RE: The PDML List Demographic and JCO

2007-04-03 Thread J. C. O'Connell
ALL CAPS MEANS I AM PISSED OFF.
If you actually read what is being said
in the posts I am replying to 
you would understand. I dont
start these things but people
simply refuse to not get personal
when they dont have to and they
do it FIRST. I just reply in kind.
Like calling me elitest schmuck because
I use and recommend a much better
screen setup even AFTER I told
them it cost less than $200 NEW.
Thats really not making any sense
whatsoever. Its a personal attack
to attempt to win a losing argument,
plain and simple...

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Mark Erickson
Sent: Tuesday, April 03, 2007 2:18 PM
To: pdml
Subject: The PDML List Demographic and JCO


JC, 

I believe that the PDML list consists of photo enthusiasts with a
specific 
interest in Pentax equipment. 

I believe that the PDML list consists largely of intelligent, thoughtful

participants. 

I believe that PDML list participants use the list to share information
and 
images with each other. 

I believe that most PDML list members look for messages that include 
information, links to galleries, and the odd witty interchange involving

Cotty. 

I believe that most PDML list members do not appreciate ALL CAPS RANTS. 

I believe that most PDML list members do not appreciate being lectured
about 
what kind of audio, visual, or computer hardware they should own, in 
particular when the lecture comes in the form of an ALL CAPS RANT. 

Do you believe that your ALL CAPS RANTS and aggressive message add any
value 
at all to the PDML?  IF so, can you explain why without resorting to an
ALL 
CAPS RANT? 

 --Mark

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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
NOPE, Your argument is futile because
the PC display is JUST a cheap accessory to 
go with digital/DSLR photography and its
WAY WAY less costly than the DSLR
and good lenses so what I am arguing
is that it's SENSELESS to be into
DSLR photography AND not upgrade to
current BUT INEXPENSIVE display resolutions
to edit and enjoy those high res. DSLR images
more easily or with higher quality reproduction
The affordability factor is a NON issue
because if you can afford the cameras
and lenses, you can easily afford a good
display monitor setup. I am not saying
anyone can afford a good monitor setup,
I am saying anymore DSLR system owners
can. This is not HDTV, this is digital photography
discussion which is far more relavant to the list...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Shel Belinkoff
Sent: Tuesday, April 03, 2007 1:52 PM
To: Pentax-Discuss Mail List
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


And as such, encompasses a wide range of people with different needs,
budgets, values, experience, and interests.  This is starting to remind
me of the HDTV thread a while back.  Can't you get it through your thick
skull that not everyone can afford or even want the best.

And what hubris you have telling me what I can afford and can't afford. 
Were you to know my situation you'd take up a collection for me.
Further, I have a recent machine and a monitor capable of generating the
higher resolution, but I like the resolution at which I work.  It's
comfortable for my eyes and style, and I've no need/desire to use a
higher resolution right now.  Web images are a secondary concern for me.
I'm more concerned with prints, which I view in real life.

May I quote you? "

Shel



> [Original Message]
> From: J. C. O'Connell

> SCREW YOU, WHEN YOU FINALLY UPGRADE SOME
> DAY ( WHY ARE YOU WAITING? CANT AFFORD
> IT? I DONT BELIEVE THAT ).
> YOU WILL ONLY T H E N UNDERSTAND THAT IT MAKES/MADE NO
> SENSE TO BE USING THOSE OLD RESOLUTIONS
> WHEN YOU CAN/COULD HAVE UPGRADED SO INEXPENSIVELY
> TODAY 4/3/07 ! THIS IS A PHOTO GROUP, DUH!
> JCO
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Shel Belinkoff
> Sent: Tuesday, April 03, 2007 10:43 AM
> To: Pentax-Discuss Mail List
> Subject: RE: 
> WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
> You don't know what you're talking about, or what the "demographic" of

> this list is.  There are people here who can just barely afford one 
> camera and a basic lens or two; there are people with various vision 
> problems; there are people who have more important things to spend 
> their money on than high-tech gear, such as making house payments, 
> sending kids through college, caring for ill or infirm family members;

> students and those working their way through school or just starting 
> out in life. I cannot believe that you are so pig-headed as to dis 
> count these people.
>
> Photo enthusiast encompass a wide range of people ...  y'know, I have 
> a friend in Peru, I'm her daughter's godfather, and the only computer 
> her daughter has to use is a very low-spec unit at her school.  Should

> I discount sender her pics because she doesn't measure up to some 
> arbitrary elitist standard.  I said it before and I'll say it again: 
> You're a schmuck.
>
> Shel
>
>
>
> > [Original Message]
> > From: J. C. O'Connell
>
> > P.S. I am not having any problems to solve,
> > only the people who want me to "dumb way down"
> > my posted photos for them are... I suggest
> > those still using really old low spec displays find some resizing
> > software or something to make them more usable, if they cant be 
> > bothered to upgrade their "photographically challenged" hardware
> > As I stated, the hardware needed to see these
> > photos in their entirety is NOT even remotely expensive
> > today, so it doesnt make sense to continue
> > using those older lower resolution display setups,
> > ESCPECIALLY if you are in the demographic of
> > a photo enthusiast, and anyone reading this forum IS.
>
>
>
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RE: RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
YOU ARE ABSOLUTELY CLUELESS ON THIS. THE HIGHER YOUR SCREEN RESOLUTION,
THE BETTER THE IMAGES LOOK ON THE SCREEN AND THE
EASIER IT IS TO EDIT THE IMAGES. SAYING AVID/SERIOUS PHOTOGRAPHERS
(THE TYPE THAT WOULD SUBSCRIBE TO PHOTO WEB LIST LIKE THIS LIST) 
DONT NEED OR CANT/WONT BENEFIT FROM A HIGHER SPEC
PC DISPLAY THAN AVERAGE NON DIGITAL PHOTOGRAPHER IS THE DUMBEST FRICKIN'
THING YOU HAVE
EVER POSTED HERE AND YOU HAVE POSTED A WHOLE BUNCH
OF DUMB SHIT. WHAT ARE YOU USING, 640X480?  HIGHER PC SCREEN RESOLUTION
M A T T E R S  WITH DIGITAL PHOTOGRAPHY. MOST
PEOPLE DO NOT PRINT EVERYTHING, MOST PEOPLE
AT LEAST VIEW EVERTHING HOWEVER AND IF YOU CAN
GREATLY IMPROVED THE VIEWING, IT MAKES NO SENSE
TO SAY IT DOESNT MATTER...

JCO

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Tuesday, April 03, 2007 2:10 PM
To: Pentax-Discuss Mail List
Subject: Re:
RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...



- Original Message - 
From: "Shel Belinkoff" JacksonCollectorCarAuctions2007WestPalmBeach...


>
> I will hold my tongue and not say what's really on my mind, but in the

> spirit of being the New Yorker that I am, I'll sign off now with one 
> quick
> comment: You're am elitist snob and a  schmuck!

> it was posted only to a photo group which
>> should have in my honest opinion, a HIGHER
>> atandard of image quality and a HIGHER than
>> average spec of computer display for photo viewing
>> than "the rest of the internet
>> population".
>

This is the biggest piece of horseshit I've read in a very long time,
and in 
no way can be construed as an honest opinion.
Photographers take pictures to have pictures, not to have data files to
look 
at on computer monitors.
The computer is a means to an end, and the size of the screen has
absolutely 
nothing in common with the finished product.
A number of years ago, the enlarger was the industry tool for making 
pictures. What the above poster is alluding to would be akin to saying
that 
if you were serious about photography, you would need to have an 8x10 
enlarger in the basement to print your 6x7 negatives.
If a person wants pictures for his own viewing pleasure, then optimize
them 
for that purpose and leave them oon your hard drive. If you want to post

pictures for the enjoyment of others, then stop being an idiot and
follow 
the accepted standards regarding pixel dimensions.

William Robb





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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
SCREW YOU, WHEN YOU FINALLY UPGRADE SOME
DAY ( WHY ARE YOU WAITING? CANT AFFORD
IT? I DONT BELIEVE THAT ).
YOU WILL ONLY T H E N UNDERSTAND THAT IT MAKES/MADE NO
SENSE TO BE USING THOSE OLD RESOLUTIONS
WHEN YOU CAN/COULD HAVE UPGRADED SO INEXPENSIVELY
TODAY 4/3/07 ! THIS IS A PHOTO GROUP, DUH!
JCO

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Shel Belinkoff
Sent: Tuesday, April 03, 2007 10:43 AM
To: Pentax-Discuss Mail List
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


You don't know what you're talking about, or what the "demographic" of
this list is.  There are people here who can just barely afford one
camera and a basic lens or two; there are people with various vision
problems; there are people who have more important things to spend their
money on than high-tech gear, such as making house payments, sending
kids through college, caring for ill or infirm family members; students
and those working their way through school or just starting out in life.
I cannot believe that you are so pig-headed as to dis count these
people.

Photo enthusiast encompass a wide range of people ...  y'know, I have a
friend in Peru, I'm her daughter's godfather, and the only computer her
daughter has to use is a very low-spec unit at her school.  Should I
discount sender her pics because she doesn't measure up to some
arbitrary elitist standard.  I said it before and I'll say it again:
You're a schmuck.

Shel



> [Original Message]
> From: J. C. O'Connell

> P.S. I am not having any problems to solve,
> only the people who want me to "dumb way down"
> my posted photos for them are... I suggest
> those still using really old low spec displays find some resizing 
> software or something to make them more usable, if they cant be 
> bothered to upgrade their "photographically challenged" hardware
> As I stated, the hardware needed to see these
> photos in their entirety is NOT even remotely expensive
> today, so it doesnt make sense to continue
> using those older lower resolution display setups,
> ESCPECIALLY if you are in the demographic of
> a photo enthusiast, and anyone reading this forum IS.



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RE: RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
IF YOUR'E ANNOYED WITH YOUR SETUP, UPGRADE IT,
DONT BLAME ME FOR YOUR CRAPPY OLD SPEC. SETUP. PUT
THE BLAME WHERE BLAME IS DUE,  O NY O U RE N D.
JCO

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
David Savage
Sent: Tuesday, April 03, 2007 10:51 AM
To: Pentax-Discuss Mail List
Subject: Re:
RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


No I understood what you said.

The photo's you posted were fine for what they are and from what I saw.
But because they are the resolution they are I only looked at 1 or 2 at
full size because I couldn't view them without having to scroll around.
It annoyed me, so I stopped looking.

IMO if you want people to view your images and make comments, you
shouldn't piss them off with a shithouse presentation. Web design 101.

Dave

On 4/3/07, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
> I assume Mark Roberts and or David Savage didnt read or understand my 
> post remarking that this wasnt posted for the "the rest of the 
> internet population", it was posted only to a photo group which
> should have in my honest opinion, a HIGHER
> atandard of image quality and a HIGHER than
> average spec of computer display for photo viewing
> than "the rest of the internet
> population". This matters
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Mark Roberts
> Sent: Tuesday, April 03, 2007 9:08 AM
> To: Pentax-Discuss Mail List
> Subject: Re: 
> RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
> David Savage wrote:
>
> >All I know is your bucking a lot of tried and true practices for 
> >displaying images on the web to suit your vision of how the rest of 
> >the internet using population should be working.
>
> Given the person whom you are addressing, does this surprise you at 
> all?
>
>
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RE: RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
ARE YOU ALSO RETARDED? THERE IS NOTHING WRONG WITH
MY PRESENTATION - ITS YOUR FUCKING LOW SPEC COMPUTER
DISPLAY THAT CANT HANDLE THE QUALITY OF THE PRESENTATION
THATST THE PROBLEM. DONT BLAME ME FOR YOUR SHITTY SETUP
OR EXPECT ME TO "DUMB DOWN"/DEGRADE MY IMAGES TO
SUIT YOUR "SHIT" DISPLAY.

JCO

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
David Savage
Sent: Tuesday, April 03, 2007 10:51 AM
To: Pentax-Discuss Mail List
Subject: Re:
RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


No I understood what you said.

The photo's you posted were fine for what they are and from what I saw.
But because they are the resolution they are I only looked at 1 or 2 at
full size because I couldn't view them without having to scroll around.
It annoyed me, so I stopped looking.

IMO if you want people to view your images and make comments, you
shouldn't piss them off with a shithouse presentation. Web design 101.

Dave

On 4/3/07, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
> I assume Mark Roberts and or David Savage didnt read or understand my 
> post remarking that this wasnt posted for the "the rest of the 
> internet population", it was posted only to a photo group which
> should have in my honest opinion, a HIGHER
> atandard of image quality and a HIGHER than
> average spec of computer display for photo viewing
> than "the rest of the internet
> population". This matters
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Mark Roberts
> Sent: Tuesday, April 03, 2007 9:08 AM
> To: Pentax-Discuss Mail List
> Subject: Re: 
> RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
> David Savage wrote:
>
> >All I know is your bucking a lot of tried and true practices for 
> >displaying images on the web to suit your vision of how the rest of 
> >the internet using population should be working.
>
> Given the person whom you are addressing, does this surprise you at 
> all?
>
>
> --
> PDML Pentax-Discuss Mail List
> PDML@pdml.net
> http://pdml.net/mailman/listinfo/pdml_pdml.net
>
>
> --
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> http://pdml.net/mailman/listinfo/pdml_pdml.net
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RE: RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
it's called CONVICTION and strong non-waving opinions
which have be formed and ingrained via proven years of
experince, not "inflexibility".
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
David Savage
Sent: Tuesday, April 03, 2007 10:41 AM
To: Pentax-Discuss Mail List
Subject: Re:
RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


On 4/3/07, Mark Roberts <[EMAIL PROTECTED]> wrote:
> David Savage wrote:
>
> >All I know is your bucking a lot of tried and true practices for 
> >displaying images on the web to suit your vision of how the rest of 
> >the internet using population should be working.
>
> Given the person whom you are addressing, does this surprise you at 
> all?

Surprised? No.

It's more a matter that I'm continually amazed how one person can be so
single minded and inflexible.

Cheers,

Dave

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RE: RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
HUH? Are you freaking retarded? This group is NOT
the same as the general population regarging photo displays/
imaging. This is a PHOTO specific group, and as such
should be much more attuned to image quality
and should/does have HIGHER than "internet average" displays
for PHOTOGRAPHIC PURPOSES. That's like saying a musclecar group drives
same type engines in their cars as the general population does. This is
NOT elitism, this is a a specific INTEREST
in photography which today heavily involves
computer displays. And to furthermore dispell
this STUPID elitism label, the stuff I am talking
about/recommending is very CHEAP, way way cheaper than any DSLRS and
good SLR LENSES
so how can that be elitism, its intelligence, not elitism,
dont confuse the two
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Shel Belinkoff
Sent: Tuesday, April 03, 2007 10:34 AM
To: Pentax-Discuss Mail List
Subject: RE:
RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


I've tried to stay out of this, but your last comments just rankled me.

The PDML is comprised of the same people that comprise the net's general
population.  People are here from all over the world, come from all
socio-economic situations, and for whatever reason have computers
ranging from inexpensive with small, low rez screen up to the highest
quality
newest technology.   In fact, at least one regular contributor uses
borrowed computers, or whatever he can use while at work.  In addition,
I know of another PDML member who has had numerous shows, sold many
prints, and who has won several photographic contests, who, for reasons
of space, uses a 17-inch monitor. You are so full of yourself that the
crap was running out of my screen as I read your last message.  

You are continually alienating people here, even those that have been
supportive of you.

I will hold my tongue and not say what's really on my mind, but in the
spirit of being the New Yorker that I am, I'll sign off now with one
quick
comment: You're am elitist snob and a  schmuck! 

Shel



> [Original Message]
> From: J. C. O'Connell

> I assume Mark Roberts and or David Savage didnt read or understand my 
> post remarking that this wasnt posted for the "the rest of the 
> internet population", it was posted only to a photo group which
> should have in my honest opinion, a HIGHER
> atandard of image quality and a HIGHER than
> average spec of computer display for photo viewing
> than "the rest of the internet
> population". This matters



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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
P.S. I am not having any problems to solve,
only the people who want me to "dumb way down"
my posted photos for them are... I suggest
those still using really old low spec displays find some
resizing software or something to make them more
usable, if they cant be bothered to upgrade
their "photographically challenged" hardware
As I stated, the hardware needed to see these
photos in their entirety is NOT even remotely expensive
today, so it doesnt make sense to continue
using those older lower resolution display setups,
ESCPECIALLY if you are in the demographic of
a photo enthusiast, and anyone reading this forum IS.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Scott Loveless
Sent: Tuesday, April 03, 2007 10:04 AM
To: Pentax-Discuss Mail List
Subject: Re:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


J. C. O'Connell wrote:
> I assume Mark Roberts and or David Savage didnt read or understand my 
> post remarking that this wasnt posted for the "the rest of the 
> internet
>   
Understand YOUR post?  No one understands your posts.  JCO, you're 
OBVIOUSLY on a plane much higher than anyone else can EVER achieve.
> population", it was posted only to a photo group which
> should have in my honest opinion, a HIGHER
> atandard of image quality and a HIGHER than
> average spec of computer display for photo viewing
> than "the rest of the internet
> population". This matters
> jco
>   
That's a bit elitist, don't you think?  Never mind.  Don't answer that.

I'll solve all your problems right now.  Just add pdml@pdml.net to your 
kill file.

-- 
Scott Loveless
www.twosixteen.com

"...shut the hell up." -JCO


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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
ELITEST? - NO F%#ING WAY! This is a photo enthusiast
group, it's not elistist to cater to that groups interest.
Is just plain STUPID to ruin all the files by making them
really small for the general internet population when
they are NOT being directed at that population. Go kill
yourself,,,
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Scott Loveless
Sent: Tuesday, April 03, 2007 10:04 AM
To: Pentax-Discuss Mail List
Subject: Re:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


J. C. O'Connell wrote:
> I assume Mark Roberts and or David Savage didnt read or understand my 
> post remarking that this wasnt posted for the "the rest of the 
> internet
>   
Understand YOUR post?  No one understands your posts.  JCO, you're 
OBVIOUSLY on a plane much higher than anyone else can EVER achieve.
> population", it was posted only to a photo group which
> should have in my honest opinion, a HIGHER
> atandard of image quality and a HIGHER than
> average spec of computer display for photo viewing
> than "the rest of the internet
> population". This matters
> jco
>   
That's a bit elitist, don't you think?  Never mind.  Don't answer that.

I'll solve all your problems right now.  Just add pdml@pdml.net to your 
kill file.

-- 
Scott Loveless
www.twosixteen.com

"...shut the hell up." -JCO


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RE: RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-03 Thread J. C. O'Connell
I assume Mark Roberts and or David Savage didnt read or understand
my post remarking that this wasnt posted for the "the rest of the
internet
population", it was posted only to a photo group which
should have in my honest opinion, a HIGHER
atandard of image quality and a HIGHER than
average spec of computer display for photo viewing
than "the rest of the internet
population". This matters
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Mark Roberts
Sent: Tuesday, April 03, 2007 9:08 AM
To: Pentax-Discuss Mail List
Subject: Re:
RE:WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


David Savage wrote:

>All I know is your bucking a lot of tried and true practices for
>displaying images on the web to suit your vision of how the rest of 
>the internet using population should be working.

Given the person whom you are addressing, does this surprise you at all?


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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
I said this was just a temporary quick and dirty, higher
image quality posting to a group, the rest
of the internet world doesnt even know it exists. If I was
going to do something more permanent or important,
I would use multible image size photos and bigger
thumbnails,,,This was a just a "stock" photoshop web gallery
automatic type deal to make it easier to post a bunch of
photos in a hurry...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
David Savage
Sent: Monday, April 02, 2007 10:21 PM
To: Pentax-Discuss Mail List
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


Suit yourself.

All I know is your bucking a lot of tried and true practices for
displaying 
images on the web to suit your vision of how the rest of the internet
using 
population should be working.

Cheers,

Dave

At 09:30 AM 3/04/2007, J. C. O'Connell wrote:
>Do the math, it aint anywhere near
>240ppi, the data you are using/reading/believing is incorrect...The 
>screen would have to be only 5" wide to get 240ppi with a 1200pixel 
>wide image. I dont know anybody using that size screen or
>screen resolutions so extremely high that the displayed
>image would only be that wide on a typical 19" screen.
>jco
>
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of

>David Savage
>Sent: Monday, April 02, 2007 9:07 PM
>To: Pentax-Discuss Mail List
>Subject: RE: 
>WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
>I'm getting my numbers from your files John. Here's a basic Photoshop 
>lesson.
>
>Open a file in PS, this one will do:
>
><http://www.jchriso.com/temp/BJWPB2007/images/BJWPB2007-000.jpg>
>
>Go to Image>Image Size... You will note:
>
>Pixel Dimensions
>Width: 1200 pixels
>Height: 801 pixels
>
>Document Size:
>Resolution: 240 pixels/inch (that's pixels per inch, or ppi)
>
>As I said, 240 ppi is a print resolution, 72 ppi is plenty enough for 
>web images.
>
>Dave
>
>At 01:01 AM 3/04/2007, you wrote:
> >I dont know where you are getting 240ppi number from but
> >on a typical 19" monitor even a 1200 pixel wide image
> >is only about 100ppi which is NOT overkill, I can easily
> >see the improvement over 800 or even 1024 pixels wide.
> >jco
> >
> >-Original Message-
> >From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> >Of
>
> >David Savage
> >Sent: Monday, April 02, 2007 12:02 PM
> >To: Pentax-Discuss Mail List
> >Subject: Re: 
> >WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
> >
> >
> >Personally I always use 1024x768 as my assumed baseline resolution 
> >for preparing web images, even though my system runs at 1280x1024. If

> >I think a particular shot suffers because of this, then I add a link 
> >to a
>
> >higher resolution file.
> >
> >And BTW John, 240 ppi for a web image is massive overkill, that's 
> >print
>
> >resolution. 72 is more than enough & it also results in smaller files

> >which is a bonus for those on slower connections.
> >
> >Dave


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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
right, so why bother to make them smaller
for inadequate systems running low rez displays?
I think there is some confusion here, this
wasnt/isnt a typical web gallery designed
for general population, this was posted
for a specific group of people, the Pentax
mailing list to be specific, and this
group should have, in my opinion a higher
spec of computer than average for viewing
photos, and should have a greater appreciation
than average of image quality that a 1200
pixel image affords vs say 800 or 1024
size images. Whatever, hey they are my
photos after all and I am the only one
who saw them full size, so I am in a better
position to say if the loss at 800 or
1024 was tolerable or not to me. Whatever...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Monday, April 02, 2007 6:54 PM
To: Pentax-Discuss Mail List
Subject: Re:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


J. C. O'Connell wrote:
> If you see ANY photo at 1500 pixels wide which
> is how I view them usually for full image, going smaller
> like to 800 pixels wide really hurts the details a LOT. Apparently you

> dont care or think it matters, but then why buy a 6/10Mp camera and 
> not care whether your photos are reduced in details way down to only 1

> Mp or less?

