Hi all,
I'm working on an intensive Finale project right now, and I'm noticing
something I've never seen before involving frequent Finale crashes.
I'm working in WinFin2007 on XP Pro SP3 with the latest Patterson
Plugins and TGTools. I'm using TGTools to map F7 to Patterson Mass Copy,
so
On 1/22/2010 3:17 AM, Mark D Lew wrote:
algorithm looking at the lyric syllables at all. For such a piece,
I'd space the entire thing with lyrics unchecked. Then if there are
one or two measures where the lyrics collide, go back and respace
just those measures with lyrics checked.
This brings
On 1/22/2010 9:03 AM, dc wrote:
I can only second that request. Is there any place where one can officially
do so?
Well, you can submit something to the support people through
http://makemusic.custhelp.com My feature request was made in January
2007; the reference number is 070322-041052.
On 1/15/2010 10:19 AM, Mark McCarron wrote:
I wish I could clear some of the files from the open recent list.
Is there a way to do this?
Sure -- open a bunch of new files and the old ones will drop off the
list. g
No, seriously, you can control the number of files which appear in this
On 1/11/2010 6:38 AM, dhbailey wrote:
You don't lose the functionality of any Finale version you
have installed on your computer, and as long as you send an
older version's installation CD you lose absolutely nothing
from your current version, including the ability to
reinstall it if you need
On 12/28/2009 1:45 PM, Andrew Stiller wrote:
How? In Mac OS9 there was a wonderful little freeware utility called
Print2Pict that would make a pict (or TIFF or GIF) out of a pdf file or
anything else, but I know of nothing equivalent under OSX. I now find
myself in need of importing whole pdf
On 12/22/2009 6:18 AM, SN jef chippewa wrote:
aaron, i wasn't able to do this, i even made sure to check it with a
font that is defined tonever be embedded in my acrobat distiller
settings.
I think you mean always embedded, right? Also, this would only come
into play with PDF, since EPS
On 12/19/2009 3:08 PM, SN jef chippewa wrote:
(freehand, or something similar, i believe). is there a way to
export from finale so that the text is editable using indesign (or
illustrator)? or am i stuck masking it or erasing it in the graphics
programme?
Well, if you make PDFs of your
On 12/19/2009 3:56 PM, Aaron Sherber wrote:
Well, if you make PDFs of your Finale examples instead of EPS, and make
sure that your PDF settings include all fonts, you can later open the
PDF in Illustrator and edit the text. PDFs can also be placed in
InDesign as links.
Actually, it looks like
On 12/17/2009 8:00 PM, SN jef chippewa wrote:
1) anyone feels there is some advantages of using one over the other
as a default for the file
I initially used page scaling, but some years back I changed to system
scaling. There was a discussion about it here, and some people
(Johannes?
On 12/18/2009 8:09 AM, Christopher Smith wrote:
Aaron, may I ask, then, are you happy with microscopic rehearsal
letters and tempo changes in your scores? Once the score sizing gets
down to 60% or so (not at all unusual in an orchestra score) then all
these items are illegible.
For the type of
On 12/18/2009 11:21 AM, SN jef chippewa wrote:
REALLY!? you mean when you are dealing with the look of the score
you think it is better to change view percentages?
It's funny, my instinct is to agree with Richard, but I think I've just
been well trained by Finale. In layout programs like
On 12/18/2009 11:43 AM, Noel Stoutenburg wrote:
The only time I've ever used page scaling was in scores for a visually
challenged individual. I took a score originally sized about 5 1/2 x 8,
and scaled it up 200 percent using page scaling, and printed the
resulting score on 11 x 17 paper, with
On 11/7/2009 8:10 AM, Lawrence David Eden wrote:
Fin Mac 2007.
In previous versions of Finale I could COPY and then use a shortcut
(COMMAND SHIFT) to Paste into the designated measures.
I believe it's now just Command-Click. Take a look in the manual on the
first page of the Mass Edit Tool
On 11/7/2009 8:33 AM, J D Thomas wrote:
Hmm. I always thought (and used) Option-shift.
Well, whatever it used to be on the Mac side, try leaving out the shift
key in 2007+. That's what happened on Win. Or check the manual.
Aaron.
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It may not be as classical as you intend, but the Dies Irae figures
prominently throughout the score of Sweeney Todd.
Aaron.
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On 10/22/2009 1:35 PM, Ryan Beard wrote:
Hi, I can't log onto the archives web page. Can someone write to me off list
and confirm that the archives are down and that it's not a problem on my end?
