I seem to remember, that it was Maurice André who 40 or so years ago started
exploiting the mostly
woodwind baroque repertory by Italian composers like Il Pasta Rosso,
Tortellini, Zucchini,
Pepperoni, and Mortadella.
If done with taste I see no reason, why this repertory should not be digested
My project of documenting brasses via photos may be known ad nauseam. But I
find it interesting,
and it is something manageable even in my less inspired periods (nothing
bipolar, but allergy and
arthritis being very dependable on weather conditions). Except exactly about
reading Russian. Many
Thank you Howard and Hans on either of the lists
I cannot read especially the old style Cyrillic letters, but I can normally
decipher Western words
as used by Russians in writing and by ear.
Howard offers a reading:
I.K. is unknown to me, but may equal Ltd., GMBH, or AS in English, German, or
It may known, that Sven Bring of Stockholm and I over years have communicated
on public and
private levels about brass matters in general and tuba matters in specific.
I ended my multi-brass career on tuba and probably played no brasses better
than bassbone, euph,
and tuba. I am mentally very
During my hunting for photos for my brass instruments' galleries I came across a
quite special Russian helicon pitched in Db.
However I cannot read the maker's shield:
http://tinyurl.com/yetbuv
Will somebody be able to provide me a translation in Latin letters?
Thank you!
Klaus Smedegaard
--- hans [EMAIL PROTECTED] wrote:
Did you mean abitur ?? Means Abgang in German, Abgang
from School, leaveing school. In Austria it is called
Matura or Maturity, but it is anything else than maturity,
but it is meant as maturity to go to university.
Of course I meant Abitur.
--- Sven Bring [EMAIL PROTECTED] wrote:
I find it hard to beleive that this is anything but a joke, and a rather good
one at that.
Sven
I think this guy goes for it without hesitation. He has been through a severe
car-crash, which I
think made him loose his perspective, if he ever had
--- hans [EMAIL PROTECTED] wrote:
Go visit the following site to get your surprise:
www.tenor.dk
There are a lot folks out - without any self critic.
This is sad!
Even more so as this guy is born in and lives in the town, where I lived, when
we moved back to
Denmark in 1958. I lived
--- Sven Bring [EMAIL PROTECTED] wrote:
Paul Mansur said in a posting on the Yahoo horn list that There are lots of
top notch players
who specialize on Bb
instruments, especially in Europe, although there are a surprising number in
this country. Among
them are soloists and orchestra
?
--- [EMAIL PROTECTED] wrote:
I suggest eHarmoy.com
Dave Weiner
Brass Arts Unlimited
-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Sat, 18 Nov 2006 7:43 AM
Subject: [Hornlist] Hoyer serial numbers from the GDR and post-GDR
Are there any web sources for dating Hoyer horns?
Klaus Smedegaard Bjerre
Sponsored Link
Mortgage rates near 39yr lows.
$420k for $1,399/mo. Calculate new payment!
www.LowerMyBills.com/lre
--- Larry Jellison [EMAIL PROTECTED] wrote:
It
pertains to wind ensembles and church orchestras where
saxophones are incorporated.
I understand Larrys way of thinking, even if I do not necessarily agree with
him in all matters.
From my general correspondence with American musicians I
--- [EMAIL PROTECTED] wrote:
For non-idiomatic English speakers, todays slang and colliquialisms can be
very daunting and
annoying. If the horn list was a preview of a PHD thesis then Han's recent
correction of the
verb to see would have been appropriate. The list readers have been very
Hans, you are the better musician between the two of us. But when did you last
play in 2/5?
I never encountered that rhythm. But then I also have done my share of typos.
I also have attended my share of Schützenfeste in Germany, even if I am a born
Dane. The only
marksmans shots were those
--- hans [EMAIL PROTECTED] wrote:
Is the horn list dead at the moment ?
Hans
You and I both are continental Europeans out of a generation, where only very
few were highly
educated. You followed the classical linguistic gymnasium. I followed the
mathematical line. Both
of us have been
--- hans [EMAIL PROTECTED] wrote:
lied not lid, please.
Aside from my expectation of Lied over lied from you, Hans, I will say this:
Especially with some female singers I have often felt an urge to put a lid on a
Lied.
