There are a number of examples of this in Britten's operas -- not exactly
au courant, but I've always found him to be a model of notational clarity.
He used both "Missus" and "Mrs."; a quick flip through some scores shows
more of the latter than the former.
Aaron.
On Mon, Sep 2, 2019 at 5:21
Hi Larry,
See:
https://usermanuals.finalemusic.com/Finale2012Win/Content/Finale/Metatools.htm#kanchor1000
Aaron.
On Thu, Jun 7, 2018 at 7:51 AM, Lawrence David Eden
wrote:
> Dear Listers,
>
> How do I change a meta tool dynamic? For example: the dynamic can
> be triggered by typing
Good catch by Thomas! I'm not sure if this is the OP's issue, but Finale
does work that way, which is odd.
And I'm with David -- I have never selected a minor key in the key
signature box, since there didn't seem to be a point. I wonder if the
benefit there is supposed to come into play if you
I think either Steve is misreading Michael's original post, or I am.
I read the post as saying that if Michael is going from Eb major to F
major, for example, he's seeing 3 naturals followed by a single flat. I
don't believe I've ever seen this behavior, and I can't reproduce it
currently. That's
Can you make available a small file which demonstrates the problem? This
functionality seems to be working for me.
Aaron.
On Thu, May 10, 2018 at 1:04 PM, Michael Edwards
wrote:
> Hallo.
>
> I have a problem in Finale with changing key signatures. There are
>
In my experience, it has been a big time saver -- not sure if I would say
HUGE.
Aaron.
On Sun, Apr 22, 2018 at 6:14 PM, Lee Actor wrote:
> I already enter all cues in my "extracted parts" score, no pasting between
> docusments.
> I also change several "parts only" items
My solution for many of these things (and I think many others have the
same workflow) is to have one file for the score and one file for the
(linked) parts. This is not as good as one file for everything, but it's
better than a bunch of separate files for extracted parts.
Given this workflow,
This confused me as well, but it appears that if you have a Dorico
educational license, you're not allowed to produce commercial work. See
question 9 at https://www.steinberg.net/en/education/faq.html
Aaron.
On Sun, Apr 22, 2018 at 5:43 AM, David H. Bailey <
I just tried Export Pages, and I'm not seeing any differences between that
and Export as PDF -- they're using the same driver, and the files are
binary identical except for trivial differences (timestamp, font name
munging).
You're right that it's not a big deal to set up macros to do this, but
gt; http://www.leeactor.com
>
>
>
> -Original Message-
> From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf
> Of
> Aaron Sherber
> Sent: Sunday, April 1, 2018 5:30 PM
> To: finale@shsu.edu
> Subject: [Finale] Exporting parts to PDF
>
>
Hi all,
I just took advantage of the sale at MM to upgrade to Fin25, and I'm
exploring some of the new features. (And wondering why they haven't
improved the UI in 5 years, but that's a different issue.)
I noticed the new Export to PDF feature, which is quicker and easier than
printing to a PDF
Windows 10 now includes the ability for all apps to print to PDF without
additional software. In the Print dialog in Finale, click the Setup button
and choose the "Microsoft Print to PDF" printer.
Aaron.
On Tue, Dec 19, 2017 at 12:33 PM, Lee Actor wrote:
> I've said it on
I have gotten my hands on an ISO.
Thanks,
Aaron.
On Wed, Sep 28, 2016 at 1:25 PM, Aaron Sherber <aa...@sherber.com> wrote:
> Hi all,
>
> I'm moving some things around onto new computers, and it seems I am
> missing my install media for 2011. Makemusic says they don't have any
Hi all,
I'm moving some things around onto new computers, and it seems I am missing
my install media for 2011. Makemusic says they don't have any disks and
don't have this available as a download, so they suggested I ask around to
see if someone else has media that I can borrow.
Does anyone have
Here's a copy: http://aaron.sherber.com/files/vMacFinale.zip
Aaron.
On Thu, Jul 14, 2016 at 10:23 AM, Robert Patterson <
rob...@robertgpatterson.com> wrote:
> I have searched high and low and can't find a download link for the Finale
> 1.0 emulator. It uses the mac emulator Mini vMac
>
t; think the prospect of a 64-bit Finale would cause me to hold off upgrading
> until it was available.
>
> But as I understood what Aaron Sherber said, he already has 12 and 14.5, so
> from my perspective it's a no-brainer to go ahead and jump to 14.5. If he
> finds speed is an issue h
Hi all,
I've kept working in Fin2011 for several years, because it has met my needs
and because I haven't been working in Finale enough lately to figure out a
new version. But I've been having a few minor compatibility issues with
Windows 10, so I think it's time to move on.
