Re: [313] in an attempt....
Alrighty I'll join in on this. In no particular order... Mano Calda Move Clap Stomp Test Pressing Neanderthal Caveman/Cavewoman White Exit Strategy Sleepwalking Intrinsic Design Didier Sinclair Lovely Flight Eukahouse Christian Bloch Checkmate Deep Night Essentials Gideon Jackson Hardcore PlayerWiggle Whatever Girl I know You CanWhite Jeff Mills Jet SetPurposemaker V/A Te Hau / Te Anuanua Taka Ubu Pixels Shaboom And one more for good measure;) Essa Under ConstructionPaper Recordings See y'all at DEMF=) m*
Re: [313] in an attempt....
to get everyone off the whiny why aren't they playing posts and wasting bandwidth. i'm starting a new topic. what's your top ten right now? ..y'all can't ball. In no order... The Allenko Brotherhood Ensemble- Yoruba Road (Komet) Dan Curtin- Pregenesis (Elypsia) Warp Dub Sound System- God Said (Prescription) The Parallax Corp- Burning Ignorance (Viewlexx) Faceball 2000- La Patinoire EP (Versatile) Pepe Bradock- 9 Millions Pintades (Atavisme) Convextion- Venus in Spurs (Tektite) Luisine ICL- Freak (Hymen) Atom Heart- Hard Disk Rock (Rather Interesting) Dubble D- Drummernauts (20:20 Vision) - This message was sent via the Ulsternet webmail system. http://www.ulster.net
Top 10
Have to make a correction to my top ten, the Primevil record is by dan simmers and is called 'Sharing Grooves' not 'The Groove'. And the seasons record I bought was remixes of the 2nd Shift track by Freaks and Carter (pretty sick!). On a side note, kinda OT but does anyone have any info on a label called Lask, I have the first record and it's pretty nice. Now to turn things back to Tha'D, can anyone ID a track, the only place where I've heard it is on a TrackMode record by Rick Wade (I'm pretty sure it's a Rick Wade track), it's a double pack and the track it's in is called Rick Wades MegaMix, the only way I can describe it is that it has this piano rift with effects that just keep repeating the same chords except changing key every now and then, really groovy track. Anyone have any idea's, I know the description is kinda vague, but. any takers?? Thanks all... MM _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] in an attempt....
y'all can't ball. jurrasic 5, right? my 10 (and hey, im unemployed so no fresh tunes for a while...) suburban knight noctorbulus behavior kool keith living astro rahzel all i know dan curtin track 13 laurent garnier the force dead prez im a african bandulu crisis don gwan roni size/reprezent system check andrea parker melodious thunk autechre bass kadet or yeah, if anyone out there needs a web or games project manager with obvious good taste in music give me a call;) peace, tim - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org; Rob Theakston [EMAIL PROTECTED] Sent: Friday, April 20, 2001 1:06 AM Subject: Re: [313] in an attempt to get everyone off the whiny why aren't they playing posts and wasting bandwidth. i'm starting a new topic. what's your top ten right now? ..y'all can't ball. In no order... The Allenko Brotherhood Ensemble- Yoruba Road (Komet) Dan Curtin- Pregenesis (Elypsia) Warp Dub Sound System- God Said (Prescription) The Parallax Corp- Burning Ignorance (Viewlexx) Faceball 2000- La Patinoire EP (Versatile) Pepe Bradock- 9 Millions Pintades (Atavisme) Convextion- Venus in Spurs (Tektite) Luisine ICL- Freak (Hymen) Atom Heart- Hard Disk Rock (Rather Interesting) Dubble D- Drummernauts (20:20 Vision) - This message was sent via the Ulsternet webmail system. http://www.ulster.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
New Tracks
Greetings All, Please forgive my non-participation in the list lately. The work demon has given me no peace :-). However, I do have two new tracks to make up for my lack of participation. The first is called Morticia, which is a slow and spooky track along the lines of Hallucination LXV. The second I finished quite some time ago, but haven't announced. It's called Foundation, and is a bit more dancefloor oriented. I would appreciate it if you could take a minute or 13, and check the new tracks out. Also, I now have a new website as mp3.com decided to charge a premium price for slack ass service: http://www.ampcast.com or http://www.assasins.net thanks! jim
Re: [313] tech-no at DEMF?
The thing about an arts or music festival is this: a festival has sponsors, organisations big and small. Some sponsor the festival because they want their brand associated with a cultural event, some just want to support it for what it is. Festival programs are chosen by festival director/s, not by sponsors. Artists may indicate their availability and their desire to attend, but ultimately inclusion in an arts festival program is by invitation only. As with most other arts festivals of merit there are those that agree/disagree with the program and creative direction. There will always be dissatisfied parties. I don't think this particular situtation you have described should be labeled a 'diss' - it sounds like the promoter in this case has misread the situation. Sponsors are *not* entitled to co-directorship of the program. This is distinctly different to a conference, for example. I think it is wise for the organisers to refrain from entering into these kind of partnerships, no matter who is proposing them. Like everybody else I have my wish list of performers who haven't been invited (Dan Curtin just for one example) - good news is that those who are fans of the djs being discussed in this thread will see them at the afterparty. I don't see how it would be possible to represent every act or dj who is 'good'. The list goes on and on, there are many contributors along the way. What is offered at DEMF is just a slice of that. Like it or not, as creative director, Carl Craig gets to choose what slice we see. That's what a festival is all about.. tofugirl I believe there was some offer of sponsoring a stage as part of the package as well. So much for total diversity as a bunch of seriously pro level techno gets dissed! D [EMAIL PROTECTED] wrote: It seems they were willing to let the person in question sponsor a stage, but would not let him have control over who would be appearing on the stage. Am I the only one who was extremely happy when he read this? No compromise. Otto
top ten
alright, hey, i'm bored, i'll bite. soul providers - set me free - elan t-kolai - exodus - ibadan chris lum and jay-j - give it up - chez kot - finally - distance a tribe called quest - bonita applebum (house mix) - white blaze - how deep is your love - life line michelle weeks - by your side - (uhh, some french label maybe?) addvibe - brothers - dfr copyright - one track mind - soulfuric and that new missy elliot song. go timbaland! -eli p.s. hi to anyone on the list i haven't written to in awhile. :)
Re: [313] top ten
whoa...i forgot the missy/timbalnd track...that rocks. its insane. for a pop record. - Original Message - From: Eli Bingham [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, April 20, 2001 3:06 AM Subject: [313] top ten alright, hey, i'm bored, i'll bite. soul providers - set me free - elan t-kolai - exodus - ibadan chris lum and jay-j - give it up - chez kot - finally - distance a tribe called quest - bonita applebum (house mix) - white blaze - how deep is your love - life line michelle weeks - by your side - (uhh, some french label maybe?) addvibe - brothers - dfr copyright - one track mind - soulfuric and that new missy elliot song. go timbaland! -eli p.s. hi to anyone on the list i haven't written to in awhile. :) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] top ten
I've always said Missy Elliott and Timbaland were techno - check out Talking On The Phone on Timbaland's Tim's Bio LP, where she goes off about aliens and that beat! Very Model 500 type song. On point!! whoa...i forgot the missy/timbalnd track...that rocks. its insane. for a pop record.
RE: [313] in an attempt....
1 - 8. Amnesiac - Radiohead tut-tut Nathan, I hope you are going to buy this when its released in a couple of months ;-`) Respect JasonB (throwing stones from my glass house)
Re: [313] tech-no at DEMF?
To state the obvious: why source these guys when you have Alan Oldham - in town? An originator of this sound and from Detroit? The Last DJ On Earth *still rocks* my stereo. Just to throw this out there, did anyone else know that for no more than the price of air fare the DEMF was offered Joel Mull, Cari Lekebausch, Mistress Barbara, Christian Smith, Marco Corola, and a handful of others, and they said they had absolutely no interest? I could be wrong about this next part, but I believe there was some offer of sponsoring a stage as part of the package as well. So much for total diversity as a bunch of seriously pro level techno gets dissed! -
Re: [313] tech-no at DEMF?
I am sure he would be familar to a point, but I can't imagine that he has everything Marco ever did. Think about it: those guys are cool, and I support them, but do they fit into the tradition that the DEMF is supposed to represent? I would so much prefer to see the original guys from Detroit who broke this sound at a DEMF and who haven't really been represented, with the excepion of Basic Channel from Germany. The festival should have its own identity not be a Sonar 2 (and believe me I would love to go to Sonar). Anyway, I understood that Marco and Christian were going to be in town - check out Christian's web site. Cheers Cyclone I guess, that Carl Craig didn't know who Marco Carola was??? The US booking contact for Marco told me that they offered Carola and some other well know swedish-type techno artists and Carl Craig was not familiar.
Re: [313] top ten
Speaking of current hip hop meets electro (esp. Kraftwerk/Model 500) did anyone peep Big Booty Express on Jay Dee's Welcome to Detroit? Check it out, if you haven't. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com http://jump.to/iowacityunderground I've always said Missy Elliott and Timbaland were techno - check out Talking On The Phone on Timbaland's Tim's Bio LP, where she goes off about aliens and that beat! Very Model 500 type song. On point!! whoa...i forgot the missy/timbalnd track...that rocks. its insane. for a pop record. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tech-no at DEMF?
To state the obvious: why source these guys when you have Alan Oldham - in town? An originator of this sound and from Detroit? The Last DJ On Earth *still rocks* my stereo. to state the even more painfully obvious, why don't you throw your own damn electronic music fesitval? then you can book dee jay tee one thousand all you want! alternately, you could stay home. originate this, chris
Tore Kroknes
Not directly related to 313 but I'm sure that some of you have his records: Tore Kroknes aka Erot (Svek Records) http://www.svek.com/ passed away in Oslo over the Easter weekend. I know that I love his Two Songs for Annie EP... beautiful deep house. MEK _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: [313] tech-no at DEMF?
Can I ask why you are singling me out for a fairly innocuous statement and humiliating me publicly? Like, I think I have been fairly supportive of the festival - I am exceedingly happy with the line-up and concept as it stands. I have hooked up many things for different artists over the years, from tours to remixes, and been very generous with my time to help everyone from kids to demos, to promoters. I am totally in favor of the festival. What is your problem? I would like to know? Cheers Cyclone -- From: [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: [313] tech-no at DEMF? Date: Fri, 20 Apr 2001 1:02 PM To state the obvious: why source these guys when you have Alan Oldham - in town? An originator of this sound and from Detroit? The Last DJ On Earth *still rocks* my stereo. to state the even more painfully obvious, why don't you throw your own damn electronic music fesitval? then you can book dee jay tee one thousand all you want! alternately, you could stay home. originate this, chris - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tech-no at DEMF?
Can I ask why you are singling me out for a fairly innocuous statement and humiliating me publicly? is it really that humiliating to be flamed on an internet mailing list? It's happened to me hundreds of times in the short while that i've been active on this list! It's the norm, really. Just because your opinions align closely with the majority of the active posters on here doesn't mean it won't happen to you.
RE: [313] in an attempt....
