> On May 27, 2019, at 7:02 PM, Ed Durbrow wrote:
>
> I visited a violin and ukelele maker here in Japan who used a plant as
> sandpaper. He grew it right outside the door.
Yes, he’s famous for taking wood and nearly-finished instruments and rubbing
them up against that pine tree outside his
I visited a violin and ukelele maker here in Japan who used a plant as
sandpaper. He grew it right outside the door.
On May 28, 2019, at 1:29 AM, George Torres wrote:
> remember
>
>> you that also plants exist which were used for thousands
>>> of
>
> years to
>
>>
>> Best wishes,
>> Antonio
>>__
>>
>> From: George Torres
>> To: Roman Turovsky
>> Cc: magnus andersson ; Martyn Hodgson
>> ; Lute List ; Monica
>> Hall
>> Sent
Amen ! ;-)
Jean-Marie
> Le 10 mai 2019 à 21:54, Stewart McCoy a écrit :
>
> In discussing the plucking of strings with or without nails, I think it is
> important to keep Thomas Mace, _Musick's Monument_ (1676) in mind. He was, of
> course, referring to the lute, not the guitar, but I think h
tmouth.edu] Namens Martyn
Hodgson
Verzonden: vrijdag 10 mei 2019 10:09
Aan: 'Lute List' ; Lex Eisenhardt
Onderwerp: [LUTE] Re: De Visee
Dear Lex,
Well, are you referring to the report that said C couldn't play
because he'd broken a nail?
This might, of course,
nkelijk bericht-
Van: [2]lute-...@cs.dartmouth.edu [mailto:[3]lute-...@cs.dartmouth.edu]
Namens Martyn Hodgson
Verzonden: donderdag 9 mei 2019 08:49
Aan: [4]maan7...@cs.dartmouth.edu; Lute List <[5]lute@cs.dartmouth.edu>
Onderwerp: [LUTE] Re: De Visee
That's not the point
Didn't Baron (In 'Study of the Lute' 1727) complain about the French
who 'scratched' at their lutes. Does this imply that they played with
nails? (I no longer have my copy of the Baron book, so I can't find the
original quote, and I well could be mistaken). trj --
To get on or off thi
not have too much to complain about.
Except that he had crossed the Alps for nothing, and broke a nail.
Lex
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens Monica
Hall
Verzonden: donderdag 9 mei 2019 09:58
Aan: r...@mh-freiburg.de;
[mailto:lute-...@cs.dartmouth.edu] Namens Martyn
Hodgson
Verzonden: donderdag 9 mei 2019 08:49
Aan: maan7...@cs.dartmouth.edu; Lute List
Onderwerp: [LUTE] Re: De Visee
That's not the point being made. Which is that, even if some theorbo
players employed nails (or didn't), we canno
Briefly - there were two editions of Ebert's book. In 1723 the account of
Corbetta's visit ends
Every foreign musician who performed at court in Turin was given 500 Thlr. and
Madame Royale wished to show her generosity by not withholding anything from
Corbetta.
The rest of it occurs in the edit
That's not the point being made. Which is that, even if some theorbo
players employed nails (or didn't), we cannot draw the unequivocal
conclusion that the period guitar was therefore also played with nails.
And, in particular, that this was the practice that De Visee generally
expe
ired by a long habitude.
> Best wishes,
> Antonio
> __
>
> From: George Torres
> To: Roman Turovsky
> Cc: magnus andersson ; Martyn Hodgson
> ; Lute List ; Monica
> Hall
> Sent: Wednesday, 8 May 2019, 11:45
> Subject: [LUTE] Re: De Vi
long habitude.
Best wishes,
Antonio
__
From: George Torres
To: Roman Turovsky
Cc: magnus andersson ; Martyn Hodgson
; Lute List ; Monica
Hall
Sent: Wednesday, 8 May 2019, 11:45
Subject: [LUTE] Re: De
Get [1]Outlook for Android
__
From: Roland Hayes
Sent: Wednesday, May 8, 2019 12:59:35 PM
To: Christopher Wilke
Subject: Re: [LUTE] Re: De Visee
Thank you so much!
pher Wilke
Subject: Re: [LUTE] Re: De Visee
Thank you so much!
