[lace] Using Zoom for lace teaching

2020-12-16 Thread Jean Leader
I have been using Zoom for teaching lace classes for quite a few weeks now, 
trying to work out what was best for both myself and my students, not easy when 
we all had different combinations of desktop/laptop computers and/or 
mac/android devices. With the help of David (DH) I’ve now mounted a couple of 
guides to using Zoom for lace and textile teaching, one for tutors, the other 
for students, which you can find on my website at

https://www.jeanleader.net/teaching/resources.html 

I’d love to know if you find them useful and whether you have any suggestions 
for changes.

Jean in chilly, damp Glasgow

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[lace] teaching left-handers

2020-03-01 Thread Alex Stillwell
Hi Elena

Re: teaching a left-hander

Being a left-hander, or as my father always put it ‘a southpaw’,  I
frequently have to change hands. When this happens I make the movements
left-handed, watch myself making them and write down what I do. Then I change
the words left and right and work the technique right handed following my
instructions. For difficult processes I have even recorded myself talking my
way through them, transcribing and then changing lefts and rights.

Hope all goes well

Alex

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[lace] teaching

2015-05-03 Thread Alex Stillwell
Well done Liz. Even though your student took a long time learning to make her
lace I’m sure she values her ability to make it and will always remember you
with gratitude for the way you would repeatedly go over the same points.
That’s teaching and learning.

Happy lacemaking to you both

Alex

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Re: [lace] teaching

2015-05-01 Thread Alex Stillwell

Thank you Noelen. As always, you have it exactly right.

Happy lacemaking

Alex

-Original Message- 
From: Noelene Lafferty 
Sent: Thursday, April 30, 2015 11:02 PM 
To: 'Alex Stillwell' ; 'Arachne reply' 
Subject: RE: [lace] teaching 


Thanks for that line Teaching is teaching Alex, it prompted me to start
writing again.

Teaching Lacemaking.

Teaching is just teaching
Whatever subject might be sought
But if you become a teacher
By your pupils you'll be taught.

Take the task of teaching
Lacemaking from the start
You'll find yourself presented
With new ideas to take to heart.

Why are there two twists there?
Why can't you work uphill?
Why don't my pairs remain the same?
Why is my fan a frill?

So then you have to puzzle
Work out the reason why.
And not just do it without thought
'Cause it's pleasing to the eye.

And the pleasure gained in teaching
Passing on this noble art
Is worth the time and effort
And gladdens every heart.

Noelene at The Angle
noel...@lafferty.com.au

Teaching is teaching, whatever the subject. .
Happy lacemaking and teaching
Alex

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Re: [lace] teaching

2015-04-30 Thread Alex Stillwell

Hi Jenny and CLay

Teaching is teaching, whatever the subject. Some people do not have time to 
work on their lace during the week and we do not know their commitments. By 
all means encourage lacemaking between classes, in the early stages some do 
not have the confidence to work on their own. I once had a class of 14 new 
lacemakers. By the end of four months one was tailing behind and feeling 
despondent because she was slow and as time went on she did not speed up 
but - a couple of years later she came first in her section at the Essex 
Handicrafts Exhibition, and it was a big class. Some lacemakers take longer 
to learn than others, but time is not of the essence and learning slowly 
does not mean the student is less able. If you feel the slower lacemaker is 
comparing herself unfavourable with the other one try moving her to a 
different type of lace. I usually start by teaching torchon, but there are 
some who find it particularly difficult, in which case I switch to 
Bedfordshire, starting with small motifs of the coaster size. It works.


Happy lacemaking and teaching

Alex



-Original Message- 
From: Clay Blackwell

Sent: Thursday, April 30, 2015 12:15 AM
To: Jenny Brandis
Cc: Alex Stillwell ; The Lacebee
Subject: Re: [lace] teaching

Hmmm...  Replying to a few  I am teaching my first (2) students, and 
they are bright and eager.  One has more troubles than the other.  Today, 
they both had more problems than usual, and both confessed that they had not 
put a hand to the pillow since last class.  My advice was that they should 
go home, make more lace if time permits, and then sleep on it.  But I 
insisted that they should go back to their pillow tomorrow, and the lesson 
learned would be there.


I don't want to be hard-core, demanding X number of hours of work each 
week, but I have told them that the sooner they use information learned each 
week, the better it will serve them.


Have you any other good suggestions?

Thanks!

Clay

Clay Blackwell
Lynchburg, VA, USA

Sent from my iPad


On Apr 29, 2015, at 6:54 PM, Jenny Brandis je...@brandis.com.au wrote:

If I have answered the same question over five times then the problem is
that I have not answered in a way that that particular student can
understand, not that she has not tried to understand.
Keeping on asking means that she wants to understand and I have to keep on
looking for another way to give her the answer. We get there in the end.

This is so true, I have found when I am teaching, (computer usage or a 
hand

craft) that your statements hold true as well.

Regards
Jenny Brandis
Brookdale, Western Australia

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Re: [lace] teaching

2015-04-30 Thread J-D Hammett
Hi fellow Arachnids,




As a retired geography teacher and a lace teacher for more years than I care to 
remember (and having taught several other subjects as well during my working 
life) I love this poem Noelene. I wholeheartedly agree with Alex and Noelene. 


Happy lace making,


Joepie, East Sussex, UK, where the skies are grey again.




 



From: Noelene Lafferty
Sent: ‎Thursday‎, ‎30‎ ‎April‎ ‎2015 ‎23‎:‎08
To: Alex Stillwell, Lace Arachne





Thanks for that line Teaching is teaching Alex, it prompted me to start
writing again.

Teaching Lacemaking.

Teaching is just teaching
Whatever subject might be sought
But if you become a teacher
By your pupils you'll be taught.

Take the task of teaching
Lacemaking from the start
You'll find yourself presented
With new ideas to take to heart.

Why are there two twists there?
Why can't you work uphill?
Why don't my pairs remain the same?
Why is my fan a frill?

So then you have to puzzle
Work out the reason why.
And not just do it without thought
'Cause it's pleasing to the eye.

And the pleasure gained in teaching
Passing on this noble art
Is worth the time and effort
And gladdens every heart.

Noelene at The Angle
noel...@lafferty.com.au

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[lace] Teaching

2015-04-30 Thread Elizabeth Ligeti
I had a student once, who started out saying she had a learning problem, so
could not go in a regular class.  I taught her one-on-one at home, and she
had to do each lesson for about 3 classes, before she 'caught on'. However
we worked away slowly, - and eventually by the end of 6 months or more, -
she wound up teaching her (grown up) daughter how to make lace!  She was So
happy that I had taken the time to go over and over the same thing , and got
her to understand what was what, as she loved lace, and so wanted to learn
the craft. 
She moved away later on, and I lost contact, but she was so happy to make
lace - albeit simple lace edges!

As to bobbins being all the same - Not on my pillows!!  I started out
with plastic bobbins bought at Braggins, in Bedford, in the 1970's when I
visited Family in England, and I could only afford plastic beads, threaded
on some ()used) fishing line - and they are still like that, and still used
regularly. Only one spangle has ever broken, in all this time, too!!!   I
have managed to buy nicer, prettier bobbins with pretty spangles, but I use
whatever comes to hand and is not in use on another pillow!

Regards from Liz in Melbourne, Oz.
lizl...@bigpond.com

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Re: [lace] teaching

2015-04-30 Thread La
It's still April 30 here in the US, also our National Poem in your Pocket
day!  I just printed this out and put it in the drawer of my roller pillow.
Thank you for your writing Noelene!!! 
As Always,Laura SandisonNew Mexico, USA

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RE: [lace] teaching

2015-04-30 Thread Jenny Brandis
Absolutely spot of Noelene.

Hugs
Jenny B

-Original Message-
From: owner-l...@arachne.com [mailto:owner-l...@arachne.com] On Behalf Of
Noelene Lafferty
Sent: Friday, 1 May 2015 6:03 AM
To: 'Alex Stillwell'; 'Arachne reply'
Subject: RE: [lace] teaching

Thanks for that line Teaching is teaching Alex, it prompted me to start
writing again.

Teaching Lacemaking.

Teaching is just teaching
Whatever subject might be sought
But if you become a teacher
By your pupils you'll be taught.

Take the task of teaching
Lacemaking from the start
You'll find yourself presented
With new ideas to take to heart.

Why are there two twists there?
Why can't you work uphill?
Why don't my pairs remain the same?
Why is my fan a frill?

So then you have to puzzle
Work out the reason why.
And not just do it without thought
'Cause it's pleasing to the eye.

And the pleasure gained in teaching
Passing on this noble art
Is worth the time and effort
And gladdens every heart.

Noelene at The Angle
noel...@lafferty.com.au

Teaching is teaching, whatever the subject. .
Happy lacemaking and teaching
Alex

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RE: [lace] teaching

2015-04-30 Thread Noelene Lafferty
Thanks for that line Teaching is teaching Alex, it prompted me to start
writing again.

Teaching Lacemaking.

Teaching is just teaching
Whatever subject might be sought
But if you become a teacher
By your pupils you'll be taught.

Take the task of teaching
Lacemaking from the start
You'll find yourself presented
With new ideas to take to heart.

Why are there two twists there?
Why can't you work uphill?
Why don't my pairs remain the same?
Why is my fan a frill?

So then you have to puzzle
Work out the reason why.
And not just do it without thought
'Cause it's pleasing to the eye.

And the pleasure gained in teaching
Passing on this noble art
Is worth the time and effort
And gladdens every heart.

Noelene at The Angle
noel...@lafferty.com.au

Teaching is teaching, whatever the subject. .
Happy lacemaking and teaching
Alex

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RE: [lace] teaching

2015-04-29 Thread Jenny Brandis
If I have answered the same question over five times then the problem is
that I have not answered in a way that that particular student can
understand, not that she has not tried to understand.
Keeping on asking means that she wants to understand and I have to keep on
looking for another way to give her the answer. We get there in the end.

This is so true, I have found when I am teaching, (computer usage or a hand
craft) that your statements hold true as well. 

Regards
Jenny Brandis
Brookdale, Western Australia

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[lace] Teaching

2014-09-05 Thread Bronwen of Hindscroft
This past weekend, at a Society for Creative Anachronism event in Colorado,
USA, I taught my very first lace hands on needle lace class.

I only had two students, and due to the constraints of the event (so much
going on), I wasn't able to give the one lady the extra help she needed
(because she was too busy, not because I didn't have time for her).  But
the other lady I taught finished the simple square, and is excited about
doing more needle lace!

Thank you everybody.  Your discussion the previous week about teachers
helped me to be a patient teacher.  And who knows, maybe the other lady
will email me for help, as she said she was going to continue on the
project when she arrived home.

Bronwen,
in rainy Colorado Springs, CO

-- 

Only a life lived in the service to others is worth living.- Albert
Einstein

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[lace] Teaching and teaching skills

2014-08-25 Thread Alex Stillwell
Hi Arachnids

When I was chairman of the Education Sub-committee and working on the
assessment schedules we worked on the presumption that the Advanced standard
of the Lace Guild Assessments should be that suitable for a teacher. I then
suggested that the Advanced certificate should include the words similar to
the following.

In the opinion of the Lace Guild this candidate has reached the standard in
this subject required for teaching it. However, the Guild makes no claims as
to the teaching ability of this candidate.

It is possible that this may be accepted as a qualification in the subject. At
the time I was working on it, in the 1980s, I was told it would have been
acceptable.

Blow the dust, lets make lace,   I know there should be an apostrophe, what
does one do in this case, can I use a question mark.

Alex

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[lace] re: Lace teaching

2014-08-25 Thread Karen Thompson
I have followed the teacher evaluation and qualification thread with great
interest, both as a student and as a teacher.
Janice, I think it is a good idea to provide the evaluation form beforehand
to IOLI teachers - especially the new ones -  and also give guidelines to
teachers as to how to deal with students who are either under and over
qualified for a class, and those who demand much more than their fair share
of class time. Maybe a short session at the Teachers Meeting?

No matter how well a class is described by the teacher, different students
will interpret it to mean different things. What does beginner,
intermediate and advanced really mean? It varies from one lace maker to
the next how they perceive their skills. More illustrations might help, and
that is now possible on the websites. But even illustrations are open to
interpretation. Some teachers who plan to write a book on their subject
might be reluctant to give out written material, as it will be copied and
distributed by students. It probably comes down to whether one teaches to
share the love and knowledge of lace or as a business.  Others might argue
that one learns more from taking notes than receiving a handout, which may
or may not make sense. I am personally in favor of clearly illustrated
hand-outs.

We all teach and learn in different ways. As a teacher I always learn
something from my students while teaching. I have been very fortunate
during my many years teaching lace making to have met a lot of wonderful
people, and it always pleases me tremendously when I see my former students
enjoy lace making, advance to a new technique, entering a contest,
teaching, etc. That to me is the real payment for teaching.

Karen in Washington, DC

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Re: [lace] Teaching skills and lace

2014-08-24 Thread nestalace . carol
Hi Lyn and Spiders,

Just to add a little bit more to the topic.

Although some (most ?) lace tutors probably don't have 'teacher training', I, 
with the help of the Lace Guild bursary, took the City and Guilds Teaching 
Certificates, and they certainly helped!   The class was taught by a wonderful 
woman, who made us challenge ourselves - and each other - and my biggest 
achievement in that class was to teach an Army sergeant how to do leaves!   And 
a very creditable effort he made, too.

So - maybe the City and Guilds teaching certificates could be more widely 
advertised - I certainly enjoyed the experience of the courses, and I am sure I 
learned a very great deal too.

Carol - in North Norfolk UK
'Deliver us, Lord, from every evil, and grant us peace in our day.'



