(313) new mix of old house
i have a guest mix up at the deep rhythms site: http://www.deeprhythms.com/guest_mixes/15_keeping_my_mind_by_james_bucknell.php 01. Strikers - Body music - Prelude, 1981 02. Terry Baldwin - Groovin - Future sound, 1991 03. Black Rascals (Blaze) - Keeping my mind - Sumo, 1993 04. Barbara Mason - Another man - West end, 1983 05. Toney Lee - Reach up - Stamina, 1986 06. Mr Fingers - Stars - Alleviated, 1988 07. Peter Panic - A black man and a black man - Bumble beats, 1992 08. Tasters Choice (Ron Trent) - Instant coco - Prescription, 1997 09. Colonel Abrams - Music is the answer - Streetwise, 1984 10. Jomanda - ll give it to you - Quark, 1987 11. Instant Exposure - Wanna be with you - Emotive, 1992 12. Theo Parrish - Lost Keys - Music is..., 1997 13. Larry Heard - Guidance - Guidance, 1997 14. The Untouchables (Kenny Gonzales) - The swing doctor - Strictly Rhythm, 1991 15. virgo Four - Do you know who you are - trax, 1989
Re: (313) Synthnews! AudioRealism releases Bass Line Pro
nice one! looking forward to playing with the demo. i like bassline. i love the wet ploppy, non acid bass sounds it makes and i've got a feeling the pro will be great at these. james [EMAIL PROTECTED] 01/18/06 08:10 PM To 313@hyperreal.org cc Subject (313) Synthnews! AudioRealism releases Bass Line Pro Hi guys, a bit of spam on my behalf this time. We have released our new synthesizer, Bass Line Pro as OsX AU and PC VST last night. It's basicly a semi modular synthesizer with step sequencer, few are referring to it as 303 mod already but it's definitely way more than that. I'd personally describe its featureset as sort ofArp Ms-303, however it's not meant to emulate anything . I think Mr. Gianelli will dig this one :D (if you're into software synthesis at all). For further information and a demoversion check out www.audiorealism.se Ronny ForwardSourceID:NT00024B96
Re: (313) Mu - sydney
que? Sam K [EMAIL PROTECTED] .net To list 313@hyperreal.org 01/16/06 10:39 PM cc Subject (313) Mu - sydney heads up so who else is going to the Mu spectrum show in sydney should be funMaurice is Djing aswell later Sam -- Sam K [EMAIL PROTECTED] sub-sequence 2xx 98.3fm -- http://www.fastmail.fm - Email service worth paying for. Try it for free ForwardSourceID:NT00024AEE
RE: (313) Juan Atkins Up For A Grammy
Ken i wasn't being churlish. i consider the world of commercial music and awards nights as one big giant pile of wombat poop. i sort of thought that on this matter i was vaguely on the same wavelength as others on this list, underground resistance and others interested in independent/underground dance music. the time for techno to get the recognition and dues it deserves was 1989 and it did - millions around the world danced their asses off to detroit music. thousands had their lives changed and started buying the records, djing, making the stuff, starting internet boards, wearing UR t-shirts and making pilgrimages to detroit and putting on underground parties. how namy people turn up each year for the demf (or whatever it''s called)? do you think techno or juan is getting their dues when a fake industry award show mentions his name 20 years after the fact. an industry that ignores you unless it wants to steal your songs (knights of the jaguar) and we're still begging for their acceptance and recognition. james www.jbucknell.com Odeluga, Ken [EMAIL PROTECTED] ones.com To Fred Heutte 01/12/06 09:16 PM [EMAIL PROTECTED], 313@hyperreal.org cc Subject RE: (313) Juan Atkins Up For A Grammy Jeez James, don't be so churlish! Here I am in the belly of the beast, and so are you! Credit where it's due, I say. Ken -Original Message- From: Fred Heutte [mailto:[EMAIL PROTECTED] Sent: 12 January 2006 08:42 To: 313@hyperreal.org Subject: Re: (313) Juan Atkins Up For A Grammy It's about standing up for a friend and mentor, home town, and way of doing things, it seems to me. And a moment of recognition that not everything is under the control of the programmers, even at the heart of their self-congratulatory, corrupt, musically reactionary mess of an industry. I'm actually thrilled by this. He has certainly had his ups and downs, and sure Missy is pop, but the whole point is that this happened because of techno, and it's about damn time Juan got some serious cred. fh -- mail forwarded, original message follows -- From: [EMAIL PROTECTED] Subject: [ok] Re: (313) Juan Atkins Up For A Grammy Date: Thu, 12 Jan 2006 15:38:01 +1000 i would have never imagined that it was so important to mad mike that juan atkins to be aknowledged by the commercial record industry. does that mean underground resistance has now become overground assistance? james www.jbucknell.com ForwardSourceID:NT00024A7E
Re: (313) Juan Atkins Up For A Grammy
i would have never imagined that it was so important to mad mike that juan atkins to be aknowledged by the commercial record industry. does that mean underground resistance has now become overground assistance? james www.jbucknell.com James Hurlbut [EMAIL PROTECTED] oronto.ca To 313@hyperreal.org 01/12/06 04:12 PM cc Subject Re: (313) Juan Atkins Up For A Grammy On 11-jan-2006, at 21:54, Klaas-Jan Jongsma wrote: --begin transmission Troops your services are required. Juan Atkins has been nominated as a writer as part of the song Losing Control by: Missy Elliot. Tell everybody you know that owes they're @ss to Juan Atkins to vote for Missy Elliot's Losing Control for best rap single. Lets show these motherf*ckaz the power of what they cannot see... Mad Mike 040 - UR - -end transmission--- http://www.undergroundresistance.com/main/ ForwardSourceID:NT00024A3E
Re: (313) christmas night detroit.
that beats the big dude climbing down the chimney and leaving a firetruck under the tree. merry christams detroit (and detroit lovers). i'm off to swim with the dolphins, see you in the new year. james www.jbucknell.com [EMAIL PROTECTED] com To 12/23/05 03:14 AM 313@hyperreal.org cc Subject (313) christmas night detroit. er, wow! at Duharts, 950 6mile, 25th December. 9 till late. DJ Taz, M.Pittman, Reggie Harrell. Waxmaster D, Rick Wilhite, Raybone, Theo Parrish, Dj Blackout (retroactive), DJ Mantac (retroactive), D.Wynn. HELLO _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. ForwardSourceID:NT0002489E
(313) Sydney party: Paradise Lost, Fri 16 Dec
PARADISE LOST Ol El Rocco in the basement of Bar Me, Kings Cross Cnr of Brougham and William Sts, just down from the Coke sign 9-4 We have a large sound system, a small basement and a box full of classic disco, funk, early house, rock, italo, afro, lost 80's pop jams We're squarely focused on making u move!! MIKEY MIUTANTE will be kickin things off around 9ish followed by BRUT33 and JAMES BUCKNELL, and SILVIO MANGLES will be playin till close which will be around 4ish. The cover is $7. All are welcome. dress optional Sounds: www.jbucknell.com www.jwajwajwa.com/mixes/mello_mix.mp3 www.jwajwajwa.com/mixes/mello/tracklist.html
RE: (313) my morning mischief
plenty of dancing in new york. maybe your friend's a crap dj and they were just clapping to be polite. ;) that's a joke. should try australia - they won't even clap. james www.jbucknell.com Steward, Tim [EMAIL PROTECTED] uware.com To 'skkatter' [EMAIL PROTECTED], 12/08/05 01:08 AM '313@hyperreal.org' 313@hyperreal.org cc Subject RE: (313) my morning mischief So true, why don't people dance at gigs in Detroit A couple months ago I was at a gig in detroit and I was dancing to the music and people looked at me Like I didn't belong there, when I feel the music I dance. Maybe because I'm an oldhead. -Original Message- From: skkatter [mailto:[EMAIL PROTECTED] Sent: Wednesday, December 07, 2005 7:15 AM To: 313@hyperreal.org Subject: Re: (313) my morning mischief Yeah, I always thought dance music was for dancing to! :) A friend of mine who DJed a few times in the states but is based in the UK told me how when he played a few places in the states nobody would dance. They all liked the music, clapped at the end or whatever, but kept perfectly still despite the dance music he was playing. With techno/electro/house I usually think it's the DJs job to get people to dance. I suppose if it's weird chin strokey musique concrete or whatever then it's more acceptable to stand around and have a bit of a shoe gaze (I always try to have a dance anyway, if I like what's being played). Must be a states thing, check out Cylob's rave photo page, he also talks about how nobody in the US dances at gig: http://www.cylob.com/rave_photos/ravephotos.html -skkatter On 07/12/05, Kent Williams [EMAIL PROTECTED] wrote: A party with a bunch of anoraks standing around is a party with no vibe. -- http://www.skkatter.net The contents of this e-mail are intended for the named addressee only. It contains information that may be confidential. Unless you are the named addressee or an authorized designee, you may not copy or use it, or disclose it to anyone else. If you received it in error please notify us immediately and then destroy it. ForwardSourceID:NT000245B6
Re: (313) OT: djhistory.com forum
i'm also on the forum as bonusbeats, that's me driving around in the banana splits' mobile. you're not the only techno head among the balaearic, prog rock bearded types. i always feel a little out of place on any list or forum. on 313 i want to talk more 312, 212 and walter gibbons. on djhistory i can talk about walter gibbons, but most of the talk is about supertramp and fleetwood mac. and on the old skool list on discogs when someone asked about favourite piano tunes i mentioned ce ce rogers 'someday' while eveyone else compiled long lists of uk breakbeat hardcore...you know the score. always the round peg in the square hole. james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 11/18/05 02:58 AM Subject Re: (313) OT: djhistory.com forum On Thu, November 17, 2005 3:54 pm, [EMAIL PROTECTED] wrote: HA! check out all the secret squirrel djhistory fiends on here! I thought I was the only techno head on there! i post on there with my typical username, i guess i just dont post all that much so you might not have seen me tom ForwardSourceID:NT00023F7E
Re: (313) cold days
cold days? poor blighters. it's surfing safari time here! the place down the coast is booked for the weekend. the boards are waxed, the ounce of weed is stowed, the jars of magic mushrooms in the freezer are being eyeballed, and the hot latin rhythms will be blasting out the sun roof come friday afternoon. btw: nice track. it even sounds good in the warmer climes. james www.jbucknell.com [EMAIL PROTECTED] ds.net To 11/17/05 03:25 AM 313 313@hyperreal.org cc Subject (313) cold days with these cold days, i thought it's good to share a gentle warm, yet unmastered and yet untitled track of an upcoming delsin release http://incoming.delsin.org/52dsr-quinn-b1.mp3 ForwardSourceID:NT00023E96
Re: (313) Ashra vs klaus nomi
a club i used to go to regularly in new york - barroom, or mother - used to have a framed photo of klaus nomi on the walls in the 90s. i don't think they ever stopped talking about him in new york. james www.jbucknell.com Klaas-Jan Jongsma [EMAIL PROTECTED] To Peteri, Jochem 11/17/05 04:07 AM [EMAIL PROTECTED] cc 313 Mailinglist List 313@hyperreal.org Subject Re: (313) Ashra vs klaus nomi On 16-nov-2005, at 17:03, Peteri, Jochem wrote: ok, this is weird gottsching is also a producer for films, and was involved as a producer with the nomi song klaus nomi.. why is it that for years its been totally quite about him and all of a sudden the intergalactic gay version of Bassie from Adriaan returns popping up in a conversation at least once a day Huh Klaus Nomi is back? Didn't the guy die from aids years ago? ForwardSourceID:NT00023EB6
Re: (313) Good Live Acts
kenny muhammad, the human beat box is the best live act i've seen. no computer, no instruments, just his mouth. james www.jbucknell.com [EMAIL PROTECTED] m To 11/15/05 12:24 PM 313@hyperreal.org cc Subject (313) Good Live Acts If this post gets thru, as they never do... LAURA GRABB. You can call it hardcore, but hardcore people don't. But she is a really good Live PA, no computer, actual boards and patching and stuff. Steve ForwardSourceID:NT00023D26
Re: (313) techno and house under 120bpm
there's plenty of old house, both new york and chicago that comes in under 120 or are you after stuff under 100? can't think of any old detroit stuff at the moment. just off the top if my head - cultural vibe-ma foom bey phase ii (blaze)-reachin nitro deluxe-this brutal house fingers inc-can u feel it world premier-share the night armando-151/land of confusion ep (a couple of the tracks are under 120) phuture-acid tracks (it's fairly slow, maybe just on 120) Michael.Elliot-Kn [EMAIL PROTECTED] To 11/15/05 04:51 AM 313@hyperreal.org cc Subject (313) techno and house under 120bpm I was doing a mix this weekend (not recorded) that was leaning toward the slower end of the bpm spectrum I didn't clock the beats but I'm sure many were around 100 bpm or less (and I was pitching stuff down around the -6/-8 mark) it got me thinking about what techno and house tunes make it under this mark without being ambient it's that bpm range where you could either chill or dance so what's out there? new or old (I'm sure most Theo Parrish, some Moodymann, and all the beat down stuff will fit) to give you an idea of what I was playing here are a few things (of what I can recall): Hubtone - Hot Muffin (4 Lux) Nu Era - Capricorn Sun (from the Stars 10 on SSR) Yotoko - Melrose (from the Bullet-Time EP on Emoticon) Titonton Duvanté - Levels Of Scandal (starts out with an acid house track backed by strings and then right at the end breaks down into a hip-hop beat) Frank De Jojo - Turn Off The Lights (Fluid Ounce) MEK ForwardSourceID:NT00023D3A
Re: (313) which good live acts are there?