Get [2]Outlook for Android
__
From: lute-...@cs.dartmouth.edu on behalf
of Christopher Wilke
Sent: Wednesday, May 8, 2019 10:13:56 AM
To: Rolan
You haven't read the whole passage.
> On 08 May 2019 at 20:13 Ralf Mattes wrote:
>
>
>
> Am Mittwoch, 08. Mai 2019 20:00 CEST, Monica Hall
> schrieb:
>
> >The relevant passage reads as follows. Feel free to correct the
> >translation.
> >
> >Recently the world-famous guitar
Am Mittwoch, 08. Mai 2019 20:00 CEST, Monica Hall
schrieb:
>The relevant passage reads as follows. Feel free to correct the
>translation.
>
>Recently the world-famous guitarist, Corbetta, who taught all the
>Potentates of Europe, came here [to Turin] from England. But b
> To add something substantial to the discussion, I'd like to
>>
>> remember
>>
>> > you that also plants exist which were used for thousands of
>>
>> years to
>>
>> > polish wood (and maybe al
gt; years to
>>
>> > polish wood (and maybe also fingernails), e.g. Equisetum
>>
>> > ("Schachtelhalm" in German).Am 07.05.2019 13:31 schrieb jslute
>>
>> > <[2][2][4][6]jsl...@cs.dartmouth.edu>:
ohn.mardi...@asu.edu>
> Date: 5/6/19 6:51 PM (GMT-05:00)
>To: Roland Hayes
<[4][4][6][8]rha...@legalaidbuffalo.org>
>Cc: Lute List <[5][5][7][9]lute@cs.dartmouth.edu>
>Subject: [LUTE] Re: De
; Original message
>From: John Mardinly
<[3][3][5][7][8]john.mardi...@asu.edu>
> Date: 5/6/19 6:51 PM (GMT-05:00)
>To: Roland Hayes
<[4][4][6][8][9]rha...@legalaidbuffalo.org>
th.edu>
Sent: Tuesday, May 7, 2019 5:57:33 PM
To: magnus andersson
Cc: Yuval Dvoran; John Mardinly; Roland Hayes; jslute; Lute
Subject: [LUTE] Re: De Visee
My first guitar teacher Rolando Valdes-Blain taught his students to
use
finely crushed pumice stone
>Jim Stimson
>Sent from my Verizon, Samsung Galaxy smartphone
> Original message
>From: John Mardinly <[3][3][5][7]john.mardi...@asu.edu>
> Date: 5
>From: John Mardinly <[3][3][5][7]john.mardi...@asu.edu>
> Date: 5/6/19 6:51 PM (GMT-05:00)
>To: Roland Hayes
<[4][4][6][8]rha...@legalaidbuffalo.org>
>Cc: Lute List <[5][5][7][9]lute@cs
my Verizon, Samsung Galaxy smartphone
> Original message
>From: John Mardinly <[3][3][5]john.mardi...@asu.edu>
> Date: 5/6/19 6:51 PM (GMT-05:00)
>To: Roland Hayes <[4][4][6]rha...@legalaidbuffalo.org>
Am Mittwoch, 08. Mai 2019 10:04 CEST, magnus andersson
schrieb:
>Dear Monica, you ´re right-
>Francesco seems to have been the scheduled star musician of the
>evening. At
>the banquet, an ensemble consisting of lutes, theorboes, angeliques and
>guitars was
>heard, and
Am Mittwoch, 08. Mai 2019 09:40 CEST, Monica Hall
schrieb:
> Corbetta didn't have to pay his musicians out of his own pocket - that's just
> another myth.
Sorry, but that's nit what Ebert is writing. To qoute:
"... und dieselbe nachmals aus seinem Beutel auszahlen müssen."
"Dieselbe" her
Should be 1724...