Frank Bertschneider - Curve - Mille Plateaux Various - Futuristic Experiments 3 - Background Lazyfish - Falling - Trapez SCSI-9 - II - Force Tracks Blaze - Natural Blaze - Lifeline Mike Grant - And then it was my turn... - MG Various - Putting the Morr Back Into Morrissey - Morr Music Dzihan Kamien - Freaks Icons - Couch Memento (yeah, its a film. So what?) Erykah Badu - Baduizm Live Lee Perry the Upsetters - Bashment ...Oh yeah, and that bloody Manfred Mann song that has now lodged itself in my brain, dammit. Respect JasonB
Re: [313] tech-no at DEMF?
Just to throw this out there, did anyone else know that for no more than the price of air fare the DEMF was offered Joel Mull, Cari Lekebausch, Mistress Barbara, Christian Smith, Marco Corola, and a handful of others, and they said they had absolutely no interest? I could be wrong about this next part, but I believe there was some offer of sponsoring a stage as part of the package as well. So much for total diversity as a bunch of seriously pro level techno gets dissed! I think it has more to do with the person who was in charge of this. And his plan to take over the world. but that is just what i think. andy
Re: Re: [313] tech-no at DEMF?
I sure hope not, NYC people just don't know how to party so it would be a wash.(and i'm talking born here NY'ers) Nobody knows having a good time better than midwesterners. I could see Chicago. dave Actually I have heard a lot of talk about Chicago, although on a smaller scale, doing a festival or their own this summer. andy
Detroit Techno City
is the Missing Channel track on the Various Artists Detroit Techno City good? is it a repress of something hood did on hardwax? ryan _ Get your FREE download of MSN Explorer at http://explorer.msn.com
test [ignore]
goa way.
RE: [313] tech-no at DEMF?
Obviously the fame and fortune from designing list t-shirts has caught up with him. Ego is a dirty word. Respect JasonB -- From: Cyclone Wehner[SMTP:[EMAIL PROTECTED] Sent: Friday, April 20, 2001 11:02 AM To: [EMAIL PROTECTED] Cc: 313 Detroit Subject: Re: [313] tech-no at DEMF? Can I ask why you are singling me out for a fairly innocuous statement and humiliating me publicly? Like, I think I have been fairly supportive of the festival - I am exceedingly happy with the line-up and concept as it stands. I have hooked up many things for different artists over the years, from tours to remixes, and been very generous with my time to help everyone from kids to demos, to promoters. I am totally in favor of the festival. What is your problem? I would like to know? Cheers Cyclone -- From: [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: [313] tech-no at DEMF? Date: Fri, 20 Apr 2001 1:02 PM To state the obvious: why source these guys when you have Alan Oldham - in town? An originator of this sound and from Detroit? The Last DJ On Earth *still rocks* my stereo. to state the even more painfully obvious, why don't you throw your own damn electronic music fesitval? then you can book dee jay tee one thousand all you want! alternately, you could stay home. originate this, chris - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tech-no at DEMF?
- Original Message - From: [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Cc: 313 Detroit 313@hyperreal.org Sent: Thursday, April 19, 2001 11:23 PM Subject: Re: [313] tech-no at DEMF? Can I ask why you are singling me out for a fairly innocuous statement and humiliating me publicly? is it really that humiliating to be flamed on an internet mailing list? It's happened to me hundreds of times in the short while that i've been active on this list! Before you rail on someone on this list - realize that you very well may f*ck up their whole day, when they had nothing but good intentions. We are a diverse group with different opinions. We're here to discuss, which entails differences in opinions. If you've said your piece, leave it at that. There's no need to get offensive. It's the norm, really. Just because your opinions align closely with the majority of the active posters on here doesn't mean it won't happen to you. You didn't take it well when I singled you out. You got pretty damn huffy and with good reason. It wasn't fair of me to point my finger only at you *in public*. I apologized b/c it really wasn't a nice thing for me to do and we moved forward. The negativity does not improve our community at all. Offlist now. Tristan -- http://ampcast.com/phonopsia - Music http://phonopsia.tripod.com - Mixes, pics, thought, travelogue info [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
Re: [313] tech-no at DEMF?
At 11:23 PM 19/04/2001 -0400, you wrote: Can I ask why you are singling me out for a fairly innocuous statement and humiliating me publicly? is it really that humiliating to be flamed on an internet mailing list? It's happened to me hundreds of times in the short while that i've been active on this list! It's the norm, really. Just because your opinions align closely with the majority of the active posters on here doesn't mean it won't happen to you. err really? maybe flip the script bud. being flamed is one thing, being humiliated is another, and it shouldn't be tolerated anywhere, especially when it's for the sake of differening points, constructive criticism is fine, but to shout someone because you think different is oh so different. i've been on this list for close to 7 years now, and how many times have I been flamed, hmm.. maybe twice, humiliated - never. If you've been flamed so many times over a short period, that would identify to me that your ideas are the ones that don't align. r./ Benn [Royal] Glazier [EMAIL PROTECTED] http://www.royaltech.net phone: +61 (0) 413 316 618 mail: R720 Royal Exchange NSW 1225 Australia :house groove makes you move
Re: [313] tech-no at DEMF?
- Original Message - From: Batory, Jason Ego is a dirty word. Respect JasonB dood... the E in ChrisE stands for sExxE- ChrisE not Ego. Its an email list..not a serious heart attack. If one post on an emailing list ruins someones day. issues. Some of you fellers make me laugh. Lorie
Re: [313] tech-no at DEMF?
No kidding. People get ulcers about music discussion. It happens everywhere and I don't really understand it. Talking about T1000 is boring, and trying to figure out people's rationale is boring too. What I'd like to see is perhaps people reviewing some of these things on their top ten lists. Talking positively about music is what makes me not hit the delete key. n8 the last person who will never be a dj on earth. On Thu, 19 Apr 2001, Lorie R wrote: - Original Message - From: Batory, Jason Ego is a dirty word. Respect JasonB dood... the E in ChrisE stands for sExxE- ChrisE not Ego. Its an email list..not a serious heart attack. If one post on an emailing list ruins someones day. issues. Some of you fellers make me laugh. Lorie - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tech-no at DEMF?
On my part I apologise for not thinking out my post or expressing myself clearly on that occasion. I was trying to put another point of view - or put something in another context. I personally enjoy the other viewpoints on the list, even when and if I don't agree with them, it helps me get a sense of the bigger picture or even re-think my opinions, which is healthy for me. I was raised to respect other viewpoints and backgrounds and I do try to be relatavistic most of the time (OK, except when Moby comes up) and veer away from anything personal - I think that is key. I want to be very clear on the fact that I am very happy and excited about the DEMF line-up and very much looking forward to it. It was not my intention to criticise it in any way. I understand the concept and respect it. I also enjoy many of the artists who may not be on the DEMF whose names come up. Sometime this weekend I will offer a detailed post with some new release info to make up for the inadvertently vacuous content of this. It's all good Chris. Hopefully we have a new respect and understanding of where we are coming from now, corny as that sounds. Apologies to all once again.
Re: [313] sender berlin
Thorsten Litschko (Stassy) Hendrik Vaak (DJ HendriX) to be excact ;) (and you misspelled litschko) well, shame on me :-), where were you hiding, because im really stay in touch with tresor, and first time i heard about you is here on list. not now its about year ago.) b.
numerous threads at once (swedes, t-1000, top 10, st germain)
OK... 1. No swedish techno... no big loss... these guys have seen they're day in the sunshine, and now it's time to move on... They've played tons of raves in the US over the past 3-6 years and all... There's no need for them at the DEMF... Lekebusch is better as Mr. James Barth and his early stuff on Harthouse (sweetypie was kick arse), Hybrid (Vet Dom), and loop was quite good, not his current I want to be Adam Beyer style, and Mull packs some emotion in his stuff on Inside, but other than that the repetitive - mechanical, beyer, carolla, parisio thing had it's day I think... back to emotion, expression, and innovation I say Look at the number of Drumcodes in comparison to the number of planet E, or axis, or KMS releases over the past four years It was all a get rich quick scheme, not art... The parisio ART records are pretty good though... 2. T-1000 Good DJ, not playing the DEMF unfortunately... Oh well, lets move on... 3. Top ten 1. Telex - Moskow Disko (orig. and CC remix [is the Designer music remix avail. on vinyl??? I want it!!!]) 2. Fela Kuti - No Agreement 3. Agent X - In the Morning 4. Rainer Maria - Look now look again 5. L'uomo - Vocalcity 6. Phono records Compilation - The end of the beginning 7. Los Hombres Calientes - New Conga Square 8. Expose - Point of no return (freestyle kicks a** [sentimental]) 9. Del the funky Homosapien - Both sides of the brain 10. Japanese Telecom - Cigarette Lighter 4. St Germain show at St. Andrews... Very very very good... Couldn't stop moving... I'm so glad I made it, and enjoyed myself thoroughly... I thought it was great that Navarre let the musicians be the show... It was a real classy evening... any comments Goodnight... - sb One Ear to the Ground Communications http://www.totheground.com (Coming Soon!!) AIM: sbtotheground
ten records
not necessarily my top ten, I'm just going to flip through my crates and see what comes up. cylob - living in the 1980s - rephlex laid back - white horse - sire dub taylor - i can't (fall in love with another one) - force tracks giovani and mosler - vol 2 - ?? (anyone know who this is?) dr. rockit - cafe flore 12 - lifelike (second side skips! grr!) slam - past sessions/future theories comp - soma riley and clay - red light express - bush plus 8 classics 2x12 matthias schaffhauser - lido hotel - force tracks daft punk - one more time - virgin (?) i don't own this, but sadly enough i'm tempted to go buy it... damn thing keeps coming up on my playlist at work and gets stuck in my head! plus any other good electro/house/techhouse/not-so-drummy techno you might like. the cd and/or mp3 collection is a whole other story, though. chris
Re: [313] Lask
Myke Mitchell wrote: On a side note, kinda OT but does anyone have any info on a label called Lask, I have the first record and it's pretty nice. Lask is Joel Mull's label, but that's about all I know. I have one or two releases on Lask and they're quite good. Of the Swedish techno labels, this and Inside are the ones I (still) check out if I see them. In a fairly similar vein, the Jericho label from the UK has some quite good stuff, particularly some of Jel Ford's own tracks. BTW, I've read somewhere that the Icarus - 'Nightfly' release was by Steve Rachmad, but I wasn't too hot on that one. Otto
first mixer is fernando grasso
Well it just happens that the pioneer died a few days ago...so I'll FW this info about the first mixer Francis Grasso, a pioneering club disc jockey credited with first mixing records together in the late 1960's by matching their rhythms, was found dead on March 23 at his home in Brooklyn. He was 52. The cause is unknown, pending results of an autopsy. Mr. Grasso was born in Brooklyn and, at an early age, discovered a talent for music, playing drums, guitar and saxophone. After he was injured in a motorcycle accident, a doctor told him that dancing would be a good form of physical therapy and soon he was a fixture on the Manhattan club scene. In 1968 at a Central Park club called Salvation 2, Mr. Grasso went behind the turntables for the first time when the club manager asked him to fill in for the house D.J., who was ill. Soon, Mr. Grasso had the job. With an understanding of the psychology of the dance floor, he slowly began to retool the job of the D.J. As he saw it, his job wasn't simply to play records, it was to keep the crowd on the dance floor. The best way to do that was to make one song seem to stretch on forever, without a break. This helped create the notion of the disc jockey as artist and live remixer. Working with two seven- inch singles, at first he would start a new song on the same beat that ended the previous song (by holding the record still as the turntable spun below it, a technique known as slip- cueing). Later, he began matching the beats of records, trying to keep two songs playing simultaneously for as long as possible, which was an extremely difficult task since most turntables then lacked conveniences like pitch control. One of his best-known tactics was his simultaneous playing of percussion-heavy songs, like Chicago Transit Authority's I'm a Man, with sexually charged vocals, like Led Zeppelin's Whole Lotta Love, anticipating the rise of disco. Mr. Grasso developed and refined many of these techniques when he moved his headquarters to Sanctuary, a hedonistic club in Hell's Kitchen, and presided over the dance floor there until it was closed by city authorities in 1972. In 1971 the movie Klute featured a scene with Mr. Grasso working at the Sanctuary. When the club closed, he worked as a D.J. off and on until 1981, when he left the profession for good and found a job working in construction. Jay.Cee Jay.Cee Jay.Cee
Re: [313] Lask
I thought Icarus was Joel Mull... At least the first Icarus release on Jericho was... I'm really sure of that... - sb One Ear to the Ground Communications http://www.totheground.com (Coming Soon!!) AIM: sbtotheground - Original Message - From: Otto Koppius [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, April 20, 2001 3:22 AM Subject: Re: [313] Lask Myke Mitchell wrote: On a side note, kinda OT but does anyone have any info on a label called Lask, I have the first record and it's pretty nice. Lask is Joel Mull's label, but that's about all I know. I have one or two releases on Lask and they're quite good. Of the Swedish techno labels, this and Inside are the ones I (still) check out if I see them. In a fairly similar vein, the Jericho label from the UK has some quite good stuff, particularly some of Jel Ford's own tracks. BTW, I've read somewhere that the Icarus - 'Nightfly' release was by Steve Rachmad, but I wasn't too hot on that one. Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Lask
Hi Scott, I thought Icarus was Joel Mull... At least the first Icarus release on Jericho was... I'm really sure of that... It's very well possible. I read about Steve Rachmad on the website of a Dutch mailorder/recordstore, where it was described as a Steve Rachmad production, so they might have been patriotic :) Cheers, Otto
test
delete
Re: [313] Lask
icarus is joel mull - Original Message - From: Otto Koppius [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, April 20, 2001 8:22 AM Subject: Re: [313] Lask Myke Mitchell wrote: On a side note, kinda OT but does anyone have any info on a label called Lask, I have the first record and it's pretty nice. Lask is Joel Mull's label, but that's about all I know. I have one or two releases on Lask and they're quite good. Of the Swedish techno labels, this and Inside are the ones I (still) check out if I see them. In a fairly similar vein, the Jericho label from the UK has some quite good stuff, particularly some of Jel Ford's own tracks. BTW, I've read somewhere that the Icarus - 'Nightfly' release was by Steve Rachmad, but I wasn't too hot on that one. Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] in an attempt.... [way, way OT]
'Blinded By The Light' was actually written by the great Bruce Springsteen and as far as I'm concerned his rendition of it on 'Greetings From Asbury Park, NJ' is the definitive versions. Bruce rules. I thank you. ...Oh yeah, and that bloody Manfred Mann song that has now lodged itself in my brain, dammit.
