Re: Pentax DSLR lineage / features questions

2018-06-04 Thread Rick Womer
5 years and 21,000. Love it.

Rick

On Sat, Jun 2, 2018 at 18:49 Brian Walters  wrote:

> Maybe I got a good one as well - never any problems with it.  Admittedly
> it's
> only had fairly light use (shutter count less than 1 in 6 years).
>
>
> Cheers
>
> Brian
>
> ++
> Brian Walters
> Western Sydney Australia
> http://lyons-ryan.org/southernlight/
>
>
> > On 03 June 2018 at 02:18 jtainter  wrote:
> >
> >
> > Bill wrote:
> >
> > "I'm not sure if they got everything fixed on the K5 during it's run,
> but in
> > addition to the AF issues, they had problems with spots of cement on the
> > sensor on early ones and buttons falling off. Apparently if you got a
> good
> > one, they were very good indeed. I wasn't so lucky."
> >
> > I guess I got lucky with my K-5. I did eventually part with in in favor
> of the
> > K-5II and IIs. I still use them when I travel. They (and the DA lenses)
> are
> > smaller and lighter than my K-1 and its lenses, and I am still very
> pleased
> > with the image quality.
> >
> > The K-5 was produced by Hoya, the II and IIs by Ricoh. The Hoya version
> was
> > notorious for cheapness. Ricoh, to their credit, fixed that.
> >
> > Joe
> >
> >
> >
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Re: Pentax DSLR lineage / features questions

2018-06-02 Thread Brian Walters
Maybe I got a good one as well - never any problems with it.  Admittedly it's
only had fairly light use (shutter count less than 1 in 6 years).


Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/


> On 03 June 2018 at 02:18 jtainter  wrote:
> 
> 
> Bill wrote:
> 
> "I'm not sure if they got everything fixed on the K5 during it's run, but in
> addition to the AF issues, they had problems with spots of cement on the
> sensor on early ones and buttons falling off. Apparently if you got a good
> one, they were very good indeed. I wasn't so lucky."
> 
> I guess I got lucky with my K-5. I did eventually part with in in favor of the
> K-5II and IIs. I still use them when I travel. They (and the DA lenses) are
> smaller and lighter than my K-1 and its lenses, and I am still very pleased
> with the image quality.
> 
> The K-5 was produced by Hoya, the II and IIs by Ricoh. The Hoya version was
> notorious for cheapness. Ricoh, to their credit, fixed that.
> 
> Joe
> 
> 
> 
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Re: Pentax DSLR lineage / features questions

2018-06-02 Thread Jack Davis
I'm still carrying my K5 after has been 
since I bought it when it first came out. Wish I had a memory again...(?)
Only difference is it's a back up in
case?? Have used it a few times in
both single frame and burst mode.
Image quality still surprises me.
J
Sent from my iPhone

> On Jun 2, 2018, at 9:18 AM, jtainter  wrote:
> 
> Bill wrote:
> 
> "I'm not sure if they got everything fixed on the K5 during it's run, but in 
> addition to the AF issues, they had problems with spots of cement on the 
> sensor on early ones and buttons falling off. Apparently if you got a good 
> one, they were very good indeed. I wasn't so lucky."
> 
> I guess I got lucky with my K-5. I did eventually part with in in favor of 
> the K-5II and IIs. I still use them when I travel. They (and the DA lenses) 
> are smaller and lighter than my K-1 and its lenses, and I am still very 
> pleased with the image quality.
> 
> The K-5 was produced by Hoya, the II and IIs by Ricoh. The Hoya version was 
> notorious for cheapness. Ricoh, to their credit, fixed that.
> 
> Joe
> 
> 
> 
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Re: Pentax DSLR lineage / features questions

2018-06-02 Thread jtainter
Bill wrote:

"I'm not sure if they got everything fixed on the K5 during it's run, but in 
addition to the AF issues, they had problems with spots of cement on the sensor 
on early ones and buttons falling off. Apparently if you got a good one, they 
were very good indeed. I wasn't so lucky."

I guess I got lucky with my K-5. I did eventually part with in in favor of the 
K-5II and IIs. I still use them when I travel. They (and the DA lenses) are 
smaller and lighter than my K-1 and its lenses, and I am still very pleased 
with the image quality.

The K-5 was produced by Hoya, the II and IIs by Ricoh. The Hoya version was 
notorious for cheapness. Ricoh, to their credit, fixed that.

Joe



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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Daniel J. Matyola
Congratulations to Grace!

We all watched her grow up, and loved every image of it!


Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

On Fri, Jun 1, 2018 at 5:47 PM, Paul Stenquist  wrote:

> I have a good K5. Excellent high ISO. Autofocus was as good as my K7.
> Grace uses the K7 now. (She graduated from 8th grade today!)
>
> Paul
>
> > On Jun 1, 2018, at 4:47 PM, Bill  wrote:
> >
> >> On 6/1/2018 11:46 AM, Alan C wrote:
> >> I used a K7 for about 4 years. I shot mostly in bright light. Good up
> to ISO 400, tolerable at 800, hopeless beyond. (About the same as my
> K110D!) Now I have a K5 which is OK even at 3200. Everything else seems
> much the same as the K7. No electronic problems. Can't imagine why your AF
> was so bad?
> >
> > The AF on mine was particularly colour sensitive. Depending on the
> colour of the subject, it would front focus, back focus or every now and
> again, would get it right. Mine was so bad that shooting exactly the same
> scene outdoors, if a cloud covered the sun, the colour of the light would
> change enough to knock the focus off.
> > This was a known issue with the K5, in fact I recall it was the first
> issue that was discovered with that camera. I recall some guy on Pentax
> forums tried taking a picture of his car of some such under street light
> conditions and found the camera was front focusing be several feet, when in
> daylight it was fine.
> > I'm not sure if they got everything fixed on the K5 during it's run, but
> in addition to the AF issues, they had problems with spots of cement on the
> sensor on early ones and buttons falling off.
> > Apparently if you got a good one, they were very good indeed. I wasn't
> so lucky.
> >
> > bill
> >
> > --
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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Jack Davis
Yes, and I didn't realize how 
contentedly.
J

Sent from my iPhone

> On Jun 1, 2018, at 9:48 AM, Bill  wrote:
> 
>> On 6/1/2018 10:42 AM, Jack Davis wrote:
>> Nice to know my kipping it was a good move.
>> Thanks, Bill!
> 
> I was shooting a lot of studio at the time, so the K7 was very good for me. 
> It ended up being a far better camera than the K5 in my hands as I got a 
> Friday afternoon K5 that had pretty much every electronics problem that the 
> thing was noted for.
> The AF on my K5 was worse than useless.
> You slept through the K7?
> 
> bill
> 
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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Paul Stenquist
I have a good K5. Excellent high ISO. Autofocus was as good as my K7. Grace 
uses the K7 now. (She graduated from 8th grade today!)

Paul

> On Jun 1, 2018, at 4:47 PM, Bill  wrote:
> 
>> On 6/1/2018 11:46 AM, Alan C wrote:
>> I used a K7 for about 4 years. I shot mostly in bright light. Good up to ISO 
>> 400, tolerable at 800, hopeless beyond. (About the same as my K110D!) Now I 
>> have a K5 which is OK even at 3200. Everything else seems much the same as 
>> the K7. No electronic problems. Can't imagine why your AF was so bad?
> 
> The AF on mine was particularly colour sensitive. Depending on the colour of 
> the subject, it would front focus, back focus or every now and again, would 
> get it right. Mine was so bad that shooting exactly the same scene outdoors, 
> if a cloud covered the sun, the colour of the light would change enough to 
> knock the focus off.
> This was a known issue with the K5, in fact I recall it was the first issue 
> that was discovered with that camera. I recall some guy on Pentax forums 
> tried taking a picture of his car of some such under street light conditions 
> and found the camera was front focusing be several feet, when in daylight it 
> was fine.
> I'm not sure if they got everything fixed on the K5 during it's run, but in 
> addition to the AF issues, they had problems with spots of cement on the 
> sensor on early ones and buttons falling off.
> Apparently if you got a good one, they were very good indeed. I wasn't so 
> lucky.
> 
> bill
> 
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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Bill

On 6/1/2018 11:46 AM, Alan C wrote:
I used a K7 for about 4 years. I shot mostly in bright light. Good up to 
ISO 400, tolerable at 800, hopeless beyond. (About the same as my 
K110D!) Now I have a K5 which is OK even at 3200. Everything else seems 
much the same as the K7. No electronic problems. Can't imagine why your 
AF was so bad?




The AF on mine was particularly colour sensitive. Depending on the 
colour of the subject, it would front focus, back focus or every now and 
again, would get it right. Mine was so bad that shooting exactly the 
same scene outdoors, if a cloud covered the sun, the colour of the light 
would change enough to knock the focus off.
This was a known issue with the K5, in fact I recall it was the first 
issue that was discovered with that camera. I recall some guy on Pentax 
forums tried taking a picture of his car of some such under street light 
conditions and found the camera was front focusing be several feet, when 
in daylight it was fine.
I'm not sure if they got everything fixed on the K5 during it's run, but 
in addition to the AF issues, they had problems with spots of cement on 
the sensor on early ones and buttons falling off.
Apparently if you got a good one, they were very good indeed. I wasn't 
so lucky.


bill

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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Bill

On 6/1/2018 1:26 PM, J.C. O'Connell wrote:

is the video any good on the K7? Im looking for an inexpensive backup body
that has video too and the K7s sure are cheap now. 720P is OK its for 
web postings.


Pentax has always taken it up the bum for having crappy video. It's 
always been OK for me, but my standards are probably lower than yours. I 
don't recall ever shooting any video with my K7, but I shot some with 
the K20, which had a similar sensor as far as output was concerned. For 
me they were fine.


bill



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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread J.C. O'Connell

is the video any good on the K7? Im looking for an inexpensive backup body
that has video too and the K7s sure are cheap now. 720P is OK its for web  
postings.

jco



On Fri, 01 Jun 2018 13:46:11 -0400, Alan C  wrote:

I used a K7 for about 4 years. I shot mostly in bright light. Good up to  
ISO 400, tolerable at 800, hopeless beyond. (About the same as my  
K110D!) Now I have a K5 which is OK even at 3200. Everything else seems  
much the same as the K7. No electronic problems. Can't imagine why your  
AF was so bad?


Alan C

On 06/01/2018 6:48 PM, Bill wrote:

On 6/1/2018 10:42 AM, Jack Davis wrote:

Nice to know my kipping it was a good move.
Thanks, Bill!


I was shooting a lot of studio at the time, so the K7 was very good for  
me. It ended up being a far better camera than the K5 in my hands as I  
got a Friday afternoon K5 that had pretty much every electronics  
problem that the thing was noted for.

The AF on my K5 was worse than useless.
You slept through the K7?

bill




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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Alan C
I used a K7 for about 4 years. I shot mostly in bright light. Good up to 
ISO 400, tolerable at 800, hopeless beyond. (About the same as my 
K110D!) Now I have a K5 which is OK even at 3200. Everything else seems 
much the same as the K7. No electronic problems. Can't imagine why your 
AF was so bad?


Alan C

On 06/01/2018 6:48 PM, Bill wrote:

On 6/1/2018 10:42 AM, Jack Davis wrote:

Nice to know my kipping it was a good move.
Thanks, Bill!


I was shooting a lot of studio at the time, so the K7 was very good 
for me. It ended up being a far better camera than the K5 in my hands 
as I got a Friday afternoon K5 that had pretty much every electronics 
problem that the thing was noted for.

The AF on my K5 was worse than useless.
You slept through the K7?

bill




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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Bill

On 6/1/2018 10:42 AM, Jack Davis wrote:

Nice to know my kipping it was a good move.
Thanks, Bill!


I was shooting a lot of studio at the time, so the K7 was very good for 
me. It ended up being a far better camera than the K5 in my hands as I 
got a Friday afternoon K5 that had pretty much every electronics problem 
that the thing was noted for.

The AF on my K5 was worse than useless.
You slept through the K7?

bill

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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Jack Davis
Nice to know my kipping it was a good move.
Thanks, Bill!
J

Sent from my iPhone

> On Jun 1, 2018, at 9:34 AM, Bill  wrote:
> 
>> On 6/1/2018 10:16 AM, Jack Davis wrote:
>> OK, so I forgot about the K7..which I
>> resisted.
> 
> To me, it had the best colour of any Pentax DSLR, but it was really only good 
> at base ISO. It used an updated from the K20 Samsung sensor. Great at base 
> ISO, but it went to hell in a hurry as the ISO was increased.
> 
> bill
> 
>> J
>> Sent from my iPhone
 On Jun 1, 2018, at 8:38 AM, Bill  wrote:
 
 On 6/1/2018 9:23 AM, J.C. O'Connell wrote:
 what was the last top of the line Pentax DSLR before the K-5 series?
>>> 
>>> K20D, then the K7, then the K5.
>>> 
 Do all Pentax Dslrs have some means of using AA batteries?
>>> 
>>> Yes, but you have to buy the external battery grip and be prepared for 
>>> really crappy battery life.
 Do all pentax Dslrs have interchangable focus screens?
>>> 
>>> The K1 does not. The APS-C ones all do.
>>> 
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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Dale H. Cook

At 11:23 AM 6/1/2018, J.C. O'Connell wrote:


Do all Pentax Dslrs have some means of using AA batteries?


The K-70 does not - it can use only the Pentax D-LI109 7.4 volt 
lithium ion battery. I have seen no external supply options for the 
K-70, and none are shown on the Ricoh site.



Do all pentax Dslrs have interchangable focus screens?


The K-70 does.

Dale H. Cook, many years as 35mm SLR photographer,
now Pentax K-70 w/ Pentax-DA 18-270mm walking-
around lens or SMC Pentax-A 50mm/f2 lens  



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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Bill

On 6/1/2018 10:16 AM, Jack Davis wrote:

OK, so I forgot about the K7..which I
resisted.


To me, it had the best colour of any Pentax DSLR, but it was really only 
good at base ISO. It used an updated from the K20 Samsung sensor. Great 
at base ISO, but it went to hell in a hurry as the ISO was increased.


bill


J
Sent from my iPhone


On Jun 1, 2018, at 8:38 AM, Bill  wrote:


On 6/1/2018 9:23 AM, J.C. O'Connell wrote:
what was the last top of the line Pentax DSLR before the K-5 series?


