on the buttrich tip
i'm not a self declared fan
but i do very very like his remix for tracey horn
the man brings the synth all in
http://www.piccadillyrecords.com/mp3/Tracey%20Thorn%20-%20Its%20All%20True%20Martin%20Buttrich%20Mix.mp3
Thomas D. Cox, Jr. schreef:
On 2/21/07, [EMAIL PROTECTED]
On 2/21/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
Full Clip by Martin Buttrich is very very ace for me!
one piece of beautiful crafted music - one of my fave releases of the
last year
i bought it based on the clips i heard on his myspace when someone
posted about it here. upon receiving
Full Clip by Martin Buttrich is very very ace for me!
one piece of beautiful crafted music - one of my fave releases of the
last year
didn't yet hear the Lazy Fat People EP
but apart from that, I'm very happy to see Planet E releasing
(new/upcoming) other artists
let the talents flow
Thomas
Just got my copy of the new Amp Fiddler and I have to say CC makes the
beats sound VERY fat. I have a terrible non-hifi setup for mixin purposes
and I was really surprised how good it sounds. Can't wait to play this on
a big sound system :)
---
On 2/21/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
Not that impressed by the new batch
(renaissance-of-other-artists-than-C2) of Planet Es.
lazy fat people sounded good enough from the clips to order it, though
i was already ordering something else. i think the vince watson and
the marti
Let me be the first to say that that Amp Fiddler mix doesn't sound like those
others!
;-)
Dunno about that Lazy Fat People though, the clips I've heard of his mix aren't
long enough to tell. The other tracks sound dodgy
(to me) though. Not that impressed by the new batch
(renaissance-of-othe
OK someone more in the business of doing so is hosting it so I'll pull it from
our site. You can use their bandwidth instead!
I'm leaving that other clip
http://www.thatamazingthing.com/Mixes/DSRexcerpt.mp3 up until someone IDs it
though (hint) ;-)
> -Original Message-
> From: P.
no probs, everyone does that. at least you didn't call me aids. thanks
for the mix!
On 14/02/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
Sorry Aidan I meant "Aidan" not "Adrian" ;-)
Thank you so much!!! I've been interested in this mix for about 4
months but could never find a link... ~David
On 2/14/07, P.A. Keur BICT <[EMAIL PROTECTED]> wrote:
This does not exacly add much to this thread, but here is the link to
the original page it is hosted on:
http://www.hitechfunk.com/
This does not exacly add much to this thread, but here is the link to
the original page it is hosted on:
http://www.hitechfunk.com/hitechfunk/2006/08/strictly_carl_c.html
On 2/14/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
Sorry Aidan I meant "Aidan" not "Adrian" ;-)
Sorry Aidan I meant "Aidan" not "Adrian" ;-)
For Adrian I've stuck it on our site for a little bit. So might as well let
you all know in case anyone else wants to grab too.
Check that Reese Proj Tom - I must have listened to it on holiday 10 times a
day for a few days after I first heard it on the mix.
Just thought - "wait a minute what
On 2/14/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
These are the ones:
> Chez Damier - Help Myself (Craig Mix)-KMS
> Reese Project - I Believe(Craig Dub)-Giant/ Warner
yeah i just got that chez damier in detroit last year on the fresh
repress style, one of carl's great mixes for sure.
Ben you're THE MAN! Was just searching away on LD (only references to Pacou
were tracks of his in mixes) and Discogs (lots of
references to him there where it's seems unpopular with a few people!) on BTs
advice but was drawing blanks.
These are the ones:
> Chez Damier - Help Myself (Craig M
jeepers, got a link to the mix?