RE: [313] in an attempt....more top tens
OK ill join this, got a bit if a hangover, its friday morning and its lunchtime soon...roll on... In no order at all... Ian Simmonds : Last States of Nature -- Great Jazz Drum Loop and Atmosherics Pete Namlook + Richie Hawkin : From Within -- Makes the space in my head bigger Fluxion : Vibrant Forms -- More head space listening Kenny Larkin : Metaphor -- love the last few tracks, jazzy electronica D style Black Dog : Bytes -- Its like looking back fondly at an old photograph Terrance Dixon : From the far future -- Dubby to Hard to Jazzy...Its all here Ian O'brien : Gigantic Days -- Jazz inspired Electronica Table Beat Science (Bill Laswell et al) : Tala Matrix -- Drum and Bass with loads of Indain Influences For lyrical intervention... Gil Scott Heron/ ?? Jackson : Winter In America -- so real it hurts Lewis Parker : Masquerades and Sillouettes -- Rapper on Massive Attacks Melankonic Label, Dark progressive rap.
Who is more reprehensible?
Fatboy Slim, or Moby? Actually, I wouldn't mind getting a critical review of Cook from this list. It seems the main problem with Moby is that he has ripped off every black artist to have ever existed by sampling some gospel, but Cook (to my limited knowledge of his repetoire) has only ripped off Jim and whoever did that Rockefeller Skank sample, and I don't think either are black. So can someone here gimme a critical reason why Fatboy is horrid, aside from hating him for his success. And don't forget that Jonze directs his videos and the new one stars Christopher Walken, that amazing!! Tosh
Re: [313] numerous threads at once (swedes, t-1000, top 10, st germain)
- Original Message - From: sb [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Friday, April 20, 2001 7:47 AM Subject: [313] numerous threads at once (swedes, t-1000, top 10, st germain) Lekebusch is better as Mr. James Barth and his early stuff on Harthouse (sweetypie was kick arse), Hybrid (Vet Dom), and loop was quite good, not his current I want to be Adam Beyer style, what? i personally don't really buy that many drumcodes and maybe a few more of the hp 12's but i do hear them all through the shop and lekebusch sounds like beyer like mills sounds like hawtin, don't just group these guys together just cos they have similar profiles, totally different sounds and have done for a few years now. and check out beyer's forthcoming house double pack on jerichoshould surprise a few on this list. , but other than that the repetitive - mechanical, beyer, carolla, parisio thing had it's day I think... back to emotion, expression, and innovation I say Look at the number of Drumcodes in comparison to the number of planet E, or axis, or KMS releases over the past four years It was all a get rich quick scheme, not art... The parisio ART records are pretty good though... the parisio art records are very good, you obviously haven't been listening to carola's question stuff? and check out ante-zenit obviously a get rich quick scheme with all of 300 copies of each release. planet e, axis, kms totally different kinda thing, they are music made to last. i think even the swedes would admit most of what they do is designed purely for the harder dancefloor pure and simple and they work. and does all music have to be art, personally i'd rather be on the floor at 2am surrounded by sweaty teenage girls than stood near the bar discussing the merits of using obscure 70's disco samples on the latest planet e release, 2. T-1000 Good DJ, not playing the DEMF unfortunately... Oh well, lets move on... please can we, the cd is alright but nothing special, loads of swedish style club trax mixed one after the other, hardly art. innercity 3. Top ten 1. Telex - Moskow Disko (orig. and CC remix [is the Designer music remix avail. on vinyl??? I want it!!!]) 2. Fela Kuti - No Agreement 3. Agent X - In the Morning 4. Rainer Maria - Look now look again 5. L'uomo - Vocalcity 6. Phono records Compilation - The end of the beginning 7. Los Hombres Calientes - New Conga Square 8. Expose - Point of no return (freestyle kicks a** [sentimental]) 9. Del the funky Homosapien - Both sides of the brain 10. Japanese Telecom - Cigarette Lighter 4. St Germain show at St. Andrews... Very very very good... Couldn't stop moving... I'm so glad I made it, and enjoyed myself thoroughly... I thought it was great that Navarre let the musicians be the show... It was a real classy evening... any comments Goodnight... - sb One Ear to the Ground Communications http://www.totheground.com (Coming Soon!!) AIM: sbtotheground - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Who is more reprehensible?
So can someone here gimme a critical reason why Fatboy is horrid, aside from hating him for his success. And don't forget that Jonze directs his videos and the new one stars Christopher Walken, that amazing!! Not another Moby Thread? Anyway, I'll put my 2 pence worth into this one, I'm sure I'll regret it Moby writes pleasant to listen to pop tunes. The are not ground breaking and they're not Techno. They're easy to pick up, and easy to put down and probably won't change your life due to listening to them. Fat Boy Slim makes dreadful music that sounds about 8 years old. He uses old samples from breakbeat records and does totally nothing to them. He's also so full of himself in magazine interviews and always seems to be the voice of dance music over here. He really gets on my t*ts. I have nothing against sampling, so long as something creative is done with it. I cannot stand this arguement about white artists not sampling black artists because it's a total load of racist c---.
Re: [313] numerous threads at once (swedes, t-1000, top 10, st germain)
paul wrote: and check out beyer's forthcoming house double pack on jerichoshould surprise a few on this list. Do you have any more details on when it's supposed to be out and what it's called? If it's anything like his Conceiled 1-4 EP on Svek, I'll almost buy it on sight. Otto
Re: [313] numerous threads at once (swedes, t-1000, top 10, st germain)
and does all music have to be art, personally i'd rather be on the floor at 2am surrounded by sweaty teenage girls than stood near the bar discussing the merits of using obscure 70's disco samples on the latest planet e release, Yeah true , but wouldn't it be cool if u could trainspot black disco samples in KDJ releases with heaps of teenage girls whilst on the dancefloor, but also with a drink in your hand. rc
RE: [313] Who is more reprehensible?
Fat Boy Slim makes dreadful music that sounds about 8 years old. He uses old samples from breakbeat records and does totally nothing to them. He's also so full of himself in magazine interviews and always seems to be the voice of dance music over here. He really gets on my t*ts. A dutch magazine asked him once how his new album gonna sound like and when it would be released. He seriously answered: I don't know that yet, i have to wait what the Chemical Brothers will do, i just copy their sound. Yeah well as long as he is happy with it... [EMAIL PROTECTED]
Re: [313] T.Barnett?
Thomas Barnett ( Visillusion Rec.) advanced the cause of techno by forming one of its most influential labels, Transmat, with Derrick May. Not long after Barnett began making music, he hooked up with May at Detroit's legendary club, The Music Institute. The two recorded Nude Photo, which launched the record company, but Barnett later left to go back to college. He continued recording while there, and upon his return from hibernation, released Unconscious World and Liquid Poetry on the Infonet label as Subterfuge Jose --- Counterforce - Lay [EMAIL PROTECTED] escribió: Haye! Who is he? I just got the name, does anyone have any info on him? Interviews, reviews, etc?. Thanks. Lay Unconditional Empowerment http://barkingcat.org/counterforce - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] ___ Do You Yahoo!? EnvÃa mensajes instantáneos y recibe alertas de correo con Yahoo! Messenger - http://messenger.yahoo.es
Re: [313] numerous threads at once (swedes, t-1000, top 10, st germain)
somtime next month, i'll check today and come back to you. paul - Original Message - From: Otto Koppius [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, April 20, 2001 10:37 AM Subject: Re: [313] numerous threads at once (swedes, t-1000, top 10, st germain) paul wrote: and check out beyer's forthcoming house double pack on jerichoshould surprise a few on this list. Do you have any more details on when it's supposed to be out and what it's called? If it's anything like his Conceiled 1-4 EP on Svek, I'll almost buy it on sight. Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Sueno latino
About Sueno Latino,big anthem of Balearic Beats from Ibiza,that track based on E2-E4 of Manuel Gottshing was composed in 1989 by Claudio Collino ( CGD Records.Italia)the original is excellent but don´t forget the remix of Derrick May,pure detroit techno. Jose --- Counterforce - Lay [EMAIL PROTECTED] escribió: Haye! Also, I did hear a track that Jeff Mills played over here a few weeks ago that sounded vaguely like another remix of the Sueno Latino riff, this time it was very electronic sounding ala Future Sound Of London - Lifeforms and had a major breakdown and buildup in the middle section (which had a long ambient section) Anyone have any idea what this could be? Sounds like Sueno Plutino, by PlutoManuel Gottsching. It's on a double CD compilation called HighwayLandscape, by Distance. But I'd appreciate info on the original Sueno Latino. Who's the author, lalbel, etc? Lay Unconditional Empowerment http://barkingcat.org/counterforce - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] ___ Do You Yahoo!? EnvÃa mensajes instantáneos y recibe alertas de correo con Yahoo! Messenger - http://messenger.yahoo.es
Re: [313] T.Barnett?
