i have a guest mix up at the deep rhythms site:
http://www.deeprhythms.com/guest_mixes/15_keeping_my_mind_by_james_bucknell.php
01. Strikers - Body music - Prelude, 1981
02. Terry Baldwin - Groovin - Future sound, 1991
03. Black Rascals (Blaze) - Keeping my mind - Sumo, 1993
04. Barbara Maso
nice one!
looking forward to playing with the demo. i like bassline. i love the wet
ploppy, non acid bass sounds it makes and i've got a feeling the pro will
be great at these.
james
[EMAIL PROTECTED]
que?
"Sam K"
<[EMAIL PROTECTED]
.net>
Ken
i wasn't being churlish.
i consider the world of commercial music and awards nights as one big giant
pile of wombat poop. i sort of thought that on this matter i was vaguely
on the same wavelength as others on this list, underground resistance and
others interested in independent/underground d
i would have never imagined that it was so important to mad mike that juan
atkins to be aknowledged by the commercial record industry.
does that mean underground resistance has now become overground assistance?
james
www.jbucknell.com
that beats the big dude climbing down the chimney and leaving a firetruck
under the tree. merry christams detroit (and detroit lovers).
i'm off to swim with the dolphins, see you in the new year.
james
www.jbucknell.com
PARADISE LOST
Ol El Rocco in the basement of Bar Me, Kings Cross
Cnr of Brougham and William Sts, just down from the Coke sign
9-4
We have a large sound system, a small basement and a box full of classic
disco, funk, early house, rock, italo, afro, lost 80's pop jams
We're squarely focused on
plenty of dancing in new york. maybe your friend's a crap dj and they were
just clapping to be polite. ;) that's a joke.
should try australia - they won't even clap.
james
www.jbucknell.com
"Steward, Tim"
i'm also on the forum as bonusbeats, that's me driving around in the banana
splits' mobile.
you're not the only techno head among the balaearic, prog rock bearded
types.
i always feel a little out of place on any list or forum. on 313 i want to
talk more 312, 212 and walter gibbons. on djhistory i
a club i used to go to regularly in new york - barroom, or mother - used to
have a framed photo of klaus nomi on the walls in the 90s. i don't think
they ever stopped talking about him in new york.
james
www.jbucknell.com
cold days? poor blighters.
it's surfing safari time here! the place down the coast is booked for the
weekend. the boards are waxed, the ounce of weed is stowed, the jars of
magic mushrooms in the freezer are being eyeballed, and the hot latin
rhythms will be blasting out the sun roof come friday a
there's plenty of old house, both new york and chicago that comes in under
120 or are you after stuff under 100? can't think of any old detroit stuff
at the moment.
just off the top if my head -
cultural vibe-ma foom bey
phase ii (blaze)-reachin
nitro deluxe-this brutal house
fingers inc-can u feel
kenny muhammad, the human beat box is the best live act i've seen. no
computer, no instruments, just his mouth.
james
www.jbucknell.com
[EMAIL PROTECTED]
recloose is doing a live act in sydney soon
January 14
Future Classic Night *$25
Hot on the heels of Recloose’s second album Hiatus on the Horizon comes his
highly anticipated live act - a crowd rocking six piece New Zealand
super-group sure to keep people shakin’ it.
Building on the funk filled, h
it all gets a bit confusing when we loose sight of the true origins of
techno.
techno is just a marketing term used by a british label to sell a detroit
house music compilation in the '80s. "the new dance sound of detroit:
techno" just sounded better than "the old dance sound of chicago: detroit
h
robotnik played in new york recently (list member ullyses put the night
on). anybody who was there or who has seen him recently want to
comment/give a review? does he dj, live p.a., comnbination of the above?
inquiring minds want to know.
james
if that's how things will look in ten years time, then it's an improvement
- they're getting a better turn out than a techno night around here.
james
Dan Bean
luckily, i managed to download 1,2, 8 and 11 yesterday before the site
disappeared.
james
www.jbucknell.com
Peter Keur
<[EMAIL PROTECTED]
i've only heard larry heard dj once - one of the finest nights on a
dancefloor for me.
he didn't play the silky smooth, nearly r&b sets that are posted on deep
house pages. more rawer, jacking material like 'play it loud.'
james
it's definitely familiar - and not from ron hardy tapes. i'm sure i have
this. makes the record label look a little clueless if it is a mike dunn
track.