recloose is doing a live act in sydney soon January 14 Future Classic Night *$25 Hot on the heels of Recloose’s second album Hiatus on the Horizon comes his highly anticipated live act - a crowd rocking six piece New Zealand super-group sure to keep people shakin’ it. Building on the funk filled, horn-laden dancefloor sound of his latest album, Recloose has gathered some of New Zealand’s finest to bring these new studio creations to life on stage, as well as relive old classics from his Detroit days. Recloose has won fans world-over with work reminiscent of some of Detroit’s finest electronic moments, interspersed with hints of old jazz, funk and soul. In his own words: “You could say it is Detroit meets Wellington, so go figure”. james www.jbucknell.com Simon Vrebos [EMAIL PROTECTED] .ac.beTo 313@hyperreal.org 11/15/05 05:16 AM cc Subject (313) which good live acts are there? Before ya'll start throwing names at me, let me first minimalize the possible answers. I'm not really asking for those strictly-techno-people-has-to-dance-to-this kinda live sets. I'm actually thinking about Kirk Degiorgio for example. Does he do live acts??? Or Carl Craig (besides Tres Demented), can you book him for a Carl Craig or Innerzone Orchestra live??? With these names in mind, maybe you can help me out. You know... people with a large and diverse catalogue... able to bring a good live act... not really for da clubs... more concert-like. THANX GREETS from Belgium. ForwardSourceID:NT00023CEA
Re: (313) confused
it all gets a bit confusing when we loose sight of the true origins of techno. techno is just a marketing term used by a british label to sell a detroit house music compilation in the '80s. the new dance sound of detroit: techno just sounded better than the old dance sound of chicago: detroit house. james www.jbucknell.com Philip [EMAIL PROTECTED] u To 313 313@hyperreal.org 11/07/05 01:50 PM cc Subject (313) confused i thought i knew what techno was but apparently it's just an effect, or mozart, or as previously alledged just a looped fragment from a jazz record. cripes was i wrong! ForwardSourceID:NT000239BA
Re: (313) The more things change
if that's how things will look in ten years time, then it's an improvement - they're getting a better turn out than a techno night around here. james Dan Bean [EMAIL PROTECTED] o.uk To Jamie Stewart [EMAIL PROTECTED] 11/03/05 08:37 AM cc Philip [EMAIL PROTECTED], 313 313@hyperreal.org Subject Re: (313) The more things change ' Well, if you want to know where techno is headed in the next 10 years the answer can be summed up in two words. 'Northern Soul'. Check out these amphetamine addled crumblies. http://www.okehsoulclub.myby.co.uk/snapper/images/darl/index.htm That's you lot in 10 years that is ;-) ForwardSourceID:NT00023796
Re: (313) Re: LOST present SPACEBASE
robotnik played in new york recently (list member ullyses put the night on). anybody who was there or who has seen him recently want to comment/give a review? does he dj, live p.a., comnbination of the above? inquiring minds want to know. james [EMAIL PROTECTED] com To 11/03/05 03:45 AM 313@hyperreal.org cc Subject (313) Re: LOST present SPACEBASE NOW THEN NOW THEN, this looks RRIGHT. LOST present SPACEBASE SATURDAY 26th NOVEMBER 10pm - 6am @ a new location STEVE BICKNELL introduces electro pioneer ALEXANDER ROBOTNICK + friends Experience alternative sets featuring selective material from back in the day alongside their own take on future classics in an intimate surrounding! further info to follow Tickets available online from Friday 4th November @ www.lost.co.uk info/reservations/ticket outlets [EMAIL PROTECTED] t.0207 791 0402 ForwardSourceID:NT00023786
Re: Fwd: (313) DJ BONE ... ATTACKS - Week 13
luckily, i managed to download 1,2, 8 and 11 yesterday before the site disappeared. james www.jbucknell.com Peter Keur [EMAIL PROTECTED] .com To 313@hyperreal.org 10/31/05 06:36 PM cc Subject Fwd: (313) DJ BONE ... ATTACKS - Week 13 Got this message from the Subject Detroit mailinglist: ### Hello Subject Detroit Listers: Here is the link to the brand new DJ Bone Attack. We are on week 13: LINK TO MIX 13 Again, I request that none of you repost this link anywhere else; please sympathize with our webmaster, Garrett, as he has to keep changing the link every time it is leaked out. Those who have been with us since the beginning understand the concept behind these mixes. It is unfortunate that many people defy the intent, but these gestures sure would not stop DJ Bone from recording a new mix every week. For the ones requesting the links to the previous attack mixes: LINKS TO THE FIRST 12 MIXES I found this web page containing all of the previous DJ Bone Attack mixes: http://users.skynet.be/d_link/DJ%20Bone%20ATTACKS%202005.htm, I will truly appreciate any information about the site webmaster so I can request them to take this page down. DJ Bone Live Attacks: November 2 – Module (Tokyo, Japan) www.clubmodule.com November 11 – Full Spectrum (Utrecht, NL) November 12 – I Love Techno (Ghent, BE) www.ilovetechno.be Feel free to e-mail us back with any questions/concerns: [EMAIL PROTECTED] Thanks for your continuous support. Respect, Ahnne Araza Director of Operations Subject Detroit Records Real Booking MidWest Real Booking West ### Don`t get me wrong, I enjoy en have enjoyed the music coming from Bone trough the live attacks, but treatening to stop making and posting mixes plus wanting to take that other site down shows that Bone does not understand what he is doing by placing those mixes online. If other people want to host those mixes then there is nothing he can do about it! And if they really don`t want to make the direct link public (because ot is costing them bandwidth...) then they simply should not do that! It`s the nature of the internet. Just face it. What I see is a whole lotta bark and not enough bite! If Bone does not want his mixes to be spread, or links to be shared he can better stop his project today than tomorrow. (Or build himself a high-security website...) -- Forwarded message -- From: Garrett McGrath [EMAIL PROTECTED] Date: Oct 31, 2005 7:38 AM Subject: (313) DJ BONE ... ATTACKS - Week 13 To: 313 313 313@hyperreal.org, GLOBAL-TECHNO Techno [EMAIL PROTECTED] http://7mzdt.com/subjectdetroit/ ForwardSourceID:NT000236DE
Re: (313) Larry Heard last night
i've only heard larry heard dj once - one of the finest nights on a dancefloor for me. he didn't play the silky smooth, nearly rb sets that are posted on deep house pages. more rawer, jacking material like 'play it loud.' james [EMAIL PROTECTED] com To 10/25/05 02:23 AM 313@hyperreal.org cc Subject Re: (313) Larry Heard last night last time I saw him Mike he smashed it too!! I mean, I can only remember one track he played (BRING DOWN THE WALLS) but I remember him being mindblowing, I was expecting the smooth house vibe and he SMASHED it up big time playing classics, techno, proper house music, disco etc. he's hot. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. ForwardSourceID:NT0002342A
Re: (313) LARRY HEARD / KENNY LARKIN,Sharing 909 ’s EP,12 deeptec
it's definitely familiar - and not from ron hardy tapes. i'm sure i have this. makes the record label look a little clueless if it is a mike dunn track. james www.jbucknell.com Placid [EMAIL PROTECTED] o.uk To 313 313@hyperreal.org 10/21/05 02:08 AM cc Subject (313) LARRY HEARD / KENNY LARKIN,Sharing 909’s EP,12 deeptec I been checking this, and it appears to me to be a mike dunn track off of the MD connection lp on muzique. Anyone else care to confirm this... they are hyping it as a lost Larry heard track which is just plain wrong... ffs p ForwardSourceID:NT000232DE
Re: (313) Daniel Bell is a Legend
simon damn, what bad timing i have. it's not like we get much 313 related action here and i was out of the country on saturday night getting a table of drinks spilt on me in hong kong by some people dancing to a remix of funky town. so what type of tracks was he playing - minimal? house? across the board? james www.jbucknell.com Simon Hindle [EMAIL PROTECTED] u.nsw.gov.au To 313@hyperreal.org 10/19/05 02:52 PM cc Subject (313) Daniel Bell is a Legend grrr... 313 don't fail me this time! So we had Dan Bell come play in Sydney on Saturday night. It was f**kin awsome. What was even more awesome was this though: the party had to close at 3:30, just as Bell was kicking into top gear - I told the promoter about a friend's birthday party that was still going on and would Dan (hereafter referred to as God) like to come along and finish off his set there? Sure enough, God hopped a cab across town and played for another two hours, for free, for a birthday party (that was also boosted by about half the crowd from his gig) as the sun rose. It was certainly one of the most memorable nights of my clubbing career! That's all I gotta say - I just had to share it with you guys. ForwardSourceID:NT000231AA
Re: (313) proto techno
btw: the book has a section on australian post-punk bands - some very obscure, but excellent bands are mentioned. very impressed by it's depth. who could forget the slug f*ckers? james www.jbucknell.com Philip [EMAIL PROTECTED] u To 313 313@hyperreal.org 09/21/05 04:15 PM cc Subject (313) proto techno i haven't read simon reynolds book yet but planning to when it's available in australia later this month, but as far as proto detroit techno goes, you can hear it in lots of places, apart from kraftwerk. you can also hear it in 'technodelic' by ymo and even in 'sands of time' by the sos band (some of this is so 'landcruising') and 'control' by janet jackson, both produced by jam lewis. as we know, techno didn't just appear fully formed out of nowhere. philski ForwardSourceID:NT00022D9A
Re: (313) A few reviews...
count zero 'silent prayer' (ozone) is a favourite of mine. bleepy acid from 1990. or are we talking recent stuff? james www.jbucknell.com darnistle [EMAIL PROTECTED] bola.com To 313@hyperreal.org 09/20/05 12:36 PM cc Subject Re: (313) A few reviews... Lance @ Inaudible wrote: Has anybody found any other Richard Kirk releases worth a listen? High Time Fiction is quite fun, if you like the really early Cabaret Voltaire sound. Its got a similar aural aesthetic to Voice of America and their early singles. ForwardSourceID:NT00022C9A
Re: (313) Interstellar Fugitives - Far East first
and in australian english 'the far east' means chile. it's considered a term of the english empire. the sun set on that one a while ago. ;) james www.jbucknell.com Kent Williams [EMAIL PROTECTED] il.comTo list 313 313@hyperreal.org 09/11/05 01:11 AM cc Subject Please respond to Re: (313) Interstellar Fugitives - [EMAIL PROTECTED] Far East first l.com Japan may get Interstellar Fugitives first because they were first with the money. No one talks about it much but a lot of American music gets released elsewhere (Europe, Japan) because the money made from Overseas finances the US release. Don't know if this is the case with this record. Oh and in American English 'Jap' is a word for Japanese people with ugly racist overtones. Since you're posting from Brazil, I don't think you ment any harm, but maybe file that word along with other 'English words that could get my ass kicked.' On 9/10/05, Guilherme Menegon Arantes [EMAIL PROTECTED] wrote: Nothing against our jap friends. Deep respect for their support and enthusiasm. ForwardSourceID:NT000229D6
(313) Not so Bent Out of Shape
I don't see the signal to noise ratio or annoying people as a problem or threat to the list. I don't read every post on the list. if I'm not feeling a thread, i don't open any messages with that subject heading. it's like television - i just change the channel if i don't like the show. If somebody annoys me i just make a rule in my email program to delete messages from them before they reach my inbox. it's just like the person was booted by the moderator. james www.jbucknell.com
Re: (313) KDJ33 - ampapella
i don't know how common it is, but it certainly happens. a guy from chicago on ebay would take rereleased records and relying on the ignorance of others pass them off as rare with outrageous opening prices. i'd just email each bibber informing them that's it's been rereleased and giving them links to where they could buy it for $5.99 it was so funny seeing this guy get pissed. exploiting someone's ignorance for personal profit is wrong. james www.jbucknell.com dUbspencer [EMAIL PROTECTED] r.de To 313@hyperreal.org 09/07/05 06:50 PM cc Subject (313) KDJ33 - ampapella hi there... just wanted to know why this one is so high-priced in ebay, while you still can get a mint copy at rushhour for less money? is it just that people don't check all the source and blindly pay big money on ebay??? cheers frAnk ForwardSourceID:NT00022846
Re: Re: (313) Carl Craig Fabric CD
as i understand it: up north they're hard, down south they're a bunch of shandy drinkers. this is what i've picked up from years of watching british tv in a former colony. so if i'm wrong blame coronation st, the two ronnies, benny hill, porridge, all creatures great and small, east enders, mad dogs and englishmen, shameless, one foot in the grave, love thy neighbour, when the boat comes in, dad's army, black adder, the goodies, minder, steptoe and son, the singing detective, the avengers, the sweeney!!!, the professionals!!! , birds of a feather, the good life, kenny everett, man about the house, some mother's do have 'em, on the buses, only fools and horses, ripping yarns, sykes, danger UXB, captain pugwash, upstaris downstairs, till death do us part, softly softly and last biut not least, the liver birds, catweazle... the north was the hearland of the factories and mines that drove the industrial revolution. working , living and weather conditions were hard. the south of england was more the home of the sophisticated urbanities of london and the landed gentry and the great univeristies. it was where the profits of colonialism and the industrial revolution largely went. you know, punting along the cam, reading some poetry with sebastian or monty, and sip sip all day long like a dowager. this divisions were further sharpened by the decline of the industrial revolution and the closure of the mines post second world war. it reached it's nadir during thatcher's years when the miner's union was defeated after a long long strike and the mass closure of pits and mass unemployment. the northern cities went into decline furthering the flight of capital to the south. james www.jbucknell.com /0 [EMAIL PROTECTED] mi.netTo [EMAIL PROTECTED] 08/31/05 11:27 PM cc 313@hyperreal.org Subject Re: Re: (313) Carl Craig Fabric CD please explain to me the implications of being from manchester vs southern england? are the manchester folks just raw? From: [EMAIL PROTECTED] Date: 2005/08/30 Tue PM 10:48:17 EDT To: /0 [EMAIL PROTECTED] CC: 313@hyperreal.org Subject: Re: Re: (313) Carl Craig Fabric CD nerf bats? i was just finishing my notes to alex on how to prepare and deliver a hot shot. the man's from manchester, not southern england. james www.jbucknell.com /0 [EMAIL PROTECTED] mi.net To [EMAIL PROTECTED], 08/31/05 06:02 AM 313@hyperreal.org cc Subject Re: Re: (313) Carl Craig Fabric CD I'm gonna bring the nerf bats to demf next year and arrange for you two to fight to the death on the mainstage just before jeff mills' guitar solo -Joe ForwardSourceID:NT000224F2 ForwardSourceID:NT00022556
Re: (313) Origins of House music on apple.com...
