OT: Any one here got a ScanMaker 4?

2001-07-13 Thread Paul Jones

Hi,

I've been using a scanmaker 4 at work and it scans prints and slides fine,
but when i try to scan negatives it puts and aweful yellow colour cast on
the image.

Probaly because its a crappy scanner.

Pentax content: Shots were taken with an LX :)

Thanks,
Paul Jones
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Pentax manuals

2001-07-13 Thread *

You can find many owner manuals to download at:

http://perso.wanadoo.fr/krg/

Go to - telechargement
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Re: This might make some of you a little jealous

2001-07-13 Thread David A. Mann

Cotty writes:

 You're making this up, aren't you? At this rate it's worth flying out to 
 NZ for some serious bargains - except that you'll have sucked them all up 
 first...

 Could be, but the good stuff very rarely comes up for sale because there's so 
few serious Pentax users in this country (and I only see what's in this city).

 When the good gear does become available it's usually really cheap 
compared to US prices.  The down side is that new equipment is very 
expensive.

Cheers,

- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets? -- Garfield
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Re: This might make some of you a little jealous

2001-07-13 Thread David A. Mann

Mike Johnston writes:

 You're not patronizing a camera thief, are you?!?

 I bloody hope not.

 In the case of the 300 the camera shop staff (where I bought it from) were 
talking to the owner on the phone while I was there to confirm that he had 
accepted their monetary offer so they could sell me the lens.  I know them 
quite well and they've done me a big favour.  I think the previous owner needs 
his head examined for letting such a gem sell so cheap, though.

 The 85 could possibly be stolen but is unlikely as I bought it from one of the 
more reputable secondhand shops.  I assume they would have checked 
against the police stolen items database, or at least contacted the university 
whos name is lightly engraved on it.  I'm afraid to check into it myself in case I 
lose it, so I'll just put my faith in the retailer for doing the right thing :)

Cheers,


- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets? -- Garfield
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Re: I've been enabled now too: a beautiful SMC Tak 300/4

2001-07-13 Thread David A. Mann

Chris Brogden writes:

 To add to Sid's fine list of suggestions, some companies like Manfrotto
 make a long-lens support thingamabob.

 You mean the #293 long lens support?  It looks like just the ticket for my 
A*300/4...

BTW, how's the Asahiflex going?

Cheers,


- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets? -- Garfield
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Re: This might make some of you a little jealous

2001-07-13 Thread David A. Mann

Bob S. writes:

  And did you see the bumped and bruised A*85/1.4 that went yesterday on ebay 
 for $500.  You got some great deals!

 I've searched the completed items but I can't find it.  Can you send me the 
item number?

Cheers,


- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets? -- Garfield
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Colour-presentation revisited (Canon FD vs. Pentax SMC)

2001-07-13 Thread Hugo V.A. Kok

Good day to all of you who entered - much to my surprise and joy - into the
lively dialogue that my inital letter brought forth some three weeks ago
(beginning on June 19th) . Sorry for not being able to do this little report
earlier but in the meantime I had some other things on my mind. Hope you
remember the thread.

First:
It seems that the matter about how to measure colour differences between
'lens families' (Canon FD and Pentax SMC) turns out to be a LITTLE too
complicated for me to be able to reach final conclusions - at least not in
the more scientific sense. The variables that (among others) William put
into perspective were a few too many to have them all controlled for.
However, the whole shutter-reliance matter is noted (that is: the shorter
times used for exposures, the more probable it is that between two camera's
there might be unwanted differences). Longer times are easier to control
for.

Second:
On second scrutiny of the slides made in the Hardanger Vidda I observed some
important aspects that led to different colour-presentations:
1. I used more often the 'wrong' moments for photographing (pouring rain,
water on lens and oculair etc. while my friend refrained from pushing
buttons at this moments).
2. My friend extensively used his 17 mm/3.5 - thereby having actually less
distance to subjects (that do seem to be farther away) which means less air
and humidity, fog and rain between lens and subject, resulting in more
saturation in colour in comparison to my slides which were taken for the
greatest part with 85/1.8 which meant much more distance to the subjects
(people in environment).

On our experiment:
The slides shot side by side were deliberately NOT taken in an absolute
controlled environment like proposed. Personally I prefer to work from out
of a pragmatic Good is that what works out well stance. That means that we
chose to go citywards with both camera's (Canon EF and Pentax MX) and
shooting same things (very diverse in themes and content and colours) from
the same perspective. What we did is:
1. coming to an exposure combination which we agreed upon (independently we
measured much of the time one and the same exposure - when not we averaged
both);
2. Having films (Velvia, taken from the same emulsion number = the same
batch) developed at the same lab;
3. Subjectively give opinions about results of the colour, warmth (and light
fall-off or lack of it) on the basis of viewing the slides on a standard
evenly lit light table through a viewer and later when projecting the slides
(Leitz Pradovit 153 with 90/2.5 Colorplan lens).


Conclusions Part I (28mm/f2.0 FD versus 28mm/2.8A SMC):

1.
First check was on the light-table. The SMC slides seemed to present more
brighter colours. Overall the saturation looked pretty much the same between
the Canon and Pentax shots giving a rough indication that the exposure was
at about the same.

2.
Striking difference was the absence of light fall-off of the Canon FD lens.
There was a remarkable homogenious projection without any unevenness in
projecting the slides. Of course the SMC lost most of his (or her) light
fall-of when stopping down but in general it remained more visible in the
pictures of the SMC. Actually I feel the SMC has to be stopped down towards
5.6 (better still 8.0!) to begin to resemble the same 'egality' of the FD
ones. To be honest 2.8 should be avoided at all costs in my opinion (unless
there is no alternative of course).

3.
Sharpness was also noticable higher in case of the FD lens. Details were
just a bit more defined. Also the sharpness towards the corners was better
with the FD. It seemed to me that the FD maintained a more flat field of
focus than my SMC-A.

4.
Colours were brighter with the SMC. The colours of the FD slides were
somewhat subdued in comparison - the SMC slides had more brightness and
turned out to be warmer in colour-presentation. Those who remember my
previous observations will know that this concerned my original question and
as such this is a strange result. It has to be mentioned that I did not use
my 28mm in Norway while my friend did. But I don't think that there will be
much difference between colour-presentations within the Pentax range of
lenses (I have never felt the 28mm did different colours than the other
lenses I own). We think it will be fun to compare our 50/1.4 (FD and SMC-A)
lenses with each other too, as well as our 135/(2.8 and 2.5) etc., so if
there are some of you interested in this experiment, please let me know, in
that case I'll bother to do a little report of our own subjective
evaluation - we will do the shooting anyway.

For now it's unsure if there are slight differences in exposure between our
camera's resulting in differences in saturation (which can be small but - as
I appreciate by now (I did learn a lot from this experiment) - causing
important differences in colour-brightness). At least lab differences are
ruled out as well as film variation differences for both our 

Re: reading material

2001-07-13 Thread Bob Walkden

Hi,

Try Photography by Barbara London and John Upton. It seems to be the
standard for colleges. I have a copy and it's very good.

http://www.amazon.com/exec/obidos/ASIN/0321011082/qid=995010194/sr=1-1/ref=sc_b_1/104-2609650-5152733

---

 Bob  

mailto:[EMAIL PROTECTED]

Friday, July 13, 2001, 2:17:47 AM, you wrote:

 I would like some recommendations for books that can help me improve my
 photography.  I have a basic knowledge but would like to get better.  I
 would also like to try low low-budget home darkroom work.  It's such a pain
 to have BW film developed in the mini-lab world.  I have no experience
 developing and printing film so any texts here would need to be from
 step-one.

 Thanks,
 Cory Waters
 Atlanta, GA USA


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Re: Takumar 500mm 1:5 Screw Mount Lens

2001-07-13 Thread Paul Ewins

Yep, pages 88,89  92 of Asahi Pentax and Pentax SLR 35mm cameras 1952 -
1989 by Danilo Cecchi
There are two versions. The original Asshiflex (M37) which also appeared
with an M42 mount and a later M42 version. The earlier one had a rectangular
black tripod mount, the later one a smaller, round silver one.

I've got the early one in m42, but like the later 500 f4.5, the mount is on
a tube that disconnects to allow filters to be screwed on..
Two elements only. Big (500mm long). Heavy.

I haven't used it much so can't comment on performance, and I don't have any
other 500's to compare with.
FWIW I paid AUS$300 at auction for it in around 8 condition (no dings and
only minor scratching, glass ok) with caps but no case.

Paul Ewins
Melbourne Australia
([EMAIL PROTECTED])



- Original Message -
From: Jon Hope [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, July 13, 2001 3:59 PM
Subject: Takumar 500mm 1:5 Screw Mount Lens


 Hi all

 There is one of these for sale here and I was curious enough to go and
have
 a look at it. I can't find a reference to the 1:5 500mm takumar screw
 mount. Is there anywhere that would have some info on it?

 Cheers


 Jon

 Relax! Take life as it comes, you can't chase the sun, you can't race the
wind

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RE: OT Lyme tick info wanted

2001-07-13 Thread Jostein Oksne

Hi, Ann.
I showed your image to one of the doctors where I work (there's about 50 of
them here), and his conclusion is that it looks suspicious enough to justify
a trip to your doctor.

For my own record as a biologist I would like to fill in a bit about ticks
in general. Forgive me if I state things obvious.

The tick is a small mite (remotely related to spiders) that sucks blood from
mammals. There are several species, but I think most of them are 2-4mm long
to begin with. When full of blood, however, they become larger than green
peas; up to 15mm. They climb trees or other vegatation and sit idle in the
canopy until some warm-blooded  animal comes around. They sense the body
heat and let themselves drop onto their prey. 

The bite itself is less of a nuisance than eg. a mosquito bite. However, the
tick bite can carry a small parasite; a bacteria called Borrelia, which
belongs to the same group of bacteria as eg. syfilis (Spirochaetae). 