I have both Fin2012
Hi all,
I recently upgraded my PC to Win10, and I'm working on an older project in
Fin2011. I've noticed that when I open up the Expression Designer window,
it works very slowly -- large delay after each keystroke in the Text window
before the new characters show up.
Has anybody else experienced
Totally agree. The only difference for me is that I use Speedy with my
computer keyboard as a 3-octave keyboard (z-m, a-j, q-u) to select the
pitch, rather than arrow keys. Very quick and efficient, and one of the
main reasons I haven't been tempted by other notation apps.
Aaron.
On Wed, Feb
Aaron.
On Thu, Jan 21, 2016 at 4:56 PM, David H. Bailey <dhbaile...@comcast.net>
wrote:
> On 1/21/2016 4:39 PM, Aaron Sherber wrote:
> > I returned to a "last known good" version of the file, and it all works
> > correctly. I did keep the "bad" file
I returned to a "last known good" version of the file, and it all works
correctly. I did keep the "bad" file around and would still be interested
in any suggestions, for future reference.
Aaron.
On Thu, Jan 21, 2016 at 4:33 PM, Aaron Sherber <aa...@sherber.com> wrot
Hi all,
Using FinWin2011. I'm trying to hide empty staves in a score, and they seem
to hide correctly everywhere except in one particular system.
I've selected the measures in question and done Clear All Items, so I
assume the measures are actually empty, but when I do Hide Empty Staves the
More curiously: If I select the whole document and do Show Empty Staves and
then Hide Empty Staves ... NONE of the empty staves hide.
Aaron.
On Thu, Jan 21, 2016 at 4:08 PM, Aaron Sherber <aa...@sherber.com> wrote:
> Hi all,
>
> Using FinWin2011. I'm trying to hide empty st
Hi all,
Working in FinWin2011. I've got a piece with several measure number
regions, including a few bars that are excluded from numbering -- either
through measure attributes, or because they sit in between defined regions.
I'm finding that when I do something like change a key signature or
what I
> suggest is to NOT unclick “include in measure numbering†until you are
> ready to format and print.
>
> Christopher
>
>
>> On Nov 17, 2015, at 6:47 PM, Aaron Sherber <aa...@sherber.com> wrote:
>>
>> Hi all,
>>
>> Working in FinWin2
Hi Darcy,
I'm still using 2011, so YMMV.
I can do what I think you're talking about by holding down both the
top-staff override key (backtick on Win) and the part override key (Ctrl
on Win) while dragging the rehearsal letter in the score. The former
prevents the move from affecting other
, at 12:56 PM, Aaron Sherber aa...@sherber.com wrote:
Hi Darcy,
I'm still using 2011, so YMMV.
I can do what I think you're talking about by holding down both the
top-staff override key (backtick on Win) and the part override key (Ctrl
on Win) while dragging the rehearsal letter in the score
On 2/5/2015 4:51 PM, Kenneth Moore wrote:
In the early days of email, ISTR
that recommended practice was to quote only the most recent contribution
to a thread.
Yes, and also to put your reply under the relevant quote, like so. But
I'm afraid that both of these battles have largely been lost.
If you're using expressions that are assigned to categories, the Tempo
Marks, Tempo Alterations, and Rehearsal marks categories are assigned to
staff lists in the Category Designer, which you can get to from the
Document menu or by hitting Edit Categories in the Expression Selection
dialog.
Regarding #3, you'll get the effect I think you want if you change a
measure's width using the Measure Attributes or Edit Multimeasure Rests
dialog, rather than dragging the barline -- you'll change the width of the
particular measure, and the other measures in the line will shrink or
enlarge to
I've done that and *still* had Finale print a page differently than it
appears on screen. Not often, though.
Aaron.
On 12/29/2014 7:06 PM, Darcy James Argue wrote:
On Dec 29, 2014, at 4:00 PM, Williams, Jim jwilli...@franklincollege.edu
wrote:
Maybe I ought to lock everything before
Ah, but that's exactly the issue -- you're moving measures by hand to
another system. Finale has used its spacing algorithm to decide where it
thinks measures should go, and you're overriding that. If Finale
*didn't* lock the systems, then your measure would just pop back to
where it came
All you have to do is set your time signature to 3+3+3+3+2/8 (using a
composite time sig -- put the entire numerator in the first box rather
than one digit in each) and then set the time sig to display as 7/4.