house music, the style of music played at the warehouse garage music, the style of music played at the paradise garage james www.jbucknell.com
Re: Re: (313) Carl Craig Fabric CD
nerf bats? i was just finishing my notes to alex on how to prepare and deliver a hot shot. the man's from manchester, not southern england. james www.jbucknell.com /0 [EMAIL PROTECTED] mi.netTo [EMAIL PROTECTED], 08/31/05 06:02 AM 313@hyperreal.org cc Subject Re: Re: (313) Carl Craig Fabric CD I'm gonna bring the nerf bats to demf next year and arrange for you two to fight to the death on the mainstage just before jeff mills' guitar solo -Joe ForwardSourceID:NT000224F2
RE: (313) Cybotron question
i have a confession as well, i'm being a bit hypocritical - i've had public spates with the moderators at discogs and delclared i would never submit another release. james www.jbucknell.com Odeluga, Ken [EMAIL PROTECTED] ones.com To [EMAIL PROTECTED] 26/08/05 04:11 PM cc 313 313@hyperreal.org Subject RE: (313) Cybotron question I have to own up to this rather flip statement James. It wasn't Sakari. Maybe I will add the release. Discogs can be mighty frustrating at times though (despite the fact that we could barely live without it, imperfect as it is, when it was down!) K -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 26 August 2005 01:01 Cc: 313 Subject: RE: (313) Cybotron question don't complain about discogs not having an entry for a record - it's a group project, and on ongoing project. you coulkd try adding the release yourself. james www.jbucknell.com Sakari Karipuro sakari.karipuro@ kotiposti.net To 313 313@hyperreal.org 23/08/05 08:44 PM cc Subject RE: (313) Cybotron question Discogs is fukt. Not even the original version of 'Clear' is in there! http://www.discogs.com/release/17859 ForwardSourceID:NT000220F2 ForwardSourceID:NT00022346
Re: (313) Utah rave busted by Anti terrorist swat team, czech tech 2?
this is disgusting - combat gear and assault rifles to stop people dancing. here are contact details for the governor of utah Utah State Capitol Complex East Office Building, Suite E220 PO Box 142220 Salt Lake City, Utah 84114-2220 801-538-1000 800-705-2464 Fax 801-538-1528 Lt. Governor's Fax 801-538-1557 and here is a link to email him: http://governor.utah.gov/goca/form_governor.html Joost P [EMAIL PROTECTED] nlTo [EMAIL PROTECTED] 26/08/05 08:01 PM cc 313@hyperreal.org Subject Re: (313) Utah rave busted by Anti terrorist swat team, czech tech 2? Here's a direct link to the video: http://www.aymnetwork.com/files/video/utah_police_attack_partygoers.mov I know this is OT, even more so since they were playing this awful DB, but damn! This is appalling. Even the helmets remind me of Nazi Germany footage. And knowing they apparently had the proper permits. Talk about land of the free huh? ForwardSourceID:NT00022362
Re: (313) Mathew Jonson
didn't he dj at club 77 about 6 months ago - i thought you went simon. or was that a live set. or am i totally confused? i james Simon Hindle [EMAIL PROTECTED] u.nsw.gov.au To 313@hyperreal.org, 29/08/05 04:13 PM [EMAIL PROTECTED] cc Subject Re: (313) Mathew Jonson Yeah, Canadian, very much flavour du jour at the moment. His music is electro-inspired and quite sparse, his big 'hit' is Decompression on Minus. I'm not really into much of his stuff; the only ones I really like are Followed By Angels and Marionette, and an early release he had on Perlon (Alpine Rocket). His sound is really clean, and his beats are seldom straight 4/4 jobs. He doesn't DJ as far as I know, it's all live from him. There's a really recent liveset of his for download at http://www.zeracon.net/snd/mcs/MovingCity05_Mathew_Jonson.mp3 In a previous life, he remixed Nelly Furtado (of I'm like a bird fame). He also has a side project called Cobblestone Jazz, which seems to be where his junglist penchant has taken him. Cyclone Wehner [EMAIL PROTECTED] 08/29/05 2:45 am I'm curious to get some info on this dude, seeing he's been getting major props for a while and his records are hot and he is rated by Richie Hawtin. I think everyone misspells his name, too. I was also under the impression that he had a UK connection, but it seems with his label being called Vancouver, he's Canadian... He's booked to play live in Oz, but does he DJ much also and what is it like? ForwardSourceID:NT00022422
RE: (313) Cybotron question
don't complain about discogs not having an entry for a record - it's a group project, and on ongoing project. you coulkd try adding the release yourself. james www.jbucknell.com Sakari Karipuro sakari.karipuro@ kotiposti.net To 313 313@hyperreal.org 23/08/05 08:44 PM cc Subject RE: (313) Cybotron question Discogs is fukt. Not even the original version of 'Clear' is in there! http://www.discogs.com/release/17859 ForwardSourceID:NT000220F2
RE: (313) Larry Heard Loosefingers LP out
i'm never going to close my current order from piccadilly - every day there's something more to add. yeah, larry! james www.jbucknell.com [EMAIL PROTECTED] com To 25/08/05 08:09 PM 313@hyperreal.org cc Subject RE: (313) Larry Heard Loosefingers LP out That's the one with the long title right?! What was it again?!?! It's called He Who Laughs Last, Laugh Laugh Laugh well, its not really, but i think thats a good name for the lp. however. this lp is simply titled Larry Heard Loosefingers according to piccadilly i'm going to try and steal one at lunch _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. ForwardSourceID:NT000221EA
Re: (313) RE: mayday mix - news on Jerry Lewis
i seem to remeber reading that it was about how there aren't any peeps out there that are going to come down and save us. existential type stuff - rely on yourself, don't dream of being saved/helped by others from another world. you could put in the same bag as jimmy cliff's the harder they come 'they tell me there's a pie up inthe sky waiting for me when i die...but when you're dead you're gone. james www.jbucknell.com [EMAIL PROTECTED] com To 25/08/05 09:30 PM 313@hyperreal.org cc Subject Re: (313) RE: mayday mix - news on Jerry Lewis only retro questions ok. Why in 1985, did Juan Atkins famously say No UFO's, when, quite clearly there were UFO's, and certainly he was dreaming of UFO's? did he mean, no more UFO's, I cant take any more UFO's? or? what do you think? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. ForwardSourceID:NT0002
Re: (313) Cleaning SEVERELY dirty records
are you sure about the liquid soap? here's a useful record cleaner. get a bottle of isopropyl (rubbing aclohol - there are two types of rubbing aclohol,in the states make sure it's the one with isoprpyl) ix it with distilled water (it'll be at the supermarket). mix them about 1:8. james. [EMAIL PROTECTED] et.sg To 23/08/05 04:38 PM Dennis DeSantis [EMAIL PROTECTED], 313@hyperreal.org 313@hyperreal.org cc Subject Re: (313) Cleaning SEVERELY dirty records Hi Dennis, Remove the external mould then use dishwashing liquid soap to clean them with a soft cloth then dry them. Use a record cleaning machine to vacuum the dirt from the grooves in these records if there are any local shops that sells such services. Regards, Collin From: Dennis DeSantis [EMAIL PROTECTED] Date: Tue 23/08/2005 11:47 AM GMT+08:00 To: 313@hyperreal.org 313@hyperreal.org Subject: (313) Cleaning SEVERELY dirty records Hi folks, I recently moved back to the US, and pulled a bunch of records out of storage. Like an idiot, I didn't store them properly at all, and one box of them is very seriously water damaged. In some cases, the jackets were so moldy that they had to be peeled off the vinyl. What I'm left with is a stack of records that have a pretty serious mold accumlation on them. I'm wondering if anyone can recommend a good cleaning solution. Thanks, -- Dennis DeSantis www.dennisdesantis.com Mailing List: [EMAIL PROTECTED] ForwardSourceID:NT000220DA
Re: (313) DJ BONE - ATTACK - WEEK 3
some people want to control the music, control how and when others listen to it and what they do with it - even when it's other people's music. others just want to spread the music. but, it's no big deal - it's just somebody playing some records. it's just meant to be fun. james www.jbucknell.com
Re: (313) ? (OT)
here's a named building in the east village, nyc. http://www.flickr.com/photos/margiejames/28737669/ matt kane's brain [EMAIL PROTECTED] To 18/08/05 03:22 AM [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org cc Subject Re: (313) ? (OT) At 12:59 PM 8/17/2005, [EMAIL PROTECTED] wrote: My turn: why does everybody in Britain live in 'named' bulidings, flats, etc. This isn't unique to Britain. I've seen named houses in the Northeast. I'm not talking just the Newport mansion-style houses. Little hunting camps in sleepy Northern New Hampshire, tiny vacation cottages on Martha's Vineyard, etc. Some of my friends have named their apartments things like HATEDOME and The Compound and Destructopad but they're just silly. -- /* Halley */ (Halley's comment.) matt kane's brain podcast | http://www.hydrogenproject.com | netradio | on-the-air [EMAIL PROTECTED] || AIM: mkbatwerk ForwardSourceID:NT00021E12
RE: (313) witchunt of plaslaiko
yeah, the steel guitar is a beautiful instrument. brian eno makes nice use of it on the apollo soundtrack. i'm thinking of taking up stringed instrument - the bass ukele. any of the hawaii massive on the list? james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 17/08/05 03:08 AM Subject RE: (313) witchunt of plaslaiko Please respond to [EMAIL PROTECTED] h.com -- Original Message -- From: Jared Wilson [EMAIL PROTECTED] I 3 the steel guitar santo + johnny sleepwalk best steel geetar track ever. tom andythepooh.com ForwardSourceID:NT00021D8A
Re: (313) Jaded ravers ... because you all are, aren't you?
it's been around for a while, raver meltdown: http://www.regalbear.com/projects/ytv/ravermeltdown/ravermeltdownflash.html james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 10/08/05 12:40 PM Subject Re: (313) Jaded ravers ... because Please respond to you all are, aren't you? [EMAIL PROTECTED] h.com -- Original Message -- From: Greg Earle [EMAIL PROTECTED] Read all 64 episodes! Free gratuitous Pittsburgh references for Thomas Cox included! i linked to this one in my lj last month because its just too funny: http://jadedraver.com/strip053.gif but seriously, theres lots of funny stuff in there, especially if youve spent time in the midwest rave scene. tom andythepooh.com ForwardSourceID:NT00021B32
Re: (313) Maurice Fulton mixes?
here's a maurice fulton mix from the djhistory site. all the mixes on here are excellent. http://www.djhistorymixarchive.com/mixes/djhistmix011.mp3 james www.jbucknell.com Antonio Alves Felizardo [EMAIL PROTECTED] To t313@hyperreal.org, [EMAIL PROTECTED] 09/08/05 01:28 AM cc Subject Re: (313) Maurice Fulton mixes? I believe there is at least one on betalounge.com. Check it out. Antonio On Aug 8, 2005, at 4:22 PM, [EMAIL PROTECTED] wrote: anyone ever see any online mixes of his? would love to hear what his sets are like. MEK ForwardSourceID:NT00021A9E
Re: (313) Pineapples - Come On Closer [Flexx]
i think it has already been released. i thought i saw it at online in the last two weeks - someone on the list posted a link. james www.jbucknell.com [EMAIL PROTECTED] com To 03/08/05 01:49 AM 313@hyperreal.org cc Subject Re: (313) Pineapples - Come On Closer [Flexx] IIRC, Alex Bond mentioned this was being reissued by Flexx I wouldn't listen to that buffoon Ryan, he talks out of his as. www.flexx.be may have more info? p.s. i think it was mr m macqueen who mentioned it _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. ForwardSourceID:NT000218E2
Re: (313) czech cops went bonkers?