K20D, then the K7, then the K5.


Do all Pentax Dslrs have some means of using AA batteries?


Yes, but you have to buy the external battery grip and be prepared for really 
crappy battery life.

Do all pentax Dslrs have interchangable focus screens?


The K1 does not. The APS-C ones all do.

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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Jack Davis
OK, so I forgot about the K7..which I
resisted.
J
Sent from my iPhone

> On Jun 1, 2018, at 8:38 AM, Bill  wrote:
> 
>> On 6/1/2018 9:23 AM, J.C. O'Connell wrote:
>> what was the last top of the line Pentax DSLR before the K-5 series?
> 
> K20D, then the K7, then the K5.
> 
>> Do all Pentax Dslrs have some means of using AA batteries?
> 
> Yes, but you have to buy the external battery grip and be prepared for really 
> crappy battery life.
>> Do all pentax Dslrs have interchangable focus screens?
> 
> The K1 does not. The APS-C ones all do.
> 
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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Bill

On 6/1/2018 9:23 AM, J.C. O'Connell wrote:

what was the last top of the line Pentax DSLR before the K-5 series?


K20D, then the K7, then the K5.



Do all Pentax Dslrs have some means of using AA batteries?


Yes, but you have to buy the external battery grip and be prepared for 
really crappy battery life.


Do all pentax Dslrs have interchangable focus screens?


The K1 does not. The APS-C ones all do.

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Re: Pentax DSLR lineage / features questions

2018-06-01 Thread Jack Davis
K20D ?

J

Sent from my iPhone

> On Jun 1, 2018, at 8:23 AM, J.C. O'Connell  wrote:
> 
> what was the last top of the line Pentax DSLR before the K-5 series?
> 
> Do all Pentax Dslrs have some means of using AA batteries?
> 
> Do all pentax Dslrs have interchangable focus screens?
> -- 
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Re: PENTAX DSLR PRICES IN SA

2015-12-15 Thread John

On 12/15/2015 8:47 AM, Alan C wrote:

Look what they're asking for older S/H Pentax DSLR's in SA.
There have been a spate of adverts in the last week. I've converted to
US$.With std. lens unless otherwise stated.

K20D 570;  K200D 570;  K10D (2 lens) 400;  K10D 200;
K100D 500 & 280; Kx (2 lens) 320; Kr 600.

Mostly more than the original prices.

A new K50 is 600, a new K3 ii  is 1500 & a D FA 150-450  2300.

Alan C



Think anyone would be interested in a *ist-D w/Battery Grip & FAJ
18-35AL? I could throw in a couple of 4GB CF cards.

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Re: Pentax DSLR memory card bus speed, theory & practice?

2015-10-16 Thread Igor PDML-StR



Larry,

Some time ago, I was trying to find answers to similar questions.
Unfortunately, Pentax doesn't provide (at least at that point it didn't) 
any specs with respect to this.
So, let me share the most essential bits of information that I was able to 
find (and still remember).


First, a few comments:
1. Note that Speed class (Class 10) specifies only the minimum speed and 
only for WRITING.
2. An additional classification that is somewhat complementary to theses 
classes is the UHS speed classes (UHS-1, and -3)

https://www.sdcard.org/consumers/speed/ .
They specify not only the minimum writing speed, but also the UHS mode of 
the SD bus.


3. Note, that you would benefit from how fast you can READ from the cards, 
both (a) in the camera and (b) in your card reader.


4. Also, note that SDXC, compared to SDHC also defines a difference in the 
file system support (exFAT).

https://en.wikipedia.org/wiki/Secure_Digital#File_system


So, when I was choosing my cards at the end of 2014 (I have k-5 iiS), but 
I was considering K-3, so, I had it in mind (somewhat).


My conclusion: to have at least Class-10, UHS-1.[*] I don't remember for 
sure if K-5/K-3 support UHS-I mode, but I deemed it to be necessary.

https://en.wikipedia.org/wiki/Secure_Digital#Transfer_modes

I forgot what I decided was the useful writing speed cut-off (I might not 
have gotten that number). I vaguely remember thinking in the range of 
40-60 MB/s.
(Notice, unlike internet connection speed, it is megabYtes per 
second, hence MB, not Mb)


[ Just in case: https://www.sdcard.org/consumers/speed/ says that
"Speed Class and the UHS Speed Class are not compatible", but that is
an ambiguous statement, as the cards include markings for both.]


In any case, the latest card I bought was 64GB Samsung PRO that is 
labeled: SDXC, I, (1), and Class 10: 
http://www.adorama.com/ISGMBSG64DAM.html .

This card has specs for 90 MB/s - Read, 50 MB/s write.
 I've been using it for 10-11 months, and have no complaints. As a matter 
of fact, within this time I've used my SanDisk cards only once or twice.


Sorry for the lack of solid number, but I HTH,

Igor



Larry Colen Thu, 15 Oct 2015 16:56:29 -0700 wrote:

Does anyone have any specifications for the bus speed for the SD cards in 
our DSLR bodies? Under the rubric of Class 10 cards, different cards are 
sold with different data rates. My recent purchases vary from 40 to 90 
MbPS. The last time I bought cards, boosting speed from 40 to 80 or 90 
cost about as much as going from 32 to 64 GB.



In addition to the speed to transfer the raw files from the buffer to the 
card, there is also the speed to process the raw files, so while the bus 
might in theory be able to handle 120 MbPS, the system might not work any 
faster with a 90M card than with an 80M card.



Has anyone done any specific experimentation on where diminishing returns 
come into play on recent bodies (K-5, K-3 ...)?


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Re: Pentax DSLR electronic cable release compatibitlity

2014-03-04 Thread P.J. Alling

Yes.

On 2/28/2014 10:49 PM, J.C. O'Connell wrote:
does anybody know if the electronic cable release for the istDS can be 
used on later model

Pentax DSLRS like K10 k20 k5 k3, etc?





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Re: Pentax DSLR electronic cable release compatibitlity

2014-03-01 Thread John

On 3/1/2014 2:53 AM, J.C. O'Connell wrote:

On 2/28/2014 11:43 PM, Brian Walters wrote:

Quoting J.C. O'Connell hifis...@gate.net:


does anybody know if the electronic cable release for the istDS can
be used on later model
Pentax DSLRS like K10 k20 k5 k3, etc?



Yes - I use the same cable on DS, K200D and K-5.  I assume the same
one will work on the K-3.



Good.  This means the mechanical to electronic release converter I made
to use with my DS and autobellows
can be used with later model DSLR bodies too.  Its based on the mamiya
rc402 as suggested here.



What's the pinout for the rc402?

Looking at the front the lettering gives me an orientation 'L' at the
top 'O' at the bottom:

http://tinyurl.com/mamiya-rc402

I turn it around so I can see the connection and I have 4 tiny hole to
accept electrical pins. Also there are little metal tabs in the top 
bottom slots. I can't tell if those tabs are electrical connections or
just springs meant to stiffen the plastic tabs.

Like this:

-Tab  'L'  on top
oContact
oContact
oContact
oContact
-Tab 'O' on the bottom

I looked on line, and I haven't found the information. It might be on
Mamiya's own site, but everything there except for the first page is in
Japanese  I can't read it.

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Re: Pentax DSLR electronic cable release compatibitlity

2014-03-01 Thread J.C. O'Connell

On 3/1/2014 11:19 AM, John wrote:

On 3/1/2014 2:53 AM, J.C. O'Connell wrote:

On 2/28/2014 11:43 PM, Brian Walters wrote:

Quoting J.C. O'Connell hifis...@gate.net:


does anybody know if the electronic cable release for the istDS can
be used on later model
Pentax DSLRS like K10 k20 k5 k3, etc?



Yes - I use the same cable on DS, K200D and K-5.  I assume the same
one will work on the K-3.



Good.  This means the mechanical to electronic release converter I made
to use with my DS and autobellows
can be used with later model DSLR bodies too.  Its based on the mamiya
rc402 as suggested here.



What's the pinout for the rc402?

Looking at the front the lettering gives me an orientation 'L' at the
top 'O' at the bottom:

http://tinyurl.com/mamiya-rc402

I turn it around so I can see the connection and I have 4 tiny hole to
accept electrical pins. Also there are little metal tabs in the top 
bottom slots. I can't tell if those tabs are electrical connections or
just springs meant to stiffen the plastic tabs.

Like this:

-Tab  'L'  on top
oContact
oContact
oContact
oContact
-Tab 'O' on the bottom

I looked on line, and I haven't found the information. It might be on
Mamiya's own site, but everything there except for the first page is in
Japanese  I can't read it.

sorry, I dont recall the pinout and I covered the whole thing up with 
electrical tape
to make it mechanically secure.  what I do remember is I used only two 
wires to the
o contacts, one on the end, and one right next to it.  Its easy to 
ohm out by installing

a cable release and putting a ohmmeter across the contact pins in question.

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Re: Pentax DSLR electronic cable release compatibitlity

2014-02-28 Thread Brian Walters

Quoting J.C. O'Connell hifis...@gate.net:

does anybody know if the electronic cable release for the istDS can  
be used on later model

Pentax DSLRS like K10 k20 k5 k3, etc?



Yes - I use the same cable on DS, K200D and K-5.  I assume the same  
one will work on the K-3.



--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: Pentax DSLR electronic cable release compatibitlity

2014-02-28 Thread J.C. O'Connell

On 2/28/2014 11:43 PM, Brian Walters wrote:

Quoting J.C. O'Connell hifis...@gate.net:

does anybody know if the electronic cable release for the istDS can 
be used on later model

Pentax DSLRS like K10 k20 k5 k3, etc?



Yes - I use the same cable on DS, K200D and K-5.  I assume the same 
one will work on the K-3.



Good.  This means the mechanical to electronic release converter I made 
to use with my DS and autobellows
can be used with later model DSLR bodies too.  Its based on the mamiya 
rc402 as suggested here.


--
J.C. O'Connell
hifis...@gate.net
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Re: Pentax DSLR Shake Reduction Question - Why turn it off on whileon tripod?

2007-01-15 Thread David Savage
Well I took some firework photos last night  I forgot to turn SR off.
They turned out fine.

I also took this shot after the fireworks, mainly as a long exposure/noise test.

Small (800x536 ~100kb)
http://www.arach.net.au/~savage/Misc/Images/K10D/_IGP0733_sml.jpg

Full size (3872x2592 ~1M)
http://www.arach.net.au/~savage/Misc/Images/K10D/_IGP0733_lrg.jpg

K10D, FA 77mm f1.8 Ltd., F5.6 @ 82 seconds, ISO 100. Sharpened
slightly for web  cloned out some power lines. Focusing was a bit of
a guess, as I could hardly see the trees in the centre of the frame.

It was supposed to be 60 seconds but my one one thousand, two one
thousand, three... timing method isn't too accurate much over 20
seconds :-)


Cheers,

Dave

On 1/15/07, Kenneth Waller [EMAIL PROTECTED] wrote:
 We can assume that Pentax knows that the bandwidth doesn't extend into
  the frequency range of the vibrations caused by mirror/shutter actions
  or the potentially relatively fast vibrations set up by buffeting
  winds etc, hence their advisory.

 This paper specifically states handheld vibrations.

 Kenneth Waller

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Re: Pentax DSLR Shake Reduction Question - Why turn it off on while on tripod?

2007-01-14 Thread Digital Image Studio
On 14/01/07, J. C. O'Connell [EMAIL PROTECTED] wrote:
 Could somebody please explain the theory why
 the Pentax AS should be turned off while using
 a tripod??

 I dont understand how it could hurt,
 and intutively it seems like It might help
 if the tripod isnt perfectly stable due to
 wind, camera mechanism vibrations, etc.

It's speculative since the technical information is limited and no
users to date have shared any technical test results of the Pentax SR
systems response and sensitivity. The SR system is based around a set
of movement detectors (gyroscopic according to link below) and an
oscillating plate driven by linear motors which carries the sensor.

As you would expect the system will have a limited response bandwidth
which may be a due to a combination of the speed of the SR processor,
movement sensors and the moving systems mass vs the motor response. We
can assume that Pentax knows that the bandwidth doesn't extend into
the frequency range of the vibrations caused by mirror/shutter actions
or the potentially relatively fast vibrations set up by buffeting
winds etc, hence their advisory.

See: http://www.pentaxslr.com/files/scms_docs//PENTAX_SR_Description_091506.pdf

-- 
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HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://home.swiftdsl.com.au/~distudio//publications/
Pentax user since 1986, PDMLer since 1998

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RE: Pentax DSLR Shake Reduction Question - Why turn it off on whileon tripod?

2007-01-14 Thread J. C. O'Connell
OK, This is starting to make some sense. If the AS cannot
cover the bandwidth of vibration frequencies fouund on 
a tripod mounted camera, then it would just not work if
turned on. But there must me more to it than that because
if they recommend turning it off, then the sensor is
probably locked down or more stable with the AS turned
off even if the vibrations are out of the working
bandwidth of AS system when turned on.

P.S. The comment in the Pentax document about Pentax's
commitment to the over 24 million PENTAX PK lens legacy
makes me laugh in light of the fact they dont even bother to
read the f-stop setting on most of them ( K  M series ).
What a joke that is
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Digital Image Studio
Sent: Sunday, January 14, 2007 7:12 AM
To: Pentax-Discuss Mail List
Subject: Re: Pentax DSLR Shake Reduction Question - Why turn it off on
whileon tripod?


On 14/01/07, J. C. O'Connell [EMAIL PROTECTED] wrote:
 Could somebody please explain the theory why
 the Pentax AS should be turned off while using
 a tripod??

 I dont understand how it could hurt,
 and intutively it seems like It might help
 if the tripod isnt perfectly stable due to
 wind, camera mechanism vibrations, etc.

It's speculative since the technical information is limited and no users
to date have shared any technical test results of the Pentax SR systems
response and sensitivity. The SR system is based around a set of
movement detectors (gyroscopic according to link below) and an
oscillating plate driven by linear motors which carries the sensor.

As you would expect the system will have a limited response bandwidth
which may be a due to a combination of the speed of the SR processor,
movement sensors and the moving systems mass vs the motor response. We
can assume that Pentax knows that the bandwidth doesn't extend into the
frequency range of the vibrations caused by mirror/shutter actions or
the potentially relatively fast vibrations set up by buffeting winds
etc, hence their advisory.