The archives appear to be fine.
Aaron.
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http://www.npr.org/templates/story/story.php?storyId=113726352
Congrats!
Aaron.
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On 10/11/2009 2:28 PM, David W. Fenton wrote:
On 11 Oct 2009 at 12:15, Randolph Peters wrote:
One quibble: the bother of having to go to PDFs and interlacing
pales in comparison to the hassle (among other things) of the method
listed above. Just drag and drop the PDF pages into the sidebar
On 10/3/2009 12:38 AM, Michael Greensill wrote:
Now I know I don't have to upgrade every time but they always reel you
in with something that can't have taken much effort to program, like
chord symbols being attached to beats in 2010. But should they charge
$100 for that feature. And half the
On 10/3/2009 8:34 AM, dhbailey wrote:
I would definitely object to a subscription model, since
that implies that if one wishes to stop subscribing then the
software will stop working as of whatever date the current
subscription runs out.
That's not what software subscription implies, in my
On 10/3/2009 5:24 PM, David W. Fenton wrote:
If Finale were a subscription program, would I be paying every year
to keep using Finale 2003? Would I pay less each year to keep using
it? Or would I not have to pay anything unless I wanted the current
version?
I answered this in my previous
On 10/2/2009 2:22 PM, dhbailey wrote:
Secondly, it's important that we all remember that MakeMusic
has never forced anybody to upgrade. At least as far as I
know, they've never put a gun to anybody's head and said
Buy this upgrade for $100 or I'll blow your head off.
They have forced people who
On 9/30/2009 8:43 AM, Christopher Smith wrote:
Hmm, I use Bill Duncan's Finale Productivity fonts, which contain
parenthesised noteheads with and without sharps, flats and naturals,
The Engraver font contains the same characters. I guess you could define
your own artculations with them.
As
On 9/26/2009 4:11 PM, David W. Fenton wrote:
Or am I stuck doing this manually (ugh!)?
I know this isn't what you were asking, but why is doing it manually so
tough? If you have a stopwatch and Excel, you can get the metronome
timings just by counting off a few beats and plugging the
On 9/11/2009 9:48 PM, toronado...@gmail.com wrote:
Anyone use the engraver text fonts to do graphical harp pedal diagrams? (O,
shift -O, P, shift -P)
A much better solution is Matthew Hindson's freeware Harp Pedal font:
http://www.hindson.com.au/wordpress/free-fonts-available-for-download/
On 8/26/2009 2:41 AM, terry cano wrote:
I was able to get a part to extract but the Inst name doesn't appear on the
extracted part...it is in the Staff (Full and Abrv) on the score
In 2008, the instrument name doesn't get automatically copied from the
staff when you extract a part. You need
On 8/20/2009 6:43 PM, Daniel Wolf wrote:
bargaining position vis a vis the publishers.) But the most immediate
concern is that I just got a set of parts returned from a major European
radio orchestra. They are completely marked-up, with bowings and much
more. Should the orchestra have cleaned
On 7/28/2009 12:56 PM, toronado...@gmail.com wrote:
Whoa! Sorry about the multiple posts! I only sent once.
You're fine -- only one came through.
Aaron.
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On 7/14/2009 3:30 PM, Mark D Lew wrote:
In any way that ordinary users use fonts, I'm not sure it's even possible
to use the fonts when the software isn't running.
Since the EULA comes with MS Office, I think the question is what the
user is allowed to to when *Office* isn't running, not when
On 7/13/2009 2:10 PM, Mark D Lew wrote:
ClearType is a specific method of type definition*, developed and
owned by Microsoft, introduced with Vista. The purpose of ClearType
was to enhance screen readability.
...
typeface in two different languages, which may have behaved
differently in
On 7/13/2009 2:10 PM, Mark D Lew wrote:
ClearType is a specific method of type definition*, developed and
owned by Microsoft, introduced with Vista.
Also, ClearType was introduced with XP, though I think it may have been
off by default. It can be turned on in the Display control panel.
On 7/13/2009 2:34 PM, Mark D Lew wrote:
Thanks for the correction. But is it not true that to be optimized
for ClearType display they must have data in them that the ClearType
renderer reads? Did OpenType fonts have this data all along, or is it
new?
My understanding is that there is no extra
On 7/3/2009 11:32 AM, Christopher Smith wrote:
There IS new material to learn. Extracted parts have to go through
the same new part creation process that linked parts do. If you use
the Setup Wizard, most of the work is done for you, but if you open a
pre-2007 file in 2007 or later, you have to
On 6/18/2009 9:11 AM, Johannes Gebauer wrote:
very small jobs. Do I now have to get 2k10 to get this fixed? If that is
the case Sibelius is becoming a very likely option. I am certainly not
going to feed the folks at MM for their ridiculous bugs.
