OK, I concede that most of the algorithm-based CC's are to my junk
account with Hotmail etc., where there's going to be a higher hit-rate
for randomly generated addresses.
Simon Troup wrote:
That's odd, because when I see an email with a lot of addresses CC'd
at my ISP, the addresses are all
I teach at a college where we have purchased a number of Fastlane MIDI
interfaces. They are used mainly with Macs.
However, I have WinXP laptop that I'm trying to use at the college for a
lengthy, urgent project with the following equipment:
* Fastlane interface
* Fatar
Hello.
I hope I may be excused by posting a slightly off
topic message here.
I have posted at the GS3 forum but without any
success, so am trying here.
There are some folkhere using Finale who have
Tascam's GS3.
I quite urgently need to employ someone from
Australia, who has GS3, to
I'd like to put my 2 cents in on this playback issue.
I've been using MOTU's Performer (now Digital Performer) for sequencing
and recording since 1990. I bought MOTU's Mosaic at the NAMM show the
weekend that it was released. I hoped that I could use Performer as a
writing tool, which would
Well, my account for mailing lists is [EMAIL PROTECTED], and
most of the spam on that address is clearly addressed to exactly that
address, which is not exactly a very common address, both before and
after the @. Some spam is addressed to [EMAIL PROTECTED], but none is addressed
to any random
Just one more addition: If I enter lists-at-musikmanufaktur in google I
get a lot of results, almost all of them from the Finale lists. Anyone
should know that the spiders are intelligent enough to find lists at
musikmanufaktur.com and translate it back into an email address (simple
enough to
David W. Fenton wrote:
If that's the kind of obfuscation to be used, then the archive should
not be public. If email addresses are obfuscated, they should be
wholly obfuscated, and not available to either human or software
viewers of the page.
to which I would observe that with the processor
Simon Troup wrote:
I tire of this belief that all spam is from harvested emails. A good
proportion of the spam I receive (on several different accounts) is
also CCed to endless permutations of my surname - all it takes is a
list of first names, a list of surnames, a list of top level domains,
and
Thanks fro the heads up about Acrobat 7.
It works much better for me.
Last year I couldn't get the first Ac 6 to work
smoothly with Finale's online manual and tried a
number of things, but eventually when the update to Ac
6 came along, I could click on the online manual
button and it began to
On Jan 28, 2005, at 7:28 PM, Simon Troup wrote:
They'll hit on simon+troup fairly often.
Hi Owain,
I didn't mention google, a mail spider will connect to the first page
of a site such as suse.com and spider the site from there, google
probably has nothing to do with it as you suggest.
Only a
Larry Kent wrote:
You might have your friend check out Ansgar Krause's fonts at
http://www.ansgarkrause.de/fonts.htm
I do a lot of editing and typesetting of baroque scores, and don't
know how I got along before being pointed toward these plugins.
Larry Kent
Tampa, FL
[EMAIL PROTECTED]
From:
On Jan 28, 2005, at 2:24 PM, Allen Fisher wrote:
As far as what Mac to buy, I always tell people to buy the maximum
they can
afford.
I recommend buying the second-most advanced model available. Why?
Because the most recent model has just made its immediate predecessor
obsolete, and the price of
At 10:24 AM 01/29/2005, Noel Stoutenburg wrote:
leads me to the speculate a bit. When you set up an email account, your
ID is placed in some table. Now if a person, not necessarily associated
with your ISP knows the address of that table, and how to access it's
contents, it would be trivial to
On Jan 28, 2005, at 3:11 PM, Johannes Gebauer wrote:
you will quickly find that it [OSX] is much better than OS 9
That has most emphatically *not* been my experience. OSX is a fix for
something that was not broken, and that has forced all of us to buy
thousands of dollars of new software, and
Hi Andrew,
I'm not sure here if you are referring to buying the second-fastest
option in the current generation or PowerMacs, or the fastest model
from the previous generation. Recent history suggests that the latter
is not always a very good bang-for-the-buck strategy -- for instance,
when
hello lon,
i mean no offense to you either, really, but what do you think about all
those real engravers that lost their job?
and what about algorithmically composed music? should be banned in favor of
flesh-and-bone composers?
should i turn off my pc and hire two or three secretarial workers?