The percentage of ticks carrying the disease can vary from place to place.
In Norway the range is between 3% and 20%; which means the risk of catching
Borrelia varies from 1:30 to 1:5.

A borrelia infection usually starts with a local swelling up to a couple of
days after the bite. It starts at the bite and usually spread like rings on
a water surface. The bite itself remains red like on your picture. The
swelling will disappear after a while, and in most cases this means that
your body has fought the infection itself.

In some cases, however, the bacteria spread to other organs, notably the
muscles and the meninges (the membranes that encapsulate the brain and
spinal chord). This condition is called chronic borreliosis and is quite
serious. If I have got it right, one doesn't know the full extent of
long-term consequences of chronic borreliosis.

Because of the risk of chronic borreliosis, it is common to treat the local
signs of infection too. Borrelia is easily killed with normal antibiotics,
but I don't know how long you have to be on medication. Consulting a doctor
is probably worth the trouble if in doubt.

Hope this helps, and thanks for reading.
Jostein Øksne


 -Original Message-
 From: Ann Sanfedele [mailto:[EMAIL PROTECTED]]
 Sent: Friday, July 13, 2001 8:19 AM
 To: [EMAIL PROTECTED]
 Subject: OT Lyme tick info wanted 
 
 
 I know this is weird guys, but if there is a doctor among
 you or someone who has suffered
 from a deer tick bite and knows for sure what it looks like
 could you look at the
 jpg at this address and let me know if it is likely to be a
 tick bite?  I scanned the area of the bite.
 almost 2 weeks ago I was a bit too cavalier when shooting a
 wedding in  a Japanese Garden in
 Westchester Country, NY - where lots of these critters
 live.   I figured the scan would be of
 some interest to outdoor photogs and knowing the probability
 of this being a lyme tick bite
 would be helpful to others.   I just discovered this thin
 and it doesn't hurt - it seems to
 have all the earmarks of tick and i cant sleep so ...
 
 http://users.rcn.com/annsan/mytickmaybe.jpg
 
 annsan
 
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RE: OT Lyme tick info wanted

2001-07-13 Thread Jostein Oksne

Oh, You can also have a look at the current issue of New England Journal of
Medicine. There's a _lot_ of info on Lyme disease there.
Some of the articles are reserved for paying subscribers until 6 months old,
but there's free stuff too.

http://www.nejm.org

Jostein


 -Original Message-
 From: Ann Sanfedele [mailto:[EMAIL PROTECTED]]
 Sent: Friday, July 13, 2001 8:19 AM
 To: [EMAIL PROTECTED]
 Subject: OT Lyme tick info wanted 
 
 
 I know this is weird guys, but if there is a doctor among
 you or someone who has suffered
 from a deer tick bite and knows for sure what it looks like
 could you look at the
 jpg at this address and let me know if it is likely to be a
 tick bite?  I scanned the area of the bite.
 almost 2 weeks ago I was a bit too cavalier when shooting a
 wedding in  a Japanese Garden in
 Westchester Country, NY - where lots of these critters
 live.   I figured the scan would be of
 some interest to outdoor photogs and knowing the probability
 of this being a lyme tick bite
 would be helpful to others.   I just discovered this thin
 and it doesn't hurt - it seems to
 have all the earmarks of tick and i cant sleep so ...
 
 http://users.rcn.com/annsan/mytickmaybe.jpg
 
 annsan
 
 -
 This message is from the Pentax-Discuss Mail List.  To unsubscribe,
 go to http://www.pdml.net and follow the directions. Don't forget to
 visit the Pentax Users' Gallery at http://pug.komkon.org .
 
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Re: TC--I am frowning!

2001-07-13 Thread Jan van Wijk

On Thu, 12 Jul 2001 14:50:39 -0700 (PDT), Dave Weiss wrote:


If anyone has any examples on pug or other web site that used a TC, could
you email me and I could check it out?  

My Wild Konik horses in the March gallery used the A* 300mm + 1.4X-L converter.

I'll have plenty of TC shots in my USA-2001 tour gallery, available in a few weeks 
from now ...

Regards, JvW 
-
Jan van Wijk;   www.fsys.demon.nl


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Re: MZ-S Pentax function number 5

2001-07-13 Thread Jan van Wijk

On Fri, 13 Jul 2001 00:58:26 +0200, Jarosaw Brzeziski wrote:

I do not own an MZ-S but from my experience with cameras of other 
makers, your conclusion are right. In Canons there is a Custom 
Function linking AF and AE at the focus point which means that spot 
(or - more appropriatel - semi-spot) metering will will be taken at 
the automatically or manually selected focusing point.


That is correct, from the earlier descriptions of the MZ-S new AF it has
become clear that the matrix used for metering and the AF focus points
are more or less matched. Using Pentax function 5 will cause the metering
cell closest to the focus-point to be used.

I guess it will not be as selective as spot mode in the center because the
matrix cells are too big for that ...


Alexandre A. P. Suaide [EMAIL PROTECTED] napisa / wrote: 

 
 F5: Links AF and AE at the focus point (exposure can be taken
 at point of focus or not)
 
 What does it mean? If I set the focus point to the corner of the
 frame will the spot exposure (or center weighted) be centered in
 this point?

Well, You cannot set that to the corner of the frame, there are only
6 points to choose from, and 5 of those are on one line!

Regards, JvW
-
Jan van Wijk;   www.fsys.demon.nl


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Re: HELP ME!!!!!! OK I will try.

2001-07-13 Thread petit miam

I see I'm well behind. I started at Step 1 10 years
ago, and am still stuck at Step 1. I am thinking of
Step 2, but haven't seen a 28mm. Those pancake ones
are so cute. 
Where does the step of trying to pull apart your
Spotmatic to fix the meter come in? I am trying that
at the moment. Have got the film indicator dial off,
but am a bit stuck with the microscopic screws on the
wind-on lever. If only I could find a quality
screwdriver.

Jody.
 
--- [EMAIL PROTECTED] wrote:
 [EMAIL PROTECTED] writes:
  I there a 12-step group for Spotmatic owners?  
 :-) 
 
 Frank,
 
 Yes, there is...  
 1st step - buy a Spotmatic with 50mm.
 2nd step - buy a 28mm
 3rd step - buy a 135mm
 4th step - buy a 50mm Macro
 5th step - buy a 300mm (but it was such a bargain)
 6th step - buy a screwmount bellows
 ...
 
 Regards,  Bob S.


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Re: reading material

2001-07-13 Thread PAUL STENQUIST

You can develop a fairly broad integrated understanding of both
photography and darkroom work by reading the three books in the Ansel
Adams series: _The Camera_, _The Negative_, and _The Print_. They're
available in both hardcover and softcover versions in most bookstores.
They're quite well written and very informative.
Paul Stenquist

CW wrote:
 
 I would like some recommendations for books that can help me improve my
 photography.  I have a basic knowledge but would like to get better.  I
 would also like to try low low-budget home darkroom work.  It's such a pain
 to have BW film developed in the mini-lab world.  I have no experience
 developing and printing film so any texts here would need to be from
 step-one.
 
 Thanks,
 Cory Waters
 Atlanta, GA USA
 
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Re: Comments on M 50/4 macro

2001-07-13 Thread petit miam

One question. What does the macro part of the lens do?
I have a macro Tamron which I have never used (no
adaptall yet), and am wondering.

Thanks,
Jody.

  I just bought an SMC-M 50/4.0 macro...


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Re: Albano Garcia's Camera

2001-07-13 Thread petit miam

As long as you don't apshalt anyone (har!)

Jody.

 I agree. Beats the tar out of some of the boring
 threads we get into around
 here. You know, like some idiot writing out the
 Twelve Steps of
 Spotmaticophilia or running down the entire history
 of Pentax lens types.
 g
 
 I will just pitch in (har! Get it? Tar? Pitch?)

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OT Re: Re[2]: Hounds of Asahi

2001-07-13 Thread petit miam

Ah, you mean Sherlock, not Paul (for NZ readers only).
Took me a while to work that out (yes it's Friday). I
don't think anyone thinks about Paul Holmes. He is
just there in your face every night on the TV :)

Jody.

 hmm. Too many dog / Holmes coincidences in my life
 at the moment.
 
 Yesterday I had to go to Baker Street, London to see
 a man about a
 dog. As I strolled down the street I naturally
 enough started thinking
 about Holmes.

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Re: 18% Gray (again)

2001-07-13 Thread PAUL STENQUIST

Interesting. I too have found that foliage, trees, mountains, which are
all typical of an Ansel Adams photograph, are very close to 18%. On the
other hand, typical caucasian skin is at about zone VI or 13%. And since
most cameras are used to take snapshots of the rug rats, a meter
calibrated to that value serves the average point and shooter quite well.
Paul

Tom Rittenhouse wrote:
 
 Gee whizz, wowie!
 
 Well I must be old then because I do remember why 18% was
 chosen. Go out and meter a field of foliage and compare that
 to your gray card reading. Average reflectance of scenes is
 18% If you meter that as 13% reflectance you will over
 expose it. It is simple the average scene reflects 18% of
 the light that hits it. It is not an arbitrary value. It is
 a fact of the real world out there.
 
 As for Ansel Adams 12.5% would give zone VI, so 13% would
 fit the zone system exactly. However, photography goes back
 160 years, according to you guys no one knew what they were
 doing for the first 159 of them. You quote Shutterbug to
 me as proof that I and every one else have been doing it
 wrong for all those years.
 
 As for checking my meters, the four of them are with in 1/3
 stop of each other, and the incident meter matches the
 reflected reading from a gray card. BTW, why does an
 incident light dome for a meter transmit 18% of the light?
 