For a web gallery, yes..  Who gives a shit, John?  I print them at full 
res, but the web galleries are designed to fit on ANY monitor (hence 800

pixels on the longest side).  There were some cool cars in your gallery 
but my laptop (free from work; don't tell me to upgrade it) has a max 
resolution of 1024x768.  Honestly, the fact that they are jpegs has 
degraded the image enough, so again, who gives a shit?

-- 

Christian
http://photography.skofteland.net

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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
Do the math, it aint anywhere near
240ppi, the data you are using/reading/believing is
incorrect...The screen would have to be only
5" wide to get 240ppi with a 1200pixel wide image.
I dont know anybody using that size screen or
screen resolutions so extremely high that the displayed
image would only be that wide on a typical 19" screen.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
David Savage
Sent: Monday, April 02, 2007 9:07 PM
To: Pentax-Discuss Mail List
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


I'm getting my numbers from your files John. Here's a basic Photoshop
lesson.

Open a file in PS, this one will do:

<http://www.jchriso.com/temp/BJWPB2007/images/BJWPB2007-000.jpg>

Go to Image>Image Size... You will note:

Pixel Dimensions
Width: 1200 pixels
Height: 801 pixels

Document Size:
Resolution: 240 pixels/inch (that's pixels per inch, or ppi)

As I said, 240 ppi is a print resolution, 72 ppi is plenty enough for
web 
images.

Dave

At 01:01 AM 3/04/2007, you wrote:
>I dont know where you are getting 240ppi number from but
>on a typical 19" monitor even a 1200 pixel wide image
>is only about 100ppi which is NOT overkill, I can easily
>see the improvement over 800 or even 1024 pixels wide.
>jco
>
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of

>David Savage
>Sent: Monday, April 02, 2007 12:02 PM
>To: Pentax-Discuss Mail List
>Subject: Re: 
>WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
>Personally I always use 1024x768 as my assumed baseline resolution for 
>preparing web images, even though my system runs at 1280x1024. If I 
>think a particular shot suffers because of this, then I add a link to a

>higher resolution file.
>
>And BTW John, 240 ppi for a web image is massive overkill, that's print

>resolution. 72 is more than enough & it also results in smaller files 
>which is a bonus for those on slower connections.
>
>Dave
>
>On 4/2/07, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
> > If you see ANY photo at 1500 pixels wide which
> > is how I view them usually for full image, going smaller like to 800

> > pixels wide really hurts the details a LOT. Apparently you
>
> > dont care or think it matters, but then why buy a 6/10Mp camera and 
> > not care whether your photos are reduced in details way down to only

> > 1
>
> > Mp or less? jco
>
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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
I dont know where you are getting 240ppi number from but
on a typical 19" monitor even a 1200 pixel wide image
is only about 100ppi which is NOT overkill, I can easily
see the improvement over 800 or even 1024 pixels wide.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
David Savage
Sent: Monday, April 02, 2007 12:02 PM
To: Pentax-Discuss Mail List
Subject: Re:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


Personally I always use 1024x768 as my assumed baseline resolution for
preparing web images, even though my system runs at 1280x1024. If I
think a particular shot suffers because of this, then I add a link to a
higher resolution file.

And BTW John, 240 ppi for a web image is massive overkill, that's print
resolution. 72 is more than enough & it also results in smaller files
which is a bonus for those on slower connections.

Dave

On 4/2/07, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
> If you see ANY photo at 1500 pixels wide which
> is how I view them usually for full image, going smaller
> like to 800 pixels wide really hurts the details a LOT. Apparently you

> dont care or think it matters, but then why buy a 6/10Mp camera and 
> not care whether your photos are reduced in details way down to only 1

> Mp or less? jco

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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
If you cant actually rebutt anything the post, I suggest you shut the
hell up!
These type of "now your in the trash bin, but I cant say why" replies
are absolutely USELESS
and unethical to boot.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Scott Loveless
Sent: Monday, April 02, 2007 11:30 AM
To: Pentax-Discuss Mail List
Subject: Re:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


J. C. O'Connell wrote:
> huh? I dont follow. What I am saying is EVEN IN A WEB
> photo, there is a huge difference in what you can
> see/image quality between a 1200 wide image and a
> a 800 wide image. (2.25 times the resolution)  this has nothing to do 
> with full rez. prints which of course are better than
> either size web photos. Actually, once you get
> down to web size images, the losses in changing
> photo sizes are nearly 100% loss. At very large
> size images ( near the resolution of the camera
> and lenses) there is less loss with similar
> reductions in photo size. ( like if you go from
> 3000 pixels wide to 2000 pixels wide, has less detail
> loss than going from 1200 to 800, even though the
> reduction in pixel percentage is the same).
> jco
>
>   
Back to the trash bin for you.  Woohoo.

-- 
Scott Loveless
www.twosixteen.com


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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
I dont send them to be "easy" for very low spec
computers/displays and ruin them in the process.
THAT is a waste of time. you guys should be more
concerned with image qualiy but apparently you
are more concerned other things I dont give
a rats ass about...This was a quick and dirty
photoshop web gallery, not something I am
putting up permanently or commercailly which
I would be willing to spend more time for
multiple image sizes...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Monday, April 02, 2007 11:29 AM
To: Pentax-Discuss Mail List
Subject: Re:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...



- Original Message - 
From: "Shel Belinkoff" JacksonCollectorCarAuctions2007WestPalmBeach...


> Oh, I do care, but these are just web images, and everyone here
> understands
> that the pics are just representative of a full size print.  Why
bother to
> post anything to the web when it won't equal the quality of a good
print.
>
> I want people to easily view my work, and if they want to see larger 
> pics, that can be arranged.

Shel, as you know, the bottom line for publishing web images is to make
them 
easily viewable by as many people as possible. This means sticking to a
few 
accepted norms and procedures.
The most important one is to ensure that your image can be viewed in
full by 
the majority of viewers.
If an image comes up cropped, then the viewer isn't seeing what you
intended 
them to see. If the viewer has to scroll around to see the entire image,

then you aren't presenting your images in a manner that does them
justice.

The bottom line is that if joc wants to bugger up his web presentation
and 
spoil his own pictures in the process, that is his right.
You and I may think he is a fool for doing so, I've never thought that 
shooting oneself in the foot is the smart way to do things, but if it is
his 
way, and it works for him, then it's what he is going to do.

I can't be bothered with wasting my time posting pictures to the web
that 
aren't easily viewable, but his time is his to waste however he chooses,
and 
to tell him differently is, as you well know, a total waste of your time
as 
well.

William Robb


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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
huh? I dont follow. What I am saying is EVEN IN A WEB
photo, there is a huge difference in what you can
see/image quality between a 1200 wide image and a
a 800 wide image. (2.25 times the resolution)  this has nothing to do
with
full rez. prints which of course are better than
either size web photos. Actually, once you get
down to web size images, the losses in changing
photo sizes are nearly 100% loss. At very large
size images ( near the resolution of the camera
and lenses) there is less loss with similar
reductions in photo size. ( like if you go from
3000 pixels wide to 2000 pixels wide, has less detail
loss than going from 1200 to 800, even though the
reduction in pixel percentage is the same).
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Shel Belinkoff
Sent: Monday, April 02, 2007 11:10 AM
To: Pentax-Discuss Mail List
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


Oh, I do care, but these are just web images, and everyone here
understands that the pics are just representative of a full size print.
Why bother to post anything to the web when it won't equal the quality
of a good print.

I want people to easily view my work, and if they want to see larger
pics, that can be arranged.

Shel



> [Original Message]
> From: J. C. O'Connell <[EMAIL PROTECTED]>
> To: Pentax-Discuss Mail List 
> Date: 4/2/2007 8:07:14 AM
> Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
> If you see ANY photo at 1500 pixels wide which
> is how I view them usually for full image, going smaller
> like to 800 pixels wide really hurts the details a LOT. Apparently you

> dont care or think it matters, but then why buy a 6/10Mp camera and 
> not care whether your photos are reduced in details way down to only 1

> Mp or less? jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Shel Belinkoff
> Sent: Monday, April 02, 2007 10:34 AM
> To: Pentax-Discuss Mail List
> Subject: RE: 
> WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
> My heart goes out to you ... I can only imagine that your torment and 
> anguish is akin to that of Van Gogh's.
>
> Shel
>
>
>
> > [Original Message]
> > From: J. C. O'Connell <[EMAIL PROTECTED]>
> > To: Pentax-Discuss Mail List 
> > Date: 4/2/2007 7:24:04 AM
> > Subject: RE: Web
> Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
> >
> > I agree, thats why I didnt want to go any smaller
> > than 1200 pixels wide, it already is degraded
> > even at that resolution, going smaller makes
> > it worse, not even to mention having to convert
> > them to sRGB for PC usage.
> > jco
> >
> > -Original Message-
> > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
> > Of Shel Belinkoff
> > Sent: Monday, April 02, 2007 9:44 AM
> > To: Pentax-Discuss Mail List
> > Subject: RE: Web Gallery 
> > :Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
> >
> >
> > What hubris ...
> >
> > Putting the pics on the web "ruins" them.
>
>
>
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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
If you see ANY photo at 1500 pixels wide which
is how I view them usually for full image, going smaller
like to 800 pixels wide really hurts the details a LOT.
Apparently you dont care or think it matters, but then why buy a 6/10Mp
camera and not care whether your photos are reduced in details way down
to only 1 Mp or less? 
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Shel Belinkoff
Sent: Monday, April 02, 2007 10:34 AM
To: Pentax-Discuss Mail List
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


My heart goes out to you ... I can only imagine that your torment and
anguish is akin to that of Van Gogh's.

Shel



> [Original Message]
> From: J. C. O'Connell <[EMAIL PROTECTED]>
> To: Pentax-Discuss Mail List 
> Date: 4/2/2007 7:24:04 AM
> Subject: RE: Web
Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
> I agree, thats why I didnt want to go any smaller
> than 1200 pixels wide, it already is degraded
> even at that resolution, going smaller makes
> it worse, not even to mention having to convert
> them to sRGB for PC usage.
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Shel Belinkoff
> Sent: Monday, April 02, 2007 9:44 AM
> To: Pentax-Discuss Mail List
> Subject: RE: Web Gallery 
> :Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
> What hubris ...
>
> Putting the pics on the web "ruins" them.



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RE: Web Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
One other thing need mentioning.  I have been
to many car events in my life but hadnt been
to one in about 5 or 6 years. What has changed,
is that about 2/3 or more of the cars now are
restored to BETTER THAN NEW condition. Its
unbelievable what they are doing now with 
the body work and paint. The bodies look
like glass they are so smooth. What was excellent 10 yrs ago
is now garbage compared to today's top level
body work...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Paul Stenquist
Sent: Monday, April 02, 2007 10:58 AM
To: Pentax-Discuss Mail List
Subject: Re: Web
Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


Thanks. Much appreciated.
Paul
On Apr 2, 2007, at 9:44 AM, J. C. O'Connell wrote:

> if you are interested in the prices of '55's,
> search the www.barrett-jackson.com website
> as it lists the final prices of all cars
> sold this year. the values of the cars are
> highly dependent on the level of restoration,
> whether they are numbers matching, and
> of course, the drive train it has.
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
> Behalf Of
> Paul Stenquist
> Sent: Monday, April 02, 2007 8:05 AM
> To: Pentax-Discuss Mail List
> Subject: Re: Web Gallery
> :Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
> Thanks, good news. I may have to sell my '55 if I don't land a job  
> soon.
> Paul On Apr 2, 2007, at 12:06 AM, J. C. O'Connell wrote:
>
>> I think the one you are talking about went for $73K
>> jco
>>
>> -Original Message-
>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
>> Behalf Of
>> Paul Stenquist
>> Sent: Sunday, April 01, 2007 10:30 PM
>> To: Pentax-Discuss Mail List
>> Subject: Re: Web Gallery :
>> Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>>
>>
>> John,
>> Do you know what the selling price was for the 56 Chevy BelAir
>> Convertible?
>> Paul
>> On Apr 1, 2007, at 10:24 PM, J. C. O'Connell wrote:
>>
>>> I guess I didnt make this clear enough, I dont
>>> do "lowest common denominator" web photos, if your
>>> screen cant show them fully as I want them to be seen,
>>> then you simply dont GET to see them. Even reducing
>>> them to 800 pixels wide "ruins" them IHMO.
>>> jco
>>>
>>> -Original Message-
>>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
>>> Behalf Of
>>> John Celio
>>> Sent: Sunday, April 01, 2007 10:04 PM
>>> To: Pentax-Discuss Mail List
>>> Subject: Re: Web Gallery : Barrett-Jackson
>>> CollectorCarAuctions2007WestPalmBeach...
>>>
>>>
>>> JCO, you may have a large screen or eyes that can handle super-high
>>> resolution, but not everyone is so blessed.  I, for instance, use my
>>> laptop
>>> for everything, and it has a 15.4" screen.  I don't like having it
>>> set
>>> to a
>>> super-high resolution because that makes text too small to read
>>> comfortably.
>>>
>>> Also, one of the first things I learned regarding webdesign is to
>>> set up
>>>
>>> your site so that the greatest number of people will be able to
>>> view it
>>> comfortably.  Since my website's stats show 1024x768 being the
>>> most-often
>>> used resolution by my visitors, I design for that resolution.  If  
>>> you
>>> really
>>> must have larger photos, just spend the time to make smaller  
>>> versions
>>> too.
>>> You may consider it a waste of time, but you'll keep a lot more of
>>> your
>>> visitors if you don't force them to have to scroll around every time
>>> they
>>> want to look at one of your photos.  I only looked at a few of your
>>> photos
>>> (which were really nice, by the way.  I love many of those cars)
>>> before
>>> I
>>> got tired of having to scroll every time and went on to something
>>> else.
>>>
>>> John
>>>
>>> --
>>> http://www.neovenator.com http://www.cafepress.com/neovenatorphoto
>>>
>>>
>>>
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RE: Web Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
OK, Mr. Photo Critic, I already stated these
were simple documentary photos and if
you had a freaking clue as to how these
events work, you would know that its
a miracle I even GOT any photos. There
were tons of people strolling the grounds,
which means I had to do "grab" shots whenever
the crowd thinned or people walked away, the cars were parked very close
to each
other giving very limited views, and
the lighting was horrible in the tents
( virtually no lighting IN the tents, it all streamed
in from the edges of the tents, I used flash to fill where
I could but I didnt HAVE TIME to get
it all balanced in many cases due to the
heavy traffic of attendees. )
If you have some photos of the event you would
like to show in comparison, I would be
glad to see them. I posted these to 
SHOW THE CARS, not as photographic works of art you
fool. Regarding the size, try reducing
them to 800 pixels and see if they 
look the same, they DONT. You lose
too much detail, and with these cars
the details are what makes them so cool
to see.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Monday, April 02, 2007 10:11 AM
To: Pentax-Discuss Mail List
Subject: Re: Web
Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...



- Original Message - 
From: "Shel Belinkoff"
Subject: RE: Web Gallery 
:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


> What hubris ...
>
> Putting the pics on the web "ruins" them.
>

After reading your email and the one from John Celio, I decided I had to
go 
and see what moronity had perpetrated as a display presentation. I have
a fairly big desktop, and had to go to display image only to view 
them, which, given the amateurish nature of the pictures themselves,
makes 
the gallery way more trouble than it is worth.
One of my teachers had saying that was along the lines of "if you can't
take 
a good photograph, then make big photographs and perhaps no one will
notice 
how bad they are".
This gallery represents that philosophy.
I could have been playing Mahjong and gotten more for my time than this.

William Robb 


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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
OK, dont respond, but you are not going to get away
with the bad eyes comments and me not respond. I have
excellent vision and this monitor is truly exceptional
for a CRT of it's size.

This isnt my sole opinion. Everyone who has seen it
makes the same remarks, they cant believe how clear
the fine details are INCLUDING fine text, compared
to typical CRT monitors. 

Even when I run test patterns on it, virtually everything
looks nearly perfect, including convergence, grayscale,
geometry, etc. I cant speak for motion, I dont use
it for gaming or video, but even that may be good too.

I am not trying to say my monitor is worse/good as/
better than yours, All I am trying to say is, that
given a good monitor, 1600x1200 is not only possible,
I AM RECOMMENDING IT for photo and general purpose
use over 1280x960. The extra resolution and workspace
is extremely useful/beautiful. Your comments regarding it
cant be done or isnt recommended by the mfgr are
not simply not real world (anymore, at least)
given really good monitors. 

jco


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Markus Maurer
Sent: Monday, April 02, 2007 5:16 AM
To: 'Pentax-Discuss Mail List'
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


Hi Jco
This turns into one of the communications I don't want to participate
in. You must have the eyes of an eagle or a mole. Just a last puzzle for
you: What does T in an Eizo's monitor name stand for?

I'm back to Pentax topics and will not respond to that thread anymore.
Greetings Markus
 


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
J. C. O'Connell
Sent: Monday, April 02, 2007 7:58 AM
To: 'Pentax-Discuss Mail List'
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

Secondly you post makes no sense, 1280x960 
cant EVER have the sharpness of good 1600x1200
image, no matter how good the CRT. You know how
sharp this particular sony is?, I saw things on FONTS
that I never even knew existed with this
CRT for the first time in many years of
computing, and that was with normal size
fonts displayed at 1600x1200. Thats SHARP.
its way better than all previous monitors
I have ever owned, none of which were trinitrons
I will admit and I thought they were all good
until I got this one, only now I know they were all garbage compared to
this oneThis monitor is so good that I bought two of them ( they
were being closed out brand new in box, super cheap) , one is a spare,
not even being used at this time jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Markus Maurer
Sent: Monday, April 02, 2007 1:32 AM
To: 'Pentax-Discuss Mail List'
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


An 19" Crt is optimized for a maximum resolution of 1280x1024 pixel and
not more JCO, ask the manufacturers. Your Sony can't display 1600x1200
absolutely flicker free and without reduced sharpness in the edges. If
you use anything else than a Matrox graphic card at such high
resolutions I would  not want to work with that setup even for a short
time. I use Eizo/Nanoa monitors with Matrox cards which are among the
highest quality you can get and could easily display 1600x1200 85 hertz
pixel on the 21" but for my eyes 1280x960 at 100 hertz is much more
comfortable for text reading. I use 2 monitors to have quite a large
working space in Photoshop. 

Greetings
Markus




-Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
J. C. O'Connell
Sent: Monday, April 02, 2007 7:00 AM
To: 'Pentax-Discuss Mail List'
Subject: RE: Web
Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

huh? I bought my video card for $35 new and got the Sony 19" CRT monitor
for $135 new old stock on ebay. This stuff THAT I USE isn't state of the
art or expensive, your stuff is just very out of date. I suggest you
upgrade to higher resolution if you are into digital photography as its
NOT expensive to go to 1600x1200 today by any standards, especially if
you compare to the cost of digital SLRs and lenses, etc. I cant
recommend it high enough, especially if you are still using 1280x960 or
less, as it really makes a big difference in viewing and editing
photos

The reason I dont post the photos any smaller than
1200 pixels wide is I DONT LIKE THE WAY THEY LOOK
reduced any smaller. Thats not "elitest", thats called artistic
integrity. ( although these particualar phots are more documentary than
artistic, they still benefit from a minimum image quality to be
appreciated IMHO).

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Celio
Sent: Monday, April 02, 2007 12:39 AM
To: Pentax-Discuss Mail List
Subject: Re: Web Gallery
:Barrett-JacksonC

RE: Web Gallery :Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
I agree, thats why I didnt want to go any smaller
than 1200 pixels wide, it already is degraded
even at that resolution, going smaller makes
it worse, not even to mention having to convert
them to sRGB for PC usage.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Shel Belinkoff
Sent: Monday, April 02, 2007 9:44 AM
To: Pentax-Discuss Mail List
Subject: RE: Web Gallery
:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


What hubris ... 

Putting the pics on the web "ruins" them.

Shel



> [Original Message]
> From: J. C. O'Connell
> I guess I didnt make this clear enough, I dont
> do "lowest common denominator" web photos, if your
> screen cant show them fully as I want them to be seen,
> then you simply dont GET to see them. Even reducing
> them to 800 pixels wide "ruins" them IHMO.
> jco
>
> -Original Message-
> From:  John Celio

> JCO, you may have a large screen or eyes that can handle super-high
> resolution, but not everyone is so blessed.  I, for instance, use my
> laptop 
> for everything, and it has a 15.4" screen.  I don't like having it set
> to a 
> super-high resolution because that makes text too small to read
> comfortably.
>
> Also, one of the first things I learned regarding webdesign is to set 
> up
>
> your site so that the greatest number of people will be able to view 
> it
> comfortably.  Since my website's stats show 1024x768 being the
> most-often 
> used resolution by my visitors, I design for that resolution.  If you
> really 
> must have larger photos, just spend the time to make smaller versions
> too. 
> You may consider it a waste of time, but you'll keep a lot more of
your 
> visitors if you don't force them to have to scroll around every time
> they 
> want to look at one of your photos.  I only looked at a few of your
> photos 
> (which were really nice, by the way.  I love many of those cars)
before
> I 
> got tired of having to scroll every time and went on to something
else.



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RE: Web Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
I didnt bugger it up, these people want
me to optimize it for low spec PC
systems which I wont do for quality reasons.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Monday, April 02, 2007 9:46 AM
To: Pentax-Discuss Mail List
Subject: Re: Web
Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...



- Original Message - 
From: "John Celio"
Subject: Re: Web Gallery 
:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


> JCO wrote:
>>I guess I didnt make this clear enough, I dont
>> do "lowest common denominator" web photos, if your
>> screen cant show them fully as I want them to be seen,
>> then you simply dont GET to see them. Even reducing
>> them to 800 pixels wide "ruins" them IHMO.
>
> Don't you think that's being rather elitist?
>
> Hell, why share photos at all if the only people who can view them are
> those
> with large and expensive monitor setups like yours?
>
> If this is how you always operate, I don't think I'll bother viewing 
> your photos, even though, as I said, the ones I looked at were very 
> nice.
>

HAR!
I take it joc can't even do a web presentation without buggering it up?

