Also.. started this today. A lot of work needed. some nice bits?
www.evtacon.co.uk/sounds/lapsoop.mp3
cheers
Max
- Original Message -
From: Brian 'balistic' Prince [EMAIL PROTECTED]
To: Maxim Sullivan [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Thursday, February 28, 2002 10:06 PM
i have no argument with the general claim that there are white imitators
profiting on the backs of black inovators.
but i don't think it really applies that much to sasha/digweed. there
reference points aren't chicago, new york or detroit. rather the music they
play-trance/progressive-is
#1. Juan Atkins for sure
1. Eddie Fowlkes
2. Carl Craig
3. Lee Norris
4. ..
hmmm, any tips?
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as far as 313 goes i find some of carl craig's older tracks to be slighty
whiffy especially in the string pad parts tho in his hands he gets away
with it cos the cheesiness is er let's say tempered with a charming kind of
naivety / optimism that we know and love.
there was a really good funny
On Thu, 28 Feb 2002, laura gavoor wrote:
You don't hafta be a reactionary, but certainly DO NOT criticize those of us
who have undertaken a mission to break those chains and garner the success
that we all rightly deserve that HAS BEEN PROVEN TIME AND TIME AGAIN to come
with no stress, no
oh...what the heck...
I don't understand why everyone is so surprised to
see Motor behind this.
Someone mentioned that Motor brings in diverse acts
and used the example of booking such acts as Matthew
Herbert. Ummm..do you think that just because Herbert
is a bit more indie-techno he doesn't
are you sure its not just because Juan has (other) issues that might be
holding him back?
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or maybe Moby just produced a 'pop' album with dance tendancies that got
really popular because it had a bit of everything. then he made videos and
toured his ass off for two years.
while juan (i'm not picking on him- just using your example) doesn't make
half his gigs and has been content to put
i always recall motor having silver shirted people. in fact, motor started
out mainstream.
the mythical idea that motor 'sold-out' is a joke.
motor was always a mainstream portal into electronic music.
i remember one night (Nov 1999) when Black Nation records party did over
1000 ppl. THERE HAS
word, girl!
- Original Message -
From: laura gavoor [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Thursday, February 28, 2002 11:17 PM
Subject: [313] The Great White Hype...was IT'S ABOUT TIME!!!
I wish to relate two stories about the UK djs in
I think then...based on your own parameters. your argument is null and
void given the top selling artists of all time are 90% black: Mariah Carey,
Michael and Janet Jackson...Dr. Dre/Eminempick up Billboard mag for the
latest updates, but I assure you my arguement is a sound one.
All CD...Mills, Theo, Tobias Schmidt, Poker Flat mix, lots on Force Inc.,
Model 500, Raum...Musik Praesentiert 3, Midnight Funk Assn., Daniel Wang,
more. No reserves. Thx.
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems[EMAIL
PROTECTED]completed=0sort=0since=-1
seller id = [EMAIL
- Original Message -
From: Beau Burke [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Thursday, February 28, 2002 7:59 PM
Subject: Re: [313] The Great White Hype...was IT'S ABOUT TIME!!!
When it comes to executives of any type, it's never really been
about the race. It's always been
I think the more disappointing thing re: Motor is that they are booking John
Debo from Boston on March 2nd.
This guy is the most unprofessional little twirp with a little Ceaser
complex that I have ever dealt with in my entire career. And I've dealt
with a bunch of strange ones, ie. Genesis
Speaking to the Why SD and not Juan? issue directly, I'd just like
to offer up the strange infatuation the US media holds for UK pop
culture exports (I know this term is a bit of the large blanket
variety) ...
I think often times a movement seems that much more legitimate to
the US (and I
At 28-2-2002 -0700 15:06, you wrote:
I've got a major soft spot for pitch slides.
in the neverending story of top fives..
1. Eddie Fowlkes
2. Carl Craig
3. Lee Norris
4. ..
derrick may? claude young on impolite to refuse?
glyn
Hi. I'm going to be in Toronto this weekend and wondered if there are any
313-related events that anyone might know about. Please reply privately.