- Original Message -
From: Lyn Bailey lynrbai...@desupernet.net
To: lace@arachne.com
Cc: 
Sent: Saturday, 23 August 2014, 20:42
Subject: [lace] Teaching skills and lace

.  Training and practice can only help.  
 While lace teachers undoubtedly know the subject matter, there is no teacher 
training for lace teachers, nor is there the kind of feedback as to the 
effectiveness of my teaching.  

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Re: [lace] Teaching skills and lace

2014-08-24 Thread Celia Mulhearn
So - maybe the City and Guilds teaching certificates could be more 
widely advertised - I certainly enjoyed the experience of the courses, 
and I am sure I learned a very great deal too.


are there any courses for 'City and Guilds' Lace making? I thought they 
were not being run any more but would be interested in finding out about 
the possibility of taking a course.

Celia Mulhearn
Highbridge, Somerset UK

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Re: [lace] Teaching skills and lace

2014-08-24 Thread The Lace Bee
The city and guilds teaching certificate is called PTLLS.  These days, in order 
to take this qualification and use it to teach you are supposed to be qualified 
in the subject that you intend to teach.

My understanding is that the city and guilds for lacemaking is no longer run as 
as this was the only qualification in the UK you end up with a circular issue.  

You want to be qualified to teach lace but you can't gain a qualification at 
the right level to take the teaching qualification.  

However, if you are qualified with PTLLS you can apply to any of the awarding 
bodies to  deliver a qualification in lacemaking so long as you are an 
accreditation centre or attached to an accredited centre.  That, of course, 
costs money.  Then to deliver the accreditation course  that you set up you 
need to pay for an IV (internal verifier) to verify that you are delivering to 
standard.  Following that, sample models from each learner are checked by an 
outside auditor from the qualifying body to check that standard are being met.

This all has to be delivered in a timely manner.

So, you can see why as numbers applying for the city and guilds lacemaking 
dropped it stopped being viable to continue with the formal qualification. 

http://www.cityandguilds.com/qualifications-and-apprenticeships/learning/teaching/6302-preparing-to-teach-in-the-lifelong-learning-sector-ptlls#tab=information

You could argue that if you have received certification from the lace guild for 
completing their assessments that this would give you the technical 
qualification to take PTLLS but because it is not delivered to OfQual standards 
it is not recognised.

Catch 22.

In the past, colleges would let you teach lace if you had PTLLS but not a lace 
qualification as they believed that if you could demonstrate a reasonable 
standard in lacemaking and had learnt to teach you could combine the two.   
Something which this debate here has borne out.

L


Sent from my iPad

 On 24 Aug 2014, at 20:55, Celia Mulhearn po...@me.com wrote:
 
 So - maybe the City and Guilds teaching certificates could be more widely 
 advertised - I certainly enjoyed the experience of the courses, and I am sure 
 I learned a very great deal too.
 

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[lace] Lace teaching

2014-08-24 Thread Robin D
My goodness I didn't mean to start such a debate/vent session. *blush*

My experience with the other lace maker was at a demonstration and I was
new to tatting.  I had been taught by the president of our local guild just
a couple months before and I was doing my best to throw myself
wholeheartedly into the lace world. I was shocked at being put down for
simply making a join in a different, but acceptable, style.

I was also stunned at how this lace maker would inform the kids under 8
years age that they were too young to try bobbin lace. It made me quite
angry as I knew full well that there are laces made by much younger kids in
museums and my daughter (4 at the time) had helped me make one of those
snakes. I was also shocked that, instead of promoting the local guild, this
person informed everyone that if they wanted to learn tatting they would
need to sign up for his/her class at the local yarn shop.  A class that was
$150 for Level 1 class (2 months long) and only taught rings  chains.

My thought, later after I had recovered from the negativity I felt, was how
offensive the inferences he/she made were.  That according to this person
who was a certified tatting instructor all those grandmothers and mothers
teaching their kids were some how unqualified.  Or that those like the
president of the local chapter - shouldn't be teaching because they didn't
have some little paper.
I have sense learned that this person is kind of notorious in lace circles
for this behavior.

Having vetted teachers at IOLI conventions is one thing, but isn't it part
of being a member in IOLI to do gratis teaching and demos?  Isn't part of
loving lace making to try and inspire and encourage as many people as we
can to take up the art?

What I had hoped to encourage by sharing my experience was for people to be
more willing to stand up for the new lace-makers. If we see something
like *GASP  FUME* someone cutting bobbins off that we'll speak up.

Thanks for reading  happy lace making.
Robin D.

-- 
Never, ever, let anyone tell you what you can and can't do. Prove the
cynics wrong. Pity them for they have no imagination.
The sky's the limit. *Your* sky. *Your *limit.   Now, let's dance.  *~Tom
Hiddleston*

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Re: [lace] Lace teaching

2014-08-24 Thread Sue Babbs
With children who have good attention spans, I have successfully taught them 
simple bobbin lace ( eg snakes, fish etc) at the age of 3.


Sue

suebabbs...@gmail.com

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Re: [lace] Lace teaching

2014-08-24 Thread The Lace Bee
I have always taught beginners for basically the cost of my travel.  For more 
advanced tuition I charge a little more.  I also encourage newbies to join the 
local group to get support and offer a list of books to work with for 
inspiration.

In addition, for the taster classes that I have been running at local craft 
stores, I have provided all the equipment so the learner simply has to turn up, 
choose some lovely colours and start.

As to age, the last taster session had a lovely young lady of just 7 who had 
better colour coordination than the rest of us.

Sent from my iPad

 On 25 Aug 2014, at 00:37, Robin D human.m...@gmail.com wrote:
 
 Having vetted teachers at IOLI conventions is one thing, but isn't it part
 of being a member in IOLI to do gratis teaching and demos?  Isn't part of
 loving lace making to try and inspire and encourage as many people as we
 can to take up the art?

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[lace] Teaching lace.

2014-08-23 Thread Kathleen Harris
I feel I must stop lurking and pass on my opinions on this topic. 

The best teacher I ever had was the late Marjery Carter, who taught me Bucks
point. She had been a maths teacher, and her opinion was that if you could
teach one subject, then you could teach anything, because you had the
necessary techniques and patience. But, of course, you had to know any
subject which you were teaching very well yourself. 

That does not mean to say that a non-teacher should not try to teach lace,
but it takes effort and a lot of thought. I am in this position myself at
the moment. A friend asked me to teach her to make lace. For a variety of
reasons there was no other way she could learn. I resisted, saying that I am
not a teacher, although I have been making lace for 45 years. But she
insisted, and so we began, just about a year ago. She is now making lace -
not perfect lace, but good lace - learning all the time and enjoying every
moment of it. We have a session every week and have just moved from Torchon
to Russian lace - she is Russian. We went slowly at first, while I felt my
way into teaching. I think we have been successful because of this, because
she is skilled in other crafts and because she so passionately wants to make
lace. But there is no way I would try to teach a class - one-to-one is quite
different.

The worst teacher I have heard of was the one a friend of mine started with.
She did not let her students start or complete a piece themselves. She began
every piece, and finished every piece. My friend came out of that class able
to make lace but unable to move forward. Luckily she found a better teacher
and became an excellent lace maker - but only because she was determined and
passionate about lace.

Kathleen
Berkshire, UK


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Re: [lace] Teaching lace.

2014-08-23 Thread nestalace . carol
Hi Kathleen and Spiders

I can agree whole-heartedly with the last paragraph.   I was talking at a Lace 
Day, when I was taking the Lace Circle goodies around, with a very respected 
tutor - she told me that whilst teaching, I shoud NEVER teach students how to 
start, and how to finish.  The reason for that is, that the students have to 
keep coming to classes if they can't start or finish, and that, in her words, 
'keeps bums on seats' and keeps the classes going!   ( I had previously said 
that one of my classes was being sadly depleted by people moving away, or 
finding other hobbies, and she told me this in an effort to be helpful, and 
keep my class numbers up - but I was horrified!)

However, take care, and may your pins never bend.

Carol - in North Norfolk, UK.
'Deliver us, Lord, from every evil, and grant us peace in our day.'

- Original Message -
From: Kathleen Harris ec...@cix.co.uk
To: 'lace' lace@arachne.com
Subject: [lace] Teaching lace.

The worst teacher I have heard of was the one a friend of mine started with.
She did not let her students start or complete a piece themselves. She began
every piece, and finished every piece. My friend came out of that class able
to make lace but unable to move forward. Luckily she found a better teacher
and became an excellent lace maker - but only because she was determined and
passionate about lace.

Kathleen
Berkshire, UK



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Re: [lace] Teaching lacemaking

2014-08-23 Thread nestalace . carol
Hi Clay and all Spiders,

I would like to add just one small point!    Even knowing the subject 
inside-out is not always a good preparation for teaching said subject. My 
lace is not quite of the quality of other really marvellous lace-makers, but 
many of my students have said that they have come to me via other students, as 
they have been dissatisfied with previous tutors and classes.   Sometimes, I 
feel that this could be that I can still remember the difficulties (and tears 
shed) with some techniques, and it helps me to find other ways to explain, so 
that the student can understand.

We had a Maths tutor at High School - he was a brilliant man - a forces 
intelligence chap, a Russian speaker, and all sorts of major qualifications - 
but because Maths came so easily to him, he could never understand our 
difficulties, and if questions were asked, tended to stand in front of the 
class, looking bewildered that anyone should be unable to understand! Some 
of us got through our Maths GCEs, but it was a major triumph when we did.

Carol - in North Norfolk, UK
'Deliver us, Lord, from every evil, and grant us peace in our day.'

- Original Message -
From: Clay Blackwell clayblackw...@comcast.net
Subject: [lace] Teaching lacemaking

Sent from my iPad

 On Aug 22, 2014, at 3:14 PM, The Lace Bee thelace...@btinternet.com
wrote:

Just because we have not been trained as teachers is not proof that we are not
capable of being good teachers.  There are several ways that a teacher/student
relationship can be magical. If both teacher and student respond to the visual
approach, they will get along!  If they both function on an auditory level,
then again, they get along!  Then, there is the kinetic approach, which is
essentially the hands-on learning.  

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Re: [lace] Teaching lace.

2014-08-23 Thread Sue Harvey
I was very disappointed at first when our classes folded because of numbers 
going down because they put the prices too high.  But it was a blessing in 
disguise, because before when I had a problem I just asked my tutor and she put 
me right, but with no teacher I had to sort out my own problems and found I was 
learning far more about lace by simply thinking harder about it instead of 
saying  how do you? 
Sue M Harvey
Norfolk
U.K. 

Sent from my iPad

 

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Re: [lace] Teaching lace.

2014-08-23 Thread Laceandbits
Well done Sue, but unfortunately not everyone is as positive and determined 
as you.  

I know that not all the people who were in my classes and who dropped out 
one or two at a time, over several price raises, are still making lace.  I am 
still seeing many of the ones who were able to hang in until the end, when 
the both price shot up and concessions were removed at the same time, but 
the ones who left earlier have mostly disappeared from my circle. 

I do agree with what you are saying though as I was originally self taught, 
and when I first went to classes I found it very strange when people just 
chatted while waiting for help, instead of trying to work out what to do.  I 
now see people monthly and it's a good compromise for all as they have to 
think for themselves a bit or they can't do anything for a long time, but if 
they are seriously stuck they know help is coming.

Jacquie in Lincolnshire

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[lace] Teaching skills and lace

2014-08-23 Thread Lyn Bailey
In any teaching situation, there are two requirements: knowledge of the 
subject, and knowing how to transmit that knowledge to the student in the 
most efficient way.  It is the second part that is not necessarily as easily 
developed as the first.  Some have the teaching talent instinctually, and 
others are trained.  Training and practice can only help.  It was in college 
that I first found poor teachers, those who knew their subject, but didn't 
know how to effectively transmit that knowledge in the most efficient way. 
Since we knew there was a final exam, if necessary we compensated for any 
deficiencies of the teacher, as we were motivated to get good grades, and 
that required acquiring the teacher's knowledge, however that was done. 
What I found was that with some notable exceptions who simply knew how to 
teach without any official training, those teachers who had taught high 
school were uniformly good teachers. They knew how to transmit their 
knowledge efficiently, and as painlessly as possible.  The best could get a 
stone to learn the subject.   As a 7th grade (12-14 years old) English 
teacher as my first post-college job for four years, I think the reason is 
that a school teacher has to figure out how to teach, and, of course, is 
required to take teacher training of one sort or another, and thus learns 
what works and what does not.  School teachers get feedback on their 
teaching methods by seeing students' grades, although this is a 
generalization.  Being able to create enthusiasm for the subject is a matter 
of pride to school teachers, and they have practice at it.  I am certainly 
not saying there are no poor school teachers, but training, practice and 
feedback go a long way.  While lace teachers undoubtedly know the subject 
matter, there is no teacher training for lace teachers, nor is there the 
kind of feedback as to the effectiveness of my teaching.  When things were 
going poorly in my class of youngsters, and the students were not engaged, 
they sort of began to run around the walls and swing from the rafters.  When 
they were truly engaged, I could see that, too.  In a lace class, the 
students are too mature and too polite to give the same sort of feedback my 
young students did.


Needless to say, if a school teacher does the equivalent of cutting the 
bobbins off the pillow, the teacher ends up in the principal's office, 
perhaps with the irate parent there, and the facts of life are made 
abundantly clear.


Lyn in Southwest Harbor, Maine, USA 


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[lace] Teaching skills and lace

2014-08-23 Thread mary carey
Hi All,

My first experience of a brilliant person who had difficulty passing on the
information she knew was one of my first teachers in Primary School.  I need
to point out that the first 5 years of my education were by Correspondence (in
Australia now called Distance Education) so I was about 11 at the time.  One
of the best was in the Senior Years in High School, taught Geography and
instilled the formula for essay writing, saved my bacon.