I agree that this is an unfortunate side effect
On 5/31/2009 8:43 PM, John Howell wrote:
I fully realize that different people have different ways of working,
but I find this particular argument (duration before pitch or pitch
before duration) rather amusing. In hand copying (remember doing
THAT, anyone?!!), you do both simultaneously,
On 5/31/2009 9:39 PM, John Howell wrote:
Hi, Aaron. Not meaning to be picky, but you're breaking a single
integrated action up into two distinct actions (which is what Finale,
Sibelius, and Mosaic all do). When I move my hand I already know
both the pitch and the duration I'm going to write,
On 5/31/2009 9:48 PM, Christopher Smith wrote:
Sure you can. I do it all the time. It's a great way to compose,
actually, writing the rhythms and maybe an approximate contour, then
go back and choose the pitches. I can only do it with a pencil,
though (so far!)
But I think you two are talking
On 5/30/2009 12:22 AM, Ralph Whitfield wrote:
I'll spring for it just for the rehearsal marks and percussion updates.
This has been my attitude for several years with Finale. Of course, we'd
all like to see updates that get us really excited about a host of new
features and bugfixes and
On 5/26/2009 8:09 AM, Chuck Israels wrote:
As far as I know, the shapes are not that smart. I do it by hand. I
am also eager to know if there's an automated solution.
TGTools has a wonderful function to adjust the ends of glissandi for
accidentals (Modify | Shift). So my base settings
On 5/17/2009 10:30 AM, Lawrence David Eden wrote:
believe that Finale would not create multi-measure rests
automaticallyso, what am I failing to do before I extract my
parts?
It depends a bit on what your workflow is. If you want MM rests created
automatically, you need to go to Document
On 4/5/2009 6:23 AM, Lawrence David Eden wrote:
that I created while using 2K4c. Does this change anything with
regard to making parts with instrument labels the default behavior
now that I am using 2K7?
Yes. As I indicated, instrument labels will only be generated in
extracted (or linked)
On 4/4/2009 11:48 AM, Lawrence David Eden wrote:
When I extract parts in 2K7, I do not see the staff name on the extracted part.
For example: Trumpet 1 in Bb
Christopher Smith gave you some answers having to do with linked parts,
which were introduced in 2007. If you want to go the
On 3/22/2009 12:22 PM, Chuck Israels wrote:
Is there some trick I am missing having to do with how to control
Selection Tool behavior? When I am doing editing work that involves a
lot of moving elements selected with the tool, the dialog box
associated with the expression (for instance) will
On 3/20/2009 7:35 AM, Rod McDonald wrote:
'Save As' only allows me to save as midi file while 'export to Audio' only
allows me to save as a .wav file. I seem unable to save as mp3. No 'Save as
Audio' option!!!
You said you were on WinFin2009b. The process there is File | Export to
Audio
On 3/20/2009 7:35 AM, Rod McDonald wrote:
allows me to save as a .wav file. I seem unable to save as mp3. No 'Save as
Audio' option!!! Guess midi will have to do!
Of course, you could also save as a WAV and convert to MP3 with any
number of free utilities.
Aaron.
On 3/20/2009 10:51 AM, Richard Huggins wrote:
I was excited to hear the much-improved orchestral sounds of Finale
2009. I opened an old file so I cold hear it with these sounds, but
instead the old sounds were heard. How do I achieve playback using the
Garritan sounds that shipped with '09?
If
On 3/20/2009 3:20 PM, Christopher Smith wrote:
iTunes is quick and easy for audio format conversions, but for mass
conversions I use Max, a free utility that gives more options.
iTunes is generally considered not to be a particularly good quality MP3
converter.
In general, LAME is
On 3/15/2009 4:42 PM, Haroldo Mauro Jr. wrote:
How did you do that? The help folder contains a large number of .htm and image
files. Is there a User Manual in pdf separate from the help system?
The Finale help system was changed in Finale 2008. Earlier versions have
a manual in PDF form; the
On 3/8/2009 1:34 PM, Katherine Hoover wrote:
1. I wish to delete some finale files. Simple, eh?
Moved them to trash singly. Wouldn't go in.
Moved them to trash as a group. No dice.
Dragged one to desktop to try from there - it made a new copy.