-Oorspronkelijk bericht-
Van: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Namens Lex
Eisenhardt
Verzonden: woensdag 8 mei 2019 11:43
Aan: 'LuteList'
Onderwerp: [LUTE] Re: De Visee
The 'myth' is probably based on Ebert's Ver
y <[3][3][6]john.mardi...@asu.edu>
>Date: 5/6/19 6:51 PM (GMT-05:00)
>To: Roland Hayes <[4][4][7]rha...@legalaidbuffalo.org>
>Cc: Lute List <[5][5][8]lute@cs.dartmouth.edu>
>Subject: [LUTE] Re: De Visee
>
u] Namens Yuval
Dvoran
Verzonden: woensdag 8 mei 2019 10:43
Aan: LuteList
Onderwerp: [LUTE] Re: De Visee
I was always wondering where this story comes from - thank you Magnus!
By the way, you can buy the book here:
https://www.zvab.com/servlet/BookDetailsPL?bi=19245595719&searchurl=hl%3Don%26
> Might I suggest that a culture sophisticated enough to
> build
> > lutes and
> > craft overwound strings could have figured out a way to
> file
> > and
> > polish
> >
and
> > craft overwound strings could have figured out a way to file
> > and
> > polish
> > their nails.
> > Jim Stimson
> > Sent from my Verizon, Samsung Galaxy smartphone
> >
nt from my Verizon, Samsung Galaxy smartphone
> Original message
>From: John Mardinly <[3][3][6]john.mardi...@asu.edu>
>Date: 5/6/19 6:51 PM (GMT-05:00)
>To: Roland Hayes <[4][4][7]rha...@legalaidbuffalo.or
their nails.
>Jim Stimson
>Sent from my Verizon, Samsung Galaxy smartphone
> Original message
>From: John Mardinly <[3][3]john.mardi...@asu.edu>
>Date: 5/6/19 6:51 PM (GMT-05:00)
>
;
Sent: Tuesday, May 7, 2019 5:57:33 PM
To: magnus andersson
Cc: Yuval Dvoran; John Mardinly; Roland Hayes; jslute; Lute
Subject: [LUTE] Re: De Visee
My first guitar teacher Rolando Valdes-Blain taught his students
to use
finely crushed pumice s
rdi...@asu.edu>
Date: 5/6/19 6:51 PM (GMT-05:00)
To: Roland Hayes <[4][4][7]rha...@legalaidbuffalo.org>
Cc: Lute List <[5][5][8]lute@cs.dartmouth.edu>
Subject: [LUTE] Re: De Visee
More lacking than glue-on-nails might
droid
__
From: lute-...@cs.dartmouth.edu on behalf
of M Del
Sent: Tuesday, May 7, 2019 5:57:33 PM
To: magnus andersson
Cc: Yuval Dvoran; John Mardinly; Roland Hayes; jslute; Lute
Subject: [LUTE] Re: De Visee
My first guitar teacher Rolando Valdes-Blain t
and
> polish
> their nails.
> Jim Stimson
> Sent from my Verizon, Samsung Galaxy smartphone
> Original message
> From: John Mardinly <[3][3]john.mardi...@asu.edu>
> Date: 5/6/19 6:51 PM (GMT-05:00)
&g
n.mardi...@asu.edu>
Date: 5/6/19 6:51 PM (GMT-05:00)
To: Roland Hayes <[4][4]rha...@legalaidbuffalo.org>
Cc: Lute List <[5][5]lute@cs.dartmouth.edu>
Subject: [LUTE] Re: De Visee
More lacking than glue-on-nails might have been some o
To: Roland Hayes <[4][5]rha...@legalaidbuffalo.org>
Cc: Lute List <[5][6]lute@cs.dartmouth.edu>
Subject: [LUTE] Re: De Visee
More lacking than glue-on-nails might have been some of the
modern
files and abrasives used to polish the
To: Roland Hayes <[4]rha...@legalaidbuffalo.org>
Cc: Lute List <[5]lute@cs.dartmouth.edu>
Subject: [LUTE] Re: De Visee
More lacking than glue-on-nails might have been some of the
modern
files and abrasives used to polish the nails. Badly
y to file and
> polish
>their nails.