My only teaching training was Certificate IV in Workplace Training, a method
of assisting adults teach other adults in the Workplace - I did it as part of
First Aid Training.

Have not found an outlet for my interest in teaching Lace, but I feel I could
manage it on a one to one basis.  I agree with the Australian Lace Guild's
stand on Proficiencies before teaching on their behalf, but there would be
many teachers of Lace out there in local groups and on a one to one basis
without that background.

Mary Carey
Campbelltown, NSW, Australia

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Re: [lace] Teaching antics

2014-08-22 Thread Catherine Barley

Oh my goodness

That's appalling and so was the behavior of the tutor who cut off the 
bobbins.  I hope she was never invited to teach again!  Don't forget to 
complete the Appraisal form distributed at the end of class, giving you the 
opportunity to report  such behavior to the organisers.  Students do not pay 
good money to be humiliated!


Catherine Barley

Catherine Barley Needlelace
www.catherinebarley.com

- Original Message - 
From: laceviolins...@comcast.net

To
Subject: Re: [lace] Teaching antics


The teacher told us that all the instruction was printed on papers hanging 
around the class on the walls.


Then on the last day of instruction she said that she would not be 
teaching, that she and her friends were going to be have some wine in the 
back of the room, so we should just go ahead and lace.




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[lace] Teaching antics

2014-08-22 Thread Janice Blair
I hope everyone fills in the comment section of the forms which are handed out
to students at the end of the classes at IOLI conventions, whether good or
bad.  Having been to almost all the conventions in the last 18 years, I have
written about poor teachers who did not spend time with all the students and
had time monopolized by a few students who probably should not have taken the
class because they were not ready for that style of lace.  I had a teacher
once who was balancing her checkbook and expected us to come up to the top
table with our questions.  A bit daunting for a new lacemaker. I had an
teacher, early on in my lacemaking life, that seemed to dislike me on sight
and would not come to me when I needed help.  She would work her way around
the room and stop at the person on my right, then work back around the room
and never came to me until the time she asked if anyone needed help and my
neighbor said Janice does.  I was too shy to speak
 up back then.  Can't think what I did for her to dislike me, maybe asked too
many questions when she demonstrated something, but you can bet your boots I
never took a class from her again.  Her loss.

These comment forms are the
property of the IOLI Education Committee and they compile them into the IOLI
teacher database.  Prospective co-hosts can get a copy of this database and
decide if they really want that particular teacher. Your anonymous comments
will be taken into consideration and if a teacher has many low scores, they
may not get invited again.  As part of the IOLI convention committee we are
considering having a handout for teachers in future on teaching techniques
such as
* How to deal with a student whose skill level is below that of the
class and is struggling
* How to deal with a student whose skill level is
above that of the class and is bored
* How to deal with a student who is
demanding an inordinate amount of the teacher's time (to the detriment of the
other students in the class)
If you have any suggestions, you can write to me
privately and I will pass them on to the committee.

Janice
Oh my goodness
That's appalling and so was the behavior of the tutor who cut off the 
bobbins.  I hope she was never invited to teach again!  Don't forget to 
complete the Appraisal form distributed at the end of class, giving you the 
opportunity to report  such behavior to the organisers.  Students do not pay 
good money to be humiliated!
Catherine Barley

 The teacher told us that all
the instruction was printed on papers hanging 
 around the class on the
walls.

 Then on the last day of instruction she said that she would not be 
 teaching, that she and her friends were going to be have some wine in the 

back of the room, so we should just go ahead and lace.
 

- -

 
Janice
Blair 
Murrieta, CA, 60 miles north of San Diego 
www.jblace.com
www.lacemakersofillinois.org

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[lace] Teaching lacemaking

2014-08-22 Thread Clay Blackwell
Sent from my iPad

 On Aug 22, 2014, at 3:14 PM, The Lace Bee thelace...@btinternet.com
wrote:

 As a qualified business trainer who supports people taking their
qualifications for teaching at colleges who is married to a PTLLS holder (the
qualification for teaching vocational skills at collets and other environs)
and who's sister literally wrote the book on making learning inclusive I hate
the quote by the otherwise wonderful George Bernard Shaw that those who can't
 Teach

I take offense to this on a number of levels.  I'm going to overlook the typos
and grammatical errors as part of this crazy internet communication system!
However,  lacemaking is an artistic skill.  Artists do not think like business
trainers, nor do they think like vocational teachers.   My professional
training was first as a teacher (Masters in Education,[M.Ed.]) but later as a
clinical Mental Health Therapist (M.P.C.).  But my undergraduate degree was in
Art History, which was my first true love.

My point is that people are drawn to lacemaking for many reasons, and creating
a balance in our lives is often a major reason.  So, we find that there are
teachers and teachers' aides among us, as well as, for example, members of
medical professions such as mine, child care workers, homemakers, lawyers,
legal aides, accountants, Engineers, secretaries, office managers, court
clerks, Judges, retail sales clerks, city managers,  custodians, fast food
workers, artists and designers.  In today's world, those of us who would be
starving artists usually take a profession that pays the bills, but seek out
satisfaction in our hobbies.  Many of us are lucky enough to discover lace,
and it is in the pursuit of perfection in this field that we achieve balance
in our lives.

Just because we have not been trained as teachers is not proof that we are not
capable of being good teachers.  There are several ways that a teacher/student
relationship can be magical. If both teacher and student respond to the visual
approach, they will get along!  If they both function on an auditory level,
then again, they get along!  Then, there is the kinetic approach, which is
essentially the hands-on learning.  In lacemaking, this is a dominant learning
style, but can be over-rated, especially after moving beyond the basics.
Often, a new lacemaker is attracted to another member of the group, mainly
because they have the same learning style!

My opinion, based on my assessment of the most influential teachers in my
lacemaking journey, is that if the teacher is thoroughly grounded in his or
her style of lace, and takes the time to develop study pieces which guide the
development of basic skills in the particular lace being studied, then
regardless of learning/teaching style, progress can be made!   More than
anything else, patient encouragement is the key ingredient!

I emphatically add that cutting bobbins off of a student's pillow is not good
form!  Bad Teacher.  At some level, I'm curious who that was, but in truth,
ignorance is bliss!!!

Clay

Clay Blackwell

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Re: [lace] Teaching lacemaking

2014-08-22 Thread The Lace Bee
Clay,

My apologies and yes the joy of replying from an iPhone with a small screen and 
predictive text does affect grammar and punctuation (and sometimes unique words 
appear that I didn't mean) which coupled with the fact that as a child of the 
70s British educational system I was not allowed to use punctuation until I was 
14 so sometimes I forget to use it at all.

So my apologies, as perhaps my meaning didn't come across correctly.  

What I was trying to say was that with my background I have the privilege of 
observing good and bad practice and the tools to deconstruct why that works.  
The best teachers seem to always have three qualities:
1. A passion for their subject
2. An ability to connect with the student
3. Patience 

Clay, as you have trained as a teaching professional your reply went through 
and explained the standard deconstruct of VARK (Visual, Auditory, Read/Write 
and Kinestic). I know that there are lots of models on how to teach out there 
but I personally like VARK because it's so easy to use and so effective. A well 
taught teacher or trainer will try each method in turn to match the learner's 
style and a natural teacher (and there are many out there) will also do this.

My husband admits that although he is a qualified teacher he is not a natural 
one and has to plan his lessons carefully to make sure he is inclusive in his 
methods of training.  His biggest challenge is that although extremely 
passionate about his subject he is not naturally a patient man and has to 
remind himself that learners learn at different speeds and have different 
abilities.  Because of his subject, many of his learners have limited 
educational experience and are often daunted by returning to a classroom.  It 
is his job to make that experience welcoming.

I knew a trainer who was very Kinestic - hands on.  Every training session that 
they designed was practical learning but their learners were mainly read / 
write and wanted to know the facts behind the practical.  Every time one of the 
learners asked a question the trainer would simple reply 'well, why do you 
think it does that'.  The poor learners realised that the trainer either didn't 
know or couldn't explain so stopped asking.  Then after about 6 months, they 
stopped booking training.  When you are a paid trainer for a large company, 
having no delegates is a bit of an issue.

My point with the GBS quote was that for many years people have fallen under 
that spell of thinking that anyone can pass on knowledge.  The key being if you 
know more than the learner then you will be fine.  But it's a myth.  The first 
inspirational teacher I met was when I was 7 and learnt the guitar.  He was 
actually 2 lessons ahead of me in the same book.  But by learning at the same 
time as me he was deconstructing the learning experience and then 
reconstructing it for me.  That grounding has done me well.  I am a natural 
guitar player but it is combined with a good knowledge of music theory and 
guitar theory.  I know how to and why and even now when I don't practice as 
much as I should, I can pick up my guitar and sight read music because it 
became a part of me through the teaching.  

Back in the late 90s I was rather ill and didn't do anything really for about 6 
months. As I recovered I discovered I had no patience for anything and 
certainly no sustained levels of concentration. So I (perhaps foolishly) 
thought that going back to lacemaking was the answer.  I realised then that the 
second person who taught me (in the early 90s) although not a trained teacher, 
was perhaps the best skills teacher I'd met.  Each time I had hit a problem she 
would tell me that it was common and we would together trace back to where the 
error had started and talk about the options to put it right.  She installed in 
me the maximum 'can you live with it' if yes, carry on, if no, make your lace 
backwards.  I undid my return lace time and time again and was happy doing it 
because that teacher had installed in me the passion to make, the knowledge to 
do it and the patience to achieve it.

Most of all, she made me feel as though I could do it.

So again Clay, my apologies and I should not email whilst trying to board a 
plane and I must proof read on the iPhone.  

I often get work emails where I'm not sure if the person is being supportive or 
sarcastic.  Because emails is so conversational sometimes it doesn't flow like 
a letter should.

Even the iPad tried to change concentration in to condensation just now ... 
That would have brought a whole new level of confusion to the debate.

And note to self - punctuation, punctuation, punctuation.

L

Sent from my iPad

 On 23 Aug 2014, at 03:52, Clay Blackwell clayblackw...@comcast.net wrote:
 
 I take offense to this on a number of levels.  I'm going to overlook the typos
 and grammatical errors as part of this crazy internet communication system!
 However,  lacemaking is an artistic skill.  Artists do not think like 

Re: [lace] Teaching lacemaking

2014-08-22 Thread Bev Walker
Hello everyone
I have to pipe up, the GBS line is He who can, does; he who cannot,
teaches. and one of many Shaw-isms from his play Man and Superman based
on the Don Juan theme.
Happily it is not in the context of lacemaking, lacemakers nor lace
teachers!

I like better the proverb One in three is a teacher. and even better than
that, some good advice I heard early on in lacemaking, that one way to
learn is to teach someone else! It has worked for me :)

Lace on and on

My point with the GBS quote was 

-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west coast of
Canada

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[lace] Teaching antics

2014-08-21 Thread L. E. Weiss
Sallie, I hope you reported the antics of that teacher who cut your bobbins.
What a horrific experience.  No one has a right to treat anyone that way,
where one is not willfully being disruptive or uncooperative.  I had one IOLI
instructor who appeared to have no interest in teaching me from the very
beginning (I think I was the only 1/2 day student in the class).  I did my
best for 3 days and spent the last full day in my good class.   I will never
give her a second chance.   I've been in another situation where a teacher was
playing favorites and being very hard on someone else in the class.  It's not
supposed to be boot camp.  Some instructors need drama to feed ego, but they
and the event organizers should be informed that this does not further the
goal of building the lacemaking community.
It's very hard to speak up in small groups sometimes (and almost impossible to
confront a bad instructor personally as a student), but it's important to
praise the great instructors and point out those whose approaches do nothing
to help the sponsoring organization and lacemaking in the long run.  If you
are having a bad time with a teacher, chances are someone else got burned too.
And if you see someone else being mistreated, try to offer them support and
report the circumstances to the organizers.
Glad you persevered with lace and found great teachers like Sylvie and Lia.
Regards,
Lorraine in Albany, NY

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Re: [lace] Teaching antics

2014-08-21 Thread laceviolins_52
I had a bad experience with a half day class. The class was explained in the 
IOLI manual as beginner to experienced taught both morning and afternoon. 
Little did I know that you got all the instruction in the morning and the two 
of us who took the afternoon class were ignored. The teacher told us that all 
the instruction was printed on papers hanging around the class on the walls. 

Then on the last day of instruction she said that she would not be teaching, 
that she and her friends were going to be have some wine in the back of the 
room, so we should just go ahead and lace. 

NEVER took a class from her again, and needless to say, I do not have any 
desire to learn that type of lace. 

Becca 

- Original Message -

From: L. E. Weiss weiss@mindspring.com 
To: lace lace@arachne.com 
Sent: Thursday, August 21, 2014 6:31:07 PM 
Subject: [lace] Teaching antics 

Sallie, I hope you reported the antics of that teacher who cut your bobbins. 
What a horrific experience. No one has a right to treat anyone that way, 
where one is not willfully being disruptive or uncooperative. I had one IOLI 
instructor who appeared to have no interest in teaching me from the very 
beginning (I think I was the only 1/2 day student in the class). I did my 
best for 3 days and spent the last full day in my good class. I will never 
give her a second chance. I've been in another situation where a teacher was 
playing favorites and being very hard on someone else in the class. It's not 
supposed to be boot camp. Some instructors need drama to feed ego, but they 
and the event organizers should be informed that this does not further the 
goal of building the lacemaking community. 
It's very hard to speak up in small groups sometimes (and almost impossible to 
confront a bad instructor personally as a student), but it's important to 
praise the great instructors and point out those whose approaches do nothing 
to help the sponsoring organization and lacemaking in the long run. If you 
are having a bad time with a teacher, chances are someone else got burned too. 
And if you see someone else being mistreated, try to offer them support and 
report the circumstances to the organizers. 
Glad you persevered with lace and found great teachers like Sylvie and Lia. 
Regards, 
Lorraine in Albany, NY 

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Re: [lace] Teaching antics

2014-08-21 Thread The Lace Bee
What many teachers forget is that people are buying a service from  them and as 
such are their customers

If I was abused in a shop by the person I wasn't young from I would vote with 
my feet and complain to the manager. 