Here's a statement by the League of Human Rights. For those in Australia, if you wish to protest to the czech governement the email address of the czech embassy here is: [EMAIL PROTECTED]) League of Human Rights condemns illegal police intervention against CzechTek 31.07.2005 | and calls for the immediate resignation of Interior Minister Bublan On the basis of information from news reports and participants in the event at Mlýnec pod Přimdou in Western Bohemia, the League of Human Rights must express its condemnation of the brutal police intervention there. The police have encroached upon rights guaranteed to all by the Charter of Fundamental Rights and Basic Freedoms (1) in a manner which is completely unacceptable for a democratic state: 1. Without any legal justification, the police restricted the freedom of movement of persons who were peacefully in transit on the public roads. 2. The police as an agent of public authority illegally and brutally infringed upon the private contract between the lessor of the property and the organizers of the dance party. By so doing, the police made it impossible for the purpose of the lease to be achieved and thereby caused damages to both contractual parties. 3. By erecting an illegal barrier to the lawfully leased property, the police artificially escalated the situation. This resulted in conflict which could otherwise have been avoided. 4. The police used completely inappropriate methods, given the situation, and during the intervention injured several dozen people. In contrast to the organizers of the event, who leased the property in good faith as a result of last year’s problems, thereby demonstrating their desire to meet the legal requirements, the police decided to place themselves above the law for reasons which are neither understandable nor acceptable. Under the rule of law the police may not presume that participants of a private event are going to behave illegally. The League of Human Rights calls upon Interior Minister František Bublan to recognize his responsibility for the completely inappropriate and illegal intervention committed by the police and to immediately resign. The League further demands that all police officers responsible for this illegal intervention be held accountable and their victims compensated. The League recommends all victims of police brutality to contact other witnesses as soon as possible, to have any injuries examined by a doctor and a medical report issued. Victims of this illegal police intervention who want to file criminal charges against the police may contact the League lawyers on +420 608 719 535 or by e-mail at [EMAIL PROTECTED] For further information, please contact: Mgr. Jiří Kopal, lawyer, League of Human Rights Mobile phone: +420 608 719 535 League of Human Rights - Liga lidských práv Bratislavská 31 602 00 Brno Tel.: +420 545 210 446 E-mail: [EMAIL PROTECTED] __ 1: A democratic state under the rule of law, as well as the text of the Charter of Fundamental Rights and Basic Freedoms, part of the Czech Constitution, are based on the primacy of the citizen over the state. The League considers the police to have violated the following articles of the Charter: Art. 2 (2) states that “State authority may be asserted only in cases and within the bounds provided for by law and only in the manner prescribed by law.“ Art. 2 (3) states that “Everyone may do that which is not prohibited by law; and nobody may be compelled to do that which is not imposed upon him by law.” According to Art. 3 (3), “Nobody may be caused detriment to her rights merely for asserting her fundamental rights and basic freedoms.” According to Art. 7 (1), “The inviolability of the person and of her private life is guaranteed. They may be limited only in cases provided for by law.” Art. 7 (2) states that, “No one may be subjected to torture or to cruel, inhuman, or degrading treatment or punishment.” Art. 10 (2) states that, “Everyone has the right to be protected from any unauthorized intrusion into her private (…) life.” Art. 11 (4) states that, “(…) mandatory limitation upon property rights is permitted in the public interest, on the basis of law, and for compensation” (all three stated conditions must be met); and Art. 14 (1) states that “The liberty of movement (…) is guaranteed.” from Indymedia.org CZECHTEKK 2OO5 A 'Freetekno' Party was stopped during the weekend by a series brutal and irrational actions of the Czech Police. Around 6000 people were attacked by the riot cops while having a party. The Highway was blocked and people entering the Czech Republic were turned away at the border, discriminated against on the basis of their looks. Czechtech 2005 is the 12th Annual Freetek Party in the open air. This years, self-organised, event met unusual hostility from the Czech Police. The first soundsystems and visitors gathered, on legally rented land, near the city of Milec, on
Re: (313) DJ Heart
Heather Heart is part of the Sonic Groove crew with brothers Adam X and Frankie Bones. Heather and Adam were partners. Heather's from Brooklyn, New York. She's my favourite dj of the Sonic Groove crew. james www.jbucknell.com Stewart Caig [EMAIL PROTECTED] soul.co.ukTo 313 313@hyperreal.org 29/07/05 07:52 PM cc Subject Re: (313) DJ Heart I've heard of heather heart. dunno who that is though. thought she was from nyc maybe. Heather Heart is Frankie Bones' missus, used to work at Sonic Groove. Definatly not from Detroit ForwardSourceID:NT000216F2
Re: (313) The quest for Beijing recordstores
is that otto of technotourists? i haven't seen him on the list for ages. i guesshe's been finishing his PhD. james www.jbucknell.com Klaas-Jan Jongsma [EMAIL PROTECTED] To 313 Mailinglist List 28/07/05 03:20 AM 313@hyperreal.org cc Subject (313) The quest for Beijing recordstores A friend of mine (Also known to some of you as Dr. Otto K.) is one a quest, a quest to find a recordstore in Beijing that sells techno and/ or house. Anyone who is one this list who knows about this and can give me addresses? Thanks! ForwardSourceID:NT00021612
Re: (313) Jupier Jazz mix, Suburban Night
if we're talking techno and house the day was late mid to late 1980s. 94/95 is early evening. the long night was spent going back through the record collection listening to old disco, roots dub, bass n bleep, italo, post punk and chicago acid. it's now some indeterminate time before dawn. feeling a little tired and washed out, wondering what the new day will bring. james www.jbucknell.com Jamil Ali [EMAIL PROTECTED] e.com To 313@hyperreal.org 28/07/05 03:19 AM cc Subject Please respond to Re: (313) Jupier Jazz mix, Suburban [EMAIL PROTECTED] Night ware.com 94/95 is back in the day ??? You're making me feel old -Jamil Yes, when James put this track on my friend mentioned that back in the day Richie H, John A and probably other Detroit guys played the $h!t out of this... I guess that would have been 94 or 95. ~David carl morris plugtwo wrote: That's the one, I've heard Rolando play that too. In which Kenny Dope takes a huge sample from Chicago - Streetplayer, resulting in a massive UK chart hit. Great tune! carl morris Plug Two t +442920190151 Hardie, Nick wrote: Bucketheads - The Bomb? -Original Message- From: Chana Goodman [mailto:[EMAIL PROTECTED] There was some acid thrown in there and then later some classic house/rave tunes like these sounds fall into my mind( I dont think thats the actual name of the track but Im sure you all know what I mean) which is actually one of my all time cheese factor favorites. ForwardSourceID:NT0002160A
Re: (313) Saturn Jazz
thanks for that, brian. that is hauntingly beautiful. putting that on the ipod. nice to know that 1950 scifi movies pretty much got the music right. phuture, phuture, phuture... james www.jbucknell.com Brian 'balistic' Prince [EMAIL PROTECTED] To .com [EMAIL PROTECTED] cc 27/07/05 06:13 AM 313@hyperreal.org Subject (313) Saturn Jazz Please respond to Brian 'balistic' Prince [EMAIL PROTECTED] .com have a listen to this: http://www.nasa.gov/123163main_cas-skr1-112203.wav Saturn is a source of intense radio emissions, which have been monitored by the Cassini spacecraft. The radio waves are closely related to the auroras near the poles of the planet. These auroras are similar to Earth's northern and southern lights. This is an audio file of radio emissions from Saturn. I see space, looking down on us, the future is growing near . . . -- Brian balistic Prince http://www.bprince.com - art and techno ForwardSourceID:NT0002158A
Re: (313) italo reissues
time to stop all this playa hata talk klein and the mbo ' dirty talk' . that's an italo track and it's brilliant. no one is saying all and every italo track is good. but the good ones are brilliant. it's the same with house and techno - the majority of house and techno tracks are complete crap. james www.jbucknell.com fab. [EMAIL PROTECTED] To 313@hyperreal.org 14/07/05 02:45 AM cc Subject Re: (313) italo reissues me neither placid..i thought it sounded cheesy then, and it still sounds cheesy to me now fab. - Original Message - From: Placid [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, July 13, 2005 6:17 PM Subject: Re: (313) italo reissues Still not getting this italo thing I've really been really trying aswell it's almost as if they know i am enjoying it and then they go and put this horrible synth or some stupidly bad singing in it just to ruin it some silly money exchanging hands for it aswell p [EMAIL PROTECTED] wrote: someone should do this: http://www.popsike.com/php/detaildata.php?itemnr=4013731570 _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. ForwardSourceID:NT0002077E
Re: (313) mix WNUR chicago - 24 June - Come On Closer
rocking set! thanks matt. T.C. Curtis - You Should Have Known Better (Hot Melt) i love this song - it's on a larry levan mix from dhp. on cold days i usually sing it as 'should have known better, should have worn a sweater.' anybody know if this available anywhere? eagerly awaiting the rerelease of pineapples. james www.jbucknell.com Matt MacQueen [EMAIL PROTECTED] .com To 313 313@hyperreal.org 13/07/05 08:21 AM cc david siska [EMAIL PROTECTED] Subject (313) mix WNUR chicago - 24 June - Come On Closer Clinically Inclined 24 June 2005 Fridays 9:30pm - 12:30am, 89.3 FM WNUR Chicago http://SonicSunset.com Part 1 Italo disco and leftfield weirdness from the early/mid 80's, when Chicago hotmix DJs threw in amped-up electronic eurodance with latin freestyle and crude house beats -- to rock the city from Rogers Park to Stoney Island. Mixed w/ more recent cuts from NYC's Abe Duque and Toronto's Dubious, closes with WBMX destroyer from Pineapples. Part 2 trying to treat the summer heat with a musical iced beverage, we get drenched in atmospheric downtempo and dub-house before we reach cool-down sounds from russ gabriel, new flowing techno from chicago's zachary lubin, mike huckaby remixing on a deeper plane, and convextion setting off the fireworks. Part 1 Matt MacQueen Gary Numan Tubeway Army - I Nearly Married A Human - Replicas (Atco) Discotheque - Disco Special (Unclassics) Belle Epoque - Miss Broadway (Big Tree) Boris Midney - D-D-D-Dance (Mi) Strafe - Set It Off (Jus Born) Answering Service - Call Me Mr. Telephone [Street Mix] (ZYX) Kasso - One More Round [Frankie Knuckles mix] - Chicago Boogie (Eskimo) The Creatures - Believe In Yourself (Teldec) The Skatt Bros. - Walk The Night (boot) Abe Duque - untitled - Besame Mucho (Abe Duque) Warp 9 - Light Years Away [Dub] (Prism) T.C. Curtis - You Should Have Known Better (Hot Melt) Dubious - Sidesteps (Prize) MDMC - How About It - (Jumbo) Hypnosis - End Title (Blade Runner) (ZYX) Pineapples - Come On Closer (Original Records) Part 1 Dave Siska art of noise - realization - who's afraid of the art of noise (ztt) christian kleine - today's mark - beyond repair (city centre offices) esem - obbe ttid - ikae (defocus) mikkel metal - delta - lukon ep (echocord) rhythm sound feat. tikiman - music a fe rule part 2 (rhythm sound) karafuto - blue pepe bradock - ghost - 6 million pintades (atavisme) virgo - free yourself (trax) russ gabriel - agoraphobia - voltage control (input neuron) zachary lubin - b2 - controllability (6277/axis) paul mac - ongoing saga ep (immigrant) deepchord - electromagnetic dowsing [mike huckaby rmx] (synth) 001 convextion - venus in spurs (tektite) monoder - ikikierio (statik entertainment) chaser - destination unknown (soma) planetary assault systems - the parting - the electric funk machine (peacefrog) PS - Thanks to those who came out to see us play at the WNUR vs. WLUW Radio Soundclash, last week at Sonotheque :) Audio archives at http://SonicSunset.com --- Clinically Inclined is mixed live on air, 89.3 FM in Chicago every Friday night. ForwardSourceID:NT000206FA
Re: (313) South American Hip Hop
my partner has been downloading some of the stuff - i don't know any links, but there was something in the village voice a few weeks back - they might have a link. i like the song with the horse neighing. james www.jbucknell.com Ian Malbon [EMAIL PROTECTED] To 08/07/05 02:09 PM 313 List 313@hyperreal.org cc Subject (313) South American Hip Hop At some point (I think on this list) there was a link to some great samples of hip hop coming out of the hills in Brazil. Electro- tinged, DIY stuff that was full of energy. My searches of the archives have proved fruitless. Can anyone remind me? -- Ian ForwardSourceID:NT00020496
RE: (313) Re: Galoppierende Zuversicht or Nobody Listens to Techno
the piano chord was an established part of disco music and house music before marshall came along and made move your body. his claims that using piano chords was so out of context and came more from fats domino is a little hard to take. here are some paino tracks that predate marshall. cheryl lynne ' you saved my day' - a disco piano stormer that was big on theearly chicago house scene. thank ya by sweet d on trax samples the piano from 'you saved my day' and predates move your body. discogs is down so i cant check, but didn't 'someday' come out before 'move your body'? it has to be the all time piano house track. there are more examples, but the point is - don't beleive everything that a chicago dj tells you. btw - i noticed that the cheryl album has been re-released, not that it is hard to find second hand. james www.jbucknell.com Odeluga, Ken [EMAIL PROTECTED] ones.com To [EMAIL PROTECTED], 06/07/05 07:01 PM 313@hyperreal.org cc Subject RE: (313) Re: Galoppierende Zuversicht or Nobody Listens to Techno interestingly, in those interviews in the acid comps on soul jazz, i think its farley who talks about not being into disco but rock music and how he went from rock to house music. tom andythepooh.com *** I remember Marshall Jefferson saying something similar about how some of those early piano riffs were inspired by 80s rock music. k ForwardSourceID:NT0002024A
Re: (313) new acid tracks to check....
yeah, i can't buy new records - the clean production makes every single track sound like bland techhouse to me. theo parrish and moodymann being about the only exceptions. if it wasn't made on a reel to reel i'm not interested. james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 07/07/05 02:11 AM Subject Re: (313) new acid tracks to Please respond to check [EMAIL PROTECTED] h.com -- Original Message -- From: [EMAIL PROTECTED] sort us out then jason! give us your top 5 not mentioned on the 313 could do with a few new bits myself. got a few bits lately, but you know, always looking and that. i almost never hear new records that i like. and if i do, i rarely like them enough to actually buy them. theres too much clean production and hip sounds out there for me right now tom andythepooh.com ForwardSourceID:NT0002028A
Re: (313) new acid tracks to check....
you treat the music and the production as two distinct things. with house, the studio is the instrument and the production is the music. yep, i prefer bad production, wack levels, crappy sounds, dropouts and surface noise. that's exactly what made my bug out in the 80s to early house. just like the raw, amateur quality of punk attracted me in the late 70s, early 80s. i like raw minimal tracks. you don't need more than 4 tracks to make the best music in the world. as i've said before damce music is like prog rock waiting for punk to come along and kill it. viva la (next) revolution. james www.jbucknell.com Klaas-Jan Jongsma [EMAIL PROTECTED] To [EMAIL PROTECTED] 07/07/05 03:06 AM cc 313@hyperreal.org Subject Re: (313) new acid tracks to check On 6-jul-2005, at 18:11, Thomas D. Cox, Jr. wrote: i almost never hear new records that i like. and if i do, i rarely like them enough to actually buy them. theres too much clean production and hip sounds out there for me right now Hmmm so you think that the production of a track is more important then the actual music? Or do u prefer a bad production above a good one? Both don't really make any sense to me, would you try and explain this to us so more because when i make a good track i really try to finish it with a clean production to? ForwardSourceID:NT000202A2
Re: (313) yeah because nothing gets my feet moving like tape hiss
it's a common production step to record a track onto tape before the final mastering. we're not talking basic channel foregrounding of the tape's sound, but more subtle tape sound that isn't so obvious to the listener. chances are you're listening to a track with tape 'ambience' deliberately introduced while you're rolling your eyes. james www.jbucknell.com Thorin Teague [EMAIL PROTECTED] To 313@hyperreal.org 07/07/05 01:50 PM cc Subject Re: (313) yeah because nothing gets my feet moving like tape hiss You're not alone. Brian 'balistic' Prince wrote: I am rolling my eyes so hard right now you don't even know -bp ForwardSourceID:NT000202F6
Re: (313) Re: Galoppierende Zuversicht or Nobody Listens to Techno
you don't have to read what farley says about his musical development and what got him into house 20 years after the fact - you can listen to it. there are piles of his mixes from the early/mid 80s on deep house pages. james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 06/07/05 08:01 AM Subject Re: (313) Re: Galoppierende Please respond to Zuversicht or Nobody Listens to [EMAIL PROTECTED] Techno h.com -- Original Message -- From: Matt MacQueen [EMAIL PROTECTED] Chicago house (then and even now) still holds disco deep down in it's heart interestingly, in those interviews in the acid comps on soul jazz, i think its farley who talks about not being into disco but rock music and how he went from rock to house music. tom andythepooh.com ForwardSourceID:NT00020176
Re: (313) Re: Galoppierende Zuversicht or Nobody Listens to Techno
early hip hop is rapping over disco records. 'good times' - that's a disco record. hell, they even rap about going to discos and dancing. the first thing that super rhymes does when he arrives on earth is head to the disco ...i went to studio 54 but they wouldn't even let me in the door... (sung with a transylvanian accent!) once he gets in, he does a freak attack on the dance floor by doing the the translyvania boogie - seven days a week. the stuff on tuff city, early spoonie g, patrick adams and peter brown stuff. t-ski 'catch a groove' and many many more. the early rapping over disco basslines stuff is as good as it gets! brilliant music. james www.jbucknell.com darnistle [EMAIL PROTECTED] bola.com To 313 313@hyperreal.org 06/07/05 07:23 AM cc Subject Re: (313) Re: Galoppierende Zuversicht or Nobody Listens to Techno Kent Williams wrote: It reminds me a bit too of the stuff written about early hip hop -- people like Grandmaster Flash thought of what they were doing as making their own kind of disco. Nearly 30 years on, any commonality between Disco and Hip Hop would seem unlikely to people who don't know the history. I was into disco in the 70s and when I first heard hiphop I didn't see any commonality between it and disco. I still don't see the connection between early hiphop and disco, unless the comment making their own kind of disco is synonymous with making their own kind of dance music in which case the only real commonality is that they're both forms of dance music and has little to do with disco per se. ForwardSourceID:NT00020166
RE: (313) discogs?