As for transposition of Lieder:
One of my acquaintances in the music
--- danatwiss [EMAIL PROTECTED] wrote:
You may want to email the seller for more information. According to the
About Me page of the seller it is none other than Bob
Osmun. I would think he would know.
Bob Osmund is the seller of the well-documented descant horn, which I mentioned
at the end
We have had discussions about mellophones and descant horns before. The
American mellophones come
in a lot of variations, mostly with pistons, and rarely looking anything like
descant horns.
Czech/German mellophones mostly have 3 rotors for the right hand. A few have 3
rotors for the left
Hans, we both like to take an intellectual wrestling.
I happen to agree with you in your evaluations of when an assistant 1st horn is
needed, unless you
are dealing with madmen players like myself, who would play horn as well as
bass trombone at the
same concert, because the low strings could
--- Graham Jarvis [EMAIL PROTECTED] wrote:
Hi listers
I just came across this video on the Swedish Royal Opera House homepage and
thought it might be
of interest. The text gives some background to the Long Call in its context.
The hornplayer is
Annamia Eriksson. I heard her give a recital
My standings on political and religious terrorism are well known by my
surroundings.
I will not out them in a horn forum.
However I am that old, that I can remember several profession and conservatory
level horn sections
playing with a level of intonation, which I considered terror towards my
--- Steve Freides [EMAIL PROTECTED] wrote:
- wonderful stories snipped -
Hans wrote:
One short episode:
Some members had another gig sneeked away from a rehearsal,
letting a colleague do the duty instead. So Bernstein asked
the orchestra president why they did so. The then
At least he isnt A crook any longer!
Klaus
--- [EMAIL PROTECTED] wrote:
But you forget, he is not a crook.
I think of Nixon every time I play on this crook.
Gotta go,
Cabbage
__
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the
--- John Mason [EMAIL PROTECTED] wrote:
Well it was the Danes who gave us Niels Bohr.
Niels had an equally skilled brother, Aage. But as he only was a
mathematician, he never became
famous outside our borders
And, even more impressive from my point of view, the
great NHOP, Niels-Henning
--- Robert Osmun [EMAIL PROTECTED] wrote:
Please, enough name calling. I've known Hans for quite a long time and
think he's a pretty good guy. He's always been very generous with his wealth
of knowledge and experience and is one of the very few professional hornists
who even contribute to
--- Paul Kampen [EMAIL PROTECTED] wrote:
Message text written by The Horn List
There's nowt like a good fight to raise the spirits.
Dear Lawrence
There speaks a true Lancastrian!
Over on this side of the Pennines, we prefer an improving book and a mug of
coco.
Now that we have the
--- David Goldberg [EMAIL PROTECTED] wrote:
Klaus Bjerre wrote:
Now that we have the attention of a couple of true connoisseurs of British
English, I have a
question:
HM the Queen has four household guards on foot and 2 mounted ones.
Well, I have a question too. If , as Klaus
--- Mark Syslo [EMAIL PROTECTED] wrote:
Seems to me this is one of the few spots in the literature that my
teacher strongly suggested to memorize the movement. I haven't played
it in years, but I remember the licks!
Even those learning it by heart have to be able to read it in the first
I have played 2nd in Brahms #2 from such printed part, where everything was
transposed for horn in
F. That took part of the fun out of it. I much rather would have been presented
to the part, as
Brahms wrote it in the score.
Klaus Smedegaard Bjerre
--- Fred Baucom [EMAIL PROTECTED] wrote:
I
--- Bo Gusman [EMAIL PROTECTED] wrote:
I'm curious. They look pretty cool, but how do they play?
http://cgi.ebay.com/FRENCH-HORN-DOUBLE-LIDL-FREE-SHIP-USA_W0QQitemZ320018067598QQihZ011QQcategoryZ16215QQrdZ1QQcmdZViewItem
The short version:
It is not a double horn. It is a compensating
--- Christine Ranson [EMAIL PROTECTED] wrote:
I managed to avoid this throughout my rep exams in my degree, but now it's a
requested piece of
rep for a rather important audition which is very soon.
I CANNOT get my head around B natural!
Does anybody have any tips to go about sight the
--- hans [EMAIL PROTECTED] wrote:
No chance, as
I (me personally !!) have found saved the full RING
orchestra parts when they restaurated the Munich
Prinzregententheater (equal in the interior design to the
Bayreuth Festival Hall).
