"?
Date: Wednesday, April 21, 1999 10:18 PM
This is a record coming out on Arista/Austin very soon. They were songs
Kate:
Here's what you missed if you weren't at JD's! Both were excellent, but,
Bruce's songwriting and singing is killer. "Desperately" still being my
favorite on "Wrapped." Kelly dipped back into her repertoire for "River of
Love" (shout from moi!) which she said they hadn't been doing for
Saw that Radney is playing in NYC next week. Several questions come
to mind:
-is this in support of a new album?
-is this an industry gig to get re-signed?
-any idea who his band is?
Thanks,
John
___
Get Free Email and Do More
[EMAIL PROTECTED] wrote:
Turned out to be the latest
Dixie Chicks single. Anyone else heard that one?
And Don said:
I haven't heard it yet, but I love Joy Lynn's version of it.
As a Joy Lynn White fan who doesn't listen to the Dixie Chicks (or radio in
general, except NPR),
On Thu, 22 Apr 1999 [EMAIL PROTECTED] wrote:
As a Joy Lynn White fan who doesn't listen to the Dixie Chicks (or radio in
general, except NPR), I'm curious - what song are we talking about?
"Tonight The Heartache's On Me"
A Captain Beefheart subject heading on P2. I've been hoping that this
day wouldn't
arrive. It must be some kind of sign. And not a good one.
[Matt Benz] And Marie wins the best Dave Purcell rant award,
tho we could've used a few more profanities, ma'am.
I want to add that I hope Mike is right with his observation that some
country stations are leaning towards actually playing country
music again.
I had to stop the other day to find out what song was playing on a local
station cos it sounded almost "alt.country." Turned out to be the
Remember, what drives the format (like any other commercial one) is ratings,
which, it has been pointed out (most recently by Mike Hays), have been going
down, especially for HNC-oriented stations, as their target audience grows
disaffected. The obvious remedies for station owners are 1) abandon
TNN also has Bob Wills feature at 8 p.m...
That's EDT, BTW. It's a rerun of the Life And Times Of show, and it's
pretty good.
Jon Weisberger, Kenton County, KY [EMAIL PROTECTED]
http://home.fuse.net/jonweisberger
A Captain Beefheart subject heading on P2. I've been hoping that
this day wouldn't arrive. It must be some kind of sign. And not a
good one.
[Matt Benz]
tho we could've used a few more profanities, ma'am.
Well, I'm a lady, damnit. Cut me some slack. g
marie
In all fairness I should give Summer Teeth a good listening before passing judgement
BUT many of the songs Monday night in concert seem to be mere exercises in pop song
writing.
New material is hard enough to get across to an audience but IMO when pop doesn't rock
it can easily flat. And
Woo Hoo!
Sunken Road will be warming up for Alejandro Escovedo on Friday, April 30 at
the Magic Stick (4120 Woodward, Detroit, 313-833-9700). Tix available
through Ticketmaster, blah, blah, blah.
Any Qs, you can contact me.
Mitch Matthews (still floating on a cloud)
Gravel Train/Sunken Road
Sorry to disagree with Marie, but Captain Beefheart and His Magic Band rocked my
little part of the world in their own peculiar way. One of the first CDs I bought was
"Trout Mask Replica", mostly to replace the LP that had grown scratched and worn.
I do agree that most of his later output was
http://www.nashscene.com/cgi-bin/articles.pl?browser=netscaperequest=Thi
s_Week:Music:Industry
The Virgin King
Scott Hendricks talks about life after Garth
By Beverly Keel
On a rainy Wednesday morning, a relaxed, denim-clad Scott Hendricks eases
into his morning of interviews and phone
-Original Message-
From: Jeff Sohn [SMTP:[EMAIL PROTECTED]]
Beyond the unfamiliarity factor, the audience simply wanted the old
Wilco back. Even the Mermaid Avenue constitutes as old Wilco these
days. Not to say that the crowd didn't respond positively to some of
ST but when the
http://www.nashscene.com/cgi-bin/articles.pl?browser=netscaperequest=Thi
s_Week:Cover_Story
Would You Trust This Man With a Record Company?
Christian music iconoclast Steve Taylor finds unexpected mainstream
success
By Rob Simbeck, photos by Ben Pearson
Steve Taylor may not be the last
Man, I can't even find the words to express how much I hate
Beefheart. I know hate is a strong word, but it's really not
strong enough.
Marie
Captain Beefheart was and is a unique character.
Brad
If nothing else, Captain Beefheart paved the way for his musical superior,
Tom Waits. Or, maybe I
here's the piece Don's talking about:
Ruminations on SXSW '99 and the "Alt.Country" phenomenon from an insiders
perspective (and no, it's not me) :
Well another SXSW has come and gone. And sure I saw a few good bands and
hung out with old friends, but overall I am left with a really bad taste
If you were to ask any hard working country musician the difference they
would tell you its all about the sincerity of the performer. Any 99%
percent of these bands got no heart.
And this is the only part of the anonymous diatribe that I might disagree
with, or at least amend. It's not
Jon J. clipped, I snipped:
Scott Hendricks
Ironically, Hendricks had every reason to think that he and Brooks might
get along. "I mistakenly believed that there was something common there
because we grew up 50 miles from each other," he remembers. "We used to
play each other's high school
Another twangy Margasak column.
http://www.chireader.com/hitsville/990423.html
Pop Goes the Country
Mandy Barnett grew up in Cumberland County, Tennessee, and by age ten
was singing her summers away at Dollywood. She entertained at political
rallies for both Lamar Alexander and Al Gore, hit
Mark Rubin spit:
These "alt-country" showcases were packed with scenesters dressed
up like they were going to a Hee-Haw theme party. Women in
pig-tails and guys in spray painted straw hats that would surely
get their asses kicked in an actual honky-tonk.