If you have music already entered, you can rebeam the music to this
composite sig.
Hi all,
It's been a long time since I've posted here -- notation hasn't been
much of a regular part of my life lately.
I'm having a problem that I've never run into before. I have a score for
8 instruments that I'm trying to condense into a piano score. I added
the staves and created the
, Aaron Sherber wrote:
Hi all,
It's been a long time since I've posted here -- notation hasn't been
much of a regular part of my life lately.
I'm having a problem that I've never run into before. I have a
score for
8 instruments that I'm trying to condense into a piano score. I added
The single engagement classical scale in NYC does not count A/Bb
clarinet as a doubling:
http://www.local802afm.org/wp-content/uploads/2012/07/classical_single.pdf
As pointed out by others, your mileage may vary according to
jurisdiction and contract.
Aaron.
On 3/16/2014 8:12 PM, J D
I've had something similar happen for years on Windows with different
Finale versions, different Windows versions, and different computers. In
my case, it's some kind of stuck key on my numpad; if I give all the
numpad keys a good tap, the stuck metatool key unsticks.
Aaron.
On 7/14/2012
On 7/5/2012 1:22 PM, Eric Fiedler wrote:
The To change the default page layout instructions in the manual apply only
to future pages in the_open_ document, not to all future pages in future
docs.
If I'm understanding you correctly, what you want to do is open up a new
document, adjust the
On 7/5/2012 3:27 PM, Eric Fiedler wrote:
My problem is that I have a gazillion older scores — each with 20-30
movements saved as individual files — from which I need to make parts. So
what I've been doing up to now is: open each file individually and change its
Page Format for Parts before
For the benefit of the MM employees on this list, I have to say that I
completely agree. TGTools is an absolutely essential part of my
workflow, in ways large and small.
Aaron.
On 7/4/2012 2:35 PM, Henry Howey wrote:
I'm noticing that several of the tools are now inoperable.
MakeMusic MUST
Hi all,
I have a score with a cutaway staff. At the end of one system is a
cautionary key sig change. In the cutaway staff, the last couple of
measures are hidden with a staf style. However, the key sig change still
displays:
https://www.dropbox.com/s/kxjgcosucjzlia0/cutaway.PNG
I'm
On 6/5/2012 12:40 PM, Steve Parker wrote:
In document preferences you can turn off courtesy key sig announcements.
Right, but I don't want to turn them off globally, or even for this
measure in all staves -- just in this single stave, since at this point
in the score it's hidden.
Actually
On 6/5/2012 11:39 AM, John Blane wrote:
Assuming your staff style is set to not display key sigs, apply it to the
next measure to hide the cautionary key sig.
Ah, that's very interesting. The cautionary sig is at the end of a
system, and this cutaway staff is completely hidden in the next
On 6/5/2012 5:18 PM, Neal Gittleman wrote:
Cut time, and the composer's notation in each bar is as follows: two dotted
half notes with eighth-note slash for repeated notes and a 6 above each note,
yielding 12 sextuplet eighths in each bar.
A couple of things come to mind. The first, if
On Fri, Apr 20, 2012 at 4:17 AM, rglanrg...@free.fr wrote:
You seem to be the only person here currently
using 2011, everyone else seems to have jumped
from 2010--2012. I wonder why? I guess I'll just ...
I've stayed with Win2011 because I really don't like the current implementation
of the
On 4/17/2012 3:42 AM, bunnydo...@aol.com wrote:
Unless you are in position to
monitor the mechanics of the list, there's simply no way to know how many
soldiers there are in the great lurker army.
Actually, if you visit the URL at the bottom of this message, you can
log in and view the
On 3/28/2012 9:26 AM, David H. Bailey wrote:
Unless the pirates also have a pirated version of the full Adobe
Acrobat and edit the PDF to remove that line. :-)
You can put all kinds of protections on a PDF, if you have full Acrobat
or something similar. For example, if you're sending out a
On 3/22/2012 11:36 AM, Robert Patterson wrote:
One of the things that has changed is how one moves staves vertically in
page view. dragging a staff now drags all staves beneath it. I like the
change, but I am wondering how to only drag that staff without dragging any
others.
It's Alt+drag in
On 3/22/2012 12:28 PM, Robert Patterson wrote:
Thanks, all. What is the equivalent of re-optimize? I am reworking an old
score, and after I delete material from staves they remain in the system.