We are often too nice to those who bully or fail to provide the level of 
service expected because we just want together away and not make a scene 

On the flip side, if someone has paid me to learn I will be honest if they are 
wasting their money. I taught one lady who had no talent at all for lacemaking. 
Each session she had lost all the progress that that she had made in the 
session before. In the end, I suggested she stopped paying and had 3 free 
lessons. If she made no progress at end of those we would part company. She 
admitted that she wasn't enjoying it and finally spoke with me about pressures 
at home which were taking up her thoughts. So we took a teaching holiday with 
the promise of a couple offerer sessions when she felt she had time to take it 
up again.  

Sent from my iPhone

 On 22 Aug 2014, at 02:31, L. E. Weiss weiss@mindspring.com wrote:
 
 Sallie, I hope you reported the antics of that teacher who cut your bobbins.

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[lace] Teaching lace - UK background checks

2013-07-29 Thread scotlace
I seem to remember it was said that people required a background check for
each class/group taught in different locations.  This morning, in the church
coffee lounge I was told the system has changed.  The conversation arose
because volunteers for the two summer clubs - one for children and one for
'seniors' - were being handed forms to be completed.


Since the 17th June the old CRB forms are outdated and won't 'work' now.  The
new system is 'Debarring and disclosure service'.  Only one form is required
with no cost to volunteers.  Once you have competed the form and had it
accepted you register online for a 'portable' badge (or whatever is issued to
you).  I assume this is at no extra cost to those being paid for their
services/jobs.


You can find out about it on:


www.homeoffice.gov.uk/dbs


You still need proof of identity - but you would expect that.


This won't help the people who have given up teaching or the classes lost but
I felt the information should be publicised, especially given the lengthy
discussion recently held about the problems of volunteering.


Patricia in Wales


P.S.  This is UK wide and not simply a Welsh development.

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Re: [lace] Teaching lace - UK background checks

2013-07-29 Thread Sue Duckles
That'd be about right volunteers would have to pay themselves I can 
foresee people not bothering to volunteer at all!!  School crossing patrols for 
instance... only work 5 hours per week termtimes only and they'd have to 
pay for the check??  Can we really see that working?

Back down off soapbox

Sue (Lollipop Lady in North of UK)


On 29 Jul 2013, at 18:45, scotl...@aol.com wrote:

 I seem to remember it was said that people required a background check for
 each class/group taught in different locations.  This morning, in the church
 coffee lounge I was told the system has changed. 
 You can find out about it on:
 
 
 www.homeoffice.gov.uk/dbs

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Re: [lace] Teaching lace - UK background checks

2013-07-29 Thread scotlace
Volunteers do not pay now: I said  specifically 'no cost to volunteers'.
Employers pay for their employees.  My niece has just graduated in radiography
(with first class honours and student of the year prize; I'm so proud I have
to boast, given the problems she had) and is having a background check done
now.  If she was expected to pay for it I would have heard all about it,
believe me, as she is so hard up.  Her employing Health Board is footing the
bill.


In the early days of background checks my local council paid for them for
teachers, assistants, dinner ladies and crossing patrol people as well as for
us reading volunteers. I see no reason for that to have changed.  I assume the
self employed -e.g. private music teacher - pay for themselves.


Patricia in Wales



-Original Message-
From: Sue Duckles s...@duckles.co.uk
To: scotlace scotl...@aol.com
CC: lace lace@arachne.com
Sent: Mon, 29 Jul 2013 19:53
Subject: Re: [lace] Teaching lace - UK background checks


That'd be about right volunteers would have to pay themselves I can
foresee people not bothering to volunteer at all!!  School crossing patrols
for
instance... only work 5 hours per week termtimes only and they'd have to
pay
for the check??  Can we really see that working?

Back down off soapbox

Sue (Lollipop Lady in North of UK)


On 29 Jul 2013, at 18:45, scotl...@aol.com wrote:

 I seem to remember it was said that people required a background check for
 each class/group taught in different locations.  This morning, in the
church
 coffee lounge I was told the system has changed.
 You can find out about it on:


 www.homeoffice.gov.uk/dbs

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Re: [lace] Teaching children

2013-07-12 Thread Jenny Brandis
Hi Anna, thank you for your kind words.

This weekend is the local ag show and some of my girls have entered their work, 
So it is an anxious time for  them. 

I enjoy being with them as they are such fun to be around! Tomorrow I will 
check out how well they did and take photos of their work.

Surrogate grandmother works for me. :-) 

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Re: [lace] Teaching children

2013-07-11 Thread Anna Binnie
Jenny, having met you for the first time last year, I'm not at all 
surprised that the munchkins keep coming back. You are an inspirational 
teacher.


And surrogate grandmother how lovely. There are lots of very young 
grandmothers



I must admit i have been surprised that the group has continued for so long!!



Anna in a sunny Sydney

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Re: [lace] Teaching children

2013-07-10 Thread nestalace . carol
Hello Spiders,

This is really making us all think, isn't it!

When I went into the schools in which I taught lace-making, as an after-school 
activity, there was always a teacher present, so they didn't think that a CRB 
was necessary, as the teacher was always on the spot.   (One of the teachers 
even joined the class!)   However, one of my children's private classes folded 
because a friend (!) of one of the mothers asked if she had checked that I was 
CRB checked.   I wrote to my then MP who, after quite a long time, replied 
that, as I was going into the childen's homes, where a parent or guardian was 
always present, then I didn't need any additional checks - especially as I was 
self-employed anyway.   This took so long to sort out, that I gave up on that 
class - felt sorry for the children who had been enjoying it, but felt that, if 
the mother was going to listen to too many of her pals, with all sorts of 
criticism, I could do without all the hassle.   The other three children's 
classes continued without
 any bother, so I felt quite happy with that.

However, I do agree that they take the CRB checks to laughable levels.  Surely 
one check should be enough for any and alll activities, not separate ones for 
Guides, Cubs, Brownies, schools, lace tutors and anything else they can make a 
bit of maney on...

Carol in North Norfolk UK
'Deliver us, Lord, from every evil, and grant us peace in our day.'


- Original Message -
From: lynrbai...@desupernet.net lynrbai...@desupernet.net
Subject: Re: [lace] Teaching children

.  A UNIFIED BACKGROUND CHECK FOR LACE TEACHERS!!  
Hi All



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Re: [lace] Teaching children

2013-07-10 Thread Rosemary Hemmett

Dear All

I have experienced this CRB checks and at one time could have papered 
the little room with all the certificates for the different things I was 
involved in.  Not just for working with children but with Vulnerable 
Adults.  (This covers anyone who finds themselves in a vulnerable 
situation - fall and bruise your knee you become a vulnerable adult cut 
your hand)


Just remember the CRB check is only really valid on date of issue as it 
only records things that have happened and been recorded ie 
convictions.  one day later and the picture could be very different.


If we want to bring childen up in a 100% risk free environment 100% 
germfree maybe we should CRB check any person who wishes to have a baby 
and then check parents very 3 years.  If they fail any of these checksin 
any way the children are removed into govt care.  which should meet the 
above levels of excellence.This will then only leave those that are not 
parents to be checked.  Well maybe we just check the whole population as 
a matter of course all the time and the citizen will the have an ID 
number that it login with (with retinal recognition) any time they have 
any contact with children and if they are not of the correct standardd 
then they will be a loud noise to alert the bystanding adults.


There has got to be a better way - how about trust in others. despite 
the few sick people that are out there.  most children who hve been 
abused have been abused by family members - the recent cases of grooming 
have been young girls who have many problems and the groomers have not 
been people working with groups of young children.  There have been 
cases of children being groomed in chat rooms on the internet.  The same 
can be said for adults too these situation exist  for them as well.


Maybe we start with respect and a caring attitude towards others - male 
female children  and less of the need to subjugate others


Thank you for reading this - I will now get back to my lacemaking


On 10/07/2013 11:49, nestalace.ca...@btinternet.com wrote:

Hello Spiders,

This is really making us all think, isn't it!

When I went into the schools in which I taught lace-making, as an after-school 
activity, there was always a teacher present, so they didn't think that a CRB 
was necessary, as the teacher was always on the spot.   (One of the teachers 
even joined the class!)   However, one of my children's private classes folded 
because a friend (!) of one of the mothers asked if she had checked that I was 
CRB checked.   I wrote to my then MP who,




--
Kind Regards
Rosemary Hemmett
mailto:rosemary.hemm...@virgin.net

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Re: [lace] Teaching children

2013-07-10 Thread Jenny Brandis
I have been teaching children for 4 years (7-12 yrs old at the beginning) and 
although I went and got the australian police clearance called 'working with 
children' it has never been asked for.

I teach in my own home each Saturday afternoon and it is purely voluntary on 
behalf of the kids. If they felt threatened in any way they would not come.

I was unsure how to respond to a comment that i was a surrogate grandmother but 
on reflection that makes sense as i live in a 'young' town with the average age 
being in the 30's. Whatever the reason i love being able to pass on my love of 
craft to a new generation.  

We have explored different crafts over the time but the one stipulation is that 
they must learn bobbin lace to attend.

I must admit i have been surprised that the group has continued for so long!!

Regards
Jenny Brandis
Kununurra, Western Australia

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[lace] teaching children

2013-07-09 Thread Nicky H-Townsend
Hi all, 
Just been catching up on the thread of recent digests and came across Joke 
Lyn's messages regarding teaching children.

Lyn wrote: I apologize, but your posting struck me the wrong way.  I'm
sitting here with tears of laughter running down my face, thinking, Rats,
my extensive criminal convictions will not let me teach lace to children...
I know it's serious, and probably expensive, but really, lacemakers going to
schools to prey on young children?  The thought is such an absurdity.  I
suppose there could be a predator out there, lurking amongst us Lacemakers 

Joke wrote: It would be lovely if children could have an afternoon to get to
know lacemaking..

For 12-14 years I voluntarily ran a lace club in the lunch hour at what was
then the local middle school [children aged 9-13] where I taught both girls
and boys to make lace. Living in a relatively rural area it had to be during
lunch because after school clubs were difficult for the majority of children
who had to be bussed to and from school each day. The class was always full
[14 max] with a lengthy waiting list of youngsters wanting to have a go at
making lace, often inspired by the annual exhibition the group put on to
coincide with parents days. Some lasted for a few weeks before deciding it
wasn't for them others stayed on until they changed school, one is now my
groups membership sec.  All went well until the school had a new headmaster
who thought it a waste of time and spent a year making life very
difficult... so that class moved to my home along with the class I'd
already set up for the older children going to high school. But gradually
numbers dwindled and life was made even more difficult because of all the
scandals of child abuse that were coming to the fore and CRB checking was
introduced and became compulsory . this was when I bowed out of teaching
children, not because I wouldn't pass through the CRB checks I hasten to
add, but because the cost of it was prohibitive.  And yes Lyn I do see the
funny side of what you wrote.

Another problem that we now face in my area at least, is the lack of
lacemakers who are able and willing to teach. Over the past couple of years
when I've been out giving a talk/exhibiting within the county I've been
asked where folk can go to learn, but classes are non-existent in many parts
of the county, so cutting a long story short this has resulted in a new
class of adult beginners [not all retired] and a bit of a trek for me, so
far it's going well, though I do have to watch out for herds of deer
suddenly leaping out from the hedgerows across the road when I drive back
home in the dark, it's happened each week so far. Clearly this particular
narrow lane crosses their regular route, but it's the only way home for me,
but I have to say that one particular stag is quite an impressive animal and
I do so enjoy seeing them, fingers crossed they won't one day actually land
on my car. Never imagined that lacemaking could be so fraught with danger!!!

Nicky   in a gloriously sunny Suffolk so wonderful to see some sunshine at
long long last.

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Re: [lace] Teaching children

2013-07-09 Thread Joke Sinclair
Dear Lyn,

You gave me an excellent idea.  I could use some slave labour to be able to 
enter the 5 meter club :)
Just kidding!
It is sad they had to enforce these rules.

Joke



On 8 Jul 2013, at 23:20, lynrbai...@desupernet.net wrote:

 Dear Joke,
 I apologize, but your posting struck me the wrong way.  I'm sitting here with 
 tears of laughter running down my face, thinking, Rats, my extensive 
 criminal convictions will not let me teach lace to children...  I know it's 
 serious, and probably expensive, but really, lacemakers going to schools to 
 prey on young children?  The thought is such an absurdity.  I suppose there 
 could be a predator out there, lurking amongst us lacemakers, but
 
 Please enjoy the joke with me.
 Lyn from Lancaster, Pennsylvania, USA, who had the charges for failing to 
 show her automobile insurance to the cop withdrawn today.  Honestly.  
 
 

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Re: [lace] Teaching children

2013-07-09 Thread Sue Duckles
Hi All

Been watching this thread with interest.  I am enhanced CRB checked and do hold 
a current certificate however here in the UK it would only cover me for 
being a School Crossing Patrol!  If I wanted to go into school to 'teach' then 
I should be CRB checked for that... if I wanted to work with 'vulnerable 
adults' in other centres again another CRB check would have to be made.  
Trusteeship of a group registered with the Charities Commission would need 
another CRB clearance  All of which must be paid for by an organisation, 
and the paperwork can take up to 6 months!!