On 14/02/07, Ben Britz <[EMAIL PROTECTED]> wrote:
T.Brookes+A.Soul - City LIfe (Craigs Caya Dub) -RushHour
Carl Craig - 4 My Peepz-planet e
Carl Craig - Darkness/ Angel-planet e
Johnny L - This Time (Craig Mix) - XL
Paperclip People - Throw-planet e
Quadrant
T.Brookes+A.Soul - City LIfe (Craigs Caya Dub) -RushHour
Carl Craig - 4 My Peepz-planet e
Carl Craig - Darkness/ Angel-planet e
Johnny L - This Time (Craig Mix) - XL
Paperclip People - Throw-planet e
Quadrant - Infinition(Craig MIx)-planet e
Psyche-Andromeda(Craig Mix)-Transmat
SpaceTime Continuum
On 2/14/07, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
(talking of Discogs, weirdness yesterday, I could only pull up a Carl Craig page that
listed "Feel The Fire" plus 3 or 4 mixes as
being the only thing he'd done. I thought "no good going on about it on 313 - it's
a community, tell them"
Hi Francis,
im pretty sure that the Pacou mix came from the
discogs forum initially - I had a quick search and can
find reference to the mix but not a tracklisting, im
sure that with a bit more digging you will get it
there or on Little Detroit.
Cheers
BT
--- "[EMAIL PROTECTED]"
<[EMAIL PROTECTED
Title says it all really.
I've said on this list before I seem to spend all my time listening to clips of
new 12"s at record shop sites. Often with little
reward as there doesn't seem that much good new stuff out to justify doing
that, instead of what I should be, which is:
1. Listening to t
Things that spin off from this one...
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 07 February 2007 16:38
>
> Can I add a vote for some old mixes as still being pretty amazing?
Absolutely - this thread was generally active while I was off on holid
Can I add a vote for some old mixes as still being pretty amazing?
I was listening to last.fm yesterday and Carl's remix of Spacetime
Continuum's "Kairo" came on. Still one of my favorite CC mixes ever!
Another forgotten favorite: Carl's remix of Can's "Future Days". I love
the way that build and
oh god... why are we all going on about this again!??
:)
:) cos it's better than Indian-talk?
*gets coat*
robin...
On Wed, 7 Feb 2007, Thomas D. Cox, Jr. wrote:
i mean if by "formula" you mean the guy makes tracks that build
instead of just loopy tracks, i guess thats true. but if you wanna
hear formulaic dance music (Stuff that literally sounds exactly the
same with different samples) check the jungle pro
Ill throw in the Kult Copy remix for another incredible mix.
that one was pretty nice too, i thikn i prefer the original though.
i agree, same with the terry brookes too.
And, while there are some exceptions, I do feel that as of the last
couple
years (read 2004 - present) Carl has most
On 2/7/07, Derek Plaslaiko. <[EMAIL PROTECTED]> wrote:
Ill throw in the Kult Copy remix for another incredible mix.
that one was pretty nice too, i thikn i prefer the original though.
And, while there are some exceptions, I do feel that as of the last couple
years (read 2004 - present) Carl
On Wed, 7 Feb 2007, Thomas D. Cox, Jr. wrote:
i feel pretty much the same way. i like it, but i prefer the original
and almost never play the remix. and yeah, some of the other ones
mentioned (xpress 2, terry brookes, goldfrap, etc) are the ones i just
didnt buy because they werent very go
Well, I listed that one as being one of his formulaic releases but I
love the bit later on when the the bongos (or whatever they're called)
and pianos come in. Ace.
The way that track builds is very similar to the other tracks I list though.
robin...
I do love the ones you mentioned though,
id add "hot on the heels of love", "angola", "la mer es grande", and
"the boy is doing it". all of which are very distinctive!