maybe you're just calling up cached pages that are on your computer. trying doing the same thing while off line. james www.jbucknell.com Odeluga, Ken [EMAIL PROTECTED] ones.com To Simon Hindle 04/07/05 07:18 PM [EMAIL PROTECTED], 313@hyperreal.org cc Subject RE: (313) discogs? I noticed that using voodoo science - *and only if you're using Safari* - you can access the site despite it being to all intents and purposes down. Try this: go to your bookmark or Google or whatever. When your browser starts to hang, cancel the operation (click on the 'X' in the menu bar) and it should load. It worked for me at the weekend. I'm not a protocol egg-head so I dunno the mechanics of how/why/ it works but it did. k Ken Odeluga Copy Editor, Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN 020 7842 9297 [EMAIL PROTECTED] -Original Message- From: Simon Hindle [mailto:[EMAIL PROTECTED] Sent: 04 July 2005 01:44 To: 313@hyperreal.org Subject: Re: (313) discogs? From a weblog belonging to a discogs.com subscriber, dated 2 July: Dear Discogs User, As you will have noticed, Discogs has been offline now since yesterday. We experienced a cascade of problems with the servers yesterday that ended with the whole site inaccessible to everyone including the system admin's. Since then, we have been working hard on a solution to getting us up and running again. Thankfully, this server that hosts the help.discogs.com site has been revived, and this may allow us to get the whole site running again. However, this is an extremely technical job, and may take some time to complete. As sod's law dictates, we have four brand new servers already ordered and will be installing them by the middle of July. These should ensure we don't experience an outage such as this again. We apologize, and ask you all the be patent while we try and figure out a solution. In the meantime, if you need to contact me or another Discogs user with an urgent matter, please use the form below, and I will try and help. Yours Sincerely Nik | Discogs Community Manager Tristan Watkins [EMAIL PROTECTED] 07/01/05 9:43 pm - Original Message - From: robin [EMAIL PROTECTED] To: 313 Org 313@hyperreal.org Sent: Thursday, June 30, 2005 7:02 PM Subject: Re: (313) discogs? i've seen it mentioned somewhere that the main guy is on holiday and the server's gone down. could be mis-information tho. That would make sense to me. www.discogs.com is still responding to pings, so the problem is most likely with the application or server rather than anything more sinister. Truth be told, I hacked them because they haven't taken me up on my discogs toolbar idea yet. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk ForwardSourceID:NT0002007E
Re: (313) Good Gals by Carl Craig
hi collin piccadilly records in manchester have it. http://www.piccadillyrecords.co.uk/ james www.jbucknell.com [EMAIL PROTECTED] et.sg To 03/07/05 12:27 PM 313@hyperreal.org cc Subject (313) Good Gals by Carl Craig HI all, Does anybody know which mail order shop has 'Good Girls' by Craig Craig in stock? Regards, Collin Chen ForwardSourceID:NT0002003A
Re: SV: (313) UR - Amazon
UR records hard to mix? you've got to be kidding - try mixing a sylvester track into a patrick adams. james www.jbucknell.com Martin Dust [EMAIL PROTECTED] com To Güclüer, Hansi 30/06/05 11:00 PM [EMAIL PROTECTED] cc robin [EMAIL PROTECTED], Odeluga, Ken [EMAIL PROTECTED], 313 313@hyperreal.org Subject Re: SV: (313) UR - Amazon UR records have to be among some of the hardest to mix don't you think... Martin On 30 Jun 2005, at 11:17, Güclüer, Hansi wrote: sure! when i get to my record collection. probably saturday... -Ursprungligt meddelande- Från: Odeluga, Ken [mailto:[EMAIL PROTECTED] Skickat: to 2005-06-30 12:01 Till: Güclüer, Hansi; robin; 313 Kopia: Ämne: RE: (313) UR - Amazon Hey why don't you do that anyway? I believe you but I'd like to see it! Maybe you could post up a url. Ken Ken Odeluga Copy Editor, Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN 020 7842 9297 [EMAIL PROTECTED] -Original Message- From: Güclüer, Hansi [mailto:[EMAIL PROTECTED] Sent: 30 June 2005 10:55 To: robin; 313 Subject: SV: (313) UR - Amazon i agree that rough edits and jazz-type unexpected stuff is great but amazon is not one of those is it??? it's sounds like a proper (magnetic tape)drop-out i'm gonna record it to the computer and show you all the waveform if you don't believe me!!! ;-) -Ursprungligt meddelande- Från: robin [mailto:[EMAIL PROTECTED] Skickat: to 2005-06-30 11:23 Till: 313 Kopia: Ämne: Re: (313) UR - Amazon Odeluga, Ken wrote: Quite a few releases from the Submerge labels have missing beats, reversed bars, etc., partly because they sound cool and partly, I think, because the idea is you have to know the records to mix them properly :) Fred *** ... break-downs which end too early or too late, et al ... it's all good, imo. yeah i think a lot of the time this was sloppy edits but as time has gone on and the process has become more digital (ie. not splicing tapes etc for the edits) i think some roughness is left in to give character. i know if i'm ever editting something leaving a certain looseness is nice on the ear. robin... ForwardSourceID:NT0001FE7E
Re: (313) baltimore
isn't pretty much all dance music new york flavoured? beware of the baltimore foot stomper! Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 01/07/05 04:40 AM Subject (313) baltimore Please respond to [EMAIL PROTECTED] h.com im headed to baltimore this weekend. does anyone know about any good house/techno stuff going on, or some baltimore club music nights? someone on dhp reccomended ultra nate's Sugar night but it seems kinda NYC flavoured for my taste. does brett dancer do anything in b-more? tom andythepooh.com ForwardSourceID:NT0001FEAA
Re: (313) who wants nubreakzzz anyway (when you've got these flavaz)
that's nearly as much hype as frankie bones. enjoying the mix. thanks james www.jbucknell.com Maarten Baute [EMAIL PROTECTED] lenet.be To 313@hyperreal.org 01/07/05 03:18 AM cc [EMAIL PROTECTED], [EMAIL PROTECTED] Please respond to Subject Maarten Baute (313) who wants nubreakzzz anyway [EMAIL PROTECTED] (when you've got these flavaz) lenet.be Dear Sir or Madam, I want to inform you about the best mix recorded in the history of mankind. It was performed by dj cool synthesizer (me), dj techno maker and dj coldplaya (for a picture of us, look at http://www.morthenkiang.com/pics/no_nubreakzzz.jpg). This is a defining moment in the history of music making and western civilization. Download the mix now and win a trip to Ibiza (bed breakfast included)! Autograph sessions to be announced... Between the tracks there are some interludes, which are only understandable to people who speak Maldegems fluently. The tracklisting is as follows: part one (feedback intro) 01) can - bel air [ lp: future days, 1973 ] 02) the beatles - blue jay way [ lp: magical mystery tour, 1967 ] 03) the seeds - girl i want you [ lp: the seeds, 1966 ] (interlude) 04) little richard - lucille [ compilation: the best of 50's jumpin' jive, 1953 ] 05) the wailers - road runner [ lp: the fabulous wailers, 1959 ] 06) the rolling stones - parachute woman [ lp: beggars banquet, 1968 ] 07) mississippi john hurt - nobody's dirty business [ lp: avalon blues: the complete 1928 okeh recordings, 1996 ] (interlude) 08) the cramps - i can't hardly stand it [ lp: ... off the bone, 1983 ] 09) the monks - i hate you [ lp: black monk time, 1966 ] 10) the velvet underground - venus in furs [ lp: the velvet underground nico, 1967 ] 11) santana - hope you're feeling better [ lp: abraxas, 1970 ] (interlude) 12) the sonics - have love will travel [ lp: here are the sonics, 1965 ] 13) shuggie otis - island letter [ lp: inspiration information, 1974 ] 14) the congos - ark of the covenant [ lp: heart of the congos, 1977 ] 15) augustus pablo - brace's tower dub no. 2 [ lp: king tubbys meets rockers uptown, 1976 ] 16) the slits - spend, spend, spend [ lp: cut, 1979 ] (interlude) 17) dinosaur l - #7 [ lp: 24 24 music, 1981 ] 18) joy division - disorder [ lp: unknown pleasures, 1979 ] 19) liliput - do you mind my dream [ lp: liliput, 1982 ] 20) esg - dance [ lp: come away with esg, 1983 ] (interlude) part two 21) curtis mayfield - superfly [ lp: superfly, 1972 ] 22) black sabbath - hand of doom [ lp: paranoid, 1971 ] 23) napalm death - the kill [ lp: peel sessions, 1987] (interlude) 24) the beach boys - god only knows [ lp: pet sounds, 1966 ] 25) kenneth john and dimmed lights - no, baby, no [ label: top songs records, 7, ? (a maldegem band!) ] 26) the stooges - 1969 [ lp: the stooges, 1969 ] (interlude) 27) dj milton - suk the dik [ label: dance mania, 1995 ] 28) morthen kiang - i dance on guilded splinters [ (unreleased) ] 29) newworldaquarium - themefrom [ label: delsin, 2000 ] 30) fennesz - rivers of sand [ lp: venice, 2004 ] (interlude) 31) indean ocean - schoolbell / treehouse (walter gibbons mix) [ label: sleeping bag, 1986 ] 32) prince - the ballad of dorothy parker [ lp: sign 'o' the times, 1987 ] 33) the b-52's - party out of bounds [ lp: wild planet, 1980 ] (interlude) 34) agnostic front - power [ lp: victim in pain, 1984 ] 35) slant 6 - blue angel [ lp: soda pop rip off, 1994 ] 36) talking heads - the great curve [ lp: remain in light, 1980 ] 37) 69 - frequency finale [ label: planet e, 1991 ] (interlude) 38) hellhammer - massacra [ lp: apocalyptic raids, 1984 ] 39) burzum - war [ lp: burzum, 1992 ] (lou rawls interlude - featured in shake - the fake left go right plan, frictional 2001) 40) rhythim is rhythim - strings of life [ label: transmat, 1987 ] (feedback outro - or: the best outro ever performed ... ever!) Download at: http://www.morthenkiang.com/soundcollage.html Just believe the hype. Cheers, Maarten a.k.a. dj cool synthesizer
Re: (313) open house
you can hear the the new york mix of 7 day weekend on this nu groove mix of mine. it's the last track. the detroit and nyc mixes aren't that different, afair (is that a net acronym?) i can't remember what the flip is like. http://jbucknell.com/nugroove.mp3 nu groove records mix [67min 78mb 160kbps mp3] Basil Hardhouse - Sleazy Piano Tracer - In the Dark Sound Vandals - Feel It [concept mix] Project 86 - Total Recall 33 1/3 Queen - Breakin Wind Basil Hardhouse - Breezin Sound Vandals - On Your Way Devine Masters - Paradise [3 am mix] Richmix - I Believe dub Equation - Domm Domm, Yeah, Mm Hmm Basil Hardhouse - Release 33 1/3 Queen - Steal Blue Tech Trax inc. - Feel the Luv 33 1/3 Queen - Melody Open House - Seven Day Weekend [New York mix] Guilherme Menegon Arantes [EMAIL PROTECTED] To e.com.br lista 313 313@hyperreal.org Sent by: cc Guilherme M. Arantes Subject [EMAIL PROTECTED] (313) open house e.com.br 17/06/05 06:54 AM Please respond to [EMAIL PROTECTED] .com.br Hi list, I am talkative today, so here we go again. I like the 7 Day Weekend track from Open House on Lethal, so I am wondering how different are the Motor City and New York versions of it in the NuGroove 12. Waht about the other side? Worth the haunt? Is there a decent vinyl pressing of the Save The World Remix found in the 33rpm Records/Sinewave? Mine sounds pretty poor, and cracklin at the half end... Cheers, G --- ForwardSourceID:NT0001FAE6
(313) Duane 'in the mix' Bradley mix
deep house pages has a mix by duane bradley, apparently a legendary detroit dj, from wjlb 1990. i'm still downloading, so don't know how it sounds. but it's from detroit, it's old school, it must be good... i've finished the d.load - it opens' with don't lead me' by housemaster baldwin - so it's even better than good. here's the link: http://www.dhpmixes.com/mixes/Dwaynebradleywjlb093090a.mp3 and here's a link with some info on duane bradley http://www.domingoyu.com/writings.php?section=musicsection2=featureid=A00017 james www.jbucknell.com
RE: (313) whats on ur (car)stereo at moment (was: who woke everyone up?)
speak for yourself - in the south pacific we're asleep - most of the time
actually, and it's winter. winter being the time it's comfortable to wear
long pants if you like.
as for what's on the car stereo - ahh, i haven't looked for the car for a
week or so. i can't even remember where i parked it. but i'll need it for
saturday - to drive to 'the las vegas of the inner west' (also known as the
marrickville bowling club) to see theo parrish!!
james
www.jbucknell.com
Blaauw, Martijn
de
Martijn.de.Blaau To
[EMAIL PROTECTED] Jari Tolkkinen
[EMAIL PROTECTED]
09/06/05 11:16 PM cc
313 313@hyperreal.org
Subject
RE: (313) whats on ur (car)stereo
at moment (was: who woke everyone
up?)