This situation is rather ludicrous, as each of the above checks would be made 
by the SAME County Council!!!  Now where is the sense in that??  IMHO it's a 
great way of raising extra money!  Also, if someone is 'retired' or 
self-employed, there is NO WAY that they can get their employer to pay for a 
CRB clearance doesn't enter into the scheme!

In other words, whereas I could potentially go into the community to teach lace 
because I'm 'employed' , someone else who is retired couldn't, unless they 
could 'persuade' the relevant school or whatever, to pay £60 UKP EACH 
TIME!!!  Separate ones for separate schools/centres etc

this is probably why it just ain't gonna happen here in the UK!!

Down off soapbox

Sue in East Yorkshrie

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RE: [lace] Teaching children

2013-07-09 Thread Maureen
I so agree Sue.   Look at the cases in recent years where 'abusers' have had
the necessary CRB checks and passed just because they 'lied' or something.

I also believe it is basically a money making exercise. Retired people
have the time and energy to go and teach lacemaking to children in schools.

Maureen
E Yorks UK

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Re: [lace] Teaching children

2013-07-09 Thread lynrbailey
Well, Sue, you've got an MP.  WRITE!  Let's have a Youtube when this question 
is asked in Parliament.  A UNIFIED BACKGROUND CHECK FOR LACE TEACHERS!!  Once 
and done, 5 pounds for an update every 3 years.  Otherwise lacemaking will go 
the way of the dodo in 30 years.  

Lyn in Lancaster, Pennsylvania, USA, where the background checks are portable, 
says DH.  Only need one.  


-Original Message-
From: Sue Duckles s...@duckles.co.uk
Sent: Jul 9, 2013 4:32 AM
To: Arachne lace@arachne.com lace@arachne.com
Subject: Re: [lace] Teaching children

Hi All

Been watching this thread with interest.  I am enhanced CRB checked and do 
hold a current certificate however here in the UK it would only cover me 
for being a School Crossing Patrol!  If I wanted to go into school to 'teach' 
then I should be CRB checked for that... if I wanted to work with 'vulnerable 
adults' in other centres again another CRB check would have to be made.  
Trusteeship of a group registered with the Charities Commission would need 
another CRB clearance  All of which must be paid for by an organisation, 
and the paperwork can take up to 6 months!!

This situation is rather ludicrous, as each of the above checks would be made 
by the SAME County Council!!!  Now where is the sense in that??  IMHO it's a 
great way of raising extra money!  Also, if someone is 'retired' or 
self-employed, there is NO WAY that they can get their employer to pay for a 
CRB clearance doesn't enter into the scheme!

In other words, whereas I could potentially go into the community to teach 
lace because I'm 'employed' , someone else who is retired couldn't, unless 
they could 'persuade' the relevant school or whatever, to pay £60 UKP EACH 
TIME!!!  Separate ones for separate schools/centres etc

this is probably why it just ain't gonna happen here in the UK!!

Down off soapbox

Sue in East Yorkshrie

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My email sends out an automatic  message. Arachne members,
please ignore it. I read your emails.

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Re: [lace] Teaching children

2013-07-08 Thread Jacquie Tinch
Although I don't agree that you *have to be* a mathematician or scientist etc 
to be a good lacemaker, I am reasonably confident that a high percentage of 
those people who are bobbin lacemakers do have those inclinations and this may 
have been what Alex meant. 

Many times I have asked around a class what people's work is/was and the three 
fields that by far out number everything else are the already mentioned 
maths/science/computer specialities, medical/caring professions and teachers. 
Both the latter groups probably require at least a confidence with basic maths 
and science concepts. 

Myself, I loved geometry at school; it was so obvious how to work out angles 
and how to do all the clever drawings with only ruler and a pair of compasses. 
After school I went to art school to study fashion, but worked for years as a 
dispenser in a pharmacy. For quite a while I worked as a carer. After I did my 
teacher training with its awful analytical essays, I did Open University 
science as light relief; it was wonderful to be studying something where there 
were right and wrong answers. And from 10 years after leaving art school I was 
making my bobbin lace through all the rest. 

Just my observations, not meant to inflame or upset anyone.

Cheers, Jacquie. 
Just spent a hot but enjoyable Lace Guild Exec meeting weekend at The Hollies. 

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Re: [lace] Teaching children

2013-07-08 Thread nestalace . carol
Hi Spiders,

This theme has made me think!   I was lucky enough to teach lace at a private 
school, in the after-school activities, and had so many children we had to have 
a 'helper' for me!   I taught the Textiles class, and when some of the parents, 
children and staff knew I made lace (I made a treble clef for the music 
teacher) they were all very vocal in wanting a club - so, the school agreed, 
even bought several pillows and all the gear, and off we went. I did supply 
orange juice and biscuits - not chocolate ones! - and I am sure another of the 
attractions was that we had our own personalised sweat shirts too, which the 
children were allowed to wear at the club, but not in the school day.    It was 
open to all from seven years old, and I had as many boys as girls, and I loved 
every second of it.   The only thing which did get me extremely tetchy was when 
parents, guardians or nannies came in to collect children, and said 'Is that 
all you've
 done?' 

Maybe I was lucky, and I do think it is probably easier to start a lace club at 
a private school, rather than the local education authority school - private 
schools can be more innovative than the local authority will allow sometimes, 
but if there are any school fetes and summer events going on in your 
village/area etc., then offer to take pillows with wip, have-a-go pillows etc., 
and see what response you get - this is how I started at two local village 
schools, and they have been very successful indeed.

Take care, keep on lacomg, and may your pins never bend!

Carol - now in North Norfolk, UK.
'Deliver us, Lord, from every evil, and grant us peace in our day.'


- Original Message -
From: lynrbai...@desupernet.net lynrbai...@desupernet.net
 If you have an idea, please
share.

  / walker.b...@gmail.com

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Re: [lace] Teaching children

2013-07-08 Thread J D Hammett

Hi Clay, Anna and other Arachnids,

Most people have not reacted to this as it was not suggested that 
mathematicians or physicists make better lacemakers. The suggestion was that 
an argument that lacemaking MIGHT aid the development of mathematic/physics 
thinking as well as the artistic side in order to persuade schools to accept 
lace classes for the youngsters or even just an A4 poster to announce a 
children's group. It was also pointed out that it aided the development of 
precision movements which many children sadly lack these days.


I am so sorry that the suggestions made by people to help persuade schools 
to open the doors have been misunderstood.


Joepie in sunny Sussex, UK


-Original Message- 
From: Clay Blackwell

Sent: Monday, July 08, 2013 1:57 AM
To: Anna Binnie
Cc: alexstillw...@talktalk.net ; Arachne reply ; Lyn Bailey
Subject: Re: [lace] Teaching children

Thanks, Anna!!  I appreciate another voice who understands what I have
said!!  Generalities just don't apply to those who are skilled at making
lace!


Clay


On 7/7/2013 8:03 PM, Anna Binnie wrote:

On 7/07/13 11:13 PM, Clay Blackwell wrote:

I am astonished that no one has challenged the notion that people with
superior math/science/computer programming skills make the best
lacemakers!!

I've just logged on and yes I was totally affronted with that statement 
too. Let me put it in perspective I hold a PhD in Physics and I have 
taught physics for the last 20+ year to adults at university and children 
in high school. Good lacemakers are people who are naturally good at 
lacemaking REGARDLESS of other skills. One of the best lacemakers I know 
(her work is in the Powerhouse museum) is not mathematically great BUT she 
is trained in textiles and had spent her working life as a costume 
designer. I'm a good lacemaker BUT not the best.


As an educator I hate cover all statements about ability in one area and 
success in another.


Anna from a cold Sydney



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Re: [lace] Teaching children

2013-07-08 Thread Cynce Williams
On Jul 7, 2013, at 8:00 PM, lynrbai...@desupernet.net wrote:

 What skills does lacemaking develop
 that will benefit school age children?   If you have an idea, please
 share.


Off the top of my head: concentration, following instructions, both written
and oral, hand-eye coordination, small motor skills.

My lace teacher used to tell students that follow the dots pictures were
learning experiences leading to following the numbered sequence for working a
piece of lace.

Cynthia

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[lace] Teaching children

2013-07-08 Thread M SINCLAIR
Hello everybody,

It would be lovely if children could have an afternoon to
get to know lacemaking.  Unfortunately in the UK and I wouldn#x27;t be
surprised in a lot of other countries, all adults working with or teaching
children need to be CBR checked.  This means the person in question has to be
checked if they have a criminal record.  As you can understand, this is a lot
of paperwork and extra cost for the school. So don#x27;t be to harsh on the
schools.
Also parents nowadays expect all adults, who work with children in
after school activities or clubs, to be CBR checked as well.
 Apart from that,
the school curriculum doesn#x27;t leave much room for the schools to do extra
bits. For example,my daughter will do her GCSE history next year, it will only
cover 1900 till today.  So no chance to get a question on the lace industry.
This sounds very pessimistic.  But when I look at the lace clubs I go to,
there is no reason for pessimism.  Every year I see new faces and they are not
all past their retirement age.


Joke Sinclair

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Re: [lace] Teaching children/teaching all ages

2013-07-08 Thread Bev Walker
Hello Joke and everyone
Your comment says it for me, I notice this also at lace days and other lace
get-togethers:

...But when I look at the lace clubs I go to,
 there is no reason for pessimism.  Every year I see new faces ...


-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west coast of
Canada

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Re: [lace] Teaching children

2013-07-08 Thread lynrbailey
Dear Joke,
I apologize, but your posting struck me the wrong way.  I'm sitting here with 
tears of laughter running down my face, thinking, Rats, my extensive criminal 
convictions will not let me teach lace to children...  I know it's serious, 
and probably expensive, but really, lacemakers going to schools to prey on 
young children?  The thought is such an absurdity.  I suppose there could be a 
predator out there, lurking amongst us lacemakers, but

Please enjoy the joke with me.
Lyn from Lancaster, Pennsylvania, USA, who had the charges for failing to show 
her automobile insurance to the cop withdrawn today.  Honestly.  


Joke wrote:
It would be lovely if children could have an afternoon to
get to know lacemaking.  Unfortunately in the UK and I wouldn#x27;t be
surprised in a lot of other countries, all adults working with or teaching
children need to be CBR checked.  This means the person in question has to be
checked if they have a criminal record.  As you can understand, this is a lot
of paperwork and extra cost for the school. So don#x27;t be to harsh on the
schools.
Also parents nowadays expect all adults, who work with children in
after school activities or clubs, to be CBR checked as well.


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Re: [lace] Teaching children

2013-07-08 Thread Bev Walker
Hello Lyn, and everyone
I volunteer with an out-reach program, visiting schools. As a matter of
course, we agreed to a criminal records check at the onset of volunteering
for the program. It probably helps that my program is sponsored by a
creditable arts institution that can cover the expense of the records check.
Make of that what you will, but that's the way it's done.
To initiate a lacemaking club in a public school isn't as easy as it might
sound, is it :(

On Mon, Jul 8, 2013 at 3:20 PM, lynrbai...@desupernet.net wrote:

 Dear Joke,
 I apologize, but your posting struck me the wrong way. ..

 Joke wrote:

 Also parents nowadays expect all adults, who work with children in
 after school activities or clubs, to be CBR checked as well.



-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west coast of
Canada

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Re: [lace] Teaching children

2013-07-08 Thread Anna Binnie

Joke wrote:


Also parents nowadays expect all adults, who work with children in
after school activities or clubs, to be CBR checked as well.





In Australia anyone who works with children needs to get a police check 
done. It is standard for teachers, ancillary staff, volunteers and 
sports coaches even parent coaches. I laughed when my then 20 year old 
son needed police clearance to coach his sister's basketball team (the 
girls were all 17 or 18).


It is no big deal since the schools/ departments of education have to do 
it. It has had an impact on our local lacemakers who teach children 
lacemaking during holidays and after school since we have to supply a 
list of all volunteers if we are visiting a local school, however some 
of our country groups have discussed the issue with the local police who 
have given them general guild lines to work with.


Anna from a cold Sydney

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[lace] Teaching children

2013-07-07 Thread alexstillwell
Hi Lyn

Re: Subject: [lace] Ancillary to Teaching Lace to Children

Teaching lace to children is part of the survival of lacemaking.  I have
always thought that lacemaking, especially geometric Torchon, has the ability
to help the mind work mathematically..

I am sure you are right. The best lacemakers are computer programmers, maths
graduates and architects and anything that develops judgement of space and
line is bound to help.

Happy lacemaking

Alex

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Re: [lace] Teaching children

2013-07-07 Thread linda dumas
I am one of those computer programmers and math types.  I love making Pag
needlelace because of the logic and geometric properties of it.  In this part
of my career, I no longer program but the lace fills that spot.  I have had
the same experience with demonstrating, the little boys pick it up quickly.

 From: alexstillw...@talktalk.net
alexstillw...@talktalk.net
To: Arachne reply lace@arachne.com 
Cc: Lyn
Bailey lynrbai...@desupernet.net 
Sent: Sunday, July 7, 2013 1:51 AM
Subject: [lace] Teaching  children
  

Hi Lyn

Re: Subject: [lace] Ancillary
to Teaching Lace to Children

Teaching lace to children is part of the
survival of lacemaking.  I have
always thought that lacemaking, especially
geometric Torchon, has the ability
to help the mind work mathematically..
I am sure you are right. The best lacemakers are computer programmers, maths
graduates and architects and anything that develops judgement of space and
line is bound to help.

Happy lacemaking

Alex

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Re: [lace] Teaching children

2013-07-07 Thread linda dumas
I am one of those computer programmers and math types.  I love making Pag
needlelace because of the logic and geometric properties of it.  In this part
of my career, I no longer program but the lace fills that spot.  I have had
the same experience with demonstrating, the little boys pick it up quickly.