See:
http://www.pentaxslr.com/files/scms_docs//PENTAX_SR_Description_091506.p
df

-- 
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://home.swiftdsl.com.au/~distudio//publications/
Pentax user since 1986, PDMLer since 1998

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Re: Pentax DSLR Shake Reduction Question - Why turn it off on whileon tripod?

2007-01-14 Thread Kenneth Waller
We can assume that Pentax knows that the bandwidth doesn't extend into
 the frequency range of the vibrations caused by mirror/shutter actions
 or the potentially relatively fast vibrations set up by buffeting
 winds etc, hence their advisory.

This paper specifically states handheld vibrations.

Kenneth Waller

- Original Message - 
From: Digital Image Studio [EMAIL PROTECTED]
Subject: Re: Pentax DSLR Shake Reduction Question - Why turn it off on 
whileon tripod?


 On 14/01/07, J. C. O'Connell [EMAIL PROTECTED] wrote:
 Could somebody please explain the theory why
 the Pentax AS should be turned off while using
 a tripod??

 I dont understand how it could hurt,
 and intutively it seems like It might help
 if the tripod isnt perfectly stable due to
 wind, camera mechanism vibrations, etc.

 It's speculative since the technical information is limited and no
 users to date have shared any technical test results of the Pentax SR
 systems response and sensitivity. The SR system is based around a set
 of movement detectors (gyroscopic according to link below) and an
 oscillating plate driven by linear motors which carries the sensor.

 As you would expect the system will have a limited response bandwidth
 which may be a due to a combination of the speed of the SR processor,
 movement sensors and the moving systems mass vs the motor response. We
 can assume that Pentax knows that the bandwidth doesn't extend into
 the frequency range of the vibrations caused by mirror/shutter actions
 or the potentially relatively fast vibrations set up by buffeting
 winds etc, hence their advisory.

 See: 
 http://www.pentaxslr.com/files/scms_docs//PENTAX_SR_Description_091506.pdf

 -- 
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]
 http://home.swiftdsl.com.au/~distudio//publications/
 Pentax user since 1986, PDMLer since 1998

 -- 
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 http://pdml.net/mailman/listinfo/pdml_pdml.net 


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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Joseph Tainter
http://homepage.mac.com/godders/Pentax-DS-150x-timing/

-

A valuable test, Godfrey. Interesting that with the K10D the 150x gives 
so little improvement over the 60x. Is the difference due to different 
brands of card? Or is 150x overkill for the K10D?

Joe

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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Peter Fairweather
 Here we have actual evidence from Godfrey. Whatever happened to idle
speculation and blind prejudice, the mainstay of many a lengthy
thread!

All I need now is the money for the camera, I already have the 150x card

Thanks Godfrey

Peter

On 12/13/06, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 I decided to add the performance testing I did with the K10D to the
 page I did on the *ist DS bodies last July. Updated and QuickTime
 movies of the capture included ... you can see how the cameras'
 buffer size and write speed to the cards affects the distribution of
 sequence captures explicitly that way.

 http://homepage.mac.com/godders/Pentax-DS-150x-timing/

 enjoy,
 Godfrey

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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 1:27 PM, Joseph Tainter wrote:

 http://homepage.mac.com/godders/Pentax-DS-150x-timing/

 A valuable test, Godfrey. Interesting that with the K10D the 150x  
 gives
 so little improvement over the 60x. Is the difference due to different
 brands of card? Or is 150x overkill for the K10D?

You're entitled to your opinion, but I don't think 18% RAW/12% JPEG  
improvement is so little. Two digit percentage improvements I would  
deem to be significant even in a conservative evaluation.

It demonstrates that the 150x card is probably close to the fastest  
card that will make a significant improvement in the K10D's  
performance, but I don't know of any faster ones to test against just  
yet. I would expect, given these numbers, that a 300x card would  
likely see the very small, single digit percentage improvement  
similar to the 60x vs 150x for the DS model.

With 2G capacity 150x cards costing only around $43, and 45x cards  
costing $32, whether they're overkill or not is of little practical  
importance anyway. ;-)

Godfrey

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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Godfrey DiGiorgi
LOL ... I like to think that I'm not being innovative, Peter. ;-)

you're welcome.

Godfrey

On Dec 13, 2006, at 1:45 PM, Peter Fairweather wrote:

  Here we have actual evidence from Godfrey. Whatever happened to idle
 speculation and blind prejudice, the mainstay of many a lengthy
 thread!

 All I need now is the money for the camera, I already have the 150x  
 card

 Thanks Godfrey

 Peter

 On 12/13/06, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 I decided to add the performance testing I did with the K10D to the
 page I did on the *ist DS bodies last July. Updated and QuickTime
 movies of the capture included ... you can see how the cameras'
 buffer size and write speed to the cards affects the distribution of
 sequence captures explicitly that way.

 http://homepage.mac.com/godders/Pentax-DS-150x-timing/


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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Adam Maas
Joseph Tainter wrote:
 http://homepage.mac.com/godders/Pentax-DS-150x-timing/
 
 -
 
 A valuable test, Godfrey. Interesting that with the K10D the 150x gives 
 so little improvement over the 60x. Is the difference due to different 
 brands of card? Or is 150x overkill for the K10D?
 
 Joe
 

I'd hardly call a nearly 20% difference 'so little improvement'.

-Adam


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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Shel Belinkoff
Well, we've got to remember that it's Joe making the call ;-))

Today I had a chance to play with the K10D and used both an 80X card and a
133X card.  Even without measured tests and movies, it was clear that the
10D was faster with the faster card.  Whether one needs the speed is
another matter (I found the camera, using DNG, fast enough with the 80X
card), but considering the price of cards these days, unless one is on a
very tight budget, to buy less than the fastest card the camera can use
makes little sense.  There's also the issue of what you're used to.  The
10D seemed positively supercharged compared to the DS, but after using a
slower card on the 10D for a while, one might wish for a faster card.  It's
like microwaving a potato.  The first time I did it was amazing.  Now I'm
anxious for the potato to cook even faster. 

Then there's also the matter of download and xfer time on the computer to
consider.  The difference I experienced between a 40X card and an 80X card
was enough to convince me to _always_ get the fastest card that's
affordable.

Shel



 [Original Message]
 From: Adam Maas

 Joseph Tainter wrote:
  http://homepage.mac.com/godders/Pentax-DS-150x-timing/
  
  -
  
  A valuable test, Godfrey. Interesting that 
  with the K10D the 150x gives 
  so little improvement over the 60x. 
  Is the difference due to different 
  brands of card? Or is 150x overkill for the K10D?


 I'd hardly call a nearly 20% difference 'so little improvement'.



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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Peter Loveday
 http://homepage.mac.com/godders/Pentax-DS-150x-timing/

Thanks for that, very interesting.

I just conducted a similar test (no, I don't have a movie to watch :)

K10D, RAW (DNG) Test, SanDisk Extreme III 2GB SD card:

a.. 75 RAW exposures, 1.25 exp per sec or 0.8 secs per exp average.
a.. finish write :: ~9 seconds

I'm not sure if this card is actually this much faster, or if I did 
something wrong... its a fairly simple test though.  Looking at the 
timestamps, the files are from 11:36:30 through 11:37:36, which would be 
about right (I notice the K10D EXIF timestamp is when the file is written, 
not when the shot is taken)

Anyway, assuming this is correct... considering this is basically a 133x 
card (20mb/sec), it perhaps illustrates the differences between read/write 
speed.  Cards are often quoted in read speeds, or some combination of 
read/write, wehen determining the 150x.  SanDisk do specify 20mb/sec read 
_and_ write for the extreme III.

In any case, either of these results are impressive, being somewhere from 
13MB/sec to 18MB/sec or something.  If anyone has looked at Rob Galibraith's 
SD speed tests on cameras 
(http://www.robgalbraith.com/bins/multi_page.asp?cid=6007), this blows away 
anything else out there.

The D80, say, only manages RAW writing at 8.34MB/secd on the SanDisk Extreme 
III, and thats its fastest result. Looking down the list you'll see various 
150x cards that are substantially slower... say the 'Transcend 150X 4GB', 
only does 5.56mb/sec, again shows the 150x isn't everything.

I'd recommend the Extreme III's to anyone getting a K10D, I'm pretty damn 
happy with them.

- Peter Loveday


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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Godfrey DiGiorgi
If you did it right (yes, it is a pretty simple test) and these are  
the numbers, it shows that you're getting something for your money  
over the Transcend 150x cards. I suspected that the Transcend cards  
might be rated a bit optimistically.

Of course, I'd like to get my hands on an Extreme III and compare  
doing the same test setup... Now who can I find to give me one? For  
evaluation purposes, of course ... ]'-)

G

On Dec 13, 2006, at 5:24 PM, Peter Loveday wrote:

 K10D, RAW (DNG) Test, SanDisk Extreme III 2GB SD card:

 a.. 75 RAW exposures, 1.25 exp per sec or 0.8 secs per exp average.
 a.. finish write :: ~9 seconds


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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Joseph Tainter
Well, we've got to remember that it's Joe making the call ;-))

Shel

-

Shel, why do you feel the need to blurt out a statement like that? And 
why do you give in to the feeling?

I expected, perhaps naively, that a card that is 150% faster in its 
nominal rating (150x vs 60x) should give something more than a 12-18% 
speed boost. Apparently my understanding was wrong. But nothing in my 
post calls for you to imply something negative about me, or would 
justify posting such an implication.

Joe

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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Shel Belinkoff
Note the smiley, Joe.  Others have commented on your negativity - I've
stayed away from that.  I was just poking a little fun at the reputation
you've garnered here over the past few months as someone who's frequently
finding fault.  We can all learn to laugh at ourselves a bit ...

Why do I give in to such things?  Probably in part because I'm a sarcastic
New Yorker ... it's part of my heritage and upbringing.  My whole family
and most of my friends are sarcastic. Sorry if you were offended.  I'll put
you in the don't kid around with Joe category and will never again kid
around in your presence.

Shel



 [Original Message]
 From: Joseph Tainter

 Well, we've got to remember that it's Joe making the call ;-))

 Shel

 -

 Shel, why do you feel the need to blurt out a statement like that? And 
 why do you give in to the feeling?

 I expected, perhaps naively, that a card that is 150% faster in its 
 nominal rating (150x vs 60x) should give something more than a 12-18% 
 speed boost. Apparently my understanding was wrong. But nothing in my 
 post calls for you to imply something negative about me, or would 
 justify posting such an implication



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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 6:27 PM, Joseph Tainter wrote:

 http://homepage.mac.com/godders/Pentax-DS-150x-timing/

 A valuable test, Godfrey. Interesting that with the K10D the 150x
 gives
 so little improvement over the 60x. Is the difference due to  
 different
 brands of card? Or is 150x overkill for the K10D?

 You're entitled to your opinion, but I don't think 18% RAW/12% JPEG
 improvement is so little. Two digit percentage improvements I would
 deem to be significant even in a conservative evaluation.

 I guess I would have expected something close to 150% improvement. But
 perhaps the manufacturers just want me to anticipate that.

Total performance is more complex than that. The NNx speed rating is  
on reads, normally, not writes, and it might well be optimistic. Lots  
of bits come into play with regard to card cage and driver design as  
well.

Sandisk Ultra II and Extreme III cards tend to read and write faster  
than other cards with similar rated speed. Either Sandisk is more  
honest or more conservative with their ratings ... take your pick.

But I still think that an 18% improvement in performance is significant.

Godfrey


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Re: Pentax DSLR - some questions before I decide Inet

2006-10-17 Thread gfen
On Sat, 14 Oct 2006, Digital Image Studio wrote:
 On static subjects a combination of image combining (can secure
(1.21 jigawatts, etc, much deleted crunchy bits)
 to do manually but there are some really nice automation kits out
 there for serious work.

Yow, am I the only one who finds all the digital bits of New Photography 
boring? I look for reasons to NOT do work at a computer, not seek them 
out.

Sure, points and clicks can leave my LF gear in the shade, but I'd much 
rather be out in the shade, taking a photograph with a lovingly crafed 
view camera than indoors waving a mouse. Hell, the reason I bought a DSLR 
finally is so I could spend more time TAKING pictures and less time 
wasting on things like darkrooms, scanning, futzing in PS, etc.

-shrug- I guess my priorities are all off. Maybe I shouldn't have given 
this digital revolution a shot, hey, is there room by JCO for another 
luddite? I want back in... ;)

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Re: Pentax DSLR - some questions before I decide Inet

2006-10-17 Thread Digital Image Studio
On 17/10/06, gfen [EMAIL PROTECTED] wrote:
 On Sat, 14 Oct 2006, Digital Image Studio wrote:
  On static subjects a combination of image combining (can secure
 (1.21 jigawatts, etc, much deleted crunchy bits)
  to do manually but there are some really nice automation kits out
  there for serious work.

 Yow, am I the only one who finds all the digital bits of New Photography
 boring? I look for reasons to NOT do work at a computer, not seek them
 out.

 Sure, points and clicks can leave my LF gear in the shade, but I'd much
 rather be out in the shade, taking a photograph with a lovingly crafed
 view camera than indoors waving a mouse. Hell, the reason I bought a DSLR
 finally is so I could spend more time TAKING pictures and less time
 wasting on things like darkrooms, scanning, futzing in PS, etc.

 -shrug- I guess my priorities are all off. Maybe I shouldn't have given
 this digital revolution a shot, hey, is there room by JCO for another
 luddite? I want back in... ;)

I enjoy the process of taking a photo but I also enjoy the making of a
photo. The fact is that  large format photography is expensive and
it's a hassle to have processed, it's also often unwieldy especially
if you are also lugging about SLRs etc.

With my little back pack of gear when I'm travelling I can have all my
kit with me so I don't have to leave bit unattended. I can trudge up a
mountain side and take macros along the way then make a honking pano
at the top. It's practicality, the post processing just allows me to
do a whole lot more with less kit. It's no imposition really, I
actually enjoy regaining complete control over the process, in the old
days I was beholden to lab techs.

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Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
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Re: Pentax DSLR - some questions before I decide Inet

2006-10-14 Thread William Robb

- Original Message - 
From: J. C. O'Connell
Subject: RE: Pentax DSLR - some questions before I decide Inet


 Your assumption is maximum depth of field is what is
 Always needed when its not. With tilts and swings
 You can entire offset planes in focus with selective (minimal)
 DOF if needed. You cant do that with photoshop
 After the fact.