William Robb 


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RE: Web Gallery :Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-02 Thread J. C. O'Connell
if you are interested in the prices of '55's,
search the www.barrett-jackson.com website
as it lists the final prices of all cars
sold this year. the values of the cars are
highly dependent on the level of restoration,
whether they are numbers matching, and
of course, the drive train it has.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Paul Stenquist
Sent: Monday, April 02, 2007 8:05 AM
To: Pentax-Discuss Mail List
Subject: Re: Web Gallery
:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


Thanks, good news. I may have to sell my '55 if I don't land a job soon.
Paul On Apr 2, 2007, at 12:06 AM, J. C. O'Connell wrote:

> I think the one you are talking about went for $73K
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
> Behalf Of
> Paul Stenquist
> Sent: Sunday, April 01, 2007 10:30 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Web Gallery :
> Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...
>
>
> John,
> Do you know what the selling price was for the 56 Chevy BelAir
> Convertible?
> Paul
> On Apr 1, 2007, at 10:24 PM, J. C. O'Connell wrote:
>
>> I guess I didnt make this clear enough, I dont
>> do "lowest common denominator" web photos, if your
>> screen cant show them fully as I want them to be seen,
>> then you simply dont GET to see them. Even reducing
>> them to 800 pixels wide "ruins" them IHMO.
>> jco
>>
>> -Original Message-
>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
>> Behalf Of
>> John Celio
>> Sent: Sunday, April 01, 2007 10:04 PM
>> To: Pentax-Discuss Mail List
>> Subject: Re: Web Gallery : Barrett-Jackson
>> CollectorCarAuctions2007WestPalmBeach...
>>
>>
>> JCO, you may have a large screen or eyes that can handle super-high
>> resolution, but not everyone is so blessed.  I, for instance, use my
>> laptop
>> for everything, and it has a 15.4" screen.  I don't like having it  
>> set
>> to a
>> super-high resolution because that makes text too small to read
>> comfortably.
>>
>> Also, one of the first things I learned regarding webdesign is to
>> set up
>>
>> your site so that the greatest number of people will be able to
>> view it
>> comfortably.  Since my website's stats show 1024x768 being the
>> most-often
>> used resolution by my visitors, I design for that resolution.  If you
>> really
>> must have larger photos, just spend the time to make smaller versions
>> too.
>> You may consider it a waste of time, but you'll keep a lot more of
>> your
>> visitors if you don't force them to have to scroll around every time
>> they
>> want to look at one of your photos.  I only looked at a few of your
>> photos
>> (which were really nice, by the way.  I love many of those cars)
>> before
>> I
>> got tired of having to scroll every time and went on to something
>> else.
>>
>> John
>>
>> --
>> http://www.neovenator.com http://www.cafepress.com/neovenatorphoto
>>
>>
>>
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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-01 Thread J. C. O'Connell
This monitor/card I am using (Dell/Sony P991&radeon) easily does
1600x1200 at 75 Hz progressive. And text
is crystal clear and there is no sharpness or flicker
problem at 75 Hz which makes it even the
slightest bit hard to read text. I must
admit that this monitor is WAY better
in terms of sharpness and lack of artifacts
than any monitor I have ever owned, maybe
this is why you think you cant do 1600x1200
on a CRT? I wouldnt have thought possible
either UNTIL I saw it with my own eyes.

 Whoever or whatever
told you that you cant go higher than
1280x960 with a 19" or larger CRT is nuts, its not
only very possible, it simply blows
away 1280x960 in actual usage. Is is perfect? Of course
not, but I would NEVER EVER EVER go
back to 1280x960 after using 1600x1200 for a short time
both photographically, and for basic general workspace 
reasons. No matter how much you think
your 1280x960 work"space" is plenty,
the higher 1600x1200 resolution gives
you more than 50% more pixels, and this
in effect gives you even more than
50% more workspace because most programs
have fixed pixel count in overhead.

jco


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Markus Maurer
Sent: Monday, April 02, 2007 1:32 AM
To: 'Pentax-Discuss Mail List'
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


An 19" Crt is optimized for a maximum resolution of 1280x1024 pixel and
not more JCO, ask the manufacturers. Your Sony can't display 1600x1200
absolutely flicker free and without reduced sharpness in the edges. If
you use anything else than a Matrox graphic card at such high
resolutions I would  not want to work with that setup even for a short
time. I use Eizo/Nanoa monitors with Matrox cards which are among the
highest quality you can get and could easily display 1600x1200 85 hertz
pixel on the 21" but for my eyes 1280x960 at 100 hertz is much more
comfortable for text reading. I use 2 monitors to have quite a large
working space in Photoshop. 

Greetings
Markus




-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
J. C. O'Connell
Sent: Monday, April 02, 2007 7:00 AM
To: 'Pentax-Discuss Mail List'
Subject: RE: Web
Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

huh? I bought my video card for $35 new and got the Sony 19" CRT monitor
for $135 new old stock on ebay. This stuff THAT I USE isn't state of the
art or expensive, your stuff is just very out of date. I suggest you
upgrade to higher resolution if you are into digital photography as its
NOT expensive to go to 1600x1200 today by any standards, especially if
you compare to the cost of digital SLRs and lenses, etc. I cant
recommend it high enough, especially if you are still using 1280x960 or
less, as it really makes a big difference in viewing and editing
photos

The reason I dont post the photos any smaller than
1200 pixels wide is I DONT LIKE THE WAY THEY LOOK
reduced any smaller. Thats not "elitest", thats called artistic
integrity. ( although these particualar phots are more documentary than
artistic, they still benefit from a minimum image quality to be
appreciated IMHO).

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Celio
Sent: Monday, April 02, 2007 12:39 AM
To: Pentax-Discuss Mail List
Subject: Re: Web Gallery
:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


JCO wrote:
>I guess I didnt make this clear enough, I dont
> do "lowest common denominator" web photos, if your
> screen cant show them fully as I want them to be seen,
> then you simply dont GET to see them. Even reducing
> them to 800 pixels wide "ruins" them IHMO.

Don't you think that's being rather elitist?

Hell, why share photos at all if the only people who can view them are
those 
with large and expensive monitor setups like yours?

If this is how you always operate, I don't think I'll bother viewing
your 
photos, even though, as I said, the ones I looked at were very nice.

John

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RE: WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-01 Thread J. C. O'Connell
Secondly you post makes no sense, 1280x960 
cant EVER have the sharpness of good 1600x1200
image, no matter how good the CRT. You know how
sharp this particular sony is?, I saw things on FONTS
that I never even knew existed with this
CRT for the first time in many years of
computing, and that was with normal size
fonts displayed at 1600x1200. Thats SHARP.
its way better than all previous monitors
I have ever owned, none of which were trinitrons
I will admit and I thought they were all good
until I got this one, only now I know they were all garbage
compared to this oneThis monitor is so good
that I bought two of them ( they were being
closed out brand new in box, super cheap) , one is a spare, not
even being used at this time
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Markus Maurer
Sent: Monday, April 02, 2007 1:32 AM
To: 'Pentax-Discuss Mail List'
Subject: RE:
WebGallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


An 19" Crt is optimized for a maximum resolution of 1280x1024 pixel and
not more JCO, ask the manufacturers. Your Sony can't display 1600x1200
absolutely flicker free and without reduced sharpness in the edges. If
you use anything else than a Matrox graphic card at such high
resolutions I would  not want to work with that setup even for a short
time. I use Eizo/Nanoa monitors with Matrox cards which are among the
highest quality you can get and could easily display 1600x1200 85 hertz
pixel on the 21" but for my eyes 1280x960 at 100 hertz is much more
comfortable for text reading. I use 2 monitors to have quite a large
working space in Photoshop. 

Greetings
Markus




-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
J. C. O'Connell
Sent: Monday, April 02, 2007 7:00 AM
To: 'Pentax-Discuss Mail List'
Subject: RE: Web
Gallery:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

huh? I bought my video card for $35 new and got the Sony 19" CRT monitor
for $135 new old stock on ebay. This stuff THAT I USE isn't state of the
art or expensive, your stuff is just very out of date. I suggest you
upgrade to higher resolution if you are into digital photography as its
NOT expensive to go to 1600x1200 today by any standards, especially if
you compare to the cost of digital SLRs and lenses, etc. I cant
recommend it high enough, especially if you are still using 1280x960 or
less, as it really makes a big difference in viewing and editing
photos

The reason I dont post the photos any smaller than
1200 pixels wide is I DONT LIKE THE WAY THEY LOOK
reduced any smaller. Thats not "elitest", thats called artistic
integrity. ( although these particualar phots are more documentary than
artistic, they still benefit from a minimum image quality to be
appreciated IMHO).

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Celio
Sent: Monday, April 02, 2007 12:39 AM
To: Pentax-Discuss Mail List
Subject: Re: Web Gallery
:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


JCO wrote:
>I guess I didnt make this clear enough, I dont
> do "lowest common denominator" web photos, if your
> screen cant show them fully as I want them to be seen,
> then you simply dont GET to see them. Even reducing
> them to 800 pixels wide "ruins" them IHMO.

Don't you think that's being rather elitist?

Hell, why share photos at all if the only people who can view them are
those 
with large and expensive monitor setups like yours?

If this is how you always operate, I don't think I'll bother viewing
your 
photos, even though, as I said, the ones I looked at were very nice.

John

--
http://www.neovenator.com http://www.cafepress.com/neovenatorphoto 



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RE: Web Gallery : Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-01 Thread J. C. O'Connell
I think the one you are talking about went for $73K
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Paul Stenquist
Sent: Sunday, April 01, 2007 10:30 PM
To: Pentax-Discuss Mail List
Subject: Re: Web Gallery :
Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


John,
Do you know what the selling price was for the 56 Chevy BelAir  
Convertible?
Paul
On Apr 1, 2007, at 10:24 PM, J. C. O'Connell wrote:

> I guess I didnt make this clear enough, I dont
> do "lowest common denominator" web photos, if your
> screen cant show them fully as I want them to be seen,
> then you simply dont GET to see them. Even reducing
> them to 800 pixels wide "ruins" them IHMO.
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
> Behalf Of
> John Celio
> Sent: Sunday, April 01, 2007 10:04 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Web Gallery : Barrett-Jackson
> CollectorCarAuctions2007WestPalmBeach...
>
>
> JCO, you may have a large screen or eyes that can handle super-high
> resolution, but not everyone is so blessed.  I, for instance, use my
> laptop
> for everything, and it has a 15.4" screen.  I don't like having it set
> to a
> super-high resolution because that makes text too small to read
> comfortably.
>
> Also, one of the first things I learned regarding webdesign is to  
> set up
>
> your site so that the greatest number of people will be able to  
> view it
> comfortably.  Since my website's stats show 1024x768 being the
> most-often
> used resolution by my visitors, I design for that resolution.  If you
> really
> must have larger photos, just spend the time to make smaller versions
> too.
> You may consider it a waste of time, but you'll keep a lot more of  
> your
> visitors if you don't force them to have to scroll around every time
> they
> want to look at one of your photos.  I only looked at a few of your
> photos
> (which were really nice, by the way.  I love many of those cars)  
> before
> I
> got tired of having to scroll every time and went on to something  
> else.
>
> John
>
> --
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>
>
>
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RE: Web Gallery :Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...

2007-04-01 Thread J. C. O'Connell
huh? I bought my video card for $35 new and got the Sony 19" CRT
monitor for $135 new old stock on ebay. This
stuff THAT I USE isn't state of the art or expensive,
your stuff is just very out of date. I suggest you
upgrade to higher resolution if you are into digital
photography as its NOT expensive to go
to 1600x1200 today by any standards, especially
if you compare to the cost of digital SLRs and
lenses, etc. I cant recommend it high enough, especially
if you are still using 1280x960 or less, as it really
makes a big difference in viewing and editing photos

The reason I dont post the photos any smaller than
1200 pixels wide is I DONT LIKE THE WAY THEY LOOK
reduced any smaller. Thats not "elitest", thats called artistic
integrity. ( although these particualar phots are more documentary
than artistic, they still benefit from a minimum image quality
to be appreciated IMHO).

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Celio
Sent: Monday, April 02, 2007 12:39 AM
To: Pentax-Discuss Mail List
Subject: Re: Web Gallery
:Barrett-JacksonCollectorCarAuctions2007WestPalmBeach...


JCO wrote:
>I guess I didnt make this clear enough, I dont
> do "lowest common denominator" web photos, if your
> screen cant show them fully as I want them to be seen,
> then you simply dont GET to see them. Even reducing
> them to 800 pixels wide "ruins" them IHMO.

Don't you think that's being rather elitist?

Hell, why share photos at all if the only people who can view them are
those 
with large and expensive monitor setups like yours?

If this is how you always operate, I don't think I'll bother viewing
your 
photos, even though, as I said, the ones I looked at were very nice.

John

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RE: Web Gallery : Barrett-Jackson CollectorCarAuctions2007WestPalmBeach...

2007-04-01 Thread J. C. O'Connell
I guess I didnt make this clear enough, I dont
do "lowest common denominator" web photos, if your
screen cant show them fully as I want them to be seen,
then you simply dont GET to see them. Even reducing
them to 800 pixels wide "ruins" them IHMO.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Celio
Sent: Sunday, April 01, 2007 10:04 PM
To: Pentax-Discuss Mail List
Subject: Re: Web Gallery : Barrett-Jackson
CollectorCarAuctions2007WestPalmBeach...


JCO, you may have a large screen or eyes that can handle super-high 
resolution, but not everyone is so blessed.  I, for instance, use my
laptop 
for everything, and it has a 15.4" screen.  I don't like having it set
to a 
super-high resolution because that makes text too small to read
comfortably.

Also, one of the first things I learned regarding webdesign is to set up

your site so that the greatest number of people will be able to view it 
comfortably.  Since my website's stats show 1024x768 being the
most-often 
used resolution by my visitors, I design for that resolution.  If you
really 
must have larger photos, just spend the time to make smaller versions
too. 
You may consider it a waste of time, but you'll keep a lot more of your 
visitors if you don't force them to have to scroll around every time
they 
want to look at one of your photos.  I only looked at a few of your
photos 
(which were really nice, by the way.  I love many of those cars) before
I 
got tired of having to scroll every time and went on to something else.

John

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RE: Web Gallery : Barrett-Jackson Collector Car Auctions2007WestPalmBeach...

2007-04-01 Thread J. C. O'Connell
right, like I said, I didnt want to bother with multiple
photo sizes ( i used the simple PS web gallery ) and if I only do one, I
always do as large as works
on my PC. Sorry it didnt work for you but I strongly recommend
you increase your monitor resolution while I am at it.
Bigger is better, especially if you a photographer.
The higher rez. pc setup also gives you much more workspace
to boot! I absolutely love the 1200x1600 setup I have been
using for the last couple years with a Sony trinitron
hi-scan monitor...I can entirely view 1500 pixel wide images in
photoshop
no problem...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Markus Maurer
Sent: Sunday, April 01, 2007 8:14 PM
To: 'Pentax-Discuss Mail List'
Subject: RE: Web Gallery : Barrett-Jackson Collector Car
Auctions2007WestPalmBeach...


Hi jco
Even in kiosk mode (F11) I would have to scroll at 12980x960 monitor
resolution. I prefer the way  Godfrey for example chooses in his
galleries to show a smaller image with max 600 pixel height with the
option to click on it to enlarge it to it's "full beauty". Greetings
Markus

 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
J. C. O'Connell
Sent: Monday, April 02, 2007 1:42 AM
To: 'Pentax-Discuss Mail List'
Subject: RE: Web Gallery : Barrett-Jackson Collector Car Auctions
2007WestPalmBeach...

Hi, sorry about the larger photos for you, but I didnt want to spend a
lot of time with multiple photo sizes and I have always believed in
sending largest size that still works on my current computer for quality
reasons. I know that using smaller is more compatible but the "lowest
common denominator" approach limits quality way too much when only using
one size photo. ( I am using 1200x1600 at this time ). Did you try using
"F11" function key on the IE browser application? That gives you a
slightly larger window for photo viewing... jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Markus Maurer
Sent: Sunday, April 01, 2007 5:48 PM
To: 'Pentax-Discuss Mail List'
Subject: RE: Web Gallery : Barrett-Jackson Collector Car Auctions
2007WestPalm Beach...


Nice photos JCO but not being able to see a photo full size without
scrolling annoyed me too much to watch them all. As much as I like it
when people show photos as large as possible, there must be better
solutions for the presentation than yours. These Tokina lenses did quite
well as far as I can see. Greetings Markus
   

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Sunday, April 01, 2007 6:25 PM
To: pdml@pdml.net
Subject: Re: Web Gallery : Barrett-Jackson Collector Car Auctions 2007
WestPalm Beach...

In a message dated 3/31/2007 11:29:03 A.M.  Pacific Daylight Time, 
[EMAIL PROTECTED] writes:
I went to the 2007 West Palm  Beach Barrett-Jackson
Collector Car Auction Event yesterday  3/30/2007.
Incredible cars all over the place. Of course I
took a bunch of  photos. If your into vintage cars,
especially American Muscle Cars, Here's a  web gallery
I made you might want to peek at ( first time I used this feature  in
Photoshop, not too bad really). Most of the cars sold between $30  and
$60 grand on Friday's  Auctions...

http://www.jchriso.com/temp/BJWPB2007/index.htm

Tech  Info:

Camera - Pentax istDS
Lenses - Tokina SD 28-70 F3.5/4.5 and  Tokina SD 80-200 F2.8 Outdoor ISO
200, Tents ISO 400, Indoor ISO  800

JCO


===
Aha, I used to have one of these, and  now it's a collector's item.

BJWPB2007-063.jpg

Same colors and  everything (power blue/white two-tone convertible 1957
Ford, 
at least I think it  was a Ford). Drove it my last two years to high
school,

then sold it to a girl  friend and it ran for her for about four more
years.

Brings back fond  memories.

Marnie aka Doe  




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RE: Web Gallery : Barrett-Jackson Collector Car Auctions 2007WestPalm Beach...

2007-04-01 Thread J. C. O'Connell
Hi, sorry about the larger photos for you, but I didnt want to spend a
lot of time with multiple photo sizes and I have always believed
in sending largest size that still works on my current computer
for quality reasons. I know that using smaller is more compatible
but the "lowest common denominator" approach limits quality way too
much when only using one size photo. ( I am using 1200x1600 at this time
).
Did you try using "F11" function key on the IE browser application? That
gives you a slightly larger window for photo viewing...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Markus Maurer
Sent: Sunday, April 01, 2007 5:48 PM
To: 'Pentax-Discuss Mail List'
Subject: RE: Web Gallery : Barrett-Jackson Collector Car Auctions
2007WestPalm Beach...


Nice photos JCO but not being able to see a photo full size without
scrolling annoyed me too much to watch them all. As much as I like it
when people show photos as large as possible, there must be better
solutions for the presentation than yours. These Tokina lenses did quite
well as far as I can see. Greetings Markus
   

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Sunday, April 01, 2007 6:25 PM
To: pdml@pdml.net
Subject: Re: Web Gallery : Barrett-Jackson Collector Car Auctions 2007
WestPalm Beach...

In a message dated 3/31/2007 11:29:03 A.M.  Pacific Daylight Time, 
[EMAIL PROTECTED] writes:
I went to the 2007 West Palm  Beach Barrett-Jackson
Collector Car Auction Event yesterday  3/30/2007.
Incredible cars all over the place. Of course I
took a bunch of  photos. If your into vintage cars,
especially American Muscle Cars, Here's a  web gallery
I made you might want to peek at ( first time I used this feature  in
Photoshop, not too bad really). Most of the cars sold between $30  and
$60 grand on Friday's  Auctions...

http://www.jchriso.com/temp/BJWPB2007/index.htm

Tech  Info:

Camera - Pentax istDS
Lenses - Tokina SD 28-70 F3.5/4.5 and  Tokina SD 80-200 F2.8 Outdoor ISO
200, Tents ISO 400, Indoor ISO  800

JCO


===
Aha, I used to have one of these, and  now it's a collector's item.

BJWPB2007-063.jpg

Same colors and  everything (power blue/white two-tone convertible 1957
Ford, 
at least I think it  was a Ford). Drove it my last two years to high
school,

then sold it to a girl  friend and it ran for her for about four more
years.

Brings back fond  memories.

Marnie aka Doe  




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RE: Web Gallery : Barrett-Jackson Collector Car Auctions 2007 WestPalm Beach...

2007-04-01 Thread J. C. O'Connell
that looks like a '56 chevy, not a ford, and in turquoise,
not power blue. ( At least it brought back the memories for you!).
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Sunday, April 01, 2007 12:25 PM
To: pdml@pdml.net
Subject: Re: Web Gallery : Barrett-Jackson Collector Car Auctions 2007
WestPalm Beach...


In a message dated 3/31/2007 11:29:03 A.M.  Pacific Daylight Time, 
[EMAIL PROTECTED] writes:
I went to the 2007 West Palm  Beach Barrett-Jackson
Collector Car Auction Event yesterday  3/30/2007.
Incredible cars all over the place. Of course I
took a bunch of  photos. If your into vintage cars,
especially American Muscle Cars, Here's a  web gallery
I made you might want to peek at ( first time I used this feature  in
Photoshop, not too bad really). Most of the cars sold between $30  and
$60 grand on Friday's  Auctions...

http://www.jchriso.com/temp/BJWPB2007/index.htm

Tech  Info:

Camera - Pentax istDS
Lenses - Tokina SD 28-70 F3.5/4.5 and  Tokina SD 80-200 F2.8 Outdoor ISO
200, Tents ISO 400, Indoor ISO  800

JCO


===
Aha, I used to have one of these, and  now it's a collector's item.

BJWPB2007-063.jpg

Same colors and  everything (power blue/white two-tone convertible 1957
Ford, 
at least I think it  was a Ford). Drove it my last two years to high
school, 
then sold it to a girl  friend and it ran for her for about four more
years. 
Brings back fond  memories.

Marnie aka Doe  




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Web Gallery : Barrett-Jackson Collector Car Auctions 2007 West Palm Beach FL.