 I have heard that meters, especially built in meters, are
 calibrated with a 4 stop neutral density filter from a
 calibrated standard bulb. That explains why they would say
 their meter is calibrated to 13$, but that does not change
 the average reflectance of the real world. What that means
 is that the meter is off by a certain percentage for all
 exposures made with it even when you use an accurate
 metering technique. I had thought that the film manufactures
 were being optimistic about their film speeds but the fact
 that adjusting the film speed that same percentage gives
 excellent exposures tends to indicate the meters are in fact
 off by that much.
 
 --Tom
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Re: HELP ME!!!!!! OK I will try.

2001-07-13 Thread petit miam

Yes Otherwise you fail.

--- Frank Theriault [EMAIL PROTECTED]
wrote:
 Do they all have to be Taks??
 -frank
 
 [EMAIL PROTECTED] wrote:
 
  [EMAIL PROTECTED] writes:
 
   I there a 12-step group for Spotmatic owners?  
 :-) 
 
  Frank,
 
  Yes, there is...
  1st step - buy a Spotmatic with 50mm.
  2nd step - buy a 28mm
  3rd step - buy a 135mm
  4th step - buy a 50mm Macro
  5th step - buy a 300mm (but it was such a bargain)
  6th step - buy a screwmount bellows
  ...
 
  Regards,  Bob S.


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Re: 28-135

2001-07-13 Thread Camdir

In a message dated 13/07/01 01:59:46 GMT Daylight Time, 
[EMAIL PROTECTED] writes:

 re: the A28-135/4, here's some quick impressions.
 
 It's a beast. Putting it on an LX with attached winder makes for a fairly 
hefty package. It's not the heaviest lens out there, but among those 
representing this general FL range, it's up there near the top. Check Boz's 
page for comparisons. Of course, if you're now used to lugging around a 67 
kit, this is a feather..
 
 I found the zoom ring unnecessarily reluctant. It may just be this sample, 
but I really had to grasp and turn the ring to get it to zoom. I was able to 
get it to zoom between around 35mm and 105mm by pushing and pulling on the 
focus ring, but again it was resistant. 

 Ours is similar - maybe this was intentional to avoid zoom creep when 
pointing downwards. 

Kind regards

Peter A HREF=http://www.camera-direct.com/used.asp;Camera Direct Used Site
/A 
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Re: Comments on M-50/4.0 macro?

2001-07-13 Thread Mark Roberts

Stan Halpin [EMAIL PROTECTED] wrote:
 I've noticed that this lens isn't listed on Stan's Pentax page. He's got
 the earlier SMC 50/4.0 Macro, the FA 50/2.8 Macro and the A 50/2.8 Macro
 (which appears in the comments section but isn't listed in the navigation
 column).

Life is super hectic right now at work and home. I have the next website
update about 90-95% complete, but it will be at least another week before I
can get back to work on it.

Your web site is truly amazing, Stan. It's a measure of its scope and quality
that I was actually surprised to find a Pentax lens that wasn't listed!
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Re: 18% Gray (again)

2001-07-13 Thread petit miam

Most cameras?? Not mine.

--- PAUL STENQUIST [EMAIL PROTECTED] wrote:
 Interesting. I too have found that foliage, trees,
 mountains, which are
 all typical of an Ansel Adams photograph, are very
 close to 18%. On the
 other hand, typical caucasian skin is at about zone
 VI or 13%. And since
 most cameras are used to take snapshots of the rug
 rats, a meter
 calibrated to that value serves the average point
 and shooter quite well.
 Paul


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Re: LX with buy it now of $200. No Prism

2001-07-13 Thread Rfsindg

Another LX for the Illinois delegation!  Congratulations Bill!

 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1255010267 
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Re: Albano Garcia's Camera

2001-07-13 Thread petit miam

Oops, asphalt.

--- petit miam [EMAIL PROTECTED] wrote:
 As long as you don't apshalt anyone (har!)
 
 Jody.
 
  I agree. Beats the tar out of some of the boring
  threads we get into around
  here. You know, like some idiot writing out the
  Twelve Steps of
  Spotmaticophilia or running down the entire
 history
  of Pentax lens types.
  g
  
  I will just pitch in (har! Get it? Tar? Pitch?)
 
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Re: Comments on M 50/4 macro

2001-07-13 Thread Frank Theriault

It smells and attracts flies if you leave it unrefridgerated.  Oh, sorry
that's mackeral.

Oddly, whenever I make that joke around photogs, they don't find it
funny.  But, that's another kettle of fish.

-frank

petit miam wrote:

 One question. What does the macro part of the lens do?
 I have a macro Tamron which I have never used (no
 adaptall yet), and am wondering.

 Thanks,
 Jody.

   I just bought an SMC-M 50/4.0 macro...

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More About the Slinky

2001-07-13 Thread Shel Belinkoff

From: Bill Owens 
Date: Mon, 25 Jun 2001 11:09:39 -0700 

 Anyone know how the Slinky was invented?

Try this link:
http://www.messiah.edu/hpages/facstaff/barrett/slinky/history.htm

I love reading Cecil Adams' Straight Dope columns.  Here's
some more, and perhaps more interesting, Slinky information:
http://www.straightdope.com/columns/010706.html
---
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Re: HELP ME!!!!!! OK I will try.

2001-07-13 Thread Bill Owens

  Frank,
 
  Yes, there is...
  1st step - buy a Spotmatic with 50mm.
  2nd step - buy a 28mm
  3rd step - buy a 135mm
  4th step - buy a 50mm Macro
  5th step - buy a 300mm (but it was such a bargain)
  6th step - buy a screwmount bellows

Gosh, I screwed up.  I bought my Spotmatic with the now infamous 300/3.5
Rexatar and substituted a 200mm at step 4.  Also, my screwmount autobellows
included a slide copier and cost an outrageous $50.00 USD for both.

Bill, KG4LOV
[EMAIL PROTECTED]

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Re: Takumar 500mm 1:5 Screw Mount Lens and other ramblings

2001-07-13 Thread Jon Hope

At 16:13 13/07/01, you wrote:

Thanks Paul.

I got told by a different source that it can be used on a 645 or 67 camera 
(not sure which one), with an adapter that was sold for them a long, long, 
long time ago. I also got told it is a very sharp lens.

It is way too big and bulky for what I'd considered using it for, and 
happily passed it up.

I missed out on a 17mm Pentax M(?) fisheye for $120 today as well. I saw 
the for sale sign on the shelf at one of the camera shops and it had 
already been sold. It was still there, so I got a look at it. It didn't 
unduly worry me that it had been sold, I need a new printer more than a 
fisheye lens. A friend picked up a mint M 300/4 for about $150 yesterday 
and had the bragging rights today. I offered him $200 for it but he said 
nononono it has red backs in it, fungus, rabies, and it bites. LOL

It seems that every Pentaxite in Perth is busily selling off stuff at 
present, seemingly to fund the purchase of an MZ-S. I need one for 
photographing horse racing. The far right AF point has sold me on the 
camera. I just have to save up the readies.

To top off my day our dog had an attack of something. He was either 
poisoned or bitten/stung by something at it looked really bad. A visit to 
the vet, a stay of a couple of hours and he was allowed to come home a new 
dog. I'll make a couple of offerings to the dog dieties tonight and hope 
he's fully recovered in the morning.

Enough rambling

Cheers


Yep, pages 88,89  92 of Asahi Pentax and Pentax SLR 35mm cameras 1952 -
1989 by Danilo Cecchi
There are two versions. The original Asshiflex (M37) which also appeared
with an M42 mount and a later M42 version. The earlier one had a rectangular
black tripod mount, the later one a smaller, round silver one.

I've got the early one in m42, but like the later 500 f4.5, the mount is on
a tube that disconnects to allow filters to be screwed on..
Two elements only. Big (500mm long). Heavy.

I haven't used it much so can't comment on performance, and I don't have any
other 500's to compare with.
FWIW I paid AUS$300 at auction for it in around 8 condition (no dings and
only minor scratching, glass ok) with caps but no case.

Paul Ewins
Melbourne Australia
([EMAIL PROTECTED])



- Original Message -
From: Jon Hope [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, July 13, 2001 3:59 PM
Subject: Takumar 500mm 1:5 Screw Mount Lens


  Hi all
 
  There is one of these for sale here and I was curious enough to go and
have
  a look at it. I can't find a reference to the 1:5 500mm takumar screw
  mount. Is there anywhere that would have some info on it?
 
  Cheers
 
 
  Jon
 
  Relax! Take life as it comes, you can't chase the sun, you can't race the
wind
 
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RE: Cost incompatibility of MZ-S (was: Ordered My MZ-S ... )

2001-07-13 Thread Rob Brigham

Jessops are selling it for £699.90

Camera World will match this if you really push them although they will
want £749 or even £799 initially.

Best is Cameras-at-lowest-prices.com who want £640!

Rob

-Original Message-
From: Cotty [mailto:[EMAIL PROTECTED]]
Sent: 13 July 2001 12:22
To: Pentax List
Subject: Re: Cost incompatibility of MZ-S (was: Ordered My MZ-S ... )


 I finally gave in to the urge and ordered the MZ-S from BH in NYC.
Not 
only is the camera in stock but the price has dropped from $899.95 to 
$874.95!

By my reckoning, that's about 625 British Pounds, which just confirms my

sickening feeling that the pricing of all things photographic here in
the 
UK continues to be artificially inflated when there are all sorts of 
noises about how moves are afoot to regain some sort of equilibrium. The

cheapest I've seen the MZ-S advertised in the UK is about 799 Pounds 
(body only). That's well over a thousand US bucks. WHY?

Can anyone please tell me why I should pay hundreds more for the same 
thing here in Britain, supposedly well and truly ensconced in 'the First

World', than counterparts in the USA?

In fact I'm so fed up with the situation that I now buy lots of items 
(with these huge discrepancies) from the USA. Fortunately I have a
friend 
who visits regularly, and I can do this. I'm sorry for those who 
don't/can't/won't take the time and trouble to do this - it makes me 
angry that they pay a premium...for what?