Since everybody is awake and it seems that summer has finally arrived in
the lowlands so i made a cd for in my car with some tunes which are
currently rocking it for me...not al of them are technolectro but i'd
thought i'd let u know which tunez rock it for me:
Tiefschwarz feat. Eric D' Clarke- Blow
DJ Hell - i am Amanda la Pore
Richard Bartz - To Hot to stop
David Guetta - World is Mine (blackstrobe mix)
Mathew Johnson - Gemini EP
Terence Fixmer - Danse avec les ombres
Front 242 - Catch the men Live concert in Belgium 2004
Hell Heil - P.D.D. (J. Heil Ltd. Remix)
Alter Ego - Satanic Circus
T-Raumschmiere - Querstromzerspaner (LFO RMX)
New Order - Krafty ('Glimmer 12 extended mix' and 'phones reality mix')
Necro Facilty - Black Paintings (Skinny Puppy is alive and they are from
scandinavia!!!)
The tears - Refugees (former suede singer with his new band)
What's doing the trick for you?? Let it know...
Martijn
-Oorspronkelijk bericht-
Van: Jari Tolkkinen [mailto:[EMAIL PROTECTED]
Verzonden: donderdag 9 juni 2005 14:34
Aan: David Beattie
CC: 313
Onderwerp: Re: (313) who woke everyone up?
Yes something has definetly happened :) Maybe it's the spring/summer sun
luring moody underground techno heads out of their lairs ...
Kompakt: I've bought many records, Speicher 10, speicher 28, both rex
the
dogs on kompakt extra, both orbs (gonna buy the third one aswell) and
many others.
New records: Nothing special, dj t's new 12 which was nice techhouse,
couple of mathew jonhson records waiting in the post office. Oh and that
new dj Gregory's Head talking is also waiting for me at the Oulu post
office. Realy looking forward to that.
Busy weekend coming up, gonna play one club gig, one reclaim-the-street
gig and one techno party gig :) Can't remember when I had so many gigs
in
one weekend :D
How is the Reclaim-the-Street movement in other countries?
Cheers,
--
Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net
--
ForwardSourceID:NT0001F4B2
Re: (313) another mix
robin love the mix! thanks james www.jbucknell.com robin [EMAIL PROTECTED] org To 313 313@hyperreal.org 10/06/05 12:33 AM cc Subject (313) another mix while we're all posting mixes up i thought i'd share a mix i recorded at our last Prescription night (www.prescription-mcr.com) in Manchester. all edits/re-arrangement etc done live. it's a short warmup slot so it doesn't go mental or anything like that, just some nice tunes :) www.fivetones.org robin...prescription 20.5.05 man friday...winners...demo mix edwin birdsong...rapper dapper snapper connie case...get down inner life...loop roboterwerke...roboterwerke c2c4...disco drummer paul lewis...girl you need a change of mind t-connection...do what you wanna do universal robot band...barely breaking even thanks for listening...any and all feedback most welcome robin... ForwardSourceID:NT0001F4F2
Re: (313) Larry Heard Mixes from 1986 - 2004
javier thanks for putting up those mixes. the 1986 mix rocks! moving onto the 1990 mix. james www.jbucknell.com Javier Drada [EMAIL PROTECTED] hlink.net To 313@hyperreal.org 03/06/05 04:55 AM cc Subject Please respond to (313) Larry Heard Mixes from 1986 - Javier Drada2004 [EMAIL PROTECTED] hlink.net 41, Larry Heard a.k.a. Mr Fingers, mixes were just uploaded to http://www.resistedresonance.com These mixes range from 1986 - 2004 including one live from Kiss100 London with Robert Owens (Larry Heard 1992) Enjoy... ForwardSourceID:NT0001EF2A
Re: (313) now that the smoke has cleared (Fuse-In highlights)
the victorian couple? not the ones from new york -she wears a bonnet, he wears a pince nez and centre parted floppy hair - or does detroit have it's own victorian couple? james www.jbucknell.com darnistle [EMAIL PROTECTED] bola.com To 313@hyperreal.org 03/06/05 03:05 PM cc Subject Re: (313) now that the smoke has cleared (Fuse-In highlights) There seemed to be fewer goth/punk/industrial types out and about this year (the Victorian couple were great, though) and I didn't see a mini-stage for them near the water like I've seen in previous years. What happened? I hope this doesn't become a trend at the festivals. Last year, I remember seeing a pretty good synthpop band play in that area. They were sort of like an industrial Classix Nouveau. ForwardSourceID:NT0001EF76
Re: (313) track ID
fred it's murk brothers 'bugged out' (solid pleasure). james www.jbucknell.com Fred Heutte [EMAIL PROTECTED] ta.comTo 313@hyperreal.org 01/06/05 05:52 PM cc Subject (313) track ID With all the acid house being played in the tent at the festival this weekend by the various Euro DJs, I suddenly remembered an old and familiar track that is stuck in a loop in my brain now but I can't place the name. It's a sort of crossover acid/wild pitch style track that could be DJ Pierre or DJ Duke or one of their many imitators. It's at the beginning of this tape by my friend Lee, one of the original sfravers who I've lost touch with since the late 1990s . . . any pointers appreciated. http://djsets.hyperreal.org/listen.cgi?listen_to=19930904!LEE.rm -- fred PS Speaking of old sfravers, if any of you UK cats know the whereabouts of my pal DJ Moonpup hit me up privately . . . The last I heard of him was the legendary Glastonbury 1997, whereupon Mixmaster Morris observed -- Backstage, Mixmag tent had some of the best sounds of the weekend, particularly that crazy Californian DJ Moonpup who made a big impact . So much so that a rival posse poured beer over the desk and closed the party. There's no excuse for that kind of behaviour, whoever you are. ForwardSourceID:NT0001ED2E
Re: (313) track ID
my favourite murk is 'i believe' i just wish they made some instrumental mixes on the early murk records releases. they usually have three mixes and they all sound pretty much the same. james www.jbucknell.com Fred Heutte [EMAIL PROTECTED] ta.comTo [EMAIL PROTECTED] 02/06/05 11:34 AM cc 313@hyperreal.org Subject Re: (313) track ID Well, this is great to know because of course Oscar and Gaeten (Murky, Funky Green Dogs, Liberty City) are two of my alltime favorite producers. Thanks for the info . . . I don't usually buy stuff online but this is a case for an exception :) Fred ForwardSourceID:NT0001EE46
Re: (313) Fuse-In Day 1
ah yes, the glowstick on the end of a rope - some muscle dude hit me in the head with one of those at limelight while i was dancing to claude young a few years back. man, did i harsh his buzz and put an abrupt end to his e honeymoon period. james www.jbucknell.com theREALmxyzptlk theREALmxyzptlk@ comcast.net To Fred Heutte 30/05/05 12:14 AM [EMAIL PROTECTED] cc 313@hyperreal.org Please respond to Subject [EMAIL PROTECTED] Re: (313) Fuse-In Day 1 omcast.net Fred Heutte wrote: Really nice weather today -- a few sprinkles but mostly sunny/partly cloudy. The crowds are down just a bit but better than I expected so the $10 admission didn't really hurt things at all. This is an excellent sign for the financial health of the festival. Really - I thought it was actually a little more populated than usual when the fest first started (it's always sparse on day 1 at noon) and it got pretty crowded as we got into nighttime. And y'know...I know I'm a year older. I know I've put on some weight. I know I must be a bit grayer. But my wife and I had 3 different sets of high school age kids come up and ask us... are you enjoying yourselves?is your son spinning here?...do you like techno? As my wife is a High School English teacher and we occasionally run into kids she has taught/is teaching (and it was pretty loud, so if they said something to her, I wouldn't have caught it), I just thought she knew these kids. I then realized that we were a curiosity for them - those old fogies at the techno show. Of course, part of me wanted to give them a pop quiz on techno history and ask who's your daddy, but they already thought I WAS their daddy's (or grandfacther's) age. It was harmless - and even funny. My wife isn't so pleased by it (and she's 10 years my junior).It's interesting to see so many youger people just discover techno and think it is their secret. Ah, youth. I'm sure I was probably more naive when I was young. Maybe not. I have never appreciated stupidity in crowds, I have to say. I almost took someone's glow sticks away, I must admit (she had them on long ropes and was swinging them in a 15' swath in a tight crowd - ...but that's why we came down here! re: why? to clip people upside the head? If you came down here to swing those, go stand in the middle of I-75 and do it there!). As Kent said, I'm turning into the old man at the screen door yelling You kids get offa my lawn!!. :-) It wasn't as bad as this sounds - really it wasn't. I didn't even make her stand in the corner. I'm getting ready to head back down in a few and I'm taking my paddle with me this time, so if you're a young whippersnapper and you want to get sassy, you best get a head start. I'm a lot faster than I look. ;-) jeff ForwardSourceID:NT0001EC1E
Re: (313) New Richie Hawtin Mix CD: DE9: Transition
richie's publicity machine needs to calm down. however, i'm excited about hearing a mix that uses 5.1 surround sound. i think there are some really intersting possibilities for surround sound - much too interesting to be wasted on movie soundtracks. james www.jbucknell.com Aleš Hieng / Zergon [EMAIL PROTECTED] To 313@hyperreal.org 27/05/05 05:22 AM cc Subject Please respond to (313) New Richie Hawtin Mix CD: Aleš Hieng /DE9: Transition Zergon [EMAIL PROTECTED] Second-generation Detroit-adjacent techno star Richie Hawtin is wrapping up work on his next mix-album, DE9: Transitions, which is due out in September, according to his publicist. The CD promises to push the concept of the mix-CD, with his label claiming that it will be the first fully encompassing 5.1-channel, surround-sound mix. It will also come packaged with a music-and-video DVD version, with visuals to go to the music. Hawtin has apparently been exploring the latest software technology from his new base in Berlin, and the mixes will apparently come not on the song-to-song level, but perhaps deeper, on a track-by-track (as in studio tracks -- voice, drum, synth, etc.) level, a la Sasha's work with Ableton Live. (Hawtin has had a custom Allen Heath Xone:92 mixer made to control Ableton Live via MIDI). The CD is the follow up to 2001's DE9: Closer to the Edit, and 1999's Decks, EFX 909, a well-received series that has pushed the boundaries of the DJ mix by adding effects and the Roland 909 drum machine to the equation. The electronic music world is incredibly difficult to stay ahead of. What is branded cool one week, might be slated as dirty the next. Endless techniques are used by artists and their management to try to keep themselves beyond mainstream musical comprehension, and therefore slipping from the razor’s edge where legends can be crafted. Richie Hawtin is far beyond the forefront of electronic music. His uncrackable image matches his flawless sound and genre pioneering styles. After 4 years, he is back with his latest transformation, evolving alongside technology to ensure he doesn't get lost in a world of dated sounds, average compilations and half-assed singles. His studio in Berlin has been in full production for the third release in the DE9 series. Following on from Decks, EFX 909 in 1999 and then Closer to the Edit in 2001 DE9: Transitions is the long awaited latest mix from Hawtin. Utilising the latest recording technologies and automation techniques, he is said to explore not only the traditional musical transition over time and amplitude (X and Y) but the depth (Z) in terms of space and perception - bringing you much closer to the edit so to speak. Released in September of 2005 on CD DVD, DE9: Transitions will be recorded within a fully immersive 5.1 Surround Sound environment, complete with high resolution audio versions and accompanying visuals. Richie Hawtin will preview DE9: Transitions in 5.1 surround sound for the first time at Sonar, Barcelona (June 16 -18, 2005). ForwardSourceID:NT0001EA62
Re: (313) is there such a thing as plagiarism?
apparently this is a problem in hip hop. i recently read/listened (?) to an article about the same problem, can't remember where. maybe it was on the bbc site or fader mag or wax poetics. excuse my rudimentary knowledge. anyway, there are beat hunters - people who go through old david alexrod records or whatever and find breaks/loops. they then try to sell the beats or pitch themselves by showing their cd-r of beats to big name artists and producers only to be ripped off. james www.jbucknell.com fab. [EMAIL PROTECTED] To 313@hyperreal.org 24/05/05 07:57 PM cc Subject (313) is there such a thing as plagiarism? hi list, a friend of mine recently send a demo cd-r to a well-known, and dare i say, respected label looking to hopefully work with them. A few months later he listens to a new release by them and finds that the main loop that one of the tracks is built around has been taken from his cd-r. i've heard it and it objectively is the case my friend's only problem with all this is that they didnt wirte to him telling him that they liked the track and wanted to use a sample of it. it's not a quesiton of being ripped-off but rather having some sort of acknowledgement and appreciation being manifested. i think this is an example fo what is or isnt to be considered plagiarism in electronic music. given that it is music made by using samples and also previously recorded material, is there a line that is not meant or even a sort of code of conduct to follow so that someone doesnt feel ripped-off? cheers, fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head ep. ForwardSourceID:NT0001E84A
Re: (313) John lee hooker..............?????????
i caught that as well - was that rage? they were playing some great old rock- jimmi hendrix's version of 'wild thing,' the who 'my generation'... james www.jbucknell.com Sam K [EMAIL PROTECTED] .net To list 313@hyperreal.org 24/05/05 11:14 PM cc Subject (313) John lee hooker..? . So i heard this John Lee Hooker track on the weekend called baby lee..it was minimal and dirty groovy...Problem is he has so many damn albums...my question is...what is his must have minimal and dirty groovy album. Kinda on topic... he is from da D after all... Sam Kreme Karmel ps. i know the hype etc but g i'm enjoying bits of M.I.A -- Sam K [EMAIL PROTECTED] sub-sequence 2xx 98.3fm ForwardSourceID:NT0001E87A
Re: (313) piccadilly records. Any good?