Hi Gary,
Great question!!!
Gary Griffiths wrote:
Im becoming more interested in the standard of my playback in Finale
(WinFin2k5) and I am hearing a lot of good things about GPO. However,
I cant find anything in the OLM about how to use it with Finale,
apart from one section on Human playback
At 4:04 PM -0600 1/28/05, Allen Fisher wrote:
On 1/28/05 1:59 PM, Harold Owen [EMAIL PROTECTED] saith:
Hello Finale Wizards.
I have a few questions about the new HP plug-in. I'm on an iMac G4
running Fin2k5a with I GB RAM and 800 MHz.
OK, I'll admit my ignorance. What the heck is HP?
On 29 Jan 2005, at 12:26 PM, John Howell wrote:
What the heck is HP?
Human Playback.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Sat, 29 Jan 2005 12:26:22 -0500, John Howell [EMAIL PROTECTED] wrote:
At 4:04 PM -0600 1/28/05, Allen Fisher wrote:
On 1/28/05 1:59 PM, Harold Owen [EMAIL PROTECTED] saith:
Hello Finale Wizards.
I have a few questions about the new HP plug-in. I'm on an iMac G4
running Fin2k5a
Bill Thompson wrote:
My scores are quite meticulous in their dynamics, articulations etc.
Would Finale and GPO pick these up automatically?
This is probably the biggest rub... Finale uses MIDI volume messages and
GPO uses the modulation wheel.
If HP is set to GPO compatibility, it will use the
Lon's point was NOT to be anti-technology, but anti-unfair-to-musicians
and pro-artists. Any of those original engravers were free to pick up
the skills to operate a computer, and put their superior knowledge and
professional competencies to excellent use. Not so musicians who are
put out of
At 12:56 PM 1/29/05 -0500, Christopher Smith wrote:
When it comes down to it, why should ANYONE go to a live show?
Ain't that the truth. :)
I'm one of those who prefers to listen to recordings or watch films. To me,
live performances are the rehearsals for the recordings (as long as the
snip: In a message dated 1/29/05 1:01:16 PM, [EMAIL PROTECTED] writes:
Lon's point was NOT to be anti-technology, but anti-unfair-to-musicians
and pro-artists.
I agree! I see the line that should not be crossed as: Improved technology
should be created and used to help us, not replace us.
As a former live (as opposed to
formerly-living) stage performer, there's a simple answer for the necessity I
feel for attending liveCONCERT events:
The excitement, the energy, the palpable
anticipation and constant shared experience of a few hundred to a couple
thousand fellow attendees
Gary Griffiths wrote:
Do you have to pick different samples for everything (solos, pizz,
arco, trem etc. etc. etc.) or does that work seamlessly too?
In case you missed this, Garritan has put a Finale library on his server which I created.
http://www.garritan.com/support/GPOKeySwitches.lib
Hi all,
I wanted to weigh in with a few thoughts on this issue. It's a very complex
one, with compelling arguments on both sides. To forestall a huge flame
war, I'd like to start by pointing out that as a conductor, I come down
strongly in favor of live performance and live performers, no
JT,
THANKS! Just what I was looking for.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Jan 2005, at 1:34 PM, [EMAIL PROTECTED] wrote:
Gary Griffiths wrote:
Do you have to pick different samples for everything (solos, pizz,
arco, trem etc. etc. etc.) or does that work seamlessly too?
In
Except -- heads-up Mac users -- Safari refuses to download the file.
Firefox works.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Jan 2005, at 1:46 PM, Darcy James Argue wrote:
JT,
THANKS! Just what I was looking for.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Jan 2005, at 1:34
I'm sure this has come up before. I installed the new TGTools for OSX,
but when I access any menu item from it, I get the Apply Staff style dialog.
I've removed the lite TGTools folder. Any ideas?