Does the Prinzregententheater also have the same type of
It is a blessing, that a couple of members (one of them being you, Hans)
knowledgeable about the
old terms have entered this thread.
But what are the differences between
Aramäisch
aramæisk
Aramaic
Aramean
aside from endings fitting national grammar practises. And then national
practises of
I am grateful towards Christopher Earnest, as he saves me from being impolite
towards somebody
spelling her ignorance out in capitals. Very literally so.
When it comes to reading German, I in list contexts am aware of very few
members of this list
surpassing me. They all are working in German
Our resident cabbagatologist as usually is very smart. He even gets his
spelling almost right!
We shall not discuss neither religion. nor politics, especially in these
troublesome days. Yet I
may briefly tell of my own standing.
I am brought up in a very liberal Protestant family environment,
--- WIlliam Botte [EMAIL PROTECTED] wrote:
Perhaps the composers are guilty of hubris and hyperbole? Or common
sence.
--wabotte
I never specialised in Russian composer, but what trickled down through my
musicological studies
was, that any indication of dynamics always is relative. Some
We are approaching NHR territory here, but I am most surprised about film being
the medium in the
said fine recordings.
When I went to school from 1954 trough 1966, video was not available. The
Danish state had a
pedagogical film-service covering especially historical, biological, and
--- Ms Lisa Honeycutt [EMAIL PROTECTED] wrote:
FRENCH HORN DOUBLE CZECH 1910
Anyone have any experience with these instruments?
There was no Czech Republic in 1910.
The instrument, a compensating double, still looks like a pre-WWI Bohemian
instrument originally
built to high
Joe Sellmansberger still is doing business in superb repairs to a degree, that
he has to be very
restrictive and selective in the jobs he is accepting.
I happen to be on the list of his accepted customers, and he has done a very
fine sousaphone job
for me. Joe and I will pull every leg
--- [EMAIL PROTECTED] wrote:
Interesting that most Haydn is B Alto and H Alto while there is plenty of B
Basso
in the works or Mozart, and I can only think of the two minor keyed
symphonies where there is B Alto. Mozart wrote a few symphonies in Bflat...24
and 33 I
know..are those in B
as conductor, it is bearable.
Happily, it was my lastr NORMA.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Klaus Bjerre
Sent: Saturday, July 01
--- Hans.Pizka [EMAIL PROTECTED] wrote:
Both cities are quite poor regarding music shops - as
elsewhere. Shops do not stock anything extra from very basic
stuff. It is a pity.
Very few cities have really good music shops. Rents are skyrocketing. My
favourite Copenhagen
store has folded, as
--- Per Ottar Gjerstad [EMAIL PROTECTED] wrote:
My favourite Copenhagen store has folded, as it did not get back its
costs.
what shop was it?
Engstrøm Sødring in Borgergade, formerly in Palægade.
Their fairly large catalogue of newer Danish music is kept alive by the owners,
but there
You brought up the topic, Hans!
I cannot tell you anything about opera or about Italian. Let alone about the
horn. But I can tell
you about laziness in a field, where we both have worked: engraving. And about
a musical practise
in a field, where I have worked as well as a player and as a writer
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Klaus Bjerre
Sent: Saturday, July 01, 2006 9:40 AM
To: The Horn List
Subject: [Hornlist
I am eternally grateful towards people making resources available on the web,
and I am no less
grateful towards those helping me finding these resources.
I have read the overture and the second act, because the score tells me a whole
lot about period
scoring practises in Italy. I did not find
Possibly making a complete fool of myself as I am too lazy to refer with score
or old vinyl
(Barenboim/Chicago in my case, pretty impressive).
As I remember B4, it is the one with the massive unisono horn fanfares in Bb
concert (written F
major in the F horn parts).
This induces a question of
I have read some of the postings on this thread, and see no reason entering
into any personal
discussions or even dogfights.
My ears can hear single overtones and overtone patterns, even if I cannot write
them down like a
computerised spectral analysis.
Right now I am listening to
Grétry,
--- Steve Freides [EMAIL PROTECTED] wrote:
You have all read Steves fine posting, so I wont quote it.
It made me wonder, why I never really can remember the precise composition of
the Napolitan chord.
So I found it on a web page, and then I knew why:
During my musicological studies, I have
Good explanation and more in depth than mine!