i've been placing orders with piccadilly every two or three weeks for the past two years or so. never ever had a problem. the records turn up on the other side on the world within four or five days. they have a great slection for the stuff i like. i really like their wishlist function. a friend received one order from piccadilly with broken records - they replaced them without question. james www.jbucknell.com [EMAIL PROTECTED] com To 23/04/05 01:00 AM 313@hyperreal.org cc Subject Re: (313) piccadilly records. Any good? just came across the site of http://www.piccadillyrecords.co.uk . And I was wondering if anyone has any experience with them. E.G. Do they deliver in a timely matter? If something's listed as in stock, is this really in stock? How do they handle overseas shipping. That sort of thing... Hello Joost. Piccadilly records is my friendly local record shop. I have been buying my records from them for well, maybe 10 years now I'd say. (With a gap where I lost the plot and I wasn't buying any records.) They're a great shop, owned by great people who care for music, and care for the service they provide. Theres no attitude, no hierarchy, just plain old friendly service. I can't recommend them highly enough really. They excel in all genre's of music, from the latest obscure private press indie 7's, through imports like mahogani and on to re-issues of interesting music etc. A real one stop shop. These days, i dont really ever shop anywhere else for my new bits, I occasionally have to get the odd bit from elsewhere, but I'd say I was a pretty loyal customer. In return, they're great to me, not only me, but all the local people that visit the shop. They also like to support people who's music they like, or feel should be heard, and thats never a bad thing either. I have never used the mailorder service, perhaps someone else can advise. Thanks Alex p.s. yes, I am a brown noser. But, well, sometimes things like this just need to be said. Christ I've come across enough ars**oles in record shops to know. So, yeah, a real ass-kissing review, but I wouldnt say it if I didnt mean it. p.p.s. ask them if they have any warehouse finds. ho ho ho ho _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. ForwardSourceID:NT0001D8BA
RE: (313) iPod DJ - more synth-pop please
do you have the dignity of labour by the human league? makers of the dead travel fast thought criminals (first album 'you only think twice) early severed heads kames www.jbucknell.com Odeluga, Ken [EMAIL PROTECTED] ones.com To [EMAIL PROTECTED], 18/04/05 08:21 PM 313 Detroit 313@hyperreal.org cc Subject RE: (313) iPod DJ - more synth-pop please listening: Yazoo - Only You eating: my bottom lip drinking: tea thinking: Vince Clarke is a genius (and wondering why it's not time to go home yet) send me suggestions for more strangely cold and detached synth-pop please (I've got the usual suspects: BEF/early Heaven 17, Depeche Mode, Ultravox, early Human League OMD, Pet Shop Boys, etc.) any interesting side projects that seemed to fly under the radar? solo careers worth checking out? MEK Well don't forget the Heaven 17 side-project British Electric Foundation. I think they had a couple of LPs on which they collaborated with famous singers of the times. For obscure: check out Kissing the Pink. This also reminds me of Vicious Pink Phenomena (if you can still find stuff by them?!) The The. Amazing ostensibly non-commercial stuff, which charted quite often! Blancmange, Soft Cell (of course) Talk Talk. Hmmm: Japan?!? (Especially 'European Son' LP. You probably know of course but Propaganda oughtn't to be left out from the above either. garrett [EMAIL PROTECTED] To 04/15/05 02:45 PM 313 Detroit 313@hyperreal.org cc Subject Re: (313) iPod DJ listening: Bola - Gnayse eating: rice/chicken/tomato/cheeze/salsa bowl drinking: water... too much caffeine already today thinking: need to hire someone for ripping, warping, discogs catalogging duties ForwardSourceID:NT0001D46E
Re: (313) iPod DJ
you don't hav eto play mp3 - you can play aiff files on your ipod. i found the the difference quite noticable. james www.jbucknell.com [EMAIL PROTECTED] lnoize.com [EMAIL PROTECTED] To lnoize.com matt kane's brain [EMAIL PROTECTED], Martin Dust 15/04/05 03:55 AM [EMAIL PROTECTED], 313@hyperreal.org cc Subject Re: (313) iPod DJ Well, I'll just say that in doing Ableton DJ sets, I've mostlyquit using mp3's, using only encoded vinyl and stuff I've ripped from CD's I own. I think avoiding mp3's really improves the sound quality. So I'm a bit skeptical what sound you'd get DJ-ing off i-pods. ~David -- Original Message - Subject: Re: (313) iPod DJ Date: Thu, 14 Apr 2005 13:43:52 -0400 From: matt kane's brain [EMAIL PROTECTED] To: Martin Dust [EMAIL PROTECTED], 313@hyperreal.org At 01:42 PM 4/14/2005, Martin Dust wrote: http://webbeatz.de/newz/images/musikmessewow8.jpg http://webbeatz.de/newz/images/musikmessewow3.jpg Are those both Numark units? I think I have to talk to some friends of mine... :) -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk ForwardSourceID:NT0001D216
Re: (313) iPod DJ
the only attention that should be paid to the dj is with your ass and, for the more energetic, feet. james www.jbucknell.com Simon Hindle [EMAIL PROTECTED] u.nsw.gov.au To 313@hyperreal.org 15/04/05 12:42 PM cc Subject Re: (313) iPod DJ Yeah, but 'tis merely the novelty of it all I imagine. Most big DJs who are playing out on Final Scratch probably haven't really had the gear for long, especially when you express the time they've had it as a percentage of their total time on the 1s and 2s. Or maybe they're checking their email/watching the latest episode of Battlestar Galactica they got off bittorrent the day before. It's the perennial challenge, IMO - how do you turn an electronic music performance into a 'show'? And furthermore, ought you to? Cyclone Wehner [EMAIL PROTECTED] 04/15/05 11:06 am Every time I have seen a DJ with Final Scratch they look at the screen the whole set and never the crowd, and then the crowd gathers around and if they can they look at it as well. It's created a barrier. The next challenge is to find a way around that. It's very disengaged... At 2:36 PM -0400 4/14/05, /0 wrote: id like to play somewhere with sound good enough for me to differentiate between a 320k mp3 and a wav file I'd like to *dance* at a club with sound that good, too! Anyway, I still don't like the idea of computer files substituting for vinyl. Just think, if DJs ripped their vinyl favs onto their ipods (or laptop hard drives), where would taste-setting airline baggage handlers get their bumpin' tunes? I tell ya, the world will be a sadder and poorer place if those poor baggage handlers have only old Neil Diamond and Burl Ives records to listen to after work. It'll set civilization (or at least airline service) back at least forty years. -marc ForwardSourceID:NT0001D27A
(313) The other Cybotron
that's right, juan and rick davis were just biting some australian group! I was looking through some record at lunch and came across a record by an australian duo named cybotron. it's titled 'sunday night at the total theatre melbourne' from 1976. The cover shows two bearded dudes with massive piles of analogue gear. a very impressive pile. i couldn't listen to the record so i have no idea what it sounds like. looks like it's 70s psychelidic electronica. hjere's a link: http://www.innercitysound.com.au/Cybotron.html james www.jbucknell.com
Re: (313) Verve Remixed 3 - Carl Craig
doesn't he already do that - it's called the ugly edits series james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 08/04/05 10:32 AM Subject Re: (313) Verve Remixed 3 - Carl Please respond to Craig [EMAIL PROTECTED] h.com they should just do a theo parrish vs the world version where he remixes all sh*t that he chooses from their catalogue. tom -- Original Message -- From: Cyclone Wehner [EMAIL PROTECTED] Date: Fri, 08 Apr 2005 10:06:20 +1000 The last one got very mixed reviews, didn't it? I am surprised they got to a third volume. Who would you like to see participate? Mike Grant would be cool! And I would like to see Stacey do a mix. That Today... album was so ahead. Hearing Mark de Clive-Lowe's new, I think this is where Stacey was heading a few years ago. The RZA on form would be great. I didn't think much of it either when I first heard it, but then I kept seeing it in bargain bins for $5 so I grabbed it just for the hell of it. I love it now though. Once that big bass kicks in and the nice slappy snares... bam! andythepooh.com ForwardSourceID:NT0001CC66
RE: (313) Blackman Arnold snacktime
i worked in a pre-school/kinderegarten for six months. i used to play lots of music. 'the robots' was a big hit. they loved doing the robot dance. another favourite was vaughan mason 'bounce, rock, skate, roll'. one kid did an end of year fashion and dance performance to it. man that was good job - you turn up to work and 20 little people come running at you screaming 'i love you' as they tackle you to the ground. james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 07/04/05 03:48 AM Subject RE: (313) Blackman Arnold snacktime Please respond to [EMAIL PROTECTED] h.com -- Original Message -- From: lee herrington [EMAIL PROTECTED] Diana's recent post has awakened my curiosity. Would any one else care to elaborate about positive experiences involving children and techno? I know that my 19 month-old daughter perks up a bit when I play early carl craig trax. when my son was still very small, i would play carl craig's a wonderful life for him while he was falling asleep for his midday nap. he's now a big fan of such tracks as recloose's soul clap 2000 and aint changing, theo parrish's jb's edit and especially kraftwerk's the robots which he is absolutely obsessed with and will listen to over and over and over if you let him. tom andythepooh.com ForwardSourceID:NT0001CB4E
Re: (313) Verve Remixed 3 - Carl Craig
hugh masekela plus carl craig. that sounds great! i absolutely love 'don't go lose it baby' is this availabe as a vinyl single? or only as part of the verve comp? which reminds me, i've got to buy angola. i didn't think much of it when i listened to it in the shop. but then i heard kenny larkin open a set with it. whao! james www.jbucknell.com Simon Hindle [EMAIL PROTECTED] u.nsw.gov.au To 313@hyperreal.org 07/04/05 09:25 AM cc Subject (313) Verve Remixed 3 - Carl Craig There's another verve remixed comp out and while most of the remixers on board don't really interest me, I have to recommend this compilation simply because Carl Craig's remix of Hugh Masekela's The Boy's Doin' It is bloody amazing. Sort of a cross between his Angola and Tides remixes + some trumpets, cruising away at a lazy 104 bpm, he strips down the original, injects some proper nice C2 goodness and you've got a deadly track that makes you wonder why they ever bothered making music at any other tempo. Fabulous stuff. ForwardSourceID:NT0001CB6E
Re: (313) pre-hip-hop mixes
the best i know of is on deep house pages 1164. Afrika Islam (son of Bambatta) -Zulu Nation WHBI 105.9FM, Newark 1982-83 this is my favourite electro/hiphop/breaks mix. brilliant. james www.jbucknell.com [EMAIL PROTECTED] et To 06/04/05 09:29 AM [EMAIL PROTECTED] cc 313@hyperreal.org Subject Re: (313) pre-hip-hop mixes that would be cool if you could put it up. i couldn't find it on p2p and i doubt it's readily avaiable at my local record store. On Tue, 5 Apr 2005 [EMAIL PROTECTED] wrote: http://www.discogs.com/release/183348 it's a live tape of Bambaataa cutting up and juggling breaks from '83. It's rough as f*ck in terms of both production (typical cruddy Paul Winley pressing) and skills, but it has mad energy and can lay a pretty strong claim to being the blueprint for b-boy mixtapes. The actual tracklisting is the stuff of legend. A lot of the breaks have now been dug up and identified (e.g. Jackson Sisters), but for ages a lot of people were scratching their heads about this one. It was also the inspiration for Q-Bert's Camel Bobsled Race (his beat juggle and cut up of DJ Shadow tracks) which is frankly mind boggling. I've got a copy at here I might be able to make available At 7:26 pm + 5/4/05, [EMAIL PROTECTED] wrote: not familiar with that link? On Tue, 5 Apr 2005 [EMAIL PROTECTED] wrote: what about Bambataa's Death Mix? early enough for you? At 6:25 am + 5/4/05, [EMAIL PROTECTED] wrote: so i'm curious, does anyone know where one could find some pre-hip-hop mixes online. i'm talking some real deal kool herc/afrika bambataa block party stuff from the late '70s. i've never seen any around suggestions? ForwardSourceID:NT0001CA3A
(313) wizard mix 1990
wizard mix, from around 1990 on wjlb. posted on discogs mix forum. it's not the mix from deephouse pages. http://folk.uio.no/nnjohans/Music/The%20Wizard%20-%20WJLB.ogg anybody know of a freeware ogg to mp3 converter for 0sx? didn't find anything i liked on version tracker. james www.jbucknell.com
(313) new mix: detroit/new york/chicago house at bonusbeats bodega
detroit/chicago/new york house and a bit of disco mix [60min 80mb 192kbps mp3] http://jbucknell.com/detroit_nyc.mp3 Theo Parrish - Twin Cities (Harmonie Park, 2004) Chez Damier - Help Myself (KMS, 1992) Paperclip People - Clear and Present (Open, 1995) Nitro Deluxe - Let's Get Brutal (Cutting Records, 1986) Prioritee (Larry Joseph) - Who is He? (Alegro, 1987) Professor Funk and the House Brothers - Work Your Body Rap (Underground, 1986) Sweet D - Thank Ya (Trax, 1986) The Funky Horns - Blow (Music for Your Ears, 1995) Third World - Now that We've Found Love (Reggae Dance Classics Boot) Metro Area - #4 (Environ, 2001) D-Train - Keep On (Replay, 1982) james www.jbucknell.com
Re: (313) Sydney spam: Jack Your Body (01/04/2005)
what, no armando? i thought a tragically early death made a person more famous. see you tonight. will anybody be wearing seude hi-top filla's? (they were all the rage in sydney in the late 80s, just to contine the sydney fashion thread). james www.jbucknell.com David Gillies [EMAIL PROTECTED] To 01/04/05 09:54 AM 313@hyperreal.org cc Subject (313) Sydney spam: Jack Your Body (01/04/2005) Jack Your Body presented by linenoise and popfrenzy Tonight, Friday 1st April 9pm - 4am @ the Mandarin Club 396 Pitt St, Sydney $6 on the door DJ's: Australian Rozie Colour Dave McCann RZ-1 Sleepy A night dedicated to the legends of old school hip house (aka house rap) and acid house such as Mr Lee, Tyree Cooper, KC Flightt, Technotronic, Kool Rock Steady, DJ Fast Eddie, Adonis, DJ Pierre, Lil’ Louis, Marshall Jefferson, Farley “Jackmaster” Funk and Jungle Bros. http://www.dorja.com/~daveg/images/jackyourbody.gif ForwardSourceID:NT0001C6AE
(313) new mix: 80s chicago acid and jack tracks at bonusbeats bodega
here's a mix i made about eight years ago. the armando tracks might be in the wrong order on the tracklisting. http://jbucknell.com/chicago_acid.mp3 80s chicago acid and jack tracks [56min 78mb 192kbps mp3] Chip E - Like This (DJ International) Chip E - Time to Jack (DJ International) Phortune - Can You Feel the Bass (Hot Mix 5) Armando - 151 (Warehouse) Armando - Land of Confusion (Warehouse) North/Clybourn - Don’t Walk Out the Door (Gherkin) Mario Reyes - Whatever Turns You On (DJ International) Fast Eddie - Acid Thunder (DJ International) Pfantasy Club - Never Give Up (Dance Mania) ??? I can't remember what this track is. If you know, let me know Housemaster Baldwin - Don’t Lead Me (Future Sound) Pierre’s Pfantasy Club - Fantasy Girl (Trax) james www.jbucknell.com
(313) Carl Craig in Sydney?