Thanks,
carlos
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On Fri, 1 Mar 2002, laura gavoor wrote:
I think then...based on your own parameters. your argument is null and
void given the top selling artists of all time are 90% black: Mariah Carey,
Michael and Janet Jackson...Dr. Dre/Eminempick up Billboard mag for the
latest updates, but I
On Thu, 28 Feb 2002, Phonopsia wrote:
When it comes to executives of any type, it's never really been
about the race. It's always been about the money. Those people aren't
stupid rednecks. They're deliberately evil. Instead of educating
ignorant white america, they make billions
Not to detract from your argument, but to cite a relevant exception to that
status quo: Deep Dish (Ali and Sharam) are an example, at least as far as
dance music is concerned, of Arab/Muslim-Americans who are
successful and respected in many musical circles.
Incidentally, they won a Grammy
an email I received from Submerge
ATTN SUBMERGE MAILING LIST CUSTOMERS:
SUBMERGE WILL BE RELAUNCHING IT'S SITE
TOMORROW AT 12:00 P.M. SO MAKE
SURE YOU CHECK IT OUT!
Here's the 411 on the new releases
UR-3000 Inspiration produced by Mad Mike
Los Hermanos featuring dj Rolando
LH-1 Birth of
'Just shut up about this'!! We have evolved people!! I'm almost crying
with laughter!
-Original Message-
From: Jayson B. [mailto:[EMAIL PROTECTED]
Sent: Thursday, February 28, 2002 6:35 PM
To: 313@hyperreal.org
Subject: Re: [313] IT'S ABOUT TIME!!!
Finally Detroit will be privy to
Colonial mentality still exists here, but has been amplified incredibly by
the literacy problem which gives even the dullest wit from England a gross
advantage.
It's amazing how they think they know more about our country and our
country's music than we do, because they've read it in a book
Forgive my ignorance, but what is a pitch slide?
From: tom churchill [EMAIL PROTECTED]
To: marsel [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] the kings of pitch slides
Date: Thu, 28 Feb 2002 22:18:18 +
in the neverending story of top fives..
1. Eddie Fowlkes
2. Carl Craig
thanks for asking ... ;-)
Ignorant Gwendal
Forgive my ignorance, but what is a pitch slide?
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I think he is referring to Portamento or Glide which means when you play 2
notes or chords after each other. Instead of hearing two distinct sounds the
pitch 'glides' (either up or down) from the original pitch to the new one at
a rate specified by the amount of portamento set. A similar sound can
He, he, but saying a DJ is playing cheesy tracks is actually cheesy to me!
Some of those BS tracks would be soulful and deep to someone else. It's
very subjective!
:)
Actually in Scotland it is also used as a term of derision:
shut it ya cheese-heid
(cheese-heid: cheese-head- the heid is
At 28-2-2002 -0700 15:06, you wrote:
I've got a major soft spot for pitch slides.
in the neverending story of top fives..
1. Eddie Fowlkes
2. Carl Craig
3. Lee Norris
4. ..
hmmm, any tips?
2001- Never Ending Cycle (EevoLute)
jeff mills do them sometimes as well,
for a very good example check shop's nitwit
whoo-whii-hooo
At 1-3-2002 +0100 10:43, you wrote:
At 28-2-2002 -0700 15:06, you wrote:
I've got a major soft spot for pitch slides.
in the neverending story of top fives..
1. Eddie Fowlkes
2. Carl Craig
Just got this - clears up a couple of the questions from yesterday
Cheers
BT
ATTN SUBMERGE MAILING LIST CUSTOMERS:
SUBMERGE WILL BE RELAUNCHING IT'S SITE
TOMORROW AT 12:00 P.M. SO MAKE
SURE YOU CHECK IT OUT!
Here's the 411 on the new releases
UR-3000 Inspiration produced by Mad Mike
I will throw down a set of fade-in techno on 6 decks. Any good tips on fade in
tracks are very much appreciated. Also, if someone could tell me what the best
technique is to fade in tracks myself, it has come to my attention that fade ins
are not easy to accomplish so any help is appreciated also.
from the same set ryan mentioned a week or so ago:
http://deephousepage.com/robertowens1985-jamie.ram
right at the end the 30 min. minute mark mixed into mainline.
cool percussion cool guitar lick, amazing bassline , really deep house male
vocal voice saying k-bear or something similar over
on 28/2/02 11:17 pm, laura gavoor at [EMAIL PROTECTED] wrote:
These type Brit-fad faggots
ease off the homophobic language.