james
www.jbucknell.com
Placid
simon
damn, what bad timing i have. it's not like we get much 313 related action
here and i was out of the country on saturday night getting a table of
drinks spilt on me in hong kong by some people dancing to a remix of funky
town.
so what type of tracks was he playing - minimal? house? across the
btw: the book has a section on australian post-punk bands - some very
obscure, but excellent bands are mentioned. very impressed by it's depth.
who could forget the slug f*ckers?
james
www.jbucknell.com
Phi
count zero 'silent prayer' (ozone) is a favourite of mine. bleepy acid from
1990. or are we talking recent stuff?
james
www.jbucknell.com
darnistle
and in australian english 'the far east' means chile. it's considered a
term of the english empire. the sun set on that one a while ago. ;)
james
www.jbucknell.com
Kent Williams
that got me attention...what new chez damier? i picked up the long one
sided affair a few weeks back (wait, that was ron trent). i always confuse
the two. maybe because i wish they would do some more tracks together.
any samples around?
james
www.jbucknell.com
i don't know how common it is, but it certainly happens. a guy from chicago
on ebay would take rereleased records and relying on the ignorance of
others pass them off as rare with outrageous opening prices. i'd just email
each bibber informing them that's it's been rereleased and giving them
links
I don't see the signal to noise ratio or annoying people as a problem or
threat to the list.
I don't read every post on the list. if I'm not feeling a thread, i don't
open any messages with that subject heading. it's like television - i just
change the channel if i don't like the show.
If somebody
as i understand it: up north they're hard, down south they're a bunch of
shandy drinkers.
this is what i've picked up from years of watching british tv in a former
colony. so if i'm wrong blame coronation st, the two ronnies, benny hill,
porridge, all creatures great and small, east enders, mad
nerf bats? i was just finishing my notes to alex on how to prepare and
deliver a hot shot. the man's from manchester, not southern england.
james
www.jbucknell.com
/0
house music, the style of music played at the warehouse
garage music, the style of music played at the paradise garage
james
www.jbucknell.com
didn't he dj at club 77 about 6 months ago - i thought you went simon. or
was that a live set. or am i totally confused? i
james
"Simon Hindle"
<[E
this is disgusting - combat gear and assault rifles to stop people dancing.
here are contact details for the governor of utah
Utah State Capitol Complex
East Office Building, Suite E220
PO Box 142220
Salt Lake City, Utah 84114-2220
801-538-1000
800-705-2464
Fax 801-538-1528
Lt. Governor's
i have a confession as well, i'm being a bit hypocritical - i've had public
spates with the moderators at discogs and delclared i would never submit
another release.
james
www.jbucknell.com
"Odeluga, Ken"
i seem to remeber reading that it was about how there aren't any peeps out
there that are going to come down and save us. existential type stuff -
rely on yourself, don't dream of being saved/helped by others from another
world. you could put in the same bag as jimmy cliff's the harder they come
't
i'm never going to close my current order from piccadilly - every day
there's something more to add. yeah, larry!
james
www.jbucknell.com
[EMAIL PROTECTED]
don't complain about discogs not having an entry for a record - it's a
group project, and on ongoing project. you coulkd try adding the release
yourself.
james
www.jbucknell.com
Sakari Karipuro
are you sure about the liquid soap?
here's a useful record cleaner.
get a bottle of isopropyl (rubbing aclohol - there are two types of
rubbing aclohol,in the states make sure it's the one with isoprpyl) ix it
with distilled water (it'll be at the supermarket). mix them about 1:8.
james.
some people want to control the music, control how and when others listen
to it and what they do with it - even when it's other people's music.
others just want to spread the music.
but, it's no big deal - it's just somebody playing some records. it's just
meant to be fun.
james
www.jbucknell.com
here's a named building in the east village, nyc.
http://www.flickr.com/photos/margiejames/28737669/
matt kane's brain
<[EMAIL PROTECTED]>
yeah, the steel guitar is a beautiful instrument.
brian eno makes nice use of it on the apollo soundtrack.
i'm thinking of taking up stringed instrument - the bass ukele. any of the
hawaii massive on the list?
james
www.jbucknell.com
it's been around for a while, raver meltdown:
http://www.regalbear.com/projects/ytv/ravermeltdown/ravermeltdownflash.html
james
www.jbucknell.com
"Thomas D. Cox,
here's a maurice fulton mix from the djhistory site. all the mixes on here
are excellent.
http://www.djhistorymixarchive.com/mixes/djhistmix011.mp3
james
www.jbucknell.com
Antonio Alves
Here's a statement by the League of Human Rights.