2007-03-31 Thread J. C. O'Connell
I went to the 2007 West Palm Beach Barrett-Jackson
Collector Car Auction Event yesterday 3/30/2007.
Incredible cars all over the place. Of course I
took a bunch of photos. If your into vintage cars,
especially American Muscle Cars, Here's a web gallery
I made you might want to peek at ( first time I used this feature in
Photoshop,
not too bad really). Most of the cars sold between $30 and
$60 grand on Friday's Auctions...

http://www.jchriso.com/temp/BJWPB2007/index.htm

Tech Info:

Camera - Pentax istDS
Lenses - Tokina SD 28-70 F3.5/4.5 and Tokina SD 80-200 F2.8
Outdoor ISO 200, Tents ISO 400, Indoor ISO 800

JCO



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RE: PESO:Tamron SP70-150mm 2.8 on the K10D 3 test shots

2007-03-31 Thread J. C. O'Connell
The nice part of it all is you can get "KA" type
adaptall-2 adapters to maintain autoexposure
on the current crop of pentax DSLRS.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jim King
Sent: Saturday, March 31, 2007 12:30 PM
To: pdml@pdml.net
Subject: RE: PESO:Tamron SP70-150mm 2.8 on the K10D 3 test shots


Markus Maurer wrote on Sat, 31 Mar 2007 02:02:55 -0800:

> Hi Jim
> Are you looking for the soft focus feature or just for a fast
> Tamron SP
> zoom?

I collect Tamron SP Adaptall-2 lenses and already have most of the  
zooms.  I'm quite interested in this specific lens, partly because of  
its reputation as a very sharp fast conventional optic and also  
because I'd like to experiment with the progressive variable  
softening feature (I already have all of the Pentax soft focus  
lenses).  Unfortunately I've never seen one for sale - either it was  
rare to begin with or those who own one like it too much to sell  
it!  ;<)

> The soft focus ring settings 1-3 are nice for full portrait shots
> or flower
> close-ups with uniform backgrounds. If the background is too busy  
> the bokeh
> with the soft focus ring engaged is harsh and unpleasant . I will  
> have to
> experiment a bit with that feature on the K10D, I last used it on  
> film and
> only liked about 1 out of 10 soft focus shots :-(

Thanks for this info.  It's consistent with my results using the  
Pentax soft focus lenses as well.  But there are certain images where  
the spherical aberration (I think that's what it is) of a soft focus  
lens adds just the right dreamy/foggy look.

> The slower non SP 70-150mm 3.5 Tamron is very inexpensive here but
> I can't
> say anything about it's quality and if it is similar to the SP one.

The reports on the regular version are not as good, and of course  
it's slower.

> The same is true for the SP 70-210 3.5/4 zoom lens. Again a heavy
> but well
> built lens.

Yes, I already have this one, as well as the even more highly  
regarded SP 70-210 f3.5 constant aperture version which I recently  
found on eBay.  The latter is said to be the best MF zoom ever made  
in this range.  I'm looking forward to comparing it with my Pentax A  
70-210 f4 when I get the time.

It's amazing how inexpensive most of these lenses are - it seems that  
nobody is interested in MF zooms any more.  Ah well - the joys of  
collecting are even greater when the cost is reasonable.

Regards, Jim

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RE: Another PayPal Scam

2007-03-29 Thread J. C. O'Connell
REAL second chance offer ebay links take you to
a new listing of the same item with a new "buy
it now" price the same as your previous "losing bid" amount.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Thursday, March 29, 2007 9:51 PM
To: pdml@pdml.net
Subject: Re: Another PayPal Scam


In a message dated 3/29/2007 6:44:29 P.M.  Pacific Daylight Time, 
[EMAIL PROTECTED]  writes:
https://www.paypal.com/cgi-bin/webscr.php?cmd=_login-run  

Thank you for your patience in this matter. 

PayPal - Customer  Service "

Heads up boys and girls  


Shel


==
I was debating mentioning this,  but since you mentioned that scam...

I bid recently, in the last week, on  a Pentax K 24mm (lost the auction
at 
the last second). The next day I received  what looked like a very
official 
second chance offer, html and all, yellow, etc.  Looked like an ebay
message. 
Clicking on the link took me to that len's item  page, EXCEPT it still
said 
"You've been outbid." I don't know what a link would  look like for a
real second 
chance offer, but I figured that wasn't it. So, just  to be sure, I
emailed, 
through ebay's inner message system, the seller and asked  him if he had
sent it. 
Nope.

I think someone mentioned fake second chance  offers before here, so
thanks 
for the warning. Just want to say it was extremely  well-done and if I
hadn't 
been sharp I could have been taken. Heads up on that  too...

Marnie aka Doe  




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RE: Any possibility of price reduction for K10D?

2007-03-28 Thread J. C. O'Connell
Future K10D price is very dependent on the DSLR market.
If nobody else has a similar camera at a lower
price, its less likely to drop, conversely if
some new ones come out that are similar at
lower prices its more likely to drop.

I once saw a business TV show many years ago and the CEO
was asked about the prices he would set
on his new line of upcoming products, he
replied something to the effect, "thats
not my choice, I can't control that, that's dependent solely on
the market at the time they come out". Never forgot that
little tidbit of economics
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Wednesday, March 28, 2007 1:49 PM
To: pdml@pdml.net
Subject: Re: Any possibility of price reduction for K10D?


In a message dated 3/28/2007 10:24:19 A.M.  Pacific Daylight Time, 
[EMAIL PROTECTED] writes:
Is there any possibilty of a  price reduction of K10D? A few of us hoped
for one in the 6-7 month period  after the product launch. Does anyone
see that happening in the next 2-3  months?

Thanks,
Gaurav


===
Yeah, I mean, me too.  I've been waiting. Now I think the price will
only 
drop significantly when they  release the next generation of the K10D.
According 
to that interview that was  posted here recently that MIGHT happen
before the 
end of the year. OTOH, don't  hold your breath.

Marnie aka Doe  




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RE: The "Thingy" in the istDS

2007-03-28 Thread J. C. O'Connell
what about the spotmatics that DID have a hot shoe,
the spII spIIA and spF ? I dont recall any hot
shoe cutoff switches on those either...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Bob Sullivan
Sent: Wednesday, March 28, 2007 1:57 PM
To: Pentax-Discuss Mail List
Subject: Re: The "Thingy" in the istDS


Peter,
I haven't seen any 'cut-out' switches on any of the pre-M series
cameras. That includes KX, KM, K2, or ESII, ES, or ElectroSpotmatic. And
of course the Spotmatic had no hot shoe. Maybe the cameras inbetween??
Regards,  Bob S.

On 3/28/07, P. J. Alling <[EMAIL PROTECTED]> wrote:
> Actually they they're not saving money.  Starting with the M series of

> cameras, that I'm aware of at least, (maybe earlier, I seem to 
> remember something similar on the ESII, but I don't have one available

> to look at right now). Pentax incorporated a switch in the hot shoe, 
> usually on the right side which interrupted power flow to the 
> electrical contacts when a flash was not mounted.  The rational for 
> this was that a user wouldn't shock themselves when using a flash 
> attached to the PC connection, which was possible with a number of 
> cameras IIRC.  That switch is missing on the *ist D, which has a PC 
> connector, (probably the same function is done electronically), and 
> though it doesn't serve the same function since the Ds doesn't have a 
> PC connector, the the switch is present on the Ds.  The cutout is to 
> keep from stressing the spring on that switch.
>
>
> mike wilson wrote:
> >> From: "Shel Belinkoff" <[EMAIL PROTECTED]>
> >> Date: 2007/03/27 Tue PM 11:03:32 GMT
> >> To: "PDML" 
> >> Subject: The "Thingy" in the istDS
> >>
> >> I've been using the istDS for about two years and today I noticed a

> >> little thingy in the flash attachment.  It looks like it's designed

> >> to cover and protect the contacts.  That's pretty cool. This is my 
> >> second DS, and I don't recall this protection cover being on the 
> >> first camera.  Is this a standard item, or maybe an optional piece 
> >> that was installed by the original owner of my second camera, which

> >> I bought used?
> >>
> >>
> >
> > Standard fitment in most new cameras of quality.  Even my Zenits had

> > one.  The one for the Z1-p was a most bizarre shape, due to the 
> > location of the shoe.  The DL/2 has cutouts on the locating rails 
> > (in fact, on one side the rail is almost completely missing) to save

> > a farthing's worth of plastic.  I think you can get a Leica one made

> > in precious metal and set with gemstones.  It's an optional extra on

> > the Paris Hilton Sex Tape Commemorative model.
> >
> >
> > -
> > Email sent from www.virginmedia.com/email
> > Virus-checked using McAfee(R) Software and scanned for spam
> >
> >
> >
>
>
> --
> Entropy Seminar: The results of a five yeer studee ntu the sekend lw 
> uf thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.
>
>
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RE: Opinions of DA 40?

2007-03-28 Thread J. C. O'Connell
Its all relative, F2.8 is very slow
for a normal range optic, but its a speed
demon for an ultra wide or ultra telephoto.

I think the entire point of the 40mm F2.8
lenses are absolute minimum physical size
with a reasonble speed. If it was an F2.0
it would defeat it's sole purpose for existance

jco


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RE: Opinions of DA 40?

2007-03-28 Thread J. C. O'Connell
yes a longer lens itself is more noticable than a
shorter lens itself, but it's nowhere near as noticeable
as a much closer photographer using a shorter lens!
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Wednesday, March 28, 2007 10:50 AM
To: pdml@pdml.net
Subject: Re: Opinions of DA 40?


In a message dated 3/28/2007 7:48:31 A.M.  Pacific Daylight Time, 
[EMAIL PROTECTED] writes:
I like long lenses for  candid unaware people street shots.
The further away you are the easier it is  to go
unnoticed. 40mm would be way too short for me, even on  APS format...
jco

=
On, the whole, I agree, but it's a  toss up. A longer lens is also a lot
more 
noticeable.

Marnie  




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RE: Opinions of DA 40?

2007-03-28 Thread J. C. O'Connell
I like long lenses for candid unaware people street shots.
The further away you are the easier it is to go
unnoticed. 40mm would be way too short for me, even on APS
format...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Wednesday, March 28, 2007 10:40 AM
To: pdml@pdml.net
Subject: Opinions of DA 40?


Well, I ordered the DA 50-200 from Adorama. It  was in stock when I
ordered, 
but they tell me that now it's out, and I'll have  to wait. Probably
that 
rebate thing.

I'd also like a fast prime.  Something for stealth photography, as when
I 
want to do "street photography,"  i.e. unaware people shots. Something
shorter 
than a long zoom -- less  conspicuous. Guess one couldn't get much
shorter than 
the DA 40.  

Opinions? Focus good? Any focus fall off? CA? Whatever? What would the
crop 
factor on this one be on digital? Come out to about 55mm?

TIA,  Marnie aka Doe ;-)  Course if I do order it, it is bound to go out
of 
stock  just when I do.  




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RE: Battery life on K10D

2007-03-27 Thread J. C. O'Connell
there are many many different types of
battery chargers on the market today
of widely varying sophistication and automation
so I would say that its not quite as simple
as that. Many actually stop charging
completely when the charge light goes
out, so even if you leave it "on"
longer you are not getting any more charge.

For NIMH batteries, What I have settled on is two rate
manually controlled self designed chargers, w/ fast and trickle
charge rates. I use
the fast/high current value @1/8C with a cutoff timer so I dont
overcharge but I can set the total
charge time to whatever I need depending
on the mA Hour rating of the battery
being charged.

I then use the trickle charge
setting/value @ about 1/40C  but don't really do a typical
trickle charge (always charging), I only trickle charge
mine for only one hour a day via
another 24 hour power timer.

This method works well and doesnt
stress the batteries and I have
fully charged batteries always
ready to go without leaving them
charging all the time or having
to keep recharging batteries that
self discharged because they
were not trickled or full charged
recently. The only caveat, and it
can be a big one, is that this
method really only works well with
batteries fully "used up" before
fast charging again, if not sure or
I know only a little discharge has
occured, I just
put on trickle for 24 hours continuous rather
than use any fast charge to be safe
and not overcharge the batteries.

Works for me, your mileage may vary of course.

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Tuesday, March 27, 2007 11:43 PM
To: Pentax-Discuss Mail List
Subject: Re: Battery life on K10D



On Mar 27, 2007, at 7:10 PM, Markus Maurer wrote:

> Is this third party charger only for the Pentax K10D accu or does
> it work
> with other accu brands as well?

It's a CTA charger for the NP400 battery: here's a link to it on  
CompUPlus.com.
   http://tinyurl.com/38sag3

I usually stick the battery on charge and leave it sit on the power  
for a while after the charge light goes out. Typically, the charge  
light goes out when the battery has achieved 85-90% charge on most of  
these types of chargers.

Godfrey

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RE: Battery life on K10D

2007-03-27 Thread J. C. O'Connell
I bet since they are intermittant and 
are only really just low power dc motors essentially,
they would not be much of a factor unless you
left them on continously for some reason. Its
an estimate, I didnt test those features, the istDS
doesnt even have AS to test. I doubt anything else
is going to be even close to the full power
flash energy consumption.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Tuesday, March 27, 2007 10:36 PM
To: Pentax-Discuss Mail List
Subject: Re: Battery life on K10D


J. C. O'Connell wrote:
> Flash is the biggest power hogthe LCD is second place
> in that category..
> jco

How do you think AF and AS figure in the power consumption scale?

-- 

Christian
http://photography.skofteland.net

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RE: Battery life on K10D

2007-03-27 Thread J. C. O'Connell
Flash is the biggest power hogthe LCD is second place
in that category..
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Tuesday, March 27, 2007 9:49 PM
To: Pentax-Discuss Mail List
Subject: Re: Battery life on K10D


On Mar 27, 2007, at 6:30 PM, Markus Maurer wrote:

> Hi Godfrey
> Maybe the 2 Pentax battereries I have are still too new ? but I got
> under
> 500 exposures and never saw the battery gauge on the K10D changing  
> from full
> to another state before the batteries shut down.  I use review and the
> histogram, that must be the power hungry functions. I wonder how much
> battery AF uses, andy ideas?

No idea about that. Anything that keeps the LCD illuminated or status  
display illuminated will consume battery power to a greater degree  
than nearly anything else, however.

Perhaps you are not charging the batteries all the way? or have a  
less than perfect charger? I use a third party charger, from Impact  
again, rather than the Pentax charger because it plugs directly into  
the wall and also takes a power connection from the accessory jack in  
the car.

Godfrey


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RE: PESO:A24mm+K10D tests

2007-03-27 Thread J. C. O'Connell
Huh, a slower AF zoom lens was EASIER to
focus manually than a faster prime MF lens?
I have never found that to be the case EVER
in similar comparisons, WHY?
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Tuesday, March 27, 2007 9:52 PM
To: Pentax-Discuss Mail List
Subject: Re: PESO:A24mm+K10D tests


I did a lot of shooting with the A24/2.8. An excellent lens, one of  
my favorites, with a good build and very good rendering throughout. A  
bit of barrel distortion but that never bothered me for the kinds of  
shooting that I did with it.

I sold it after I bought the FA20-35/4 as it proved to have better  
contrast wide open, was easier to focus manually.

Godfrey

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RE: Battery life on K10D

2007-03-27 Thread J. C. O'Connell
FWIW, when I designed a voltage regulator a couple
of weeks ago so I could run my istDS off of a 9.6VDC
NIMH battery pack, I found the flash is the main power hog,
and the LCD is the second most power hog. Not news
I guess, but if you want the longest possible life
on a single battery charge, these have to be minimized
in usage or better yet turned off.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Tuesday, March 27, 2007 8:29 PM
To: Pentax-Discuss Mail List
Subject: Re: Battery life on K10D


I'm getting 800-1200 exposures per charge on a pretty reliable basis  
with the K10D, using the Pentax supplied battery. The Impact and  
Konica Minolta batteries I have as well seem to last about the same  
amount of time.

It varies a bit based on what I'm doing ... Normally I have the  
Review function turned off, but if I'm doing tabletop work I have the  
review set for maximum and use the Digital Preview with histogram  
quite a lot.

Godfrey


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RE: DA14 vs DA 12-24

2007-03-25 Thread J. C. O'Connell
CA is always worse at greater angles away from
the optical axis on any lens.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jack Davis
Sent: Sunday, March 25, 2007 8:08 PM
To: Pentax-Discuss Mail List
Subject: Re: DA14 vs DA 12-24


Good to have your take, Paul..as always. The 12~24's versatility will be
difficult to trump.

Jack
--- Paul Stenquist <[EMAIL PROTECTED]> wrote:

> But it's not definitive. The DA 12-24 samples were mine, and they
> were hand held. CA is dependent very much on the angle of the light. 
> 
> I would be surprised if the DA 14 were not better at 14mm than the DA
>  
> 12-24, but I wouldn't jump to any conclusions based on what you've
> read here.
> Paul
> On Mar 25, 2007, at 7:07 PM, Jack Davis wrote:
> 
> > Thanks, Godfrey. Exactly the sort of information I had in mind. 
> > Detailed and meaty. Considerate of you to take the time. :)
> >
> > Jack
> >
> > P.S.: Pop Photo's review actually included the word "pro" in
> > describing
> > its build and image quality. MERCY!
> > --- Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
> >
> >> On Mar 25, 2007, at 12:20 PM, Jack Davis wrote:
> >>> Anyone made at least a semi serious side-by-side DA 14 v DA
> >> 12-24(at
> >>> 14) image comparison?
> >>> Godfrey?
> >>
> >> I recently looked at a couple of DA12-24 RAW demo files. There 
> >> weren't any that were captures at exactly 14mm. My prior
> impressions
> >>
> >> that it is a good lens but has more CA and more rectilinear 
> >> distortion than the DA14 does at lens openings and focal lengths 
> >> which bracket the DA14 were borne out. The f/8 exposures were 
> >> significant improvements over the f/4 exposures. But I don't own
> one
> >>
> >> so I can't do an exhaustive side-by-side unless someone wants to
> loan
> >>
> >> me one for testing.
> >>
> >> But those test shots inspired me to do some more exhaustive DA14
> test
> >>
> >> shots on a variety of targets. My summary:
> >>
> >> - Some corner/edge light falloff is apparent until about f/5.
> >> - Rendering characteristics vary depending upon focus setting and 
> >> lens opening, most are excellent particularly at f/4.5 and smaller 
> >> lens openings if working in the very near range.
> >> - Corner and edge sharpness are satisfactory wide open but improve 
> >> greatly when stopped down to f/5-5.6, after which they continue to 
> >> improve a little but very slowly to f/11 or so.
> >> - Much after f/11, diffraction effects begin to intrude on
> sharpness.
> >> - Flare resistance is excellent even wide open.
> >> - There is a small amount of CA, consistent at all lens openings, 
> >> which can be removed easily in Lightroom or Camera Raw.
> >> - It is a demanding lens to focus critically when wide open and 
> >> focusing near the close-focus limits. At f/5.6 the DoF at normal 
> >> shooting distances is so great that it covers a multitude of sins, 
> >> but wide open and at close range you have to have it on the money.
> I
> >>
> >> go to manual focus and use Pentax Magnifier FB 2x for critical
> focus.
> >> - Using a tripod with this wide a lens is essential to getting the 
> >> best resolution. Moving to the K10D, the incremental resolution 
> >> upgrade is most advantageous for this lens and the DA21 Limited.
> >>
> >> I've had the DA14 since I first bought the DS body and it is one
> of
> >> my most consistent performers. I've made well over 3000 exposures 
> >> with it. The more I use it, the more I learn to exploit it, the
> more
> >>
> >> I like it.
> >>
> >> Compared to the Sigma 14mm f/2.8 and Canon EF14/2.8L that I
> tested,
> >> the DA14 is a jewel and incredibly inexpensive for its quality. 
> >> Regards field of view coverage, comparing what I get from it
> against
> >>
> >> my old work done with Nikkor 20mm f/3.5 AI-S, Zeiss Biogon 21/3.5, 
> >> and Leica Elmarit-M 21/2.8 ASPH lenses, it holds its own very
> well.
> >> It's not quite up to what I could get from the Hasselblad 903SWC's 
> >> Biogon 38mm f/4.5 ... but then very very few lenses in this class 
> >> are.
> >>
> >> BTW: set to Program mode and the MTF line, the camera tends to
> keep
> >> it at f/5.6 most of the time, which is right in line with my 
> >> evaluations which indicated best performance between f/4.5 and
> f/5.6.
> >>
> >> Godfrey
> >>
> >> --
> >> PDML Pentax-Discuss Mail List
> >> PDML@pdml.net
> >> http://pdml.net/mailman/listinfo/pdml_pdml.net
> >>
> >
> >
> >
> >
> >
>
__
> 
> > __
> > Now that's room service!  Choose from over 150,000 hotels in 45,000 
> > destinations on Yahoo! Travel to find your fit. 
> > http://farechase.yahoo.com/promo-generic-14795097
> >
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RE: SMC-K 4/45-125mm

2007-03-24 Thread J. C. O'Connell
like any other lens, its probably normal to be very
slightly softer wide open, which is what I see based
on those two photos. I doubt those very few scratch
marks are making the difference...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jens Bladt
Sent: Saturday, March 24, 2007 4:20 AM
To: Pentax-Discuss Mail List
Subject: RE: SMC-K 4/45-125mm


So it does, William.
I'm not sure if this is normal or caused by the scratches, though.
Regards

Jens Bladt

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af
William Robb
Sendt: 24. marts 2007 03:36
Til: Pentax-Discuss Mail List
Emne: Re: SMC-K 4/45-125mm



- Original Message -
From: "Jens Bladt"
Subject: RE: SMC-K 4/45-125mm


> Better link:
> http://www.flickr.com/photos/bladt/431886590/
>
>

Looks like it's just not quite as sharp wide open.

William Robb

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RE: SMC-K 4/45-125mm

2007-03-23 Thread J. C. O'Connell
hi, since scratches usually appear on the first exposed
surface, you can roughly calculate the aperture they are out
of the optical path by measuring the diameter of the
center section of the first surface that excludes the
scratches and use the whole first surface diameter and
do a simple ratio. i.e. if the center section of the first
element that has all scratches excluded is one half the diameter
of the entire front surface, then the aperture where
the scratches are out of the optical path would be ~ two stops
down. ( F8 on a maximum aperture F4 lens like the K45-125/4 ).
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jens Bladt
Sent: Friday, March 23, 2007 8:17 PM
To: Pentax-Discuss Mail List
Subject: RE: SMC-K 4/45-125mm


I'm not sure when the scratches get out of the optical path. The
difference between F4 and F8 can be examined here:
http://www.flickr.com/photos/bladt/sets/72157600018006181/show/
I don'tsee any problems, that could be asigned to the scatches for sure.