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Why am I not surprised to see that comment???
I hate to break it to people, but the race card
isn't a used up excuse - its that the majority
want to ignore and not talk about stuff when dealing
with race issues... it still goes on, more in the background
on a subtle level...
This is not a
so I went and saw Derrick May dj here in sydney a coupla nights ago.
I thought it was so so. (any syndeysiders who attended and disagree please
jump in - it could have just been me)
i think for a dj you need one of two things to set u apart from the crowd -
either the cool records you have that
Exactly. Those executives are letting racism,
sexism, and poor taste drive the machine.
just to swerve this topic a bit more off road- I'll
come at from where I'm most now, around kids. Where
the machine starts to influence at its earliest.
From a music standpoint, I've noticed that the kids
While money may be the easiest problem to
shake your fist at, the marketing forces
that determine the economics are guided by
history - a history of bigotry and conservativism
that refuses to acredit African-Amercians with
anything outside of popular stereotypes.
Don't forget hillbillies!
Seconded! I was thinking of writing a full response to the post, some of
which I thought was accurate and some of which I thought was way off target.
Then I saw this. If you're going to casually toss language like this around,
Laura, don't expect me to give a damn what you think.
These type
Hmmm. The homophobic language is much more than regretable, but how does
that invalidate what she's saying?
-Original Message-
From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED]
Sent: Friday, March 01, 2002 1:20 PM
To: Tim Maughan; laura gavoor; 313 mailing list
Subject: Re: [313]
i agree. most of laura's words were spot on.why let a tiny,
inconsequential phrase nullify all the excellent points she made - shouldn't
you make some allowances for cultural differences between Laura's local
communication styles and yours. There's no doubt she is passionate about
what she is
I was trying to find the words to express these exact thoughts below.
Thanks for doing it for me :-)
jim
http://www.assasins.net
We can talk about the machine and how it effects us
until we are blue. I think it's obvious that we know
who the demons are here..it's just a matter if you
make it
There are still DJ's that mix up different types of music in a manner you
describe. It's getting rarer to see someone like this, but it still happens
(insert shameless plug for myself!). I think that DJ's have gotten
themselves stuck in this I will only play [X thpe of music] and if you're
coming
I'm not saying that i disagree with the arguements expressed, just the
language.
It'd be interesting to see if people reacted the same if someone started
using the n word round here, though.
on 1/3/02 1:57 pm, RC at [EMAIL PROTECTED] wrote:
i agree. most of laura's words were spot on.why
If people reacted similarly to the use of the so-called 'n' word they'd only
be human, like youself and Tom Magic Feet, but again would what Laura Gavoor
said be nullified voided by that reaction?
... But this is a distraction from the main point
-Original Message-
From: Tim
Well said D.
Motor is a business, not a non-profit organization to save techno. When
they pay out 10 grand to bring in a big name techno DJ and the club is half
empty they eat it HARD. The bottom line is trance/progressive/whatever is
big right now in clubs and despite the fact I think it is
Spot on, Diana. It just so happens that I must deal with the machine nearly
on a daily basis. As our business has grown up considerably during that
period of time.
Whether or not the people I do business with represent the machine or are
more concerned with higher ideals and THEN have the
Real Detroit and Submerge present the:
Real Detroit 20/20 Awards
March 7, 2002
Porter St. Station
1400 Porter St. Detroit
hosted by Mixworks
featuring:
DJ Minx - WOW Detroit
Mike Clark - Planet E Detroit
Carl Craig - Planet E Detroit
with a casual intermission to recognize the recipients of
on 1/3/02 3:01 pm, laura gavoor at [EMAIL PROTECTED] wrote:
Elton John
i bet he wouldn't have liked you using the word faggot either.
sorry, that was meant in good humour. i couldn't resist it;)
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Dan,
Drop me a line.
Jwan Allen
Technoir Records
[EMAIL PROTECTED]
www.technoiraudio.com
(412) 681-1398
Free Game Guides!
Complete walkthrus, secrets, hints
and tips exclusively from IGN.com
Play better today at http://guides.ign.com
was it green velvet that put out portamento tracks? i can't remember...
and i'm away from my records.