It's possible your speculation has some grain of truth but it seems
doubtful really. Also, note, I'm not saying that there are some
remixes
he's done which I'm not th
On 2/7/07, David Beattie <[EMAIL PROTECTED]> wrote:
OK, maybee im wrong on this - I did say in my original
post that I got shot down at a party for saying it and
might here too. Just for clarification the ones I was
thinking of were
Delia and Gonzales
this one sounds like the original but with
--- "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
wrote:
> On 2/7/07, Odeluga, Ken <[EMAIL PROTECTED]>
> wrote:
> > Yeah, I'm with Tom on this! Strange one from you
> Dave! :)
> >
> > I tried to piece together some recent C2 remixes
> in my mind and I can't
> > see such a pattern - although strictly s
also, anyone know anything about this:
http://www.discogs.com/release/898512 ?
tom
On 2/7/07, Thomas D. Cox, Jr. <[EMAIL PROTECTED]> wrote:
On 2/7/07, Odeluga, Ken <[EMAIL PROTECTED]> wrote:
> Yeah, I'm with Tom on this! Strange one from you Dave! :)
>
> I tried to piece together some rec
On 2/7/07, Odeluga, Ken <[EMAIL PROTECTED]> wrote:
Yeah, I'm with Tom on this! Strange one from you Dave! :)
I tried to piece together some recent C2 remixes in my mind and I can't
see such a pattern - although strictly speaking, BT wasn't calling one -
that was Antonio.
The last few which stoo
o: Thomas D. Cox, Jr.; 313@hyperreal.org
Subject: RE: (313) Carl Craig Remix
Yeah, I'm with Tom on this! Strange one from you Dave! :)
I tried to piece together some recent C2 remixes in my mind and I can't
see such a pattern - although strictly speaking, BT wasn't calling one -
th
;m not saying that there are some remixes
he's done which I'm not that impressed by: I thought 'Falling Up' (his
remix of it) was just slightly above-average, in the end. Likeable, but
not brilliant.
Ken
-Original Message-
From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECT
Hmm I dunno Tom, some of these C2 mixes are very formulaic. Things like
that Darkness rework (Max Mix) he did, and things like that Xpress2 Kill
100 track, Terry Brookes remix, that Delia and Gavin Mix, even that
Falling Up mix.
Don't get me wrong though, I still be em all but they are a lit
--- "Thomas D. Cox, Jr." <[EMAIL PROTECTED]>
wrote:
> what exactly are the similarities in his recent
> remixes aside from the
> fact that a large number of them are ridiculously
> dope? i cant think
> of two that sound the same, or even similar.
>
> i cant believe c2 would get hated on for bein
On 2/7/07, David Beattie <[EMAIL PROTECTED]> wrote:
I got shot down at a party (and probobly will here
too) for suggesting that he has a program that he just
inputs records that people want mixes of and it churns
them out. Or that he has outsourced the remix duties
to India like so many corporat
--- António Alves Felizardo <[EMAIL PROTECTED]> wrote:
Another one of his epic
> trancetastic reworks
> he seems to enjoy doing as of lately.
I got shot down at a party (and probobly will here
too) for suggesting that he has a program that he just
inputs records that people want mixes of and i
ginal Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 07 February 2007 12:43
To: 313 List
Subject: (313) Carl Craig Remix
Has anyone heard Carl's remix of In the Trees by Faze Action, heard a
couple of people going on about how big it is...Coming out on Juno's
new label...
m
ruary 2007 12:43
To: 313 List
Subject: (313) Carl Craig Remix
Has anyone heard Carl's remix of In the Trees by Faze Action, heard a
couple of people going on about how big it is...Coming out on Juno's
new label...
m
Martin I 2nd that, and Matt must be pleased that a label like Rekids
which is massive at present has picked it up.
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 07 February 2007 13:40
To: Nick Hardie
Cc: 313 List
Subject: Re: (313) Carl Craig Remix
On 7 Feb 2007
, at 12:47 PM, Odeluga, Ken wrote:
I wonder if it's a new remix or was done at the time? Still, sounds
interesting.
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 07 February 2007 12:43
To: 313 List
Subject: (313) Carl Craig Remix
Has anyone heard Carl's r
On 7 Feb 2007, at 13:35, Nick Hardie wrote:
Haven't heard it yet, but apparently it was in last week's Essential
Mix (fifth from last rack according to below), so should be easy
enough to track down...
