MakeMusic.
Cheers,
Tobias
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** ~ **
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done to their loyal composer community.
The order number was [order #].
The order total to credit is [amount].
Dennis
Kalvos & Damian's New Music Bazaar
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Premo
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ot alterations, reset the tie settings to default, remove
system locks, respace and recalc -- and I am ready to go.
Thanks,
David Froom
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ce of it” -
André Previn at an award ceremony in his honor
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n his honor
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Michael Lawlor
-Original Message-----
From: David H. Bailey <[EMAIL PROTECTED]>
To: Michael Lawlor <[EMAIL PROTECTED]>
Cc: [EMAIL PROTECTED] <[EMAIL PROTECTED]>
Date: 01 August 2003 11:51
Subject: Re: [Finale] Missing Ledger Lines
Even though the 5th line is missing, it is still
oblem than creating a note
articulation and spending a lot of time lining it up?
Michael Lawlor
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it areas: Makemusic, Finalemusic,
&c.
New website look perhaps?
ns
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.
Pierre:
About your question,
In a piano staff, I have on left hand one voice and on right hand 2
crossing voices in
intervals of of a third or wider. I don't know if I must align on the
beats the left (crossing) note or the right (normal) note ?
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e of Kalmus.
End of Rant.
Guy Hayden, Music Director and Conductor
The Peninsula Concert Band
Newport News, VA USA
http://peninsulaconcertband.org
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p of notes, i.e., a grace-note group, is quite unusual, causing the
slur to appear upside down and resistant to any changes I try to make.
Regards,
Preston Keys
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st not too active.
Andrew Stiller wrote:
I haven't been getting anything from the list lately, so this is a test
to see if I've been unsubbed somehow.
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work should be paid what it is worth -- nothing!
Johannes Gebauer wrote:
On 14.07.2003 13:02 Uhr, David H. Bailey wrote
Or do I detect an undercurrent among the replies that people now think
that delivering finale files are part and parcel of any engraving job
these days?
I thought we had hashe
something that others have trolled around and found?
Chuck
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rections.
This is exactly the situation in my story, which, again, has actually not
much to do with myself, who at this stage is merely a spectator.
Anyway, this whole thing has now gone completely out of hand, and the two
will almost certainly not come to a peaceful agreement.
J
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is yet another situation which is not "just like
engraving music."
John
David H. Bailey replied:
Well, a secretary hired to provide correctly typed and printed output
can very well claim that the Word files are her property. The files
themselves are merely one aspect of the process
nt. Sometimes all you
can do is make a good-faith effort to comply, document what you have
done, and see whether the copyright owner pops out of the woodwork.
Failure to provide you with that information would make your defence
much easier in case of an infringement s
nvolved
graphic work that is more than just typing texts, that may be a different
situation, but in this case all that's asked for is the music data, not the
art work.
Johannes
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necessary parts for
performance?
Tom Jordan
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both
sides, explaining in detail how what a wicked person the other one was)
Johannes
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Lawrence
http://lawrenceyates.co.uk
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Get advanced SPAM filtering on Webmail or POP Mail ... Get Lycos Mail!
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ange black items (like notes, stems, accidentals,
time signature, staff lines, ...???) in colored items ?
Thanks in advance for your responses.
Pierre.
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parts,
then switch to chords.
Thanks.
Terry
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o he would need to show some distinction visually
that the 4/4 bars should be interpreted differently.
What would be interesting would be to see how he notated 8th's in his
pieces where all the 8th's are supposed to swing.
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all the time. I seem to recall a
Dave Bruebeck tune that went 2-2-2-3, 2-2-2-3, 2-2-2-3, 3-3-3. Anyone
remember the title? Anyone have the notation? What time signature does
he use?
Hal
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explanation!
Dennis Bathory-Kitsz wrote:
At 06:49 AM 6/21/03 -0400, David H. Bailey wrote:
So the use of 3, 6, 12 to indicate the dotted-note beats would need
explanation.
It sure would! I understand this to indicate that *all* sub-groups are
subdivided in three -- 3/3 is counted like 9/8 but with 16th
ising this here.
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notational sense. A time
signature of 5/3 might well make people not look further at that piece
but instead move onto a different piece they feel more comfortable with
from the start.
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ill "preserve a literate English population."
After all, we are talking about people reading the music, aren't we?
Aren't they already literate?
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copying of old music?
Tim Price,
fairlee, VT
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One and see what happens
- Randy Newman, "Political Science"
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7;s drop the Big One and see what happens
- Randy Newman, "Political Science"
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o Sgt. Pepper's) to rival any of Sinatra's
efforts in that direction."
This may be apocryphal, but I hear that when Sinatra learned that
Reprise Records had been approached with the project and had turned it
down, he fired the VP who had rejected it.
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"Alice's Restaurant..."
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extensive text blocks and I need to simply delete the
first page. I can't find how this might be done without messing everything
else up.
Thanks,
Doug
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he
reprint publisher who took the test case to the Supreme Court.
mdl
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e mechanical in
their playing because they don't understand the underlying music theory
behind all this meter/pulse/beat stuff.
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;Political Science"
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ment properly. In a band situation I
feel it is a necessary component of the extended clarinet choir. But to
say the instrument itself is inferior is simply silly.