--
Robert Patterson
http://RobertGPatterson.com
___
At 02:11 PM 01/29/2005, Carl Dershem wrote:
Aaron Sherber wrote:
Devil's advocate, for a moment: Why couldn't the musicians left without
a gig sharpen *their* computer skills, and use their advanced
musicianship to help make sampled or sequenced performances better?
Oh, yeah - that pays so
On Sat, 29 Jan 2005 13:48:55 -0500, Darcy James Argue [EMAIL PROTECTED] wrote:
Except -- heads-up Mac users -- Safari refuses to download the file.
Firefox works.
But why were you using anything other than Firefox in the first place? :)
--
Brad Beyenhof
[EMAIL PROTECTED]
my blog:
Dennis Bathory-Kitsz / 05.1.29 / 01:12 PM wrote:
I'm one of those who prefers to listen to recordings snip
I am so sorry you feel this way.
In my life, I have three live concerts which my tears couldn't stop
coming out during the show. One was when trombone section of Count Basie
Orchestra
Because on the Mac, Safari is still a better overall browser. Also,
Firefox doesn't even support scroll wheel clicks (middle button) to
open a link in a new tab. That makes its tab implementation useless to
me.
On the PC, it's a different story, but on the Mac, we have an
embarrassment of
Listening to music on records is like getting kissed over the telephone. - Jerry Rosen, former BSO violinist pianist
It's more like eating a picture of food. - Bill Dobbins, jazz pianist/composer/arranger
Still, I feel that my recordings are the real artifacts of my work. Hmmn.
Chuck
Chuck
Well, I don't think anything can ever replace the live experience, but when
will I get to hear you play in person? Or most people, for that matter?
And when I can, how often?
Crystal Premo
[EMAIL PROTECTED]
From: Chuck Israels [EMAIL PROTECTED]
Reply-To: finale@shsu.edu
To: finale@shsu.edu
Dennis Bathory-Kitsz wrote:
I'm one of those who prefers to listen to recordings or watch films. To me,
live performances are the rehearsals for the recordings (as long as the
recordings aren't flattened by so many takes as to remove the musical
interest). There are good moments now then in live
Thanks for asking, Crystal.
Not often any more. There was a time when what I do was part of the fabric of everyday culture. I used to play in places in NY where many people, New Yorkers of all stripes, and visitors from around the world, could, and did, come to hear the music in which I was
Darcy James Argue wrote:
Because on the Mac, Safari is still a better overall browser. Also,
Firefox doesn't even support scroll wheel clicks (middle button) to open
a link in a new tab. That makes its tab implementation useless to me.
I presume that's a Mac-specific flaw? It's never been
Even in the culture-rich environment here in NYC, I don't find many
opportunities to hear the people I like the best. I heard Stephane
Grapelli, Chick Corea, Patti LaBelle, a few others I could afford. When am
I going to be able to hear Bobby McFerrin? So recordings it is.
Crystal Premo
Is anyone using a Bluetooth (wireless) keyboard and/or mouse with a
Mac? If so, does it work okay for you?
Paul Hayden
--
Magnolia Music Press http://www.paulhayden.com
6319 Riverbend Blvd.
Baton Rouge, LA 70820
Fax (by arrangement) Voice: 225-769-9604
Darcy,
Safari downloaded the file for me.
Hal
Except -- heads-up Mac users -- Safari refuses to download the file.
Firefox works.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Jan 2005, at 1:46 PM, Darcy James Argue wrote:
JT,
THANKS! Just what I was looking for.
- Darcy
-
[EMAIL
On Jan 29, 2005, at 1:44 PM, Aaron Sherber wrote:
At 12:56 PM 01/29/2005, Christopher Smith wrote:
Another
of the points was one of fraud, as NO mention was made of pre-recorded
tracks in any of the pre-show publicity,
I think fraud is a strong word here. If the show had advertised live
music and
On Jan 29, 2005, at 2:23 PM, Aaron Sherber wrote:
At 02:11 PM 01/29/2005, Carl Dershem wrote:
Aaron Sherber wrote:
Devil's advocate, for a moment: Why couldn't the musicians left
without
a gig sharpen *their* computer skills, and use their advanced
musicianship to help make sampled or
On 29 Jan 2005, at 3:57 PM, Paul Hayden wrote:
Is anyone using a Bluetooth (wireless) keyboard and/or mouse with a
Mac? If so, does it work okay for you?