Regards
Jens Bladt

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af J.
C. O'Connell
Sendt: 23. marts 2007 22:16
Til: 'Pentax-Discuss Mail List'
Emne: RE: SMC-K 4/45-125mm


Minor scratches will not do what you are suggesting.
I my experience, when scratches become significant
the cause an OVERALL loss of contrast/sharpness .eg. flare, due to stray
rays, but specific halos/glows? Never seen that. What is happening in
the shadow areas of your images? Are you getting visible flaring? Does
stopping down to the point of getting those scratches out of the optical
path change the "glowing" any or make it go away? jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jens Bladt
Sent: Friday, March 23, 2007 5:09 PM
To: Pentax-Discuss Mail List
Subject: RE: SMC-K 4/45-125mm


Thanks for looking JCOC.
It seems like a very nice lens. It has to turned A LOT in order to
focus, actually the smallest exchange rate I have ever seem on a Pentax
lens. Also the focusing is very smooth, thus accurate. Only down side is
the rather long closest distance - appr. 4 feet.

I've seen some "glow" around white letters on black background (the
shots of my AF280T flash), which could possibly be caused by the
scratches on the front element (like vaseline at the edges of a filter -
David Hamilton-like)o - just guessing, of course.

I got this one for 40 USD at ebay - the near MINT ones seem to go for
150-200 USD. It may be a great portrat lens - 45-125 seems tobe perfect
for portraits. Also  F.4 all the way through the focal range is
convenient for studio work. We'll see :-)

Jens Bladt

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af J.
C. O'Connell
Sendt: 23. marts 2007 18:00
Til: 'Pentax-Discuss Mail List'
Emne: RE: SMC-K 4/45-125mm


those scratches dont look like they would affect anything.
you might want to consider filling in any large ones
with black, but like I said, I bet they are small enough
to not cause any visible difference.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jens Bladt
Sent: Friday, March 23, 2007 12:48 PM
To: Pentax-Discuss Mail List
Subject: SMC-K 4/45-125mm


Done some test shots with the Pentax lens, which was in the mail today:
http://www.flickr.com/photos/bladt/sets/72157600018006181/show/

Regards

Jens Bladt

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77

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RE: SMC-K 4/45-125mm

2007-03-23 Thread J. C. O'Connell
Minor scratches will not do what you are suggesting.
I my experience, when scratches become significant
the cause an OVERALL loss of contrast/sharpness .eg. flare, due to stray
rays, but specific halos/glows? Never seen that. What is
happening in the shadow areas of your images? Are you
getting visible flaring? Does stopping down to the point
of getting those scratches out of the optical path
change the "glowing" any or make it go away?
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jens Bladt
Sent: Friday, March 23, 2007 5:09 PM
To: Pentax-Discuss Mail List
Subject: RE: SMC-K 4/45-125mm


Thanks for looking JCOC.
It seems like a very nice lens. It has to turned A LOT in order to
focus, actually the smallest exchange rate I have ever seem on a Pentax
lens. Also the focusing is very smooth, thus accurate. Only down side is
the rather long closest distance - appr. 4 feet.

I've seen some "glow" around white letters on black background (the
shots of my AF280T flash), which could possibly be caused by the
scratches on the front element (like vaseline at the edges of a filter -
David Hamilton-like)o - just guessing, of course.

I got this one for 40 USD at ebay - the near MINT ones seem to go for
150-200 USD. It may be a great portrat lens - 45-125 seems tobe perfect
for portraits. Also  F.4 all the way through the focal range is
convenient for studio work. We'll see :-)

Jens Bladt

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77
Skype: jensbladt248

-Oprindelig meddelelse-
Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af J.
C. O'Connell
Sendt: 23. marts 2007 18:00
Til: 'Pentax-Discuss Mail List'
Emne: RE: SMC-K 4/45-125mm


those scratches dont look like they would affect anything.
you might want to consider filling in any large ones
with black, but like I said, I bet they are small enough
to not cause any visible difference.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jens Bladt
Sent: Friday, March 23, 2007 12:48 PM
To: Pentax-Discuss Mail List
Subject: SMC-K 4/45-125mm


Done some test shots with the Pentax lens, which was in the mail today:
http://www.flickr.com/photos/bladt/sets/72157600018006181/show/

Regards

Jens Bladt

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77

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RE: SMC-K 4/45-125mm

2007-03-23 Thread J. C. O'Connell
those scratches dont look like they would affect anything.
you might want to consider filling in any large ones
with black, but like I said, I bet they are small enough
to not cause any visible difference.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jens Bladt
Sent: Friday, March 23, 2007 12:48 PM
To: Pentax-Discuss Mail List
Subject: SMC-K 4/45-125mm


Done some test shots with the Pentax lens, which was in the mail today:
http://www.flickr.com/photos/bladt/sets/72157600018006181/show/

Regards

Jens Bladt

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77

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RE: Metering Takumar lenses

2007-03-21 Thread J. C. O'Connell
Image review method is fine for me on istDS, because of the zoom
playback feature.
I find when I go to 12X max zoom (144x area), it's already
at the limit of the camera/lenses resolution so evaluation
of ANY photo can be done if you have the time. I didnt
mean just trying to evaluate the whole photo at 1X
on the tiny LCD, yes, that is useless, except for rough composition.

I do use the 12x playback zoom alot, mostly to verify focus/sharpness in
selected areas for DOF issues.

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Cory Papenfuss
Sent: Wednesday, March 21, 2007 1:27 PM
To: Pentax-Discuss Mail List
Subject: RE: Metering Takumar lenses


My point was that the histogram is a very useful tool to check
the 
exposure, but could be even better in some circumstances if it had the 
option of being a log histogram.  Using the image review with the kind
of 
images I suggested is pretty much useless.  There's often not large
enough 
chunks of bright subject to accurately determine the exposure.  Also,
the 
whole night-vision problem is a *huge* deal maintaining night vision

is pretty much impossible if one is critially looking an a bright
backlit 
LCD.

-Cory

On Wed, 21 Mar 2007, J. C. O'Connell wrote:

> In those type cases the histogram would be ignored of course, What I 
> am talking about is good exposures AS SEEN USING IMAGE REVIEW after 
> you take the test photos. Not the histrograms exclusively. In any 
> case, any histogram always has to be evaluated based on the particular

> photo itself. There is no one universal "correct" histogram for all 
> photos. In summmary, I still say that at those really low light 
> levels, the best/most accurate
> way to get the correct or desired exposures is to actually
> evaluate them by taking test shots and using the image review,
> not by using an external meter.
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Cory Papenfuss
> Sent: Wednesday, March 21, 2007 8:33 AM
> To: Pentax-Discuss Mail List
> Subject: RE: Metering Takumar lenses
>
>
> On Tue, 20 Mar 2007, J. C. O'Connell wrote:
>
>> If you are out of the meter's range, you can still
>> use the camera, just shoot manually at apertures
>> you want to use and adjust the shutter speed until
>> you get a good histogram/review image on the LCD.
>> At really low light levels its going to be the only way
>> to ensure accurate exposures.
>> jco
>>
>   ... except when taking mostly dark images with a small fraction
of
> very white ones (think moon or stars).  If the histogram would have
the
> option of being logarithmic, it would be a useful tool for this type
of
> photo as well.
>
> -Cory
>
>  --
>
> **
> **
> *
> * Cory Papenfuss, Ph.D., PPSEL-IA
> *
> * Electrical Engineering
> *
> * Virginia Polytechnic Institute and State University
> *
>

> *
>
>
>

-- 


*
* Cory Papenfuss, Ph.D., PPSEL-IA
*
* Electrical Engineering
*
* Virginia Polytechnic Institute and State University
*

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RE: Metering Takumar lenses

2007-03-21 Thread J. C. O'Connell
In those type cases the histogram would be ignored of course,
What I am talking about is good exposures AS SEEN USING
IMAGE REVIEW after you take the test photos. Not the
histrograms exclusively. In any case, any histogram always has
to be evaluated based on the particular photo itself. There is no
one universal "correct" histogram for all photos. In summmary,
I still say that at those really low light levels, the best/most
accurate
way to get the correct or desired exposures is to actually
evaluate them by taking test shots and using the image review,
not by using an external meter.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Cory Papenfuss
Sent: Wednesday, March 21, 2007 8:33 AM
To: Pentax-Discuss Mail List
Subject: RE: Metering Takumar lenses


On Tue, 20 Mar 2007, J. C. O'Connell wrote:

> If you are out of the meter's range, you can still
> use the camera, just shoot manually at apertures
> you want to use and adjust the shutter speed until
> you get a good histogram/review image on the LCD.
> At really low light levels its going to be the only way
> to ensure accurate exposures.
> jco
>
... except when taking mostly dark images with a small fraction
of 
very white ones (think moon or stars).  If the histogram would have the 
option of being logarithmic, it would be a useful tool for this type of 
photo as well.

-Cory

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*
* Cory Papenfuss, Ph.D., PPSEL-IA
*
* Electrical Engineering
*
* Virginia Polytechnic Institute and State University
*

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RE: Lens suggestions

2007-03-21 Thread J. C. O'Connell
I know at least some Sears lenses were made by Mamiya/Sekor
but those ones I know of were M42. Can't say for PK.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Cory Papenfuss
Sent: Wednesday, March 21, 2007 8:59 AM
To: Pentax-Discuss Mail List
Subject: Re: Lens suggestions


> I almost wonder if I can just forego the 85mm altogether. I love my 
> 85mm on my EOS1D, but it's FOV on that camera is like a 100mm lens on 
> a 35mm camera. And back when I was shooting Pentax I had a 28/2.8, a 
> 50/2 and a Sears 135/2.8. And I'll tell you what, that Sears lens was 
> one of the sharpest lenses I think I've ever owned. I think I paid $5 
> for it back when there was a KEH store in Dallas.
>
> So maybe I will just forego an 85mm?
>
If you want pretty good quality for less money, take a look at
the 
Jupier-9, 85mm/2.0.  Completely manual and Russian-built... quite solid 
and heavy.  Very nice bokeh with something like 20 aperture blades and a

good soft-ish image wide-open.

http://m42.povlab.org/lens_detail.php?lid=89

BTW, I too have a Sears 135/2.8.  Very nice lens... wish I knew 
who made it for Sears.

-Cory

-- 


*
* Cory Papenfuss, Ph.D., PPSEL-IA
*
* Electrical Engineering
*
* Virginia Polytechnic Institute and State University
*

*


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RE: Lens suggestions

2007-03-20 Thread J. C. O'Connell
well shutter speeds and apertures in finder are the best
features over a K1000 which is why I listed them first.
I use them everytime I changed either. Those features
are not something I would never ever use, they are something
I would never ever NOT use.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Nick Wright
Sent: Tuesday, March 20, 2007 7:21 PM
To: Pentax-Discuss Mail List
Subject: Re: Lens suggestions


I love the k1000. If it came in black I would get one in an instant and
never look back.

I thought about a KX for quite some time. But I never /ever/ use those
extra features (except maybe the aperture/shutter readouts in VF).

On 3/20/07, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
> If you have to have a needle, the KX is the closest to an MX except 
> for size. The K1000 is like a stripped KX, you would not want that 
> unless you couldnt afford or find a clean KX as the KX has everything 
> the K1000 has and much more goodies like shutter speeds and apertures 
> in finder, mirrorlock, and DOF preview. KX is essentially the same 
> size as a spotty or K1000, which is larger than a MX though.
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Scott Loveless
> Sent: Tuesday, March 20, 2007 5:32 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Lens suggestions
>
>
> Hey, Nick.  The MX has 5 LEDs on the right side of the viewfinder.  I,

> too, prefer a needle, but the LEDs work very well for low light and 
> when you might have a dark filter on the lens.  The LEDs suck butt in 
> bright sun.  In addition to the MX I also have a K1000.  It's a bit 
> bigger than the MX, but with the meter needle I think it compliments 
> the MX nicely.
>
> I also have an M85/2.  Not a bad little lens at all.  I posted this 
> photo well over a year ago to a mixed response.  It's the only one I 
> have online right now that I can definitely say was taken with the 
> M85/2.  Hand held, mid-afternoon, probably HP5+, but I'd have to dig 
> out the negs to be sure. 
> http://twosixteen.com/gallery/index.php?id=332
>
> HTH.
>
> On 3/20/07, Nick Wright <[EMAIL PROTECTED]> wrote:
> > I should've specified that these will be going on film bodies with 
> > absolutely no thought whatsoever to using them on a digital.
> >
> > I need to ask about bodies sometime soon too. I'd really like to get

> > an MX, but I don't know if I can live with only having the three 
> > LEDs for an exposure meter. Is there something the size of an MX 
> > (that is fully mechanical) that has a needle in the viewfinder 
> > meter?
> >
> > On 3/20/07, P. J. Alling <[EMAIL PROTECTED]> wrote:
> > > My answers (others may vary)
> > >
> > > 1.) The m28 f2.0 doesn't have a sterling reputation, in fact most 
> > > of
>
> > > the older Pentax 28mm lenses don't have such good reps, except for

> > > the [K] 28mm f3.5.  (I wouldn't know at that focal length I can 
> > > put up with f2.8, and besides I have the "rare" [K] 30mm.  Yea, 
> > > yea, yea, too much information).
> > >
> > > 2.) For over all quality the A 85mm f1.4 is supposed to be the 
> > > best.
>
> > > (I couldn't justify the price myself).  The M 85mm f2.0 is small, 
> > > about the same size as a 50mm normal, relatively fast, and 
> > > moderately sharp, (very sharp after f5.6), and not nearly as 
> > > expensive used as any other Pentax 85).  It gives a nice ~135mm 
> > > AOV,
>
> > > (well 127mm actually), on an APS digital and makes pleasing 
> > > portraits on 35mm film.
> > >
> > > 3.) The 85 f1.4 became available often enough, every few weeks on 
> > > e-bay, when I was paying attention.  Just be prepared to trade 
> > > your first born for one.
> > >
> > > You don't mention which body, or if it's film or digital you'll be

> > > using, just remember that the M lenses don't communicate with the 
> > > body and you'll need to use stop down metering on any Pentax 
> > > digital, and it won't work at all on a *ist Film camera, (I assume

> > > that with these lenses in mind you're not going to be using one of

> > > the real bottom feeding cameras).
> > >
> > > Nick Wright wrote:
> > > > So I'm starting to think a little more seriously about putting 
> > > > together the Pentax kit. I'm all about the available light so 
> > > > I'm looking at large aperture primes and would like to a

RE: Lens suggestions

2007-03-20 Thread J. C. O'Connell
And secondly, you CAN get a KX in black too, which
you can't in a K1000. I have a stone mint black KX (among other KX's)
which is a very pretty camera indeed. Like I said, I dont
think a K1000 offers ANYTHING a KX can't give you other
than lowered price and lowered feature setA K1000 is
nothing more than a stripped KX.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Nick Wright
Sent: Tuesday, March 20, 2007 7:21 PM
To: Pentax-Discuss Mail List
Subject: Re: Lens suggestions


I love the k1000. If it came in black I would get one in an instant and
never look back.

I thought about a KX for quite some time. But I never /ever/ use those
extra features (except maybe the aperture/shutter readouts in VF).

On 3/20/07, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
> If you have to have a needle, the KX is the closest to an MX except 
> for size. The K1000 is like a stripped KX, you would not want that 
> unless you couldnt afford or find a clean KX as the KX has everything 
> the K1000 has and much more goodies like shutter speeds and apertures 
> in finder, mirrorlock, and DOF preview. KX is essentially the same 
> size as a spotty or K1000, which is larger than a MX though.
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Scott Loveless
> Sent: Tuesday, March 20, 2007 5:32 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Lens suggestions
>
>
> Hey, Nick.  The MX has 5 LEDs on the right side of the viewfinder.  I,

> too, prefer a needle, but the LEDs work very well for low light and 
> when you might have a dark filter on the lens.  The LEDs suck butt in 
> bright sun.  In addition to the MX I also have a K1000.  It's a bit 
> bigger than the MX, but with the meter needle I think it compliments 
> the MX nicely.
>
> I also have an M85/2.  Not a bad little lens at all.  I posted this 
> photo well over a year ago to a mixed response.  It's the only one I 
> have online right now that I can definitely say was taken with the 
> M85/2.  Hand held, mid-afternoon, probably HP5+, but I'd have to dig 
> out the negs to be sure. 
> http://twosixteen.com/gallery/index.php?id=332
>
> HTH.
>
> On 3/20/07, Nick Wright <[EMAIL PROTECTED]> wrote:
> > I should've specified that these will be going on film bodies with 
> > absolutely no thought whatsoever to using them on a digital.
> >
> > I need to ask about bodies sometime soon too. I'd really like to get

> > an MX, but I don't know if I can live with only having the three 
> > LEDs for an exposure meter. Is there something the size of an MX 
> > (that is fully mechanical) that has a needle in the viewfinder 
> > meter?
> >
> > On 3/20/07, P. J. Alling <[EMAIL PROTECTED]> wrote:
> > > My answers (others may vary)
> > >
> > > 1.) The m28 f2.0 doesn't have a sterling reputation, in fact most 
> > > of
>
> > > the older Pentax 28mm lenses don't have such good reps, except for

> > > the [K] 28mm f3.5.  (I wouldn't know at that focal length I can 
> > > put up with f2.8, and besides I have the "rare" [K] 30mm.  Yea, 
> > > yea, yea, too much information).
> > >
> > > 2.) For over all quality the A 85mm f1.4 is supposed to be the 
> > > best.
>
> > > (I couldn't justify the price myself).  The M 85mm f2.0 is small, 
> > > about the same size as a 50mm normal, relatively fast, and 
> > > moderately sharp, (very sharp after f5.6), and not nearly as 
> > > expensive used as any other Pentax 85).  It gives a nice ~135mm 
> > > AOV,
>
> > > (well 127mm actually), on an APS digital and makes pleasing 
> > > portraits on 35mm film.
> > >
> > > 3.) The 85 f1.4 became available often enough, every few weeks on 
> > > e-bay, when I was paying attention.  Just be prepared to trade 
> > > your first born for one.
> > >
> > > You don't mention which body, or if it's film or digital you'll be

> > > using, just remember that the M lenses don't communicate with the 
> > > body and you'll need to use stop down metering on any Pentax 
> > > digital, and it won't work at all on a *ist Film camera, (I assume

> > > that with these lenses in mind you're not going to be using one of

> > > the real bottom feeding cameras).
> > >
> > > Nick Wright wrote:
> > > > So I'm starting to think a little more seriously about putting 
> > > > together the Pentax kit. I'm all ab

RE: Lens suggestions

2007-03-20 Thread J. C. O'Connell
If you have to have a needle, the KX is the closest to an MX 
except for size. The K1000 is like a stripped KX, you would
not want that unless you couldnt afford or find a clean KX
as the KX has everything the K1000 has and much more goodies like
shutter speeds and apertures in finder, mirrorlock, and 
DOF preview. KX is essentially the same size as a spotty or
K1000, which is larger than a MX though.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Scott Loveless
Sent: Tuesday, March 20, 2007 5:32 PM
To: Pentax-Discuss Mail List
Subject: Re: Lens suggestions


Hey, Nick.  The MX has 5 LEDs on the right side of the viewfinder.  I,
too, prefer a needle, but the LEDs work very well for low light and when
you might have a dark filter on the lens.  The LEDs suck butt in bright
sun.  In addition to the MX I also have a K1000.  It's a bit bigger than
the MX, but with the meter needle I think it compliments the MX nicely.

I also have an M85/2.  Not a bad little lens at all.  I posted this
photo well over a year ago to a mixed response.  It's the only one I
have online right now that I can definitely say was taken with the
M85/2.  Hand held, mid-afternoon, probably HP5+, but I'd have to dig out
the negs to be sure. http://twosixteen.com/gallery/index.php?id=332

HTH.

On 3/20/07, Nick Wright <[EMAIL PROTECTED]> wrote:
> I should've specified that these will be going on film bodies with 
> absolutely no thought whatsoever to using them on a digital.
>
> I need to ask about bodies sometime soon too. I'd really like to get 
> an MX, but I don't know if I can live with only having the three LEDs 
> for an exposure meter. Is there something the size of an MX (that is 
> fully mechanical) that has a needle in the viewfinder meter?
>
> On 3/20/07, P. J. Alling <[EMAIL PROTECTED]> wrote:
> > My answers (others may vary)
> >
> > 1.) The m28 f2.0 doesn't have a sterling reputation, in fact most of

> > the older Pentax 28mm lenses don't have such good reps, except for 
> > the [K] 28mm f3.5.  (I wouldn't know at that focal length I can put 
> > up with f2.8, and besides I have the "rare" [K] 30mm.  Yea, yea, 
> > yea, too much information).
> >
> > 2.) For over all quality the A 85mm f1.4 is supposed to be the best.

> > (I couldn't justify the price myself).  The M 85mm f2.0 is small, 
> > about the same size as a 50mm normal, relatively fast, and 
> > moderately sharp, (very sharp after f5.6), and not nearly as 
> > expensive used as any other Pentax 85).  It gives a nice ~135mm AOV,

> > (well 127mm actually), on an APS digital and makes pleasing 
> > portraits on 35mm film.
> >
> > 3.) The 85 f1.4 became available often enough, every few weeks on 
> > e-bay, when I was paying attention.  Just be prepared to trade your 
> > first born for one.
> >
> > You don't mention which body, or if it's film or digital you'll be 
> > using, just remember that the M lenses don't communicate with the 
> > body and you'll need to use stop down metering on any Pentax 
> > digital, and it won't work at all on a *ist Film camera, (I assume 
> > that with these lenses in mind you're not going to be using one of 
> > the real bottom feeding cameras).
> >
> > Nick Wright wrote:
> > > So I'm starting to think a little more seriously about putting 
> > > together the Pentax kit. I'm all about the available light so I'm 
> > > looking at large aperture primes and would like to ask y'all's 
> > > opinions about them.
> > >
> > > Specifically I'm looking at the M28mm f/2, M50mm f/1.4, and either

> > > the A85mm f/1.4 or the 85mm f/2. Pros, cons?
> > >
> > > And in regards to the 85/1.4, how often do those come available 
> > > for sale?
> > >
> > > Thanks in advance!
> > >
> > >
> >
> >
> > --
> > Entropy Seminar: The results of a five yeer studee ntu the sekend lw

> > uf thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.
> >
> >
> > --
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> > PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net
> >
>
>
> --
> ~Nick Wright
> http://blog.phojonick.com/
> http://www.phojonick.com/
>
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-- 
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Shoot more film!