For those in Australia, if you wish to protest to the czech governement the
email address of the czech embassy here is: [EMAIL PROTECTED])
League of Human Rights condemns illegal police intervention against
CzechTek
31.07.2005 | and calls for
i think it has already been released. i thought i saw it at online in the
last two weeks - someone on the list posted a link.
james
www.jbucknell.com
[EMAIL PROTECTED]
Heather Heart is part of the Sonic Groove crew with brothers Adam X and
Frankie Bones. Heather and Adam were partners. Heather's from Brooklyn, New
York.
She's my favourite dj of the Sonic Groove crew.
james
www.jbucknell.com
if we're talking techno and house "the day" was late mid to late 1980s.
94/95 is early evening. the long night was spent going back through the
record collection listening to old disco, roots dub, bass n bleep, italo,
post punk and chicago acid. it's now some indeterminate time before dawn.
feeling
is that otto of technotourists? i haven't seen him on the list for ages. i
guesshe's been finishing his PhD.
james
www.jbucknell.com
Klaas-Jan Jongsma
thanks for that, brian.
that is hauntingly beautiful. putting that on the ipod.
nice to know that 1950 scifi movies pretty much got the music right.
phuture, phuture, phuture...
james
www.jbucknell.com
time to stop all this playa hata talk
klein and the mbo ' dirty talk' . that's an italo track and it's brilliant.
no one is saying all and every italo track is good. but the good ones are
brilliant.
it's the same with house and techno - the majority of house and techno
tracks are complete crap.
j
rocking set! thanks matt.
T.C. Curtis - You Should Have Known Better (Hot Melt)
i love this song - it's on a larry levan mix from dhp. on cold days i
usually sing it as 'should have known better, should have worn a sweater.'
anybody know if this available anywhere?
eagerly awaiting the rerelease of
my partner has been downloading some of the stuff - i don't know any links,
but there was something in the village voice a few weeks back - they might
have a link.
i like the song with the horse neighing.
james
www.jbucknell.com
it's a common production step to record a track onto tape before the final
mastering. we're not talking basic channel foregrounding of the tape's
sound, but more subtle tape sound that isn't so obvious to the listener.
chances are you're listening to a track with tape 'ambience' deliberately
introd
you treat the music and the production as two distinct things. with house,
the studio is the instrument and the production is the music.
yep, i prefer bad production, wack levels, crappy sounds, dropouts and
surface noise. that's exactly what made my bug out in the 80s to early
house. just like th
yeah, i can't buy new records - the clean production makes every single
track sound like bland techhouse to me. theo parrish and moodymann being
about the only exceptions.
if it wasn't made on a reel to reel i'm not interested.
james
www.jbucknell.com
the piano chord was an established part of disco music and house music
before marshall came along and made move your body. his claims that using
piano chords was so out of context and came more from fats domino is a
little hard to take.
here are some paino tracks that predate marshall.
cheryl lyn
early hip hop is rapping over disco records. 'good times' - that's a disco
record.
hell, they even rap about going to discos and dancing. the first thing that
super rhymes does when he arrives on earth is head to the disco "...i went
to studio 54 but they wouldn't even let me in the door..." (sung
you don't have to read what farley says about his musical development and
what got him into house 20 years after the fact - you can listen to it.
there are piles of his mixes from the early/mid 80s on deep house pages.
james
www.jbucknell.com
maybe you're just calling up cached pages that are on your computer.
trying doing the same thing while off line.
james
www.jbucknell.com
"Odeluga, Ken"
hi collin
piccadilly records in manchester have it.
http://www.piccadillyrecords.co.uk/
james
www.jbucknell.com
<[EMAIL PROTECTED]
et.sg>
that's nearly as much hype as frankie bones.
enjoying the mix.
thanks
james
www.jbucknell.com
"Maarten Baute"
<[EMAIL PROTECTED]
isn't pretty much all dance music new york flavoured?
beware of the baltimore foot stomper!
"Thomas D. Cox,
Jr."