Of course we have an alto player in our community band, and she does
just fine.
John
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und, even our old friends put us down
Let's drop the Big One and see what happens
- Randy Newman, "Political Science"
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d, even our old friends put us down
Let's drop the Big One and see what happens
- Randy Newman, "Political Science"
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Herman S. Gersten wrote:
Thank you Tim, Brad, Dan, Liudas, and those yet to respond, for all your
suggestions.
I guess the bottom line is you have to redraw to clean up the screen.
Who said computers save time?
I do, every time I extract and print a concert band's worth of parts!
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can it be eliminated?
Herman
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ld go about engrave these scores without "dramatic
fluctuations" in system reduction.) >>
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tranpsosed properly.
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ecall reading a "you can't do that in Finale" response.
Christopher BJ Smith wrote:
At 6:28 PM +0200 6/09/03, Johannes Gebauer wrote:
On 09.06.2003 13:53 Uhr, David H. Bailey wrote
To be fair, there is an independent Sibelius yahoogroup which is very
similar to this Finale comm
ot be perfect
But heaven knows we try
But all around, even our old friends put us down
Let's drop the Big One and see what happens
- Randy Newman, "Political Science"
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[
Another thing: knowledge builds upon knowledge, and the Finale user base is
incredibly helpful one to another.
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d by a "well, if we can't talk you out of it, THIS
is how to do it in Finale."
With Sibelius, after the "why would you want to?" usually comes the
"well, you can't."
[snip]
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ant jerks
b) that the users who were boasting so loudly about its superiority must
not ever do any serious work with the program.
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at Sibelius can gain an undeserved leg up
on the market simply because it works on OSX and Finale doesn't yet is
very sickening.
And I have and work with both programs, so I am comparing them from
personal experience.
Let's ALL hope that the 2004 release of Finale really works on OSX
st to all,
Lon
*
Lon Price, Los Angeles
<http://hometown.aol.com/txstnr/>
<[EMAIL PROTECTED]>
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lp STOP SPAM with the new MSN 8 and get 2 months FREE*
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I agree that the development will help both platforms and I did not
intend to sound defensive or aggressive in referring to the platform
issue -- merely stating an opinion.
Jari Williamsson wrote:
David H. Bailey writes:
Perhaps, given the tardiness in making Finale fully OSX compliant, it
#x27;t,
perhaps it should be dropped. Smaller but profitable is not an unheard
of corporate strategy in these times of market turmoil.
Philip Aker
http://www.aker.ca
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ly isn't anything new about
that, as far as I can see.
Regards,
Craig
At 09:21 PM 6/6/2003 -0400, David H. Bailey wrote:
Craig, which items would you leave out of a Finale2003 file when you
were saving to 2002 format? To a 3.2 format?
How would the program be able to deliver any sort of
/listinfo/finale
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understand? Or would being a
musician actually not be very important?
Richard
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-intense folks, here's an analogy. Doing a 4-part
voicing in realistic Bach fugue style is terribly difficult if you don't
know what you're doing. For an accomplished arranger, it is just about
automatic.
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rade too unless it is an absolute blockbuster.
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to me,
which doesn't mean squat of course.
Richard
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We may not be perfect
But heaven knows we try
But all around, even our old friends put us down
Let's drop the Big One and see what happens
- Randy Newman, "Political Science"
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?
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f music is unlikely to remain beyond understanding for
more than another 20 years or so.
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to be convinced otherwise.
Johannes Gebauer wrote:
On 02.06.2003 1:27 Uhr, David H. Bailey wrote
What tempo did Mendelssohn REALLY take his Italian Symphony at? Are we
sure he followed his own metronome markings (assuming there are any)?
I think we can assume that Mendelssohn did follow his own Metr
:
1."if needeed" is the right translation of "au besoin" ?
2. I have to put the Bar. Sax in small notes ?
Thanks in advance.
Pierre.
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they
always sound the same (the way a Beethoven symphony always sounds the
same) because people playing your notation always interpret them the
same way?
I'm not the one who's "exercised" about this -- you can notate your
swing music any way you want to. I just don't
repeat marking such as "D.S. al Coda - then
the segno sign"
and similarly "To Coda - then the hot cross bun sign" ?
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Lewis -- the
dialogue was written using modern English and carrying some sort of
descriptive terms like "mock 19th-century Irish immigrant accent." I am
sure it wasn't written out using diacritical phonetic IPA pronunciation
guidelines.
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t;To Coda - then the hot cross bun sign" ?
Stan Lord
London
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not much of a jazz person either, but I find
it entirely adequate. I think I would be much more confused by an attempt
to spell out the rhythms.
mdl
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n hit some 10 keys with
stinging exactitude!
Sorry about the upsetting mail with no substance. I am a sad person today.
Liudas
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midi! Bang goes my holiday in Brisbane!
Anyone with any suggestions, please?
Regards, Keith in OZ
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s per page. When I move
the vocal line up, all the vocal lines go up. Same with the piano staves.
Herman
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mplex orchestral score?
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set it to send to a pc program like
cakewalk or cubase etc. There is no switch so it must be an unmarked
keyboard note or something. Help !
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urrounding this,
which one should I use (3+4 or 4+3)?
Taris
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