My next major purchase will be the the long-awaited digital offering 
(MZ-D?) and you can bet your sweet bippy that it won't be from a British

supplier.

Just my .02p

Cotty

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Re: Comments on M 50/4 macro

2001-07-13 Thread Johan Schoone

You wrote:
One question. What does the macro part of the lens do?

No lens has a `macro' part. Macro lenses are *designed* for close-up
work.
I have a macro Tamron which I have never used (no
adaptall yet), and am wondering.

Go get an adapter and enter the `macro' world. Enjoy!
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Belated PUG comments

2001-07-13 Thread Dan Scott

Hi all,

Meant to do this earlier this month, but the time got away from me.

First comment--the gallery itself is a work of art this month. Vigorous
pplause for the person or persons responsible for the deft and sensitive
arrangement.

A half dozen of my favorites for this month:

Ken Waller's Ice Flower--superb, easy to see why it is a winner
John Cohen's VLA at Sunset--accident or not, very nice
Eric Platt's Run to the Sea--I wish I could see it full size!
Steve Bowman's Day Dreamer--beautiful portrait, very sensitive
Ollen Mullis' Shadows at Play--too cool--great vision
Karoly Kovacs' Sounds of Silence--the framing bothers me a little, but
the incomplete violin and the mute head are intriguing (to say the least)

Many other good ones in the gallery as well!

Dan Scott
[EMAIL PROTECTED]


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Re: Classrooms

2001-07-13 Thread Brendan

Dave The hi-school classes are a bit basic and I have
yet to find a decent part time night course at a
College but if you find on in the Toronto GTA let me
know I need lots of help with composition and
lighting. 

--- David J Brooks [EMAIL PROTECTED] wrote:
 Just wondering if anyone has taken any classes
 offered 
 at night through a local highschool or college?
 I'd be interested in taking one involving
 portrait/lighting
 with some darkroom instruction,as i'd like to learn
 more on
 studio type stuff.
 Would you think these  1 night a week for 10 weeks
 courses
 are worth while or should i look elsewere.
 As Beijing got the Olympics for 2008 our survey work
 dreams 
 for Toronto are down the tubes so i might have some
 spare time now
 
 Dave
 
 

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RE: TC..I am frowning!

2001-07-13 Thread Tom Van Veen

I never had any problems with mine, but I would usually use it on subjects
within 15 feet. Could be that it's not so great at or near infinity.

tv

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
Behalf Of Pat White
Sent: Friday, July 13, 2001 11:40 AM
To: [EMAIL PROTECTED]
Subject: TC..I am frowning!


I used the K T6-2X teleconvertor with my K 45-125 and M 200/4 with very good
results.  I had previously used a Vivitar TC with terrible results.  Perhaps
the T6-2X works better with longer lenses than 50mm.

Pat White

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RE: Ah ha! (was 18% gray)

2001-07-13 Thread John Francis

 
 Meters are calibrated with a 4 stop neutral density filter
 (12.5%) from a standard calibrated bulb.

I make four stops 6.25%
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Re: Ah ha! (was 18% gray)

2001-07-13 Thread Mike Johnston

Tom C. chortled:

 Do we really have to discuss photography? g


Yes, we do. 

Except when we discuss cheese curd, Slinkies, and tick bites, of course.
Those are allowed. But other than that, photography it is.

--Mike

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RE: Ordered My MZ-S ...

2001-07-13 Thread John Francis

 

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
 Sent: Thursday, July 12, 2001 6:08 PM
 To: [EMAIL PROTECTED]
 Subject: Ordered My MZ-S ...
 
 
  I finally gave in to the urge and ordered the MZ-S from 
 BH in NYC.  Not only is the camera in stock but the price
 has dropped from $899.95 to $874.95!

That's the price Adorama offered it at initially.
(I remember, because I asked Camera World to price-match)

-- 
John Francis  .   .   .   .   .   .   .   .   .   .  (650) 429-4427
MyWay.com   444 Castro St.  Suite 101,Mt. View,   CA  94041

Hello.  My name is Darth Vader.  I am your Father.  Prepare to die.
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RE: What is a fried cheese curd ?

2001-07-13 Thread Eric Lawton


Yes they do squeak when you eat them - of course, not the fried ones. Their 
texture is really a bit unusual.  Can't really be described.

Well, if I get my work done today I'll be heading south to Milwaukee.  After 
all this dicussion I'll definately be stopping at the Frigo factory in Lena, 
WI for a bag of fresh cheese curds.

And it will be squeak ... squeak  ... squeak ... the rest of the way to 
Milwaukee.

Eric Lawton

From: [EMAIL PROTECTED]
Subject: RE: What is a fried cheese curd ?
Date: Fri, 13 Jul 2001 09:48:10 -0600

I need to know--do Wisconsin cheese curds squeek when you eat them? I grew
up in Quebec eating fromage en grains, which squeaked pleasantly. An
entire high school class eating them could drive a teacher crazy...

Nowadays the quebecois put a mixture of gravy and cheese curds called sauce
poutine over their frites. This is guaranteed to reduce the population, 
just
like fried cheese curds will eventually kill off everyone in Wisconsin.

John


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Re: Classrooms

2001-07-13 Thread Johan Schoone

You wrote:
Just wondering if anyone has taken any classes offered 
at night through a local highschool or college?

I did, at the `Centre for Arts' (Centrum voor de Kunsten) in Eindhoven.

I'd be interested in taking one involving portrait/lighting
with some darkroom instruction,as i'd like to learn more on
studio type stuff.

I only did the entry level course and it did include some studio work,
both portrait and macro. The `advanced' course offers more (of course).

Would you think these  1 night a week for 10 weeks courses
are worth while or should i look elsewere.

Go see what your local nicht schools nearby offer.

As Beijing got the Olympics for 2008 our survey work dreams 
for Toronto are down the tubes so i might have some spare time now

*boggle*
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Re: Classrooms

2001-07-13 Thread herbet brasileiro

Too bad we didn't get the Olympics. Let's hope it
serves for a good purpose in Beijing.

I know that Humber College offers general interest
courses and has also a certification program
(http://cecal.humberc.on.ca/photo/index.html). I've
been unsuccessfully trying to free up some time to do
it. The Toronto image works 
http://www.torontoimageworks.com also offers some
courses in portraiture and bw printing. I don't know
how good those are though.
Herbet.


 
 --- David J Brooks [EMAIL PROTECTED] wrote:
  Just wondering if anyone has taken any classes
  offered 
  at night through a local highschool or college?
  I'd be interested in taking one involving
  portrait/lighting
  with some darkroom instruction,as i'd like to
 learn
  more on
  studio type stuff.
  Would you think these  1 night a week for 10 weeks
  courses
  are worth while or should i look elsewere.
  As Beijing got the Olympics for 2008 our survey
 work
  dreams 
  for Toronto are down the tubes so i might have
 some
  spare time now
  
  Dave
  
  
 

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Re: What is a fried cheese curd ?

2001-07-13 Thread aimcompute

John Cohen wrote:


 Nowadays the quebecois put a mixture of gravy and cheese curds called
sauce
 poutine over their frites. This is guaranteed to reduce the population,
just
 like fried cheese curds will eventually kill off everyone in Wisconsin.


Brown Gravy over French Fries is great w/ an ice cold Coke.

Tom C.



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18% Gray (the TRUTH!)

2001-07-13 Thread Bill D. Casselberry

 
 Albano wrote:
 
  Somebody knows if ALL cameras and ALL incident meters are calibrated for 13
  percent? All Asahi cameras or just modern ones? All meters? Gossen?
 
The real reason for this discrepancy is that way back during
the Anselian Age the Sun actually shone brighter than it does
today, thus the average scene back in those idyllic times 
did truly measure an 18% reflectance. Some speculate that the
increased industrialization and concurrent smog (obeying Boyle's
Law and dispersing evenly throughout the atmospheric envelope)
density has reduced this reflectance to a mere 13% in recent times.

Friday looming large on the Oregon Coast .Bill


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Re: OT : Holmes

2001-07-13 Thread Bill D. Casselberry

John Francis wrote:
 
  Ah, you mean Sherlock, not Paul (for NZ readers only).
  Took me a while to work that out (yes it's Friday). I
  ... Paul Holmes. He is just there in your face every 
  night on the TV :)
 
 Could be worse - it could be John Holmes.

As with Blind Melon Chittlin's dilemma, I doubt they could
fit it on the screen/album cover  !8^D


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Re: Hounds of Asahi

2001-07-13 Thread Bill D. Casselberry

Chris Brogden wrote:
 
  [EMAIL PROTECTED] wrote: 
   OK all you dogs... knock it off!!!  :-) :-) :-)
 
  ARF!

  Who is it who owns the bow-wow Takumar 20mm?
 
 Mr. Casselberry himself.  Let's not hound him about it, though, as he may
 be a husky fellow who could drown us in big poodles of water.  Why not get
 back to talking about our photo labs and film leader retrievers?
 
Careful now!  ... or I'll have to unleash some images from
  the Bow-Wow Portrait Collection

8^)

-
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http://www.orednet.org/~bcasselb
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Re: Colour-presentation revisited (Canon FD vs. Pentax SMC)

2001-07-13 Thread Jaros³aw Brzeziñski

I think colour palette matters much to people in photographs and 
preferences are highly subjective; the simplest proof is how much 
people argue and differ on prints made on papers by various brands: 
some prefer saturated greens of Fuji paper while others find them 
unacceptable and artificial; there are people who praise "natural" 
colours of Agfa paper while others find them dull etc.
I would be interested in hearing from you on any results of your 
future "comparative studies"
Cheers
Jarek

 Hugo wrote:
 So do people in general tend to judge a picture more on the basis of
 colours
 than on other aspects like sharpness?
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Re: LX with buy it now of $200. No Prism

2001-07-13 Thread William Kane

   I just couldn't help myself.  Now I have a tough decision to make . . .
I recently bought a K2 w/ a 50 1.4 lens . . . Do I sell the K2 or the LX?
I already have a well beaten MX, an LX, and a Super Program, I really don't
need 2 more cameras . . . .