Select the staff you want to hide, right-click, and choose Hide Empty
Staves (or pick this from the
On 2/29/2012 5:53 PM, Michael Mathew wrote:
I have changed my password for protection. Do I need to re-establish
membership on the list?
Nope.
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Hi all,
FinWin11. When an expression is assigned to a score list, like a tempo
mark, moving the topmost expression in the score moves the whole bunch
of them. In order to move /only/ the top expression, you have to hold
down the tilde key while you drag it.
When I do this, however, the
On 2/18/2012 11:12 AM, Christopher Smith wrote:
The topmost expression's position is the one that gets passed on to linked
parts by default.
Oh, right -- I was forgetting about all the other parts that aren't
showing tempo marks in the score.
I know you might want to have the expression on
For anyone still interested, here's the ms. of those bars in Cosi:
http://aaron.sherber.com/files/cosims.png
Aaron.
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In the Barenreiter, since the violins have the same rhythm as the
voices, they also get the indication 'colla parte'.
The Dover/Peters score has slightly different notation. You can see
both here:
http://aaron.sherber.com/files/cosi.png
(In the Peters, m.27 is a problem. The flutes
On 2/12/2012 6:01 PM, John Howell wrote:
For what it's worth, I MUCH prefer the Peters (except for the flutes,
in which colla parte makes no sense because they do NOT move with the
voice), because using the conventional fermata and being careful with
its placement seems much clearer than
On 2/12/2012 6:26 PM, Robert Patterson wrote:
Having seen the two versions of Cosi, it occurred to me that Aaron could
try a Finale-friendly notation that is not exactly what he's looking for
but may get the point across. That is a custom line with a normal fermata
centered in it, something
On 2/12/2012 9:00 PM, John Howell wrote:
Hmmm. Sibelius has both a start (left) bracket
and an end (right) bracket under the Lines menu,
although neither is dotted. Very handy for
indicating ligatures or coloration in
transcriptions of early notation. Does Finale
lack these?
Finale has
On 2/11/2012 6:30 AM, Raymond Horton wrote:
But if the conductor is conducting a player in several held notes while
every one else has one fermata, then he.she has to stop and talk first, and
there is still a potential for a mistake - not easy.
I would conduct the player gently with my left
On 2/11/2012 8:24 AM, David H. Bailey wrote:
Interesting -- in my experience that sort of thing requires explanation
since people are confused about what is happening and whether they
should follow my left hand or the stick.
It depends a lot on how exactly the conductor does it, and a bit on
On 2/11/2012 8:03 AM, Dennis Bathory-Kitsz wrote:
I don't know if
this is a consequence of the greater specificity of contemporary music
creating a new expectation, but the practice of giving fermatas only the the
largest note value in a part doesn't work anymore.
Again, I think there are
On 2/10/2012 12:31 PM, Robert Patterson wrote:
I always use George Crumb style fermatas in these situations, which as it
happens are much easier to create. (You can do it with the custom line
tool.) But that's not what you asked for.
That would be a fallback solution. I think it's a little out
On 2/11/2012 11:20 AM, Christopher Smith wrote:
Does the passage actually sound like a dotted eighth and two
sixteenths once every note has a fermata on it? I wouldn't think so.
Why not use notation that reflects the actual sound?
Because I didn't write the piece.
Aaron.
On 2/11/2012 1:02 PM, Darcy James Argue wrote:
I agree emphatically with everything Chris says here. Unless the notes are
all seriously elongated, and detached (the player breathes between each
note), a fermata on each note seems like overkill.
Yes, I agree.
And if the notes are meant to
On 2/11/2012 9:29 PM, Raymond Horton wrote:
Yeah, but this is what we do here:
Q: How do I do THIS?
A: No, no, no! HERE's what you should do: ...
Oh, I'm not complaining. As I said, a very interesting discussion. The
only thing that's missing is the voice of the late David Fenton, who I
Hi all,
Does anyone have any ideas for putting a wide fermata in Finale?
Example of use: All instruments have a fermata on a quarter note, except
for one instrument which has 4 sixteenths on that beat. Each sixteenth
is meant to be elongated, and in this particular case will be dictated
by
On 2/10/2012 10:57 AM, SN jef chippewa wrote:
but i think molto rit. --
or, better, molto ritenuto -- might better convey what you want.
I considered that. But an old teacher of mine used to say that one
should take into account those who are not playing as much as those who
are playing.