Sunday 4th February
Radio Slave
Matt O'Brien 'Serotone (Radio Slave's Panorama Garage Mix)'
Haven't heard it yet, but apparently it was in last week's Essential
Mix (fifth from last rack according to below), so should be easy
enough to track down...
Sunday 4th February
Radio Slave
Trentemoller 'Moan (Radio Slave's Mix For K)' (Poker Flat)
B.F.G 'Bubble Dancing (Radio Slave Remix)' (Goo
I wonder if it's a new remix or was done at the time? Still, sounds
interesting.
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 07 February 2007 12:43
To: 313 List
Subject: (313) Carl Craig Remix
Has anyone heard Carl's remix of In the Trees by Faze Actio
Has anyone heard Carl's remix of In the Trees by Faze Action, heard a
couple of people going on about how big it is...Coming out on Juno's
new label...
m
On 31 Jan 2007, at 18:45, Todd Sines wrote:
well, the compilations mastered were then loaded in and checked at
the pressing plant before going to GMCD. but yeah, that's basically
it.
Crikey
this wasn't the case for the Fabric mix.
Did they send it away to have all the good bits taken
well, the compilations mastered were then loaded in and checked at the
pressing plant before going to GMCD. but yeah, that's basically it.
this wasn't the case for the Fabric mix.
+odd
--
Martin Dust wrote:
On 31 Jan 2007, at 16:42, Todd Sines wrote:
I use unstretched WAVs + AIFs, so it nev
On 31 Jan 2007, at 16:42, Todd Sines wrote:
I use unstretched WAVs + AIFs, so it never gets run through Live's
Warping engine. It's basically working as a VST / AU wrapper. I
could be doing it with Peak or Sound Forge but I don't. A lot
easier to keep track of 20 songs on a compilation CD
On 1/31/07, punkdISCO <[EMAIL PROTECTED]> wrote:
Sometimes its technical, sometimes its just "here are 3 clips from A, B and
C".
well a technical comparison is really all that matters. either
something is exactly the same digitally or its not. whatever the
limitations of your ears are is irrel
Hi Tom
"how are they compared? it seems like RMSE (root mean square error) would
compare them well, and even a small difference can amount to great error"
Sometimes its technical, sometimes its just "here are 3 clips from A, B and
C".
"i personally dont care which is better, so all im interested
"lol, Live is absolutely inappropriate for mastering tracks."
It might not be the normal choice but there are no reasons why it can't be
used.
"Unless you are using unstretched WAVs, your output from live is going to
sound degraded."
For sure. ANY stretching algorithms will have an effect of th
in the multiple "studies" i've read, they're typically
compared by phase inverting one of the tracks and
mixing them. in every case that i've read about,
they've summed to silence, which means the tracks are
identical.
i actually feel like i can hear what Martin's talking
about, so I keep looking
On 1/31/07, punkdISCO <[EMAIL PROTECTED]> wrote:
1) WAV file imported into DAW_A
2) WAV then processed using some hi end pluggin
3) track bounced to a new WAV
This is repeated in Live and other DAWs and then the bounced versions are
compared.
how are they compared? it seems like RMSE (root me
ot;punkdISCO" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Wednesday, January 31, 2007 10:35 AM
Subject: Re: (313) Carl Craig :: The Workout
On 31 Jan 2007, at 15:18, punkdISCO wrote:
"You pre-master in Live? Crikey the sound engine in their makes things
sound
;313@hyperreal.org>
Sent: Wednesday, January 31, 2007 10:35 AM
Subject: Re: (313) Carl Craig :: The Workout
On 31 Jan 2007, at 15:18, punkdISCO wrote:
"You pre-master in Live? Crikey the sound engine in their makes things
sound as flat as a pancake...Off with your ears ;)"
Thi
Hi again
"Disagree, I can hear the difference in our studio - it's massive enough for
anyone to spot, which is why we wire Live through a desk before the sound
goes anywhere but I'd never use it to master anything in a million years.