Klaus Smedegaard Bjerre
--- Steve Freides [EMAIL PROTECTED] wrote:
Klaus Bjerre wrote:
-snip-
During my musicological studies, I have been quite a bit
around jazz theory. And there the same chord (Db in C major
is not considered
orchestra then, also Ottobeuren few kms away.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Klaus Bjerre
Sent: Friday, May 19, 2006 4
I very much understand, why you are puzzled.
Certainly too early for the valved horn, and not much later than the Mozart
concertos, which
display a more advanced usage of the hand horn, than seen in most, if not all,
of the ensemble
horn writing of the time.
Most notes would be possible by a
PROTECTED] wrote:
message: 9
date: Mon, 15 May 2006 09:32:55 -0700 (PDT)
from: Klaus Bjerre [EMAIL PROTECTED]
subject: RE: [Hornlist] horn advice
If you had read my post thoroughly, you would have noticed, that I
precisely addressed the point
in my comments even if my wording about
The original posting represents no linguistic disability, just laziness. It
displays the very sad
tendency of US-based youth to skip the usage of the shift key.
I have studied linguistics a university level, English was my sixth language
(is the second
today), I can read about 12 languages, I
useage of the language is acceptable. That's it's not my style
doesn't make it inappropriate here.
Just my opinion.
-S-
-Original Message-
From:
[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
du] On Behalf Of Klaus Bjerre
Sent: Monday, May 15, 2006 8:26 AM
To: The Horn
I didnt get the ATM thing, but elsewise my linguist side was delighted.
Your very much dog owning
Klaus Smedegaard Bjerre
--- Christopher Earnest [EMAIL PROTECTED] wrote:
FWIW, I pretty much agree with Klaus in this discussion. Intentionally
sloppy writing, in email or anywhere else, is
Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Klaus Bjerre
Sent: Monday, May 15, 2006 2:26 PM
To: The Horn List
Subject: RE: [Hornlist] horn advice
The original posting represents no linguistic disability,
just laziness. It displays the very sad tendency of US
Hans is right!
It is helpful to be able to read a few languages. One of the more interesting
books I have read on
brasses, was the official GDR curriculum for the education of brass craftsmen
upon to the Meister
level. This does not imply, that I can neither repair nor design brasses, but
as
Hans , you may know of my interest in brass instruments history, so I will
write a few lines why
you issue your statement as a logic extension of your and mine common
Austrian-German-Danish still
alive tradition of natural Eb trumpet, in the length of an alto horn, which in
our modern pitch
The differences in measurements are quite natural. You use the real lengths of
the instruments. I
use the theoretical lengths at A=443 at the temperature of 20° Celcius, which
gives an air speed
at 343 metres/second
All brass instruments are shorter, than they should be, as the bore and bell
--- [EMAIL PROTECTED] wrote:
question...does anyone now own or play an Eb HORN??? I am most curious about
the fingering
sequence.
During large parts of the last century single F horns intended for band usage
were delivered with
an alternative Eb main tuning slide, and the valve slides had
Just about any trill can be made all over the range of the horn. Only it is not
all trills, which
are equally easy.
Trills across two partial will be OK as lip trills in the upper register for
people inclined to
the natural horn, but they are not advisable in any register, if there is any
Matthew
I can only thank you so much for quoting this article!
You may know me as one of the odd men out on the list (please go 500 miles
south for the orther
one).
As a musicologist I barely can bear listening to music any more. A totally no
fun situation! My
relationship with music mostly
Paul, you are the elderly (even compared to me) wise guy!
How did you acquire a single parrot tuned in F albeit being a bit flat? Was it
a male or a female?
Was it an Ara or a cockatoo?
Klaus Smedegaard Bjerre
--- Paul Mansur [EMAIL PROTECTED] wrote:
Hey! If you're looking for a
I havent read the Kirby text, and Hans summation is very good. The stuff
isnt new to me, as I
used it on the bass trombone, where it is much easier due to the much larger
mouthpiece bore and
the resulting very reduced resistance.
I had been around a few brass band instruments until I came
--- Hans.Pizka [EMAIL PROTECTED] wrote:
Why still keeping these junk horns or horn ruins ? Convert
them to lamps instead playing them.
There are no really bad horns, but a majority of weak
players. Their weakness starts with their negligence to
principles of playing maintaining their
The modern orchestral horn has developed from the natural horn over the
invention horn (with
national variants like the Cor Solo).