   I'll be posting some Pentax gear for sale in the next few days.  If
anyone needs the F-1 finder for the LX, let me know, I'm going to be
selling mine (for use with the FB-1 finder)

[EMAIL PROTECTED] wrote:

 Another LX for the Illinois delegation!  Congratulations Bill!

  http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1255010267 
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RE: Flash question.

2001-07-13 Thread Jaros³aw Brzeziñski

Using an RTF indoors would be my last resort - only if it provided 
the only means to take a picture. I sometimes - though quite rarely - 
use an RTF for fill-in outdoors, but solely with lenses that are 
small in size and this limits the choice to primes in the 28 - 85 
range or short standard zooms.

"Peifer, William [OCDUS]" [EMAIL PROTECTED] napisa / wrote: 

 Jim Apilado wrote:
 [Questions about use of RTF vs. external flash...]
  I can see where an external flash would be recommended for the 
long
  zoom.I'm not sure about whether to leave a hood on the other 
two
  lenses when shooting with the built-in flash.  What are your 
experiences?
 
 Hi Jim,
 
 I've had occasion recently to shoot people from distances of 60 
feet or so
 at 135mm and 210mm.  Even with an external flash, I find that my 
subjects
 show a lot of red-eye if they're looking in the general direction 
of the
 camera.  The problem is worse at greater subject distances, since 
the angle
 of parallax (i.e., camera lens to subject's eye to flash head) 
becomes
 progressively smaller.  Your decision is going to depend on what 
you shoot.
 Generally, I don't like to use the built-in flash at all, even 
for "normal"
 focal lengths, if I'm shooting people indoors or under low-light 
conditions.
 Only if I have to, and only if I set it to the pre-flash (red-eye 
reduction)
 mode.  The external flash units are just a lot more versatile for 
my tastes,
 and you can create a lot more depth in your scene -- as well as a 
lot softer
 illumination -- by properly bouncing the output off walls, 
ceilings, and so
 forth.  The built-in flash would probably be reasonable for fill-
flash if
 the output is properly compensated.  I just haven't had occasion to 
do much
 of that.
 
 Hope this helps.
 
 Bill Peifer
 Rochester, NY
 
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Re: MZ-S Pentax function number 5

2001-07-13 Thread Aaron Reynolds



Jan van Wijk wrote:

 That is correct, from the earlier descriptions of the MZ-S new AF it has
 become clear that the matrix used for metering and the AF focus points
 are more or less matched. Using Pentax function 5 will cause the metering
 cell closest to the focus-point to be used.

Man, I need to buy one of these...

-Aaron
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Re: Re: OT : Holmes

2001-07-13 Thread David J Brooks

gona go downtown gona see my girl huh huh

(cheech and chong 1972)

Dave(not here)Brooks

 Begin Original Message 

From: Bill D. Casselberry [EMAIL PROTECTED]
Sent: Fri, 13 Jul 2001 10:16:39 -0800
To: [EMAIL PROTECTED]
Subject: Re: OT : Holmes 


John Francis wrote:
 
  Ah, you mean Sherlock, not Paul (for NZ readers only).
  Took me a while to work that out (yes it's Friday). I
  ... Paul Holmes. He is just there in your face every 
  night on the TV :)
 
 Could be worse - it could be John Holmes.

As with Blind Melon Chittlin's dilemma, I doubt they could
fit it on the screen/album cover      !8^D


        -
        Bill D. Casselberry ; Photography on the Oregon Coast

                                http://www.orednet.org/~bcasselb
                                [EMAIL PROTECTED]
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 End Original Message 




 Pentax User
 Stouffville Ont Canada
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Bodies Roll Call Results UPDATE 102

2001-07-13 Thread Albano_Garcia


Just more MZ-S

Please send the messages to me directly, to not disturb other
members,thanks.
Also, I've not included 110 and digital cameras, just because I started
this
way, and I didn't want to change in the middle of the way.
Also, if you already submited and want to add new items, please put clearly
in
your message: this is not my first submission, so I don't put you twice in
the total answers.
Thanks to all contributors.
TOTAL ANSWERS: 390 members

MANUAL FOCUS:
Screw Mount:
- Asahiflex IIa3
- Asahiflex IIb2
- Asahi Pentax (AP)3
- K2
- SL...8
- SV...9
- S1...1
- S1a.10
- S2...1
- S3...3
- SP500...10
- SP1000..11
- Spotmatic...32
- Spotmatic II13
- Spotmatic IIa1
- Spotmatic SP27
- Spotmatic SP II..9
- Spotmatic F.33
- Spotmatic F MD...2
- Spotmatic MD.3
- ES..15
- ES II...20
- ElectroSpotmatic.3
- H1...2
- H1a..5
- H2...4
- H3...7
- H3v..5
Bayonette:
- KM14
- KX42
- KX MD..1
- K234
- K2 DMD.9
- K1000.75
- K1000 SE...9
- MX...118
- ME38
- ME SE..2
- ME Super.119
- ME Super SE4
- MV.6
- MV11
- MG12
- LX...136
- Super Program.69
- Super A...41
- Program Plus..17
- Program A.10
- A3000..3
- A3.2
- A3(date)...1
- P3.7
- P3n8
- P308
- P30n...1
- P30t..12
- P5.8
- P502
- ZX M..20
- MZ M..10
AUTOFOCUS:
- ME F..12
- SF 1...5
- SFX3
- SF 1n..6
- SFXn..10
- SF 7...2
- SF 10..6
- PZ 1..18
- PZ 1 SE2
- Z124
- PZ 1p.66
- Z1p...40
- PZ 10..5
- Z 10...2
- PZ 20.11
- Z 20...4
- Z 50p..2
- PZ 70..6
- Z 70...1
- Z5.1
- MZ 3..18
- ZX 5..10
- MZ 5..13
- ZX 5n.54
- MZ 5n.35
- ZX 7...8
- MZ 7...6
- ZX 10..9
- MZ 10.13
- ZX 30..7
- MZ 30..1
- ZX 50..7
- MZ 50..7
- MZ S...6
MEDIUM FORMAT:
- 64517
- 645n3
- 6x713
- 67..9
- 67 II...7


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RE: Cost incompatibility of MZ-S (was: Ordered My MZ-S ... )

2001-07-13 Thread Cotty

Best is Cameras-at-lowest-prices.com who want £640!

Rob

That's much more like it! Okay, I didn't do my research very well, did I 
blush.

Even so, you have to hunt about to find outlets like this. Jessops at 
£699 is slightly more palatable, but 650 would be better. I suppose these 
numbers will fall.

I still haven't seen anything close to the £540 I paid for my Sigma 
70-200 2.8 (B+H in NYC) over here - £599 I think was the closest. A lot 
of £720s and so forth. There's no excuse for that!

Cotty

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Re: 18% Gray (the TRUTH!)

2001-07-13 Thread Dave Evans

bill- 

you've very good.

fairly ill, but good

 [EMAIL PROTECTED] 07/13/01 11:13AM 
 
 Albano wrote:
 
  Somebody knows if ALL cameras and ALL incident meters are calibrated for 13
  percent? All Asahi cameras or just modern ones? All meters? Gossen?
 
The real reason for this discrepancy is that way back during
the Anselian Age the Sun actually shone brighter than it does
today, thus the average scene back in those idyllic times 
did truly measure an 18% reflectance. Some speculate that the
increased industrialization and concurrent smog (obeying Boyle's
Law and dispersing evenly throughout the atmospheric envelope)
density has reduced this reflectance to a mere 13% in recent times.

Friday looming large on the Oregon Coast .Bill


-
Bill D. Casselberry ; Photography on the Oregon Coast

http://www.orednet.org/~bcasselb 
[EMAIL PROTECTED] 
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Favorite Lens Roll Call Results UPDATE 18

2001-07-13 Thread Albano_Garcia


These are the conditions:
1 - You must answer off-list exclusively. On-list votes will not be
included.
2 - You must choose Your Favorite Pentax Lens. ONLY ONE. Yes, ONLY ONE.
3 - It must be original, no third-party allowed.
4 - Primes and zooms.
5 - You must specifiy: Tak, Super Tak, SMC Tak, K, M, A, F, FA, etc.
6 - You must have personal experience with it, no matter if you have it,
had it,
lost it, sold it, borrowed it, but you must have used it. If not it would
be a
wish list.
First Place (7 votes): FA* 24 2
Members: 109

K 15 3.5 (1)
A 15 3.5 (1)
A 20 2.8 (1)
K 24 2.8 (3)
A 24 2.8 (2)
FA* 24 2 (7)
K 28 3.5 (1)
K 28 3.5 Shift (1)
M 28 2.8 (1)
A 28 2 (1)
A 28 2.8 (1)
K 35 3.5 (1)
FA 35 2 (1)

M 40 2.8 (4)
FA 43 1.9 Limited (1)
SuperTak 50 1.4 (1)
SMC Tak 50 1.4 (1)
SMC Tak 55 1.8 (2)
K 50 1.2 (2)
K 50 1.4 (1)
M 50 1.4 (3)
M 50 1.7 (2)
M 50 4 Macro (1)
A 50 1.4 (4)
FA 50 1.4 (2)
FA 50 1.7 (1)
K 55 1.8 (1)

FA 77 1.8 Limited (2)
SMC Tak 85 1.8 (1)
K 85 1.8 (2)
M 85 2 (1)
A* 85 1.4 (2)
FA* 85 1.4 (2)
M 100 2.8 (1)
M 100 4 Macro (1)
M 100 4 Dental Macro (1)
A 100 2.8 (1)
A 100 2.8 Macro (3)
F 100 2.8 Macro (2)
FA 100 2.8 Macro (4)
K 105 2.8 (2)
K 135 2.5 (1)
A 135 2.8 (1)
Tak 200 3.5 Preset (1)
A* 200 2.8 (1)
A* 200 4 Macro (4)
A* 300 2.8 (2)
F* 300 4.5 (2)
FA* 400 5.6 (1)

FA 20-35 4 (3)
M 24-50 4 (1)
FA 24-90 3.5-4.5 (1)
FA 28-70 4 AL (1)
F 35-70 3.5-4.5 Macro (1)
FA 28-105 4-5.6 powerzoom (1)
A 35-105 3.5 (5)
K 45-125 4 (1)
M 75-150 4 (2)
A 70-210 4 (1)
A 80-200 4.7-5.6 (1)
FA* 80-200 2.8 (1)

6x7 SMC 45 4 (1)
6x7 SMC Tak 55 3.5 (1)
6x7 SMC 55 4 (1)
67 165 4 LS (1)




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Re: Ah ha! (was 18% gray)

2001-07-13 Thread aimcompute

You guys up there around Milwaukee like Candy Raisins too right?  And Sen
Sens?