Each to their own I guess..."
It is interesting that you say an
On 31 Jan 2007, at 15:18, punkdISCO wrote:
"You pre-master in Live? Crikey the sound engine in their makes things
sound as flat as a pancake...Off with your ears ;)"
This one comes up all the time despite the numerous tests that
people have
setup over the years. The fact is that the interna
"You pre-master in Live? Crikey the sound engine in their makes things
sound as flat as a pancake...Off with your ears ;)"
This one comes up all the time despite the numerous tests that people have
setup over the years. The fact is that the internal sound engine in Live is
no less superior to a
s so I can't speak for
those.)
I could also cite the mp3s and FLACs from bleep.com as apparently being
reproduced from more tastefully-compressed masters than the norm, it
seems to me.
Ken
-Original Message-
From: punkdISCO [mailto:[EMAIL PROTECTED]
Sent: 30 January 2007 18:29
To: 313@h
I also do some compilation CD mastering and import all of the CD
tracks
into Live, use a multi-band compressor on it all, match the levels
from
song to song and normalize it. Haven't had a complaint yet.
now, as for getting on the microphone and adding to all of the tracks
your own MC'ing..
t;
> -Original Message-
> From: Todd Sines [mailto:[EMAIL PROTECTED]
> Sent: 30 January 2007 17:29
> To: 313@hyperreal.org
> Subject: Re: (313) Carl Craig :: The Workout
>
> He probably engineered it himself though...
> Mastering is usually handled
>
> b
uld not be passed as fit for release by
CC? He's not alone amongst recording artists for being a stickler, but
it's clear that he is one.)
K
-Original Message-
From: Todd Sines [mailto:[EMAIL PROTECTED]
Sent: 30 January 2007 17:29
To: 313@hyperreal.org
Subject: Re: (313) Carl Cra
Thanks for sharing!
On 1/30/07, robin <[EMAIL PROTECTED]> wrote:
Yeah, thanks for sharing Martin...listening now.
robin...
Martin Dust wrote:
> No worries P, been rocking the office for a couple of days with it...
>
>
Maybe we all need switchable phono stages.
On Jan 30, 2007, at 15:55, robin wrote:
I think the almost epidemic concern about the state of today's
mastering
comes from the fact that we don't have a choice. You can't
simply say
"'don't listen to it" otherwise you would not listen to anythin
I think the almost epidemic concern about the state of today's
mastering
comes from the fact that we don't have a choice. You can't simply
say
"'don't listen to it" otherwise you would not listen to anything
produced in
the last decade. Sure, in your example you got the originals but for
. Basically.
k-money
-Original Message-
From: Jamil Ali [mailto:[EMAIL PROTECTED]
Sent: Tuesday, January 30, 2007 2:55 PM
To: 313@hyperreal.org
Cc: kent williams; Thomas D. Cox, Jr.
Subject: Re: (313) Carl Craig :: The Workout
From the prairie cat FAQ:
http://www.prairiecatmastering.com/qna.html
On 30 Jan 2007, at 19:54, Jamil Ali wrote:
From the prairie cat FAQ:
http://www.prairiecatmastering.com/qna.html
Sounds relevant, though I don't really get it..
This may help explain a little more...
http://www.youtube.com/watch?v=UYf4u-oEqhI
From the prairie cat FAQ:
http://www.prairiecatmastering.com/qna.html
Q: Why do my import records sound louder?