Yes and yes. It works great. I've used it with computers with
built-in BlueTooth, and also using the D-Link USB Bluetooth module. If
your
In a message dated 1/29/05 2:23:18 PM, [EMAIL PROTECTED] writes:
What irony was that our work saved shows when musicians went on strike.
Sorry, Hiro - that's bullshit. The show producers had planned for the strike by being ready to install the virtual orchestra to replace the striking
Maybe this has been suggested before, but if it has I've missed it.
I would love to be able to apply note expressions to a group of notes by
drag selecting, just like we can articulations. It seems like such a
natural I actually tried it once to see if the feature was implemented and I
had just
-- dhbailey[EMAIL PROTECTED] wrote:
But now that your e-mail is out there on the marketed spam
lists,
nothing any archive is going to do will change that.
That's provably true, but new members who haven't post yet and who don't
receive spam can post here and get infected by spam. Also, I'm
On 29 Jan 2005, at 3:52 PM, Owain Sutton wrote:
I presume that's a Mac-specific flaw?
Yes, and it's a pretty glaring one. OS X has built-in multi-button
mouse support, developers just have to use it. Ironic that Apple's own
app has better multi-button support than an app ported from Windows.
Hi Don,
This is the first thing I suggest to MacSupport when Finale 2004 first
came out. I've been suggesting it regularly ever since. Maybe if more
people write to Coda about it, we can get this feature added for
Fin2006.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Jan 2005, at 5:56
Darcy,
I shot the request off to Coda. Now that you mention it, I probably did see
your post on the matter. However, it was back when my older machine had me
stuck in 2002, so it didn't mean a lot to me at the time.
This would be a significant improvement to the expression tool for me, for
the
At 04:35 PM 01/29/2005, Christopher Smith wrote:
Ah, that's a tricky one. I can't speak to the finances of that
particular show, and since you call it a mega-hit, it's entirely
possible that what I'm about to say doesn't apply there at all.
In this case, your last phrase was correct.
Yes,
At 04:39 PM 01/29/2005, Christopher Smith wrote:
Where the difference is, is that computers have not put engravers out
of work (except in the very lowest echelons of publication) to the same
extent that sequencers have cut into musicians' jobs. There is not
enough work to go around to all the
Don Hart wrote:
Maybe this has been suggested before, but if it has I've missed it.
I would love to be able to apply note expressions to a group of notes by
drag selecting, just like we can articulations. It seems like such a
natural I actually tried it once to see if the feature was implemented
Aaron,
If musicians won't fight for our own interests, who will?
Maybe the Virtual Orchestra Machine will put us all out of business one
day. Who knows? That doesn't mean we have to take it lying down.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Jan 2005, at 6:52 PM, Aaron Sherber
Apropos of the recent discussion of the poor quality of screen display for
PDFs produced from Finale on Windows machines, I can offer a bit of
information that hopefully will shed a little light on the matter.
I use pdfFactory Pro to produce PDFs, which installs as a printer driver in
Windows (XP
Don,
You could add text expressions to the Articulation Window. Then you
could enter them like articulations. You can even set up key
velocities for them.
Hal
Maybe this has been suggested before, but if it has I've missed it.
I would love to be able to apply note expressions to a group of
At 07:10 PM 01/29/2005, Darcy James Argue wrote:
If musicians won't fight for our own interests, who will?
Maybe the Virtual Orchestra Machine will put us all out of business one
day. Who knows?