>Jim Stimson
>Sent from my Verizon, Samsung Galaxy smartphone
> Original message
>From: John Mardinly <[3]john.mardi...@asu.edu>
>Date: 5/6/19 6:51 PM (GMT-05:00)
>
, Samsung Galaxy smartphone
Original message
From: John Mardinly <[3]john.mardi...@asu.edu>
Date: 5/6/19 6:51 PM (GMT-05:00)
To: Roland Hayes <[4]rha...@legalaidbuffalo.org>
Cc: Lute List <[5]lute@cs.dartmouth.edu>
Subject:
smartphone
>
> Original message
> From: John Mardinly
> Date: 5/6/19 6:51 PM (GMT-05:00)
> To: Roland Hayes
> Cc: Lute List
> Subject: [LUTE] Re: De Visee
>
> More lacking than glue-on-nails might have been some of the modern
>
: John Mardinly
Date: 5/6/19 6:51 PM (GMT-05:00)
To: Roland Hayes
Cc: Lute List
Subject: [LUTE] Re: De Visee
More lacking than glue-on-nails might have been some of the modern
files and abrasives used to polish the nails. Badly prepared nails give
a terrible result for both
More lacking than glue-on-nails might have been some of the modern files and
abrasives used to polish the nails. Badly prepared nails give a terrible result
for both sound and playability. My teacher back in 1965 had studied with
Segovia, and showed me how Segovia prepared his nails: after some
Hadnt he hurt his finger then? IIRC, someone told me he had injured a finger,
so he played the whole concert with two fingers and thumb and I certainly
didn't notice any ill effects. Or maybe it was his LH that was injured. I cant
remember, other than it was magical. In those days it was kind
On 03/03/14 9:28 AM, Monica Hall wrote:
Yes - I often forget to copy the list in when replying to messages!
Easily done.
I do that all the time here too. Most email lists are configured so
that the default is for the reply to go to the list, so I automatically
hit the "reply" button instead
Yes - I often forget to copy the list in when replying to messages! Easily
done.
Thanks for the various references. The British Library has Mercure Galante
which is where I got it from but the other things will be an invaluable.
Corbetta must have known all the players who took part in Gal
ailed biography of Corbetta but is is often
the way - it keeps stalling.
MOnica
- Original Message -
From: "gary"
To: "lutelist"
Sent: Monday, March 03, 2014 8:59 AM
Subject: [LUTE] Re: De Visee
This may be apocryphal, but I remember having read that Corbett
:-) ! For sure !
Jean-Marie
--
>Jean-Marie,
>
>
>On Mon, 3/3/14, Jean-Marie Poirier wrote:
>
>> Incidentally, this 1656 Ballet also employed the theorbo
>> players de La Barre, Vincent, Ytier (= Ithier), Grénerin,
>> Le Moine and Hurel...
Jean-Marie,
On Mon, 3/3/14, Jean-Marie Poirier wrote:
> Incidentally, this 1656 Ballet also employed the theorbo
> players de La Barre, Vincent, Ytier (= Ithier), Grénerin,
> Le Moine and Hurel... What a dream team it must have been ;-)
I'm sure th
Good morning to all,
I exchanged a mail with Monica without realising that I had sent it to her only
and not to her plus the list... My mistake ;-( but not very important anyway.
I sometimes get confused in the choices to reply to messages...
Anyway, Monica quoted an part of the article in Le M
This may be apocryphal, but I remember having read that Corbetta taught
young Charles II in France after the Queen Mother fled there with him to
avoid Cromwell and, after the restoration, Charles brought Corbetta to
England. While in France Corbetta had acquired the franchise for an
Italian gam
On 02/03/14 7:56 PM, Peter Danner wrote:
Incidentally, it was while performing the Te Deum written to
celebrate Louis' recovery from this illness that Lully suffered the
wound that caused his death.
Oh no...I fear we're next going to learn that the tale of Lully's death
from gangrene brought a
After the remarks made about Satoh's liner notes, I hate to cite any others,
but in Philippe Beaussant's rather poignant notes to Hopkison Smith's Pieces de
Theorbe (Astree 7733), claim is made that Corbetta became known to Louis when
Lully had the two play together in le Ballet de la Galanterie
re" doesn't necessarily mean that he actually
taught Louis to play. More that he was there to play to the King in his
leisure hours. He may not have been a composer but a lot of stuff in
manuscript is anonymous and it may have been difficult to get guitar music
printed in France before
On Mar 1, 2014, at 9:29 AM, Christopher Wilke wrote:
> before you know it, it's a "known fact" that de Visee was from
> Portugual.