On 2/10/2012 11:42 AM, Darcy James Argue wrote:
My solution would be molto rit with a fermatta on the last sixteenth for
everyone (so players not playing would have a dotted eight rest followed by a
sixteenth rest w/fermatta. That is fairly standard and unambiguous.
You're right --
On 2/10/2012 12:17 PM, Robert Patterson wrote:
It seems like you could make one in the Shape Designer without too much
trouble (using the slur tool and a dot).
The slur tool isn't as thick as I'd like. On the forums, someone did
this by stacking several slurs in the shape designer with
On 2/10/2012 12:20 PM, John Howell wrote:
And unless you know that you are writing for
musicians who are familiar with new notational
conventions, I would urge you NOT to invent new
signs, or new meanings for old and understood
sings, which then have to be explained in text.
If I came across
On 2/7/2012 9:52 AM, Mark McCarron wrote:
I'm assuming you are using the change octave keys K,I,and
They have no effect on this issue. Finale seems to treat the percussion
staff as a treble staff for the purposes of percussion entry, so the
bottom line is E4. If I try hitting E3 (regardless of
On 2/7/2012 12:11 PM, Mark McCarron wrote:
I haven't tried this but simple entry might work.
Thanks, but I'm not interested in Simple Entry. I have always used
Speedy with my computer keyboard, and according to the Finale docs, this
method is supposed to work.
Aaron.
On 2/7/2012 3:50 PM, Dean M. Estabrook wrote:
Huh ... I'll be damned I always considered it a bass staff for
no particular reason ...
In past versions, there were bass clef and treble clef entry maps. But
now that you can no longer specify an input pitch separate from a
display position
On 2/6/2012 11:52 AM, Mark McCarron wrote:
when using speedy entry. You can engage the caps lock key and have the cursor
jump from pitch to pitch using the qwerty keyboard. this might help?
That's exactly the entry method I always use -- the 3-octave computer
keyboard. My point is that it
Hi all,
I wanted to follow up on this for the list's benefit, now that I've
played with it for a while. I tried following the instructions in the
post Jonathan sent, but I couldn't really get it working. Though I do
see the logic of what's going on.
On the other hand, I did finally get things
Hi Darcy,
I'm guessing that Robert is talking about Spacebar-click playback. If
you hold down the spacebar and click a measure, playback will start
there, but without Human Playback. There's also Ctrl-spacebar scrubbing
playback, which lets you play back a section forwards or backwards as
you
On 1/30/2012 1:45 PM, Robert Patterson wrote:
With the playback controls open, when I hit space playback starts where the
playback window thinks it should start, not where I click.
Not for me in Windows -- spacebar playback works as it always has, with
or without the playback window open.
Hi all,
I posted these queries a couple of weeks ago and got no suggestions. I'm
hoping that was just because it was a weekend, so I'm trying again. g
1. This is my first time using the Finale Garritan instruments, and I'm
a little confused by the percussion maps. I take it that we're supposed
On 1/23/2012 1:32 PM, Jonathan Smith wrote:
1—go to MIDI/AUDIO
2—DEVICE SETUP
3—EDIT PERCUSSION MIDI MAPS
Oh, interesting. I've never seen that dialog before, but this all looks
like the stuff that used to be in the percussion map designer. I'll have
to pour myself a drink and try to work
Hi Darcy,
I saw your original question but I can't help because I never use the
computer-keyboard Speedy method. This method has also been deprecated by
MakeMusic so it's possibly it's not compatible with the new percussion entry
method.
I wouldn't say deprecated, just that it's no longer
On 1/9/2012 1:36 PM, David H. Bailey wrote:
On Windows machines it's in
C:\Users\[yourname]\App\Roaming\MakeMusic\Finale2012[or Finale2011 for
that version]\Music Files\Default Files
Easy shortcut for Windows users: Open up an Explorer window
(double-click on My Computer, or type Win+E, or
Hi all,
This is my first time using the Finale Garritan instruments, and I'm a
little confused by the percussion maps. I take it that we're supposed to
use the Orchestral Percussion map, but that doesn't include entries for
side drum or for several of the susp. cymbal options. Does anyone have
Hi all,
So now that I think about it, this is my first time doing *any*
percussion in 2011, though I've done a fair bit in previous versions.
I always enter music in Speedy, using the computer keyboard. It used to
be that in percussion maps you could specify not only what sound you
wanted
On 12/28/2011 11:15 PM, Robert Patterson wrote:
Thanks Aaron. In my (limited) experience, the magnifiers affect only the
cell size, not the % size of the content. (Boo.)