 From: alexstillw...@talktalk.net
alexstillw...@talktalk.net
To: Arachne reply lace@arachne.com 
Cc: Lyn
Bailey lynrbai...@desupernet.net 
Sent: Sunday, July 7, 2013 1:51 AM
Subject: [lace] Teaching  children
  

Hi Lyn

Re: Subject: [lace] Ancillary
to Teaching Lace to Children

Teaching lace to children is part of the
survival of lacemaking.  I have
always thought that lacemaking, especially
geometric Torchon, has the ability
to help the mind work mathematically..
I am sure you are right. The best lacemakers are computer programmers, maths
graduates and architects and anything that develops judgement of space and
line is bound to help.

Happy lacemaking

Alex

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Re: [lace] Teaching children

2013-07-07 Thread Lyn Bailey

Dear Alex et al,

Precisely.  It could be an 'in' at schools.  I have not had any close 
connection with school children for over 10 years, but girls especially are 
not inclined to math.  Presenting lacemaking, especially bobbin lacemaking 
as a way to develop spatial thinking, (physics?) or patterns, or algorithms 
through the visual manipulation of bobbins, using thread, the traditional 
(though not unique) province of the female could be a powerful way to 
introduce lacemaking into the schools, or at least get them to allow a 
poster advertising classes.  And for those of you with children looking for 
masters or doctoral theses, this would be a good place.  I am a wiz with 
math without numbers, but my last math class was 46 years ago, and while I 
use math, I am not familiar with the terms.


What are the fancy math terms that could be used to show this is a craft 
with skills useful to the the core curriculum of schools?  A means to 
possible entice reluctant girls to develop the skills needed in math and 
some of the sciences?


Lyn in Lancaster, Pennsylvania, USA, where the weather continues hot, humid, 
and air conditioning is a blessing.


Lyn wrote:
Teaching lace to children is part of the survival of lacemaking.  I have
always thought that lacemaking, especially geometric Torchon, has the 
ability

to help the mind work mathematically..
Alex wrote:
I am sure you are right. The best lacemakers are computer programmers, maths
graduates and architects and anything that develops judgement of space and
line is bound to help.

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Re: [lace] Teaching children

2013-07-07 Thread The Lace Bee
I was lucky enough to demonstrate with my local group at a recent 'county' 
event.  One of the group brought a 'have a go' pillow along and we asked anyone 
passing if they would like to try lacemaking.

Adults and children alike tried the pillow.  The adults would do a row and stop 
but the children wanted to keep going and had to be politely pulled away by 
their parents.

There is something in lacemaking that children and young adults seem to be able 
to pick up quickly.

I believe that no person who shows an interest in lacemaking should be turned 
away but I passionate believe that unless we can start lessons and clubs for 
children and young adults we will see this craft die in the next 10 to 20 
years. 

Focusing on those who are retiring early, as was suggested to me because they 
have time and disposable income, is pointless in the UK as early retirement is 
becoming harder and harder.  So this group is diminishing too.

We must find a way to not merely super young Lacemakers but to actively 
increase them.  

I'm working with my local fibre store to run Saturday workshops for young 
adults.  It gives us a ready made venue which is public and safe and not school 
nights easier to attend.  I'm happy if we get new Lacemakers under the age of 
25 and as  we are a university town we have a big population in that 
demographic that we can pull on 

Kind Regards

Liz Baker
 

On 7 Jul 2013, at 06:51, alexstillw...@talktalk.net wrote:

 Hi Lyn
 
 Re: Subject: [lace] Ancillary to Teaching Lace to Children
 
 Teaching lace to children is part of the survival of lacemaking.  I have
 always thought that lacemaking, especially geometric Torchon, has the ability 
 to help the mind work mathematically..

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Re: [lace] Teaching children

2013-07-07 Thread Clay Blackwell
I am astonished that no one has challenged the notion that people with 
superior math/science/computer programming skills make the best 
lacemakers!!  It may be that those who are making the claims happen to 
have those skills, but being able to execute a lace pattern is not the 
same as making it a thing of beauty, which separates the competent 
lacemaker from the extraordinary one.  And it take an artist to design 
the lace in the first place.


I would like to suggest that teaching children to make lace would 
broaden their horizons in many ways, allowing the potentials with which 
they were born to develop.


Clay

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Re: [lace] Teaching children

2013-07-07 Thread Dmt11home
I no longer have a child in school, but I was talking to an  elementary 
school teacher the other day. She made the interesting claim that now  that 
penmanship is being de-emphasized in favor of key boarding, she observes  that 
the children are not developing fine motor skills as in the past. In fact,  
she said some of them cannot even use scissors competently.
 
I was actually never very good at penmanship myself, and wish  they had 
abolished it earlier, but it is interesting to think that there might  be a lot 
of people who are not developing fine motor skills as a result. Has  this 
been observed by anyone else? 
 
Of course, nothing develops fine motor skills like lacemaking  :-), so 
perhaps that is the in for the link to childhood education. On the  other 
hand, if children are not developing fine motor skills, where will the  
lacemakers of tomorrow come from? 
 
Devon

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Re: [lace] Teaching children

2013-07-07 Thread lynrbailey
Dear Clay, et al,
So, which horizons specifically would be broadened?  If one is trying to 
promote lacemaking as a skill capable of developing other capabilities of the 
mind, to persuade educators and others to help with teaching children by 
promoting the craft, providing space, all that, one needs to be specific.  
Generalities do not work nearly as well in such an argument.  lrb

Clay wrote:
I would like to suggest that teaching children to make lace would 
broaden their horizons in many ways, allowing the potentials with which 
they were born to develop.


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please ignore it. I read your emails.

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Re: [lace] Teaching children-Scandinavian schools

2013-07-07 Thread Dmt11home
It seems as though Scandinavian schools, in the past at least,  had a 
crafts curriculum. When I was young a girl moved to our neighborhood from  
Norway. She had a complete set of doll clothes that she had knitted. When I  
asked 
her about it, she said she had knitted them in school. Why don't we do  
things like this in our school, I recall thinking. 
Later, I met a lacemaker who was Scandinavian, and she said  she had 
learned bobbin lace, and many other crafts, because her best friend's  mother 
was 
the administrator in charge of hand crafts for the local school  district. I 
recall thinking, wow, they actually have such a position in schools  there.
So, what is the educational justification that Scandinavians  use, or used 
for this curriculum? Do they still do it?
 
Devon

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Re: [lace] Teaching children

2013-07-07 Thread Clay Blackwell
I wouldn't try to promote lacemaking as a way to develop other tangible life 
skills.  The outcome is  entirely dependent on the individual.  What excites 
one person may drive another crazy.  Don't let lacemaking go the same route as 
the forced piano lessons of childhood!  

Clay 



Sent from my iPad

On Jul 7, 2013, at 9:48 AM, lynrbai...@desupernet.net wrote:

 Dear Clay, et al,
 So, which horizons specifically would be broadened?  If one is trying to 
 promote lacemaking as a skill capable of developing other capabilities of the 
 mind, to persuade educators and others to help with teaching children by 
 promoting the craft, providing space, all that, one needs to be specific.  
 Generalities do not work nearly as well in such an argument.  lrb
 
 Clay wrote:
 I would like to suggest that teaching children to make lace would 
 broaden their horizons in many ways, allowing the potentials with which 
 they were born to develop.
 
 
 My email sends out an automatic  message. Arachne members,
 please ignore it. I read your emails.
 
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 To unsubscribe send email to majord...@arachne.com containing the line:
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Re: [lace] Teaching children

2013-07-07 Thread Bev Walker
Hello Clay and everyone

Yes, learning to make lace is best by choice. I like this :

... Don't let lacemaking go the same route as the forced piano lessons of
 childhood!


 --
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west coast of
Canada

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Re: [lace] Teaching children

2013-07-07 Thread Dmt11home
Yes, but didn't this start out as a conversation about how to  make that 
choice available to children in the face of an unsympathetic school  district 
that would not allow the posting of an A2 piece of paper announcing the  
availability of children's lace lessons? 
 
Devon
 
 
Hello  Clay and everyone

Yes, learning to make lace is best by choice. I like  this :

... Don't let lacemaking go the same route as the forced piano  lessons of
  childhood!


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Re: [lace] Teaching children

2013-07-07 Thread Maureen
Good evening

I have spent the last two days demonstrating lacemaking at our local garden 
centre which is really a converted greenhouse on what is probably the hottest 
weekend on this year's English summer and am happy to say that not only did we 
encourage one teenager yesterday to make a fish in lace and take home but today 
four children completed the fish as did one adult.  There was lots of interest 
and we may well have a couple of ladies starting lace classes including the 
grandmother of the teenager from yesterday in the next couple of weeks with 
maybe more interested in starting in the future.  The challenge is if they 
complete the fish they get to take it home to keep.

I am keeping my fingers crossed.

Regards 
Maureen
E Yorks UK


On 7 Jul 2013, at 19:47, dmt11h...@aol.com wrote:

 Yes, but didn't this start out as a conversation about how to  make that 
 choice available to children in the face of an unsympathetic school  district 
 that would not allow the posting of an A2 piece of paper announcing the  
 availability of children's lace lessons? 
 
 Devon
 
 
 Hello  Clay and everyone
 
 Yes, learning to make lace is best by choice. I like  this :
 
 ... Don't let lacemaking go the same route as the forced piano  lessons of
 childhood!
 
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 To unsubscribe send email to majord...@arachne.com containing the line:
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Re: [lace] Teaching children

2013-07-07 Thread J D Hammett

Well done! I hope they do come to your group.

Joepie.

-Original Message- 
From: Maureen

Sent: Sunday, July 07, 2013 8:28 PM
To: dmt11h...@aol.com
Cc: lace@arachne.com
Subject: Re: [lace] Teaching children

Good evening

I have spent the last two days demonstrating lacemaking at our local garden 
centre which is really a converted greenhouse on what is probably the 
hottest weekend on this year's English summer and am happy to say that not 
only did we encourage one teenager yesterday to make a fish in lace and take 
home but today four children completed the fish as did one adult.  There was 
lots of interest and we may well have a couple of ladies starting lace 
classes including the grandmother of the teenager from yesterday in the next 
couple of weeks with maybe more interested in starting in the future.  The 
challenge is if they complete the fish they get to take it home to keep.


I am keeping my fingers crossed.

Regards
Maureen
E Yorks UK

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[lace] Teaching lace to children in school

2013-07-07 Thread Julie Enevoldsen
Thanks to Lauren, who tipped me off that this discussion was going on! I
don't know if my experiences and thoughts might be useful, but here they
are, in no particular order:

I teach students to use computers in a small, private elementary school.
Because it is private, we are not tied to the test-driven curriculum
teachers in public schools must work within--we get to decide what we think
is important, and how to teach it. I am lucky enough to work with an
experienced, creative, and open staff. In conjunction with the art teacher,
I teach 4th and/or 5th graders a little basic bobbin lace once a year (It
depends on the characteristics of the class exactly what we do and with
which students). I've played with different projects--the fish is one I
came up with several years ago. The last two years, we've made cloth-stich
bracelets. The kids love it! I work in a little bit of history, tying it
both to the Elizabethan age for 5th graders, since that's often a
curriculum focus, and to colonial America, since the 4th graders usually
study that time.

I should add that the art teacher incorporates at least one fiber-arts
technique project each year for each grade--embroidery, weaving She's
also considered knitting and crochet, and might do those some year.

What do the kids get out of it, other than the delight of creating
something (in itself valuable)? As others have mentioned, fine motor skills
is one important thing. The whole staff has observed a general
deterioration of fine motor skills in the entering students over the years
we've been teaching. (I should add that at this point, we are one of the
schools that still teaches cursive, in addition to touch-typing.) We do our
best to get them using scissors, tying knots, folding paper, drawing,
painting, gluing, etc.

I'm convinced, although I've not seen research to back this hunch up, that
using the hands for fine-motor work develops brain structures that affect
more abstract learning--spacial thinking in particular, although I suspect
it's much broader.

Here's another thought: This year, one of my students was autistic. He is
highly intelligent in many ways, but struggles with certain kinds of
learning and particularly with social skills and managing his emotions. We
didn't know if the bobbin lace was going to be too frustrating, or if he'd
just take to it's rhythm and enjoy it. It turned out the latter. In fact,
his primary teacher, watching him with the project, observed she'd never
seen him so contented. He was the easiest student in the class to teach.
His mother was so thrilled to find an activity that keeps him happy, she
went out and bought equipment (unfortunately, yes, the Horror Kit, before I
had discussed it with her--but we salvaged the bobbins, and ignored the
rest). She asked for a lesson with me so she could help him. I think we'll
be continuing, adding skills as he likes, although he has now graduated
from our school and will be going on to middle school next year. This
experience makes me think one place we could look for interested
teachers/students is the special-education programs working with autistic
spectrum students.

But I am lucky. I have enormous sympathy for the public school teachers who
must give several precious weeks of teaching over to testing, and are often
locked to a curriculum focused almost entirely on their students'
performance on the tests.

I think I have more to say on this topic, but I have to leave it for
another post.

--Julie E. in Seattle
weft.wlonk.com

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Re: [lace] Teaching children excample of success

2013-07-07 Thread lynrbailey
Dear Maureen,
Congratulations on a job well done.  That took a lot of work, preparing and 
then being there, enticing, saying the right thing, encouraging.  That is the 
way we will get our beloved craft/art to continue. Lyn  

Maureen wrote:
I have spent the last two days demonstrating lacemaking at our local garden 
centre which is really a converted greenhouse on what is probably the hottest 
weekend on this year's English summer and am happy to say that not only did we 
encourage one teenager yesterday to make a fish in lace and take home but 
today four children completed the fish as did one adult.  There was lots of 
interest and we may well have a couple of ladies starting lace classes 
including the grandmother of the teenager from yesterday in the next couple of 
weeks with maybe more interested in starting in the future.  The challenge is 
if they complete the fish they get to take it home to keep.