Tom C.

- Original Message -
From: Mike Johnston [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, July 13, 2001 10:10 AM
Subject: Re: Ah ha! (was 18% gray)


 Tom C. chortled:

  Do we really have to discuss photography? g


 Yes, we do.

 Except when we discuss cheese curd, Slinkies, and tick bites, of course.
 Those are allowed. But other than that, photography it is.

 --Mike

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Re: reading material

2001-07-13 Thread Pål Jensen

Amita wrote:


 I saw this book in a camera store and I'm planning to get it soon:
 
 Photography and the Art of Seeing
 by Freeman Patterson
 http://www.amazon.com/exec/obidos/ASIN/1550130994/ref=cm_mp_wl/002-1716753-1
 832851?coliid=I1H531E6WR8QKI



I highly recommend this book.

Pål

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Re: OT : Holmes

2001-07-13 Thread Albano_Garcia


I suggest everybody the film Boogie Nights by P. T. Anderson.
Great, funny movie, introducing the backstage human world of porn film
industry.
It's fictional, but the director admited influence of Holmes in the
construction of the main character Dirk Diggler.
Regards

Albano



John Francis wrote:
  Ah, you mean Sherlock, not Paul (for NZ readers only).
  Took me a while to work that out (yes it's Friday). I
  ... Paul Holmes. He is just there in your face every
  night on the TV :)
 Could be worse - it could be John Holmes.
 As with Blind Melon Chittlin's dilemma, I doubt they could
 fit it on the screen/album cover  !8^D


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Re: Cost incompatibility of MZ-S (was: Ordered My MZ-S ... )

2001-07-13 Thread Pål Jensen

Cotty wrote:

 Can anyone please tell me why I should pay hundreds more for the same 
 thing here in Britain, supposedly well and truly ensconced in 'the First 
 World', than counterparts in the USA?


Because of VAT perhaps? You got only 17,5%; over here its 24%. 

Pål


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Re: 18% Gray (the TRUTH!)

2001-07-13 Thread Tom Rittenhouse

Sounds right. Lousy physics, but who cares when discussing
the TRUTH g


Bill D. Casselberry wrote:
 
 
  Albano wrote:
 
   Somebody knows if ALL cameras and ALL incident meters are calibrated for 13
   percent? All Asahi cameras or just modern ones? All meters? Gossen?
 
 The real reason for this discrepancy is that way back during
 the Anselian Age the Sun actually shone brighter than it does
 today, thus the average scene back in those idyllic times
 did truly measure an 18% reflectance. Some speculate that the
 increased industrialization and concurrent smog (obeying Boyle's
 Law and dispersing evenly throughout the atmospheric envelope)
 density has reduced this reflectance to a mere 13% in recent times.
 
 Friday looming large on the Oregon Coast .Bill
 
 -
 Bill D. Casselberry ; Photography on the Oregon Coast
 
 http://www.orednet.org/~bcasselb
 [EMAIL PROTECTED]
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Re: Classrooms

2001-07-13 Thread Bob Walkden

Hi,

studio portrait lighting, at least as a beginner, is pretty simple. You
should be able to pick up the basics in a couple of hours at most. After
that you're probably better off spending time in the studio doing your own
experiments.

---

 Bob  

mailto:[EMAIL PROTECTED]

Friday, July 13, 2001, 4:37:41 PM, you wrote:

 Just wondering if anyone has taken any classes offered 
 at night through a local highschool or college?
 I'd be interested in taking one involving portrait/lighting
 with some darkroom instruction,as i'd like to learn more on
 studio type stuff.
 Would you think these  1 night a week for 10 weeks courses
 are worth while or should i look elsewere.
 As Beijing got the Olympics for 2008 our survey work dreams 
 for Toronto are down the tubes so i might have some spare time now

 Dave


  Pentax User
  Stouffville Ont Canada
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Re: Cost incompatibility of MZ-S (was: Ordered My MZ-S ... )

2001-07-13 Thread Cotty

Hi Cotty, just FYI, when I asked for the PZ1P body price (u$s 500 in USA) 
here in Argentina they charged u$s 1400-1450.
Regards
Martin

Martin, I am stunned. What a ridiculous situation. You have my complete 
sympathy. If you ever want anything that costs less here in the UK (which 
is still more expensive than the USA by and large) and need a middleman, 
feel free to write and I will try and organise it for you.

Cheers

C

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Re: 18% Gray (again)

2001-07-13 Thread Tom Rittenhouse

I am the one who argues that this 13% thing is bull. Take
your incident meter and meter a gray card in reflected mode.
Then take an incident mode reading. The readings will be the
same. If the meter was calibrated for 13% gray the readings
would be different because that dome is definitely 18%
transmitance. No, Herbert Klepper had an article in Modern
Photography back sometime in the seventies is seems like
that had the 13% bs in it and every one who pretends to be
and expert has continue that erroneous bs since.

If I hadn't wanted to build a meter checker for myself and
found out about the 8x ND filter used to bring the reference
bulb down to the proper level to place the meter cell in the
center of its I might have gone for it. In fact I almost did
this time before I actually read Bob Shell's sidebar about
this and remembered.

As for the regrets Paul mentions, Caucasian skin is one stop
brighter than 18% e.g. 36% not the other way around.

I find it interesting that all the exposure fanatics over
all the years before someone found out that all the exposure
meters in the world were off by a half a stop never noticed
that. Not even back in the days when film barely had the
exposure latitude to cover a half stop error. Of course you
guys can believe what you want, but you are still comparing
apples to oranges as I said in my Ah ha post. Believe me,
with modern film you won't notice a half stop error.

--Tom

[EMAIL PROTECTED] wrote:
 
 Let me see if I understand.
 Cameras are calibrated for 13 percent. 13 percent is darker than 18
 percent. So, if you meter from a 18 percent graycard, the meter will try to
 make it darker, then you increase the exposure by a third or half stop.
 I'm doing it right?
 
 Somebody knows if ALL cameras and ALL incident meters are calibrated for 13
 percent? All Asahi cameras or just modern ones? All meters? Gossen?
 
 Albano, a bit confused
 
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Re: MZ-S Pentax function number 5

2001-07-13 Thread Brendan


--- Aaron Reynolds [EMAIL PROTECTED] wrote:
 

 
 Man, I need to buy one of these...
 
 -Aaron
 -

Good so I can play with one before I decide ( actually
more like borrow for a while hehe ) 

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Re: Next 'Limited' Lens Due?

2001-07-13 Thread Pål Jensen

A Pentax employee told me that there will be a FA 18/2.8 Limited. I got the impression 
that this was the next Limited lens although it wasn't explicitly said. What was said 
was that it would be released at a later date than the 31 Limited. It was also said 
that they didn't have the existence of this lens in writing yet. 

Sombody posted here that there will be a 23/1.9 Limited. I have no idea about the 
validity of this rumor. It was said that a Pentax photographer had gotten one for 
testing. For what its worth, both the 77 Limited and the black 43mm was spotted long 
before release by people observing Pentax photographers.

Anyway, a Limted series consiting of a 18/2.8, 23/1.9, 31/1.8, 43/1.9, and 77/1.8 
makes a lot of sense to me.

Pål 


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Re[2]: 18% Gray (again)

2001-07-13 Thread Bob Walkden

Hi,

this assumes that most camera users are white, which is a highly
dubious assumption given that most people are not white. It would be
commercial suicide to base meter calibration on any particular skin
colour. If it's true that white skin is about 13% then I'd suggest
it's probably coincidence. I've just metered by own skin - typically
N. European with a slight suntan - and compared it against an 18% grey
card. No appreciable difference.

---

 Bob  

mailto:[EMAIL PROTECTED]

Friday, July 13, 2001, 11:02:57 AM, you wrote:

 Interesting. I too have found that foliage, trees, mountains, which are
 all typical of an Ansel Adams photograph, are very close to 18%. On the
 other hand, typical caucasian skin is at about zone VI or 13%. And since
 most cameras are used to take snapshots of the rug rats, a meter
 calibrated to that value serves the average point and shooter quite well.
 Paul


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Re: Re[2]: 18% Gray (again)

2001-07-13 Thread Chris Brogden

On Fri, 13 Jul 2001, Mark Roberts wrote:

 Chris Brogden [EMAIL PROTECTED] wrote:
 
 On Fri, 13 Jul 2001, Bob Walkden wrote:
 
  I've just metered by own skin - typically N. European with a slight
  suntan - and compared it against an 18% grey card. No appreciable
  difference.
 
 And thus was Bob henceforth known as The Grey Man.
 