This is true. And maybe short-term use of the Sinfonia will make it
possible for more opera
But then we'd lose all of the advantages of post Fin2004 text
expressions. Also, articulations can only be a single character.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 29 Jan 2005, at 7:22 PM, Harold Owen wrote:
Don,
You could add text expressions to the Articulation Window. Then you
On Jan 29, 2005, at 3:45 PM, Robert Patterson wrote:
I downloaded iKeys 1.0.7 and like it alot. But the sequence tool does
not provide any flow control commands (i.e., if/then/else) that I can
find. I'd like to have it select a menu only if it is already checked
or unchecked. (I have macros to
On 29 Jan 2005 at 5:29, Noel Stoutenburg wrote:
David W. Fenton wrote:
If that's the kind of obfuscation to be used, then the archive should
not be public. If email addresses are obfuscated, they should be
wholly obfuscated, and not available to either human or software
viewers of the
I teach at a college where we have purchased a number of Fastlane MIDI
interfaces. They are used mainly with Macs.
However, I have WinXP laptop that I'm trying to use at the college for a
lengthy, urgent project with the following equipment:
* Fastlane interface
* Fatar Studio
At 4:53 PM -0500 1/29/05, [EMAIL PROTECTED] wrote:
In a message dated 1/29/05 2:23:18 PM, [EMAIL PROTECTED] writes:
What irony was that our work saved shows when musicians went on strike.
Sorry, Hiro - that's bullshit. The show producers had planned for
the strike by being ready to install the
On Jan 29, 2005, at 6:48 PM, Aaron Sherber wrote:
Adequate according to whom? The musicians who played presumably felt
adequately compensated, or they wouldn't have done the job.
According to the Italian musicians guild, and the French musicians
guild, and the AFM.
Okay, but I'm not sure I
On 29 Jan 2005 at 9:24, Noel Stoutenburg wrote:
Christopher's report:
I enabled a new address a few months ago, but didn't use it, or even
configure it, for a couple of weeks. The first time I entered all my
information into Mail and went to check that it was operational, I
had two
On 29 Jan 2005 at 10:37, Aaron Sherber wrote:
At 10:24 AM 01/29/2005, Noel Stoutenburg wrote:
leads me to the speculate a bit. When you set up an email account,
your ID is placed in some table. Now if a person, not necessarily
associated with your ISP knows the address of that table, and
David W. Fenton wrote:
No one should connect their PC directly to the Internet. A full-scale
firewall is not entirely required. A NAT router prevents any incoming
connections from getting to your computer (unless you explicitly
redirect the ports involved), and a software firewall on the PC
On 29 Jan 2005 at 14:23, Aaron Sherber wrote:
At 02:11 PM 01/29/2005, Carl Dershem wrote:
Aaron Sherber wrote:
Devil's advocate, for a moment: Why couldn't the musicians left
without a gig sharpen *their* computer skills, and use their
advanced musicianship to help make sampled
At 07:47 PM 01/29/2005, Christopher Smith wrote:
You don't accept the right of a group who stands to get screwed royally
(musicians) by a large company to collectively negotiate fair wages and
working conditions??!!
No, that's not what I said. I'm not questioning the principle of
unionization.
On 29 Jan 2005 at 13:12, Dennis Bathory-Kitsz wrote:
I'm one of those who prefers to listen to recordings or watch films.
But were it not for repeated live performances before audiences, it
would not be possible to get recorded preformances that hold up under
repeated listening. It's the
At 07:53 PM 01/29/2005, David W. Fenton wrote:
Eh? If the account existed and was on spammers' lists before you shut
down the Everyone.net hosting, then it's just leftover and coming
through just because the account is still active (or you have crazily
set up a catch-all, which is useless in the
On 29 Jan 2005 at 20:52, Owain Sutton wrote:
Darcy James Argue wrote:
Because on the Mac, Safari is still a better overall browser. Also,
Firefox doesn't even support scroll wheel clicks (middle button) to
open a link in a new tab. That makes its tab implementation useless
to me.
On Jan 29, 2005, at 5:10 PM, David W. Fenton wrote:
On 29 Jan 2005 at 13:12, Dennis Bathory-Kitsz wrote:
I'm one of those who prefers to listen to recordings or watch films.