I am keeping my fingers crossed.



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Re: [lace] Teaching children

2013-07-07 Thread Anna Binnie

On 7/07/13 11:13 PM, Clay Blackwell wrote:

I am astonished that no one has challenged the notion that people with
superior math/science/computer programming skills make the best
lacemakers!!

I've just logged on and yes I was totally affronted with that statement 
too. Let me put it in perspective I hold a PhD in Physics and I have 
taught physics for the last 20+ year to adults at university and 
children in high school. Good lacemakers are people who are naturally 
good at lacemaking REGARDLESS of other skills. One of the best 
lacemakers I know (her work is in the Powerhouse museum) is not 
mathematically great BUT she is trained in textiles and had spent her 
working life as a costume designer. I'm a good lacemaker BUT not the best.


As an educator I hate cover all statements about ability in one area and 
success in another.


Anna from a cold Sydney

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Re: [lace] Teaching children

2013-07-07 Thread Clay Blackwell
Thanks, Anna!!  I appreciate another voice who understands what I have 
said!!  Generalities just don't apply to those who are skilled at making 
lace!



Clay


On 7/7/2013 8:03 PM, Anna Binnie wrote:

On 7/07/13 11:13 PM, Clay Blackwell wrote:

I am astonished that no one has challenged the notion that people with
superior math/science/computer programming skills make the best
lacemakers!!

I've just logged on and yes I was totally affronted with that 
statement too. Let me put it in perspective I hold a PhD in Physics 
and I have taught physics for the last 20+ year to adults at 
university and children in high school. Good lacemakers are people who 
are naturally good at lacemaking REGARDLESS of other skills. One of 
the best lacemakers I know (her work is in the Powerhouse museum) is 
not mathematically great BUT she is trained in textiles and had spent 
her working life as a costume designer. I'm a good lacemaker BUT not 
the best.


As an educator I hate cover all statements about ability in one area 
and success in another.


Anna from a cold Sydney



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Re: [lace] Teaching children

2013-07-07 Thread lynrbailey
If we get the lacemaking club to be on a par with the chess club, we will
have succeeded beyond my wildest dreams.  Probably beyond the wildest
dreams of anyone. Let's begin by getting schools to allow a poster
advertising a separate lace club.  What skills does lacemaking develop
that will benefit school age children?   If you have an idea, please
share.

Lyn in Lancaster, Pennsylvania, USA, enjoying the first cool weather in
several days.  Thunderstorms have their uses.

  Bev wrote:
  Yes, learning to make lace is best by choice. I like this :

... Don't let lacemaking go the same route as the forced piano
lessons of childhood!

  / walker.b...@gmail.com

My email sends out an automatic  message. Arachne members,
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[lace] Teaching lace to children

2013-07-07 Thread Karen Thompson
In the past I taught dozens of children from about age 5 years through
teens to make bobbin lace. The most fun was with a group of 10 six grade
boys. The teacher said Good Luck and closed the door! These 12-year old
boys made their own lace tell and had great rhythm and were extremely proud
of their finished product to take home at the end of the hour - and it was
the easiest group I ever taught, much to the surprise of their teacher.

About lace in Scandinavian school. I grew up in Denmark and did embroidery,
knitting, crocheting, machine sewing, etc for an hour a week through junior
high. Apparently I never had a teacher who knew how to make lace - I
learned that later from my mother (who had learned it in school). I hear
from my relatives it is no longer  part of the curriculum in the public
schools in Denmark.

For the last 12 years several of us have demonstrated bobbin lace once a
month at the Smithsonian American History Museum in Washington, DC. Our
visitors come from all over the globe. A few have seen or heard of lace
being made by hand, but most are amazed to see lace being made. The
hands-on pillow always have eager participants, especially boys and girls,
but also many adults of both sexes.  It would be wonderful knowing if any
of them ever follow up at home.

Karen in Washington, DC

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Re: [lace] Teaching Lace to Children

2013-07-06 Thread Sue Duckles
Hello All

Our group here in East Yorkshire have been demonstrating lace today and are 
back again tomorrow, at a Garden Centre in Dunswell, just outside of Hull.  
This morning we had a lady who was very interested, and we're keeping our 
fingers crossed that she takes it further...  while she was chatting to 
Maureen, her son of around 14 was eyeing up the practice pillow after 
showing him what to do, we set him the challenge of finishing off the small 
piece of lace that was on there just a small 'fish' shape he finished 
it and was extremely proud to be able to take it home!!!   With any luck it 
will stay with him for the rest of his life, that he CAN do something like 
this!!!

Sue in a hot, sticky, East Yorkshire

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[lace] ( lace) Teaching children lace

2013-07-06 Thread Daphne Martin
Well Done Sue!! Keep up the good work


 Daphne Norfolk Uk

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Re: [lace] Teaching at IOLI convention

2011-06-13 Thread Amy OMalley

Hi Maria
Janice's assessment of the 2012 teacher selection progress is correct. We 
have mostly finalized our list at this point, but thank you for your 
suggestion! Narrowing down which classes and teachers to feature is SO 
hard. There are so many amazing teachers out there! If only we had an 
unlimited budget :-)


I hope you will take Janice's suggestion for contacting the IOLI for 2013

Thanks
Amy O'Malley
Chair, 2012 IOLI Convention in St. Paul, Minnesota
Minnesota Lace Society
omall...@umn.edu
--

Date: Fri, 10 Jun 2011 10:57:16 -0700 (PDT)
From: Janice Blair jbl...@sbcglobal.net
Subject: [lace] Teaching at IOLI convention

Maria  wrote:
Do you really mean she might be invited to teach in MN in 2012? Martina 
would love to.



I would think that the hosts of the Minnesota convention have their teacher 
list for MN 2012 as they will be making their presentation at this years 
convention. 2013 might be possible though.


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[lace] Teaching at IOLI convention

2011-06-10 Thread Janice Blair
Maria  wrote:
Do you really mean she might be invited to teach in MN in 2012?
Martina
would love to.
For those interested in having a look at Martina´s
book, here is the link
http://www.wolter-kampmann.de/verlag.html

I wish you
all a nice weekend !


I would think that the hosts of the Minnesota
convention have their teacher list 
for MN 2012 as they will be making their
presentation at this years convention. 
 2013 might be possible though.  If
anyone is interested in teaching at IOLI 
conventions, they should probably
contact the Education Chair.  That is Barbara 
Bulgarelli.  The Education
Committee have a database of teachers which is sent 
to future hosts if they
request it.  I think Martina could ask to be included in 
the database.  You
can get an email address for Barbara on the IOLI website on 
the Officers page
at http://www.internationaloldlacers.org/officers.html

The database is made
up of teachers that have already taught at previous 
conventions, but there
has to be a way to be included for those that have not 
done that yet.
Barbara will tell you if I am wrong in my assumption.
Janice
 Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
www.jblace.com
http://www.lacemakersofillinois.org

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[lace] Teaching

2010-09-27 Thread Daphne Martin
Hello Clay and everyone else

  Clay you hit the nail on the head when you said you could possibly
show a beginner how to make lace.

Of course any of us can do that and it would keep the craft of lace alive if
each of us only ever taught one new lacemaker.
The rewards are tremendous, and I`m sure you could go on to teach more
beginners.I have my own group here in Norwich UK where I started to teach
beginners. After nine years those beginners are now really good lacemakers and
although I teach beginners as well I am proud of my other ladies.



Something I was told on holiday this year.

We holidayed in the Scarborough  area of North Yorkshire. One day we had a
look around Thornton de dale when I spotted a craft shop. In I went expecting
to see some lovely things and I was disappointed because other than clothes
and tourist stuff the only craft was cardmaking. The lady came bustling over
and said I have all my Christmas stock in, so have a good look.

I said the only cards I make are lace ones. The lady said Lace Oh

She went quiet for a few minutes then she said Oh so you are not into crafts
then???

Calmly I said lets put it this way, my lacemaking is a craft!

Funnily enough she did`nt speak to me after that.

 Daphne Dull grey Norfolk UK

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Re: [lace] Teaching

2010-09-27 Thread Lesley Blackshaw

On 27/09/2010 10:12, Daphne Martin wrote:

Hello Clay and everyone else

   Clay you hit the nail on the head when you said you could possibly
show a beginner how to make lace.

Of course any of us can do that and it would keep the craft of lace alive if
each of us only ever taught one new lacemaker.
The rewards are tremendous, and I`m sure you could go on to teach more
beginners.I have my own group here in Norwich UK where I started to teach
beginners. After nine years those beginners are now really good lacemakers and
although I teach beginners as well I am proud of my other ladies.



Something I was told on holiday this year.

We holidayed in the Scarborough  area of North Yorkshire. One day we had a
look around Thornton de dale when I spotted a craft shop. In I went expecting
to see some lovely things and I was disappointed because other than clothes
and tourist stuff the only craft was cardmaking. The lady came bustling over
and said I have all my Christmas stock in, so have a good look.

I said the only cards I make are lace ones. The lady said Lace Oh

She went quiet for a few minutes then she said Oh so you are not into crafts
then???

Calmly I said lets put it this way, my lacemaking is a craft!

Funnily enough she did`nt speak to me after that.

  Daphne Dull grey Norfolk UK





How infuriating to have our craft belittled like that.  We often travel 
through Thornton le Dale so I may have to go into the craft shop (which one 
was it?) and say something, just to confirm to her that you're not a one-off.


Lesley
Marple, where it is also dull, and drizzling

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Re: [lace] Teaching

2010-09-27 Thread Roberta S Donnelly
Just another thought... maybe this woman was so impressed that it was
more on 
the line of  lace being so much more impressive than *just* crafts.? Just
a thought.
bobbi

 How infuriating to have our craft belittled like that.  We often 
 travel 
 through Thornton le Dale so I may have to go into the craft shop 
 (which one 
 was it?) and say something, just to confirm to her that you're not a 
 one-off.
 
 Lesley

Refinance Now 3.7% FIXED
$160,000 Mortgage for $547/mo. FREE. No Obligation. Get 4 Quotes!
http://thirdpartyoffers.juno.com/TGL3141/4ca06553313c68cm04vuc

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[lace] Teaching

2010-09-27 Thread Jean Nathan
Unfortunately because of the shopping channels crafting seems to be 
regarded as mainly card making with a bit of scrap booking thrown in and 
any other craft is disregarded. Not that there's anything wrong with 
either - I'm all for people doing something creative in any form - but I do 
wish they'd refer to them as paper crafting.


Jean in Poole, Dorset. 


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Re: [lace] Teaching

2010-09-27 Thread Maureen Bromley
It just goes to show.But they do have lace demonstrations in that 
general area so she obviously wasnt 'in the know'!!   There are classes all 
around her!!!


Maureen
E Yorks 


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Re: [lace] Teaching more than one

2010-09-27 Thread lacelady
Years ago I was told that each lacemaker should teach seven people.  That way 
there's a good chance that at least one of those seven will continue with the 
art and teach others.  Not everyone who learns the basic lessons becomes 
addicted. G

Alice in Oregon   who is addicted to lace and admits it.

- Original Message -
From: Daphne Martin ladylace...@msn.com

Of course any of us can do that and it would keep the craft of lace alive if
each of us only ever taught one new lacemaker.

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Re: [lace] Teaching

2010-09-27 Thread Clive Betty Rice
Daphne,
You should have related that lacemaking is a fine art or fiber art.  I, and 
many lacemakers in the USA, consider crafts differently than lacemaking.  
Cardmaking, wooden lawn orrnaments, box making, and the sort of things that can 
be sold at craft fairs as crafts.  Do lacemakers go to craft fairs and/or set 
up tables at festivals to sell the fine lace that we have made? 
 
Can we make an effort to change lacemaking to a fine art instead of a craft?
 
Happy Lacemaking,
Betty Ann Rice of Roanoke, Virginia USA, now in Virginia Beach for the week. 

Daphne of UK wrote:
 
We holidayed in the Scarborough area of North Yorkshire. One day we had 
a look around Thornton de dale when I spotted a craft shop. In I went expecting
to see some lovely things and I was disappointed because other than clothes
and tourist stuff the only craft was cardmaking. 
The lady came bustling over and said I have all my Christmas stock in,
so have a good look.
I said the only cards I make are lace ones. The lady said Lace Oh
She went quiet for a few minutes then she said Oh so you are not into crafts
then???
Calmly I said lets put it this way, my lacemaking is a craft!
Funnily enough she did`nt speak to me after that.

Daphne Dull grey Norfolk UK




How infuriating to have our craft belittled like that. We often travel 
through Thornton le Dale so I may have to go into the craft shop (which one 

was it?) and say something, just to confirm to her that you're not a one-off.

Lesley
Marple, where it is also dull, and drizzling

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Re: [lace] Teaching

2010-09-27 Thread bev walker
Hello Betty Ann and everyone

They *could* - my introduction to lacemaking was seeing someone
demonstrating it at a craft fair! I signed up for lessons (c. 1987).
Some lacemakers make small lace items to sell for charity fund-raising.

The word 'craft' has taken on different meanings. Because I make
mostly other people's patterns, and often many times over (e.g.
Christmas decorations), I practice the elegant *craft* of lacemaking
;)


On 9/27/10, Clive  Betty Rice dol...@verizon.net wrote:
  Do lacemakers go to
 craft fairs and/or set up tables at festivals to sell the fine lace that we
 have made?