-Original Message-
From: Pond, Quest [mailto:[EMAIL PROTECTED]
Sent: Friday, March 01, 2002 2:41 AM
To: '313@hyperreal.org'
Subject: RE: [313] the kings of pitch slides
I think he is
groove box would be MC303 not tb
From: Holly MacDonald-Korth [EMAIL PROTECTED]
To: 'Pond, Quest' [EMAIL PROTECTED], '313@hyperreal.org'
313@hyperreal.org
Subject: RE: [313] the kings of pitch slides
Date: Fri, 1 Mar 2002 10:16:32 -0700
was it green velvet that put out portamento tracks? i
i agree. most of laura's words were spot on.why let a tiny,
inconsequential phrase nullify all the excellent points she made -
shouldn't you make some allowances for cultural differences between
Laura's local communication styles and yours.
stupid nigger.
sorry, we use that phrase in
awww the forever king of portamento is patrick adams! atmosphere strut or
spaced out are my favorites :) but in techno world i would have to put
drexciya, juan, eddie fowlkes, kms, and ron cook (just for ffwd!) in the top
5 :P :) there' s an awful lot of people who pull out some dope portamento
i would just like to state for the record that Carl does not get his nike's
custom made. thank you.
-Original Message-
From: Jayson B. [mailto:[EMAIL PROTECTED]
Sent: Friday, March 01, 2002 12:30 PM
To: 313@hyperreal.org
Subject: Re: [313] The Great White Hype...was IT'S ABOUT TIME!!!
Please refrain from using the N word. I find this extremely upsetting and if
you're dropping it for shock value, ok, I'm shocked, and again upset. Please
please keep the conversation at a level that's tolerable. There's no reason to
be talking like that.
- Giles
D I G I T A S // B O S T O N
don't expect me to give a damn what you think.
don´t be searching 4 mistakes for switching it off -
yes. please speak up and say what you don´t agree with,
but do enter the subject and don´t suggest there´s nothing
4 you and others to give a damn about it -
then, if you enter this subject,
I am sorry I have not been replying to alot of
messages lately.
I am excited to see this list full of small GOOD
quality events taking place in Detroit lateley. There
seems to be more good stuff going on there than a lot
of other places these days.
=
Nancy Mitchell
Artist Management and
Please refrain from using the N word. I find this extremely upsetting
and if you're dropping it for shock value, ok, I'm shocked, and again
upset. Please please keep the conversation at a level that's tolerable.
There's no reason to be talking like that.
I find the f word just as
I totally agree with you Jayson. If you don't like them (sasha and digweed),
don't support them. don't go. Energy spent whining about it is pointless.
Instead, use that energy and go make a fucking record of your own if you want
to really do something about the scene. All of this is falling on
am 01.03.2002 19:10 Uhr schrieb [EMAIL PROTECTED] unter [EMAIL PROTECTED]:
People, you are always going to be broke if you're worrying about someone
else's income.
always going to e broke ?
who are you talking to ?
what you mean by that ?
m
planetz2002
First of all, this is one of the most thought-provoking threads I've read
in a while (nit-picking over curse words aside)- I'm glad the opinions are
being voiced and I'd like to hear more from those like Laura who have a
lot of direct industry experience with these issues.
firing off cannons.
Jayson B. unter [EMAIL PROTECTED]:
sorry
MOTHERFUCKER
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hillbilly music != country music. Appalachian music has it's roots in
Irish folk music. A lot of the O' Brother Where Art Thou? soundtrack
that just won the Grammy for Best Album of the Year was Appalachian
based music. Never been a money maker, mostly white folks making it,
small subculture
I think a huge part of why the attempts to marklet house and techno on a large
scale have failed is because there is no one singing (sure occasionally there
is) but there's no one there dancing singing to make a video of, talking to the
audience. Popular music has melodies that are easily
two writers from the washington post have just published a book titled The
news about the news: American Journalism in Peril that in a large part
addresses this issue of LCD marketing, and the fallacy that highbrow news
has no audience.
the two were on fresh air the other day. you can listen to
Your point is still valid, who's the evil oppressor in this case?