I can understand the anger because of the lack of credit for mr. barnett for creating transmat and being involved in a track like nude photo but let´s keep things in perspectiveso let´s seperate the discussions, how important is being credited for co-production and how much difference is there between nude photo and may´s later work...and how does this compare to mr Barnett´s work. no offence to mr. Barnett but let´s not make a myth out of this thing and make it a nice quote for some coffeetable book or sumtin 154
Nevermind about Norman Cook
I just listened to bits of his album from CDnow and heard lots of samples of black artists, so obviously he's reprehensible. Apologies for posing the question before I investigated myself. Tosh
Re: [313] first mixer is fernando grasso
Jochem Peteri: the person who is generally credited for being the one who invented dj-ing is kool herc I guess Thomas Edison could be credited as being the first DJ. Basically anyone who's played tracks after tracks with 2 turntables in the '20s, '30s or '40s can be that first person, but I believe Grasso was the first to actually beat-mix 2 records, as Jay Cee wrote: ...Francis Grasso, a pioneering club disc jockey credited with first mixing records together in the late 1960's by matching their rhythms.. -I don't know if any of the Rock'n'Roll or Blues DJs tried to match tempos in the 50's??? Kool Herc took the toasting tradition (from Jamaica) to U.S., and thus influenced the rapping culture familiar with the black population in the States. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Who is more reprehensible?
aww...c'mon, i hate the guy's music too, but that is SO obviously a joke. on 20/4/01 10:48 am, Jongsma, K.J. at [EMAIL PROTECTED] wrote: Fat Boy Slim makes dreadful music that sounds about 8 years old. He uses old samples from breakbeat records and does totally nothing to them. He's also so full of himself in magazine interviews and always seems to be the voice of dance music over here. He really gets on my t*ts. A dutch magazine asked him once how his new album gonna sound like and when it would be released. He seriously answered: I don't know that yet, i have to wait what the Chemical Brothers will do, i just copy their sound. Yeah well as long as he is happy with it... [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Adam Beyer (RE: [313] numerous threads at once (swedes, t-1000, top 10, st germain))
what? i personally don't really buy that many drumcodes and maybe a few more of the hp 12's but i do hear them all through the shop and lekebusch sounds like beyer like mills sounds like hawtin, don't just group these guys together just cos they have similar profiles, totally different sounds and have done for a few years now. and check out beyer's forthcoming house double pack on jerichoshould surprise a few on this list. talking about surprising stuff from Beyer... that's how I would qualify his excellent Protechtion album, for example, some of the tracks there are much more complex than what he is best known for ! Gwendal
Underground Committee Update/Mike Grant/Larry Heard
Underground Committee has had a facelift: Maybe you have already noticed, maybe you haven't, but Underground Committee went through some reconstruction. We have also added eight new archvives along with the new site design. Please take the time to enjoy our exquisite selection of Deep Underground Grooves. In addition we also have some news from Mike Grant owner of Moods Grooves as well as some Larry Heard updates. As always thank you for your support: Mike Grant head of Detroit's Moods Grooves records returns to his Black Noise guise (recording previously on Metroplex) for the launch of his new techno based label End to End records. This time working with another Kalamazoo resident, Therapy. End to End combines the best motor city funk with the soulful synth work that the D is renowned for. End to End seeks to be the most consistent label out of Detroit in a while. Who said Detroit doesn't make techno any more? Young Gifted Black Following the socially conscious title Young Gifted Black begins and concludes with a sample of social commentary lending the track a serious edge. The introductory speech segues into funky broken percussion and a central, intricate synth line. Influenced by the minimalism of Rob Hood and the hi-tech funk of Underground Resistance, filters and synth washes carry the track to a melodic crescendo. The driving bass beats and muted hi-end arrangements of Smoke Mirrors plow through dynamic rhythmic configurations. A murky, minimal synth lines slowly oscillates and shifts adding texture and building energy. Avoiding techno clichés Smoke Mirrors is a potent combination of world wide techno influences filtered through Detroit sensibilities - powerful enough to pummel any dance floor into submission. Scan 7 doesn't just say they are from Detroit they show it as they come back to the root with a new homegrown EP. Entitled Home Soil on Detroit's brand new End to End records it features mixes by Black Noise. The EP shows the many sides of the group starting with the rolling bass line and the energetic pace of How 'Bout Me; raw dance floor techno. Atmospheric deep techno describes Evasive Maneuvers, as a looming bass and strings give the track a haunted aspect. Finally, the journey is completed by the chord stabs and building synth lines from the darkness of Chosen Solitude. End to End 001 - Black Noise - Step into the Darkness End to End 002 - Scan 7- Home Soil Loves Arrival -The new album by Larry Heard... -Format[s] CD Vinyl. -Category: Adult-Dance, Soulful/Spiritual Deep House, Chill-Out, Jazz-Dance. -For more information check our website http://home.att.net/~alleviated/index.html -Check out our links News pages for information and other Web sites that might be of interest to you! if your favorite music retailer doesn't have it..ask them to get it for you [send them this email if they need additional help]. REMEMBERSUPPORT THE SURVIVAL OF THE MUSIC WITH YOUR RETAIL PURCHASES! -to buy- [coming soon!] For GLOBAL distribution information, contact Brett Dancer @ TrackMode Recordings, Inc. Email: [EMAIL PROTECTED] Web: http://www.trackmode.com Sound Signature Trackmode Recordings Presents: The Selection Talents of: Larry Heard (Alleviated Records Music) Kenny Dixon Jr. (KDJ Records) also: Kai Alce Rick Wilhite Brett Dancer Theo Parrish Sunday, May 27, 2001 5141 Rosa Parks Blvd. The Detroit Contemporary Gallery 12 a.m. - 7 a.m. Up now at http://www.undergroundcommittee.com in the archives section: RAY DILLA PRESENTS: - Essentials - Playlist: Ray Dilla 5.0 - Surrender - Sepia - Groove Box - Mike Huckaby - Deep Space - The Tellurians (Rainy City) - Somethin' Else - 2nd Shift - Always - Lisa Shaw - Do You Know House - Todd Gardner - Dream On Baby - Sarah Jane Morris - What Gets You By - 2nd Shift - Love Me Or Leave Me - Delicious Inc. - Missing You - Larry Heard - Soundz Melody - Glenn Underground - Stay The Night - Fresh Low - Broken House - Chessy D ( Bakehich EP #2) - Altered States - Ron Trent - Livin' for The Night - Playlist: Ray Dilla 6.0 - Baby Love - Casio - The Fog Is Behind - Racoon - Music Wine - Blue Six - People Came Runnin' - Taxi - Main Street - Soldiers of Twilight - Summer is Gone, Winter is Here - Mood Swing - True Love - Aquanote - Get Up - Amel Larrieux - Do It (It's Harder Than It Should Be) - Dolby - I Know - Tim Delux - Moody - Sessomato - Secret House - Maurizzio Ruggiero - I Feel For You - Bob Sinclair - Let's Go Disco - Southern Comfort - Warmth of The Soul - Playlist: Ray Dilla 7.0 - No More Excuses - Atlantis feat. Naomi Nsombi - Real Thing Wonderland - Frankie Feliciano - Airto - Charlie Watts/Jim Kelner Project - Africa Remixes - Meitz - Elevator - Jaffa (MAW Remixes) - Dengon - Richard Les Crees (Larry Heard Remixes) - So Many Things - Needs - Breakin' It Down - Petal Pusher - Window Pain - The Rurals - Sweet Girl Like Me - Original Soulboy - Space Funk Project Vol 2 - Bob Sinclair - American Eats Its Young - Nick Holder
Re: [313] test [ignore]
Wish I could take credit for it ... it was scrawled on the DJ booth at a UK record store in which Jeff Mills was spinning. I think in an old issue of Jockey Slut? -d lol! best test i've seen ever! on 4/20/01 2:38 AM, [EMAIL PROTECTED] wrote: goa way. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DEMF article on Carol Marvin
Today's Detroit News has a nice piece on Carol Marvin, organizer of the DEMF, and her struggles to get this event going last year. http://www.detnews.com/entertainment/index.htm
mea culpa
greetings again all, I realized this morning that I uploaded the wrong mix of 'morticia.' If you have the patience to check it out again, you will be rewarded with a smoother mix and a new synth line. My apologies for posting twice, but I'd rather have people hear the track in mostly finished form instead of a very rough mix. thanks jim the embarrased
RE: [313] in an attempt....
5. King Crimson - Nuages as in the debussy composition? h.i wish there was a site that could tell me which album it was on *cough* ;D np: rich girl : daryl hall/john oates
re: first mix
Ageing UK Radio DJ and Arch Tory Shell Suited Fool, Sir Jimmy Saville reckons he was, back in the forties. Personally, I am sceptical. actually, this is bang on the money. Jimmy Saville was the first person to use two turntables and mix two records over one another. Not that he beat-matched or anything, it's just before this all radio DJ's had left a respectful space between their records... scary f**ker as well.. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: Re: [313] tech-no at DEMF?
There was an attempt at one last year called SMF (Summer Music Festival), but it was at least $20, and there were only two worthwhile acts (if I remember correctly) - t1000, and Rob Hood. I beleive they are going to try something similar, though the promotion group changed hands. Dennis From: Andy Bradford [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: Re: [313] tech-no at DEMF? Date: Thu, 19 Apr 2001 23:30:51 -0400 I sure hope not, NYC people just don't know how to party so it would be a wash.(and i'm talking born here NY'ers) Nobody knows having a good time better than midwesterners. I could see Chicago. dave Actually I have heard a lot of talk about Chicago, although on a smaller scale, doing a festival or their own this summer. andy - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
RE: [313] DEMF article on Carol Marvin
I find it really unfortunate that nowhere in that article does it mention the efforts of Tim Price + Co.a major major figure in the development of the DEMF.
Re: [313] Who is more reprehensible?
Fat Boy Slim makes dreadful music that sounds about 8 years old. He uses old samples from breakbeat records and does totally nothing to them. He's also so full of himself in magazine interviews and always seems to be the voice of dance music over here. He really gets on my t*ts. A dutch magazine asked him once how his new album gonna sound like and when it would be released. He seriously answered: I don't know that yet, i have to wait what the Chemical Brothers will do, i just copy their sound. Yeah well as long as he is happy with it... [EMAIL PROTECTED] I sense some strong sarcasm in Fat Boy Slim's statement there. Kind of ripping on his own genre of music. Or, in a way, he is greatly crdeiting Chem Bros calling them a leader in a world that all sounds the same as a lot of non-electronica lovers might say. just my thoughts =) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Ten in the Spin
Maybe I'm a bit late for this discussion, but here it is anyways, I've been doing a lot of running, so it's CD's because the monitor and switch themselves ;) No particular order: John Hiatt - Crossing Muddy Water St Germain - Tourist Drexciya - Neptune's Lair Miles Davis - The More than Complete Kind of Blue Sean Deason - Allegory Metaphor Jeff Mills - Metropolis Prince - Hits B-Sides Celtic Legacy - something Turlough O'Carolan Plus8 Classics _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: [313] Live shows...