My offhand remark that started this thread was based on a "known fact" that I
gleaned from the liner notes of a Segovia LP (you may commence giggling), when
I w
>On French-Spanish relationships, it might be worth pointing out that Louis'
>mother, Anne of Austria, in spite of her name, was a Spanish Habsburg, >the
>daughter of King Philip III. Furthermore, Louis married the Infanta, Maria
>Teresa, daughter of Philip IV of Spain. In his biography of Louis
Thank you for this, Jean-Marie. Precisely the information I was looking for. I
remember examining the Marcelle Beboit volumes in the Stanford library years
ago. Louis XIV did indeed have some ability on the guitar from contemporary
accounts, and Voltaire is later said to have stated that the onl
I
>wonder if "Maitre de guitarre" doesn't necessarily mean that he actually
>taught Louis to play. More that he was there to play to the King in his
>leisure hours. He may not have been a composer but a lot of stuff in
>manuscript is anonymous and it may ha
age -
From: "Peter Danner"
To: "Monica Hall"
Cc: "Lutelist"
Sent: Sunday, March 02, 2014 3:04 PM
Subject: [LUTE] Re: De Visee
Monica is quite right in pointing out that de Visee was never Louis XIV's
official guitar teacher, which brings up another questi
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
On Sun, 2 Mar 2014 15:06:29 +0100, Jean-Marie Poirier wrote
> Maybe Visée first met Louis XIV who stayed in Vizé for a couple of
> days in the then famous "Maison Houbart" in 1672 and 1675, during
> the Franco-Dutch War... He was with the musketeer d'Artagnan who got
> killed in 1673 during the sie
Monica is quite right in pointing out that de Visee was never Louis XIV's
official guitar teacher, which brings up another question. It has been years
since I looked into the matter, but I find this in my notes. Perhaps someone
can remind me of the Benoit citation. It identifies de la Salle as S
The trail is getting hotter
Enjoy your day of rest
Monica
- Original Message -
From: "Jean-Marie Poirier"
To: "Greet Schamp" ; "Monica Hall"
; "Martyn Hodgson"
Cc: "'Lute List'"
Sent: Sunday, March 02, 2014 2:06
Maybe Visée first met Louis XIV who stayed in Vizé for a couple of days in the
then famous "Maison Houbart" in 1672 and 1675, during the Franco-Dutch War...
He was with the musketeer d'Artagnan who got killed in 1673 during the siege of
Maastricht.
Real facts but the rest is pure conjecture and
t the lute from Gaultier, Pinel or whoever was
in the ascendency in his youth.
Monica
- Original Message -
From: "Shaun Ng"
To: "Lutelist"
Sent: Sunday, March 02, 2014 11:54 AM
Subject: [LUTE] Re: De Visee
What I find interesting in all this (Satoh’s exercise
Well that is possible I suppose. It may even account for the fact that
Castillion - who hied from Liege - copied the whole of De Visee's 1682 into
his earlier manuscript now in the Liege Conservatoire. But that is just my
imagination and conjecture and not based on any surviving documents..
What I find interesting in all this (Satoh’s exercise) is why De Visée needs to
be foreign. Is this to align him with Lully (the Italian)? In the light of the
long tradition of lute playing in France, making De Visée foreign does not seem
to elevate his status. In fact, historical writers in som
Dear all,
I wonder if his name has something to do with the city of Visé, north east of
Liège in Belgium?
The dutch name is WEZET but in the Walloon language it is called Vizé.
According to wikipedia in french, it has a long history
It would add another lute/baroque guitar composer to our coun
Satoh is a veteran performer. He has made many contributions to our
field both as a player and a scholar who has published in professional
journals. As such, he speaks with some authority and many will assume
that even his "conjectures" have a basis in fact. I understand the
temptat
Hi,
In the Sazenay, the A-minor prelude is written in page 256 and the
courante in page 254. There is a slight different version of both
pieces (and some others in the same key) in the manuscript of the
Bibliotheque nationale, in Paris with the reference F Pn Res.1106.