UR records hard to mix? you've got to be kidding - try mixing a sylvester
track into a patrick adams.
james
www.jbucknell.com
Martin Dust
<[EMAIL PROT
you can hear the the new york mix of 7 day weekend on this nu groove mix of
mine. it's the last track. the detroit and nyc mixes aren't that different,
afair (is that a net acronym?) i can't remember what the flip is like.
http://jbucknell.com/nugroove.mp3
nu groove records mix [67min 78mb 160kbp
deep house pages has a mix by duane bradley, apparently a legendary detroit
dj, from wjlb 1990.
i'm still downloading, so don't know how it sounds. but it's from detroit,
it's old school, it must be good... i've finished the d.load - it opens'
with don't lead me' by housemaster baldwin - so it's ev
robin
love the mix! thanks
james
www.jbucknell.com
robin
<[EMAIL PROTECTED]
org
speak for yourself - in the south pacific we're asleep - most of the time
actually, and it's winter. winter being the time it's comfortable to wear
long pants if you like.
as for what's on the car stereo - ahh, i haven't looked for the car for a
week or so. i can't even remember where i parked it.
the victorian couple? not the ones from new york -she wears a bonnet, he
wears a pince nez and centre parted floppy hair - or does detroit have it's
own victorian couple?
james
www.jbucknell.com
darnistle
javier
thanks for putting up those mixes. the 1986 mix rocks! moving onto the 1990
mix.
james
www.jbucknell.com
Javier Drada
<[EMAIL PROTECTED
i'd say the comparison is flawed.
most of the tracks on the acid comp are available on other comps,
re-releases or are still aviable from the original label.
whereas, at a guess, the studio one material and much on the other comps is
rarer than whatever proverbial you choose.
this is a good comp f
my favourite murk is 'i believe'
i just wish they made some instrumental mixes on the early murk records
releases.
they usually have three mixes and they all sound pretty much the same.
james
www.jbucknell.com
fred
it's murk brothers 'bugged out' (solid pleasure).
james
www.jbucknell.com
Fred Heutte
<[EMAIL PROTECTED]
ah yes, the glowstick on the end of a rope - some muscle dude hit me in the
head with one of those at limelight while i was dancing to claude young a
few years back. man, did i harsh his buzz and put an abrupt end to his e
honeymoon period.
james
www.jbucknell.com
richie's publicity machine needs to calm down.
however, i'm excited about hearing a mix that uses 5.1 surround sound.
i think there are some really intersting possibilities for surround sound -
much too interesting to be wasted on movie soundtracks.
james
www.jbucknell.com
i caught that as well - was that rage? they were playing some great old
rock- jimmi hendrix's version of 'wild thing,' the who 'my generation'...
james
www.jbucknell.com
"Sam K"
apparently this is a problem in hip hop. i recently read/listened (?) to an
article about the same problem, can't remember where. maybe it was on the
bbc site or fader mag or wax poetics.
excuse my rudimentary knowledge. anyway, there are beat hunters - people
who go through old david alexrod
i've been placing orders with piccadilly every two or three weeks for the
past two years or so. never ever had a problem. the records turn up on the
other side on the world within four or five days. they have a great
slection for the stuff i like. i really like their wishlist function.
a frien
do you have the dignity of labour by the human league?
makers of the dead travel fast
thought criminals (first album 'you only think twice)
early severed heads
kames
www.jbucknell.com
"Odeluga, Ken"
the only attention that should be paid to the dj is with your ass and, for
the more energetic, feet.
james
www.jbucknell.com
"Simon Hindle"
<
you don't hav eto play mp3 - you can play aiff files on your ipod. i found
the the difference quite noticable.
james
www.jbucknell.com
"[EMAIL PROTECTED]
that's right, juan and rick davis were just biting some australian group!