Well, this isn't a
On 2/23/2009 7:20 PM, David McKay wrote:
Googling Finale tips I found
http://www.jameskass.com/finale/finale_tips.html
http://www.hindson.com.au/wordpress/2005/07/11/10-assorted-finale-tips/
http://home.swipnet.se/~w-52653/Finale/
The last of these is Jari's site, to which Johannes was
On 2/13/2009 11:57 AM, Dean M. Estabrook wrote:
I just made a recording of a choir rehearsal last night with my H2
digital. I recorded in the MP3 mode. It is possible to edit said
files (other than just splitting a file on the H2) once they are
uploaded to my Mac?
I believe that most audio
On 2/13/2009 4:19 PM, Darcy James Argue wrote:
On 13 Feb 2009, at 4:02 PM, Aaron Sherber wrote:
Hmm. I was unaware that there were mainstream apps that could edit
MP3s natively.
There certainly are. You can open an MP3 in QuickTime Player and edit
it directly there without converting
On 2/13/2009 5:25 PM, Darcy James Argue wrote:
Instead, my first suggestion would be to use an editing application
that operates on the original MP3 file and does not require you to re-
encode -- which, as far as I know, is what is happening with the app I
use (Fission).
I don't believe that
On 2/13/2009 6:15 PM, Darcy James Argue wrote:
These are, in fact, the only kinds of edits Fission allows (cut
paste, normalization and fades),
Ah, interesting. Lee, can you comment on this? Is it true that these
kinds of edits can be made to an MP3 without needing to recode afterwards?
(It
I'm going to preface all of this by saying that I'm always happy to be
proved wrong in things like this.
On 2/13/2009 7:22 PM, David W. Fenton wrote:
The usual method is to have, say, a 15% compression ratio. When you
open a file, your graphics editing progam knows what the compression
ratio
On 2/13/2009 7:37 PM, David W. Fenton wrote:
I don't think this is correct, Aaron. When you edit the MP3, you
aren't editing the original data, but a waveform that is result of
expanding the data from the MP3 file. If you save that waveform to
exactly the same bitrate as the original source MP3,
On 2/13/2009 8:08 PM, David W. Fenton wrote:
They don't display the information, but PSP, at least (which is what
I use for all my graphics editing -- I can't stand the GIMP), does
not continue to compress the file beyond its current compression
ration.
Except that I don't think PSP has any
On 2/13/2009 9:12 PM, David W. Fenton wrote:
It doesn't actually need to. Once the file is open, it's an
uncompressed bitmap, with 100% of the information that the original
file contains. As long as the save uses the same compression ratio,
the result should be, for all intents and purposes,
On 2/13/2009 8:29 PM, Richard Yates wrote:
I have heard the first theory and decided to test it. I opened a high
resolution photo in Photoshop and saved it with the maximum compression as a
jpg. Then reopened it and saved again with maximum compression. After
repeating this seven times I can see
On 2/12/2009 7:31 PM, Katherine Hoover wrote:
1. In Finale 2000 and before, I could hit say a quarter note with
the 4 key (on a Mac) and it would turn into an 8th.
My Finale 2004 will not do this. I have to erase and do over. Is
there a way to reset this?
You don't say what
On 1/30/2009 5:12 PM, David Rhodes wrote:
In Finale 2k9b when I try to hide notes or rest with the plug-in or H key it
only dims them.. I attach
Chord Symbols to rest and then hide them to leave the symbols to use as guides.
The earlier versions completly
hid rest until you revealed them
At 05:28 AM 12/26/2008, Johannes Gebauer wrote:
There are a lot of things for which this is true. I sent in a
feature request a few years ago for something like staff styles that
could be used for note spacing. (I had a piece that went along nicely
in 4/4 and 3/4 and then had a section in very
At 11:38 AM 12/25/2008, Robert Patterson wrote:
As for centering double wholes, I don't know a great way. A
not-so-painful workaround would be to turn off Display Whole Rests in
Empty Bars (using a staff style if need be) in the 4/2 passage. Then
apply the double-whole rest as an expression in
At 12:06 PM 12/25/2008, Aaron Sherber wrote:
TGTools! Modify | | Shift Rests.
That should be Modify | Rests | Shift Rests, of course.
Aaron.
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At 12:52 PM 12/25/2008, Robert Patterson wrote:
Do the rests retain their positioning in the parts if you use TGTools?