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RE: Lens suggestions

2007-03-20 Thread J. C. O'Connell
I agree pre-A series lenses are much harder to work
with than those A-series and leter, especially if you are in a hurry,
with the current Pentax DSLR lineup.
The "green button fix" is a kludge at best compared
to what the Pre-A lenses are capable of doing.
This is why I belive Pentax needs to produce a DSLR body, even
if its only the top line model, that FULLY SUPPORTS K/M
lens features via an aperture cam sensor. I do not feel the "total
solution or
better solution" is to buy
a bunch of A or later lenses because they are not
the same if you prefer manual focus and there are
many pre-A lenses that have no later series equivs in
terms of form, fit, and function...
jco 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Tuesday, March 20, 2007 1:53 PM
To: Pentax-Discuss Mail List
Subject: Re: Lens suggestions


On Mar 20, 2007, at 10:21 AM, Nick Wright wrote:
> So I'm starting to think a little more seriously about putting 
> together the Pentax kit. I'm all about the available light so I'm 
> looking at large aperture primes and would like to ask y'all's 
> opinions about them.
>
> Specifically I'm looking at the M28mm f/2, M50mm f/1.4, and either the

> A85mm f/1.4 or the 85mm f/2. Pros, cons?


Personally I find working with pre-A series lenses too much of a  
change from working with more recent series lenses, and feel it  
constrains the features of the K10D too much for my liking. It loses  
all the exposure modes other than Manual, unless Av mode with wide  
open aperture is what you tend to do all the time, etc. And the  
K10D's semi-automatic metering mode for the pre-A lenses has some  
known fallibilities ... nothing terribly serious, but it does take a  
different methodology to get the best from it. There are times when  
it proves just fine to do so, but these lenses would not be the basis  
of my "essential" working lens kit.

- The M28/2 ... my favorite "use it all the time" focal length, I  
wish they'd get on with it and produce a DA28/2 Limited. I had the  
A28/2.8 first, sold it when I obtained the FA20-35/4 AL as it covered  
the focal length better, and added the FA28/2.8 AL. I'd love a high  
quality f/2 lens in this focal length that allowed me full access to  
the K10D's features.

- My impression from having used both M and A (and later) series  
50/1.4s is that the 50mm f/1.4 lenses were greatly improved  
(particularly wide open) from the A-series onwards.

- I had the M85/2 and it was a fine lens (as long as you used a good  
deep hood to prevent flare). I replaced it with the FA77 Limited,  
which is better, and then replaced that with the DA70/2.4 Limited,  
which suits me even better as the shorter focal length and smaller/ 
lighter form factor do more for me than the extra .6 stop in speed.

My current lens kit of "essential" lenses is all primes:
   DA14/2.8 ED, DA21/3.2 Limited, FA28/2.8 AL, FA43/1.9 Limited,  
DA70/2.4 Limited

Adequately fast for anything I've needed for low light with ISO 800.  
The right focal lengths for my use with the K10D, all excellent  
performers, and all except the DA14 are light and compact. They allow  
me to use all the features of the K10D as appropriate.

Godfrey


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RE: Metering Takumar lenses

2007-03-19 Thread J. C. O'Connell
I dont think that will be as accurate as just taking
photos and adjusting the shutter speed until
the camera actually records the best exposures.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Mike Hamilton
Sent: Tuesday, March 20, 2007 12:39 AM
To: Pentax-Discuss Mail List
Subject: Re: Metering Takumar lenses


Thanks, everyone.  Sometimes I just need to think aloud!

This limitation also might be a good excuse to use my handheld
lightmeter.

Mike

On 3/19/07, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
> If you are out of the meter's range, you can still
> use the camera, just shoot manually at apertures
> you want to use and adjust the shutter speed until
> you get a good histogram/review image on the LCD.
> At really low light levels its going to be the only way
> to ensure accurate exposures.
> jco
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Mike Hamilton
> Sent: Monday, March 19, 2007 8:30 PM
> To: Pentax-Discuss Mail List
> Subject: Metering Takumar lenses
>
>
> I really don't want to stir up any huge debates here; I would simply 
> like some help in getting this right.
>
> I recently came into possession of two Takumar lenses.  Both are f/4 
> at maximum aperture.  I'm really having a hard time with metering; 
> both seem to meter only at f/4, even if I stop down the lens.
>
> I'll describe what I am doing:
>
> 1.  Lens (takumar 50mm f/4 macro) is set so that the red "MAN" is 
> showing (that's manual mode, right?) 2.  Camera has had the option for

> aperture ring use turned on. 3.  Mode switch is in Manual. 4.  Camera 
> mounted on tripod. 5.  Location is indoors with constant lighting.
>
> Now here are my results:
> (f/4): 1/10 sec
> (f/8): 1/5 sec
> (f/16): 1/5 sec
> (f/22): 1/5 sec
>
> What's happening here?
>
> I tried a similar test with the Takumar 200mm f/4 and the meter 
> reading would not change even when i moved the aperture from 4 to 22.
>
> Assistance is much appreciated.
>
> --
>
> Cheers,
>
> [EMAIL PROTECTED]
> MichaelHamilton.ca
>
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RE: Metering Takumar lenses

2007-03-19 Thread J. C. O'Connell
If you are out of the meter's range, you can still
use the camera, just shoot manually at apertures
you want to use and adjust the shutter speed until
you get a good histogram/review image on the LCD.
At really low light levels its going to be the only way
to ensure accurate exposures.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Mike Hamilton
Sent: Monday, March 19, 2007 8:30 PM
To: Pentax-Discuss Mail List
Subject: Metering Takumar lenses


I really don't want to stir up any huge debates here; I would simply
like some help in getting this right.

I recently came into possession of two Takumar lenses.  Both are f/4 at
maximum aperture.  I'm really having a hard time with metering; both
seem to meter only at f/4, even if I stop down the lens.

I'll describe what I am doing:

1.  Lens (takumar 50mm f/4 macro) is set so that the red "MAN" is
showing (that's manual mode, right?) 2.  Camera has had the option for
aperture ring use turned on. 3.  Mode switch is in Manual. 4.  Camera
mounted on tripod. 5.  Location is indoors with constant lighting.

Now here are my results:
(f/4): 1/10 sec
(f/8): 1/5 sec
(f/16): 1/5 sec
(f/22): 1/5 sec

What's happening here?

I tried a similar test with the Takumar 200mm f/4 and the meter reading
would not change even when i moved the aperture from 4 to 22.

Assistance is much appreciated.

-- 

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[EMAIL PROTECTED]
MichaelHamilton.ca

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RE: Windows shell extension to view thumbnails from PEFs

2007-03-18 Thread J. C. O'Connell
I think due to the nature and size of the RAW data files,
no matter what software you use to view thumbnails is
going to take a considerable amount of time to read and
convert them. This is why RAW+JPEG may be a good practice
when shooting, use the jpegs just for fast browsing.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Thibouille
Sent: Sunday, March 18, 2007 10:00 AM
To: Pentax-Discuss Mail List
Subject: Re: Windows shell extension to view thumbnails from PEFs


On my system it seems to freeze for a couple seconds when updating
thumbnails. Annoying but a very welcome software, for sure.

2007/3/17, John Francis <[EMAIL PROTECTED]>:
>
> There's a post in the dpreview forums linking to a web page
>
>   
> http://www.idfoxx.com/forum/viewtopic.php?p=18662&sid=6bbf1ecbb3a940a7
> 90f1363fecfe0730
>
> announcing a Windows Shell Extension that lets the standard Windows 
> file browser know how to extract thumbnails from .PEFs (and from a 
> plethora of other file types, including DNGs).
>
> If you would like to see thumbnails from your Pentax RAW files it 
> might be worth giving this a try.  I haven't tried it myself yet, but 
> there are several favourable reviews in the discussion thread at the 
> above link.
>
>
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--
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RE: Macro Lenses

2007-03-15 Thread J. C. O'Connell
The thing he said that people are contending against is :

>> Magnification in macro work means the ratio of the size of the
>> subject to the size of the format.

Nothing else he posted was incorrect but this part was.

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Thursday, March 15, 2007 2:57 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses



- Original Message - 
From: "Mishka" 
Subject: Re: Macro Lenses


> incorrect. a 1:1 reproduction of an object 10mmx10mm is 10mmx10mm 
> regardless whether it is on a sensor, a piece of film or a wall.
> 
> size of the format does not enter the equation.

Actually, what Godfrey is saying is correct.
You might want to try rereading his post.

William Robb



> On 3/15/07, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
>> So at 1:1 magnification, a Pentax DSLR will image a 16x24mm subject 
>> area.
> ...
>> So at 1:1 magnification, a Pentax 35mm SLR will image a 24x36mm 
>> subject area.
>>
>> etc
>>
>> The key thing is that the number of pixels or the density of the film

>> is irrelevant to magnification, which is what the example was 
>> attempting to show.
>>



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RE: Macro Lenses

2007-03-15 Thread J. C. O'Connell
no, you specifically gave the magnifacation calcualtion
as the size of the subject to the size of the format which
is WRONG, its the size of the subject to the size of
the subject's lens image, changing formats does not change this,
and changing from APS to 35mm to Medium format or whatever,
has no effect on the magnifcation calculation, format is not
a factor, $ should not be considered...If you meant to say
something else, you didnt.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Thursday, March 15, 2007 12:38 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


The format is irrelevant to magnification. I was giving an example. If
you understood what I said, you'd understand that it was the same  
thing ... said another way:

- The size of the DSLR format is 16x24. If the magnification is 1:1,  
the size of the subject and the size of the format will be the same. So
at 1:1 magnification, a Pentax DSLR will image a 16x24mm subject  
area.

- The size of the 35mm format is 24x36. If the magnification is 1:1,  
the size of the subject and the size of the format will be the same. So
at 1:1 magnification, a Pentax 35mm SLR will image a 24x36mm  
subject area.

etc

The key thing is that the number of pixels or the density of the film  
is irrelevant to magnification, which is what the example was  
attempting to show.

G

On Mar 15, 2007, at 3:16 AM, Mishka wrote:

> absolutely correct.
>
> mishka
>
> On 3/15/07, J. C. O'Connell <[EMAIL PROTECTED]> wrote:
>> NOPE, magnification in macro or actually any
>> photo, macro or otherwise, is the ratio of the actual object size to 
>> the lens image size of that actual object, PHOTOGRAPHIC
>> "FORMAT" IS
>> NOT A FACTOR WHATSOEVER in the magnification expression or  
>> calculation !
>> ! !
>> jco
>>
>> -Original Message-
>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
>> Behalf Of
>> Godfrey DiGiorgi
>> Sent: Thursday, March 15, 2007 1:37 AM
>> To: Pentax-Discuss Mail List
>> Subject: Re: Macro Lenses
>>
>>
>> Mishka,
>>
>> Magnification in macro work means the ratio of the size of the 
>> subject to the size of the format. 1:1 on a Pentax DSLR images a 
>> 16x24mm area.
>>
>> G
>>
>> On Mar 14, 2007, at 7:39 PM, Mishka wrote:
>>
>>> magnification on a digital sensor is a moot point anyway. how do you

>>> measure it? suppose you have 24x36mm (FF) sensors: one is 2x2 pixels
>>> and one is 20MP. does it make any sense to compare 1:1 mag images  
>>> made
>>
>>> on them?
>>>
>>> best,
>>> mishka
>>>
>>> On 3/14/07, John Whittingham <[EMAIL PROTECTED]> wrote:
>>>>
>>>> But you still have to be at the same distance to achieve 1:1 or 1:2

>>>> as the case may be, fact! Again depends on the subject matter and 
>>>> whether you
>>>> require a particular ratio for scientific or technical reasons.
>>
>>
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RE: The DA 50~200

2007-03-15 Thread J. C. O'Connell
Don't forget about the K45-125/4 thread, it's excellent
from end to end on APS digital.

Regarding the focal range, this post evolved from someone
who SPECIFICALLY stated they wanted 70-210 and CONSTANT
aperture to which the DA 50-200 does not meet the requirement.

I think you are mistaken to say that a new DA5-200 is "far
more value" than any used 70-210 lens because there were
many many different 70-210 lenses over the years, some of
them are excellent and very inexpensive, and if and when
Pentax goes FF, you could use them FF, you cant with the
DA lens which is slower and variable aperture too, both
negatives compared to the many fixed F4.0 or faster 70/80-200/210
lenses that were made over the years
jco


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Henk Terhell
Sent: Thursday, March 15, 2007 4:07 AM
To: 'Pentax-Discuss Mail List'
Subject: RE: The DA 50~200


If on digital, a new DA 50-200 is far more value for your money, I
think, than any used 70-210 lens. Also my AF 80-320 appears to be very
soft on digital (and I never liked it for film either). I use the DA
50-200 now a lot at the wide range  not covered by a 70-210 or 80-320
lens. The only other AF zoom I have in the 50-70 range is a FA 28-70/4
but, how much I liked this lens for film, is for me now a bit
disappointing on digital.

Henk

> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
> Behalf Of J. C. O'Connell
> Sent: 15 March, 2007 12:29 AM
> To: 'Pentax-Discuss Mail List'
> Subject: RE: The DA 50~200
> 
> 
> if the 70-210/4.0 A lens, which is no longer avail new,
> sells for "nearly" the price, (LESS) than the new 50-200,
> the 50-200 is NOT a "far less expensive lens" than the
> 70-210/A lens, it not even less expensive at all than the 
> 70-210/A, it's MORE expensive.
> 
> jco
> 
>


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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
NOPE, magnification in macro or actually any
photo, macro or otherwise, is the ratio of the actual object size
to the lens image size of that actual object, PHOTOGRAPHIC "FORMAT" IS
NOT A FACTOR WHATSOEVER in the magnification expression or calculation !
! !
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Thursday, March 15, 2007 1:37 AM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


Mishka,

Magnification in macro work means the ratio of the size of the  
subject to the size of the format. 1:1 on a Pentax DSLR images a  
16x24mm area.

G

On Mar 14, 2007, at 7:39 PM, Mishka wrote:

> magnification on a digital sensor is a moot point anyway.
> how do you measure it?
> suppose you have 24x36mm (FF) sensors: one is 2x2 pixels
> and one is 20MP. does it make any sense to compare 1:1 mag images made

> on them?
>
> best,
> mishka
>
> On 3/14/07, John Whittingham <[EMAIL PROTECTED]> wrote:
>>
>> But you still have to be at the same distance to achieve 1:1 or
>> 1:2 as the
>> case may be, fact! Again depends on the subject matter and whether  
>> you
>> require a particular ratio for scientific or technical reasons.


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RE: The DA 50~200

2007-03-14 Thread J. C. O'Connell
Not really, because the current secondary market
has at least some 70-210/A lenses available (nearly 100% USED)
but there are hardly ANY 50-200/DA
available except for NEW at a price higher than the 
70-210/As are selling for. Your argument might make sense in the future
but for right now the 50-200DA lenses are certainly not "far
less expensive" to actually aquire than the 70-210A lenses are.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Adam Maas
Sent: Wednesday, March 14, 2007 7:35 PM
To: Pentax-Discuss Mail List
Subject: Re: The DA 50~200


Since the 70-210 sells USED for nearly the NEW cost of a DA 50-200, the 
DA's used cost is likewise much lower than the 70-210 A.

-Adam


J. C. O'Connell wrote:
> if the 70-210/4.0 A lens, which is no longer avail new,
> sells for "nearly" the price, (LESS) than the new 50-200,
> the 50-200 is NOT a "far less expensive lens" than the 70-210/A lens, 
> it not even less expensive at all than the 70-210/A, it's MORE 
> expensive.
> 
> jco
> 
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Adam Maas
> Sent: Wednesday, March 14, 2007 7:13 PM
> To: Pentax-Discuss Mail List
> Subject: Re: The DA 50~200
> 
> 
> The SMC-A 70-210 f4 typically sells used for nearly the price of a new
> 50-200 DA, the latter is a far less expensive lens, and pretty much a 
> match in performance (apart from the variable aperture).
> 
> -Adam
> 
> J. C. O'Connell wrote:
>> why not? those lenses were never expensive
>> and a APS version would be less costly to
>> make than a FF version of same quality or
>> better quality for same cost of the FF version.
>> jco
>> -Original Message-
>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
>> Of Thibouille
>> Sent: Wednesday, March 14, 2007 5:09 PM
>> To: Pentax-Discuss Mail List
>> Subject: Re: The DA 50~200
>>
>>
>> yeah and sell it for the price they sell this 50-200 ? LOL
>>
>> 2007/3/14, J. C. O'Connell <[EMAIL PROTECTED]>:
>>> Jeez, you would think they could at least do
>>> F4 constant in the reduced APS format like they have
>>> done in the past on FF 35mm format many times.
>>> jco
>>> -Original Message-
>>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf

>>> Of Bruce Dayton
>>> Sent: Wednesday, March 14, 2007 3:33 PM
>>> To: Pentax-Discuss Mail List
>>> Subject: Re: The DA 50~200
>>>
>>>
>>> I have resisted buying it so far.  I would prefer a better build 
>>> quality and a faster (constant) lens.  It appears to be very good 
>>> for
> 
>>> the price. My take is optical quality is better than expected for 
>>> the
> 
>>> price point, but build quality is consumer level.
>>>
>>> --
>>> Bruce
>>>
>>>
>>> Wednesday, March 14, 2007, 9:09:54 AM, you wrote:
>>>
>>> SB> Is the 50-200 supposed to be a "consumer" zoom - i.e., designed 
>>> SB> more
>>>
>>> SB> to a price point than the highest quality image?  For those who 
>>> SB> use the lens, are you pleased with it.  Paul, and a few others, 
>>> SB> seem to be quite happy with theirs, but what about those of you 
>>> SB> who don't often comment on such things?
>>>
>>>
>>> SB> Shel
>>>
>>>
>>>
>>>
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>>
> 
> 


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RE: The DA 50~200

2007-03-14 Thread J. C. O'Connell
if the 70-210/4.0 A lens, which is no longer avail new,
sells for "nearly" the price, (LESS) than the new 50-200,
the 50-200 is NOT a "far less expensive lens" than the 70-210/A lens,
it not even less expensive at all than the 70-210/A, it's MORE
expensive.

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Adam Maas
Sent: Wednesday, March 14, 2007 7:13 PM
To: Pentax-Discuss Mail List
Subject: Re: The DA 50~200


The SMC-A 70-210 f4 typically sells used for nearly the price of a new 
50-200 DA, the latter is a far less expensive lens, and pretty much a 
match in performance (apart from the variable aperture).

-Adam

J. C. O'Connell wrote:
> why not? those lenses were never expensive
> and a APS version would be less costly to
> make than a FF version of same quality or
> better quality for same cost of the FF version.
> jco
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Thibouille
> Sent: Wednesday, March 14, 2007 5:09 PM
> To: Pentax-Discuss Mail List
> Subject: Re: The DA 50~200
> 
> 
> yeah and sell it for the price they sell this 50-200 ? LOL
> 
> 2007/3/14, J. C. O'Connell <[EMAIL PROTECTED]>:
>> Jeez, you would think they could at least do
>> F4 constant in the reduced APS format like they have
>> done in the past on FF 35mm format many times.
>> jco
>> -Original Message-
>> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
>> Of Bruce Dayton
>> Sent: Wednesday, March 14, 2007 3:33 PM
>> To: Pentax-Discuss Mail List
>> Subject: Re: The DA 50~200
>>
>>
>> I have resisted buying it so far.  I would prefer a better build
>> quality and a faster (constant) lens.  It appears to be very good for

>> the price. My take is optical quality is better than expected for the

>> price point, but build quality is consumer level.
>>
>> --
>> Bruce
>>
>>
>> Wednesday, March 14, 2007, 9:09:54 AM, you wrote:
>>
>> SB> Is the 50-200 supposed to be a "consumer" zoom - i.e., designed
>> SB> more
>>
>> SB> to a price point than the highest quality image?  For those who
>> SB> use the lens, are you pleased with it.  Paul, and a few others, 
>> SB> seem to be quite happy with theirs, but what about those of you 
>> SB> who don't often comment on such things?
>>
>>
>> SB> Shel
>>
>>
>>
>>
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RE: Enablement: smc-Takumar 50mm f/4 macro w/ extension tubes

2007-03-14 Thread J. C. O'Connell
the beginning of the decline in build quality started
with the very late "SMC" takmars (not to be confused
with the earlier, "Super-Multi-Coated" takumars. IMHO,
the "Super-Multi-Coated" takumars were the pinnacle
of Pentax's lens production in terms of build quality.
By the time they switched to K mount, they were aleady
a notch down from their best in that regard, as these
were essentially the same as the later, degraded,  "SMC" taks
jco
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Wilko Bulte
Sent: Wednesday, March 14, 2007 7:04 PM
To: Pentax-Discuss Mail List
Subject: Re: Enablement: smc-Takumar 50mm f/4 macro w/ extension tubes


On Wed, Mar 14, 2007 at 04:31:05PM -0600, Mike Hamilton wrote..
> All I can say is "wow".  This is my first Takumar, and I'm simply 
> amazed at the build quality of this lens.  It (and the extension

To a certain extent: the older the nicer the build quality.  I have some
pre-Spotmatic M42 Takumars here, and they are *so* beautifully built..
And they are like new, after all these years that have gone by since
they left the factory.

Wilko

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RE: Enablement: smc-Takumar 50mm f/4 macro w/ extension tubes

2007-03-14 Thread J. C. O'Connell
Welcome to the world of Pentax's pinnacle of lens series production.
Now you know why I want a true M42 DSLR. To use those classics!
BTW, this is a superb performance lens in the macro range, but nothing
special at infinity, dont judge it by that
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Mike Hamilton
Sent: Wednesday, March 14, 2007 6:31 PM
To: Pentax-Discuss Mail List
Subject: Enablement: smc-Takumar 50mm f/4 macro w/ extension tubes


All I can say is "wow".  This is my first Takumar, and I'm simply amazed
at the build quality of this lens.  It (and the extension
tubes) are in like new condition.  Nary a scratch on the body or glass.
Even the cases are in like new condition!