-- 
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west
coast of Canada

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Re: [lace] Teaching

2010-09-27 Thread Brenda Paternoster
We have in the past discussed whether lacemaking is art or craft.

For my two penn'th I'll suggest that it is craft when you are working a pattern 
designed by someone else, or an adaptation of another pattern, but art when you 
have designed and made the lace from scratch as a one-off piece.  Much the same 
as painting by numbers on a pre-printed drawing is craft whilst sketching your 
own picture and then painting it is art.

I think that the reason very few lacemakers sell their work is because of the 
time it takes to make it.  A competent amateur artist could paint and frame a 
picture that would sell for 40-50 pounds in an afternoon.  How much lace could 
you make in that time and would it sell for that sort of money?

Brenda

On 27 Sep 2010, at 15:03, Clive  Betty Rice wrote:

 You should have related that lacemaking is a fine art or fiber art.  I, 
 and many lacemakers in the USA, consider crafts differently than 
 lacemaking. Cardmaking, wooden lawn orrnaments, box making, and the sort of 
 things that can be sold at craft fairs as crafts.  Do lacemakers go to 
 craft fairs and/or set up tables at festivals to sell the fine lace that we 
 have made? 
 
 Can we make an effort to change lacemaking to a fine art instead of a 
 craft?

Brenda in Allhallows
www.brendapaternoster.me.uk

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Re: [lace] Teaching young people--resources

2010-08-29 Thread Lesley Blackshaw

pene piip wrote:
 But Jo Edkin's has a wonderful site where you can learn all about 
bobbin lace.

I know a tatter who has been teaching herself using this web-site.
Jo Edkins' Lace School: http://gwydir.demon.co.uk/jo/lace/index.htm



I love Jo's site.  This is where I have learned most of the lace-making 
skills I have (not many in only 18 months) I find the explanations so clear 
and the site very easy to navigate.  I can always find exactly what I want 
very quickly.


I definitely recomment it.

Lesley

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Re: [lace] Teaching young people--resources

2010-08-25 Thread pam

Great idea, but not just for youngsters.

I live in Spain and belong to a group of English ladies (most of us  
won´t see 60 again) who are all interested in crafts in general. Over  
the last 7 years I´ve introduced quite a few ladies to lacemaking and  
have developed a series of beginners patterns ensuring that each new  
stitch is incorporated into a usable piece of lace rather than a  
sample strip.


I´ll be in touch to see if my patterns can be of use.

Pam
in very hot Vera Playa, Almeria, southern Spain


So, I've created a collaborative site, and I hope some of you will be
interested enough to lend a hand. At this point, it is awfully
rudimentary--please don't be disappointed, but take that as an invitation to
make it better! If many people contribute a little bit, we can develop a
useful resource, that we can refine over time, to support informal teachers.
(While anyone can see the site, you have to be invited to make changes to
it, or upload resources. Just let me know if you'd like to be added as a
collaborator.)

https://sites.google.com/site/bobbinlaceteachingresource/

--Julie

j.enevold...@wlonk.com
weft.wlonk.com

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[lace] Teaching young people--resources

2010-08-24 Thread Julie Enevoldsen
Devon's comment, ...This reflects another interesting thing that I am
observing in young people who do want to use lace in art, which is that they
don't have any money,... resonated with me. I have had a few college/high
school/young adult aged students contact me, excited about the possibility
of learning bobbin lace. Since I don't do much lace teaching, but I do want
to encourage youngsters to learn lace making, I'm happy to teach them for
free, but I do ask them to join the local lace group, even if they can't
attend meetings at first. I want them to get connected with other resources
as quickly as possible.

One issue I ran into was the question of patterns for teaching. When I teach
the 4th grade students bobbin lace art class, which lasts a few weeks, I
have used the little fish pattern that I drew for our local group's
have-a-go pillow. It's OK for children and fine for getting people a
satisfying experience when demonstrating, but limited for more in-depth
lessons. A book with a series of lessons for beginners would be a more
appropriate source, and provide the student with at-home reference, as well.
We've got some good choices available these days, but books cost
money--sometimes, as noted above, an obstacle. While there are some very
good resources online, they are somewhat scattered, and not all are easy to
find.

I think we'd be well served by supporting informal teachers; it's a way to
hook some potential lacers who wouldn't, our couldn't, sign up for, or pay
for, classes. 

I started thinking about a collaborative online teaching resource, a place
to find systematically organized patterns and handouts an informal teacher
could use under a Creative Commons license, and maybe a place for informal
teachers to share ideas about what and how to teach. It seems likely that
other informal teachers have made patterns and handouts they have no
intention of publishing in a book or copyrighting. It can also provide links
to the scattered resources I mentioned above. I don't think anything quite
like this exists, yet, although many talented and generous people have
shared patterns and instructions for some basic skills.

I in no way want to undermine the people who do provide us with published
books, but sometimes, for reasons of cost and availability, they aren't
suitable. 

So, I've created a collaborative site, and I hope some of you will be
interested enough to lend a hand. At this point, it is awfully
rudimentary--please don't be disappointed, but take that as an invitation to
make it better! If many people contribute a little bit, we can develop a
useful resource, that we can refine over time, to support informal teachers.
(While anyone can see the site, you have to be invited to make changes to
it, or upload resources. Just let me know if you'd like to be added as a
collaborator.)

https://sites.google.com/site/bobbinlaceteachingresource/

--Julie

j.enevold...@wlonk.com
weft.wlonk.com 

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Re: [lace] Teaching young people--resources

2010-08-24 Thread Debora Lustgarten

Dear Julie and all lace friends,

This is a laudable initiative and I congratulate you!
Let us know how to add the info on our local groups, so I can add the 
Toronto Lacemakers' info and encourage the people from other groups 
in my area to put their details on your resource website.
As to patterns for beginners, I'd suggest drafting practice strips in 
basic Torchon, that incorporate new elements and become gradually 
complex.  These strips can be used as separators, bookmarks, etc. and 
if they involve the use of colour threads, more informative and 
visually appealing.
Regarding the site's structure, I'd love seeing a brief section on 
bobbin lace history, materials (including a section on types of 
pillows), thread and thread selection (the why's of S and/or Z 
twist), how to make and store prickings, lace styles, make your own 
equipment ideas, etc.
Another idea that I've seen on a bobbin lace website is to put 
animated renditions of stitches, like the basic cross - twist, cloth 
stitch, rose ground, guipure leaf, etc.

Keep on the good work and let us know as the site evolves!

Debora Lustgarten
Toronto, Canada

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re:[lace] Teaching young people--resources

2010-08-24 Thread pene piip
 But Jo Edkin's has a wonderful site where you can learn all about 
bobbin lace.

I know a tatter who has been teaching herself using this web-site.
Jo Edkins' Lace School: http://gwydir.demon.co.uk/jo/lace/index.htm

Pene in Estonia

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re:[lace] Teaching young people--resources

2010-08-24 Thread Julie Enevoldsen
Indeed, Jo's site is an excellent resource, and we should point people to
it. But it's a little different from the project I'm envisioning; it's more
aimed at the student, for one thing. I'm thinking more of a resource for
teachers, and especially one that is collaborative. The purposes overlap,
but they are not quite the same. Both are useful!

But Jo Edkin's has a wonderful site where you can learn all about bobbin
lace. I know a tatter who has been teaching herself using this web-site. Jo
Edkins' Lace School: http://gwydir.demon.co.uk/jo/lace/index.htm

Pene in Estonia

j.enevold...@wlonk.com
weft.wlonk.com 

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Re: [lace] Teaching young people--resources

2010-08-24 Thread Jeriames
Dear Julie,
 
What country are you writing from?  Or did I miss it somewhere?
 
Are you aware of the Young Lacemakers in the UK?  
 
The Lace Guild in the UK has been working with young people for  years.  
April's minutes of the 34th Annual General Meeting gives the dues  schedule 
for Young Lacemaker subscriptions:
In British pounds:  UK: 6.50   Europe: 10.00Overseas 12.00
Amounts are a fraction of regular subscriptions for adults.
 
There are always projects on the web site; webmasters are Jean and David  
Leader.  Everyone who has been on Arachne for any length of time will  
recognize their names.
 
_www.laceguild.demon.co.uk/_ (http://www.laceguild.demon.co.uk/) 
 
Click on Young Lacemakers which is in the blue band of selections at the  
top of the home page.  And have a look.
 
It seems to me that I read in the most recent Lace magazine that a  
special effort is about to be made to make this education program  stronger.  
It 
should be reassuring to you that there are 4 issues/year of a  magazine for 
young people who wish to make lace.
 
It would be nice if the structure of this organization is such that  
teachers could volunteer to make it a stronger option for young  people.  This 
way, there would be no need to start something new; just make  what is already 
available more pertinent for younger lacemakers.
 
Someone from The Lace Guild's leadership will surely weigh in on this  
subject.  The Guild actually has a paid staff, lace collection, and library  
on-site in a building they own.  Advantages are existing leadership  and 
professionalism -- The Lace Guild is a registered charity and  accredited 
museum.  
They are always seeking volunteers.  To build  on something already in 
place sounds practical and would have a stronger  presence in the international 
lace community, because it is not dependent  on just one well-meaning person 
who will have life's usual interruptions and  obligations.
 
What do others think of this option?  Feasible?
 
Jeri Ames in  Maine USA
Lace and Embroidery Resource Center  

 
In a message dated 8/24/2010 1:35:38 P.M. Eastern Daylight Time,  
j.enevold...@wlonk.com writes:

I in no  way want to undermine the people who do provide us with published
books,  but sometimes, for reasons of cost and availability, they aren't
suitable.  

So, I've created a collaborative site, and I hope some of you will  be
interested enough to lend a hand. At this point, it is  awfully
rudimentary--please don't be disappointed, but take that as an  invitation 
to
make it better! If many people contribute a little bit, we  can develop a
useful resource, that we can refine over time, to support  informal 
teachers.
(While anyone can see the site, you have to be invited  to make changes to
it, or upload resources. Just let me know if you'd like  to be added as  a
collaborator.)

https://sites.google.com/site/bobbinlaceteachingresource/

--Julie

j.enevold...@wlonk.com
weft.wlonk.com  

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[lace] Teaching method/was fiber familiarity

2010-08-20 Thread Dmt11home
When I have groups of students at my school I begin with a sampler  of 
different stitches to analyse the structural qualities and visual effects of  
each so that the students begin to build a vocabulary of stitches with which 
 they will express their own ideas. Then I pass immediately to an analysis 
of how  to construct individual moftifs and each student chooses a form and 
has to use  their vocabulary to fill it in, it is a very free exercise of 
drawing with  threads, from there I pass to techniques for joining such 
pieces together and in  the second half of the course we look at the more 
complicated task of working  the ground and motifs together. I have had very 
good 
results with this approach  and in the coming years I hope that my students 
will begin to contribute to the  various competitions that are around.
 
When you do your beginning sampler, do you go beyond half stitch, whole  
stitch and linen stitch to include  grounds such as Dieppe Ground, or Paris  
Ground?
Are the individual motifs constructed in the way of a tape lace, worked  
horizontally, or do you incorporate grounds, such as the Dieppe Ground, as in, 
 making a tape and filling it with a ground?
Where does plaiting come in? I find young people are very interested in  
Russian lace grounds since you can get a very elaborate look with a minimum of 
 skills.
Your approach sounds fascinating. 
 
Devon

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[lace] teaching beginners: many thanks!

2010-04-09 Thread Elizabeth Shipp
Dear all,

Many thanks for all the helpful comments and suggestions on teaching bobbin
lace to beginners, both here on the list and via off-list e-mail.  I will be
writing individually shortly, however I wanted to say a public thank you
first.

I just this minute got a copy of the Fouriscot book I had asked about, as
well as the first volume of Brulet.  Fouriscot is certainly a very good book
to use while teaching someone, I think Brulet would be very good for someone
teaching themselves or learning with only rare contact with a teacher.
However, I think I'll probably be using both of them, as the use of colored
threads in Brulet makes it easy to see where the different threads go.

Our lace sessions are really catch-as-catch can and limited in time,
unfortunately, as we are working on lunch breaks when none of us are
travelling or under major time pressure at work.

Again, many thanks!

Best regards
Elizabeth

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Re: [lace] teaching beginners

2010-04-07 Thread Lorri Ferguson
Have you thought of selecting one of the beginner books (something you already
own and they could purchase too) and work through the progression in the
book.
Also an exercise using different color thread on each pair as they work
through the various 'stitches and edge techniques' is a good learning tool.
They can see just how each pair/thread moves.

Lorri
  - Original Message -
  From: Elizabeth Shippmailto:ship...@googlemail.com
  To: lace@arachne.commailto:lace@arachne.com
  Sent: 04/06/2010 5:18 AM
  Subject: [lace] teaching beginners


  Hi all,

  I have two colleagues who have now started bobbin lace and want to
  continue.  I started each of them with cloth stitch (CTC), just making a
  narrow strip to get the movements and the rules of bobbin lace down.

  I'm not sure that I am the best teacher they could have, as once I had had
  the first couple lessons I just jumped in at the deep end and started
  splashing around with great abandon.

  My planning for these ladies is, more or less in this order:

  - cloth stitch ground (already introduced)
  - whole stitch (CTCT)
  - trading working and footside pairs
  - half-stitch ground (CT)
  - braids / plaits (CTCT ad infinitum)
  - various other grounds as needed for their chosen laces;  one colleague
has
  chosen Bucks/Bayeux, one has yet to choose as she just started today
  - gimps
  - working through a series of patterns in their chosen lace(s), introducing
  new techniques

  Does this sound like a reasonable progression?  Am I leaving anything out?
  Thanks for your help!

  Best regards
  Elizabeth

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