I just got a laptop yesterday (one of our older models here at work) and I've been thinking of ways to make it more interesting to use in a live show. I think what I'm going to end up doing is using the laptop as the master clock for whatever gear I'm using and also to provide a touch of sequencing and automated patch changes. Everything else will be on me. Drum pattern changes/augmentation will be done on the fly, playing a bassline or two will be done live (some of the time, I can let the pc take over after a while so I can do other stuff), programming effects can be done live from a control surface of some kind, ect., ect... Maybe it's just me, but I feel like what I DO up there is just as important as what come out of the speakers while I'm standing there. [EMAIL PROTECTED] on 04/20/2001 09:49:10 AM To: 313@hyperreal.org cc: Subject: [313] Live shows... i agree with the coment below...been thinking about this thing for quite i while, what is live and what is less live? i don?t mind people that use laptops, but as for me, i can?t see people paying X bucks to see me play live with a mouse and a computer. and belive me, the thoght has crossed my mind, while i?ve been breaking my back and my gear, carrying them around airports. it would be so nice to just have one piece of equipment that you could take with you on the plane. but the only thing is that i?m not sure how people would appriciate it and how fun i would have sitting infront of a laptop and clicking away... i got an mpc because i was sick of looking into a monitor while playing/producing music. dunno, feel like an rockmusician that would claim that playing techno live or producing it isn?t actually playing music...it?s so ignorant and i hate myself for thinking that way, and when reading rythm droids comments, it just reminds me that the music is the important thing to listen to but i can?t help thinking of the entertaining part of a live performance to. i would love to have people just carrying on dancing during a live-set, but usually, everyone?s just end up standing/moving infront of the stage as if it was a rock-concert. aril
Re: [313] first mixer is fernando grasso
Sadly, Francis (not Fernando) Grasso passed away due to unknown causes in mid-March. pw In a message dated 4/20/01 6:54:29 AM, [EMAIL PROTECTED] writes: another myth destroyedKool Herc and mr Flash.. they did make music history though interesting! 154
Re: [313] first mixer is fernando grasso
Check... http://www.maestro-documentary.com/ ollie www.forwardmmusic.com [EMAIL PROTECTED] wrote: Sadly, Francis (not Fernando) Grasso passed away due to unknown causes in mid-March. pw In a message dated 4/20/01 6:54:29 AM, [EMAIL PROTECTED] writes: another myth destroyedKool Herc and mr Flash.. they did make music history though interesting! 154 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] in an attempt....
What's Faceball 2000 La Patinoire EP like? Gary. It's like dope, trippy french tech-house in the i:cube/Versatile vein. - This message was sent via the Ulsternet webmail system. http://www.ulster.net
Track ID
anyone ever hear of this track: it has a breakdown then it has female vocals saying something like got the blue fish.. repeats i think thats whats shes sayin.. thanks sean [EMAIL PROTECTED] House music all night long... http://www.housemusic.com - - - - - - - - - - - - - - - - - - - - - - - - - - advertisement - - - - - - Limited Time Offer: FREE Products! Pay only shipping and handling. Get FREE Software, CDR's, Cellular Accessories, Videos, DVD's, Music, Injet Refills and much more. Only when you click here now - - http://www.free-irewards.com/cgi-bin/bmb2
latest addition to demf lineup announced
http://dailynews.yahoo.com/h/p/ap/20010419/us/kitchen_band_ilcar101.html
fab reccomends.....
just wanted to tell you to check out http://www.hotmix.nl/mixnet/it has some excellent mixes for those of you who want to hear some good quality ELEKTRO i definitely reccomend the Roma amano armata mix by Plasmek's Andrea Benedetti... happy listening fab
RE: [313] in an attempt....
Three of a Perfect Pair Andrian Belew's best work From: Rob Theakston [EMAIL PROTECTED] To: Ian [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] in an attempt Date: Fri, 20 Apr 2001 08:37:05 -0400 5. King Crimson - Nuages as in the debussy composition? h.i wish there was a site that could tell me which album it was on *cough* ;D np: rich girl : daryl hall/john oates - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
X2 - Wednesday April 25th
Begin Transmission from Militia Headquarters/ After seeing the effects of the 'puppet-masters' on our unsuspecting Brethren, the Militia have decided to take the experiment to the next and logical stage - implementation. The Militia have been working with a band of scientists in your area who call themselves 1 TRAK. This group of scientists will be the first to implement stage one of operation 'Renewal'. This will consist of a sonic bombardment with specially constructed rhythms which will proceed to reshape the neural pathways of the participants in such a way as to prevent the implant (implanted at birth by the 'puppet-masters') from controlling the thought process. This in turn will empower the participants with 'free-will'. Stage 1 will begin on Wednesday April 25th at the designated portal - Times Square [35 King St.N - Waterloo, Ontario, Canada]. Donations of $5 are required, this is for RD for stage 2. It's the Militia's goal to free the minds of sonically advanced individuals thereby regaining the hi-jacked audio channels talked about in an earlier transmission. Once these channels have been taken back, stage 2 will begin. Now the proposed schedule for delivery of the sonic reconstruction: 10pm - Wren [1 TRAK] 11pm - Colin [1 TRAK] 12:30 - Michigan Myke [1 TRAK] More to come from headquarters.. /end transmission. Sorry if you've received this more than once, my mail seems to be acting today!! 00 Mike Mitchell Desktop Support Team Leader BlackBerry Contact Centre Research In Motion 1-877-255-2377 mailto:[EMAIL PROTECTED] Always On, Always Connected 00 _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: Lask
Yeah, the release I have is quite good as well, I just pulled it out yesterday while spinning some records at home, as this one Delano track which is salsa influenced is just killer, works great in the mix! Speaking of Inside, haven't seen anything off of that label in a while - anyone know what Joel is up these days?? I have some older stuff on Jericho that's fairly good, haven't picked up anything on this label for a while. Here's another question - can anyone point out some good Savvis Yatis tracks, that track he has on that Tresor comp that came out last year, I think the track is called 'Mars bar', very nice deep track - any recommendations?? Thanks... MM _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
art vs. get rich quick scheme
ok. First let me say that just because you don't personally understand or vibe with harder or experimental techno styles doesn't mean it's a get rich quick scheme. These artists have become quite adept at manipulating dance floor experiences, and by and large they are DJs. Nothing wrong with understanding your own experience on the floor and learning to manipulate that experience for your own/ others enjoyment. Second of all, I work with this music as well as listen to it (and have worked with acoustic music as well), and I can tell you that if I analyze their music against any other form of electronic music, the amount of innovation vs. preexisting structure, the amount of uniqueness in the productions, the amount of personality expressed, is all very much equal. There are melodies, basslines, drum structures, synth and sonic experiments, interest in new computer editing techniques, and just all over a balls-y group that wanted to warp their mind against speaker stacks world over. Just cause you don't understand or vibe with this more stripped down, minimal or experimental approach doesn't make it a get rich quick scheme. Third, I'd imagine you probably like a lot of disco house, or what some may call deep house (I like genuinely deep house). Ripping of a disco sample, transposing it, filtering it, and dropping it over a dance beat, then having someone come into the studio and play a sax solo over it is NOT innovation and is much more of a get rich quick scheme, in my opinion (and no, it's not all of a sudden different cause you have a big name). Let all of this stand to say that there is a wealth of diversity in today's electronic music scene, and many of us will vibe with different aspects of it. Just cause you don't understand something or like it doesn't make it cheap. Otherwise you would be the one my friend, and I'm sure you won't make that claim! My point in bringing up the Swedes was just that I was personally dissapointed that they were not playing. Not that it's an injustice that they weren't included in the DEMF. Sorry for any misunderstandings. - DBIT
Re: [313] New Tracks
man, did you know a british crew called innersphere from a few years ago? your stuff reminds me of them (in a very, VERY good way...your s**t rocks). deep, dark, dirty and throbbin'. if u dont know them check them out. btw...anyone now what the innersphere crew are up to? - Original Message - From: Deliverator [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Friday, April 20, 2001 1:31 AM Subject: [313] New Tracks Greetings All, Please forgive my non-participation in the list lately. The work demon has given me no peace :-). However, I do have two new tracks to make up for my lack of participation. The first is called Morticia, which is a slow and spooky track along the lines of Hallucination LXV. The second I finished quite some time ago, but haven't announced. It's called Foundation, and is a bit more dancefloor oriented. I would appreciate it if you could take a minute or 13, and check the new tracks out. Also, I now have a new website as mp3.com decided to charge a premium price for slack ass service: http://www.ampcast.com or http://www.assasins.net thanks! jim - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] art vs. get rich quick scheme