Funny...I was at a real country
On Thu, 22 Apr 1999, Dave Purcell wrote:
Nice rant, Mark.
Just to clarify, it wasn't written by Mr. Rubin (or so he sez, and I don't
see any reason to doubt him). He attributed it to an anonymous
"insider."--don
Yeah, Don I can agree with most of this critique in general terms,
until we get to the sincerity bit. As I've said so many times, the
"sincerity" argument never gets it for me. But I'm certainly all for
more musicianship and less scenester 'tude
--junior
On Wed, 21 Apr 1999, Terry A. Smith wrote:
pps it's been a great week; discovered via the library, Solomon Burke and
Lloyd Price. How'd I ripen into my 40s without having heard these guys?
Mysteries of life.
Then Don:
Yeah, right -- it's 'cuz you live in that cultural backwater
Don Yates wrote:
On Thu, 22 Apr 1999, M Rubin wrote:
Just added an essay on the "Alt.Country" showings at the recent SXSW
conference on my homepages, in case anyone was interested.
http://markrubin.com
Y'all might do well to check out that provocative li'l essay. It brings
up the
I've got to say, though, I like "Who (who will it
be)" the best. Is that an old tune?
With a co-publisher named "Twenty Second Century Music," I doubt it g.
The definite oldies are "I've Got A Right To Cry" (Hank Jr.), "Give Myself A
Party" (Don Gibson), "Trademark" (Carl Smith), "Falling,
In a message dated 4/22/99 12:57:37 PM Central Daylight Time,
[EMAIL PROTECTED] writes:
But I did want to ask, seriously, which tunes on her new record
are the classics and which are the newly written ones...I've got to say,
though, I like "Who (who will it be)" the best. Is that an old
Hey all:
Owen here, from Ranchero Records and Red Meat. We're back from our
Midwest/Southeast jaunt, and we had a great time. It was nice to meet some
people from the list; thanks for coming and checking Red Meat out.
And thanks especially to Kelly Kessler, who had us play her "Honky Tonk
I don't really think the guy had to name names, he certainly said enough
to identify who he was talking about. Obviously not a big fan of
insurgent/punk attitude.
I would have to agree for the most part. ALthough there seems to be a
market for this stuff . . . so some fans are diggin' it.
Bill Silvers says:
Like I said about pop music last week, there's always a lot more
mediocre or worse bands than good or great ones. Do those bands,
in whatever genre, drag that style of music down for the other
people playing it? What makes "the roots music movement" different?
Anonymous
Red Meat do Atlanta:
And that Atlanta show...fun fun fun! We played with the Ex-Husbands, who I
never had heard before. And they absolutely rocked -- a fantastic band! If
you live in the Southeast and haven't seen 'em, by all means go! Now! Now
if we could just get them to come out
In a message dated 4/22/99 1:18:02 PM EST, [EMAIL PROTECTED] writes:
"Who" and "The Whispering Wind," both cowritten by l. russell brown (of
"tie
a yellow ribbon" fame) and pat mclaughlin, are the only two new ones on
barnett's album.
"Whispering Wind" is killing me, currently the
Hi, sorry to bother everyone, but I was wondering again if anyone has an
extra ticket, or two, for this show...???
Please e-mail me if so. I can pay whatever.
love,
A/D
[EMAIL PROTECTED]
On Thu, 22 Apr 1999, Jon Weisberger wrote:
I've got to say, though, I like "Who (who will it
be)" the best. Is that an old tune?
With a co-publisher named "Twenty Second Century Music," I doubt it g.
The definite oldies are "I've Got A Right To Cry" (Hank Jr.), "Give
Myself A Party"
On Thu, 22 Apr 1999, James Gerard Roll wrote:
I don't really think the guy had to name names, he certainly said enough
to identify who he was talking about. Obviously not a big fan of
insurgent/punk attitude.
Perhaps. But the writer also made clear that combining country and rock
isn't
[Matt Benz] Ok, but how is this different from how audiences typically
respond to an act that has several albums to its credit? Isn't the history of rock
music littered with stories of bands trying to do
something they find artistically different and pleasing, only to have the audience
In a message dated 4/22/99 1:30:26 PM EST, [EMAIL PROTECTED] writes:
*Someone* here has to know who did the
Boudleaux and Felice song ("Don't Forget To Cry").
Beck?
David Cantwell wrote:
At 12:04 PM 4/22/99 -0400, Jon wrote:
I've heard it. It's a good, straight country shuffle; "nothing 'alt' about
it" is right - you can hear a dozen or two like it any Saturday night on the
Grand Ole Opry, and that's not a criticism. It will be interesting to see
They'll be out west soon enoughwe promise.
-Original Message-
From: Ph. Barnard [EMAIL PROTECTED]
To: passenger side [EMAIL PROTECTED]
Date: Thursday, April 22, 1999 2:29 PM
Subject: Re: Back in San Fran
Red Meat do Atlanta:
And that Atlanta show...fun fun fun! We played
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