 I guess he just has Grey's Anatomy

*L*  Not to question his grey matter, but I wonder if he was using a
genuine card or a grey market one.

chris

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Re: Bodies Roll Call Results UPDATE 102

2001-07-13 Thread Aaron Reynolds



Chris Brogden wrote:
  Does
 anyone on the list have any special edition LX's of any kind?
 

Yes, I have one of them solid gold ones that came in the rosewood case
with embroidered cotton gloves.

-Aaron
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Re: What is a fried cheese curd ?

2001-07-13 Thread William Robb


- Original Message -
From: Aaron Reynolds 
Subject: Re: What is a fried cheese curd ?



  Nowadays the quebecois put a mixture of gravy and cheese
curds called sauce
  poutine over their frites. This is guaranteed to reduce the
population, just
  like fried cheese curds will eventually kill off everyone
in Wisconsin.

 Hell, you can buy the fast food version at any Burger King in
Canada
 these days.  Speaking of which...

The AW version is pretty good, but the New York Fries Poutine
rocks!!
William Robb


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RE: OT: What is a fried cheese curd ? (was MZ-S in Madison...)

2001-07-13 Thread John Francis


 Cheese curds themselves are made, I believe, as an 
 intermediate step in the cheesemaking process

 They're new cheese, before it's pressed and cut into blocks.

Indeed.   Take some milk, and separate it somehow (usually by
adding rennet).  The curds are the lumpy bits that will be moulded
into blocks to be sold as cheese after some amount of aging.

The liquid that is left behind is the whey.

So now you know what curds and whey is.   Would you eat it?
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RE: Re[2]: 18% Gray (again)

2001-07-13 Thread John Francis

 

Chris Brogden brough forth:
 
 On Fri, 13 Jul 2001, Bob Walkden wrote:
 
  I've just metered by own skin - typically N. European with a slight
  suntan - and compared it against an 18% grey card. No appreciable
  difference.
 
 And thus was Bob henceforth known as The Grey Man.

Soylent Grey is Bob!


-- 
John Francis  .   .   .   .   .   .   .   .   .   .  (650) 429-4427
MyWay.com   444 Castro St.  Suite 101,Mt. View,   CA  94041

Hello.  My name is Darth Vader.  I am your Father.  Prepare to die.
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Re[4]: 18% Gray (again)

2001-07-13 Thread Bob Walkden

Hi,

that's ok - I'm colourblind anyway.

---

 Bob  

mailto:[EMAIL PROTECTED]

Friday, July 13, 2001, 8:22:29 PM, you wrote:

 On Fri, 13 Jul 2001, Bob Walkden wrote:

 I've just metered by own skin - typically N. European with a slight
 suntan - and compared it against an 18% grey card. No appreciable
 difference.

 And thus was Bob henceforth known as The Grey Man.

 chris


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Info about PDML Location Survey

2001-07-13 Thread Chris Brogden


If you're new to the list or just haven't seen the geography poll before,
here's how it works.  I'm asking every member of the PDML (Pentax Discuss
Mailing List... this thing you're reading now g) to mail me their city,
state/province and country so that I can complile the information in a
list.  For security reasons, I will post a general summary to the PDML and
will mail the detailed info directly to the participants.

The general summary will be a list of how many PDML members are in each
state/province or country.  No names or e-mail addresses will be attached
to this summary, as it will eventually wind up in the online PDML
archives.

The detailed info will consist of your name, city, state/province, country
and e-mail address in the following format:

Canada, Manitoba, Winnipeg; Chris Brogden [EMAIL PROTECTED]

If you don't want to include your city, that's fine; just let me know.  I
will mail the detailed info directly to the participants, so it will not
be posted on the PDML or wind up on a web page somewhere.  This way, only
those PDML members who are sharing their info with you will have access to
yours.

Hopefully this info will help us to appreciate the truly international
flavour of the PDML and will faciliate contacting other members.  If
you're taking a trip somewhere and have questions about your destination,
you can see who lives there and e-mail them directly.  If you want to
arrange a get-together with other people from a region, you have their
contact info at a glance.  There have been a few meetings of PDML members
already, which have apparently been a lot of fun, and I hope that this
info makes it easier for meetings like this to happen.

If you're interested in submitting your location for the list, or want to
change the info you've already sent to me, or just have questions about
the project, please e-mail me *off-list* at [EMAIL PROTECTED] and
I'll get right on it.  Don't just hit reply to this message, as it will
go to the list, not to me.  I'll try to mail out an update to this info
near the middle of every month, unless there have been no changes to it.

Thanks!

chris
[EMAIL PROTECTED] (please reply to this address, not the Pentax
list)

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Re: 18% Gray (again)

2001-07-13 Thread Mike Johnston

Tom R. exploded:

 I am the one who argues that this 13% thing is bull.


Tom,
Actually it's not. The ANSI standard is around 12% and a lot of
manufacturers use 13%. Of course, as with film speed, the manufacturers do
what they want to do, so many of them do calibrate to 18%. I wouldn't be
surprised if some of them have enough tolerance built into their
calibrations that they VARY from 12% to 18%! g

Just because you get two meters to agree with each other doesn't mean all
other meters are like those two. Try comparing a Nikon and a Contax meter,
for instance. 

As I said before, Ctein has tested this and reported his findings in his
book. His original source was Dick Dickerson, who is just a wee tad more
authoritative than Bob Shell--Dick oversaw the development of the T-Max
films, Polymax papers and chemicals, the Kodak chromogenic film, and Xtol,
among other things.

You want me to ask Dick about it? Or Ctein? I will if you want. The thing
is, I really think that since Ctein went to all the trouble to write it all
down in his book, the least we can do is give him the courtesy of going to
read about it there, instead of asking him to rewrite it again in an
individualized e-mail. But I'll ask him if you'd like me to.

His book is called _Post Exposure_, Focal Press (www.bh.com), ISBN
0-240-80299-3. The whole book is well worth having.

--Mike

P.S. Mark Roberts, No, I don't know the title of the relevant ANSI document,
but perhaps I can find out.

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Re: Favorite Film Roll Call Results UPDATE 15

2001-07-13 Thread Mark Roberts

Aw. Poor, lonely Ilford Pan-F. Only one vote.
Don't worry Pan-F. I love ya.


[EMAIL PROTECTED] wrote:


These are the conditions:
1 - You must answer off-list, right to me.
2 - You must choose your favorite emulsion (35 and 120/220 allowed. Color
and b
and w)
3 - You must choose ONLY ONE (color print OR slide OR b and w, etc).
4 - You must have personal experience with it.
WINNER by now: Tri-X with 8 votes.
Members: 64
COLOR (Print and Slide):
Kodak Kodachrome 25 (2)
Fuji Velvia (4)
Kodak Kodachrome 64 (3)
Kodak Elitechrome Extra Color 100 (2)
Kodak Ektachrome 100 VS (3)
Kodak Ektachrome 100 (1)
Fuji Sensia II 100 (3)
Fuji Provia 100F (7)
Kodak Supra 100 (1)
Fuji Reala 100 (1)
Kodak Portra 160 NC (1)
Kodak Kodachrome 200 (1)
Kodak Ektachrome E200 (2)
Fuji Superia 200 (1)
Agfa HDC Plus 200 (1)
Kodak Max 400 (1)
Kodak Ektapress PJ 400 (1)
Kodak Supra 400 (1)
Kodak Portra 400 NC (1)
Agfa Optima Prestige II 400 (1)
Fuji Press 400 (1)
Kodak Portra 800 (1)
Fuji Press 800 (1)
Kodak PJC 1600 (1)
BLACK AND WHITE:
Ilford Pan F (1)
Ilford Delta 100 (3)
Kodak Plus-X (2)
Ilford FP4 Plus (2)
Agfa Scala 200x (1)
Kodak Tri-X (8)
Fuji Neopan 400 (1)
Agfa APX 400 (1)
Ilford HP5 (1)
Ilford XP2 (1)
INFRARED:
Kodak HIE (1)




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Re: LX with buy it now of $200. No Prism

2001-07-13 Thread David A. Mann

William Kane writes:

I just couldn't help myself.  Now I have a tough decision to make . . .
 I recently bought a K2 w/ a 50 1.4 lens . . . Do I sell the K2 or the LX?

 If it only cost you $200 you should sell the LX to me at NZ prices :)  I already 
have two K2's.

Cheers,

- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets? -- Garfield
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Re: UNBELIEVABLE!

2001-07-13 Thread David A. Mann

Mike Johnston writes:

 Not to mislead, I was kidding. That's what I said I was only dreaming I was
 in New Zealand...where they apparently get all the great deals (because *I*
 never get 'em).

 And you don't have to drive very far (I'm talking a few hours at most) to get to 
some of the best scenery money that can't buy.  I'll be doing just that 
tomorrow, taking my new lenses out for a field trip.

 Got your flight booked yet? :)

Cheers,


- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets? -- Garfield
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Re: TC--I am frowning!

2001-07-13 Thread John Mustarde

I just compared most of my teleconverters, so I could
choose which ones to use with my 300/2.8. 

The best two were fine wide open. They became excellent
one stop down from wide open.

The TC's were tested on a Tokina 300/2.8 AT-X manual
focus lens. Note: none of them except the Albinar
caused any vignetting or significant light fall-off in
the corners.

Here's my impressions:

Excellent:
Kiron 2x (MF)
Pentax 1.7x AF Adapter

Good:
Kenko 1.5x AF
Promaster (Kenko) 1.7x AF

Not so good unless stopped to f8:
Kiron 1.5x (MF)

Unacceptable (serious barrel distortion)
Albinar 2x Macro Focusing TC

Note: The excellent Pentax XL convertors won't fit this
lens. Darn.