Ok. David Bitterman [EMAIL PROTECTED] on 04/20/2001 01:37:25 PM To: 313@hyperreal.org cc: Subject: [313] art vs. get rich quick scheme ok. First let me say that just because you don't personally understand or vibe with harder or experimental techno styles doesn't mean it's a get rich quick scheme. These artists have become quite adept at manipulating dance floor experiences, and by and large they are DJs. Nothing wrong with understanding your own experience on the floor and learning to manipulate that experience for your own/ others enjoyment. Second of all, I work with this music as well as listen to it (and have worked with acoustic music as well), and I can tell you that if I analyze their music against any other form of electronic music, the amount of innovation vs. preexisting structure, the amount of uniqueness in the productions, the amount of personality expressed, is all very much equal. There are melodies, basslines, drum structures, synth and sonic experiments, interest in new computer editing techniques, and just all over a balls-y group that wanted to warp their mind against speaker stacks world over. Just cause you don't understand or vibe with this more stripped down, minimal or experimental approach doesn't make it a get rich quick scheme. Third, I'd imagine you probably like a lot of disco house, or what some may call deep house (I like genuinely deep house). Ripping of a disco sample, transposing it, filtering it, and dropping it over a dance beat, then having someone come into the studio and play a sax solo over it is NOT innovation and is much more of a get rich quick scheme, in my opinion (and no, it's not all of a sudden different cause you have a big name). Let all of this stand to say that there is a wealth of diversity in today's electronic music scene, and many of us will vibe with different aspects of it. Just cause you don't understand something or like it doesn't make it cheap. Otherwise you would be the one my friend, and I'm sure you won't make that claim! My point in bringing up the Swedes was just that I was personally dissapointed that they were not playing. Not that it's an injustice that they weren't included in the DEMF. Sorry for any misunderstandings. - DBIT - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] in an attempt....more top tens
I'll try to put this list together on four hours of sleep some old some newish and in no particular order Flatner-Ingram Project - Rectus EP (Black Nation) especially the Jay Denham remix of Da Comin. Dada Munchamonkey - Outside Time (Exist Dance) Funky Robots mix is getting worn down. Heiko Laux - Sense Fiction (Kanzleramt) Mike Brooks and Friends - Just the Vibes 1976-1983 (Moll-Selekta) Dynamo - 23 Degrees (Din) oof, those bass one-drops are wicked. Kraftwerk - Computer World (the whole damn record) Redagain P - (can't remember the name of the record but it's on Source recordings) Smash Tv - Electronic Boy (Bpitch Control) to get list Travel Card - Transparent Sound vs ADJ (Outside Recordings) to get list I think I'll reserve the last slot for either the new Larry Heard or Kelli Hand LP when they are released. back to sleep MEK _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: [313] Re: Lask
I can't remember if I played this the last time I was at your crib, but Alright on Tresor is pretty good. Myke Mitchell [EMAIL PROTECTED] on 04/20/2001 01:26:43 PM To: 313@hyperreal.org cc: Subject: [313] Re: Lask Yeah, the release I have is quite good as well, I just pulled it out yesterday while spinning some records at home, as this one Delano track which is salsa influenced is just killer, works great in the mix! Speaking of Inside, haven't seen anything off of that label in a while - anyone know what Joel is up these days?? I have some older stuff on Jericho that's fairly good, haven't picked up anything on this label for a while. Here's another question - can anyone point out some good Savvis Yatis tracks, that track he has on that Tresor comp that came out last year, I think the track is called 'Mars bar', very nice deep track - any recommendations?? Thanks... MM _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Di Giorgio
Checked out Kirk Di Giorgio last night in NYC. He was playing a small loungy party called ism, I believe. My man was rippin' it with deep, eclectic housey flavors. He even dropped the lovely Burning by Pepe Braddock... Respect. Nice to see some quality music in NY. The nightlife gets pretty dry here. -J - This message was sent via the Ulsternet webmail system. http://www.ulster.net
in an attempt.... Top 10
From: Rob Theakston [EMAIL PROTECTED] to get everyone off the whiny why aren't they playing posts and wasting bandwidth. i'm starting a new topic. Thank you! what's your top ten right now? in no particular order, not all new but things I keep finding in heavy rotation: Modaji DLP (Laws of Motion) Loft Classics vol. 4 Going Thru Life CD comp. (Delsin) Metro Area 3 (environ) John Tejada - Genetical Love remixes by Cim (DeFocus) B.B. Boogie (no-names 3 tracker on Bitasweet) Art Konik - Mingpark (Comet) Azymuth - Pieces of Impanema - Mark Pritchard remix (Far Out) Recloose - Take It - Theo Parrish remix (Sound Signature white) Chateau Flight - Puzzle DLP (Future Talk) peace -- Matt MacQueen [EMAIL PROTECTED] archived radio shows -- http://macqueen.com/radio
Re: [313] Di Giorgio
That party was probably thrown by ism records (ism/Esho Thursdays 121 St.Marks Place near Ave. A)... check out their new CD Sun Runners mixed by DJ Swingsett. Very cool mix of deep house sounds, freestyle breaks, dub. Here's my review of it (http://www.toastmag.com/24/rev_04.html#rev14): Various Artists Sun Runners (ism Records) New York's DJ Swingsett showcases some previously unreleased tunes from his, and J.Warrin's, ism Records. Sun Runners is an eclectic mix of sambas, East Coast jazz/funk/house blends, floor rumbling drum bass, fresh breakbeat excursions, Japanese Koto music, and dub that would drive the Mad Professor crazy. No, you didn't read it wrong I did list Japanese Koto music. That would happen to be Vida Blue by Beatboxes at Dawn. It's a weave of big and mental boom-boom beats and the gentle court music of Japan and it's that kind of stick-your-neck-out approach that makes the ism Record label a hot spot for innovation. Wally Swinsett's Dropera pushes the beats into weirdness until you think it's almost lost the plot, then they drop a big ol' bassline in and it just jells into funky chunks. Dub tracks, like Motopsyco and Cassien's Water Tree, are used to dunk listeners deeper into the mix. Actually, it's difficult to call any one track dub, house, or breakbeat. DJ Swingsett and J. Warrin have made it their purpose to break out of the mental walls that confine creativity, exploration, and good music. With ism Records, we've got plenty of good music in our future. [MEK] www.ismrecords.com From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] Di Giorgio Date: Fri, 20 Apr 2001 18:09:42 GMT Checked out Kirk Di Giorgio last night in NYC. He was playing a small loungy party called ism, I believe. My man was rippin' it with deep, eclectic housey flavors. He even dropped the lovely Burning by Pepe Braddock... Respect. Nice to see some quality music in NY. The nightlife gets pretty dry here. -J - This message was sent via the Ulsternet webmail system. http://www.ulster.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
RE: in an attempt.... Top 10
thank you sirrah mattpersonally i think this should be an ongoing thread, it might cheez some people off, but it kind of acts as a deterrent to some of the other stuff being posted. plus it gives me some new listening ideas top ten songs of the day 1. runnin away - roy ayers 2. solanus (original) - vainqueur 3. stars in your eyes - herbie hancock 4. what a fool believes - doobie brothers 5. atlantis- morton feldman 6. minus orange - richie hawtin 7. nude photo- x ray 8. enlightenment - sun ra 9. we live in brooklyn baby - roy ayers 10. bonnie and clyde - herbert *** *** this track is amazing.herbert strikes again!
DEMF Movie The Drive Home trailer
Check out the incredible trailers for the DEMF 2000 movie The Drive Home at: http://www.thedrivehome.net/ especially the high quality versions! (It does make me wonder why none of the music is techno or house, but no one is perfect) Scott 4th dimension/detroit
Re: [313] Di Giorgio
Yeah - DiGiorgio rocked it last night. Nice to see a big turnout for the event. and thanks for the good review! I have a few tracks on SUNRUNNERS as Duermo, and I'm proud to be on ism. Swingsett and J Warrin - the label heads - are two of the most musically forward thinking people I know, and I think it reflects in the label's output. Watch out, cuz NYC's coming with the new stuff in a big way. peace, Jorge That party was probably thrown by ism records (ism/Esho Thursdays 121 St.Marks Place near Ave. A)... check out their new CD Sun Runners mixed by DJ Swingsett. Very cool mix of deep house sounds, freestyle breaks, dub. Here's my review of it (http://www.toastmag.com/24/rev_04.html#rev14): Various Artists Sun Runners (ism Records) New York's DJ Swingsett showcases some previously unreleased tunes from his, and J.Warrin's, ism Records. Sun Runners is an eclectic mix of sambas, East Coast jazz/funk/house blends, floor rumbling drum bass, fresh breakbeat excursions, Japanese Koto music, and dub that would drive the Mad Professor crazy. No, you didn't read it wrong I did list Japanese Koto music. That would happen to be Vida Blue by Beatboxes at Dawn. It's a weave of big and mental boom-boom beats and the gentle court music of Japan and it's that kind of stick-your-neck-out approach that makes the ism Record label a hot spot for innovation. Wally Swinsett's Dropera pushes the beats into weirdness until you think it's almost lost the plot, then they drop a big ol' bassline in and it just jells into funky chunks. Dub tracks, like Motopsyco and Cassien's Water Tree, are used to dunk listeners deeper into the mix. Actually, it's difficult to call any one track dub, house, or breakbeat. DJ Swingsett and J. Warrin have made it their purpose to break out of the mental walls that confine creativity, exploration, and good music. With ism Records, we've got plenty of good music in our future. [MEK] www.ismrecords.com From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] Di Giorgio Date: Fri, 20 Apr 2001 18:09:42 GMT Checked out Kirk Di Giorgio last night in NYC. He was playing a small loungy party called ism, I believe. My man was rippin' it with deep, eclectic housey flavors. He even dropped the lovely Burning by Pepe Braddock... Respect. Nice to see some quality music in NY. The nightlife gets pretty dry here. -J - This message was sent via the Ulsternet webmail system. http://www.ulster.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
On-Line MP3 Mixes
Hello: Could anyone point me to some good on-line MP3 mixes. I've checked out those at frequencydetroit.com and am looking for others along the same lines. Thanks for the help. _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: [313] On-Line MP3 Mixes
if you're into electro, I and my partner lex have loads of original DJ mixes, artist features, and our monthly electro showcase showdown on our Vocode Project http://www.vocode.com in MP3 and Real formats cheers, mad wax | http://www.djmadwax.com - Original Message - From: Anthony Edwards [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, April 20, 2001 12:50 PM Subject: [313] On-Line MP3 Mixes Hello: Could anyone point me to some good on-line MP3 mixes. I've checked out those at frequencydetroit.com and am looking for others along the same lines. Thanks for the help. _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] in an attempt.... Top 10