But were it not for repeated live performances before audiences, it
would not be possible to get recorded preformances
On 29 Jan 2005 at 20:09, Aaron Sherber wrote:
At 07:53 PM 01/29/2005, David W. Fenton wrote:
Eh? If the account existed and was on spammers' lists before you
shut down the Everyone.net hosting, then it's just leftover and
coming through just because the account is still active (or you have
At 08:34 PM 01/29/2005, David W. Fenton wrote:
I strongly doubt that's a valid explanation.
Much more likely is that the spammers are using an SMTP program that
caches the DNS information for too long.
Yes, that's also possible. A random sampling of the headers of these emails
shows that the
Hello JT,
I downloaded the GPO KeySwitches file from the Garritan site. First I got
the zip one, which unzipped as a .mus file. The next time, I tried the
other link and got the .lib file.
In both cases, when I put them in the Mac 2005a Library folder, and then try
to load the library, the
I haven't followed this whole thread, so forgive me if
I'm reinventing the wheel ...
I think it's a shame when folk prefer recordings to
live performances. Sometimes it is only because they
have not experienced live music, or not often enough.
Some young people have huge expectations of live
Some contemporary music leaves me cold on recordings,
though it may work well in a movie, but can be
absorbing in a concert.
I have some great recordings of choral music, but live
performances of great choirs make the hairs stand up
on the back of my head. [Still got a few, there!]
David McKay
Patricia,
My immediate reaction to your problem description is that the MIDI setup of
the
Proformance module at college differs from the setup on the tone generator
which you use at home in some way related to either MIDI channel numbers or
program numbers. Simply put, the equipment at home
At 03:22 PM 1/29/05 -0500, A-NO-NE Music wrote:
In my life, I have three live concerts which my tears couldn't stop
coming out during the show. [...]
Then you are at concerts for a different reason than I am. All I want is
the music, not personalities of performers in the way. (And I did say that
Thank you so much for your speedy response. When I go to the college on Monday
(it's some distance away), I'll check out every one of your suggestions. Thus
far, It's been such a waste of time very frustrating.
Hopefully, one of your suggestions will solve this.
Patricia Spedden
Wow. If it's just about 'getting
it right' then we can all go home. No live performance - no CD, no
matter how many takes it's been mastered from -- no account can ever be
perfectly perfectly dead-on absolutely-as-it-can-be right on the money
perfect. Or -- merely be'gottenright.' But
Mariposa Symphony Orchestra wrote:
Wow. If it's just about 'getting it right' then we can all go home.
No live performance - no CD, no matter how many takes it's been mastered
from -- no account can ever be perfectly perfectly dead-on
absolutely-as-it-can-be right on the money perfect. Or
Sorry -- this slipped out of my hands
incomplete a few minutes ago; here's the whole thing:
Wow. If it's just about 'getting it
right' then we can all go home. No live performance - no CD, no
matter how many takes it's been mastered from -- no account can ever be
perfectly perfectly
Dennis Bathory-Kitsz / 05.1.29 / 09:33 PM wrote:
Then you are at concerts for a different reason than I am. All I want is
the music, not personalities of performers in the way. (And I did say that
improv-based music is different -- the music is re-invented in the
performance.)
When I said 'I was
Little OT.
This is my long time question that I was too embarrassed to ask, while
this list seems to have the best resources. Please forgive me if this is
too dumb.
I was always wondering how metronome value are divided, meaning,
I am used to increment by two from 40 up to 60, but I have never
Chiming in.
The new architecture from Apple is always half-baked. Remember Yikes,
the pathetic first gen G4, G4 chip on a G3 motherboard? The first gen QS
(the cheese grader) had the power supply problem. The first gen G5 had
the shielding problem that effect clock source, the crystal for our
Where the difference is, is that computers have not put engravers
out of work (except in the very lowest echelons of publication) to
the same extent that sequencers have cut into musicians' jobs. There
is not enough work to go around to all the displaced musicians,
unlike former hand-copyists
Bluetooth has always fascinated me, but thinking about Bluetooth
keyboards/mice makes me wonder if there are any midi Bluetooth interfaces?
Does anyone know of any?
-Original Message-
From: Darcy James Argue [mailto:[EMAIL PROTECTED]
Sent: Sunday, 30 January 2005 8:43 AM
To:
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