did anybody go? how was he? how were the other djs? i couldn't make it - i was away up the coast james www.jbucknell.com
Re: (313) NO
maybe they're just calling it as they see it - does manchester have a lot of hills and valleys? i've been led to believe that it has a lot of alcohol and pills. Philip [EMAIL PROTECTED] du.au To 313 313@hyperreal.org 23/03/05 10:05 AM cc Subject (313) NO Anyone on the list looking forward to the new New Order album?? I am... It has some of the worst rhyming couplets on it ever...Made me LOL at least 4 times, proper shocking some of them... So what else is new? don't forget... 'I've lived my life in valleys, I've lived my life on hills' 'I've lived my life on alcohol, I've lived my life on pills' p ForwardSourceID:NT0001BE72
Re: (313) save me, I think I'm going over to the darkside...
it looks like db is making drum'n bass action figures http://www.breakbeatscience.com/42485.html?id=kWPNTURY speaking a simplistic rhyming couplets, i have a breakbeat science t-shirt that says 'drum'n bass for a f*ked place'. it's nice shirt. just a shame that i don't like drum'n bass. i used to go hear db spin a lot in the early/mid 90s. - i was sooo eclectic and open minded back then. james www.jbucknell.com /0 [EMAIL PROTECTED] mi.netTo [EMAIL PROTECTED], 'Placid' 23/03/05 06:14 AM [EMAIL PROTECTED], '313' 313@hyperreal.org cc Subject Re: (313) save me, I think I'm going over to the darkside... ahhh sm:)e whats db up to these days anyways? - Original Message - From: [EMAIL PROTECTED] To: '/0' [EMAIL PROTECTED]; 'Placid' [EMAIL PROTECTED]; '313' 313@hyperreal.org Sent: Tuesday, March 22, 2005 1:44 PM Subject: RE: (313) save me, I think I'm going over to the darkside... Completely agreed...there was a time Stateside where they were one of the few distro/labels that you could consistently find in a variety of retailers CD bins. Them and SMILE filled my head early with their releases. Leslie -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: Tuesday, March 22, 2005 12:59 PM To: Placid; 313 Subject: Re: (313) save me, I think I'm going over to the darkside... instinct holds a big spot in my heart as a label that *used* to completely own the electronic music universe from my perspective. so many good albums and comps.. dont know wtf happened... - Original Message - From: Placid [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Tuesday, March 22, 2005 12:53 PM Subject: Re: (313) save me, I think I'm going over to the darkside... his track on the flip side to the original 'go' on instinct is deep.. love that track p Stewart Caig wrote: mood strikes him. Maybe if we praise him for those rare rise-abover tracks, instead of always slagging him off as a sell-out, he might do more of them. I'd like to praise him for that Voodoo Child Horses track he did years ago if I may. Stewart Caig wrote: mood strikes him. Maybe if we praise him for those rare rise-abover tracks, instead of always slagging him off as a sell-out, he might do more of them. I'd like to praise him for that Voodoo Child Horses track he did years ago if I may. ForwardSourceID:NT0001BE1A
Re: (313) lyrics for we are phuture
phuture phuturephuturephuture...phuture, then something about rocket ships and turning back the hands of time, then more phuture...phuture phuture... james www.jbucknell.com /0 [EMAIL PROTECTED] mi.netTo 313@hyperreal.org 21/03/05 09:56 AM cc Subject (313) lyrics for we are phuture hi, looking for these for a friend... need the info asap if possible. thx -Joe ForwardSourceID:NT0001BC96
Re: (313) dj entropy
i don't think so - if he was we'd know about it. he's not one who lurks. i first crossed electronic paths with him years back on new york city-raves. i was surprised when he showed up on 313, given that he's into a genre called cheesestep. maybe google will point you in the right direction. james www.jbucknell.com matt kane's brain [EMAIL PROTECTED] To 18/03/05 03:15 AM 313@hyperreal.org cc Subject (313) dj entropy is this dude still on the list? i was reminded of his existence yesterday. -- unsigned short int to_yer_mama; matt kane's brain http://www.hydrogenproject.com [EMAIL PROTECTED] || AIM: mkbatwerk ForwardSourceID:NT0001BA26
Re: (313) OOPS
i too have many many records i have no idea who the artist is or the track name. not that ehy aren't on the record, but it's not how i identify and know them. when pitch adjustable cd players first came out i bought one. but i found that the thing i disliked the most about djing with cds was that it involved a different mental process to find the next track i wanted to play. with records i flick through my box and, if i'm on point, the next record practically leaps out, no thinking about who the artist is, what the track is called. no thought involved. but with cds i had to stop and think - what tracks are on here. no cd ever leapt out. i found it really ruined the exprerience of djing for me. james www.jbucknell.com r [EMAIL PROTECTED] music.net To David Gillies [EMAIL PROTECTED] 18/03/05 12:52 PM cc 313@hyperreal.org Subject Re: (313) OOPS I place a colour every 10 black or white sleaves, and I remember them by placement.. so if i'm a bit off, its only 5 records away from being found :) go brain go! On 18/03/2005, at 12:48 PM, David Gillies wrote: Brian Prince wrote: [EMAIL PROTECTED] said: I don't even read what it says on my records anymore. I just know them by the colors and pictures mostly. Like, I know I have a green Drexciya record. And a blue one. And a couple others, they are in that one crate, hopefully, right next to the stack of books. A little to the left... I'm sort of the opposite of a trainspotter! That's okay. At times my CD collection has been sorted chromatically by spine color. Only way I can reliably find anything. I did the same with all my records at one stage. It looked purty. I found it was easy to find specific records with coloured sleeves, but anything with a black or white sleeve eventually became a bit of a b*tch. ForwardSourceID:NT0001BAF2
Re: (313) richie's fire alarm (was Carl Craig ')
sure that wasn't pullover by speedy j? ;) what type of tracks was he playing on the night? i didn't catch him in sydney - i went camping on the beach for the weekend. james www.jbucknell.com Cyclone Wehner [EMAIL PROTECTED] il.com.au To 313 Detroit 313@hyperreal.org 17/03/05 03:37 PM cc Subject Re: (313) Carl Craig ' Funny during Hawtin's set in Melbourne the fire alarm went off and I don't think anyone realised. ;) Did anyone go? Was v good even if there was no vibe. I was in a grumpy mood from current chocolate rehab regime, and prospect of working on Monday, would have enjoyed more in different circumstances. -- From: darnistle [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: Re: FW: (313) Carl Craig ' Date: Thu, 17 Mar 2005 1:07 PM Simon Kong wrote: good djs dj for the people. you know the ones they are there to entertain? Techno used to have some balls. People used to stand in front of sound systems out of fear and admiration of what the dj was capable of doing. snip Shouldn't a djs make your hair stand on end?? .simon Its definitely welcome when a DJ does make my hair stand on end, or make me feel a sense of awe at the kinds of things sound is capable of. I'm not normally a speaker-whore, but there have been DJs who have led me to all manner of strange and wonderful states while my face has been buried in some massive amp. It doesn't happen often, which is probably a good-ish thing since otherwise it would be commonplace and would lose that element of wonder or surprise. Plus, my hearing would probably be much worse for the wear. ;) ForwardSourceID:NT0001B9B2
Re: (313) Octave One - Somedays
blackwater is around the low 120 bpms when at -8. that's what the slider is for on the technics. sounds much better slowed down. james www.jbucknell.com Sakari Karipuro sakari.karipuro@ kotiposti.net To 313 313@hyperreal.org 18/03/05 09:02 AM cc Subject Re: (313) Octave One - Somedays Maarten Baute wrote on Thu, 17 Mar 2005 about following: Derek Plaslaiko wrote: did you like Blackwater? I didn't like the vocal version. The original untold version was not bad. I totally missed the track when it was huge. I actually heard the track first time couple of months ago when OO was playing live in Helsinki. I sort of like the vocal version, although some of the vocals just don't sound right. Instrumental version might be quite nice; i really like the string arrangements.. very emotional. Downside with the whole track is tempo, i think it's somewhere way above 130.. i wish it was somewhere around 120-122 :) sakke -- System error?:: Success props to mozilla.org ForwardSourceID:NT0001BAC6
Re: FW: (313) Carl Craig '
one of the great revolutions that occurred with the rise of dj based dance music was the removal of the performer/audience dichotomy. the dancers on the dancefloor became the entertainment. the action was happening on the dancefloor not on the stage. power to the people! no more standing around all staring at a stage with some egotistical jerk masturbating his guitar. 'promised land' and 'sueno latino' sounded just as good and just the same no matter who played them. you didn't have to be in chicago or have farley jackmaster funk djing, to have a great night out dancing to house music. but that didn't really last long - now everybody just faces the dj watching them change records and won't go out unless it's a name dj. back to the boring old days of rock n roll again. james www.jbucknell.com [EMAIL PROTECTED] ds.net To 16/03/05 12:53 PM 313 313@hyperreal.org cc Subject Re: FW: (313) Carl Craig ' all words well spoken! kong for king Nomorewords.net http://nomorewords.net Bentinckstraat 66-2 1051 GN Amsterdam The Netherlands phn +31-64-499-2027 fax +31-20-486-9624 - Original Message - From: Simon Kong [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Tuesday, March 15, 2005 9:55 PM Subject: Re: FW: (313) Carl Craig ' good djs dj for the people. you know the ones they are there to entertain? Techno used to have some balls. People used to stand in front of sound systems out of fear and admiration of what the dj was capable of doing. We have gone soft, the audience are in control. They know all the tricks and are no longer impressed by the pony you show. / At least there is some controversy surrounding Carl. Where are the risky artist? What I see is alot of very consumable photo friendly dj's with great portfolios. I'm not after a revolution, I just want some content. Some substance that will evoke some response from my co modified life. / These kinds of arguments, always de-volove into standard practice models for assessing popular music. Techno music in its origins was about futurism. Using new technology to to express new ideas and explore new paradigms. I don't wish to establish some sort of elitism. However I think there is inherent value in asserting some form of conciousness with the music. I can let my hair down every night of the week to any number of djs. Shouldn't a djs make your hair stand on end?? .simon ForwardSourceID:NT0001B7DA
Re: (313) Some tunage
is that a new or re-released egyptian lover track? i've never heard of it. he's still around, right - he performed recently somewhere in europe. hope he hasn't changed his hair style! I love his photo on the back of freak-a-holic or is it living on the nile. james www.jbucknell.com robin [EMAIL PROTECTED] ctric.com To 313 313@hyperreal.org 16/03/05 12:50 AM cc Subject (313) Some tunage Egyptian Lover - Party - Egyptian Lover Records Ok he doesn't vary much in his style but Party is still a good track.
Re: (313) sound stream record
they used to be distributed in the states. i bought all my sound hack records at temple records in new york. i'm thought they would have come through watts. but i guess it could have been from prime in the uk. james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 15/03/05 02:27 AM Subject Re: (313) sound stream record Please respond to [EMAIL PROTECTED] h.com -- Original Message -- From: [EMAIL PROTECTED] if anyone knows of a uk one - please let me know! it sounds very good on a big soundsystem! it sounds good on all systems. i had to suck it up last summer and do a hardwax order so i could get all the soundhack/smith n hack/soundstream joints since they dont seem to be sitting around at any distros here in america. im not sure how that can be. i remember watts not even having them in their database which means they never stocked them. too weird. what excellent records. tom andythepooh.com ForwardSourceID:NT0001B5F2
Re: (313) sound stream record
yeah, i don't remember any prime stickers on my copies. james www.jbucknell.com Thomas D. Cox, Jr. [EMAIL PROTECTED] To h.com313@hyperreal.org cc 15/03/05 10:28 AM Subject Re: (313) sound stream record Please respond to [EMAIL PROTECTED] h.com -- Original Message -- From: [EMAIL PROTECTED] they used to be distributed in the states. i bought all my sound hack records at temple records in new york. i'm thought they would have come through watts. but i guess it could have been from prime in the uk. i know they used to be, i just dont think anyone is stocking them now. which seems so wrong on so many levels. i dont remember the prime stickers being on any of my friends' copies. maybe it was nemesis? though that doesnt exactly make sense either. tom andythepooh.com ForwardSourceID:NT0001B66E
(313)Residents and Severed Heads in Sydney
anybody else going to the see the residents and severed heads tonight? i last saw the residents about 19 years ago, with snakefinger and two Emulator 1 samplers. they were fantastic. their rendition (a word much in the public mind of late) of 'it's man's world' was one of the best live performances i've experienced. james www.jbucknell.com
Re: (313) stars (313) Most Listening To
i've got a spare alleviated copy. it's not battered, but it's not mint. do you have any spare patrick adams/peter brown tracks? what i've been listening to, made a mix of recent purchases and a a few oldies salsoul orchestra 'good for the soul' (walter gibbons mix) t-connection 'at midnight' jesse henderson 'did it again (land of hits) - this tracks is the BOMB! vince montana 'esto parese amor' chez damier 'help myself (kms) carl craig mix kasso 'key west' '112 bpm' jive rhythm tracks roberta kelly /g moroder 'troublemaker' double exposure 'my love is free' (tom oulton mix) james www.jbucknell.com Placid [EMAIL PROTECTED] o.uk To robin [EMAIL PROTECTED], 08/03/05 03:12 AM 313@hyperreal.org cc Subject (313) stars (313) Most Listening To oh oh oh..stars is one of my absolute all time classics anyone got one spare.. i need an orig alleviatedmy other one is battered... robin wrote: Martin Dust wrote: 1. The new Bitstream album, finding it a bit disappointing for some reason I can't explain. got very hyped this tho didn't it. nice bass a bit short on ideas imo (i only listenied to it in the shop tho) on rotation in itunes: omar S - #1 - fxhe1 omar S - track 8 - fxhe5 prosumer - craze - playhouse (wicked deep dub, hypnotic) rekid - tranzit - souljazz first arpanet lp Mr. Fingers - stars rick wade - moods and grooves 12 (which on balance is better than the recent harmonie park one imo) rude66 - overkill tyree cooper - love ForwardSourceID:NT0001AEF6