GEORGE CLOONEY!
blah
On Fri, 2002-03-01 at 13:15, John Bush wrote:
While money may be the easiest problem to
shake your fist at, the marketing forces
that determine the economics are guided by
I think a huge part of why the attempts to marklet house and techno on
a large scale have failed is because there is no one singing (sure
occasionally there is) but there's no one there dancing singing to make a
video of, talking to the audience. Popular music has melodies that are
easily
Yes and No. The Chemical brothers and Fatboy Slim tend to choose a single or a
couple very catchy vocal edits and repeat them over and over. We know they're
samples but I think the general audience probably thinks it might be the artist
or a singer.
Smack My Bitch Up. Ugggh.
- Giles
D I G I
Incidentally, I always had a personal fantasy about Blaze becoming R+B hits,
with guest vocalists like Mary J Blige. I still think it could happen.
Sajaeda had a little lamb, it's fleece as white as snow, and ever where
Sajaeda went the lamb was sure to go
- Giles
D I G I T A S // B O S T O N
:Smack My Bitch Up. Ugggh.
smack my bitch up; like a pimp yay
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Benjamin Barber - Jihad vs McWorld Read it. You'll be ever so glad you
did.
And while you're at it, (re)read your Smith and Marx. Maybe a little Weber
for good measure.
Vince Woolums
AOL IM: vincewoolums
http://bnsrecords.gemm.com
http://www.recordcollectorinc.com
Subject: Re: [313]
Yes and No. The Chemical brothers and Fatboy Slim tend to choose a
single or a couple very catchy vocal edits and repeat them over and over.
We know they're samples but I think the general audience probably thinks
it might be the artist or a singer.
yeah fair point, that had occured to me when
Speaking of house music - is there any email lists like this one (well
maybe not like this one) that discusses house music? I have yet to run into
one - not talking tech-house but real house music? I'd be interested in
seeing some discussions about gay black men and lesbian women in the music
I realized something fairly profound halfwat through this year and applied the
thinking to my own viewpoint of loop sampling. I don't mean getting a sound,
when I say sampling I mean taking a chunk and looping and editing.
I decided that I would think of music (whether house hip hop or
I think historically there's been a hierarchy of musical popularity, and it
all has to do with how human the music is as far as mass appeal. I would
put things like experimental, industrial and techno at one end of the
spectrum, and pop music at the other. On the one end you've got something
And as far as electronic music artists ripping off other people,
everything has been done before. Some people think DJ Shadow's
Endtroducing is just pure plagiarism, while those who are a little more
open-minded may consider it art.
yeah giles' view (as a remix) i think is the best one to
My God, Entroducing is an entirely notable work. His understanding of how drums
work is obvious in his programming. That's an amazign album, if you listen to
interviews you'll also see, he did that cut and paste style, very very old
school technique, using fairly lo-fi rgear.
- Giles
D I G I
Right you are Giles,
The issue of Muzik magazine that came out (in the States) about a month ago
has a one or two-page interview with Shadow, and lists it as the #1 dance
album of all-time... though I agree with the reader comments that were a
little surprised to see it at #1 as it's a bit tough
Best Dance Album is a bold (and loaded statement) I could rattle all kinds of
wierd stuff at that.
- Giles
D I G I T A S // B O S T O N
--
Giles Dickerson
Art Director
800 Boylston Street
Boston, MA
02199
--
mobile 617 899 9635
office 617 369 8601
--
From: Matthew Cloney
Calling names is rather childish idn't it??
However, I claim NO political correctness in favor of the truth, b'sides,
I'm not running for any public office. Politicians will ALWAYS be greedy
bastards, and the majority of nouveau industry journalists suck the d**k of
any label that is
You might find some interesting points on this made by John Selway on
Futurebpm.com. I interviewed him and we talked quite a bit about dance music
in America and so on...
Check it out...www.futurebpm.com, click FEATURE.
Also, you've got radio and MTV here in America that is a complete joke.
My gay friends incline the exact sam e way...but call it what you will.
Personally, feeling ones gonads and living fearlessly is a simple
choice--whatever your denomination or distinction of choice may be
fierce ruling divas do exactly that...rule or command attention because they
Search streetsound's globalhouse.com (i think that's the url) always
interesting discussions with real house headz, although I haven't logged on
in a while
From: [EMAIL PROTECTED]
To: Giles Dickerson [EMAIL PROTECTED]
CC: 313@Hyperreal.Org (E-mail) 313@hyperreal.org
Subject: Re: [313]
On Fri, 1 Mar 2002, laura gavoor wrote:
My gay friends incline the exact sam e way...but call it what you will.