I was looking through some record at lunch and came across a record by an
australian duo named cybotron. it's titled 'sunday night at the total
theatre melbourne' from 1976. The cover shows two bearded dudes with
massiv
doesn't he already do that - it's called the ugly edits series
james
www.jbucknell.com
"Thomas D. Cox,
Jr."
hugh masekela plus carl craig. that sounds great! i absolutely love 'don't
go lose it baby'
is this availabe as a vinyl single? or only as part of the verve comp?
which reminds me, i've got to buy angola. i didn't think much of it when i
listened to it in the shop. but then i heard kenny larkin
i worked in a pre-school/kinderegarten for six months. i used to play lots
of music. 'the robots' was a big hit. they loved doing the robot dance.
another favourite was vaughan mason 'bounce, rock, skate, roll'. one kid
did an end of year fashion and dance performance to it.
man that was good j
yeah, sydney has one of those people mover things as well. our is a joke as
well. goes nowhere, carries no one. ours costs more than a dollar.
it always makes me sing the monorail song from the simpson's episode in
which a huckster sells springfield a monorail.
i've always enjoyed my rides on
wizard mix, from around 1990 on wjlb. posted on discogs mix forum. it's
not the mix from deephouse pages.
http://folk.uio.no/nnjohans/Music/The%20Wizard%20-%20WJLB.ogg
anybody know of a freeware ogg to mp3 converter for 0sx? didn't find
anything i liked on version tracker.
james
www.jbuckn
the best i know of is on deep house pages
1164. Afrika Islam (son of Bambatta) -Zulu Nation WHBI 105.9FM, Newark
1982-83
this is my favourite electro/hiphop/breaks mix. brilliant.
james
www.jbucknell.com
detroit/chicago/new york house and a bit of disco mix [60min 80mb 192kbps
mp3]
http://jbucknell.com/detroit_nyc.mp3
Theo Parrish - Twin Cities (Harmonie Park, 2004)
Chez Damier - Help Myself (KMS, 1992)
Paperclip People - Clear and Present (Open, 1995)
Nitro Deluxe - Let's Get Brutal (Cuttin
here's a mix i made about eight years ago. the armando tracks might be in
the wrong order on the tracklisting.
http://jbucknell.com/chicago_acid.mp3
80s chicago acid and jack tracks [56min 78mb 192kbps mp3]
Chip E - Like This (DJ International)
Chip E - Time to Jack (DJ International)
Phort
what, no armando?
i thought a tragically early death made a person more famous.
see you tonight.
will anybody be wearing seude hi-top filla's? (they were all the rage in
sydney in the late 80s, just to contine the sydney fashion thread).
james
www.jbucknell.com
did anybody go? how was he? how were the other djs?
i couldn't make it - i was away up the coast
james
www.jbucknell.com
it looks like db is making drum'n bass action figures
http://www.breakbeatscience.com/42485.html?id=kWPNTURY
speaking a simplistic rhyming couplets, i have a breakbeat science t-shirt
that says 'drum'n bass for a f*&ked place'. it's nice shirt. just a shame
that i don't like drum'n bass.
i use
maybe they're just calling it as they see it - does manchester have a lot
of hills and valleys?
i've been led to believe that it has a lot of alcohol and pills.
"Philip"
phuture phuturephuturephuture...phuture, then something about
rocket ships and turning back the hands of time, then more
phuture...phuture phuture...
james
www.jbucknell.com
"/0"
i too have many many records i have no idea who the artist is or the track
name. not that ehy aren't on the record, but it's not how i identify and
know them.
when pitch adjustable cd players first came out i bought one. but i found
that the thing i disliked the most about djing with cds was t
i don't think so - if he was we'd know about it. he's not one who lurks.
i first crossed electronic paths with him years back on new york
city-raves. i was surprised when he showed up on 313, given that he's into
a genre called cheesestep.
maybe google will point you in the right direction.
jam
blackwater is around the low 120 bpms when at -8. that's what the slider is
for on the technics. sounds much better slowed down.
james
www.jbucknell.com
Sakari Karipuro
sure that wasn't pullover by speedy j? ;)
what type of tracks was he playing on the night? i didn't catch him in
sydney - i went camping on the beach for the weekend.
james
www.jbucknell.com
"Cyclone W
is that a new or re-released egyptian lover track? i've never heard of it.
he's still around, right - he performed recently somewhere in europe.
hope he hasn't changed his hair style! I love his photo on the back of
freak-a-holic or is it living on the nile.
james
www.jbucknell.com
one of the great revolutions that occurred with the rise of dj based dance
music was the removal of the performer/audience dichotomy. the dancers on
the dancefloor became the entertainment. the action was happening on the
dancefloor not on the stage. power to the people! no more standing around
yeah, i don't remember any prime stickers on my copies.
james
www.jbucknell.com
"Thomas D. Cox,
Jr."
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