Sadly, no. TGTools appears to figure out how wide the measure is and
apply an EVPU offset to the rest. The offset is the same in score and
parts, so if there are different
At 04:46 PM 12/25/2008, David W. Fenton wrote:
It would be nice if this were something you change in staff styles.
There are a lot of things for which this is true. I sent in a feature
request a few years ago for something like staff styles that could be
used for note spacing. (I had a piece
Hi all,
I thought I might tap the collective expertise of this list on a
different topic.
I have a need for an iPod-like portable music player with the
following requirements:
1. Hard-drive based (not flash)
2. Must support WAV playback
3. Must have a single-track mode, like CD players
4.
At 03:49 PM 11/14/2008, Darcy James Argue wrote:
Do you mean the
ability to play a single track once and then stop? The iPod has that,
too.
Yes, I do mean that. I have been unable to find this on my Nano 3G,
and I've also seen it discussed elsewhere as a shortcoming of the
iPod. If you have
At 04:14 PM 11/14/2008, Darcy James Argue wrote:
My recollection was that if you chose a song from the Song menu
instead of the Album menu, it would stop after one song, but I just
tried that now and it seems I was mistaken. You do actually need to
set up a playlist for each song in order to do
At 08:43 PM 11/3/2008, [EMAIL PROTECTED] wrote:
anyone know how to get rid of bar lines?
Go to a less crowded bar.
(Or use the Measure Tool to set the barline style on a single bar or
small group of bars to Invisible. Or set the staff attributes to not
display barlines, to suppress
At 06:02 AM 10/29/2008, Lawrence David Eden wrote:
What are Font Annotation Files and what do they do?
Basically, they describe the bounding box of characters in a font, so
that Finale can allot the proper amount of space for collision
avoidance of text expressions and articulations.
Aaron.
At 01:12 PM 10/18/2008, Neal Gittleman wrote:
In the old days I was accustomed to selecting partial measures just
by clicking and dragging the mouse. Now the click highlights the
entire bar
Start your click-drag outside the staff, slightly above or below it.
The entire measure will only be
At 06:03 AM 10/15/2008, Lawrence David Eden wrote:
To clarify: I am on a Mac running OS X. The client is on a PC. I
have Stuffit and can ZIP the files.
You can also create a zip file right from the Finder (is it still
called that?), as others have pointed out. I think it's caleld
creating
At 08:02 PM 10/14/2008, Lawrence David Eden wrote:
My question is: Can I
send all 40 parts in 1 large mailing, or do I need to send each part
separately?
You should be able to send them all together.
I know how to do the latter, but if I can send them in a bulk
mailing, I need directions.
At 08:22 AM 10/13/2008, Dana Friedman wrote:
it before, but had never used it. Thanks. However, this particular
rendition of the score is ONLY for playback/recording to an MP3. I
don't care if it's a little messy, as I'm not touching the original
:). Once the MP3's made, this version of the score
At 09:16 AM 10/13/2008, [EMAIL PROTECTED] wrote:
consistently the same, then the simplest solution is to copy the
percussion staff to a scratch staff that is NOT a percussion staff,
transpose the notes on that staff using Mass Edit/Selection Tool, then
copy it back to the percussion staff.
Or,
At 06:54 AM 10/13/2008, dhbailey wrote:
Actually they won't work properly, because percussion maps
require that each line/space which is used be defined
properly for playback AND they be selected to be included in
that percussion map. simply putting the note on the new
line or space will do
At 05:46 PM 10/12/2008, Robert Patterson wrote:
I finally graduated to using Fin08 for all my new work, and I am now
greatly missing the old Mass Mover metatools. Is there any way to assign
metatools to transpositions and also to viewing elapsed time?
Look in the help file, encyclopedia section,
At 07:48 PM 10/12/2008, Dana Friedman @ Dragonfly Technologies wrote:
trying to get particular phrases on particular drums. The new patch
I'm using requires placement a third below where it is now. I used
the selection tool, transposed down a third, and it didn't move. I
tried diatonic, I tried
At 08:31 PM 10/6/2008, Lawrence David Eden wrote:
I am doing a transcription that needs a special measure number. The
situation is this:
I have measure 108 and I need to add measure 108a as a safety vamp
during the show. How is this done? I want the measure numbers to
begin again at measure
Ah, I missed the Prefix and Suffix boxes, right there in front of my face.
Aaron.
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Thanks for the comb info, Andrew.
Aaron.
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Hi all,
I have some parts I inherited which are bound with 23-ring plastic
combs, and I need to rebind them. Does anybody know a good place to
order these combs? Even 21-ring combs would be preferable to the
19-ring combs I have. (Google was not particularly helpful.)