Umm, no.
That is what you are presuming I mean when I say sufficient depth of 
field is easier to secure.
The original post is intact below so you can refamiliarize yourself if 
you need to.
I did say in my first post on the subject (this is my third, and last) 
that a view camera was better if the person is serious about 
architectural photography.
I expect you just overlooked this.

 If you are serious about architectural photography, a view camera is
 better.

Anyway, for a more casual approach, an APS DSLR and the tools available 
in Photoshop are sufficient for many people.

I realize that you are not one of these people, and that as far as you 
are concerned, anything less than a view camera is unsuitable for 
architectural photography, so we can drop this one now.



William Robb


 With the smaller format, depth of field is generally easy enough to
 secure in architectural work. After that it becomes a question of
 compromise:
 Is the output from the smaller format camera good enough for the
 intended purpose?
 That is something that neither you, nor I, can answer for someone 
 else.




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Re: Pentax DSLR - some questions before I decide Inet

2006-10-14 Thread Godfrey DiGiorgi
JCO,

It is a waste of time trying to converse with an idiot like you. I  
will not bother.

G

On Oct 14, 2006, at 2:13 AM, J. C. O'Connell wrote:

 You clueless. First of all there are EXTERIORS
 As well as interiors where you are going to
 Need more rise than the shift lenses for medium
 Format and 35mm are going to be able to offer.

 Secondly you are very limited on focal lengths
 With medium format and 35mm shift/tilt lenses.

 Lastly I said SERIOUS architectural photography,
 Which means being able to do exactly what the
 Customer wants, not something close ( or far from it).

 View camera RULE when it comes to architechure, problably
 More than any other genre of photography as a matter of fact
 Due to the much more flexible geometry of the camera itself.
 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On  
 Behalf Of
 Godfrey DiGiorgi
 Sent: Friday, October 13, 2006 6:59 PM
 To: Pentax-Discuss Mail List
 Subject: Re: Pentax DSLR - some questions before I decide Inet

 On Oct 13, 2006, at 8:11 PM, Inet Shopper wrote:
 Sorry guys but you really cant do serious
 Architechure with any pentax cameras or
 Lenses because you need full camera movements
 That only a view camera can provide for architecture.
 Its amazing what you can do with a view for that.
 jco

 JCO:

 This is nonsense. Many many many architectural interior photographs
 are made with Hasselblad SWC cameras and other wide-field cameras
 that do not have tilts and shifts. I would wager that the majority of
 architectural shots sold to magazines are not made with view cameras,
 and haven't been for years. Particularly interior work.

 This is not to say that cameras with shift and tilt are not
 advantageous for architectural work. They are. But unless you are
 doing this kind of work as a speciality and need control on that
 order, yes, you need a good view camera. But I've had a couple of
 commissions done with the Pentax DS and DA14mm lens that is fully
 accepted as interior architectural work.

 I thought tilt/shift lenses were designed to perform perspective
 correction? ...

 Tilt/shift lenses allow a limited amount of correction for this kind
 of work. Unfortunately, most of them are a little too long in focal
 length to be particularly useful for architectural work on a 16x24mm
 sensor camera. You're better off using a wide field lens with minimal
 rectilinear distortion (like the DA14) and using image processing
 software to do any keystone corrections required.

 Thanks for the inputs. Most of my picture-taking is done while
 travelling, so a
 zoom is definitely more convenient than a bagful of lenses. As for
 architecture, here are some examples of architecture that I
 photograph:

 http://www.flickr.com/photos/[EMAIL PROTECTED]/

 If the link works, you can see that I don't shoot brick walls ;-)
 so if the
 wavy/barrel distortion is not too obvious, I'm OK. Normally, the
 limiting
 factor is me, not the equipment. And if the final budget dictates
 either the
 16-45 alone, or the kit 18-55 plus one (used) fast lens, then I'm
 going with
 the latter.

 For the kind of travel work I see on this page (some of it quite
 nice...), the 16-45 will likely do quite well. The 18-55 would
 probably do ok too.

 My travel kit this year is a DA21, FA35 and FA77. Compact, light, and
 a nice range with good speed. I often include the DA14 as well, but
 was a little challenged for space on this trip.

 Godfrey

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RE: Pentax DSLR - some questions before I decide Inet

2006-10-14 Thread Kostas Kavoussanakis
On Fri, 13 Oct 2006, J. C. O'Connell wrote:

 You clueless.

JC I have had enough. Your language is unacceptable. Bye-bye.

Kostas

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Re: Pentax DSLR - some questions before I decide

2006-10-13 Thread Inet Shopper
 There are only a few adapters for Canon FD series lenses and none  
 give full functionality.

Yes, adapters exist, but stop-down metering is not convenient. Plus, there is
either teleconversion and light loss, or loss of infinity focus. So I will buy
some lenses for the DSLR.

 Go for the FA35/2 AL or FA28/2.8 AL. Both are very good lenses and  
 not too terribly expensive. They're not f/1.4, but the Pentax DSLRs  
 are quite clean in rendering up to ISO 800 and even 1600 in a  
 pinch ... much better than film.

The thing is, when it's dark, AF might not work. I do not want to focus
manually in the dark with a slow lens on the K100D's matte screen.

My Canon A1's screen has both the split-image and microprism ring. With the
50/1.4 or 28/2, I have no issues at night. The K100D has a matte screen, so I
would start at a disadvantage. A fast lens would be helpful.

Speaking of fast lenses, the original Sigma 28/1.8 is supposed to be a good
performer, and quite compact (58mm filter, 284g). The updated Macro version
is larger and heavier (77mm filter, 500g). Has anyone used the pre-Macro Sigma
28/1.8? Macro is not a big deal as I have some achromatic close-up lenses
which work quite well.

 Switching to Manual Focus turns off the focus lockout. As does AF- 
 Continuous mode.

Thanks!

 For quality, I much prefer the DA16-45 or FA20-35 over the kit zoom.

Got it. The FA20-35 is pricey and I don't need full-frame coverage. How is the
DA16-45 with architecture? Will I need to fix barrel distortion in
post-processing? Is the 18-55 kit lens good enough in this respect, too?

 Not familiar with the Sunpak 30DX flash unit. But if it's an external  
 sensor auto-flash, it will work the same way it does on your A1. Not  
 sure why it needs a custom module to work that way, but ...  ???

 Godfrey

When I set the flash for a particular distance, the custom Canon module allows
the flash to change the camera aperture accordingly. This is convenient.

Benjamin

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Re: Pentax DSLR - some questions before I decide

2006-10-13 Thread Godfrey DiGiorgi

On Oct 13, 2006, at 8:26 AM, Inet Shopper wrote:

 Go for the FA35/2 AL or FA28/2.8 AL. Both are very good lenses and
 not too terribly expensive. They're not f/1.4, but the Pentax DSLRs
 are quite clean in rendering up to ISO 800 and even 1600 in a
 pinch ... much better than film.

 The thing is, when it's dark, AF might not work. I do not want to  
 focus
 manually in the dark with a slow lens on the K100D's matte screen.

 My Canon A1's screen has both the split-image and microprism ring.  
 With the
 50/1.4 or 28/2, I have no issues at night. The K100D has a matte  
 screen, so I
 would start at a disadvantage. A fast lens would be helpful.

Personally, and many differ with me, I find a matte screen easier to  
focus with particularly in low light. The FA35 is quite contrasty  
wide open ... f/2 is quite bright enough for good focusing in low  
light. Matter of fact, I usually turn off AF in low light as I find  
it quite a bit faster and more accurate to focus manually. Even the  
FA20-35/4 is contrasty and easy to focus manually. I haven't tested  
the FA28 in such circumstances but I expect it would be much the same.

 Speaking of fast lenses, the original Sigma 28/1.8 is supposed to  
 be a good
 performer, and quite compact (58mm filter, 284g). The updated  
 Macro version
 is larger and heavier (77mm filter, 500g). Has anyone used the pre- 
 Macro Sigma
 28/1.8? Macro is not a big deal as I have some achromatic close- 
 up lenses
 which work quite well.

I don't buy Sigma lenses. I've never had any good experiences with  
them, and find their optical quality quite variable and usually  
unacceptable. I have no experience with the 28/1.8.

 For quality, I much prefer the DA16-45 or FA20-35 over the kit zoom.

 Got it. The FA20-35 is pricey and I don't need full-frame coverage.  
 How is the
 DA16-45 with architecture? Will I need to fix barrel distortion in
 post-processing? Is the 18-55 kit lens good enough in this respect,  
 too?

The 18-55 has some W-shape distortions ... a good lens but not really  
at its best for architecture. The DA16-45 has a bit of simple barrel  
distortion, easy to correct. The 20-35 has less and has nicer  
rendering qualities.
Rendering-wise, the DA16-45 is substantially nicer than the 18-55,  
and its constant f/4 is also a boon.

 Not familiar with the Sunpak 30DX flash unit. But if it's an external
 sensor auto-flash, it will work the same way it does on your A1. Not
 sure why it needs a custom module to work that way, but ...  ???

 When I set the flash for a particular distance, the custom Canon  
 module allows
 the flash to change the camera aperture accordingly. This is  
 convenient.

Interesting. Never seen that, don't know whether the same would apply  
to the Pentax.

Godfrey

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Re: Pentax DSLR - some questions before I decide

2006-10-13 Thread Carlos Royo
Godfrey DiGiorgi wrote:


 
 The 18-55 has some W-shape distortions ... a good lens but not really  
 at its best for architecture. The DA16-45 has a bit of simple barrel  
 distortion, easy to correct. The 20-35 has less and has nicer  
 rendering qualities.
 Rendering-wise, the DA16-45 is substantially nicer than the 18-55,  
 and its constant f/4 is also a boon.
 

I have found that the distortions shown by the DA 18-55 are easily 
corrected by using PT Lens, and the 18-55 is a really good performer for 
its price. But I am sure the 16-45 is a better lens.

Carlos

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Re: Pentax DSLR - some questions before I decide

2006-10-13 Thread Shel Belinkoff
I've used 'em both.  The 16-45 is better, but the 18-55 is still a good
lens for the money as you say, and a nice snapshop lens.  Well worth the
price ...

Shel



 [Original Message]
 From: Carlos Royo 

 I have found that the distortions shown by the DA 18-55 are easily 
 corrected by using PT Lens, and the 18-55 is a really good performer for 
 its price. But I am sure the 16-45 is a better lens.



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Re: Pentax DSLR - some questions before I decide

2006-10-13 Thread Godfrey DiGiorgi
All well and good, and no contradiction to what I said. I wouldn't  
choose it for doing architecture, however. Between the rendering  
quality and the need to do rectilinear correction with PTLens, I'd  
find it a pain. ;-)

Godfrey

On Oct 13, 2006, at 10:19 AM, Shel Belinkoff wrote:

 I've used 'em both.  The 16-45 is better, but the 18-55 is still a  
 good
 lens for the money as you say, and a nice snapshop lens.  Well  
 worth the
 price ...

 I have found that the distortions shown by the DA 18-55 are easily
 corrected by using PT Lens, and the 18-55 is a really good  
 performer for
 its price. But I am sure the 16-45 is a better lens.


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Re: Pentax DSLR - some questions before I decide

2006-10-13 Thread Carlos Royo
Godfrey DiGiorgi wrote:
 All well and good, and no contradiction to what I said. I wouldn't  
 choose it for doing architecture, however. Between the rendering  
 quality and the need to do rectilinear correction with PTLens, I'd  
 find it a pain. ;-)
 
 Godfrey
 

I agree that there is no contradiction. In fact, all the 
wide-to-normal or wide-to-small tele zoom lenses that I know show 
too much distortion for serious architecture photography. That is also 
the case with the 16-45, judging from the photos I have seen and user 
reports. But I also think that many zooms lenses are useful for that 
kind of photography if the photographer understands their limitations 
and can live with them, or is prepared to correct the shots in post 
processing.

Carlos

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RE: Pentax DSLR - some questions before I decide

2006-10-13 Thread J. C. O'Connell
Sorry guys but you really cant do serious
Architechure with any pentax cameras or
Lenses because you need full camera movements
That only a view camera can provide for architecture.
Its amazing what you can do with a view for that.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Carlos Royo
Sent: Friday, October 13, 2006 1:52 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax DSLR - some questions before I decide

Godfrey DiGiorgi wrote:
 All well and good, and no contradiction to what I said. I wouldn't  
 choose it for doing architecture, however. Between the rendering  
 quality and the need to do rectilinear correction with PTLens, I'd  
 find it a pain. ;-)
 
 Godfrey
 

I agree that there is no contradiction. In fact, all the 
wide-to-normal or wide-to-small tele zoom lenses that I know show 
too much distortion for serious architecture photography. That is also

the case with the 16-45, judging from the photos I have seen and user 
reports. But I also think that many zooms lenses are useful for that 
kind of photography if the photographer understands their limitations 
and can live with them, or is prepared to correct the shots in post 
processing.

Carlos

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Re: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread Inet Shopper
 Sorry guys but you really cant do serious
 Architechure with any pentax cameras or
 Lenses because you need full camera movements
 That only a view camera can provide for architecture.
 Its amazing what you can do with a view for that.
 jco

I thought tilt/shift lenses were designed to perform perspective correction?
According to this page:

http://www.ohse.de/uwe/articles/shift-tilt.html

for Pentax K-mount cameras, there are shift and tilt/shift lenses available
from:

Pentax(!): SMC A 28mm f3.5 shift
Schneider-Kreuznach: 28mm f2.8 shift, 35mm f4 shift (M42)
Zavod Arsenal: 35mm f2.8 shift and tilt/shift, 80mm f2.8 tilt/shift

Also, at:

http://www.rugift.com/photocameras/pentax_cameras_lenses.htm

There are 2 Russian lenses of interest - a 35mm f2.8 tilt/shift, and an 80mm
f2.8 tilt/shift.

So it seems all is not lost for Pentax users. The Zavod Arsenal and Russian
lenses at least offer tilt/shift which should correct fully for perspective, at
least within their design limits.

Disclaimer: I have never used a view camera, so there may indeed be adjustments
possible with a view camera, that cannot be similarly achieved with a
tilt/shift lens on an SLR. I will be happy to be corrected.

But anyway I guess I don't qualify as a serious architecture photographer...
I'm not too concerned about perspective correction - I usually just try to hold
the camera level, and I sometimes use the perspective distortion for dramatic
shots. I'm more concerned about wavy/barrel distortion.