_|| 1. Stewart Walker - Cleopatra's Needle - Tresor 2. Hakan Lidbo - Tech Couture - Poker flat 3. Nu Mood Orchestra - Aphrodisiac - Statra 4. Cafe De Flore - Doctor Rockit - Lifelike 5. Echomen - Thru 2 U (Charles Webster mix) - Airtight 6. Caligula - I Want You - Twilight 7. Luomo - Tessio Rmxs - Force Tracks 8. Frank Mueller Mellodram - Villalobos - Perlon 9. Sirius - Jai's Groove - Escape 10. Casey hogan G Pal - Sensations Lp - mac ___|| From: Matt MacQueen [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: 313@hyperreal.org CC: [EMAIL PROTECTED], [EMAIL PROTECTED] Subject: [313] in an attempt Top 10 Date: Fri, 20 Apr 2001 13:18:32 -0500 From: Rob Theakston [EMAIL PROTECTED] to get everyone off the whiny why aren't they playing posts and wasting bandwidth. i'm starting a new topic. Thank you! what's your top ten right now? in no particular order, not all new but things I keep finding in heavy rotation: Modaji DLP (Laws of Motion) Loft Classics vol. 4 Going Thru Life CD comp. (Delsin) Metro Area 3 (environ) John Tejada - Genetical Love remixes by Cim (DeFocus) B.B. Boogie (no-names 3 tracker on Bitasweet) Art Konik - Mingpark (Comet) Azymuth - Pieces of Impanema - Mark Pritchard remix (Far Out) Recloose - Take It - Theo Parrish remix (Sound Signature white) Chateau Flight - Puzzle DLP (Future Talk) peace -- Matt MacQueen [EMAIL PROTECTED] archived radio shows -- http://macqueen.com/radio - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Di Giorgio
In case you miss him on tour, Kirk Degiorgio will be spinning on Groovetech at 11pm EST (8pm PST, 4am GMT) this coming Monday, April 23. Here's a link to the live stream: http://www.groovetech.com/real-live/gtradiosea.ram -Alex Groovetech Jorge Velez wrote: Yeah - DiGiorgio rocked it last night. Nice to see a big turnout for the event. and thanks for the good review! I have a few tracks on SUNRUNNERS as Duermo, and I'm proud to be on ism. Swingsett and J Warrin - the label heads - are two of the most musically forward thinking people I know, and I think it reflects in the label's output. Watch out, cuz NYC's coming with the new stuff in a big way. peace, Jorge That party was probably thrown by ism records (ism/Esho Thursdays 121 St.Marks Place near Ave. A)... check out their new CD Sun Runners mixed by DJ Swingsett. Very cool mix of deep house sounds, freestyle breaks, dub. Here's my review of it (http://www.toastmag.com/24/rev_04.html#rev14): Various Artists Sun Runners (ism Records) New York's DJ Swingsett showcases some previously unreleased tunes from his, and J.Warrin's, ism Records. Sun Runners is an eclectic mix of sambas, East Coast jazz/funk/house blends, floor rumbling drum bass, fresh breakbeat excursions, Japanese Koto music, and dub that would drive the Mad Professor crazy. No, you didn't read it wrong I did list Japanese Koto music. That would happen to be Vida Blue by Beatboxes at Dawn. It's a weave of big and mental boom-boom beats and the gentle court music of Japan and it's that kind of stick-your-neck-out approach that makes the ism Record label a hot spot for innovation. Wally Swinsett's Dropera pushes the beats into weirdness until you think it's almost lost the plot, then they drop a big ol' bassline in and it just jells into funky chunks. Dub tracks, like Motopsyco and Cassien's Water Tree, are used to dunk listeners deeper into the mix. Actually, it's difficult to call any one track dub, house, or breakbeat. DJ Swingsett and J. Warrin have made it their purpose to break out of the mental walls that confine creativity, exploration, and good music. With ism Records, we've got plenty of good music in our future. [MEK] www.ismrecords.com From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] Di Giorgio Date: Fri, 20 Apr 2001 18:09:42 GMT Checked out Kirk Di Giorgio last night in NYC. He was playing a small loungy party called ism, I believe. My man was rippin' it with deep, eclectic housey flavors. He even dropped the lovely Burning by Pepe Braddock... Respect. Nice to see some quality music in NY. The nightlife gets pretty dry here. -J - This message was sent via the Ulsternet webmail system. http://www.ulster.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Alex Hillinger . Groovetech . [EMAIL PROTECTED] http://groovetech.com
electro/disco song on Malcolm in the Middle
Does anyone know the name of the electro song that was played in the episode of Malcolm in the Middle (Fox TV) where Malcolm's dad teaches Malcolm how to rollerskate? I know electro pops up here once in a while and Malcolm in the Middle was mentioned at least once on 313, so I hope I'm not too off-topic... __ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/
Why I'm Not Going To DEMF (Autechre)
Dear 313 Friends- I'm afraid I will not be at DEMF this year. As a matter of fact, I am now officially boycotting it and will no longer support Carl Craig, planet E, the Ford Motor Company, or any other individual or association helping sponsor or organize the DEMF. The reason for my seemingly radical stance is that Autechre will be playing. Now, until recently, I was a very big fan of theirs, however the controversy cam ewith the release of their new album Cornfield. Now, being raised in the heartland of america, the Midwest as it were, I have a strong afinity for cornfields and the earth below them. When I first heard that the title for the new album would be Cornfield I was very excited, Finally I thought, Autechre will be focusing on the needs and unique experiences of the farmer! However, after several close listens, I realized that this was not the case at all, in fact, Autechre seem to be expliting and misappropriating farm scene culture and ideas to make money. As a matter of fact, Autechre's bastardization of the agricultural scene is on par with Puff Daddy's exploitation of Grand Master Flash's The Message. Both of these scam artists took something good and significant and recontextualized them them into heinous consumer based exchange entities. I'm sure Sean and Rob(ber) were sitting in their studio one day, and said Hey, in the US they have a strong farmer community. I bet if we made an album that appealed to them, we could make loads of cash. It is this mentality that has infected almost each and every great movement: Rock'n'Roll, Disco, Hip-Hop, Rave, and Agriculture. And ultimately caused their downfall. I refuse to see the farm scene, which I consider myself and active member of, get corrupted and commercialized by a bunch of Englishmen... WHO AREN'T EVEN FARMERS!! This is just unacceptable. And that is why you won't see me at DEMF this year. Keep it real, t2s == .,-:-,,. .AMMMHMMHHMII, .AMMHHMMMHHMMHMMMHHA. .AMHHHIMMHMHL .AHHIHHMMHIMMMHMHHHMHLH: ,LHHIIIHMHMHMHHHLHHAIA ;IHHIHHMMH:IHMHMMHMHIHLIHHIA .:IHHII:':'..:.:IHMHMMIHHLIHH. ,I:AVI::.'. .'.'.::IAHMHMHHIALVAIHA ,A:AVI::.'. . . '.:IAVMMHAVLVAIVHHA ;HIHHMHHIHHMHMHMHHIHI::.:.. : . . AHAA. .AHIHMMMHMHMHMMHHMHII::.:.. . . . ..:HMMH: AHV':HHMHHMHMMMHMHHI::.:.. .. . .AOAVA/'-.. :I''VHHMMMHHMMMHHMHI::... :. . . ..AOOLV/.:.:.:''--...,. ' .AHIHHMHHHMMMI: :.. .AAVAV/.:. . .: ..-. _ Get email for your site --- http://www.everyone.net
Re: [313] Why I'm Not Going To DEMF (Autechre)
erm...ok... - Original Message - From: Totally 2 Step [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, April 20, 2001 8:33 PM Subject: [313] Why I'm Not Going To DEMF (Autechre) Dear 313 Friends- I'm afraid I will not be at DEMF this year. As a matter of fact, I am now officially boycotting it and will no longer support Carl Craig, planet E, the Ford Motor Company, or any other individual or association helping sponsor or organize the DEMF. The reason for my seemingly radical stance is that Autechre will be playing. Now, until recently, I was a very big fan of theirs, however the controversy cam ewith the release of their new album Cornfield. Now, being raised in the heartland of america, the Midwest as it were, I have a strong afinity for cornfields and the earth below them. When I first heard that the title for the new album would be Cornfield I was very excited, Finally I thought, Autechre will be focusing on the needs and unique experiences of the farmer! However, after several close listens, I realized that this was not the case at all, in fact, Autechre seem to be expliting and misappropriating farm scene culture and ideas to make money. As a matter of fact, Autechre's bastardization of the agricultural scene is on par with Puff Daddy's exploitation of Grand Master Flash's The Message. Both of these scam artists took something good and significant and recontextualized them them into heinous consumer based exchange entities. I'm sure Sean and Rob(ber) were sitting in their studio one day, and said Hey, in the US they have a strong farmer community. I bet if we made an album that appealed to them, we could make loads of cash. It is this mentality that has infected almost each and every great movement: Rock'n'Roll, Disco, Hip-Hop, Rave, and Agriculture. And ultimately caused their downfall. I refuse to see the farm scene, which I consider myself and active member of, get corrupted and commercialized by a bunch of Englishmen... WHO AREN'T EVEN FARMERS!! This is just unacceptable. And that is why you won't see me at DEMF this year. Keep it real, t2s == .,-:-,,. .AMMMHMMHHMII, .AMMHHMMMHHMMHMMMHHA. .AMHHHIMMHMHL .AHHIHHMMHIMMMHMHHHMHLH: ,LHHIIIHMHMHMHHHLHHAIA ;IHHIHHMMH:IHMHMMHMHIHLIHHIA .:IHHII:':'..:.:IHMHMMIHHLIHH. ,I:AVI::.'. .'.'.::IAHMHMHHIALVAIHA ,A:AVI::.'. . . '.:IAVMMHAVLVAIVHHA ;HIHHMHHIHHMHMHMHHIHI::.:.. : . . AHAA. .AHIHMMMHMHMHMMHHMHII::.:.. . . . ..:HMMH: AHV':HHMHHMHMMMHMHHI::.:.. .. . .AOAVA/'-.. :I''VHHMMMHHMMMHHMHI::... :. . . ..AOOLV/.:.:.:''--...,. ' .AHIHHMHHHMMMI: :.. .AAVAV/.:. . .: ..-. _ Get email for your site --- http://www.everyone.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] electro/disco song on Malcolm in the Middle
It's Lipps Inc. - Funky Town It's a hilarious show by the way :) From: nuf si [EMAIL PROTECTED] To: 313@hyperreal.org, [EMAIL PROTECTED] Subject: [313] electro/disco song on Malcolm in the Middle Date: Fri, 20 Apr 2001 12:29:51 -0700 (PDT) Does anyone know the name of the electro song that was played in the episode of Malcolm in the Middle (Fox TV) where Malcolm's dad teaches Malcolm how to rollerskate? I know electro pops up here once in a while and Malcolm in the Middle was mentioned at least once on 313, so I hope I'm not too off-topic... __ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
(OT) Music as Mathematics?