Thanks,
Aaron.
At 11:24 AM 9/7/2008, Chuck Israels wrote:
Are you talking about the length of the coils? I just found a local
duplication place here in little Bellingham that has ordered some 15
coils for me from a supplier in Seattle. I didn't think to ask the
name of the Seattle supplier (I like to support
At 07:30 PM 9/7/2008, mystrom1 wrote:
Where do I find the command to change to evpus? I looked in the table of
contents, it kind of leads me to the edit menu, but I dont see anything when
I pull down on the edit menu.
Edit | Measurement Units
Aaron.
At 08:55 PM 9/7/2008, Andrew Stiller wrote:
I get my long combs from the Spiral Binding Co., Totowa NJ,
www.spiralbinding.com, phone 973-256-0666. They will cut combs to just
about any length you like, but since there is a surcharge for every
cut, I find it considerably cheaper to buy them
Hi all,
Repeat wing style is set in document options (none, curved, single,
double). Is there any way to override this choice for one linked part?
I've got a score with the 'none' style selected, but for the drum
part, I want curved. I know I can just extract the drum part and
change the
At 06:29 PM 9/4/2008, Christopher Smith wrote:
You can fake it, though, using a measure-attached expression. I
believe the wings are actual characters,
Oh, would that this were true! And it does sort of look like they're
just characters added on to the regular repeat, but I don't see the
chars
At 05:53 AM 8/28/2008, shirling neueweise wrote:
on the finalemusic.com downloads page i can't select the version
(menu is visible but not accessible) and the search for finale
updates doesn't seem to work. i also can't log in as an existing
online customer. is their site jammed?
just checked
At 10:24 AM 8/28/2008, shirling neueweise wrote:
for e.g. i get to the login page, type in
username/pass hit go and it starts to go and
hangs. a few minutes later i get a server too
busy message.
You mean http://finalemusic.com/store/login.aspx?t=myaccount.aspx ?
It worked for me both last
At 02:48 PM 8/25/2008, Giz Bowe wrote:
I don't like having to use Internet Explorer to access help. In fact,
I don't like to go online at all for help.
You do need IE (or some other browser) to access the new help files,
but you don't need to be online. The help files all reside on your
hard
At 05:35 PM 8/25/2008, David W. Fenton wrote:
On 25 Aug 2008 at 15:38, Allen Fisher wrote:
What about the help button that's right in dialogs?
It should be mapped to the F1 key on Windows, and the appropriate key
on a Mac.
F1 works for me on Win -- does it not work for you?
Aaron.
At 08:55 PM 8/25/2008, Noel Stoutenburg wrote:
very often. But one thing that I would suggest would be an invaluable
aid is to incorporate an expanded version of The Visual Index, now
found in the Quick Reference Guide, into the full user documentation.
This is already there. When you start up
At 09:39 PM 8/25/2008, Noel Stoutenburg wrote:
To my suggestion:
incorporate an expanded version of The Visual Index, now
found in the Quick Reference Guide, into the full user documentation.
Aaron Sherber wrote
This is already there. When you start up the help files, Visual Index
At 01:24 PM 8/21/2008, Phil Daley wrote:
I have a receiver with wires running to the speakers.
Is it possible to replace the wires with a transmitter/receiver package
that would allow one to move speakers anywhere without running wires?
Well, there are wireless speakers. Basically, these are
On Fri, August 15, 2008 11:10 pm, Craig Parmerlee wrote:
At some point, I think it is fair put some responsibility on the
software designers. If there is a property that hides or shows a text
object on a linked part, that property should be accessible in the
context menu (right click), as
On Wed, August 13, 2008 7:45 pm, Blake Richardson wrote:
Is there any way to change the default from C to 4/4?
You don't say what version of Finale you're using, but open the Document
Options dialog
and look under Time Signatures. Uncheck the box at the top that says
Abbreviate common
time to.
At 08:42 PM 8/5/2008, Darcy James Argue wrote:
1. leave it in French (cuivré)
The English would be brassy, but Darcy is right
that the French term is commonly used and understood.
5. div. by desk, although probably just div. is fine.
Au contraire! div. by itself usually implies
division
At 12:41 PM 8/4/2008, John Howell wrote:
Hi, Richard. Do you mean legal size? 8.5 x 14? A double spread
in that case would be 14 x 17, not 11 x 14. Or maybe I'm just
confused.
I think Richard is talking about an 11x14 page size, not spread size.
This is what I use for most of my large
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