Composers and players fought to make the most out of the natural horn, as it
represented a beauty
and depth, which could not be dismissed despite the lack of an
I have, like Hans, a memory, which most humans would want to have themselves.
I know the Chinese culture intensely from having been the letterwriter and
legal assistant of a
Chinese family for over 10 years. I even have gotten one family member out of
jail by a simple
phone call. I could at the
--- Kent Spielmann [EMAIL PROTECTED] wrote:
I have been reading the posts on Denis Brain's horn. I
seems hard to imagine he made that beautiful sound on
a Bb. I thought they were just for converted trumpet
players.
Thats the way it has been used in the German military bands through less
--- [EMAIL PROTECTED] wrote:
In a message dated 12/23/05 5:22:09 PM, [EMAIL PROTECTED] writes:
their student instruments usually play as well or better than their custom,
hand made horns of the same design.
Yamaha's Custom Series (800 models) included the following:
Model
--- [EMAIL PROTECTED] wrote:
In a message dated 12/23/05 10:17:55 PM, [EMAIL PROTECTED] writes:
There were/are at least 3 more Yamaha Custom horn models:
Klaus,
Yamaha did not have equal worldwide availability on all of their Custom
models.
Some were more easily available
Hanss posting on the repertory was very interesting.
It may be known, that I have an interest in the history of instruments as
expressed in photos.
My brass galleries no way can be used as a basis for scientifically based
statistics. Yet I have
found or have been given photos of 3 Bb
email
these pictures to me for some identification.
Greetings
Hans
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Klaus Bjerre
Sent: Sunday, December 04, 2005 6:04 PM
To: The Horn List
Subject: [Hornlist] Wagner tubas with only 3 valves
extended signature:
My download homepage has a link for the index of all my uploaded music files.
You can download
them for free, when I have received your reply to my Welcome-mail. Players
already approved for
the group in question of course have direct access.
Klaus Bjerre of Denmark
Retired
This thread has been widespread and interesting. I will see, if I can add a few
comments getting
around to most of the points touched.
I believe Hans, when he says, that Alexander didnt renew the patents.
But with the popularity of the Alex 103, one might wonder, why no other makers
have
--- Steve Freides [EMAIL PROTECTED] wrote:
My son's County Band music - first rehearsal tomorrow - says bell tone for
a few measures. We didn't think to ask his teacher, who we won't see until
after the rehearsal.
The bell tone effect is an emulation of a series of bells ringing like from a
--- Kathrynne [EMAIL PROTECTED] wrote:
Hello--
Can anyone recommend some good arrangements of Christmas music for horn,
clarinet and piano (any level of difficulty)?
Honestly I am quite surprised, that there have been no replies to this posting,
so I will try to
make suggestions in a more
direct access.
Klaus Bjerre of Denmark
Retired teacher
Index over 45MB+ of free music files in .pdf format to be found in the Files
area of:
http://groups.yahoo.com/group/YorkMasterBBb/
(Approved membership required)
Index over 2.2GB of brass instruments galleries and catalogue scans to be found
Paul has sent me some photos, and my initial suspicions were fully confirmed.
Aside from one-off creations for disabled horn players right-handed horns
always are military
horns from two European countries:
Italy made them with pistons. I own a such single F made by Saporetti Capelli
of
Please send a thorough photo documentation to me. Already from your text I have
a strong suspicion
about the maker and the history behind the horn.
Blue print type shots of front and back, thorough documentatition of valves and
stays, plus fully
readable shots of all engravings.
Klaus
[EMAIL
One of my private correspondents, the tubist Tony Clements of San José, asked
med to spread this
announcement:
The Humboldt Brass Chamber Music Workshop Announces
Composition Contest
For Brass Chamber Music
Composition should be an original, previously unpublished, work for brass octet
Today I'm depressed because my eyesight and sense of balance is decreasing at
increasing speeds.
My has aphasia long been a problem. Im asking for no pitty, but I cant see
the problem treated
in this thread. I had to give up regular brass playing 3 years ago.
I was gifted with an extremely
Hans ought to be online now with his Munich experiences not being too old,
but then there are so many other knowledge pools available on this fine
board.
DRTV1 just finished a direct transmission from our Royal Theatre of Händels
Julius Caesar with Andreas Scholl singing the lead.