Personally, feeling ones gonads and living fearlessly is a simple
choice--whatever your denomination or distinction of choice may be
fierce ruling divas do exactly
Giles...you read my mind!!! I stil CANNOT fathom why A the fabulous
Blaze tracks from Funky People to Another Dae to Can You Dance to My
Beat and on and on...all song based house compositions COULD NOT,
WOULD NOT be considered commerically viable in America...they MUST be
MBAs (Masters in Business Administration, aka--'beancounters'...)making
creative decisions based on tired ass formula's. Real life cannot be
fomulated, natural order/disorder will always thro a curve ball.
From: R.Y.Fixer [EMAIL PROTECTED]
To: John Bush [EMAIL PROTECTED]
CC:
a HUGE part of it that has been discussed by many
underground artists and label people you know and
major labels is, FACE for many years not many
artsts marketed their music with FACE, look at alot of
the famous people in this music now, they have FACE ,
people all know what they look like.
Friday, March 01, 2002, 1:34:52 PM, a knob was tweaked and out came:
lg Real life cannot be
lg fomulated, natural order/disorder will always thro a curve ball.
So breeding talking velociraptors was a bad idea?
You hippie scientists and your chaos theory . . .
-
Brian balistic
Please send me the last two weeks of digest especially scan 7 news
from their foreign live gigs in berlin scotland and paris.
peace
s.o.s
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like a fool just deleated your messageoops.. I am
in NYC for the moment
=
Nancy Mitchell
Artist Management and Promotions
FORM,Inc.
Tokyo Japan
Tel: +81-(0)3-5459-3939 Fax: +81-(0)3-5459-3940
URL Address: http://www.womb.co.jp
EMAIL: [EMAIL PROTECTED]
This is all a very tired debate...we covered this shit in one form on this
list back in 1998, and I'm old school here enough to know.
If you want to know more about marketing of this music and the retarded shit
that goes along with it, read Dan Sicko's book 'Techno Rebels.' Myself and a
few
Lets not forget how much popular music is programmed.
i.e. Someone writes the melody, someone else the lyrics, the vocalist or
performer performs the tune. And nice music directors and AR people and
pop producers put the whole thing together.
We take this feeling from this music, combine it with
Absolutely valid point. But,
1. the same opportunites presented to the artists in question beg to speak
to the business. Inequity is sorely understating it.
2. moreover, the main crux of my long winded tireade spoke to the
difference between being a consumer and being in the industry
On Fri, 1 Mar 2002 [EMAIL PROTECTED] wrote:
This is all a very tired debate...we covered this shit in one form on this
list back in 1998, and I'm old school here enough to know.
I think you need to reconsider how you made these statements.
Most likely, you meant to say _I'm_ tired
Anyone have a review on this?
KLANG 060 DO LP BABY FORD / IFACH COLLECTIVESACRED MACHINES
-Pete
---
Peter Grammenos
Goldman Sachs Co.
Tel : 212.902.2446
---
SUNDAY AFTERNOON MARCH 24th
OSHUN II
presented by WomenOnWax,
Superjane,
Soledad Records, XLR8R Mag., RFO, and Backdoor Records
DJS/PERFORMERS: MINX (WOW, Detroit), Lady D.
One word: Deregulation.
When Clinton signed the bill I knew my favorite radio stations were going
to go away - and you know what? They did. One became a country western
station overnight (then it went hard rock, then alternative, then rb,
now it's back to even more watered down alternative) and
In a message dated 3/1/02 5:32:11 PM Eastern Standard Time, Oscillate writes:
In a message dated 3/1/02 4:48:53 PM Eastern Standard Time,
[EMAIL PROTECTED] writes:
Oh, Beau...I don't know how long you've been on 313, but you've probably
noticed that I don't post too often 'round these
Ok I just read through it last night and this is my impression - it's good
for most techno fans but I think that a lot of comic book collectors would
be miffed. The artwork at times does waver but then turn the page and it's
amazing - hand drawn images over what appear to be computer created -
BERLIN (AP) — Oskar Sala, the German composer and physicist whose novel
musical instrument produced the sound effects for Alfred Hitchcock’s The
Birds, died Tuesday. He was 91. Sala developed and mastered the trautonium,
billed as the world's first electronic musical instrument when it was
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