I have rec
Btw, a Prelude and Courante in A minor to theorbo in the Saizenay ms.:
http://www.youtube.com/watch?v=Wezj1r3CdCQ
http://www.youtube.com/watch?v=Xco973frlJY
Perhaps these are the ones?
There are also Allemande, Sarabande, Chaconne and Gavotte there...
In 2009 my recording equipment was sou
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Monica Hall
Sent: Sunday, December 16, 2012 8:22 AM
To: be...@interlog.com
Cc: Lutelist
Subject: [LUTE] Re: De Visee tab emergency
According to Gerard Rebours thematic catalogue of De Visee's work there is a
Prelude in
According to Gerard Rebours thematic catalogue of De Visee's work there is a
Prelude in A minor in the printed collection "Pieces de theorbe et luth"
which is an arrangement of the prelude in B minor from the 1686 guitar book.
This source also includes a courante in A minor. which is not in the
Am 16.12.2012 15:55, schrieb Edward Martin:
Hi Benjamin,
I am not aware of a courante and prelude in a minor by deVisee.
All De Visee's lute pieces come from the Vaudry de Saizenay MS, and
the Prelude and Courante pieces are not included. (Arto kindly sent
a link to the MS).
I never ha
Hi Benjamin,
I am not aware of a courante and prelude in a minor by deVisee.
All De Visee's lute pieces come from the Vaudry de Saizenay MS, and
the Prelude and Courante pieces are not included. (Arto kindly sent
a link to the MS).
There is, however, and excellent CD by Eduardo Eguez, contain
The two "Saizenay" facsimiles are public. And in very beautiful way, see
http://culture.besancon.fr/ark:/48565/a011284026247S0XA9H/1/1
Arto
On 16/12/12 02:45, be...@interlog.com wrote:
Hi, folks! Hope all is well. I'm sending out a request for a couple of
De Visee tabs that I can't seem to
Brad,
Can you send the link to the duet on you tube?
At 11:09 AM 10/9/2011, gtung.wal...@utoronto.ca wrote:
>Hello lute folks,
>
>
>There is a chaconne in g-major from the Saizenay ms and often
>attributed to de Visee (and sometimes to le Moyne). There is a duet
>version of this chaconne on Yout
BTW that information has been provided in the table of contents to the
1980 Minkoff edition of the Saizenay ms. (1979 by Claude Chauvel).
Mathias
"Peter Martin" <[EMAIL PROTECTED]> schrieb:
> Yes, those are the three pieces in order of appearance.
>
> My information came from Bryan Prud'homme's
Yes, those are the three pieces in order of appearance.
My information came from Bryan Prud'homme's 1992 University of Colorado PhD
dissertation on the theorbo works of Robert de Visee, of which I bought a
copy a few years ago in a fit of enthusiasm for RdV. He's picked up two of
the titles from
Peter,
Thanks a lot! Are those the titles of the pieces
as they appear in the manuscript, top to bottom?
They're all just labeled "Noel."
Chris
--- Peter Martin <[EMAIL PROTECTED]> wrote:
> They're identified by Bryan Prud'homme as being
>
> Une jeune pucelle [aka Une jeune fillette,
They're identified by Bryan Prud'homme as being
Une jeune pucelle [aka Une jeune fillette, La Monica]
Je me suis leve par un matinet
A la venue de noel
P
On 10/03/2008, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
>
> Hello all,
>
>
> Does anyone out there know where I might be able
> to fi
;"
<[EMAIL PROTECTED]>
To: "Lutelist"
Sent: Monday, November 26, 2007 6:35 AM
Subject: [LUTE] Re: de Visee - contreparties
"Taco Walstra" <[EMAIL PROTECTED]> schrieb:
On Sunday 25 November 2007 21:58, Mathias Rösel
rattled on the keyboard:
> Dear Collecte
From: "Arthur Ness" <[EMAIL PROTECTED]>
To: ""Mathias Rösel"" <[EMAIL PROTECTED]>;
"Lutelist"
Sent: Monday, November 26, 2007 12:08 PM
Subject: Re: [LUTE] Re: de Visee - contreparties
Only two Visee contreparties are in Paris sources.