I heard good things about the Kiron 2x manual focus
teleconvertor, so when I had a chance to get one
recently, I did. It is even better than I expected. It
was the best TC of the lot, slightly better than the
Pentax 1.7x AF Adapter. I believe this Kiron 2x TC
rivals any K-mount manual focus TC out there, except
for the Pentax XL series.

The Pentax 1.7x AF Adaptor was good at f2.8, very good
at f4, and excellent at f5.6. 

After being impressed with the Kiron 2x TC, I had high
hopes for the Kiron 1.5x TC. But I was disappointed.
The 1.5x is probably matched well to some lens, but
it's sure not this Tokina 300/2.8.

The el-cheapo Promaster 1.7x AF TC ran a close third in
the tests. But it loses so much light that it hunts in
AF mode on my F* 300/4.5, so I stick with the Kenko
1.5x for an AF teleconvertor.

As for the original poster's problem with out-of-focus
images, I would think that any TC that gives
exceedingly soft images should be tested further to
isolate the problem. Even a bad TC should not cause
completely out-of-focus images unless there is some
alignment or other mechanical problem somewhere in the
lens/TC/camera system.


-- 
Happy Trails,
Texdance
http://members.fortunecity.com/texdance
http://members1.clubphoto.com/john8202
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Re: Right-angle Finder?

2001-07-13 Thread RK

Yup; the Varimagni fits perfectly.
I suggest you try out a demo before buying one; this finder creates an inverted
image which is a little disturbing at first.
Or do all right-angled finders do this?
RK

Peifer, William [OCDUS] wrote:

 I read in an astrophotography book I have that the Olympus Vari-Magni finder
 will fit the K1000.  If this is the case, then I believe it would not fit
 the PZ-1p.  Perhaps if one could find a scale drawing (or photo) of the back
 of an Olympus OM-1 body, one could then determine the viewfinder window
 dimensions and compare to corresponding Pentax K or M and later viewfinder
 windows?  Or perhaps someone on the list has an OM-1?

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Re: Cost incompatibility of MZ-S (was: Ordered My MZ-S ... )

2001-07-13 Thread John Mustarde

On Fri, 13 Jul 2001 19:45:51 +0200, you wrote:

Cotty wrote:

 Can anyone please tell me why I should pay hundreds more for the same 
 thing here in Britain, supposedly well and truly ensconced in 'the First 
 World', than counterparts in the USA?


Because of VAT perhaps? You got only 17,5%; over here its 24%. 


Whew. 24% or even 17.5% taxes on purchases would ruin
my day. Hope you guys get tax breaks in other areas.

When comparing to US prices, remember we have to pay
state and local taxes at the time of sale. In my area
it's 8.5% added to the purchase price.

But we don't have to pay Texas sales tax when buying by
mail order, unless the mail-order company has offices
in Texas. So I buy from out-of-state mail-order firms
quite often to save the 8.5% tax.

Several years ago I was involved with a group of
friends from Switzerland. The got together once a year
and came to the US to vacation and to buy clothes. They
told me they saved so much on clothes that it almost
paid for their trip.
-- 
Happy Trails,
Texdance
http://members.fortunecity.com/texdance
http://members1.clubphoto.com/john8202
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Re: reading material

2001-07-13 Thread Pentxuser

In a message dated 7/12/01 10:15:55 PM Pacific Daylight Time, 
[EMAIL PROTECTED] writes:
I would suggest any Freeman Patterson books. They are excellent sources to 
improve your photography..
Vic 
 
 Date: Thu, 12 Jul 2001 21:17:47 -0400
 From: CW [EMAIL PROTECTED]
 Subject: reading material
 
 I would like some recommendations for books that can help me improve my
 photography.  I have a basic knowledge but would like to get better.  I
 would also like to try low low-budget home darkroom work.  It's such a pain
 to have BW film developed in the mini-lab world.  I have no experience
 developing and printing film so any texts here would need to be from
 step-one.
 
 Thanks,
 Cory Waters
 Atlanta, GA USA 
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can someone recommend a good lens shade?

2001-07-13 Thread Amita Guha

I have a K1000 with a 50mm lens. I also have a 135mm lens coming in the
mail. Can someone recommend a good lens shade for either/both of these
lenses?

Thanks,

Amita


http://www.picturesofmyfinger.com


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Re: My First Impressions on the MZ-S

2001-07-13 Thread Peter Alling

Your lens apertures are getting sticky.  They need to be CLA'd.  The
diaphragm should snap into the same position every time and the opening
shouldn't change size depending on how fast or slow the diaphragm is
moving.  Even cheep lenses shouldn't behave this way.

At 07:11 PM 7/11/2001 -0500, you wrote:

Interesting.  It could also be a problem they fixed with the ZX series
cameras, or maybe they are all supposed to do that and my camera is busted.
  Another possibility is that it has something to do with the meter
inaccuracy problems with the PZ-1p, matrix metering, and A lenses?

Something simular that I have noticed with my older cameras, like the KX,
is that the lens will stop down differently depending on how fast I push
the DOF lever down.  If I do it slow, it will be wider than if I push it
fast.  It seems to stop down the same if I push it down fast and when the
camera fires the shutter, so I am not too concerned.  This is most evident
on the A 50mm F1.4 and a Sears 135mm.  Maybe the PZ-1p's aperture lever is
stopping the lens down more slowly when the lens is set to A than it does
when an aperture is selected by the aperture ring?

Todd

At 03:20 PM 7/11/01 -0700, you wrote:
 I have not noticed and significate differences with my A lenses and the
 ZX-M.  So it's possible that Alan's camera simply needs adjusting, which
 would make sense since they are all off by about the same amount.
 
 I did have my Z-1p checked by Pentax when I was in Australia few years ago.
 Unfortunately, the guy said the camera was perfectly okay and gave me an
 unfriendly look (felt like I was making something up). Since my recent Z-1p
 has exactly the same problem (or not a problem at all), I don't think my
 Z-1ps (2 in total) were an insolated case.
 
 regards,
 Alan Chan
 _

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Re: MZ-S in Madison or Milwaukee, WI area?

2001-07-13 Thread John Mustarde

On Fri, 13 Jul 2001 15:13:26 +1000, you wrote:

What is a fried cheese curd?

Cya

It is heat-treated manna from heaven.

--
John Will Work For Curds Mustarde
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Re: UNBELIEVABLE!

2001-07-13 Thread John Mustarde

On Thu, 12 Jul 2001 21:18:15 -0500, Mike caused the
Hounds of Asahi to howl with anguish when he wrote:

WOW!!!

Somebody just put up a mint LX and an Like New A* 85mm f/1.4 for a Buy It
Now price of $550 and I snagged it!!!

Mike - 
Such posts are very hazardous. I mean, some of us
really hate missing an Ebay bargain. 

I'm off to the dentist - gotta fix some gnashed teeth.

--
John Mustarde
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MX mirror not swinging back into place below 1/250th

2001-07-13 Thread Nicole Vincent


Hi

I've just won an MX with a Pentax M f1.4 lense at an auction for the
sum-total of US$33.95 (including shipping), but it has one problem with
it and I'm hoping someone on the list can enlighten me as to what might
be wrong with it.

I originally won the camera at $59.95 (including shipping) but on a
last-minute check the seller found there was a problem with it (contrary
to the advertised description), and offered it to me at the reduced
price, which I have accepted.

I don't have the camera yet, and the seller has advised me that the
mirror is not swinging back into place correctly at speeds slower than
1/250.  Could this be the same sort of problem as the LX's sticky
mirror problem, or might this be something else.  How expensive would it
be to service an MX?

Any reflections would be appreciated.  Also please note that I receive
the digest form of this list so if you could cc me on your reply to the
list then that would be great.

Thanx

Nicole

PS   I've just scanned in my photocopied SuperProgram owner's manual, so
if someone could offer a WWW site for me to put it onto then I'd be
happy to make it available.
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Re: 18% Gray (again)

2001-07-13 Thread Tom Rittenhouse

Well, Mike, even if the meters are setup for a 13% gray, and
I still doubt that because as I have said my Sekonic 308
gives the same reading with light reflected for an 18% gray
card as it does in incident mode, all you have to do is
reduce your ASA by that amount and use 18% because all that
is affected by that is where the calculator scale is set
relative to the meter reading . The meter calibration is
actually done as I have describe here several times. BTW is
the difference between 13% and 18% 1/3 stop or is it 1/2
stop? (I don't have a scientific calculator any more).
--Tom


Mike Johnston wrote:
 
 Tom R. exploded:
 
  I am the one who argues that this 13% thing is bull.
 
 Tom,
 Actually it's not. The ANSI standard is around 12% and a lot of
 manufacturers use 13%. Of course, as with film speed, the manufacturers do
 what they want to do, so many of them do calibrate to 18%. I wouldn't be
 surprised if some of them have enough tolerance built into their
 calibrations that they VARY from 12% to 18%! g
 
 Just because you get two meters to agree with each other doesn't mean all
 other meters are like those two. Try comparing a Nikon and a Contax meter,
 for instance.
 
 As I said before, Ctein has tested this and reported his findings in his
 book. His original source was Dick Dickerson, who is just a wee tad more
 authoritative than Bob Shell--Dick oversaw the development of the T-Max
 films, Polymax papers and chemicals, the Kodak chromogenic film, and Xtol,
 among other things.
 
 You want me to ask Dick about it? Or Ctein? I will if you want. The thing
 is, I really think that since Ctein went to all the trouble to write it all
 down in his book, the least we can do is give him the courtesy of going to
 read about it there, instead of asking him to rewrite it again in an
 individualized e-mail. But I'll ask him if you'd like me to.
 
 His book is called _Post Exposure_, Focal Press (www.bh.com), ISBN
 0-240-80299-3. The whole book is well worth having.
 
 --Mike
 
 P.S. Mark Roberts, No, I don't know the title of the relevant ANSI document,
 but perhaps I can find out.
 
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