 In fact, all the wide-to-normal or wide-to-small tele zoom lenses that I
 know show too much distortion for serious architecture photography. That is
 also the case with the 16-45, judging from the photos I have seen and user
 reports. But I also think that many zooms lenses are useful for that
 kind of photography if the photographer understands their limitations
 and can live with them, or is prepared to correct the shots in post
 processing.

 Carlos

Thanks for the inputs. Most of my picture-taking is done while travelling, so a
zoom is definitely more convenient than a bagful of lenses. As for
architecture, here are some examples of architecture that I photograph:

http://www.flickr.com/photos/[EMAIL PROTECTED]/

If the link works, you can see that I don't shoot brick walls ;-) so if the
wavy/barrel distortion is not too obvious, I'm OK. Normally, the limiting
factor is me, not the equipment. And if the final budget dictates either the
16-45 alone, or the kit 18-55 plus one (used) fast lens, then I'm going with
the latter.

Benjamin

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RE: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread J. C. O'Connell
Yes, you can do LIMITED tilting and shifting
With these speciality lenses but view cameras
Allow much more shift/tilt/swings and with essentially
All lenses you mount on the cameras (provided
They have enough coverage, that's up to the buyer ).
Never heard of the Zovod lenses, are they any good?
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Inet Shopper
Sent: Friday, October 13, 2006 3:11 PM
To: pdml@pdml.net
Subject: Re: Pentax DSLR - some questions before I decide Inet 

 Sorry guys but you really cant do serious
 Architechure with any pentax cameras or
 Lenses because you need full camera movements
 That only a view camera can provide for architecture.
 Its amazing what you can do with a view for that.
 jco

I thought tilt/shift lenses were designed to perform perspective
correction?
According to this page:

http://www.ohse.de/uwe/articles/shift-tilt.html

for Pentax K-mount cameras, there are shift and tilt/shift lenses
available
from:

Pentax(!): SMC A 28mm f3.5 shift
Schneider-Kreuznach: 28mm f2.8 shift, 35mm f4 shift (M42)
Zavod Arsenal: 35mm f2.8 shift and tilt/shift, 80mm f2.8 tilt/shift

Also, at:

http://www.rugift.com/photocameras/pentax_cameras_lenses.htm

There are 2 Russian lenses of interest - a 35mm f2.8 tilt/shift, and an
80mm
f2.8 tilt/shift.

So it seems all is not lost for Pentax users. The Zavod Arsenal and
Russian
lenses at least offer tilt/shift which should correct fully for
perspective, at
least within their design limits.

Disclaimer: I have never used a view camera, so there may indeed be
adjustments
possible with a view camera, that cannot be similarly achieved with a
tilt/shift lens on an SLR. I will be happy to be corrected.

But anyway I guess I don't qualify as a serious architecture
photographer...
I'm not too concerned about perspective correction - I usually just try
to hold
the camera level, and I sometimes use the perspective distortion for
dramatic
shots. I'm more concerned about wavy/barrel distortion.

 In fact, all the wide-to-normal or wide-to-small tele zoom lenses
that I
 know show too much distortion for serious architecture photography.
That is
 also the case with the 16-45, judging from the photos I have seen and
user
 reports. But I also think that many zooms lenses are useful for that
 kind of photography if the photographer understands their limitations
 and can live with them, or is prepared to correct the shots in post
 processing.

 Carlos

Thanks for the inputs. Most of my picture-taking is done while
travelling, so a
zoom is definitely more convenient than a bagful of lenses. As for
architecture, here are some examples of architecture that I
photograph:

http://www.flickr.com/photos/[EMAIL PROTECTED]/

If the link works, you can see that I don't shoot brick walls ;-) so if
the
wavy/barrel distortion is not too obvious, I'm OK. Normally, the
limiting
factor is me, not the equipment. And if the final budget dictates either
the
16-45 alone, or the kit 18-55 plus one (used) fast lens, then I'm going
with
the latter.

Benjamin

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RE: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread pnstenquist
You can accomplish better perspective correctin in PhotoShop than you can with 
the limited 35mm or MF shift lenses. In fact, you can control perspective quite 
nicely using the various controls available in Photoshop's Transform and 
Free Transform. Of course you can't come close to the resolution of the large 
format cameras, but with the right lensing and a bit of PS experience, you can 
equal the perspective control capabilities of the view camera.
Paul
 -- Original message --
From: J. C. O'Connell [EMAIL PROTECTED]
 Yes, you can do LIMITED tilting and shifting
 With these speciality lenses but view cameras
 Allow much more shift/tilt/swings and with essentially
 All lenses you mount on the cameras (provided
 They have enough coverage, that's up to the buyer ).
 Never heard of the Zovod lenses, are they any good?
 jco
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Inet Shopper
 Sent: Friday, October 13, 2006 3:11 PM
 To: pdml@pdml.net
 Subject: Re: Pentax DSLR - some questions before I decide Inet 
 
  Sorry guys but you really cant do serious
  Architechure with any pentax cameras or
  Lenses because you need full camera movements
  That only a view camera can provide for architecture.
  Its amazing what you can do with a view for that.
  jco
 
 I thought tilt/shift lenses were designed to perform perspective
 correction?
 According to this page:
 
 http://www.ohse.de/uwe/articles/shift-tilt.html
 
 for Pentax K-mount cameras, there are shift and tilt/shift lenses
 available
 from:
 
 Pentax(!): SMC A 28mm f3.5 shift
 Schneider-Kreuznach: 28mm f2.8 shift, 35mm f4 shift (M42)
 Zavod Arsenal: 35mm f2.8 shift and tilt/shift, 80mm f2.8 tilt/shift
 
 Also, at:
 
 http://www.rugift.com/photocameras/pentax_cameras_lenses.htm
 
 There are 2 Russian lenses of interest - a 35mm f2.8 tilt/shift, and an
 80mm
 f2.8 tilt/shift.
 
 So it seems all is not lost for Pentax users. The Zavod Arsenal and
 Russian
 lenses at least offer tilt/shift which should correct fully for
 perspective, at
 least within their design limits.
 
 Disclaimer: I have never used a view camera, so there may indeed be
 adjustments
 possible with a view camera, that cannot be similarly achieved with a
 tilt/shift lens on an SLR. I will be happy to be corrected.
 
 But anyway I guess I don't qualify as a serious architecture
 photographer...
 I'm not too concerned about perspective correction - I usually just try
 to hold
 the camera level, and I sometimes use the perspective distortion for
 dramatic
 shots. I'm more concerned about wavy/barrel distortion.
 
  In fact, all the wide-to-normal or wide-to-small tele zoom lenses
 that I
  know show too much distortion for serious architecture photography.
 That is
  also the case with the 16-45, judging from the photos I have seen and
 user
  reports. But I also think that many zooms lenses are useful for that
  kind of photography if the photographer understands their limitations
  and can live with them, or is prepared to correct the shots in post
  processing.
 
  Carlos
 
 Thanks for the inputs. Most of my picture-taking is done while
 travelling, so a
 zoom is definitely more convenient than a bagful of lenses. As for
 architecture, here are some examples of architecture that I
 photograph:
 
 http://www.flickr.com/photos/[EMAIL PROTECTED]/
 
 If the link works, you can see that I don't shoot brick walls ;-) so if
 the
 wavy/barrel distortion is not too obvious, I'm OK. Normally, the
 limiting
 factor is me, not the equipment. And if the final budget dictates either
 the
 16-45 alone, or the kit 18-55 plus one (used) fast lens, then I'm going
 with
 the latter.
 
 Benjamin
 
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Re: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread William Robb

- Original Message - 
From: Inet Shopper
Subject: Re: Pentax DSLR - some questions before I decide Inet


 Sorry guys but you really cant do serious
 Architechure with any pentax cameras or
 Lenses because you need full camera movements
 That only a view camera can provide for architecture.
 Its amazing what you can do with a view for that.
 jco

 I thought tilt/shift lenses were designed to perform perspective
 correction?

Shift lenses help, and you can do a lot of perspective correction using
Photoshop as well.
I doubt John has much knowledge of Photoshop, since he isn't using
digital.
If you are serious about architectural photography, a view camera is 
better.

William Robb



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RE: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread J. C. O'Connell
If I am the john you are reffering to, I do use
Photoshop. Not sure which John you are talking about.
Photoshop can do perspective control with a loss in
Resolution but it cant do what tilts and swings
Do which is control plane of focus/DOF.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Friday, October 13, 2006 4:25 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax DSLR - some questions before I decide Inet 


- Original Message - 
From: Inet Shopper
Subject: Re: Pentax DSLR - some questions before I decide Inet


 Sorry guys but you really cant do serious
 Architechure with any pentax cameras or
 Lenses because you need full camera movements
 That only a view camera can provide for architecture.
 Its amazing what you can do with a view for that.
 jco

 I thought tilt/shift lenses were designed to perform perspective
 correction?

Shift lenses help, and you can do a lot of perspective correction using
Photoshop as well.
I doubt John has much knowledge of Photoshop, since he isn't using
digital.
If you are serious about architectural photography, a view camera is 
better.

William Robb



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Re: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread Godfrey DiGiorgi
On Oct 13, 2006, at 8:11 PM, Inet Shopper wrote:
 Sorry guys but you really cant do serious
 Architechure with any pentax cameras or
 Lenses because you need full camera movements
 That only a view camera can provide for architecture.
 Its amazing what you can do with a view for that.
 jco

JCO:

This is nonsense. Many many many architectural interior photographs  
are made with Hasselblad SWC cameras and other wide-field cameras  
that do not have tilts and shifts. I would wager that the majority of  
architectural shots sold to magazines are not made with view cameras,  
and haven't been for years. Particularly interior work.

This is not to say that cameras with shift and tilt are not  
advantageous for architectural work. They are. But unless you are  
doing this kind of work as a speciality and need control on that  
order, yes, you need a good view camera. But I've had a couple of  
commissions done with the Pentax DS and DA14mm lens that is fully  
accepted as interior architectural work.

 I thought tilt/shift lenses were designed to perform perspective  
 correction? ...

Tilt/shift lenses allow a limited amount of correction for this kind  
of work. Unfortunately, most of them are a little too long in focal  
length to be particularly useful for architectural work on a 16x24mm  
sensor camera. You're better off using a wide field lens with minimal  
rectilinear distortion (like the DA14) and using image processing  
software to do any keystone corrections required.

 Thanks for the inputs. Most of my picture-taking is done while  
 travelling, so a
 zoom is definitely more convenient than a bagful of lenses. As for
 architecture, here are some examples of architecture that I  
 photograph:

 http://www.flickr.com/photos/[EMAIL PROTECTED]/

 If the link works, you can see that I don't shoot brick walls ;-)  
 so if the
 wavy/barrel distortion is not too obvious, I'm OK. Normally, the  
 limiting
 factor is me, not the equipment. And if the final budget dictates  
 either the
 16-45 alone, or the kit 18-55 plus one (used) fast lens, then I'm  
 going with
 the latter.

For the kind of travel work I see on this page (some of it quite  
nice...), the 16-45 will likely do quite well. The 18-55 would  
probably do ok too.

My travel kit this year is a DA21, FA35 and FA77. Compact, light, and  
a nice range with good speed. I often include the DA14 as well, but  
was a little challenged for space on this trip.

Godfrey

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Re: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread William Robb

- Original Message - 
From: J. C. O'Connell
Subject: RE: Pentax DSLR - some questions before I decide Inet


 If I am the john you are reffering to, I do use
 Photoshop. Not sure which John you are talking about.
 Photoshop can do perspective control with a loss in
 Resolution but it cant do what tilts and swings
 Do which is control plane of focus/DOF.

With the smaller format, depth of field is generally easy enough to 
secure in architectural work. After that it becomes a question of 
compromise:
Is the output from the smaller format camera good enough for the 
intended purpose?
That is something that neither you, nor I, can answer for someone else.

William Robb 



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RE: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread J. C. O'Connell
You clueless. First of all there are EXTERIORS
As well as interiors where you are going to 
Need more rise than the shift lenses for medium
Format and 35mm are going to be able to offer.

Secondly you are very limited on focal lengths
With medium format and 35mm shift/tilt lenses.

Lastly I said SERIOUS architectural photography,
Which means being able to do exactly what the
Customer wants, not something close ( or far from it).

View camera RULE when it comes to architechure, problably
More than any other genre of photography as a matter of fact
Due to the much more flexible geometry of the camera itself.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Friday, October 13, 2006 6:59 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax DSLR - some questions before I decide Inet

On Oct 13, 2006, at 8:11 PM, Inet Shopper wrote:
 Sorry guys but you really cant do serious
 Architechure with any pentax cameras or
 Lenses because you need full camera movements
 That only a view camera can provide for architecture.
 Its amazing what you can do with a view for that.
 jco

JCO:

This is nonsense. Many many many architectural interior photographs  
are made with Hasselblad SWC cameras and other wide-field cameras  
that do not have tilts and shifts. I would wager that the majority of  
architectural shots sold to magazines are not made with view cameras,  
and haven't been for years. Particularly interior work.

This is not to say that cameras with shift and tilt are not  
advantageous for architectural work. They are. But unless you are  
doing this kind of work as a speciality and need control on that  
order, yes, you need a good view camera. But I've had a couple of  
commissions done with the Pentax DS and DA14mm lens that is fully  
accepted as interior architectural work.

 I thought tilt/shift lenses were designed to perform perspective  
 correction? ...

Tilt/shift lenses allow a limited amount of correction for this kind  
of work. Unfortunately, most of them are a little too long in focal  
length to be particularly useful for architectural work on a 16x24mm  
sensor camera. You're better off using a wide field lens with minimal  
rectilinear distortion (like the DA14) and using image processing  
software to do any keystone corrections required.

 Thanks for the inputs. Most of my picture-taking is done while  
 travelling, so a
 zoom is definitely more convenient than a bagful of lenses. As for
 architecture, here are some examples of architecture that I  
 photograph:

 http://www.flickr.com/photos/[EMAIL PROTECTED]/

 If the link works, you can see that I don't shoot brick walls ;-)  
 so if the
 wavy/barrel distortion is not too obvious, I'm OK. Normally, the  
 limiting
 factor is me, not the equipment. And if the final budget dictates  
 either the
 16-45 alone, or the kit 18-55 plus one (used) fast lens, then I'm  
 going with
 the latter.