A: The standard for mastering vinyl in certain European countries is
different than what we have in America. One big difference is that these
"import" records have a zero level setti
Ron Murphy does a pretty good job of doing just enough when he cuts
that there is still some dynamics left. The Prairie Cat guy (who did
a lot of 430 West records) is the same way. They both cut really
well-balanced records. There's plenty of limiting and compression
involved, they just don't
On 1/30/07, kent williams <[EMAIL PROTECTED]> wrote:
The problem with tracks like the Theo is that they will basically be a
massive kick with not much around it. Either you play it so the
kicks match the level of other tracks, in which case the 'music'
besides the kick will really quiet, or you
The vast majority of the listening public wouldn't notice a thing,
believe me
Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
VT Library Users' Guide
-Original Message-
From: punkdISCO [mailto:[EMAIL PROTECTED]
Sent: 30 January 2007 18:59
To: 313@hyperreal.org
Subject: RE:
The problem with tracks like the Theo is that they will basically be a
massive kick with not much around it. Either you play it so the
kicks match the level of other tracks, in which case the 'music'
besides the kick will really quiet, or you push the level, so that the
limiter on the sound syst
Hi Tom
"listen to NCS mastering jobs on many records out of detroit, its not the
case on those... its definitely more of a problem with euro/UK records."
I was not aware of this and its good to know that some people are brave
enough to say 'screw you'..
See you,
Paul
London
www.punkdisco.co
On 1/30/07, punkdISCO <[EMAIL PROTECTED]> wrote:
I think the almost epidemic concern about the state of today's mastering
comes from the fact that we don't have a choice. You can't simply say
"'don't listen to it" otherwise you would not listen to anything produced in
the last decade. Sure, in
Hi Gil
"If it sounds bad enough, don't listen to it" etc
I think the almost epidemic concern about the state of today's mastering
comes from the fact that we don't have a choice. You can't simply say
"'don't listen to it" otherwise you would not listen to anything produced in
the last decade. S
On 1/30/07, Gil Yaker <[EMAIL PROTECTED]> wrote:
Jeeze, why debate?
If it sounds bad enough, don't listen to it. Personally I think most
remastered reissues sound like crap.
Take the Inner Life & Jocelyn Brown anthology on salsoul uk. They eff'd up
all the mixes by remastering it for today's sy
On 1/30/07, punkdISCO <[EMAIL PROTECTED]> wrote:
At the danger of over simplifying things, DJs are probably the biggest
single culprits for the loss of dynamics in today's music. Its DJs who
don't play the quieter tracks. Its DJs that will play a heavily compressed
(loud) track on the club's P
Jeeze, why debate?
If it sounds bad enough, don't listen to it. Personally I think most
remastered reissues sound like crap.
Take the Inner Life & Jocelyn Brown anthology on salsoul uk. They eff'd up
all the mixes by remastering it for today's systems (and CDs) that can take
more highs and lows t
"look at early theo parrish records in a wav editor. the peaks of the kicks
will be hitting at 0 and the rest will be at -25dB or some ridiculous
nonsense like that"
At the danger of over simplifying things, DJs are probably the biggest
single culprits for the loss of dynamics in today's music. I
On 1/30/07, punkdISCO <[EMAIL PROTECTED]> wrote:
Its only artists on the fringes that would ever dare not to compress the
hell out of their tracks.
look at early theo parrish records in a wav editor. the peaks of the
kicks will be hitting at 0 and the rest will be at -25dB or some
ridiculous n
"I opened it in Sound Forge to have a look. At least 50% of the mix must
have been in the red when it was recorded."
..just to repeat what a few people have said - this almost certainly will
not be clipping, just heavy compressing. As a test, open up any commercial
recording in SoundForge and it
Library Users' Guide
-Original Message-
From: Williams, Graham [mailto:[EMAIL PROTECTED]
Sent: 30 January 2007 17:14
To: Robert Taylor; 313@hyperreal.org
Subject: RE: (313) Carl Craig :: The Workout
I think after all my years of clubbing I don't have "musician's
sensitive
He probably engineered it himself though... Mastering is usually handled
by the label to give it a second listen with fresh ears.
I engineered the Death in Vegas mix for Richard Fearless for Fabric.