The orchestra
If David is unable to distribute his scanned .zip file for the time being I
am willing to distribute that file exactly as I received it from David.
Please direct your requests directly to me at
[EMAIL PROTECTED]
with Fuchs being part of the header.
And please do accept, that I for practical
on 18/08/05 16:39, Erin Block at [EMAIL PROTECTED] wrote:
I was wondering if anyone had or knew where I could get a horn that has been
smashed flat? My husband and I (both amateur musicians) are redecorating and
think an old horn that's met the roller would make an interesting wall piece
in
on 16/08/05 10:02, William Melton at [EMAIL PROTECTED] wrote:
Bill, the horn must postdate the earliest Kruspe compensating doubles
by at least a few years, as our best sources put Max Enders hanging
out his shingle earliest in 1900 or 1902. Enders, originally from
the Roehn region in
I have, with no success, tried to google my way through to the Ganter of
Munich web page.
Is the company defunct by now?
Klaus
___
post: horn@music.memphis.edu
unsubscribe or set options at
From: Alan Cole [EMAIL PROTECTED]
OK, there have been several horns of this pattern on eBay, mainly by Josef
Lidl (Brno), but here's 1 that appears to be the real deal, the original,
by Karl Lehmann (Berlin).
Check out...
http://tinyurl.com/8slfs
(For those of you in Rio Linda, the
Norman del Mar (1919-1994)
Klaus
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Danish hymn project.
My download homepage has a link for the index of all my uploaded music
files. You can download them for free, when I have received your reply to my
Welcome-mail. Players already approved for the group in question of course
have direct access.
Klaus Bjerre of Denmark
Retired
It has been brought to my attention, that not all browsers allow for the
viewing of the uploaded .jpg's in the so-called Full Size.
In the actual cases of the recently uploaded Yamaha and Paxman catalogue
scans (done by myself), you have another option: the .pdf versions found in
the Files areas
illustrated plus a lot of text. That will be my next upload
project.
Klaus
or with my extended signature:
Klaus Bjerre of Denmark
Retired teacher
Index over 45MB+ of free music files in .pdf format to be found in the Files
area of:
http://groups.yahoo.com/group/YorkMasterBBb/
(Approved
It can be seen that my catalogue has not been kept in mint condition.
However all photos are intact. A few word have been lost in the adjacent
Wagner tuba pages, but the main points still come through.
Scans of a Paxman catalogue from the Richard Merewether era circa 1980:
Double page 300 dpi
It may my brass galleries, which Chris refers to. There are quite a number
of catalogue scans, but when it comes to Yamaha horns my only catalogue
entry is this one:
Yamaha Custom Horns from a circa 1988 catalogue:
Single page 300dpi scans in .pdf format:
There are two score versions for the Pirates:
The original one with double or triple winds/brasses.
A touring/small pit arrangement with only one each of these instruments:
flute/piccolo, oboe, clarinet, horn, trumpet, and trombone.
Klaus
___
post:
Of course a bell rings. It¹s its very raison d¹être.
Klaus
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music.memphis.edu/mailman/options/horn/archive%40jab.org
From: Steve Freides [EMAIL PROTECTED]
http://www.wwbw.com/Konig-and-Meyer-French-Horn-Stand-i31443.music
Anyone ever use a thing like this? I've seen them for trumpets and other
straight instruments before and think they're very useful there, but this
is the first time I've heard of one
From: Steve Freides [EMAIL PROTECTED]
http://image.inkfrog.com/click_enlarge1.php?image=FH2PieceLacquerLRCase5.jpg
username=musicalwheel
or http://tinyurl.com/cwp38
I'm guessing it's a compensating double but I really haven't a clue - I
found it looking through ebay horns. It's got a
From: matthew scheffelman [EMAIL PROTECTED]
I have a mouthpiece with only few markings and was
wondering if anyone would know the maker/history. It
may be quite a Mystery.
The markings are; PT-04G
Not to lead one on the wrong brain train, it looks
JUST a little like a Mirafone
David, you naughty youngster!
You trigger me into the remembrance of an all too true anecdote from
post-WWII Germany, where I (being a thoroughbred Dane) was raised. Poverty
was unbelievable, yet some families did surprisingly well. And they wanted
to show off even beyond the final human
1 - 100 of 201 matches
Mail list logo