For the kind of travel work I see on this page (some of it quite  
nice...), the 16-45 will likely do quite well. The 18-55 would  
probably do ok too.

My travel kit this year is a DA21, FA35 and FA77. Compact, light, and  
a nice range with good speed. I often include the DA14 as well, but  
was a little challenged for space on this trip.

Godfrey

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RE: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread J. C. O'Connell
Your assumption is maximum depth of field is what is
Always needed when its not. With tilts and swings
You can entire offset planes in focus with selective (minimal)
DOF if needed. You cant do that with photoshop
After the fact.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Friday, October 13, 2006 8:05 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax DSLR - some questions before I decide Inet 


- Original Message - 
From: J. C. O'Connell
Subject: RE: Pentax DSLR - some questions before I decide Inet


 If I am the john you are reffering to, I do use
 Photoshop. Not sure which John you are talking about.
 Photoshop can do perspective control with a loss in
 Resolution but it cant do what tilts and swings
 Do which is control plane of focus/DOF.

With the smaller format, depth of field is generally easy enough to 
secure in architectural work. After that it becomes a question of 
compromise:
Is the output from the smaller format camera good enough for the 
intended purpose?
That is something that neither you, nor I, can answer for someone else.

William Robb 



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Re: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread graywolf
Also, for landscape work. That is how you get everything from the blades 
of grass in front of the camera to the mountains in the background 
sharp. Folks ought to read a good book on view camera techniques just so 
they will know what can be done, even if they have no interest in doing 
it themselves. A tilt shift lens gives you the movements of a press 
camera (front only), not those of a full view camera which has front and 
back movements. As for Photoshop, a kludge is better than nothing, but 
it ain't the real thing.

Interestingly there are things you can not do with a view camera that 
you can easily do with 35mm/digital, and vis versa. To do a full range 
of photography you really need both. However most large format users are 
pretty much hidden from most of the public unlike the wedding and 
photojournalist crowd, so are not as well known. It is not simply a just 
matter of a bigger negative, it is a matter of control.

-- 
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http://www.graywolfphoto.com
http://webpages.charter.net/graywolf
Idiot Proof == Expert Proof
---


William Robb wrote:
 - Original Message - 
 From: Inet Shopper
 Subject: Re: Pentax DSLR - some questions before I decide Inet
 
 
 Sorry guys but you really cant do serious
 Architechure with any pentax cameras or
 Lenses because you need full camera movements
 That only a view camera can provide for architecture.
 Its amazing what you can do with a view for that.
 jco
 I thought tilt/shift lenses were designed to perform perspective
 correction?
 
 Shift lenses help, and you can do a lot of perspective correction using
 Photoshop as well.
 I doubt John has much knowledge of Photoshop, since he isn't using
 digital.
 If you are serious about architectural photography, a view camera is 
 better.
 
 William Robb
 
 
 

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Re: Pentax DSLR - some questions before I decide Inet

2006-10-13 Thread Digital Image Studio
On 14/10/06, graywolf [EMAIL PROTECTED] wrote:
 Also, for landscape work. That is how you get everything from the blades
 of grass in front of the camera to the mountains in the background
 sharp. Folks ought to read a good book on view camera techniques just so
 they will know what can be done, even if they have no interest in doing
 it themselves. A tilt shift lens gives you the movements of a press
 camera (front only), not those of a full view camera which has front and
 back movements. As for Photoshop, a kludge is better than nothing, but
 it ain't the real thing.

On static subjects a combination of image combining (can secure
infinite DOF at wide open apertures if required and/or ultra-wide
latitude) and multi-row image stitching of even relatively low res
digi shots will even put LF in the shade now. Granted the it's tedious
to do manually but there are some really nice automation kits out
there for serious work.

http://www.peaceriverstudios.com/pixorb/index.html
http://www.roundshot-deutschland.de/english/karline_rodeon_modular.html


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HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
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Pentax user since 1986, PDMLer since 1998

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Re: Pentax DSLR - some questions before I decide

2006-10-12 Thread Godfrey DiGiorgi

On Oct 9, 2006, at 8:39 PM, Inet Shopper wrote:

 I shoot mostly landscapes and architecture, and prefer a wide-angle  
 lens. With
 the compact I usually use the wide end (38mm) and with the Canon  
 A1, the lens
 is usually 50/1.4 or 28/2. I also shoot at evening gatherings, and  
 like the low
 light capability of both lenses.

- equivalents are 35mm and 18mm.

 To be clear, the Canon A1 uses FD lenses, and I'm not willing to  
 use adapters
 to get limited functionality on a DSLR body.

There are only a few adapters for Canon FD series lenses and none  
give full functionality. I seem to recall the Canon adapter had  
optics in them that effected a 1.2x multiplication of focal length  
and bit of a reduction in speed.

 1. Cost of 28/2 and 35/2: The A-series 28/2 and 35/2 actually seem  
 uncommon and
 somewhat expensive, about US$150+/- on eBay. One A35/2 recently  
 sold for
 US$375! I've also searched the German and Dutch eBay sites, plus  
 KEH. I'm
 clearly not alone in wanting to use them on a Pentax DSLR. Are  
 there any other
 useful sources? I live in Singapore, and the local used market is  
 mostly
 Canon/Nikon.

Go for the FA35/2 AL or FA28/2.8 AL. Both are very good lenses and  
not too terribly expensive. They're not f/1.4, but the Pentax DSLRs  
are quite clean in rendering up to ISO 800 and even 1600 in a  
pinch ... much better than film.

 2. K/M Lenses: If I was to use a K/M lens, but only used it wide  
 open in
 aperture priority mode, do I get fully automatic operation i.e. no  
 need for the
 2-step meter-shoot kludge? If so, then as a night lens there's no  
 difference
 between the A and K/M lenses, right?

Yes.

 3. Focus Trap: Some posters mentioned that the shutter locks until  
 the camera
 confirms focus. This is great for macrophotography, but can it be  
 turned off?
 Sometimes, an out-of-focus picture beats no picture at all. I've  
 used a Nikon
 D70 to cover an event before - when it couldn't focus, I had to  
 switch to
 manual focus to get the shutter to trip.

Switching to Manual Focus turns off the focus lockout. As does AF- 
Continuous mode.

 4. Other general-purpose lenses: Two alternatives to the  
 18-55/3.5-5.6 kit lens
 are the 17-28/2.8-4 lenses offered by Tamron and Sigma.  ...

I don't like using anything but Pentax lenses very much. For quality,  
I much prefer the DA16-45 or FA20-35 over the kit zoom.

 5. Flash compatibility: I understand the K100D uses a new type of  
 flash
 control, P-TTL, and will not work with normal TTL flashes. I have  
 no idea what
 P-TTL is. I use a Sunpak 30DX bounce/swivel automatic flash with a  
 Canon module
 for my A1. I set the desired aperture on the flash, set the A1 to  
 shutter
 priority at 1/60, and get satisfactory results. If I simply  
 purchase a Pentax
 module (for the LX, ME, MG, MV, MV1), can I continue to shoot in  
 the same way
 i.e. the flash sensor controls the cut-off? I'm not hung up on getting
 TTL/P-TTL flash.

Not familiar with the Sunpak 30DX flash unit. But if it's an external  
sensor auto-flash, it will work the same way it does on your A1. Not  
sure why it needs a custom module to work that way, but ...  ???

 Finally, Pentax and Sony are currently the only way to get  
 antishake AND a f2
 or faster lens together, as the Canon and Nikon IS/VR lenses are  
 f2.8 at most,
 not to mention heavy and expensive. But Canon and Nikon have the  
 clear edge in
 availability of used lenses and accessories, so I'd also like to  
 hear from
 members who use gear on the Canon and Nikon platforms. Please reply  
 off-list if
 you feel it's not relevant to PDML.

As a 30 year veteran user of Nikon SLR cameras and lenses, I know  
what you're saying. I prefer the Pentax lenses I've got now over what  
I used to have in Nikon system lenses. And even the Pentax DS body  
has been an excellent performer for me.

Godfrey


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Re: Pentax DSLR - some questions before I decide

2006-10-10 Thread Inet Shopper
 You can probably afford the 40 limited. It's very cheap (About 2/3rds 
 the cost of a new FA 35/2 here in Canada)

If you mean the 43/1.9, it's currently US$370 after rebate at BH online, while
the FA 35/2 is US$300 (but out of stock). Does your Canadian store have a
website? I'd like to take a look.

 Sigma 20/1.8. Massive, soft wide open, and expensive.

OK I stand corrected. This IS a fast ultrawide lens. However, size and price
rule it out for me.

 Yes, Auto flash works just fine, however the Pentax module is for TTL 
 use (Your Canon doesn't do TTL at all, just Auto Aperture flash). The 
 flash would need to have an Auto Thyristor mode with a non-dedicated 
 shoe. It also needs to be low voltage trigger (sub-12v).

 -Adam

So I can just buy a standard (non-dedicated) module for the flash to use it
with a K100D? I believe the flash has a thyristor, as it recharges more quickly
when manually set to fire at less than full power. Voltage-wise, Kevin Bjorke's
strobe voltage page indicates the Sunpak 30DX puts out 4.6-10.4V, so no
problem.

Thanks for the comprehensive replies, by the way. Much appreciated!
Benjamin

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Re: Pentax DSLR - some questions before I decide

2006-10-10 Thread Inet Shopper
 You can probably afford the 40 limited. It's very cheap (About 2/3rds 
 the cost of a new FA 35/2 here in Canada)

 The Sigma's not worth the money. The Tamron is, but the SMC-DA 16-45 f4 
 goes for similar (or less) cost and is a better option IMHO. The 18-55 
 is actually decent (unlike the mediocre kit lenses from Canon and Nikon).

 -Adam

Sorry, I just realized you meant the 40/2.8 Limited. It's tiny and not very
expensive, but if I got it I'd probably still want something faster for night
use. So I might as well omit it and save the money.

Thanks for pointing out the 16-45/4. I'd wrongly assumed that it would be very
expensive, yet it's priced like the Tamron 17-35/2.8-4. It looks like the cheap
route would be the kit lens and a used manual focus 28/2 or 35/2, and the more
expensive route would be the 16-45/4 with the FA 35/2.

I'm aware of the Vivitar/Kiron 28/2 lenses. In fact my 28/2 in FD mount is a
Kiron, and I like it very much. But Kirons in Pentax KA mount aren't cheap or
common either...

Benjamin

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Re: Pentax DSLR - some questions before I decide

2006-10-10 Thread Adam Maas
Inet Shopper wrote:
 You can probably afford the 40 limited. It's very cheap (About 2/3rds 
 the cost of a new FA 35/2 here in Canada)
 
 If you mean the 43/1.9, it's currently US$370 after rebate at BH online, 
 while
 the FA 35/2 is US$300 (but out of stock). Does your Canadian store have a
 website? I'd like to take a look.

No, the 40/2.8 Limited Pancake. It's $299CDN at cameracanada.com, the FA 
35 is a little over $400CDN.

 
 Sigma 20/1.8. Massive, soft wide open, and expensive.
 
 OK I stand corrected. This IS a fast ultrawide lens. However, size and price
 rule it out for me.
 
 Yes, Auto flash works just fine, however the Pentax module is for TTL 
 use (Your Canon doesn't do TTL at all, just Auto Aperture flash). The 
 flash would need to have an Auto Thyristor mode with a non-dedicated 
 shoe. It also needs to be low voltage trigger (sub-12v).
 
 -Adam
 
 So I can just buy a standard (non-dedicated) module for the flash to use it
 with a K100D? I believe the flash has a thyristor, as it recharges more 
 quickly
 when manually set to fire at less than full power. Voltage-wise, Kevin 
 Bjorke's
 strobe voltage page indicates the Sunpak 30DX puts out 4.6-10.4V, so no
 problem.

Yes.

 
 Thanks for the comprehensive replies, by the way. Much appreciated!
 Benjamin
 

Glad to help.

-Adam


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Re: Pentax DSLR - some questions before I decide

2006-10-10 Thread Adam Maas
Inet Shopper wrote:
 You can probably afford the 40 limited. It's very cheap (About 2/3rds 
 the cost of a new FA 35/2 here in Canada)
 
 The Sigma's not worth the money. The Tamron is, but the SMC-DA 16-45 f4 
 goes for similar (or less) cost and is a better option IMHO. The 18-55 
 is actually decent (unlike the mediocre kit lenses from Canon and Nikon).
 
 -Adam
 
 Sorry, I just realized you meant the 40/2.8 Limited. It's tiny and not very
 expensive, but if I got it I'd probably still want something faster for night
 use. So I might as well omit it and save the money.
 
 Thanks for pointing out the 16-45/4. I'd wrongly assumed that it would be very
 expensive, yet it's priced like the Tamron 17-35/2.8-4. It looks like the 
 cheap
 route would be the kit lens and a used manual focus 28/2 or 35/2, and the more
 expensive route would be the 16-45/4 with the FA 35/2.
 
 I'm aware of the Vivitar/Kiron 28/2 lenses. In fact my 28/2 in FD mount is a
 Kiron, and I like it very much. But Kirons in Pentax KA mount aren't cheap or
 common either...
 
 Benjamin
 

The 16-45 was rather expensive for quite a while, it was reduced in 
price significantly early this summer.

-Adam

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Re: Pentax DSLR - some questions before I decide

2006-10-10 Thread P. J. Alling
No actually there is a 40mm f2.8 Ltd., designed specifically for the APS 
format digital cameras.  It's mostly an update of the old 40mm pancake 
lens, looks to be the same optical formula with new coatings and a lens 
barrel with no aperture ring.

Inet Shopper wrote:

You can probably afford the 40 limited. It's very cheap (About 2/3rds 
the cost of a new FA 35/2 here in Canada)



If you mean the 43/1.9, it's currently US$370 after rebate at BH online, while
the FA 35/2 is US$300 (but out of stock). Does your Canadian store have a
website? I'd like to take a look.

  

Sigma 20/1.8. Massive, soft wide open, and expensive.



OK I stand corrected. This IS a fast ultrawide lens. However, size and price
rule it out for me.

  

Yes, Auto flash works just fine, however the Pentax module is for TTL 
use (Your Canon doesn't do TTL at all, just Auto Aperture flash). The 
flash would need to have an Auto Thyristor mode with a non-dedicated 
shoe. It also needs to be low voltage trigger (sub-12v).