some free scores, go to:
http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/
- Original Message -
From: ""Mathias Rösel"" <[EMAIL PROTECTED]>
To: "Lutelist"
Sent: Monday, November 26, 2007 6:35 AM
Subject: [LUTE] Re: de Visee - contreparties
&
, November 26, 2007 12:35 PM
Subject: [LUTE] Re: de Visee - contreparties
"Taco Walstra" <[EMAIL PROTECTED]> schrieb:
On Sunday 25 November 2007 21:58, Mathias Rösel rattled on the keyboard:
> Dear Collected Wisdom,
>
> on their CD with duets by de Visee and Corbetta (
"Taco Walstra" <[EMAIL PROTECTED]> schrieb:
> On Sunday 25 November 2007 21:58, Mathias Rösel rattled on the keyboard:
> > Dear Collected Wisdom,
> >
> > on their CD with duets by de Visee and Corbetta (Naxos), Eric Bellocq
> > and Massimo Moscardo have recorded two suites by de Visee, totalling 12
On Sunday 25 November 2007 21:58, Mathias Rösel rattled on the keyboard:
> Dear Collected Wisdom,
>
> on their CD with duets by de Visee and Corbetta (Naxos), Eric Bellocq
> and Massimo Moscardo have recorded two suites by de Visee, totalling 12
> movements. Only three of those twelve contreparties
"Davide Bioccoli" <[EMAIL PROTECTED]> wrote:
> Hi to all...
> Here's a nice (but short) link to Lislevand
> playing De Visée:
> http://www.youtube.com/watch?v=UhKuL75sLfQ
Thank you for this. Leslevand is a truly remarkable player. It's always
great to hear somebody who's got enough technical sk
Apart from the musical differences Bonavita's playing position
certainly looks healthier. Nomen est omen :-)
Regards,
Stephan
Am 21 Apr 2007 um 15:37 hat Mathias Rösel geschrieben:
> <[EMAIL PROTECTED]> schrieb:
> > I thought both Lislevand's and Bonavitas'
> > performances were nice.
>
>
--- "Mathias Rösel" <[EMAIL PROTECTED]> >
> Notwithstanding everybody's personal preferences, I
> especially disliked
> Lislevand's stopping of basses so as to stress the
> notes.
Not my preference, either. Hoppy Smith does this sort
of thing all over his de Visee album and it seems like
lots of
> Mathias,
Bonavita also stop the basses at the same place Lislevand does. They are
both great...
"Notwithstanding everybody's personal preferences, I especially disliked
> Lislevand's stopping of basses so as to stress the notes. Anyway, his
> playing is at times very guitaristic, in this video
On Apr 21, 2007, at 11:37 AM, Mathias R=F6sel wrote:
> ...I especially disliked
> Lislevand's stopping of basses so as to stress the notes. Anyway, his
> playing is at times very guitaristic
The stopping of the basses is something I tend to associate with
pianists when they play Baroque music (
<[EMAIL PROTECTED]> schrieb:
> I thought both Lislevand's and Bonavitas'
> performances were nice.
Notwithstanding everybody's personal preferences, I especially disliked
Lislevand's stopping of basses so as to stress the notes. Anyway, his
playing is at times very guitaristic, in this video (
Mathias,
I thought both Lislevand's and Bonavitas'
performances were nice.
Chris
--- "Mathias Rösel" <[EMAIL PROTECTED]>
wrote:
> "Davide Bioccoli" <[EMAIL PROTECTED]> schrieb:
> > Hi to all...
> > Here's a nice (but short) link to Lislevand
> playing De Visée:
> > http://www.youtube
"Davide Bioccoli" <[EMAIL PROTECTED]> schrieb:
> Hi to all...
> Here's a nice (but short) link to Lislevand playing De Visée:
> http://www.youtube.com/watch?v=UhKuL75sLfQ
If Rafael Bonavita
http://www.youtube.com/watch?v=l6UKk5shfIA&mode=related&search= had used
Lislevand's stringing instead of t
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