I've sold my Sigma 70-300 zoom to pay for this, and I am infinitely
happy that I did.  I was never happy with that lens - the zoom ring was
too stiff, the auto focus was noisy and couldn't focus very well, and
the manual focus was too loose.

All I can do now is wait for the screwmount adapter to arrive from Mr.
Celio!  I can't wait.

-- 

Cheers,

[EMAIL PROTECTED]
MichaelHamilton.ca

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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
I say there is more requirements than just a possible high
magnification to a TRUE macro lens. Its got to be
optimized for those high mags to be a true macro in my opinion,
not just a "BTW, heres some high mag settings on the focus
rings for you to play with" type deal
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
P. J. Alling
Sent: Wednesday, March 14, 2007 7:15 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


Traditionally "Macro" started at 1:2.  lots of lenses that were only 
close focusing 1:4 were labeled as macro however.

Christian wrote:
> J. C. O'Connell wrote:
>   
>> I thought we were talking Pentax/Pentax mount lenses.
>> 
>
> I never said that.  My original recommendations were for K-mount 
> lenses,
> however.  The Sigma I owned was in K-mount and used very nicely on the

> *ist D.
>
>   
>> Using regular (non high mag optimized) lenses for macro work is not 
>> going to give you the same overall image quality
>> as true macro lenses, and TCs will only make
>> matters worse.
>> 
>
> The sigma IS a MACRO lens (it says so on the lens itself).  The Canon 
> doesn't say "macro" on it but at 1:3 is considered a macro lens.
>
>   
>> When I say general purpose, its NOT my specific purpose
>> or your specific purpose, its GENERAL PURPOSE
>> (all around MACRO usage) where a macro lens would
>> give better results than a NON MACRO
>> lens would. I don't agree than 90-105mm and longer
>> is a good general purpose macro lens focal length for APS.
>>
>> The original poster did not specify a specific
>> usage so that is why I recommended a good general
>> purpose MACRO focal length on APS , like the 50mm SMC-A MACRO lens.
>> 
>
> And for the same reasons I recommended a SMC-A 100/2.8 (or vivitar 
> Series 1 105/2.5).  I think the ability to go 1:1 without tubes and a 
> longer working distance is a better choice.
>
>   


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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
of course 1:1 or 1:2 is achieved at
same distances, but the whole point
of that paragraph of my post is you
dont need 1:1 or 1:2 to get same
photo as you would with 35mm, you
only need 1:1.5 or 1:3 so your working
distance is longer by approx 50% for
same type of photo (same object/framing),
this is the very reason why a 50mm lens
on APS is good for general purpose macro,
it gives a better working distance than
was possible with FF 35mm format, yet
still gives a reasonably normal AOV.

yes for some weird technical reason
you might still want 1:1 on APS as
you did on FF 35mm film, but its not
real world and since digital is not
an actual negative and isnt something
you could actually measure and analyze
like you could a real neg, I really dont
think there would be much need to have
an actual 1:1 vs a 1:1.5 digital for example
even for technical reasons. Real world is
going to be 99%+ an actual scene or object
with same framing/AOV is needed, NOT same image
 magnification needed.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Whittingham
Sent: Wednesday, March 14, 2007 5:42 PM
To: Pentax-Discuss Mail List
Subject: RE: Macro Lenses


On Wed, 14 Mar 2007 16:58:01 -0400, J. C. O'Connell wrote
> Regarding working distances, the 50mm f.l.
> ON APS gives much better working distances
> than it did on on 35mm FF format for same
> subject framing. This is because you dont
> have to get as close (or need as high a magnification) to fill the 
> frame on APS as you did on FF 35mm.

But you still have to be at the same distance to achieve 1:1 or 1:2 as
the 
case may be, fact! Again depends on the subject matter and whether you 
require a particular ratio for scientific or technical reasons.

John




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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
because nearly all lenses over 135mm f.l. for the 35mm/aps format
are since the 1960's to keep the bulk down, even many so called
"macros",
& some of them are even pseudo-zoom telephotos. 
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Whittingham
Sent: Wednesday, March 14, 2007 5:37 PM
To: Pentax-Discuss Mail List
Subject: RE: Macro Lenses


On Wed, 14 Mar 2007 16:48:35 -0400, J. C. O'Connell wrote
> Is this a telephoto lens? If so its not
> going to perform as well as non-telephoto
> dedicated macro lenses. Just another reason
> why 50mm may be a better choice on APS format
> because the 50mm macro lenses are not telephotos...
> jco

What makes you think the Sigma 300/4 APO is a telephoto lens 8)

John




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RE: The DA 50~200

2007-03-14 Thread J. C. O'Connell
why not? those lenses were never expensive
and a APS version would be less costly to
make than a FF version of same quality or
better quality for same cost of the FF version.
jco
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Thibouille
Sent: Wednesday, March 14, 2007 5:09 PM
To: Pentax-Discuss Mail List
Subject: Re: The DA 50~200


yeah and sell it for the price they sell this 50-200 ? LOL

2007/3/14, J. C. O'Connell <[EMAIL PROTECTED]>:
> Jeez, you would think they could at least do
> F4 constant in the reduced APS format like they have
> done in the past on FF 35mm format many times.
> jco
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Bruce Dayton
> Sent: Wednesday, March 14, 2007 3:33 PM
> To: Pentax-Discuss Mail List
> Subject: Re: The DA 50~200
>
>
> I have resisted buying it so far.  I would prefer a better build 
> quality and a faster (constant) lens.  It appears to be very good for 
> the price. My take is optical quality is better than expected for the 
> price point, but build quality is consumer level.
>
> --
> Bruce
>
>
> Wednesday, March 14, 2007, 9:09:54 AM, you wrote:
>
> SB> Is the 50-200 supposed to be a "consumer" zoom - i.e., designed 
> SB> more
>
> SB> to a price point than the highest quality image?  For those who 
> SB> use the lens, are you pleased with it.  Paul, and a few others, 
> SB> seem to be quite happy with theirs, but what about those of you 
> SB> who don't often comment on such things?
>
>
> SB> Shel
>
>
>
>
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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
there are at least two, possibly three
Tamron SP 90mm macros for pentax. I have the F2.5
version with 55mm filter threads in adaptall2 and yes, it's really 
really good. Works fine with both ES M42 mount or PKA mount.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Adam Maas
Sent: Wednesday, March 14, 2007 5:10 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


Ditto. Simply superb lens. If it was an f2 it would be perfect (I could 
replace my 85 with it then) but without that it still is one of the best

lenses I've owned.

-Adam


[EMAIL PROTECTED] wrote:
> I love the Tamron 90 SP Macro.
> 
> Marnie aka  Doe
> 
> ** AOL now offers 
> free
> email to everyone.  Find out more about what's free from AOL at 
> http://www.aol.com.
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RE: The DA 50~200

2007-03-14 Thread J. C. O'Connell
there have been many many FF 70/80-200/210 mm F4.0
constant aperture PK lenses over the years, Pentax and 3rd party.
Won't one of these work for you or do you need
the "A" mode or AF specifically? Even so, there
have been a many of those too I would think.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Bruce Dayton
Sent: Wednesday, March 14, 2007 4:21 PM
To: Pentax-Discuss Mail List
Subject: Re: The DA 50~200


Unfortunately, I see nothing on the roadmap that quite fills what I am
looking for.

The 50-135/2.8 is faster and constant, but doesn't have
the reach.  It is a lens that I will probably get and be quite useful
for wedding stuff, however.

The 60-250/4 is a possible one - I really need to see the size/weight to
decide on that one.  Again, just a little more reach perhaps - I
currently have the Sigma 100-300/4 EX and use it quite a bit for sports
stuff, but it is larger than I would want to carry around.  It sits on a
monopod.  I suspect the Pentax could be similar size.

So I am looking for something between these two.  More like a 70-200 ish
constant F4 - that would have a little more reach than the 50-135 and
not be as bulky and heavy as the 60-250.

I think for people who are not going to use the lens too much, the DA
50-200 that is available now is probably just fine.  Then you can live
with the speed/build compromise.

-- 
Best regards,
Bruce


Wednesday, March 14, 2007, 1:05:37 PM, you wrote:

SB> Hi Bruce,

SB> Is there something on the "roadmap" that you think may be a better 
SB> alternative - constant aperture, better quality, perhaps smaller, 
SB> lighter? What about the 60-250?

SB> Shel


>> [Original Message]
>> From: Bruce Dayton <[EMAIL PROTECTED]>
>> To: Pentax-Discuss Mail List 
>> Date: 3/14/2007 11:41:21 AM
>> Subject: Re: The DA 50~200
>>
>> I have resisted buying it so far.  I would prefer a better build 
>> quality and a faster (constant) lens.  It appears to be very good for

>> the price.  My take is optical quality is better than expected for 
>> the price point, but build quality is consumer level.
>>
>> --
>> Bruce
>>
>>
>> Wednesday, March 14, 2007, 9:09:54 AM, you wrote:
>>
>> SB> Is the 50-200 supposed to be a "consumer" zoom - i.e., designed 
>> SB> more
SB> to a
>> SB> price point than the highest quality image?  For those who use 
>> SB> the
SB> lens,
>> SB> are you pleased with it.  Paul, and a few others, seem to be 
>> SB> quite
SB> happy
>> SB> with theirs, but what about those of you who don't often comment 
>> SB> on
SB> such
>> SB> things?
>>
>>
>> SB> Shel
>>
>>
>>
>>
>> --
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>> http://pdml.net/mailman/listinfo/pdml_pdml.net






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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
Just because a lens is marked MACRO doesnt
mean its a true MACRO lens. Telephoto lenses
are not going to be as good as non telephoto
lenses at same optical and build quality.

I think there is some misunderstanding or
disagreement on what a true macro lens is.
IMHO, its a lens OPTIMIZED for higher magnications
with minimum geometric distortion. Lenses
that are just marked macro or can do high
magnifications but are not optimized for 
those higher magnifications are NOT true macro
lenses IMHO.

Regarding working distances, the 50mm f.l.
ON APS gives much better working distances
than it did on on 35mm FF format for same
subject framing. This is because you dont
have to get as close (or need as high a magnification) to fill the frame
on APS as you did on FF 35mm. I really like
the 50mm F.L. MACRO on APS. I have longer macro lenses too,
a 90mm Macro, and a 135mm Macro, but on APS I actually have wished
for a 35mm macro instead recently which I don't have.

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Wednesday, March 14, 2007 3:52 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


J. C. O'Connell wrote:
> I thought we were talking Pentax/Pentax mount lenses.

I never said that.  My original recommendations were for K-mount lenses,

however.  The Sigma I owned was in K-mount and used very nicely on the 
*ist D.

> Using regular (non high mag optimized) lenses for macro work is not 
> going to give you the same overall image quality
> as true macro lenses, and TCs will only make
> matters worse.

The sigma IS a MACRO lens (it says so on the lens itself).  The Canon 
doesn't say "macro" on it but at 1:3 is considered a macro lens.

> 
> When I say general purpose, its NOT my specific purpose
> or your specific purpose, its GENERAL PURPOSE
> (all around MACRO usage) where a macro lens would
> give better results than a NON MACRO
> lens would. I don't agree than 90-105mm and longer
> is a good general purpose macro lens focal length for APS.
> 
> The original poster did not specify a specific
> usage so that is why I recommended a good general
> purpose MACRO focal length on APS , like the 50mm SMC-A MACRO lens.

And for the same reasons I recommended a SMC-A 100/2.8 (or vivitar 
Series 1 105/2.5).  I think the ability to go 1:1 without tubes and a 
longer working distance is a better choice.

-- 

Christian
http://photography.skofteland.net

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RE: The DA 50~200

2007-03-14 Thread J. C. O'Connell
Jeez, you would think they could at least do
F4 constant in the reduced APS format like they have
done in the past on FF 35mm format many times.
jco
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Bruce Dayton
Sent: Wednesday, March 14, 2007 3:33 PM
To: Pentax-Discuss Mail List
Subject: Re: The DA 50~200


I have resisted buying it so far.  I would prefer a better build quality
and a faster (constant) lens.  It appears to be very good for the price.
My take is optical quality is better than expected for the price point,
but build quality is consumer level.

-- 
Bruce


Wednesday, March 14, 2007, 9:09:54 AM, you wrote:

SB> Is the 50-200 supposed to be a "consumer" zoom - i.e., designed more

SB> to a price point than the highest quality image?  For those who use 
SB> the lens, are you pleased with it.  Paul, and a few others, seem to 
SB> be quite happy with theirs, but what about those of you who don't 
SB> often comment on such things?


SB> Shel




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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
Is this a telephoto lens? If so its not
going to perform as well as non-telephoto
dedicated macro lenses. Just another reason
why 50mm may be a better choice on APS format
because the 50mm macro lenses are not telephotos...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Whittingham
Sent: Wednesday, March 14, 2007 3:30 PM
To: Pentax-Discuss Mail List
Subject: RE: Macro Lenses


On Wed, 14 Mar 2007 15:25:44 -0400, J. C. O'Connell wrote
> I thought we were talking Pentax/Pentax mount lenses.
> Using regular (non high mag optimized) lenses for macro work is not 
> going to give you the same overall image quality
> as true macro lenses, and TCs will only make
> matters worse.


The Sigma 300/4 APO is, you don't experiment enough John.

John




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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
nope, the 50mm's AOV I am talking is much closer
to "normal" than the very narrow 
AOV the longer lenses give which is
sometimes reffered to as a "telephoto compression effect" because the
POV is very far away relative
to the subject size.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Wednesday, March 14, 2007 3:29 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


J. C. O'Connell wrote:
> yes, a WIDER AOV , (much more "normal" AOV ) from
> a different, closer point of view than the really
> long macro's extremely narrow AOV from more
> distant POVs.

Sounds like a specialist kind of purpose (kinda like what you called my 
specialist purpose of LIMITING AOV or photographing very small objects).

-- 

Christian
http://photography.skofteland.net

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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
I thought we were talking Pentax/Pentax mount lenses.
Using regular (non high mag optimized) lenses for macro work is not
going
to give you the same overall image quality
as true macro lenses, and TCs will only make
matters worse.

When I say general purpose, its NOT my specific purpose
or your specific purpose, its GENERAL PURPOSE
(all around MACRO usage) where a macro lens would
give better results than a NON MACRO
lens would. I don't agree than 90-105mm and longer
is a good general purpose macro lens focal length for APS.

The original poster did not specify a specific
usage so that is why I recommended a good general
purpose MACRO focal length on APS , like the 50mm SMC-A MACRO lens.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Wednesday, March 14, 2007 2:41 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


J. C. O'Connell wrote:

> But the topis was a ONE
> LENS macro setup, and for only one
> lens those long lenses are too long
> for general purpose macro IMHO.

And that's your opinion which does not match MY opinion for MY one lens 
macro kit.

> What make 300mm and 500mm true macro
> lenses are you using? I have never
> heard of any for 35mm/APS unless
> you are just using regular lenses
> with extensions.

The 300mm is a Canon 300mm F4 L IS and it focuses to ~4ft for 1:3 
magnification which is just about perfect for large butterflies (even 
better with a 1.4x TC).  The Sigma APO 300mm F4 AF MACRO lens I had 
before had very similar characteristics.

I know at least one guy that uses the 500mm with a 1.4x TC and 25mm 
extension for butterflies.  I have not tried mine in this way.

My point is that 50mm is not long COMPARED to 300mm or 500mm.

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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
yes, a WIDER AOV , (much more "normal" AOV ) from
a different, closer point of view than the really
long macro's extremely narrow AOV from more
distant POVs. 

The shorter than super long Macro lens
usage is essentially very different and used
for same reasons as non macro lenses. 
This is why for non macro usage 50mm
lenses are considered "normal" / "general
purpose" and 90-105mm lenses are NOT.

jco



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Wednesday, March 14, 2007 2:46 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


J. C. O'Connell wrote:
> NOPE, dont agree, your purpose is not general,
> its very limited to only smaller objects at
> higher. I am talking about doing everything you
> can do with a macro lens thats better than
> using a regular lens. I do pretty much it all.
> jco

I CAN do more than just smaller objects with a 100mm macro lens.  Can 
you describe a "general" use that a 100mm can't do and a 50mm can?

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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
nearly all zooms will have some geometry problems
that true prime macros dont, and with a zoom
its even HARDER to remove the geometry distortion
in digital post processing than a prime non-macro
lens discussed earlier. I would never recommend
zooms for macro unless you dont want the best
quality. The extra lens elements in a zoom increase flare
too. Its not just about sharpness, the flare and geometry
issues matter too.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Mark Roberts
Sent: Wednesday, March 14, 2007 1:13 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


Walter Hamler wrote:

>Thanks for all the various inputs on the Macro question. You all gave
me a 
>lot to think about.
>I just talked to the folks at B&H, and they would have had to order the
AF 
>version of the Phoenix 100mm f/3.5 macro (same lens as the Pentax 100
f/3.5 
>that is discontinued), BUT, they have the MF version in stock. So, for
>125.00 shipped, it is on its way. If for some reason I am unhappy with 
it, I 
>can probably sell for pretty close to that price and continue the
quest. 
>However, having seen results on the lens posted on the web I think I
will 
>like it.
>So, the flowers and bugs on GFM are on my list!!

For shooting macro at GFM you don't really need to bring any lens at 
all: You can usually borrow whatever you need :)

Personally, since I do the majority of my macro shooting in the field, 
I love using a zoom because it lets me, well, zoom; no futzing around 
with moving the tripod forward an inch or two or three, etc. (Yes, I 
know about macro focusing rails, but I'm trying to carry *less* gear, 
not more.) My old Vivitar 70-210 Series 1 goes to 1:2.5 by itself and 
around 1:1 with a 2-element achromatic diopter lens. Not as sharp as my 
Pentax F100/2.8 macro, but I usually end up shooting at small apertures 
where diffraction is the main limit on sharpness.



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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
Nope, 50mm is never short on APS, its
already way past "normal" even at
infinity and at 1:1, its three times
the lenght of a normal lens at infinity.
"short" lenses by my defintion would
havet be wide or at least normal length
and on APS 50mm is NOT.

Regarding using longer lenses, I am
not saying they are not useful for
some things, but the topis was a ONE
LENS macro setup, and for only one
lens those long lenses are too long
for general purpose macro IMHO.

What make 300mm and 500mm true macro
lenses are you using? I have never
heard of any for 35mm/APS unless
you are just using regular lenses
with extensions.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Wednesday, March 14, 2007 11:37 AM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


J. C. O'Connell wrote:
> they dont allow "better control of the background"
> when you WANT some more background do they? Thats
> what shorter lenses are for in a lot of cases.

Of course, I agree with that.  I use wide angles a lot for flower
macros.

> It is not always desired to have the extreme telephoto effect. And 
> even with the shorter lenses (50mm is NOT short in macro range on APS 
> anyway)

I have a 500mm and use a 300mm for butterfly closeups.  50mm is short.
:-)

> you can control
> background somewhat with DOF/aperture if needed.

Of course.

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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
NOPE, dont agree, your purpose is not general,
its very limited to only smaller objects at
higher. I am talking about doing everything you
can do with a macro lens thats better than 
using a regular lens. I do pretty much it all.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Wednesday, March 14, 2007 11:33 AM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


J. C. O'Connell wrote:
> I would rather have only a 50mm
> for APS than a 90-105mm. Thats what I mean by
> general purpose MACRO.

And I would rather have only a 100mm macro for APS-sized digital for my 
"general" purpose macro.

So really it is personal preference based on what subject you 
"generally" shoot.  I shoot bugs, so I like the 100mm for working 
distance.  The trade-off is that I need to back up to shoot larger 
objects.  You like the closer working distance of a 50mm, your trade-off

is that you have to get really close to smaller subjects.

Everything in photography is a compromise.  You make your choices based 
on what you need it for the most and use it as best you can for "other" 
subjects.

So my point, is that you are not right in your assessment that 50mm is 
better for "general" macro and at the same time I am not right that 
100mm is better for "general" macro.  Each is right for our purposes.

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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
When I say general macro, I mean to cover
most macro situations as best as possible
with only one lens. The longer lenses are
great for isolating a VERY TINY subject and the longer
working distance but they are just as bad
for having to get TOO far away for larger
objects, using at lower maginications, and are impossible
to do wider angles when you want to get
more of the background or surroundings 
in the frame, albeit out of focus to some
extent. Also depending on your "studio",
and "tabletop" the really long lenses
can force you to have to back up too far
and into a wall. Like I said, if you can
use multiple lenses are you much better off,
but if you cant I would rather have only a 50mm
for APS than a 90-105mm. Thats what I mean by
general purpose MACRO.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Wednesday, March 14, 2007 8:14 AM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


J. C. O'Connell wrote:
> I have used macros from 50mm to 180mm on 35mm format,
> (33mm to 120 on APS equiv.) and I find that its good
> to have multiple focal lengths just like normal photography, but just 
> like normal photography, if you only have one lens, you dont want only

> the long end of the scale and a 90-105mm on APS is the long end of the

> scale.

It all depends on your subject and how much magnification you want. 
Case: I like shooting bugs at 1:1.  50mm 1:2 macro is not gonna get me 
there and the working distance is WAY to short.  Therefore as my only 
macro lens, a ~100mm 1:1 lens makes sense because of the greater working

distance.  Even a 150-180-200mm 1:1 would be good for the extra working 
distance.  Bugs fly away, 50mm lenses don't have enough working
distance.

> 50mm on APS is
> nearly IDEAL single macro lens (75mm 35mm format equiv which was never

> or rarely made). To each his own, but if 50-60 and 90-105mm were so 
> popular for MACRO in 35mm format, then 33.3mm and 60-70mm is what
> would be equiv on APS and a 50mm lens like the 50mm SMC-A F2.8
> puts you firmly in that popular range, leaning towards the
> longer end, whilst a 90-105mm lens puts you way out there
> at 135-150mm equiv which is too long imho for a general purpose,
> one lens Macro lens kit. I would recommend a 50mm to start with and
> go with a longer lens only as a two lens macro kit, and if you
> go with three lenses, find a 35mm macro lens if you can.

your "general" one lens macro kit is "general" for what?  Flowers?  ok 
fine 50mm is great.  But my "general" one lens macro kit is for bugs so 
100mm is what I need.  All I'm saying is that primary subject matter is 
more important in selecting the lens than your criteria about APS vs 
35mm frame sizes.