  

-Adam



So I can just buy a standard (non-dedicated) module for the flash to use it
with a K100D? I believe the flash has a thyristor, as it recharges more quickly
when manually set to fire at less than full power. Voltage-wise, Kevin Bjorke's
strobe voltage page indicates the Sunpak 30DX puts out 4.6-10.4V, so no
problem.

Thanks for the comprehensive replies, by the way. Much appreciated!
Benjamin

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Re: Pentax DSLR - some questions before I decide

2006-10-10 Thread Carlos Royo
Inet Shopper wrote:


 Thanks for pointing out the 16-45/4. I'd wrongly assumed that it would be very
 expensive, yet it's priced like the Tamron 17-35/2.8-4. It looks like the 
 cheap
 route would be the kit lens and a used manual focus 28/2 or 35/2, and the more
 expensive route would be the 16-45/4 with the FA 35/2.
 
 I'm aware of the Vivitar/Kiron 28/2 lenses. In fact my 28/2 in FD mount is a
 Kiron, and I like it very much. But Kirons in Pentax KA mount aren't cheap or
 common either...
 

Besides of the FA 35 mm. 2.0 I praised in this thread some messages ago, 
I also have the FA 28 mm. 2.8, and it is an excellent walkaround lens 
with the DS and other Pentax DSLRs. I now it isn't as fast as the 28 mm. 
2.0 lenses you mention, but it is AF and it is 90% as good as the FA 35.

Carlos

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Re: Pentax DSLR - some questions before I decide

2006-10-09 Thread Cotty
On 9/10/06, Inet Shopper, discombobulated, unleashed:

But Canon and Nikon have the clear edge in
availability of used lenses and accessories, so I'd also like to hear from
members who use gear on the Canon and Nikon platforms.

H.

http://www.cottysnaps.com/snaps/mods/eoskmount.html

;-)

BTW welcome to the PDML.

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Re: Pentax DSLR - some questions before I decide

2006-10-09 Thread pnstenquist
You're correct. An A lens will give you full functionality, minus autofocus. 
The FA 35/2 is a superb lens, and I believe the A version is optically 
identical. 
 -- Original message --
From: Inet Shopper [EMAIL PROTECTED]
 Hi everyone,
 
 I'm new - been lurking for a few days. I currently use film-based equipment
 (Canon A1 and Rollei compact point-and-shoot), but am considering going
 digital.
 
 I shoot mostly landscapes and architecture, and prefer a wide-angle lens. With
 the compact I usually use the wide end (38mm) and with the Canon A1, the lens
 is usually 50/1.4 or 28/2. I also shoot at evening gatherings, and like the 
 low
 light capability of both lenses.
 
 To be clear, the Canon A1 uses FD lenses, and I'm not willing to use adapters
 to get limited functionality on a DSLR body. I am prepared to buy a couple of
 lenses for the DSLR, but not too many - my funds are limited, not Limited :-)
 
 Logic and economics suggest a K100D with the 18-55 kit lens plus one A-series
 lens, the 28 or 35 f2 for a normal view and low-light use. My understanding
 as a non-Pentax user is that the A-series lens will work properly - aperture
 can be controlled from the body, and there is open-aperture metering.
 Therefore, in choosing an A-series lens and not a modern autofocus FA lens, 
 I
 trade off only autofocus for cost savings. Please correct me if I'm wrong!
 
 There is currently no f2 ultrawide lens, so I can't get back my 28/2, but 
 the
 28/35 in f2 guise would give a 42/53mm normal view and be good for low-light
 conditions. The kit lens is already 18/3.5, so a 20/2.8 seems like overkill 
 for
 a half-stop of light.
 
 Questions:
 
 1. Cost of 28/2 and 35/2: The A-series 28/2 and 35/2 actually seem uncommon 
 and
 somewhat expensive, about US$150+/- on eBay. One A35/2 recently sold for
 US$375! I've also searched the German and Dutch eBay sites, plus KEH. I'm
 clearly not alone in wanting to use them on a Pentax DSLR. Are there any other
 useful sources? I live in Singapore, and the local used market is mostly
 Canon/Nikon.
 
 2. K/M Lenses: If I was to use a K/M lens, but only used it wide open in
 aperture priority mode, do I get fully automatic operation i.e. no need for 
 the
 2-step meter-shoot kludge? If so, then as a night lens there's no difference
 between the A and K/M lenses, right?
 
 3. Focus Trap: Some posters mentioned that the shutter locks until the camera
 confirms focus. This is great for macrophotography, but can it be turned off?
 Sometimes, an out-of-focus picture beats no picture at all. I've used a Nikon
 D70 to cover an event before - when it couldn't focus, I had to switch to
 manual focus to get the shutter to trip.
 
 4. Other general-purpose lenses: Two alternatives to the 18-55/3.5-5.6 kit 
 lens
 are the 17-28/2.8-4 lenses offered by Tamron and Sigma. While a little wider
 and a little faster, they are full-frame lenses and so twice the size and
 weight of the kit lens. Are they worth the extra money and weight? Money can
 slowly be earned again, but I am unlikely to carry and use a lens that is too
 heavy, and full-frame is no advantage since I have no full-frame Pentax body.
 
 5. Flash compatibility: I understand the K100D uses a new type of flash
 control, P-TTL, and will not work with normal TTL flashes. I have no idea what
 P-TTL is. I use a Sunpak 30DX bounce/swivel automatic flash with a Canon 
 module
 for my A1. I set the desired aperture on the flash, set the A1 to shutter
 priority at 1/60, and get satisfactory results. If I simply purchase a Pentax
 module (for the LX, ME, MG, MV, MV1), can I continue to shoot in the same way
 i.e. the flash sensor controls the cut-off? I'm not hung up on getting
 TTL/P-TTL flash.
 
 Finally, Pentax and Sony are currently the only way to get antishake AND a f2
 or faster lens together, as the Canon and Nikon IS/VR lenses are f2.8 at most,
 not to mention heavy and expensive. But Canon and Nikon have the clear edge in
 availability of used lenses and accessories, so I'd also like to hear from
 members who use gear on the Canon and Nikon platforms. Please reply off-list 
 if
 you feel it's not relevant to PDML.
 
 Thanks in advance, and sorry for the long post,
 Benjamin
 
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Re: Pentax DSLR - some questions before I decide

2006-10-09 Thread Adam Maas
Inet Shopper wrote:
 Hi everyone,
 
 I'm new - been lurking for a few days. I currently use film-based equipment
 (Canon A1 and Rollei compact point-and-shoot), but am considering going
 digital.
 
 I shoot mostly landscapes and architecture, and prefer a wide-angle lens. With
 the compact I usually use the wide end (38mm) and with the Canon A1, the lens
 is usually 50/1.4 or 28/2. I also shoot at evening gatherings, and like the 
 low
 light capability of both lenses.
 
 To be clear, the Canon A1 uses FD lenses, and I'm not willing to use adapters
 to get limited functionality on a DSLR body. I am prepared to buy a couple of
 lenses for the DSLR, but not too many - my funds are limited, not Limited :-)

You can probably afford the 40 limited. It's very cheap (About 2/3rds 
the cost of a new FA 35/2 here in Canada)

 
 Logic and economics suggest a K100D with the 18-55 kit lens plus one A-series
 lens, the 28 or 35 f2 for a normal view and low-light use. My understanding
 as a non-Pentax user is that the A-series lens will work properly - aperture
 can be controlled from the body, and there is open-aperture metering.
 Therefore, in choosing an A-series lens and not a modern autofocus FA lens, 
 I
 trade off only autofocus for cost savings. Please correct me if I'm wrong!

Your understanding is correct.

 
 There is currently no f2 ultrawide lens, so I can't get back my 28/2, but 
 the
 28/35 in f2 guise would give a 42/53mm normal view and be good for low-light
 conditions. The kit lens is already 18/3.5, so a 20/2.8 seems like overkill 
 for
 a half-stop of light.

Sigma 20/1.8. Massive, soft wide open, and expensive.

 
 Questions:
 
 1. Cost of 28/2 and 35/2: The A-series 28/2 and 35/2 actually seem uncommon 
 and
 somewhat expensive, about US$150+/- on eBay. One A35/2 recently sold for
 US$375! I've also searched the German and Dutch eBay sites, plus KEH. I'm
 clearly not alone in wanting to use them on a Pentax DSLR. Are there any other
 useful sources? I live in Singapore, and the local used market is mostly
 Canon/Nikon.

You may want to look for the FA or F 35/2 it should go for similar money 
as the A. The Kiron/Vivitar 28/2 is also a good option (although it is 
more difficult to focus than the SMC version).


 
 2. K/M Lenses: If I was to use a K/M lens, but only used it wide open in
 aperture priority mode, do I get fully automatic operation i.e. no need for 
 the
 2-step meter-shoot kludge? If so, then as a night lens there's no difference
 between the A and K/M lenses, right?

Yes, as long as you shoot wide open, you will get full AE in Av mode. I 
use this regularly at night.

 
 3. Focus Trap: Some posters mentioned that the shutter locks until the camera
 confirms focus. This is great for macrophotography, but can it be turned off?
 Sometimes, an out-of-focus picture beats no picture at all. I've used a Nikon
 D70 to cover an event before - when it couldn't focus, I had to switch to
 manual focus to get the shutter to trip.

Yes, either by setting the camera to MF or AF-C (The latter only applies 
to AF lenses).

 
 4. Other general-purpose lenses: Two alternatives to the 18-55/3.5-5.6 kit 
 lens
 are the 17-28/2.8-4 lenses offered by Tamron and Sigma. While a little wider
 and a little faster, they are full-frame lenses and so twice the size and
 weight of the kit lens. Are they worth the extra money and weight? Money can
 slowly be earned again, but I am unlikely to carry and use a lens that is too
 heavy, and full-frame is no advantage since I have no full-frame Pentax body.

The Sigma's not worth the money. The Tamron is, but the SMC-DA 16-45 f4 
goes for similar (or less) cost and is a better option IMHO. The 18-55 
is actually decent (unlike the mediocre kit lenses from Canon and Nikon).


 
 5. Flash compatibility: I understand the K100D uses a new type of flash
 control, P-TTL, and will not work with normal TTL flashes. I have no idea what
 P-TTL is. I use a Sunpak 30DX bounce/swivel automatic flash with a Canon 
 module
 for my A1. I set the desired aperture on the flash, set the A1 to shutter
 priority at 1/60, and get satisfactory results. If I simply purchase a Pentax
 module (for the LX, ME, MG, MV, MV1), can I continue to shoot in the same way
 i.e. the flash sensor controls the cut-off? I'm not hung up on getting
 TTL/P-TTL flash.

Yes, Auto flash works just fine, however the Pentax module is for TTL 
use (Your Canon doesn't do TTL at all, just Auto Aperture flash). The 
flash would need to have an Auto Thyristor mode with a non-dedicated 
shoe. It also needs to be low voltage trigger (sub-12v).


 
 Finally, Pentax and Sony are currently the only way to get antishake AND a f2
 or faster lens together, as the Canon and Nikon IS/VR lenses are f2.8 at most,
 not to mention heavy and expensive. But Canon and Nikon have the clear edge in
 availability of used lenses and accessories, so I'd also like to hear from
 members who use gear on the Canon and Nikon platforms. Please 

Re: Pentax DSLR - some questions before I decide

2006-10-09 Thread Carlos Royo
[EMAIL PROTECTED] wrote:
 You're correct. An A lens will give you full functionality, minus autofocus. 

The FA 35/2 is a superb lens, and I believe the A version is optically 
identical.


They are not the same optically. The FA 35 mm. 2.0 is a newer design, 6 
elements in five groups, being one of the elements aspherical. The A 35 
mm. 2.0 has 7 elements in seven groups.
I agree that the FA 35 is an excellent lens.

Carlos

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Re: Pentax DSLR Remote Operation

2006-09-18 Thread Adam Maas
Cotty wrote:
 You like birds.
 
 You want to shoot some wide angle shots up close with your *ist D / Ds /
 Dl / K100D / K10D right next to the nest with remote operation from your
 position up to 100 metres (330 feet) away.
 
 How do you do it?
 

Pocket Wizard.

-Adam


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RE: Pentax DSLR Remote Operation

2006-09-18 Thread Bob W
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Cotty
 Sent: 18 September 2006 21:19
 To: pentax list
 Subject: Pentax DSLR Remote Operation
 
 You like birds.
 
 You want to shoot some wide angle shots up close with your 
 *ist D / Ds /
 Dl / K100D / K10D right next to the nest with remote 
 operation from your
 position up to 100 metres (330 feet) away.
 
 How do you do it?
 

http://members.shaw.ca/richardbhill/birds.html

Bob



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RE: Pentax DSLR Remote Operation

2006-09-18 Thread Jack Davis
:-)))

Jack

--- Bob W [EMAIL PROTECTED] wrote:

  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
  Behalf Of Cotty
  Sent: 18 September 2006 21:19
  To: pentax list
  Subject: Pentax DSLR Remote Operation
  
  You like birds.
  
  You want to shoot some wide angle shots up close with your 
  *ist D / Ds /
  Dl / K100D / K10D right next to the nest with remote 
  operation from your
  position up to 100 metres (330 feet) away.
  
  How do you do it?
  
 
 http://members.shaw.ca/richardbhill/birds.html
 
 Bob
 
 
 
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Re: Pentax DSLR Remote Operation

2006-09-18 Thread Mat Maessen
On 9/18/06, Cotty [EMAIL PROTECTED] wrote:
 You like birds.

 You want to shoot some wide angle shots up close with your *ist D / Ds /
 Dl / K100D / K10D right next to the nest with remote operation from your
 position up to 100 metres (330 feet) away.

I'd build my own remote cable release. Or use the existing Pentax one,
and make an extension cable. Not hard to do.

You might have to use a fairly thick wire for it to work over 300
feet. I'd probably use something like Canare StarQuad microphone
cable.

Oh yeah, the binoculars, and bird-poop-cleaning kits are essential
accessories as well.

-Mat

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Re: Pentax DSLR Remote Operation

2006-09-18 Thread Cotty
On 18/9/06, Bob W, discombobulated, unleashed:


http://members.shaw.ca/richardbhill/birds.html

LOL

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Re: Pentax DSLR Remote Operation

2006-09-18 Thread Mark Roberts
Cotty wrote:

You like birds.