Well, if the content had been downsized to fit in the cell, the
magnifier will expand the content by making the cell bigger.
On 12/29/2011 10:22 AM, Jari Williamsson wrote:
I would NOT want all the description texts clutter the grid view.
But it would be nice as an option, for those who prefer the old
single-column view with descriptions.
Aaron.
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On 12/28/2011 9:14 PM, Robert Patterson wrote:
Hello all. I have decided to upgrade to Fin12 from Fin08. What's the most
intelligent way to go about converting my default settings?
I used to just open one of my old templates and save with the new
version, but for the past few years I have
On 12/22/2011 7:09 PM, Lawrence Yates wrote:
Is the update just for the Mac? I've got Winfin2012 and when it did it's
update check it said I had the latest version.
It's Windows as well, but I think it's not yet available through the
auto update mechanism. You can download it from the web
On 12/14/2011 6:24 PM, Lawrence Yates wrote:
Thanks, but I need to save separate files from which I will both print
parts and save to pdf.
You can do this from linked parts as well.
I cannot believe that Finale would produce parts without the part name on
them.
You need to create a text box
On 12/14/2011 6:37 PM, Lawrence Yates wrote:
Just done that but when I try to add in Bb or in C after it, it
disappears and I have to start again.
Well, like any text insert, if you're adding text you have to make sure
your cursor is after the insert -- otherwise you're going to overwrite
it.
On 12/14/2011 6:49 PM, John Blane wrote:
No - you can specify the part label as you you want it (and different from
the Staff Name) from the Mange Parts window.
Ah, yes, right.
Aaron.
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On 12/14/2011 6:49 PM, Lawrence Yates wrote:
that's exactly what I'm trying to do. The cursor is after the text block.
I can put what I like after the title, but not after the part name.
Did you try making the text block wider?
Aaron.
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On 12/14/2011 7:04 PM, Lawrence Yates wrote:
I've just thought of what it might be - the stuff I'm doing is based on
earlier files made in Fin2006 so it may be something in the conversion
process.
From what you've described, this is unlikely.
Aaron.
On 12/14/2011 6:31 PM, TXSTNR POP account wrote:
I just tried extracting a part in Fin (Mac) 2012. It looks exactly the same
as the linked part, so yes, you must be doing something wrong.
Just for reference, they look the same because they /are/ the same. Even
if you choose not to use linked
Noel Stoutenburg wrote:
courtesy accidentals) I do press the P key. However, in some
circumstances the cursor has to be on the pitch of the note on which I'm
placing the courtesy accidental.
That would be if you've got a chord. If you only have one note, the
cursor can be vertically anywhere,
On 11/30/2011 6:17 PM, Linda Worsley wrote:
I accidentally deleted a page number on a TERRIBLY HARD score, and all the
page numbers disappeared. Agghh. And I can't find a way to get them
back.
Doesn't Undo help?
Aaron.
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On 11/28/2011 11:08 PM, the unnamable wrote:
Say, for instance, I have a simple three note triad C E G (all in one
layer, all the same note value) and only the C root is highlighted. I'm
looking for a way on the computer keyboard to navigate to the upper voices
to eliminate the tedium
Hi all,
I believe I've confirmed that this is a bug in Finale, not a problem
with Windows or my font.
First, I'm seeing the same behavior with Windows-supplied fonts like
Arial Narrow and Franklin Gothic Heavy. They both show up as substyles
under their main font name, but when I select them
On 11/13/2011 10:48 AM, Chuck Israels wrote:
This is a cross platform issue. (I am on a Mac.)
Chuck, thanks for your email, but you're describing something different
from my issue. What you're talking about sounds like the work that was
done in Finale 2012 to support Unicode, and has to do
Hi all,
I moved recently from WinXP 32-bit to Win7 64-bit, and I'm having a
killer of a font problem in Finale. Wanted to see if anyone had
experienced anything similar.
My usual text face is a family called Minion. I have a full set of this
in TrueType from several years ago. In addition to
On 10/21/2011 11:35 AM, Jamin Hoffman wrote:
Maybe I'm spoiled because Sibelius does this automatically - but how
can I get Finale to do this? CAN I get Finale to do this?
Have you tried inserting a blank page at the beginning of each part? I
think that should do it. For screen display, Finale
On 10/7/2011 11:14 AM, Colin Broom wrote:
Are there screenshots anywhere on the website of the GUI? Is it
essentially the same setup?
Yes, the interface looks essentially the same as past versions.
Aaron.
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