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RE: Macro Lenses

2007-03-14 Thread J. C. O'Connell
they dont allow "better control of the background"
when you WANT some more background do they? Thats
what shorter lenses are for in a lot of cases.
It is not always desired to have the extreme telephoto
effect. And even with the shorter lenses (50mm is NOT
short in macro range on APS anyway) you can control
background somewhat with DOF/aperture if needed.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Christian
Sent: Wednesday, March 14, 2007 8:16 AM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


John Whittingham wrote:
> On Tue, 13 Mar 2007 19:44:27 -0400, J. C. O'Connell wrote
>> I have used macros from 50mm to 180mm on 35mm format,
>> (33mm to 120 on APS equiv.) and I find that its good
>> to have multiple focal lengths just like normal photography, but just

>> like normal photography, if you only have one lens, you dont want 
>> only the long end of the scale and a 90-105mm on APS is the long end 
>> of the scale. 50mm on APS is nearly IDEAL single macro lens (75mm 
>> 35mm format equiv which was never or rarely made). To each his own, 
>> but if 50-60 and 90-105mm were so popular for MACRO in 35mm format, 
>> then 33.3mm and 60-70mm is what
>> would be equiv on APS and a 50mm lens like the 50mm SMC-A F2.8
>> puts you firmly in that popular range, leaning towards the
>> longer end, whilst a 90-105mm lens puts you way out there
>> at 135-150mm equiv which is too long imho for a general purpose,
>> one lens Macro lens kit. I would recommend a 50mm to start with and
>> go with a longer lens only as a two lens macro kit, and if you
>> go with three lenses, find a 35mm macro lens if you can.
>> jco
> 
> Depends more on the subject matter IMHO, for repro work or working in 
> a
> controlled environment the 50mm on film or 35mm on digital is fine. I
find 
> for living subjects, insects, plants and the like the longer lenses
have a 
> distinct advantage, allowing more distance betwen the photog and
subject. I 
> have the M 50/4 and used it for copy work and slide copying with
bellows, but 
> I use the Sigma EX 105/2.8 for all other subject with film or digital
and 
> much prefer it.

I forgot to mention too that the longer focal lengths allow better 
control of the background due to the narrow angle of view which is a 
benefit for insect macros to avoid distracting background elements.

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RE: Macro Lenses

2007-03-13 Thread J. C. O'Connell
I have used macros from 50mm to 180mm on 35mm format,
(33mm to 120 on APS equiv.) and I find that its good
to have multiple focal lengths just like normal photography,
but just like normal photography, if you only have one lens, you
dont want only the long end of the scale and a 90-105mm
on APS is the long end of the scale. 50mm on APS is
nearly IDEAL single macro lens (75mm 35mm format equiv which
was never or rarely made). To each his own, but if 50-60 and 90-105mm
were so popular for MACRO in 35mm format, then 33.3mm and 60-70mm is
what
would be equiv on APS and a 50mm lens like the 50mm SMC-A F2.8
puts you firmly in that popular range, leaning towards the
longer end, whilst a 90-105mm lens puts you way out there
at 135-150mm equiv which is too long imho for a general purpose,
one lens Macro lens kit. I would recommend a 50mm to start with and
go with a longer lens only as a two lens macro kit, and if you
go with three lenses, find a 35mm macro lens if you can.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Brian Walters
Sent: Tuesday, March 13, 2007 7:20 PM
To: Pentax-Discuss Mail List
Subject: RE: Macro Lenses


I guess it depends on how close Walt wants to get.  A lot of what I do
is "close" rather than "true macro" and I find the extra distance with
the 90mm Tamron on the *ist DS is more workable than with my 50mm Macro
Takumar.  I often use flash and find that I can't get the light where I
want it with the 50.


Cheers

Brian

++
Brian Walters
Western Sydney Australia



 Quoting "J. C. O'Connell" <[EMAIL PROTECTED]>:

> If you are going to shoot APS digital I would recommend
> a 50mm over any 90-105mm Macros for a sole macro lens, those others 
> are too
> long for general purpose macro IMHO. I would go with a fast
> manual focus 50mm, which really limits you to the
> SMC-A 50mm F2.8 because the F4 models, while good, are
> a little too hard to focus at 50mm. I have one ( SAM-A 50mm F2.8,
> I
> actually
> bought it for APS digital years ago before I even got
> APS digital because the price was right, and it works
> quite nicely on the istDS and I would imagine even
> better on a K10D as its so sharp in the macro range.
> 
> I cant stress the 50mm strongly enough over 90-105mm if
> you only want one macro lens for APS. I often find
> even the 50mm too long, I would like a 35mm 2.8 Macro
> for APS too but I dont know of any out there yet.
> 
> jco
> 
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Walter Hamler
> Sent: Tuesday, March 13, 2007 5:43 PM
> To: pdml@pdml.net
> Subject: Macro Lenses
> 
> 
> I need a macro lens. Don't want to spend the bucks for the latest 
> Pentax AF,
> for that matter I think I would prefer a MF version. KEH has some
> 100mm
> f/4 
> in different versions, one being an A model. They also have a Sigma
> 90mm
> 
> f/2.8 A .
> Anyone know anything about these or others that I need to consider?
> 
> Walt

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RE: Macro Lenses

2007-03-13 Thread J. C. O'Connell
I think thats a bad recommendation, fast 50mm normal
lenses do not perform anywhere even
close (no pun) as Macro lenses in the
high magnificaion ranges under say
1:10. They are optimized for infinity and speed,
not closeup, and as such, dont do a very good
job closeup with tubes. Many "regular" lenses have close
focus limits built into the lens for a good reason,
the reason is the performance of the lens
goes to crapola when focussed closer.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: Tuesday, March 13, 2007 7:33 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses



- Original Message - 
From: "Brian Walters"
Subject: RE: Macro Lenses


>I guess it depends on how close Walt wants to get.  A lot of what I do 
>is
>"close" rather than "true macro" and I find the extra distance with the

>90mm Tamron on the *ist DS is more workable than with my 50mm Macro 
>Takumar.  I often use flash and find that I can't get the light where I

>want it with the 50.

I have macro lenses of 50mm, 100mm and 200mm. I had thought that the 50 
would get more use with the smaller format, but in fact, I haven't used
it 
yet on the digital. I am finding the A100/2.8 to be a gorgeous macro
lens on 
the DSLR, and have chosen it or the FA200/4 macro every time over the
50mm. Frankly, if you want a 50mm macro, get a 50/1.4 and a set of
extension 
tubes, it will probably serve you better as general purpose equipemnt
than a 
slow 50mm macro lens.

William Robb 


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RE: Macro Lenses

2007-03-13 Thread J. C. O'Connell
I dont think pentax made any m42 lenses
other than f1.4 IIRC. There were many
other focal lengths and the 55mm was
made in F1.8 but a Pentax 50mm F1.7 M42 lens?
Never heard of that
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Joseph Tainter
Sent: Tuesday, March 13, 2007 9:37 PM
To: pdml@pdml.net
Subject: Re: Macro Lenses


It has been said here quite a few times that the 50/1.7 is a better 
macro lens, but I don't think there was a 1.7 past the M or A series.

-

The 50 F1.7 started out as an M42 lens. I had it with my old H2 (H3?). 
Then it was produced in K mount through, I believe, 1977. Anyway, it is 
reputed to have a flatter field at close focusing and to be better for 
copy work than the contemporaneous 50/1.4.

Joe

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RE: Macro Lenses

2007-03-13 Thread J. C. O'Connell
In my experience, none of the fast 50mm normal lenses
are geometrically as linear when compared to 50mm dedicated macro
lenses. this can be important at times and no matter
what f-stop you shoot at it wont go away. Nowadays
though you CAN correct a lot of that distortion stuff in post
processing but if you dont want to bother with it at all
and you do a lot of macro than a true macro is the way to go for
 better geometry and saved labor.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Shel Belinkoff
Sent: Tuesday, March 13, 2007 8:37 PM
To: Pentax-Discuss Mail List
Subject: Re: Macro Lenses


It has been said here quite a few times that the 50/1.7 is a better
macro lens, but I don't think there was a 1.7 past the M or A series.
That said, I could never tell the difference between the M50/1.4 and the
M50/1.7 when used with xtension tubes and when the lenses were used
stopped down to 5.8 or smaller apertures.  I don't ever recall using
either lens at anything wider than 5.6 

Shel

> [Original Message]
> From: William Robb
> Frankly, if you want a 50mm macro,
> get a 50/1.4 and a set of extension 
> tubes, it will probably serve you better 
> as general purpose equipemnt than a 
> slow 50mm macro lens.



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RE: Macro Lenses

2007-03-13 Thread J. C. O'Connell
If you are going to shoot APS digital I would recommend
a 50mm over any 90-105mm Macros for a sole macro lens, those others are
too
long for general purpose macro IMHO. I would go with a fast
manual focus 50mm, which really limits you to the
SMC-A 50mm F2.8 because the F4 models, while good, are
a little too hard to focus at 50mm. I have one ( SAM-A 50mm F2.8, I
actually
bought it for APS digital years ago before I even got
APS digital because the price was right, and it works
quite nicely on the istDS and I would imagine even
better on a K10D as its so sharp in the macro range.

I cant stress the 50mm strongly enough over 90-105mm if
you only want one macro lens for APS. I often find
even the 50mm too long, I would like a 35mm 2.8 Macro
for APS too but I dont know of any out there yet. 

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Walter Hamler
Sent: Tuesday, March 13, 2007 5:43 PM
To: pdml@pdml.net
Subject: Macro Lenses


I need a macro lens. Don't want to spend the bucks for the latest Pentax
AF, 
for that matter I think I would prefer a MF version. KEH has some 100mm
f/4 
in different versions, one being an A model. They also have a Sigma 90mm

f/2.8 A .
Anyone know anything about these or others that I need to consider?

Walt 


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RE: Pentax and Foveon?

2007-03-10 Thread J. C. O'Connell
I dont agree you get "full" luminance information
from every bayer pixel be cause they are all limited
wavelength (red, green, or blue, only ) & depending
on the image wavelength distribution you will not
get full luminance resolution, these wavelengths
have to be summed to get the true luminance,
and once summed, its at a lower resoution than the "rated"
bayer resolution.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Peter Lacus
Sent: Saturday, March 10, 2007 1:45 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax and Foveon?


Hello John,

> why have you trucate edited my comments to make
> them out context? I was just commenting that
> in terms of resolution, a 3Mp true color sensor
> is more resolution than 10Mp bayer type sensor which
> is really only 2.5Mp true color upconverted/interpolated
> back up to a "fake" full color 10Mp., that's all.

I don't think they were out of context but I'm sorry if you felt it that

way. As I understand it you were comparing the resolution of "3Mp true 
color sensor" to that of "12Mp Bayer sensor". I just think it's probably

not entirely fair comparison because IMHO with Bayer sensor you are 
getting full resolution luminance information, it's just colour 
information what is incomplete and needs to be interpolated. I'm with 
John Francis on this one (3Mp Foveon =~ 6Mp Bayer) or I may even prefer 
6Mp Bayer over 3Mp Foveon (depending on subject).

Cheers,

Peter

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RE: Pentax and Foveon?

2007-03-10 Thread J. C. O'Connell
Oh yeah, to get full luminance information
from any "X" megapixel sensor, all the individual
pixels have to be wideband monochrome, (no bayer
filtering). I think kodak actually made one
like this at one time, I would love one, if it
was cheap and much higher resolution than
a same Mp color bayer one and I dont see why not.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Peter Lacus
Sent: Saturday, March 10, 2007 1:45 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax and Foveon?


Hello John,

> why have you trucate edited my comments to make
> them out context? I was just commenting that
> in terms of resolution, a 3Mp true color sensor
> is more resolution than 10Mp bayer type sensor which
> is really only 2.5Mp true color upconverted/interpolated
> back up to a "fake" full color 10Mp., that's all.

I don't think they were out of context but I'm sorry if you felt it that

way. As I understand it you were comparing the resolution of "3Mp true 
color sensor" to that of "12Mp Bayer sensor". I just think it's probably

not entirely fair comparison because IMHO with Bayer sensor you are 
getting full resolution luminance information, it's just colour 
information what is incomplete and needs to be interpolated. I'm with 
John Francis on this one (3Mp Foveon =~ 6Mp Bayer) or I may even prefer 
6Mp Bayer over 3Mp Foveon (depending on subject).

Cheers,

Peter

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RE: Pentax and Foveon?

2007-03-09 Thread J. C. O'Connell
I think you guy dont fully understand bayer and foveon type senosr
differences
or you wouldnt be floating numbers for a 3Mp foveon same as 6Mp or "9 Mp
at most" bayer.
3Mp true color pixels like on the foveon, would need 12Mp bayer pixels
for the
same true color resolution. Reason is simple, it takes 4 bayer pixels
to create on true color pixel like each pixel of the foveon type sensor
features.

The bayer sensors are really only 1/4 the color resolution of the rating
(6Mp is really 1.5MP true color, 10Mp is really only 2.5Mp true color,
etc.) and what
they do is cheat/upconvert the smaller color image X4 to get the color
output
the same number of pixels as the real monochrome number of pixels the
bayer
camera has. Thie is why when you look at any bayer sensor image at 100%
it looks soft compared to higher resolution images ( from medium or
large
format cameras, etc. ) which are downsized to that same resolution. the
image upconversion is somewhat of a scam really because they never
really
disclose that the outputted image on a bayer sensor camera has been
interpolated/
upsized instead of being a true color resolution.

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Godfrey DiGiorgi
Sent: Friday, March 09, 2007 7:19 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax and Foveon?



On Mar 9, 2007, at 4:03 PM, John Francis wrote:

> My impression (based on seeing the best Foveon could provide) is that 
> the 3MP Sigma produced results roughly comparable to those from a 6MP 
> Bayer Sensor.

That's the impression I get from talking with John Bean, who has a  
lot of experience with the Sigma DSLR as well as a Pentax *ist DS and  
Olympus E-1. He stopped using the Sigma in favor of the Pentax as the  
Pentax has far cleaner noise characteristics at elevated ISO  
settings, but the Sigma's rendering qualities at low ISOs was  
excellent, judging by looking at his photographs.

Godfrey

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RE: Pentax and Foveon?

2007-03-09 Thread J. C. O'Connell
why have you trucate edited my comments to make
them out context? I was just commenting that
in terms of resolution, a 3Mp true color sensor
is more resolution than 10Mp bayer type sensor which
is really only 2.5Mp true color upconverted/interpolated
back up to a "fake" full color 10Mp., that's all.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Peter Lacus
Sent: Friday, March 09, 2007 5:32 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax and Foveon?


> bayer for you to be interested? Even a 3Mp true color foveon is approx

> same as 12mp bayer, which is better

why do you think so, John?

Cheers,

Peter

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RE: Pentax and Foveon?

2007-03-09 Thread J. C. O'Connell
It would have to be at least the equiv of a 24Mp
bayer for you to be interested? Even a 3Mp true color foveon
is approx same as 12mp bayer, which is better
than pentax's best at this point... 
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Francis
Sent: Friday, March 09, 2007 12:40 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax and Foveon?


On Fri, Mar 09, 2007 at 12:07:25PM -0500, Mark Erickson wrote:
> Rumors are surfacing that Foveon sensors may show up in non Sigma 
> DSLRs in
> the next six months or so.  Foveon's design escapes resolution issues
that 
> are intrinsic to Bayer pattern color sensors.  I don't see why Pentax
has to 
> stick with Sony forever.  Wouldn't it be cool if Pentax tied up with
Foveon 
> for their next DSLR sensor? 
> 
>  --Mark

Not unless they come up with a sensor with more than 3M photosites.

If they have 6M 3-colour photosites I'd be interested, though.


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RE: Pentax and Foveon?

2007-03-09 Thread J. C. O'Connell
I do not think that Pentax or anyone else would
have any problem selling a top line camera with
a Foveon sensor that has better image quality than a Bayer
to potential buyers because the Mp spec is lower.
That type of customer already knows that difference
in these specification in the first place.

Secondly, I dont see why Foveon doesnt just
lie/deceive about their Mp like everyone else does.
All other DSLRS/ digicams are using phony
numbers anyway (they count monochrome pixels
as the Mp and have lower resolution interpolated
color outputs at same number), why not them too?
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Thibouille
Sent: Friday, March 09, 2007 12:21 PM
To: Pentax-Discuss Mail List
Subject: Re: Pentax and Foveon?


IMO Foveon has a problem: marketing number.
Only those who know that megapixels isn't the only thing will consider
such a sensor. Most poeple will notice it is not 10Mpix and will reject
it pretty quickly.

Sigma tries to be different than others using Foveon and it is a good
thing from Sigma I beleive but the "big ones" (and wannabe) won't get
into this (I hope they'd do this but I don't think so).

2007/3/9, Mark Erickson <[EMAIL PROTECTED]>:
> Rumors are surfacing that Foveon sensors may show up in non Sigma 
> DSLRs in the next six months or so.  Foveon's design escapes 
> resolution issues that are intrinsic to Bayer pattern color sensors.  
> I don't see why Pentax has to stick with Sony forever.  Wouldn't it be

> cool if Pentax tied up with Foveon for their next DSLR sensor?
>
>  --Mark
>
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RE: Prettiest/Ugliest Pentax Equipment (was RE: New Sony)

2007-03-09 Thread J. C. O'Connell
The prettiest camera pentax ever made by far
was the first spotmatic in black (without
the ugly hot shoe every camera since about
'75 now has). The damn thing ought to be
in a museum of fine art for it's sculpture.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Markus Maurer
Sent: Friday, March 09, 2007 10:12 AM
To: Pentax-Discuss Mail List
Subject: Prettiest/Ugliest Pentax Equipment (was RE: New Sony)


Hi Thibouille

I share your taste with the SFX series but to be fair, these ugly bodies
have served me very well over the last years. Maybe it was it's look and
size and weight that made them unwanted and available very cheap second
hand. But the SFXn has some "inner qualities".


If we talk about ugliness, I strongly vote for the F-series lenses, I
really hate how they look and feel. The most beautiful lenses must be
some of the M42 Takumar series, I vote for the SMC 85mm 1.8!

greetings
Markus



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Thibouille
Sent: Friday, March 09, 2007 9:03 AM
To: Pentax-Discuss Mail List
Subject: Re: New Sony


No way Ken, not a Z1P. I wouldn't call it a pretty camera but noway is
it ugly. I'd vote for A3000 or SFX, not sure.

We should make a poll: prettiest and ugliest Pentax camera :)

2007/3/9, K.Takeshita <[EMAIL PROTECTED]>:
> On 3/08/07 6:43 PM, "K.Takeshita", <[EMAIL PROTECTED]> wrote:
>
> > You are not the only one who thinks so, of course.  Why do you think
others
> > won't think that way?  What's wrong in chatting about the shape or
anything
> > else.
>
> BTW, the "ugliest" camera I encountered so far (at the time) was PZ-1p

> but it gave me what I wanted and I loved it.  Even though we joke 
> around what looks to be an old style pentaprism in steroid of Sony's 
> mockup, I am sure anyone in this list would pick it up if it offers 
> what he wants.  So, please.. :-).
>
> Ken
>
>
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RE: Sigma DP1

2007-03-09 Thread J. C. O'Connell
a smaller focussing screen will NOT be dimmer/
"fainter" just because its smaller. It would only
become dimmer/"fainter" for a given lens speed
if it is magnified more to match a larger screen
visually.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Dario Bonazza
Sent: Friday, March 09, 2007 3:34 AM
To: Pentax-Discuss Mail List
Subject: Re: Sigma DP1


In this case, all else is NOT being held equal. FourThirds viewfinder is

smaller and/or fainter due to smaller sensor size.
Once again the faster lens just compensates for that handicap, no gain.

Dario

- Original Message - 
From: "J. C. O'Connell" <[EMAIL PROTECTED]>
To: "'Pentax-Discuss Mail List'" 
Sent: Friday, March 09, 2007 6:11 AM
Subject: RE: Sigma DP1


> Even if all else is being held equal due to other factors, a faster 
> lens is still better than a slower lens in terms of viewfinder 
> brightness because your eyes
> always have the same sensitivity even if the crappy 4/3 sensor
doesnt...
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
> Of Boris Liberman
> Sent: Friday, March 09, 2007 12:01 AM
> To: Pentax-Discuss Mail List
> Subject: Re: Sigma DP1
>
>
> I understand...
>
> However at minimal ISO the noise is about as good as regular APS 
> cameras, right? Then, for this case only, the f/2 zoom would be 
> beneficial, isn't it?
>
> Boris
>
>
> Dario Bonazza wrote:
>> Adam Maas wrote:
>>
>>> It's pretty simple. The 4/3rds cameras are noisy at moderate ISO's. 
>>> 400 on a 4/3rds body is as noisy as 800-1600 on a larger sensor. So 
>>> you
> need
>>> faster lenses to be able to shoot in the same light with similar
> amounts
>>> of noise. Thus the f2 zooms get you no real boost in speed, since
> they
>>> only make up for the lower ISO necessary due to the noisy sensor.
>>
>> My thought exactly.
>>
>> Dario
>>
>
>
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RE: funky composition

2007-03-09 Thread J. C. O'Connell
Well if I had shot this on 4x5 all that might be possible,
but this is only a 6MP dslr image so the extreme cropping
wont work, just not enough resolution to maintain reasonable
image quality to do that.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Doug Franklin
Sent: Friday, March 09, 2007 12:39 AM
To: Pentax-Discuss Mail List
Subject: Re: funky composition


J. C. O'Connell wrote:
> I know what you mean, there is a lot going on,
> but the pool itself is cool as are the umbrellas,
> the sunbathers, the lone guy in the shade, the bar, etc, its just all 
> together the elements add up to a really funky composition dont they?

Yeah, but I think the "sub-photos" might be "better" when isolated from
that shot.  For example, statue-backed-by-pool and
tight-on-the-umbrellas.

In fact, this scene and the subscenes might lend themselves to a
somewhat different presentation, like some sort of collage of the
overall and the specific.

-- 
Thanks,
DougF (KG4LMZ)

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