Levels were adjusted by me and then adjusted again by the mastering
facility that Fabric uses.
Agreed.
In any case, Carl Craig didn't master this so it's a silly reason not to
buy his mixes.
sday, January 30, 2007 5:01 PM
To: Williams, Graham; 313@hyperreal.org
Subject: RE: (313) Carl Craig :: The Workout
I have it and love it but never notice these things as I don't have a
musician's sensitive ears
Rob Taylor
VT Librarian
x8599
Hatch Desk x1088
VT Library Users' Gui
In any case, Carl Craig didn't master this so it's a silly reason not
to buy his mixes.
On Jan 30, 2007, at 11:57, robin wrote:
Is it not just really squashed with a compressor rather than clipped?
The two situations look the same in a wave editor (still doesn't
help the sound quality iss
Is it not just really squashed with a compressor rather than clipped?
The two situations look the same in a wave editor (still doesn't help
the sound quality issue though, I hate "squashed" mastering).
Kent? :)
robin...
Williams, Graham wrote:
I recently bought "The Workout" mix cd, I have
7 16:59
To: 313@hyperreal.org
Subject: (313) Carl Craig :: The Workout
I recently bought "The Workout" mix cd, I haven't bought a cd in years,
but what a disappointment, when I was listen to it, it sounded a bit
rough, kinda like it was clipping, so I opened it in Sound Forge to have
a look. At
I recently bought "The Workout" mix cd, I haven't bought a cd in years,
but what a disappointment, when I was listen to it, it sounded a bit
rough, kinda like it was clipping, so I opened it in Sound Forge to have
a look. At least 50% of the mix must have been in the red when it was
recorded. What
Yeah, thanks for sharing Martin...listening now.
robin...
Martin Dust wrote:
No worries P, been rocking the office for a couple of days with it...
No worries P, been rocking the office for a couple of days with it...
m
On 30 Jan 2007, at 16:36, Placid wrote:
nice one, was hoping it would appear on mp3 not just as a stream...
p
Martin Dust wrote:
Pretty cool...
http://www.zshare.net/download/carl_craig_-
_live___demon_days_presents-
nice one, was hoping it would appear on mp3 not just as a stream...
p
Martin Dust wrote:
Pretty cool...
http://www.zshare.net/download/carl_craig_-_live___demon_days_presents-_samuraifm__-_january__2007-mp3.html
Pretty cool...
http://www.zshare.net/download/carl_craig_-_live___demon_days_presents-_samuraifm__-_january__2007-mp3.html
3 pages - reading it now
about his move toward darker sounds/feelings
MEK
nah, that's from last(!) year:
I just went on the link at the bottom, but yeah you are right. booo :)
robin...
erreal.Org 313" <313@hyperreal.org>
Betreff: (313) Carl Craig Mix was Re: (313) RE: Neotrance (Was (313) EevoNext
presents: Terrace Unchained EP)
>
> There's a Carl Craig mix on there from last week.
>
> http://www.beatsinspace.net/main.html
>
> Not listened yet.
There's a Carl Craig mix on there from last week.
http://www.beatsinspace.net/main.html
Not listened yet.
robin...
When I think of these tracks that aren't sure if they're trance or
techno, I
think about what Stacey Pullen is spinning these days. This beats
in space
mix is a good example
I like some of his stuff, others not my taste. That Creature of The
Night mix-CD I enjoyed though.
On 14/11/2006, at 9:20 PM, JSS wrote:
you can get some of his edits here http://birth-school-work-
death.blogspot.com/
at the moment including an old essential mix
scroll down to november 11
pr
you can get some of his edits here http://birth-school-work-death.blogspot.com/
at the moment including an old essential mix
scroll down to november 11
pretty poor some of them it has to be said...
On 11/14/06, Cyclone Wehner <[EMAIL PROTECTED]> wrote:
I heard the Radio Slave mix on his mix-CD a
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