This may not be the best list for this, but I know many people on here could answer it. I am quite adept in math, but find it hard to apply it to music. How do Algorythms go into creating sequences??? what are some other ways to compare music to math thanks mg Matthew Gerbasi |l| Darcy Detroit lll Cadillac Regional Traffic|l| 248-458-8567|l| [EMAIL PROTECTED] aka [EMAIL PROTECTED] Eliminate your ego by having self confidence without pride -- Basi
Re: [313] Why I'm Not Going To DEMF (Autechre)
i wish i had as much spare time as you. . . On Fri, 20 Apr 2001, Totally 2 Step wrote: Dear 313 Friends- I'm afraid I will not be at DEMF this year. As a matter of fact, I am now officially boycotting it and will no longer support Carl Craig, planet E, the Ford Motor Company, or any other individual or association helping sponsor or organize the DEMF. The reason for my seemingly radical stance is that Autechre will be playing. Now, until recently, I was a very big fan of theirs, however the controversy cam ewith the release of their new album Cornfield. Now, being raised in the heartland of america, the Midwest as it were, I have a strong afinity for cornfields and the earth below them. When I first heard that the title for the new album would be Cornfield I was very excited, Finally I thought, Autechre will be focusing on the needs and unique experiences of the farmer! However, after several close listens, I realized that this was not the case at all, in fact, Autechre seem to be expliting and misappropriating farm scene culture and ideas to make money. As a matter of fact, Autechre's bastardization of the agricultural scene is on par with Puff Daddy's exploitation of Grand Master Flash's The Message. Both of these scam artists took something good and significant and recontextualized them them into heinous consumer based exchange entities. I'm sure Sean and Rob(ber) were sitting in their studio one day, and said Hey, in the US they have a strong farmer community. I bet if we made an album that appealed to them, we could make loads of cash. It is this mentality that has infected almost each and every great movement: Rock'n'Roll, Disco, Hip-Hop, Rave, and Agriculture. And ultimately caused their downfall. I refuse to see the farm scene, which I consider myself and active member of, get corrupted and commercialized by a bunch of Englishmen... WHO AREN'T EVEN FARMERS!! This is just unacceptable. And that is why you won't see me at DEMF this year. Keep it real, t2s == .,-:-,,. .AMMMHMMHHMII, .AMMHHMMMHHMMHMMMHHA. .AMHHHIMMHMHL .AHHIHHMMHIMMMHMHHHMHLH: ,LHHIIIHMHMHMHHHLHHAIA ;IHHIHHMMH:IHMHMMHMHIHLIHHIA .:IHHII:':'..:.:IHMHMMIHHLIHH. ,I:AVI::.'. .'.'.::IAHMHMHHIALVAIHA ,A:AVI::.'. . . '.:IAVMMHAVLVAIVHHA ;HIHHMHHIHHMHMHMHHIHI::.:.. : . . AHAA. .AHIHMMMHMHMHMMHHMHII::.:.. . . . ..:HMMH: AHV':HHMHHMHMMMHMHHI::.:.. .. . .AOAVA/'-.. :I''VHHMMMHHMMMHHMHI::... :. . . ..AOOLV/.:.:.:''--...,. ' .AHIHHMHHHMMMI: :.. .AAVAV/.:. . .: ..-. _ Get email for your site --- http://www.everyone.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Why I'm Not Going To DEMF (Autechre)
by the way - it's confield, not cornfield On Fri, 20 Apr 2001, Totally 2 Step wrote: Dear 313 Friends- I'm afraid I will not be at DEMF this year. As a matter of fact, I am now officially boycotting it and will no longer support Carl Craig, planet E, the Ford Motor Company, or any other individual or association helping sponsor or organize the DEMF. The reason for my seemingly radical stance is that Autechre will be playing. Now, until recently, I was a very big fan of theirs, however the controversy cam ewith the release of their new album Cornfield. Now, being raised in the heartland of america, the Midwest as it were, I have a strong afinity for cornfields and the earth below them. When I first heard that the title for the new album would be Cornfield I was very excited, Finally I thought, Autechre will be focusing on the needs and unique experiences of the farmer! However, after several close listens, I realized that this was not the case at all, in fact, Autechre seem to be expliting and misappropriating farm scene culture and ideas to make money. As a matter of fact, Autechre's bastardization of the agricultural scene is on par with Puff Daddy's exploitation of Grand Master Flash's The Message. Both of these scam artists took something good and significant and recontextualized them them into heinous consumer based exchange entities. I'm sure Sean and Rob(ber) were sitting in their studio one day, and said Hey, in the US they have a strong farmer community. I bet if we made an album that appealed to them, we could make loads of cash. It is this mentality that has infected almost each and every great movement: Rock'n'Roll, Disco, Hip-Hop, Rave, and Agriculture. And ultimately caused their downfall. I refuse to see the farm scene, which I consider myself and active member of, get corrupted and commercialized by a bunch of Englishmen... WHO AREN'T EVEN FARMERS!! This is just unacceptable. And that is why you won't see me at DEMF this year. Keep it real, t2s == .,-:-,,. .AMMMHMMHHMII, .AMMHHMMMHHMMHMMMHHA. .AMHHHIMMHMHL .AHHIHHMMHIMMMHMHHHMHLH: ,LHHIIIHMHMHMHHHLHHAIA ;IHHIHHMMH:IHMHMMHMHIHLIHHIA .:IHHII:':'..:.:IHMHMMIHHLIHH. ,I:AVI::.'. .'.'.::IAHMHMHHIALVAIHA ,A:AVI::.'. . . '.:IAVMMHAVLVAIVHHA ;HIHHMHHIHHMHMHMHHIHI::.:.. : . . AHAA. .AHIHMMMHMHMHMMHHMHII::.:.. . . . ..:HMMH: AHV':HHMHHMHMMMHMHHI::.:.. .. . .AOAVA/'-.. :I''VHHMMMHHMMMHHMHI::... :. . . ..AOOLV/.:.:.:''--...,. ' .AHIHHMHHHMMMI: :.. .AAVAV/.:. . .: ..-. _ Get email for your site --- http://www.everyone.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] electro/disco song on Malcolm in the Middle
WARNING! WARNING! OFF TOPIC! i didn't like it. i felt there were trying to do a real life simpsons, but it ended up far too much like the wonder years eeuuuyykk. k, back to moaning about a music festival i can only dream of getting too;) - Original Message - From: .: Caltrop :. [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED] Sent: Friday, April 20, 2001 8:41 PM Subject: Re: [313] electro/disco song on Malcolm in the Middle It's Lipps Inc. - Funky Town It's a hilarious show by the way :) From: nuf si [EMAIL PROTECTED] To: 313@hyperreal.org, [EMAIL PROTECTED] Subject: [313] electro/disco song on Malcolm in the Middle Date: Fri, 20 Apr 2001 12:29:51 -0700 (PDT) Does anyone know the name of the electro song that was played in the episode of Malcolm in the Middle (Fox TV) where Malcolm's dad teaches Malcolm how to rollerskate? I know electro pops up here once in a while and Malcolm in the Middle was mentioned at least once on 313, so I hope I'm not too off-topic... __ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Why I'm Not Going To DEMF (Autechre)
Thanks for the laugh! THAT brightened up my dreary Friday afternoon. Hay Hay! misszak Original Message Follows From: Kyle J Dupuy [EMAIL PROTECTED] To: Totally 2 Step [EMAIL PROTECTED] CC: 313@hyperreal.org Subject: Re: [313] Why I'm Not Going To DEMF (Autechre) Date: Fri, 20 Apr 2001 15:48:32 -0400 (EDT) by the way - it's confield, not cornfield On Fri, 20 Apr 2001, Totally 2 Step wrote: Dear 313 Friends- I'm afraid I will not be at DEMF this year. As a matter of fact, I am now officially boycotting it and will no longer support Carl Craig, planet E, the Ford Motor Company, or any other individual or association helping sponsor or organize the DEMF. The reason for my seemingly radical stance is that Autechre will be playing. Now, until recently, I was a very big fan of theirs, however the controversy cam ewith the release of their new album Cornfield. Now, being raised in the heartland of america, the Midwest as it were, I have a strong afinity for cornfields and the earth below them. When I first heard that the title for the new album would be Cornfield I was very excited, Finally I thought, Autechre will be focusing on the needs and unique experiences of the farmer! However, after several close listens, I realized that this was not the case at all, in fact, Autechre seem to be expliting and misappropriating farm scene culture and ideas to make money. As a matter of fact, Autechre's bastardization of the agricultural scene is on par with Puff Daddy's exploitation of Grand Master Flash's The Message. Both of these scam artists took something good and significant and recontextualized them them into heinous consumer based exchange entities. I'm sure Sean and Rob(ber) were sitting in their studio one day, and said Hey, in the US they have a strong farmer community. I bet if we made an album that appealed to them, we could make loads of cash. It is this mentality that has infected almost each and every great movement: Rock'n'Roll, Disco, Hip-Hop, Rave, and Agriculture. And ultimately caused their downfall. I refuse to see the farm scene, which I consider myself and active member of, get corrupted and commercialized by a bunch of Englishmen... WHO AREN'T EVEN FARMERS!! This is just unacceptable. And that is why you won't see me at DEMF this year. Keep it real, t2s == .,-:-,,. .AMMMHMMHHMII, .AMMHHMMMHHMMHMMMHHA. .AMHHHIMMHMHL .AHHIHHMMHIMMMHMHHHMHLH: ,LHHIIIHMHMHMHHHLHHAIA ;IHHIHHMMH:IHMHMMHMHIHLIHHIA .:IHHII:':'..:.:IHMHMMIHHLIHH. ,I:AVI::.'. .'.'.::IAHMHMHHIALVAIHA ,A:AVI::.'. . . '.:IAVMMHAVLVAIVHHA ;HIHHMHHIHHMHMHMHHIHI::.:.. : . . AHAA. .AHIHMMMHMHMHMMHHMHII::.:.. . . . ..:HMMH: AHV':HHMHHMHMMMHMHHI::.:.. .. . .AOAVA/'-.. :I''VHHMMMHHMMMHHMHI::... :. . . ..AOOLV/.:.:.:''--...,. ' .AHIHHMHHHMMMI: :.. .AAVAV/.:. . .: ..-. _ Get email for your site --- http://www.everyone.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] to groovetech
Motor sets on GT are listed in the archive search under the 'channel' pull-down menu. - Alex Michael Kim wrote: did you still keep the Motor sets archived? specifically T. Linder, TP, and T-1000 at the Shake benefit. i loved that set, and i can't find it on the new site thanks, Mike _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Alex Hillinger . Groovetech . [EMAIL PROTECTED] http://groovetech.com
Re: [313] Why I'm Not Going To DEMF (Autechre)
yep... thar's sum plumb crazy folkeses on thuh innernet theze daze. Totally 2 Step [EMAIL PROTECTED] on 04/20/2001 03:33:23 PM Please respond to [EMAIL PROTECTED] To: 313@hyperreal.org cc: Subject: [313] Why I'm Not Going To DEMF (Autechre) Dear 313 Friends- I'm afraid I will not be at DEMF this year. As a matter of fact, I am now officially boycotting it and will no longer support Carl Craig, planet E, the Ford Motor Company, or any other individual or association helping sponsor or organize the DEMF. The reason for my seemingly radical stance is that Autechre will be playing. Now, until recently, I was a very big fan of theirs, however the controversy cam ewith the release of their new album Cornfield. Now, being raised in the heartland of america, the Midwest as it were, I have a strong afinity for cornfields and the earth below them. When I first heard that the title for the new album would be Cornfield I was very excited, Finally I thought, Autechre will be focusing on the needs and unique experiences of the farmer! However, after several close listens, I realized that this was not the case at all, in fact, Autechre seem to be expliting and misappropriating farm scene culture and ideas to make money. As a matter of fact, Autechre's bastardization of the agricultural scene is on par with Puff Daddy's exploitation of Grand Master Flash's The Message. Both of these scam artists took something good and significant and recontextualized them them into heinous consumer based exchange entities. I'm sure Sean and Rob(ber) were sitting in their studio one day, and said Hey, in the US they have a strong farmer community. I bet if we made an album that appealed to them, we could make loads of cash. It is this mentality that has infected almost each and every great movement: Rock'n'Roll, Disco, Hip-Hop, Rave, and Agriculture. And ultimately caused their downfall. I refuse to see the farm scene, which I consider myself and active member of, get corrupted and commercialized by a bunch of Englishmen... WHO AREN'T EVEN FARMERS!! This is just unacceptable. And that is why you won't see me at DEMF this year. Keep it real, t2s == .,-:-,,. .AMMMHMMHHMII, .AMMHHMMMHHMMHMMMHHA. .AMHHHIMMHMHL .AHHIHHMMHIMMMHMHHHMHLH: ,LHHIIIHMHMHMHHHLHHAIA ;IHHIHHMMH:IHMHMMHMHIHLIHHIA .:IHHII:':'..:.:IHMHMMIHHLIHH. ,I:AVI::.'. .'.'.::IAHMHMHHIALVAIHA ,A:AVI::.'. . . '.:IAVMMHAVLVAIVHHA ;HIHHMHHIHHMHMHMHHIHI::.:.. : . . AHAA. .AHIHMMMHMHMHMMHHMHII::.:.. . . . ..:HMMH: AHV':HHMHHMHMMMHMHHI::.:.. .. . .AOAVA/'-.. :I''VHHMMMHHMMMHHMHI::... :. . . ..AOOLV/.:.:.:''--...,. ' .AHIHHMHHHMMMI: :.. .AAVAV/.:. . .: ..-. _ Get email for your site --- http://www.everyone.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
(OT) MUSIC AS MATHEMATICS
This may not be the best list for this, but I know many people on here could answer it. I am quite adept in math, but find it hard to apply it to music. How do Algorythms go into creating sequences??? what are some other ways to compare music to math thanks mg Matthew Gerbasi |l| Darcy Detroit lll Cadillac Regional Traffic|l| 248-458-8567|l| [EMAIL PROTECTED] aka [EMAIL PROTECTED] Eliminate your ego by having self confidence without pride -- Basi