You want to shoot some wide angle shots up close with your *ist D / Ds /
Dl / K100D / K10D right next to the nest with remote operation from your
position up to 100 metres (330 feet) away.

How do you do it?

1. Radio remote
2. Fabricate an extra-long cable release
3. Train a squirrel to operate the shutter button
 
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412-687-2835





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Re: Pentax DSLR Remote Operation

2006-09-18 Thread John Celio
 3. Train a squirrel to operate the shutter button

Nuts to that!


John Celio ;)

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AIM: Neopifex

Hey, I'm an artist.  I can do whatever I want and pretend I'm making a 
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Re: Pentax-DSLR googlegroup

2006-03-04 Thread Cotty
On 3/3/06, John Francis, discombobulated, unleashed:

The attitude we've seen so far seems far more suited to a google
group, where it's more reasonable to assume that most of the
members are idiots, and need to be told how to tie their shoes.

As should be apparent, there are more than a few people here who
know rather more about photographic and image processing software,
etc., than does Roman.   As such, his attempts to set himself up
as an expert, carrying the light to the masses (and, astonishingly,
promoting his own commercial website) doesn't sit too well.

He spammed the list without so much as an excuse me. Once is a minor
irritant. Twice tells me he is a prat. Of course, he could make suitable
amends with a decent amount of grovelling...




Cheers,
  Cotty


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Re: Pentax-DSLR googlegroup

2006-03-04 Thread John Forbes

On Sat, 04 Mar 2006 15:40:45 -, Cotty [EMAIL PROTECTED] wrote:


On 3/3/06, John Francis, discombobulated, unleashed:


The attitude we've seen so far seems far more suited to a google
group, where it's more reasonable to assume that most of the
members are idiots, and need to be told how to tie their shoes.

As should be apparent, there are more than a few people here who
know rather more about photographic and image processing software,
etc., than does Roman.   As such, his attempts to set himself up
as an expert, carrying the light to the masses (and, astonishingly,
promoting his own commercial website) doesn't sit too well.


He spammed the list without so much as an excuse me. Once is a minor
irritant. Twice tells me he is a prat. Of course, he could make suitable
amends with a decent amount of grovelling...


...or beer.  Let's be practical.

John


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Re: Pentax-DSLR googlegroup

2006-03-03 Thread Dario Bonazza

Roman,

What's the point in doing that? PDML mostly deals with DSLR info already 
(after beer, cars and the usual OT).


Besides PDML (for OT), Spotmatic group (for old stuff) and DPReview forum 
(for digital), do we really need another group?


Dario

- Original Message - 
From: Roman [EMAIL PROTECTED]

To: pentax-discuss@pdml.net
Sent: Friday, March 03, 2006 10:42 AM
Subject: Pentax-DSLR googlegroup



Hey,

Would love to invite you to join googlegroup, share your DSLR information, 
sample photos , useful tips on digital photography, cameras, cleaning 
techniquest, whatever.


Please see groups website on:

http://groups.google.com/group/pentax-dslr

Thank you.

--
home http://roman.blakout.net/ 




RE: Pentax-DSLR googlegroup

2006-03-03 Thread Antti-Pekka Virjonen
I'd rather stay in just one group (=this). I don't have that much
time fooling around the net running after all different forums.
I have not written a lot lately here, but I am reading all of you
very carefully every morning (and along the day).

But there is always room for new things for those who have the
time.

Antti-Pekka



Antti-Pekka Virjonen
Computec Oy Turku

www.computec.fi


 -Original Message-
 From: Dario Bonazza [mailto:[EMAIL PROTECTED]
 Sent: Friday, March 03, 2006 12:14 PM
 To: pentax-discuss@pdml.net
 Subject: Re: Pentax-DSLR googlegroup
 
 Roman,
 
 What's the point in doing that? PDML mostly deals with DSLR info
already
 (after beer, cars and the usual OT).
 
 Besides PDML (for OT), Spotmatic group (for old stuff) and DPReview
forum
 (for digital), do we really need another group?
 
 Dario
 
 - Original Message -
 From: Roman [EMAIL PROTECTED]
 To: pentax-discuss@pdml.net
 Sent: Friday, March 03, 2006 10:42 AM
 Subject: Pentax-DSLR googlegroup
 
 
  Hey,
 
  Would love to invite you to join googlegroup, share your DSLR
information,
  sample photos , useful tips on digital photography, cameras,
cleaning
  techniquest, whatever.
 
  Please see groups website on:
 
  http://groups.google.com/group/pentax-dslr
 
  Thank you.
 
  --
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Re: Pentax-DSLR googlegroup

2006-03-03 Thread Cotty
On 3/3/06, Roman, discombobulated, unleashed:

Would love to invite you to join googlegroup, share your DSLR 
information, sample photos , useful tips on digital photography, 
cameras, cleaning techniquest, whatever.

Please see groups website on:

http://groups.google.com/group/pentax-dslr

Thank you.

Go away.




Cheers,
  Cotty


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Re: Pentax-DSLR googlegroup

2006-03-03 Thread Aaron Reynolds


On Mar 3, 2006, at 8:29 AM, Cotty wrote:


Go away.


Cotty, you should join his group and continually invite their members 
to join the PDML.


-Aaron



Re: Pentax-DSLR googlegroup

2006-03-03 Thread Cotty
On 3/3/06, Aaron Reynolds, discombobulated, unleashed:

Cotty, you should join his group and continually invite their members 
to join the PDML.

Q.V. Groucho Marx ;-)




Cheers,
  Cotty


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Re: Pentax-DSLR googlegroup

2006-03-03 Thread Scott Loveless
Yeah, Cotty, join and invite them all to the PDML.  Then sit back and
watch the gmail invites roll in.  Man, you'll be in heaven.

On 3/3/06, Aaron Reynolds [EMAIL PROTECTED] wrote:

 On Mar 3, 2006, at 8:29 AM, Cotty wrote:

  Go away.

 Cotty, you should join his group and continually invite their members
 to join the PDML.

 -Aaron




--
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http://www.twosixteen.com

--
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Re: Pentax-DSLR googlegroup

2006-03-03 Thread Manuel Magalhães

Cotty wrote:

On 3/3/06, Roman, discombobulated, unleashed:

  
Would love to invite you to join googlegroup, share your DSLR 
information, sample photos , useful tips on digital photography, 
cameras, cleaning techniquest, whatever.


Please see groups website on:

http://groups.google.com/group/pentax-dslr

Thank you.



Go away.




Cheers,
  Cotty


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||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
_





  

LOL, Cotty from time to time you really make my day!

Manuel



Re: Pentax-DSLR googlegroup

2006-03-03 Thread graywolf

We don't want Cotty here. That is the only reason he stays. grin

graywolf
http://www.graywolfphoto.com
http://webpages.charter.net/graywolf
Idiot Proof == Expert Proof
---


Cotty wrote:

On 3/3/06, Aaron Reynolds, discombobulated, unleashed:


Cotty, you should join his group and continually invite their members 
to join the PDML.



Q.V. Groucho Marx ;-)




Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
_







Re: Pentax-DSLR googlegroup

2006-03-03 Thread Kevin Waterson
This one time, at band camp, Roman [EMAIL PROTECTED] wrote:

 Hey,
 
 Would love to invite you to join googlegroup, share your DSLR 
 information, sample photos , useful tips on digital photography, 
 cameras, cleaning techniquest, whatever.

sounds aweful /marvin

Kevin


-- 
Democracy is two wolves and a lamb voting on what to have for lunch. 
Liberty is a well-armed lamb contesting the vote.



Re: Pentax-DSLR googlegroup

2006-03-03 Thread Cotty
On 3/3/06, Manuel Magalhães, discombobulated, unleashed:

LOL, Cotty from time to time you really make my day!

My purpose is served.




Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
_





Re: Pentax-DSLR googlegroup

2006-03-03 Thread Kenneth Waller

sounds aweful /marvin


Yeah. No politics, religion, rumors, opinions ...

 V B G 

Kenneth Waller


- Original Message - 
From: Kevin Waterson [EMAIL PROTECTED]

Subject: Re: Pentax-DSLR googlegroup



This one time, at band camp, Roman [EMAIL PROTECTED] wrote:


Hey,

Would love to invite you to join googlegroup, share your DSLR 
information, sample photos , useful tips on digital photography, 
cameras, cleaning techniquest, whatever.


sounds aweful /marvin

Kevin


--
Democracy is two wolves and a lamb voting on what to have for lunch. 
Liberty is a well-armed lamb contesting the vote.






Re: Pentax-DSLR googlegroup

2006-03-03 Thread Joseph Tainter
What's the point in doing that? PDML mostly deals with...beer, 
cars and the usual OT.


Dario

Go away.

Cotty

We don't want Cotty here. That is the only reason he stays.

Graywolf.

Man, you'll be in heaven.

Scott

My purpose is served.

Cotty

sounds aweful

Kevin

I don't have that much time fooling around

Antti-Pekka

--

Roman, now that you've sampled this group, are you sure you want 
them?


Joe



Re: Pentax-DSLR googlegroup

2006-03-03 Thread John Francis
On Fri, Mar 03, 2006 at 08:10:16PM -0700, Joseph Tainter wrote:
 
 Go away.
 
 Cotty

On the whole, I agree with Cotty.

The attitude we've seen so far seems far more suited to a google
group, where it's more reasonable to assume that most of the
members are idiots, and need to be told how to tie their shoes.

As should be apparent, there are more than a few people here who
know rather more about photographic and image processing software,
etc., than does Roman.   As such, his attempts to set himself up
as an expert, carrying the light to the masses (and, astonishingly,
promoting his own commercial website) doesn't sit too well.



Re: Pentax DSLR future

2005-10-24 Thread Steve Desjardins
It's not ridiculous if money is an issue.  Digital MF will be really expensive, 
and even many pros won't be able to justify it.  Besides, LF film cameras 
existed but where not a big market.  Photographers shoot what they have to and 
no more.  One lesson of digital has been that many shot the larger format 
because of the lack of grain and not because of the enhanced resolution.

Someone will buy Pentax's digital MF, but it will have a smaller market than 
its film MF did.  And that may make it too small to be viable.


Steven Desjardins
Department of Chemistry
Washington and Lee University
Lexington, VA 24450
(540) 458-8873
FAX: (540) 458-8878
[EMAIL PROTECTED]

 [EMAIL PROTECTED] 10/21/05 11:21 AM 
Dario wrote: 

 Today, digital FF is more than enough for at least 99% of the pro market. 
 For that reason I think of digital MF as a niche.

But these kind of arguments are absurd! It they made any kind of sense we would 
still be driving Ford model T's. 
Kodachrome was good enough for 99% of all 35mm outdoor shooters but still 
virtually all of them switched to Velvia because it was better. The fact is 
that people will buy the best there is as long as it is within reasonable 
cost/hassle constraints. Whats good enough doesn't enter the equation. 


Pål







RE: Pentax DSLR future

2005-10-24 Thread Jens Bladt
A Hasselblad H2D with a standard HV90 view finder and 2.8/80mm lens sels for
about a kit price about 26.5K + VAT, I believe.
It has a 22 Mpixels (4080 x 5440 pixels) and 36.7 x 49.0  mm Ixpress sensor.
A 39 p Phase one back is appr. 19K - back only.
Regards
Jens


Jens Bladt
Arkitekt MAA
http://hjem.get2net.dk/bladt


-Oprindelig meddelelse-
Fra: Dario Bonazza [mailto:[EMAIL PROTECTED]
Sendt: 23. oktober 2005 00:15
Til: pentax-discuss@pdml.net
Emne: Re: Pentax DSLR future


I expect a price between 9K and 10K.

Dario

- Original Message -
From: Paul Stenquist [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Sent: Saturday, October 22, 2005 1:34 PM
Subject: Re: Pentax DSLR future


 Most heavy user pros have already made their digital choices and sold
 off what they had to in order to achieve them. However, there is a
 large supply of Pentax 645 glass out there. As I said before, if the
 camera is priced to appeal to advanced amateurs and small budget pros
 (wedding photogs, nature shooters and magazine PJs for example), it
 might do very well. If it comes in at 10K, as some here have predicted,
 it doesn't have a snowball's chance in hell of succeeding.
 Paul




Re: Pentax DSLR future

2005-10-24 Thread Gonz



William Robb wrote:


- Original Message - From: Rob Studdert
Subject: Re: Pentax DSLR future



On 22 Oct 2005 at 16:36, William Robb wrote:


There is a huge number of 645 lenses out there.
If I was the owner of a half dozen of them, I'd seriously look at 
buying a
digital body that could take advantage of them, no matter what other 
system I

already had in place, providing it wasn't egregiously expensive.



I just can't help think that the majority of pro-P645 shooters have 
either sold
off their 645 kit or have the lenses lying on a shelf some place and 
have moved
on to a current system. So really it wouldn't be all that appealing to 
them.
The remainder of the lenses would be in the hands of amateurs who 
really most

probably aren't going to be able to afford the damn DSLR body anyhow.



That may be. I can only speak for myself, and if I had a half dozen 
expensive lenses sitting around, I'd be looking for some way to make 
that investment work for me.




Those are my thoughts exactly.  If the bottom line is always on their 
mind, why take a huge loss on moving from one system to another?  I 
mean, if you have 10-20K invested in gear in one system, it might take 
20-30k to move to a new, 35mm full frame system.  That kind of money is 
not easy to make up in a hurry.



William Robb





Re: Pentax DSLR future

2005-10-24 Thread Rob Studdert
On 24 Oct 2005 at 14:53, Gonz wrote:

 Those are my thoughts exactly.  If the bottom line is always on their 
 mind, why take a huge loss on moving from one system to another?  I 
 mean, if you have 10-20K invested in gear in one system, it might take 
 20-30k to move to a new, 35mm full frame system.  That kind of money is 
 not easy to make up in a hurry.

The problem is that the market in used MF gear is poor so MF gear doesn't 
return good money but regardless the cost of a 35mm FF DSLR vs virtually any 
current MF DSLR (with crop factor) is significant (and the Pentax D645 won't 
likely sell for under US$8k on the street)

A price difference of this magnitude could well account for the purchase of 
quite a decent set of glass for a new 35mm system. Remember that per angle of 
view and lens speed 35mm format lenses are far more economical. Ever compared 
the price of a 400/2.8 MF lens vs a 200/2.8 35mm lens?


Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications/
Pentax user since 1986, PDMLer since 1998



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